what is the main point in an essay

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Finding the Main Point

The techniques in this chapter apply best to nonfiction work, including scholarly articles, informational texts, textbooks, and arguments. While they can also be used for fiction or creative nonfiction , strategies for reading literature often work better for these types of texts because literary texts don’t always have a clear main point. If you are reading fiction or creative nonfiction, I recommend asking your professor for guidance.

The techniques in this section can be used separately, but they can also be used together.

Break the Reading into Sections

Just like chapters in a novel, informative and other nonfiction texts are often made up of sections. A section of a text has a point of its own. You can think of sections in a text like building blocks, each adding to the structure and content of the whole. In this fashion, each section should contribute at least one key idea to the main point.

Keep in mind that it often takes several paragraphs to work through the explanation of a single point. A section might be as short as a single paragraph, but it also might be much longer—six, eight, ten paragraphs long.

You can treat each section as its own little mini-text and work to find the main point of that section. If you understand the point of each section, you can often piece together the main point by combining the points of the sections.

It is usually helpful to try to summarize each section of text in one or two sentences. When you read those sentences together, you can often more easily see the main point. This approach can also get you started on a full summary of the text.

Texts with Obvious Section Breaks

Sometimes sections will be obvious because they will be labeled with headings. You’ll see this in textbooks, for example. These headings work like titles in that they can give you clues about the contents of that section.

Sometimes, headings are conventional . For example, in scholarly research essays in many fields, headings such as “ method ,” “ results ,” and “ discussion ” tell an experienced reader what kind of information to expect in each of those sections.

Even if you don’t find any headings, sometimes you’ll see extra space between paragraphs, often with a decorative symbol (like ‡ or ***). Even though these dividers have no heading, you can still treat them as sections, but without the information that a heading would provide.

Texts Without Obvious Section Breaks

Sometimes, there are no headings or spacing to guide you in dividing up a text. That doesn’t mean that there aren’t sections. You just have to look harder for them.

Look first for changes in topics. In some texts, authors will talk about a series of topics that are related but are clearly distinct from one another. For example, a text that describes harms caused by climate change might discuss different kinds of harm—harm to plants, harm to animals, and harm to people—and each of those could be considered a different section.

Other times, however, the changes in topics aren’t obvious. In these cases, your best approach is to look at the opening sentences of paragraphs for the transitions :

• Transitions that show similarity (e.g., “also,” “likewise”) or example (e.g., “for instance,” “specifically”) usually do not indicate a section change. These signal that the author is continuing the same point.
• Transitions that show contrast (e.g., “however,” “on the other hand”) or sequence (e.g., “first,” “second,” “next”) frequently do indicate a section change. These signal a change in perspective or topic.
• Other types of transitions, such as those dealing with time (e.g., “before,” “recently”) or consequence (e.g., “therefore,” “accordingly”) may or may not signal a section change. You’ll have to read further or look for other clues.

Transitions are not always just single words, so you may have to look at the structure and meaning of those opening sentences to see how they are setting up the topic of the current paragraph.

Let’s take the following sentence and assume that it appears at the beginning of a paragraph: “While some may agree with Jones, others disagree.” Technically, there is no transition word in that sentence, but there is a transition idea. The first part of the sentence (“Some may agree with Jones”) gestures backward to what has already been discussed (Jones’s ideas). The second part (“others disagree”) signals that disagreement with Jones will be the subject of at least this paragraph, and maybe more.

Once you have identified sections, you can start working on understanding the point in each one and how that point contributes to the main point of the text.

A quick glance at Mitchell’s text shows three sections. Two of them have headings: “Segregated Coexistence” and “Living in Community.” The other section appears at the beginning of the article, so you could think of this one as “Introduction.” By the time I reached this point in the reading process, I’ve already read the article, so I should be able to identify the key ideas in each section.

Given these headings, I would expect that the introduction would set up the article as a whole and would introduce key terms and concepts—the kind of work that introductions do in just about any article. The introduction explains that diversity is not just demographics. It also explains that the “quality of diversity” is a term that Mitchell is using to think about how Americans live together and how we handle the fact that there are differences among us. He says that there are two “stances”: “segregated coexistence” and “living in community,” which are the other two headings in this article.

“Segregated Coexistence” is the state of affairs now. He points out statistics and census data that show that we live in enclaves, grouped by race and ethnicity. He claims that such segregation creates a base for racism since it places some people in worse conditions than others and grouping like this makes other kinds of discrimination easier.

“Living in Community” is integration. Mitchell says that this is hard because we will have to acknowledge genuinely the race-based harms that have been done, address those harms, and make real changes in our current society so that such harms are avoided. This will only happen if we want it to work.

The last few paragraphs of this section aren’t describing “living in community.” Instead, they are doing some conclusion work, and I’ll talk about this in the next section. Because I believe that I’ll need the points in those last four paragraphs to explain the main point, I’ll save my thoughts about the main point for the next section. However, notice that my division between this section “Breaking the Reading into Sections” and the next “Focusing on the Ending and the Beginning” is artificial. That is, you would look at the ending and beginning of Mitchell’s article as part of breaking the reading into sections.

If I’m taking notes on the sections, I would almost certainly see that the last four paragraphs are really a separate section, just without a section break. Why do I see it as a separate section? At the paragraph beginning with “Doing that work,” Mitchell changes topics from explaining the work of living in community to talking about the foundational question we need to answer, “How should we treat those whom we see as different from us?”

Using an article you are working on or the article that you’ve chosen from the example assignment , identify the sections, and write out notes on the key ideas in each one.

Compare your notes with those of a classmate working on the same article. Talk through any differences to help you understand the focus of each section and ultimately identify the main point of the article.

Focus on the Ending and the Beginning

When we read, we remember best what we read last. Authors know this, so they often make sure that they provide some kind of clarity about their main point at the end of a text. If a text is intended to be read through to the end, you are very likely to find the main point there.

Not all genres put their main points at the end.

Some, like newspaper articles, put their main point up front—usually in the first sentence. Newspaper articles are written with the expectation that most readers will read the headline and a few paragraphs of the story, so the main point is put right at the beginning (in what is called the “lead,” sometimes spelled “lede”).

This is also true for articles that use IMRD structure. IMRD stands for Introduction, Method, Results, Discussion, and this structure is very common in scholarly research articles in the natural and social sciences. In those articles, the main point can be found in the abstract, within the first couple of paragraphs of the discussion section, and sometimes in the introduction.

If you aren’t sure whether you are reading something that places the main point in an unusual place, you should ask your professor for more guidance.

We remember best what we read last, but we also tend to remember what we read first. If you don’t see a main point at the end of a text, look back at the beginning to see if it’s there. It may also be in both places and a repeated idea is usually a pretty big signal that you have found the central idea.

In my example set of notes in the last section, I noted that the last few paragraphs of Mitchell’s article aren’t really focused on “living in community.” In the last four paragraphs, he talks mostly about the debates in our society about how we should treat people from races and ethnicities that are not our own. He says that we should figure out what we want our real-world lives to be like when we think about diversity and that diversity is not just a theoretical issue for debate.

He doesn’t give us an answer directly, but it’s pretty clear that he thinks living in community is a better option than segregated coexistence. First, he puts living in community last, which is a signal that he thinks it’s more important. Second, he talks about things like “domestic stability” in ways that imply that we’ll be more stable if we were integrated rather than segregated.

Even though I was pretty sure I had found his main point, I checked the beginning, too, just to be thorough. The beginning focuses on the idea of the quality of diversity in America and how that concept is central to the debates about race relations happening at the time he wrote this article. In other words, he thinks we need to deal with this choice if we want our circumstances to get better.

So, when I put the beginning together with the ending, I see him focused on this central point: that Americans need to think actively about the real-world effects of choosing segregation (our current situation) over integration, which has a much better chance of providing stability in our society. He also suggests that we’ll be better people for choosing living in community.

