what is biography fiction

Literary Devices

Literary devices, terms, and elements, definition of biography, difference between biography and autobiography, common examples of biography.

The genre of biography is so popular that there is even a cable network originally devoted to telling the stories of famous people’s lives (fittingly called The Biography Channel). The stories proved to be such good television that other networks caught on, such as VH1 producing biographies under the series name “Behind the Music.” Some examples of written biographies have become famous in their own right, such as the following books:

Significance of Biography in Literature

The genre of biography developed out of other forms of historical nonfiction, choosing to focus on one specific person’s experience rather than all important players. There are examples of biography all the way back to 44 B.C. when Roman biographer Cornelius Nepos wrote Excellentium Imperatorum Vitae (“Lives of those capable of commanding”). The Greek historian Plutarch was also famous for his biographies, creating a series of biographies of famous Greeks and Romans in his book Parallel Lives . After the printing press was created, one of the first “bestsellers” was the 1550 famous biography Lives of the Artists by Giorgio Vasari. Biography then got very popular in the 18th century with James Boswell’s 1791 publication of The Life of Samuel Johnson . Biography continues to be one of the best selling genres in literature, and has led to a number of literary prizes specifically for this form.

Examples of Biography in Literature

And I can imagine Farmer saying he doesn’t care if no one else is willing to follow their example. He’s still going to make these hikes, he’d insist, because if you say that seven hours is too long to walk for two families of patients, you’re saying that their lives matter less than some others’, and the idea that some lives matter less is the root of all that’s wrong with the world.

Tracy Kidder’s wonderful example of biography, Mountains Beyond Mountains , brought the work of Dr. Paul Farmer to a wider audience. Dr. Farmer cofounded the organization Partners in Health (PIH) in 1987 to provide free treatment to patients in Haiti; the organization later created similar projects in countries such as Russia, Peru, and Rwanda. Dr. Farmer was not necessarily a famous man before Tracy Kidder’s biography was published, though he was well-regarded in his own field. The biography describes Farmer’s work as well as some of his personal life.

On July 2, McCandless finished reading Tolstoy’s “Family Happiness”, having marked several passages that moved him: “He was right in saying that the only certain happiness in life is to live for others…” Then, on July 3, he shouldered his backpack and began the twenty-mile hike to the improved road. Two days later, halfway there, he arrived in heavy rain at the beaver ponds that blocked access to the west bank of the Teklanika River. In April they’d been frozen over and hadn’t presented an obstacle. Now he must have been alarmed to find a three-acre lake covering the trail.

Jon Krakauer is a writer and outdoorsman famous for many nonfiction books, including his own experience in a mountaineering disaster on Mount Everest in 1996. His book Into the Wild is a nonfiction biography of a young boy, Christopher McCandless who chose to donate all of his money and go into the wilderness in the American West. McCandless starved to death in Denali National Park in 1992. The biography delved into the facts surrounding McCandless’s death, as well as incorporating some of Krakauer’s own experience.

A commanding woman versed in politics, diplomacy, and governance; fluent in nine languages; silver-tongued and charismatic, Cleopatra nonetheless seems the joint creation of Roman propagandists and Hollywood directors.

Stacy Schiff wrote a new biography of Cleopatra in 2010 in order to divide fact from fiction, and go back to the amazing and intriguing personality of the woman herself. The biography was very well received for being both scrupulously referenced as well as highly literary and imaginative.

Confident that he was clever, resourceful, and bold enough to escape any predicament, [Louie] was almost incapable of discouragement. When history carried him into war, this resilient optimism would define him.

( Unbroken: A World War II Story of Survival, Resilience, and Redemption by Laura Hillenbrand)

I remember sitting in his backyard in his garden, one day, and he started talking about God. He [Jobs] said, “ Sometimes I believe in God, sometimes I don’t. I think it’s 50/50, maybe. But ever since I’ve had cancer, I’ve been thinking about it more, and I find myself believing a bit more, maybe it’s because I want to believe in an afterlife, that when you die, it doesn’t just all disappear. The wisdom you’ve accumulated, somehow it lives on.”

Steve Jobs is one of the most famous cultural icons of modern-day America and, indeed, around the world, and thus his biography was eagerly awaited. The author, Walter Isaacson, was able to interview Jobs extensively during the writing process. Thus, the above excerpt is possible where the writer is a character in the story himself, asking Jobs about his views on life and philosophy of the world.

Test Your Knowledge of Biography

3. Which of the following statements is true? A. Biographies are one of the best selling genres in contemporary literature. B. Biographies are always written about famous people. C. Biographies were first written in the 18th century. [spoiler title=”Answer to Question #3″] Answer: A is the correct answer.[/spoiler]

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Fictionalized biography

Fiction presented as biography.

• “Special-purpose” biography
• Letters, diaries, and journals
• Memoirs and reminiscences
• Formal autobiography
• Specialized forms of autobiography
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The books in this fifth category belong to biographical literature only by courtesy. Materials are freely invented, scenes and conversations are imagined; unlike the previous category, this class often depends almost entirely upon secondary sources and cursory research. Its authors, well represented on the paperback shelves, have created a hybrid form designed to mate the appeal of the novel with a vague claim to authenticity. This form is exemplified by writers such as Irving Stone , in his Lust for Life (on Vincent van Gogh ) and The Agony and the Ecstasy (on Michelangelo ). Whereas the compiler of biographical information (the first category) risks no involvement, the fictionalizer admits no limit to it.

The sixth and final category is outright fiction, the novel written as biography or autobiography. It has enjoyed brilliant successes. Such works do not masquerade as lives; rather, they imaginatively take the place of biography where perhaps there can be no genuine life writing for lack of materials. Among the most highly regarded examples of this genre are, in the guise of autobiography, Robert Graves ’s books on the Roman emperor Claudius , I, Claudius and Claudius the God and His Wife Messalina ; Mary Renault ’s The King Must Die on the legendary hero Theseus ; and Marguerite Yourcenar’s Memoirs of Hadrian . The diary form of autobiography was amusingly used by George and Weedon Grossmith to tell the trials and tribulations of their fictional character Charles Pooter in The Diary of a Nobody (1892). In the form of biography this category includes Graves’s Count Belisarius and Hope Muntz’s Golden Warrior (on Harold II , vanquished at the Battle of Hastings , 1066). Some novels-as-biography, using fictional names, are designed to evoke rather than re-create an actual life, such as W. Somerset Maugham ’s Moon and Sixpence ( Paul Gauguin ) and Cakes and Ale ( Thomas Hardy ) and Robert Penn Warren ’s All the King’s Men ( Huey Long ).

“ Special-purpose” biography

In addition to these six main categories, there exists a large class of works that might be denominated “special-purpose” biography. In these works the art of biography has become the servant of other interests. They include potboilers (written as propaganda or as a scandalous exposé) and “as-told-to” narratives (often popular in newspapers) designed to publicize a celebrity. This category includes also “campaign biographies” aimed at forwarding the cause of a political candidate ( Nathaniel Hawthorne ’s Life of Franklin Pierce [1852] being an early example); the weighty commemorative volume, not infrequently commissioned by the widow (which, particularly in Victorian times, has usually enshrouded the subject in monotonous eulogy); and pious