Using the article that you’re working on or the one that you’ve chosen from the example assignment , examine the ending and then the beginning, and write out notes on the key ideas in each one. Coupled with your notes from the sections, you should be able to write a sentence or two that explains the main point of your article.

Compare your notes and your sense of the main point with those of a classmate working on the same article. Talk through any differences that will help you strengthen your understanding of the main point.

Follow the Topic Sentences

Topic sentences are the sentences that sum up the main idea in a paragraph. In longer paragraphs, they help readers (and writers) remain focused on the key point. But topic sentences can also be read together to get a clearer idea of the main point of an article or chapter or even a section of a text.

Topic sentences are often, though not always, the first sentence in a paragraph, but they can appear anywhere. Since there is no hard and fast rule about their location, you want to watch for them. After you read a paragraph, go back and look specifically for that summary idea, the one that pulls together the specific information in a paragraph.

When you string topic sentences together, you get the gist of the author’s point in a text. You can highlight those sentences in your text, but it might also help to copy those sentences into a separate document and read them together. They won’t sound coherent, but if you focus on the ways in which the ideas develop, you should be able to identify the main point of the article.

This approach doesn’t work with Mitchell’s text. None of his paragraphs are longer than two sentences, so I wouldn’t bother trying to identify the main point this way.

Just to show you what this approach looks like, though, let’s take the introduction to the book To Be An American: Cultural Pluralism and the Rhetoric of Assimilation by Bill Ong Hing, one of the titles I used to discuss subtitles.

The introduction is made up of fourteen paragraphs, averaging just under five sentences per paragraph. Here, I have copied those topic sentences, including information after each about which sentence number it is (the first number) and how many sentences there are in the paragraph (the number after the slash).

¶1 This paragraph has no topic sentence. Instead, there are three sentences of examples of proposals and legislation that would limit immigration and services for immigrants and undocumented residents.

¶2 “Is there any doubt that we are experiencing one of the most potent periods of anti-immigrant fervor in the United States?” (1/6)

¶3 “Much of America is hurting economically, insecure about its economic future…. To many who make up this part of America, the explanation that restrictionists (those who would severely reduce immigrant visas) offer up—the immigrant as culprit—makes sense.” (1/7 and 4/7)

¶4 “Since 1965, America has experienced significant demographic changes.” (1/5)

¶5 “Not since the first decade of the twentieth century—when southern and eastern Europeans entered in large numbers for the first time—has there been such a dramatic change in the ethnic composition of the nation.” (7/7)

¶6 “These demographic trends, altering the ethnic composition of America, have defined the debate for many modern-day restrictionists on what it means to become an American.” (1/5)

¶7 “Underlying the debate over immigrants and American identity is a concern about the interaction, or lack of interaction, among different racial groups.” (3/3)

¶8 “The current level of anti-immigrant rhetoric is simply not justified on economic grounds.” (3/3)

¶9 “Until we can understand the real causes of our fears about job loss and public bankruptcy, we cannot evaluate immigrants’ actual collective role in our economy.” (2/7)

¶10 “Because the principal complaint of restrictionists today is culturally and socially premised, the primary purpose of my efforts here is to analyze the positions of two broad groups: first, the assimilationists, whose opposition to current immigration is chiefly grounded in cultural or social complaints, and second, the cultural pluralists, the counterpart to the assimilationists, who promote diversity or multiculturalism…. We must all be encouraged to consider a new approach to cultural pluralism which respects diverse views and cultures, which is constantly attentive to race relations, and which shares a common core set of values.” (1/7 and 6/7)

¶11 “In their current attack on the influx of Asian and Latino immigrants and criticism of interethnic group conflict and separatism, assimilationists essentially posit two solutions: terminate or drastically curtail immigration; and Americanize those who are here. In response to these proposals that are couched in a rhetoric of culture, I set forth my own constantly evolving notions of cultural pluralism and what it means to be an American.” (1/2 and 2/2)

¶12 “Immigrant adaptation, and the creation of a common core, must be viewed as the dual responsibility of the immigrant and the mainstream.” (8/8)

¶13 “As I consider these issues, my experiences growing up in a multicultural community and working with immigrants seem relevant.” (1/4)

¶14 “Restrictionists and pro-immigrant advocates do agree on one critical point: we face a defining moment in the nation’s history. The course we choose will tell us much about ourselves.” (1/2 and 2/2)

Notice that sometimes I need to identify more than one sentence to get the point of a paragraph, and when there are two-sentence paragraphs, I really need both of them to be sure about the point.

It also helps to think about where in this book this part of the text appears. The introduction to a book, much like the introduction of an article, should give an overview of the text and lay out the central terms or concepts.

From reading these sentences, especially after reading the full introduction, I can see that the book is going to focus on the positions of “restrictionists” (defined by Hing as “those who would severely reduce immigrant visas” in paragraph 3; a group which includes those who believe that anyone who immigrates here should assimilate with American culture) and cultural pluralists (“who promote diversity or multiculturalism” in paragraph 10). According to this introduction, Hing’s book will be examining these positions in light of his own experiences and in relation to the idea that there are (or should be) a set of core values that define what it means to be American. Hing plans to argue the need for immigrants to be involved in defining that set of core values.

Using an article that you’re working on or one that you’ve chosen from the example assignment , first decide whether this approach will help. Remember that it really only works when you have long-ish paragraphs with topic sentences.

If your article has this kind of paragraph structure, copy out the topic sentences into a new document. Using these sentences as a guide, explain the main idea of that article.

If your article does not, locate another reading that you are working on, perhaps for another class, and try this approach. Again, using the sentences that you copy out, explain the main idea of the text.

Compare your notes and your sense of the main point with those of a classmate working on the same text, even if it’s not one of the texts here. Talk through any differences that will help you strengthen your understanding of the main point.

Eliminate the Examples

Some texts use a lot of examples. While examples help us understand the point, they will never actually contain the main point of a text. If you find yourself getting caught up in the details or the stories in an article, you can temporarily get those out of the way.

Try printing out a hard copy or copying the article (or the difficult part of it) into a word processor. Then cross or black out everything that is an example. What you are left with will be the author’s explanations, and while what’s left won’t give you a coherent explanation, it should help you find the main point.

Here’s what happens when I remove the examples from Mitchell’s “Segregated Coexistence” section:

Working on a copy of one section from the article that you are working on, eliminate the examples. Using a black pen or highlighter, cross out or cover over everything that is an example, whether it’s a complete paragraph, a sentence, or part of a sentence. Read what’s left, and write a brief description of the main point of that section.

Identify Who Is Talking

To determine when the author is speaking and when the author is using the voices of others, look for the following:

• Quotation marks and the attributive tags that go with them: Jones says, “The sky is gray today.”
• References to specific people or organizations in the same sentence or in the sentences immediately around the point, even without the quotation marks: United Airlines has made a point of saying that the sky is gray.
• Vague references to groups of people, with or without sources provided: Some say that the gray has a yellow tint.
• Citations or links to other sources for the information: The yellow tint to the gray can be caused by the sun (Jones and Smith, 2016).

You might find it helpful to identify in your annotations or notes how the author is using these voices, either as supporting or opposing voices.

Supporting Voices

Frequently, these viewpoints are supporting the author’s position or providing authority for their claims. In effect, the author is saying, “See? These other important and knowledgeable people agree with me!”

While these supporting viewpoints are helpful and even necessary, they are not the same as the author’s viewpoint, and so you won’t find the main point in these supporting voices.

Mitchell uses a number of sources to support the ideas he is presenting. Here are a couple of examples:

• He quotes the Othering and Belonging Institute report on the ways that most people living in metropolitan areas feel they are more segregated now than in 1990 and how the legacy of the redlining practices of the 1930s can be seen in present-day segregation. This supports his claim that we currently live in segregated coexistence.
• He paraphrases Eric Yamamoto to explain what would be involved in the process of interracial justice that would lead to racial reconciliation. This supports his point that a change to living in community would be difficult.

Notice that in both of these, Mitchell himself still has to make his own points. In other words, the Othering and Belonging Institute isn’t making a specific claim about segregated coexistence—that’s Mitchell’s claim. And Yamamoto is not explaining living in community. Again, that’s Mitchell’s point. The sources just provide support for the point that Mitchell wants to make.

Opposing Voices

Sometimes it can seem like an author is contradicting themselves. While sometimes this is true, instead the author is usually presenting someone else’s viewpoint as part of their argument. This is called a counterargument .

In a counterargument, an author will present an opposing idea in order to respond, usually in a way that explains why the author’s idea is better. For example, an author who wants to argue against the use of facial recognition technology might explain what others see as the benefits before making the case that this technology is too racially biased. You want to make sure that you understand when you are reading the author’s point and when you are reading the point of a source.

Mitchell does not directly cite or attribute any opposing arguments. There are no quotations or paraphrases from people who oppose his position. However, the opposing positions are still there. Here are a couple of examples:

• “We tend to think of diversity in demographic terms….” That “we tend” is vague, and it becomes more clearly a point Mitchell opposes when in that same sentence he writes “but that’s an incomplete take.” By offering a contrasting position immediately, we know that Mitchell doesn’t think that it’s enough to use demography to determine diversity.
• At the beginning of the “Segregated Coexistence” section, he writes, “Segregated coexistence is a standard of diversity that relies on a surface-level demography that you could call ‘diverse’ because different races all live in one geographic region….” We know that this isn’t his position, even though there isn’t a citation or attribution because he says, “that you could call ‘diverse.’” This phrasing, plus the use of the scare quotes around “diverse,” tell us that he doesn’t buy that position, even though some people do.

There could be several reasons why Mitchell chooses not to identify specific sources for opposing positions in his article. He might, for example, prefer to focus on the alternative he proposes instead of getting caught up in the specific arguments around segregation. Or he might want to imply that these beliefs are vague, something we all seem to “know” without really knowing where the ideas come from. There could be other reasons, too.

Finding the Main Point in the Author’s Voice

Authors bring in other voices to support their ideas or to explain where their ideas are preferable. These voices serve as evidence in their writing, but just like examples, the evidence cannot speak on behalf of the author. The author must do their own speaking, particularly on their main points.

Keep this in mind as you read and make note of who is speaking at any given point in a text. The voices of others are not the author’s voice—and thus will not contain the author’s main point. These voices will be support and evidence, and they can help you identify the main point, but they cannot be the main point.

Missing Voices

Arguably, some of our significant problems stem from ignoring or silencing alternative viewpoints. Think about how medicine has been tested on men’s bodies, but not as frequently on women’s. Or how Indigenous peoples have been excluded from conversations about climate change. Or how we are currently seeing attempts to erase LGBTQ+ people entirely in many parts of the world, including the United States.

As you read, you would be wise to pay attention to those whose voices don’t appear in the text. When you find those moments, speculate about why that might be.

For example, Mitchell does not offer the perspective of Black people who believe that they would be better off with increased segregation. Why might that be so? He may believe that that position is not reasonable or likely to happen. It’s also a very small movement in the United States.

To me, this missing voice doesn’t detract from Mitchell’s point, but in some texts, the absence of particular voices is significant. For example, if you watch the nightly news, you can get a very skewed view of Black people in the United States since that demographic group is over-represented in crime stories and under-represented in positive stories. Where do Black people get to share their perspectives, and where are they silenced?

While you are not likely to find the author’s main point in these silences, these moments can often turn into important points for your own analysis and arguments. Make sure that you make note of these!

• The main point in a text is the key idea that the author is trying to convey.
• Break the reading into sections, and identify the main point of each section. Put those together to figure out the main point of the entire piece.
• Look at the ending and beginning of the text, especially the ending.
• Examine the topic sentences of each paragraph, particularly when the paragraphs are long.
• Eliminate the examples.
• Be sure that you locate the main point in a section where the author is making their own point.
• Where the author is using a source to support their points
• Where the author is using a source to refute an argument (counterargument)
• Where the author is making vague claims about what others know or believe
• Where the author has missed one or more perspectives

Media Attribution

Finding the Main Point, Photo by Patricia Lynne and Carl Hommel

Two Students Debating by SereDim, used under a CC BY-NC 4.0 license.

Text Attribution

This section of this chapter headed “Follow the Topic Sentences” contains material taken from the chapter “Paragraph Analysis” from The Word on College Reading and Writing by Carol Burnell, Jaime Wood, Monique Babin, Susan Pesznecker, and Nicole Rosevear and is used under a CC BY-NC 4.0 license.

Storytelling about real-life people or events.

Normal or usual for a given field or community. See also "convention."

The section of a research article describing the materials and procedures of the study at hand.

The section of a research article describing the findings of the study.

The section of a research article describing the most important results and what those results mean.

A word or group of words that guide the reader logically from one idea to the next in a text.

A phrase embedded in a sentence that indicates the source of the information in that sentence. Sometimes these tags can serve as citations, particularly when there are no page numbers to reference.

An argument that opposes the argument that an author is making; also used to describe an author's response to that opposing argument.

Quotation marks around a word used to draw attention to that word, not as a quotation from a source, usually indicating skepticism.

Reading and Writing Successfully in College: A Guide for Students [Revised Edition] Copyright © 2024 by Patricia Lynne is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License , except where otherwise noted.

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Essay writing: Main body

• Introductions
• Conclusions
• Analysing questions
• Planning & drafting
• Revising & editing
• Proofreading
• Essay writing videos

Jump to content on this page:

“An appropriate use of paragraphs is an essential part of writing coherent and well-structured essays.” Don Shiach,   How to write essays

The main body of your essay is where you deliver your argument . Its building blocks are well structured, academic paragraphs. Each paragraph is in itself an  individual argument  and when put together they should form a clear narrative that leads the reader to the inevitability of your conclusion.

The importance of the paragraph

A good academic paragraph is a special thing. It makes a clear point, backed up by good quality academic evidence, with a clear explanation of how the evidence supports the point and why the point is relevant to your overall argument  which supports your position . When these paragraphs are put together with appropriate links, there is a logical flow that takes the reader naturally to your essay's conclusion. 

As a general rule there should be one clear key point per paragraph , otherwise your reader could become overwhelmed with evidence that supports different points and makes your argument harder to follow. If you follow the basic structure below, you will be able to build effective paragraphs and so make the main body of your essay deliver on what you say it will do in your introduction.

Paragraph structure

• A topic sentence – what is the overall point that the paragraph is making?
• Evidence that supports your point – this is usually your cited material.
• Explanation of why the point is important and how it helps with your overall argument.
• A link (if necessary) to the next paragraph (or to the previous one if coming at the beginning of the paragraph) or back to the essay question.

This is a good order to use when you are new to writing academic essays - but as you get more accomplished you can adapt it as necessary. The important thing is to make sure all of these elements are present within the paragraph.

The sections below explain more about each of these elements.

The topic sentence (Point)

This should appear early in the paragraph and is often, but not always, the first sentence.  It should clearly state the main point that you are making in the paragraph. When you are planning essays, writing down a list of your topic sentences is an excellent way to check that your argument flows well from one point to the next.

This is the evidence that backs up your topic sentence. Why do you believe what you have written in your topic sentence? The evidence is usually paraphrased or quoted material from your reading . Depending on the nature of the assignment, it could also include:

• Your own data (in a research project for example).
• Personal experiences from practice (especially for Social Care, Health Sciences and Education).
• Personal experiences from learning (in a reflective essay for example).

Any evidence from external sources should, of course, be referenced.

Explanation (analysis)

This is the part of your paragraph where you explain to your reader why the evidence supports the point and why that point is relevant to your overall argument. It is where you answer the question 'So what?'. Tell the reader how the information in the paragraph helps you answer the question and how it leads to your conclusion. Your analysis should attempt to persuade the reader that your conclusion is the correct one.

These are the parts of your paragraphs that will get you the higher marks in any marking scheme.

Links are optional but it will help your argument flow if you include them. They are sentences that help the reader understand how the parts of your argument are connected . Most commonly they come at the end of the paragraph but they can be equally effective at the beginning of the next one. Sometimes a link is split between the end of one paragraph and the beginning of the next (see the example paragraph below).

Paragraph structure video

Length of a paragraph

Academic paragraphs are usually between 200 and 300 words long (they vary more than this but it is a useful guide). The important thing is that they should be long enough to contain all the above material. Only move onto a new paragraph if you are making a new point. 

Many students make their paragraphs too short (because they are not including enough or any analysis) or too long (they are made up of several different points).

Example of an academic paragraph

Using storytelling in educational settings can enable educators to connect with their students because of inborn tendencies for humans to listen to stories.   Written languages have only existed for between 6,000 and 7,000 years (Daniels & Bright, 1995) before then, and continually ever since in many cultures, important lessons for life were passed on using the oral tradition of storytelling. These varied from simple informative tales, to help us learn how to find food or avoid danger, to more magical and miraculous stories designed to help us see how we can resolve conflict and find our place in society (Zipes, 2012). Oral storytelling traditions are still fundamental to native American culture and Rebecca Bishop, a native American public relations officer (quoted in Sorensen, 2012) believes that the physical act of storytelling is a special thing; children will automatically stop what they are doing and listen when a story is told. Professional communicators report that this continues to adulthood (Simmons, 2006; Stevenson, 2008).   This means that storytelling can be a powerful tool for connecting with students of all ages in a way that a list of bullet points in a PowerPoint presentation cannot. The emotional connection and innate, almost hardwired, need to listen when someone tells a story means that educators can teach memorable lessons in a uniquely engaging manner that is   common to all cultures. 

The cross-cultural element of storytelling can be seen when reading or listening to wisdom tales from around the world...

Key:   Topic sentence    Evidence (includes some analysis)    Analysis   Link (crosses into next paragraph)

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Reading to Understand

• Reading to Understand (8 minutes)
• Working with Context Clues (5 minutes)
• The Main Idea

Steps for Identifying the Main Idea

• Knowledge Check
• Academic Reading Challenges (7 minutes)

The main idea is the point or message - what an author presents and what a reader takes from a text. 

Searching for that main idea is a very important activity in understanding a text. It is usually found in the opening paragraph when the author is  setting up the topic  and  expressing the thesis.  

However, the location can vary according to the type of reading. For example, a research article's main idea is toward the end, whereas a persuasive essay's main idea is conveyed at the beginning.

Pre-read to Determine the Overall Topic

Examine the title and then skim the text to determine who or what the reading is about. If you see the same word repeated you know that it is likely the topic or at least an important element of the topic. The topic should be a noun or a noun phrase such as "online education." The topic itself does not convey any meeting us you must read on to determine the main idea.

Ask yourself questions about the text as you read in-depth. Pay close attention to the introduction, the first sentence of body paragraphs, and the conclusion. In these places, the author typically states and supports the main idea. 

Questions to Ask Yourself While Reading : 

• What elements make up this topic?
• What is the author saying about this topic?
• What does the author want me to know or believe about this topic?

Reflect on what you have read. If the main idea is not immediately apparent to you review the introduction and conclusion. The  main idea should be a complete thought  such as "because of its flexibility, comfort, and lower-cost online education is increasing in popularity for younger generations."

Questions to Ask Yourself While Reflecting:

• What is the message I take away from this reading?
• What point does the information add up to?
• What idea does the author reinforce in the conclusion?
• What is the final impression I have about this topic?

Finding the Main Idea

Once you believe you have found the main idea, check that each body paragraph relates to that main idea. The body paragraph should include  supporting ideas  that reinforce and provide greater detail about the main idea. 

Some students find it beneficial to sketch the main idea and supporting ideas in their notes as a concept map.

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Home ➔ What's an Essay?

What Is an Essay and Its Features?

The are various definitions for “essay.” But here, we will focus on the meaning of this word, which has become a significant element of education in countries such as the United States, Canada, the United Kingdom, and Australia.

If summarized in simple terms within the academic context, the essay’s definition would be the following:

An essay is a short, nonfictional piece of formal writing assigned to students to improve their writing skills or assess their knowledge of a given subject.

Alternative Essay Definitions

Here are some of the many definitions of an essay:

• According to Frederick Crews, professor of English at the University of California at Berkeley, an essay is “a fairly brief piece of nonfiction that tries to make a point in an interesting way.”
• A famous essayist, Aldous Huxley, notes that “the essay is a literary device for saying almost everything about almost anything” and divides essays into personal-biographical, objectively-factual, and abstract-universal.
• The Oxford Dictionary defines it as “a short piece of writing on a particular subject.”

Essays can be broadly categorized into formal essays and informal essays. Formal essays are characterized by their structured nature, employing a more formal language, and having a clearly defined purpose, contrasting with the more free-form and personal tone of informal essays.

Note: Apart from the secondary and tertiary education purpose, essays (also called papers reports) are often required when applying to colleges and universities to help them select the best applicants during the admissions.

If you study the word’s origin and history, you might better understand its purpose. The word “essay” comes from the Middle French word essayer, which in turn comes from Latin exigere, meaning “to test,” “examine,” and “drive out.”

This “archaeological” linguistic journey reveals the idea behind essays, encouraging learners to examine their ideas concerning a particular topic in-depth and test them. By nature, essays are short and require a clearly defined purpose of writing that you must adhere to in your paper.

There’s a lot to be learned from essay writing: critical analysis, observation, interpretation, narration, persuasion, close reading, preparation, and time management. All these skills can be valuable even beyond the school walls.

Lastly, in the visual arts, creative works can also be called essays if they present a personal reflection on a particular matter. So, film essays or photo essays fall into the general category of essays.

What is an essay structure like?

An essay is generally composed of three parts and has the following structure :

• Introduction (hook, background information, and your thesis statement) – provides context for the reader and gives an argument in the form of a thesis statement.
• Body section (usually, one paragraph for each main idea) – the main section where evidence is presented to persuade the reader to adopt the writer’s point of view or prove something.
• Conclusion – the last section that summarizes everything you have discussed in your essay and provides the final perspective on the subject.

Generally, an essay must focus on the author’s argument and supporting evidence. However, the variety of essay types involves many other forms and styles. Argumentative and expository essays are particularly common in university-level education, known for their structured approach to presenting information and making clear points.

Common Essay Types

Understanding the different types of essays is pretty important for your academic success. Each essay type serves its own purpose and requires a different approach, so here’s a brief look at some of the most common essay types you might encounter during your school times.

Argumentative Essay

An argumentative essay demands you to present a viewpoint on a (usually) controversial issue. Your task would generally be to persuade the reader through some solid logical reasoning and credible evidence with relevant examples. All that will involve creating a very clear thesis statement, presenting well-researched evidence, and addressing opposing views and ideas, if there are such. Getting an argumentative essay as an assignment is common in subjects like politics, ethics, and social sciences, where there’s a lot of debate on different topics. An example of a common topic for this essay would be something like “Should the death penalty be abolished?”

Expository Essay

An expository essay focuses more on explaining a topic in a straightforward and logical manner. In such an essay, you will be presenting facts, statistics, and examples without any kind of your personal opinion. It’s usually built around a clear thesis statement and uses logical transitions to connect ideas from one paragraph to another. In general, expository essays are often used in academic settings to test students’ understanding of a subject or to explain complex ideas in a simple way. A common topic would be “The process of photosynthesis in plants.”, for example.

Narrative Essay

Narrative essays tell a story. These are often personal and can be both factual (based on a true story) and fictional. The key elements of this essay include a plot, characters, setting, and a climax. Unlike other essays, a narrative essay is much more creative and allows you to express your experiences or a story imaginatively and without some kind of rigid structure to follow. It’s often used in high school and college writing courses to develop storytelling skills. You would write about something like “A memorable trip to the mountains.”

Descriptive Essay

A descriptive essay aims to paint a picture but with words. This essay uses vivid descriptions and sensory details to engage the reader’s senses and emotions and is more focused on the details and nuances of the subject, whether it’s a person, place, object, or event. Descriptive essays are great for creative writing classes and help develop one’s ability to describe something in great detail. One of the possible topics here might be “The bustling atmosphere of a city market.”

Critical Essay

A critical essay evaluates a text, piece of art, or performance. It involves a thorough analysis and interpretation of the work, supported by credible evidence. The goal when writing this one is to provide a critical perspective, assessing the subject’s strengths and weaknesses. This type of essay is a common assignment in literature, film studies, and art history courses, where critical thinking and analytical skills are essential for the subject. A common topic here would be ‘An analysis of the themes in “To Kill a Mockingbird.”‘

History Essay

A history essay examines historical events and their impact. This type requires extensive research and a deep understanding of historical context. When writing it, you will be analyzing various historical sources, presenting a clear argument on the topic, and supporting it with historical evidence. History essays are obviously assigned in history courses and help develop research and analytical skills, as well as the ability to construct coherent historical narratives. Something like “The causes and effects of the French Revolution.” would be a common topic here.

10 Characteristics of a Good Essay

The structure and characteristics vary, but there are criteria you can apply to almost any academic essay. Below are ten characteristics that make a good essay.

You can find many works like Victor Segalen’s “Essay on Exoticism: An Aesthetics of Diversity” spanning many pages. But, as an academic assignment, essays are usually concise and range from 200 to 500 words.

Note: To learn more about essay length, check this article — How Long Should My Paper Be?

A narrowed-down topic

Because of the word count limit, your topic cannot be extensive and should focus on one aspect of the subject.

A subject is a broad concept: gun control, US history, WWII, Napoleonic Wars, business ethics, academic dishonesty, school dress code, etc. Those are not topics because you can write books on them.

Choose a more specific topic to cover. Ask yourself “Who? What? Where? When? Why? and How?” questions about the subject matter. That strategy will allow you to limit the number of choices and pick something you like.

For instance, let’s narrow down the gun control subject . Something like “Video games are not the problem, but poor gun control policies are” can be your topic.

Well-structured body paragraphs

In a nutshell, an essay’s body can be described as a series of paragraphs. But they all have a uniform structure you must maintain in the paper. It goes as follows:

1. Topic sentence

This is the first sentence, and it expresses the paragraph’s main idea. It acts like a mini-hook that attracts the reader’s attention.

Let’s say you’re working on a descriptive essay about your brother’s room.

Bad topic sentence:

My brother’s room is a mess.

Good topic sentence:

If they gave me one dollar every time I walked into my brother’s room and thought it was clean, I would be dead broke.

2. The main part

Here, you develop your topic sentence further, and there are many ways to do that:

• Provide facts or statistics
• Give reasons
• Illustrate with examples
• Use relevant quotes
• Present your opinion
• Share experiences
• Leverage human senses

Note: Make sure to cite your sources properly. Learn more here: How to Cite Sources (MLA and APA styles) .

3. Conclusion with a transition

If you had to write only one paragraph, this is where you would end the narrative. But, in academic essays, this last sentence transitions to the next idea — the next paragraph.

Clear thesis statement

A thesis is the main idea of your paper. It’s usually one sentence that shows the reader what your essay is about. The challenging part is to squeeze the purpose of your writing into one sentence and in such a way that would make the reader want to debate it.

To check if your thesis statement is correct, make sure:

• It’s not just an announcement of purpose that starts with “In this paper.”
• It’s not a question because thesis statements answer, not ask.
• It’s not a mere fact.
• It’s not a broad topic without a challenging opinion.
• It’s not a vague thought — make it more focused.
• It’s not disconnected from the main paragraphs.

Personal motivation

This one seems quite simple, but you won’t always find the answer to the “Why do I want to write about this topic” question easily. Even if the subject feels like the last thing you’d be interested in, there’s always something that can motivate you to write.

The reader would notice if you had zero motivation while writing the essay.

There’s no trick — just start writing . Once you are working on it, brainstorm all the ideas related to the subject. If you find it challenging to organize your thoughts right away, try freewriting — start writing everything that comes to your mind. Yes, there will be a lot of ideas not connected with one another, but you can choose the ones making sense and work with them further.

Evidence and examples support claims

Each of your topic sentences in the main paragraphs should be supported. You can:

• Explain what you meant by defining the main terms or phenomena.
• Provide more details about the topic sentence.
• Illustrate with examples, facts, or statistics.
• Cite field experts who support your opinion.
• Share your relevant experience, if any.

Use the method you believe is the most appropriate in your case.

Evidence is analyzed

Just facts, statistics, or quotations are not enough. You must analyze the proof and show how you can compare data and establish causal links.

Note: Use cohesive devices like transition words and conjunctions to hold your essay together as one unit.

No grammar mistakes

The last period is placed, and you think, “Finally, it’s done! Now, back to the fun stuff.” By doing so, you will hand in an essay riddled with mistakes.

Proofreading matters. After the first draft, double-check it for all possible mistakes: grammar, punctuation, word usage, logic flow, etc.

• Read it out loud.
• Ask your friend or family member to give their opinion.
• Put it away for some time to proofread it later.

The structure is consistent

Ensure your paper follows the structure described before. Check if your conclusion and introduction are about the same — the same applies to the body paragraphs.

Note: This article will give you valuable insights into the structure — How to Write an Essay .

It is coherent

Another criterion they use to grade your essay is its coherence (unity). To check this point, ask yourself:

• Are all ideas related to the essay’s topic and thesis statement?
• Are all my evidence, arguments, and conclusions connected to my thesis statement?
• Are all ideas arranged in a logical order?
• Are there enough linking words? Or is it too many of them?
• Are there enough pronouns and synonyms so that the essay isn’t repetitive?

The last tip on essay writing: always check your assignment sheet and clarify anything you don’t understand with your tutor or professor. Your college might have some special requirements regarding the content or style. So, make sure you studied all the instructions for the task thoroughly.

Why do we have to write essays in school?

Writing essays in school is a crucial component of academic writing, serving as a foundational practice for developing skills in various types of essays, such as argumentative, descriptive, narrative, expository, and more. Through the process of essay writing, students learn to articulate their ideas and thoughts more coherently, practice forming main and alternative arguments backed up by evidence, and enhance their ability to present clear explanations, craft creative descriptions, and structure narratives effectively. This practice not only helps build strong academic writing skills but also prepares students for writing research papers, submission essays, and contributing to academic journals, thereby playing a significant role in their academic and professional growth.

How are essays evaluated?

In schools, essays are typically evaluated based on a combination of criteria such as quality of your argument, evidence you presented, structure and organization, grammar and vocabulary accuracy, adherence to formatting requirements (if any), creativity, originality, critical thinking skills displayed, etc. The evaluator (usually your teacher or professor) will look at all these aspects to assess the essay’s overall quality.

How many paragraphs should there be in an essay?

The number of paragraphs in an essay will vary depending on its length and purpose. In general, a standard essay should have at least 3-4 paragraphs: an introduction paragraph to provide background information and set out your main argument; 2-3 body paragraphs where you flesh out your argument with evidence; and a conclusion paragraph summarizing your key points or drawing conclusions from your evidence.

The list of references

• What is an essay? — Bow Valley College
• Overview of the Academic Essay — Harvard University
• Essay Writing — Purdue University
• Basic Essay and Paragraph Format — Utah Valley University

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Ultimate Guide to Writing Your College Essay

Tips for writing an effective college essay.

College admissions essays are an important part of your college application and gives you the chance to show colleges and universities your character and experiences. This guide will give you tips to write an effective college essay.

Want free help with your college essay?

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Writing a strong college admissions essay

Learn about the elements of a solid admissions essay.

Avoiding common admissions essay mistakes

Learn some of the most common mistakes made on college essays

Brainstorming tips for your college essay

Stuck on what to write your college essay about? Here are some exercises to help you get started.

How formal should the tone of your college essay be?

Learn how formal your college essay should be and get tips on how to bring out your natural voice.

Taking your college essay to the next level

Hear an admissions expert discuss the appropriate level of depth necessary in your college essay.

Student Stories

Student Story: Admissions essay about a formative experience

Get the perspective of a current college student on how he approached the admissions essay.

Student Story: Admissions essay about personal identity

Get the perspective of a current college student on how she approached the admissions essay.

Student Story: Admissions essay about community impact

Student story: admissions essay about a past mistake, how to write a college application essay, tips for writing an effective application essay, sample college essay 1 with feedback, sample college essay 2 with feedback.

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TOPIC SENTENCE/ In his numerous writings, Marx critiques capitalism by identifying its flaws. ANALYSIS OF EVIDENCE/ By critiquing the political economy and capitalism, Marx implores his reader to think critically about their position in society and restores awareness in the proletariat class. EVIDENCE/ To Marx, capitalism is a system characterized by the “exploitation of the many by the few,” in which workers accept the exploitation of their labor and receive only harm of “alienation,” rather than true benefits ( MER 487). He writes that “labour produces for the rich wonderful things – but for the worker it produces privation. It produces palaces—but for the worker, hovels. It produces beauty—but for the worker, deformity” (MER 73). Marx argues capitalism is a system in which the laborer is repeatedly harmed and estranged from himself, his labor, and other people, while the owner of his labor – the capitalist – receives the benefits ( MER 74). And while industry progresses, the worker “sinks deeper and deeper below the conditions of existence of his own class” ( MER 483).  ANALYSIS OF EVIDENCE/ But while Marx critiques the political economy, he does not explicitly say “capitalism is wrong.” Rather, his close examination of the system makes its flaws obvious. Only once the working class realizes the flaws of the system, Marx believes, will they - must they - rise up against their bourgeois masters and achieve the necessary and inevitable communist revolution.

Not every paragraph will be structured exactly like this one, of course. But as you draft your own paragraphs, look for all three of these elements: topic sentence, evidence, and analysis.

• picture_as_pdf Anatomy Of a Body Paragraph

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Academic Writing: How to Argue in an Essay

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• 17th November 2019

Something often overlooked in academic writing is that  a good essay  must present a good argument. Admittedly, not a shouting-at-each-other-until-red-in-the-face kind of argument. Rather, it should be a structured set of premises leading to a logical conclusion, backed up by evidence. But what does this mean precisely? Herein, we look at how to argue in an essay.

The Anatomy of an Argument

One key aspect of knowing how to argue in academic writing is understanding what we mean by “argument” in this context: i.e., a set of premises that, together, lead to a conclusion . To explain this further:

• A “premise” is any statement you hold to be true.
• A conclusion is a position that follows from the truth of the premises.

For example, we could put forward the following premises:

• “Dogs are color blind.”
• “Vincent van Gogh’s paintings are colorful.”

Then, in light of accepting these premises, we would have to accept the conclusion that “Dogs do not appreciate the brilliance of Vincent van Gogh.”

Deductive vs. Inductive Arguments

Part of knowing how to argue involves knowing what kind of argument you’re making. And there are two main types of argument –  deductive and inductive  – though both follow the basic formula set out above.

The stronger of these are deductive arguments, since the conclusion of a deductive argument follows from the truth of its premises:

1st Premise: Dogs are mammals. 2nd Premise: All mammals are vertebrates. Conclusion: Dogs are vertebrates.

Simply put,  you cannot dispute the conclusion of the above argument if you accept the premises. This makes the argument “valid.”

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The premises of an inductive argument, by comparison, simply present the conclusion as probable, rather than logically necessary:

1st Premise: My dog is furry. 2nd Premise: My neighbor’s dog is furry. 3rd Premise: Every dog I’ve seen so far has been furry. Conclusion: The next dog I see will be furry.

In the above argument, the premises provide a compelling reason to accept the conclusion. However, they don’t show it is certain, since there are hairless dog breeds, even if they’re rarer. As such, the inductive argument is about plausibility or probability, not logical certainty.

Knowing whether you’re making a deductive or an inductive argument is very important, as it affects the kind of conclusions you can draw.

How to Argue Your Point in an Essay

So, how do you put this into practice in your writing? To make a good argument in an essay, you may need to do several things. These include:

• Develop a thesis statement . This will outline your premises and the conclusion you will draw. The idea of this to to set up the basic outline of your argument, which you will develop in the main body of your essay.
• Link the points in your argument. Depending on the length of your essay, address each part of your argument in a separate paragraph or section. In addition, you should discuss them in a logical order, drawing connections between them where possible.
• Include evidence . In an academic essay, this usually means drawing upon past research (e.g., existing studies) or experimental data (e.g., a questionnaire) to support each point. Without evidence, all you have is an unsupported claim.
• Consider counterarguments. This lets you address potential objections to your point preemptively, strengthening your own argument.
• Create a strong conclusion . This should follow clearly from the preceding points (your premises). It’s important to not just summarize your essay, but to also show how the evidence you’ve presented supports your claim and how each point works with the others to contribute to your argument as a whole.

It’s vital to ensure that everything – from the literature review to the conclusion – supports your main argument. Knowing what you’re arguing and how your points support this will help you to express yourself clearly. Still not sure how this structure should work? Check out this handy graphic we’ve put together.

And if you’d like someone to help ensure your essays are always error free, you can submit a document for proofreading today.

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A well-structured essay is important as it enhances readability, ensures logical flow, and effectively communicates the main ideas. When your essay is clearly organised it helps the reader understand and retain the essay's key points.

A typical assignment has an introduction, a main body and a conclusion. The purpose of the introduction is to signpost everything that a reader can expect from the assignment. The main body is where this will be delivered, and the conclusion provides a summary of the main points, perhaps guiding us to further reading or investigation.

A high-quality essay is composed of high-quality sentences. This page focuses on rules for writing complete sentences that flow together to create a well written academic piece.

Common errors in structure

This guide highlights common errors in structure and argument, and gives you a short explanation of what you can do to avoid them. 

What this handout is about

This handout will define what an argument is and explain why you need one in most of your academic essays.

Arguments are everywhere

You may be surprised to hear that the word “argument” does not have to be written anywhere in your assignment for it to be an important part of your task. In fact, making an argument—expressing a point of view on a subject and supporting it with evidence—is often the aim of academic writing. Your instructors may assume that you know this and thus may not explain the importance of arguments in class.

Most material you learn in college is or has been debated by someone, somewhere, at some time. Even when the material you read or hear is presented as a simple fact, it may actually be one person’s interpretation of a set of information. Instructors may call on you to examine that interpretation and defend it, refute it, or offer some new view of your own. In writing assignments, you will almost always need to do more than just summarize information that you have gathered or regurgitate facts that have been discussed in class. You will need to develop a point of view on or interpretation of that material and provide evidence for your position.

Consider an example. For nearly 2000 years, educated people in many Western cultures believed that bloodletting—deliberately causing a sick person to lose blood—was the most effective treatment for a variety of illnesses. The claim that bloodletting is beneficial to human health was not widely questioned until the 1800s, and some physicians continued to recommend bloodletting as late as the 1920s. Medical practices have now changed because some people began to doubt the effectiveness of bloodletting; these people argued against it and provided convincing evidence. Human knowledge grows out of such differences of opinion, and scholars like your instructors spend their lives engaged in debate over what claims may be counted as accurate in their fields. In their courses, they want you to engage in similar kinds of critical thinking and debate.

Argumentation is not just what your instructors do. We all use argumentation on a daily basis, and you probably already have some skill at crafting an argument. The more you improve your skills in this area, the better you will be at thinking critically, reasoning, making choices, and weighing evidence.

Making a claim

What is an argument? In academic writing, an argument is usually a main idea, often called a “claim” or “thesis statement,” backed up with evidence that supports the idea. In the majority of college papers, you will need to make some sort of claim and use evidence to support it, and your ability to do this well will separate your papers from those of students who see assignments as mere accumulations of fact and detail. In other words, gone are the happy days of being given a “topic” about which you can write anything. It is time to stake out a position and prove why it is a good position for a thinking person to hold. See our handout on thesis statements .

Claims can be as simple as “Protons are positively charged and electrons are negatively charged,” with evidence such as, “In this experiment, protons and electrons acted in such and such a way.” Claims can also be as complex as “Genre is the most important element to the contract of expectations between filmmaker and audience,” using reasoning and evidence such as, “defying genre expectations can create a complete apocalypse of story form and content, leaving us stranded in a sort of genre-less abyss.” In either case, the rest of your paper will detail the reasoning and evidence that have led you to believe that your position is best.

When beginning to write a paper, ask yourself, “What is my point?” For example, the point of this handout is to help you become a better writer, and we are arguing that an important step in the process of writing effective arguments is understanding the concept of argumentation. If your papers do not have a main point, they cannot be arguing for anything. Asking yourself what your point is can help you avoid a mere “information dump.” Consider this: your instructors probably know a lot more than you do about your subject matter. Why, then, would you want to provide them with material they already know? Instructors are usually looking for two things:

• Proof that you understand the material
• A demonstration of your ability to use or apply the material in ways that go beyond what you have read or heard.

This second part can be done in many ways: you can critique the material, apply it to something else, or even just explain it in a different way. In order to succeed at this second step, though, you must have a particular point to argue.

Arguments in academic writing are usually complex and take time to develop. Your argument will need to be more than a simple or obvious statement such as “Frank Lloyd Wright was a great architect.” Such a statement might capture your initial impressions of Wright as you have studied him in class; however, you need to look deeper and express specifically what caused that “greatness.” Your instructor will probably expect something more complicated, such as “Frank Lloyd Wright’s architecture combines elements of European modernism, Asian aesthetic form, and locally found materials to create a unique new style,” or “There are many strong similarities between Wright’s building designs and those of his mother, which suggests that he may have borrowed some of her ideas.” To develop your argument, you would then define your terms and prove your claim with evidence from Wright’s drawings and buildings and those of the other architects you mentioned.

Do not stop with having a point. You have to back up your point with evidence. The strength of your evidence, and your use of it, can make or break your argument. See our handout on evidence . You already have the natural inclination for this type of thinking, if not in an academic setting. Think about how you talked your parents into letting you borrow the family car. Did you present them with lots of instances of your past trustworthiness? Did you make them feel guilty because your friends’ parents all let them drive? Did you whine until they just wanted you to shut up? Did you look up statistics on teen driving and use them to show how you didn’t fit the dangerous-driver profile? These are all types of argumentation, and they exist in academia in similar forms.

Every field has slightly different requirements for acceptable evidence, so familiarize yourself with some arguments from within that field instead of just applying whatever evidence you like best. Pay attention to your textbooks and your instructor’s lectures. What types of argument and evidence are they using? The type of evidence that sways an English instructor may not work to convince a sociology instructor. Find out what counts as proof that something is true in that field. Is it statistics, a logical development of points, something from the object being discussed (art work, text, culture, or atom), the way something works, or some combination of more than one of these things?

Be consistent with your evidence. Unlike negotiating for the use of your parents’ car, a college paper is not the place for an all-out blitz of every type of argument. You can often use more than one type of evidence within a paper, but make sure that within each section you are providing the reader with evidence appropriate to each claim. So, if you start a paragraph or section with a statement like “Putting the student seating area closer to the basketball court will raise player performance,” do not follow with your evidence on how much more money the university could raise by letting more students go to games for free. Information about how fan support raises player morale, which then results in better play, would be a better follow-up. Your next section could offer clear reasons why undergraduates have as much or more right to attend an undergraduate event as wealthy alumni—but this information would not go in the same section as the fan support stuff. You cannot convince a confused person, so keep things tidy and ordered.

Counterargument

One way to strengthen your argument and show that you have a deep understanding of the issue you are discussing is to anticipate and address counterarguments or objections. By considering what someone who disagrees with your position might have to say about your argument, you show that you have thought things through, and you dispose of some of the reasons your audience might have for not accepting your argument. Recall our discussion of student seating in the Dean Dome. To make the most effective argument possible, you should consider not only what students would say about seating but also what alumni who have paid a lot to get good seats might say.

You can generate counterarguments by asking yourself how someone who disagrees with you might respond to each of the points you’ve made or your position as a whole. If you can’t immediately imagine another position, here are some strategies to try:

• Do some research. It may seem to you that no one could possibly disagree with the position you are arguing, but someone probably has. For example, some people argue that a hotdog is a sandwich. If you are making an argument concerning, for example, the characteristics of an exceptional sandwich, you might want to see what some of these people have to say.
• Talk with a friend or with your teacher. Another person may be able to imagine counterarguments that haven’t occurred to you.
• Consider your conclusion or claim and the premises of your argument and imagine someone who denies each of them. For example, if you argued, “Cats make the best pets. This is because they are clean and independent,” you might imagine someone saying, “Cats do not make the best pets. They are dirty and needy.”

Once you have thought up some counterarguments, consider how you will respond to them—will you concede that your opponent has a point but explain why your audience should nonetheless accept your argument? Will you reject the counterargument and explain why it is mistaken? Either way, you will want to leave your reader with a sense that your argument is stronger than opposing arguments.

When you are summarizing opposing arguments, be charitable. Present each argument fairly and objectively, rather than trying to make it look foolish. You want to show that you have considered the many sides of the issue. If you simply attack or caricature your opponent (also referred to as presenting a “straw man”), you suggest that your argument is only capable of defeating an extremely weak adversary, which may undermine your argument rather than enhance it.

It is usually better to consider one or two serious counterarguments in some depth, rather than to give a long but superficial list of many different counterarguments and replies.

Be sure that your reply is consistent with your original argument. If considering a counterargument changes your position, you will need to go back and revise your original argument accordingly.

Audience is a very important consideration in argument. Take a look at our handout on audience . A lifetime of dealing with your family members has helped you figure out which arguments work best to persuade each of them. Maybe whining works with one parent, but the other will only accept cold, hard statistics. Your kid brother may listen only to the sound of money in his palm. It’s usually wise to think of your audience in an academic setting as someone who is perfectly smart but who doesn’t necessarily agree with you. You are not just expressing your opinion in an argument (“It’s true because I said so”), and in most cases your audience will know something about the subject at hand—so you will need sturdy proof. At the same time, do not think of your audience as capable of reading your mind. You have to come out and state both your claim and your evidence clearly. Do not assume that because the instructor knows the material, he or she understands what part of it you are using, what you think about it, and why you have taken the position you’ve chosen.

Critical reading

Critical reading is a big part of understanding argument. Although some of the material you read will be very persuasive, do not fall under the spell of the printed word as authority. Very few of your instructors think of the texts they assign as the last word on the subject. Remember that the author of every text has an agenda, something that he or she wants you to believe. This is OK—everything is written from someone’s perspective—but it’s a good thing to be aware of. For more information on objectivity and bias and on reading sources carefully, read our handouts on evaluating print sources and reading to write .

Take notes either in the margins of your source (if you are using a photocopy or your own book) or on a separate sheet as you read. Put away that highlighter! Simply highlighting a text is good for memorizing the main ideas in that text—it does not encourage critical reading. Part of your goal as a reader should be to put the author’s ideas in your own words. Then you can stop thinking of these ideas as facts and start thinking of them as arguments.

When you read, ask yourself questions like “What is the author trying to prove?” and “What is the author assuming I will agree with?” Do you agree with the author? Does the author adequately defend her argument? What kind of proof does she use? Is there something she leaves out that you would put in? Does putting it in hurt her argument? As you get used to reading critically, you will start to see the sometimes hidden agendas of other writers, and you can use this skill to improve your own ability to craft effective arguments.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Anson, Chris M., and Robert A. Schwegler. 2010. The Longman Handbook for Writers and Readers , 6th ed. New York: Longman.

Booth, Wayne C., Gregory G. Colomb, Joseph M. Williams, Joseph Bizup, and William T. FitzGerald. 2016. The Craft of Research , 4th ed. Chicago: University of Chicago Press.

Ede, Lisa. 2004. Work in Progress: A Guide to Academic Writing and Revising , 6th ed. Boston: Bedford/St Martin’s.

Gage, John T. 2005. The Shape of Reason: Argumentative Writing in College , 4th ed. New York: Longman.

Lunsford, Andrea A., and John J. Ruszkiewicz. 2016. Everything’s an Argument , 7th ed. Boston: Bedford/St Martin’s.

Rosen, Leonard J., and Laurence Behrens. 2003. The Allyn & Bacon Handbook , 5th ed. New York: Longman.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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• Knowledge Base
• How to conclude an essay | Interactive example

How to Conclude an Essay | Interactive Example

Published on January 24, 2019 by Shona McCombes . Revised on July 23, 2023.

The conclusion is the final paragraph of your essay . A strong conclusion aims to:

• Tie together the essay’s main points
• Show why your argument matters
• Leave the reader with a strong impression

Your conclusion should give a sense of closure and completion to your argument, but also show what new questions or possibilities it has opened up.

This conclusion is taken from our annotated essay example , which discusses the history of the Braille system. Hover over each part to see why it’s effective.

Braille paved the way for dramatic cultural changes in the way blind people were treated and the opportunities available to them. Louis Braille’s innovation was to reimagine existing reading systems from a blind perspective, and the success of this invention required sighted teachers to adapt to their students’ reality instead of the other way around. In this sense, Braille helped drive broader social changes in the status of blindness. New accessibility tools provide practical advantages to those who need them, but they can also change the perspectives and attitudes of those who do not.

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Table of contents

Step 1: return to your thesis, step 2: review your main points, step 3: show why it matters, what shouldn’t go in the conclusion, more examples of essay conclusions, other interesting articles, frequently asked questions about writing an essay conclusion.

To begin your conclusion, signal that the essay is coming to an end by returning to your overall argument.

Don’t just repeat your thesis statement —instead, try to rephrase your argument in a way that shows how it has been developed since the introduction.

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Next, remind the reader of the main points that you used to support your argument.

Avoid simply summarizing each paragraph or repeating each point in order; try to bring your points together in a way that makes the connections between them clear. The conclusion is your final chance to show how all the paragraphs of your essay add up to a coherent whole.

To wrap up your conclusion, zoom out to a broader view of the topic and consider the implications of your argument. For example:

• Does it contribute a new understanding of your topic?
• Does it raise new questions for future study?
• Does it lead to practical suggestions or predictions?
• Can it be applied to different contexts?
• Can it be connected to a broader debate or theme?

Whatever your essay is about, the conclusion should aim to emphasize the significance of your argument, whether that’s within your academic subject or in the wider world.

Try to end with a strong, decisive sentence, leaving the reader with a lingering sense of interest in your topic.

The easiest way to improve your conclusion is to eliminate these common mistakes.

Don’t include new evidence

Any evidence or analysis that is essential to supporting your thesis statement should appear in the main body of the essay.

The conclusion might include minor pieces of new information—for example, a sentence or two discussing broader implications, or a quotation that nicely summarizes your central point. But it shouldn’t introduce any major new sources or ideas that need further explanation to understand.

Don’t use “concluding phrases”

Avoid using obvious stock phrases to tell the reader what you’re doing:

• “In conclusion…”
• “To sum up…”

These phrases aren’t forbidden, but they can make your writing sound weak. By returning to your main argument, it will quickly become clear that you are concluding the essay—you shouldn’t have to spell it out.

Don’t undermine your argument

Avoid using apologetic phrases that sound uncertain or confused:

• “This is just one approach among many.”
• “There are good arguments on both sides of this issue.”
• “There is no clear answer to this problem.”

Even if your essay has explored different points of view, your own position should be clear. There may be many possible approaches to the topic, but you want to leave the reader convinced that yours is the best one!

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• Argumentative
• Literary analysis

This conclusion is taken from an argumentative essay about the internet’s impact on education. It acknowledges the opposing arguments while taking a clear, decisive position.

The internet has had a major positive impact on the world of education; occasional pitfalls aside, its value is evident in numerous applications. The future of teaching lies in the possibilities the internet opens up for communication, research, and interactivity. As the popularity of distance learning shows, students value the flexibility and accessibility offered by digital education, and educators should fully embrace these advantages. The internet’s dangers, real and imaginary, have been documented exhaustively by skeptics, but the internet is here to stay; it is time to focus seriously on its potential for good.

This conclusion is taken from a short expository essay that explains the invention of the printing press and its effects on European society. It focuses on giving a clear, concise overview of what was covered in the essay.

The invention of the printing press was important not only in terms of its immediate cultural and economic effects, but also in terms of its major impact on politics and religion across Europe. In the century following the invention of the printing press, the relatively stationary intellectual atmosphere of the Middle Ages gave way to the social upheavals of the Reformation and the Renaissance. A single technological innovation had contributed to the total reshaping of the continent.

This conclusion is taken from a literary analysis essay about Mary Shelley’s Frankenstein . It summarizes what the essay’s analysis achieved and emphasizes its originality.

By tracing the depiction of Frankenstein through the novel’s three volumes, I have demonstrated how the narrative structure shifts our perception of the character. While the Frankenstein of the first volume is depicted as having innocent intentions, the second and third volumes—first in the creature’s accusatory voice, and then in his own voice—increasingly undermine him, causing him to appear alternately ridiculous and vindictive. Far from the one-dimensional villain he is often taken to be, the character of Frankenstein is compelling because of the dynamic narrative frame in which he is placed. In this frame, Frankenstein’s narrative self-presentation responds to the images of him we see from others’ perspectives. This conclusion sheds new light on the novel, foregrounding Shelley’s unique layering of narrative perspectives and its importance for the depiction of character.

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

• Ad hominem fallacy
• Post hoc fallacy
• Appeal to authority fallacy
• False cause fallacy
• Sunk cost fallacy

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Your essay’s conclusion should contain:

• A rephrased version of your overall thesis
• A brief review of the key points you made in the main body
• An indication of why your argument matters

The conclusion may also reflect on the broader implications of your argument, showing how your ideas could applied to other contexts or debates.

For a stronger conclusion paragraph, avoid including:

• Important evidence or analysis that wasn’t mentioned in the main body
• Generic concluding phrases (e.g. “In conclusion…”)
• Weak statements that undermine your argument (e.g. “There are good points on both sides of this issue.”)

Your conclusion should leave the reader with a strong, decisive impression of your work.

The conclusion paragraph of an essay is usually shorter than the introduction . As a rule, it shouldn’t take up more than 10–15% of the text.

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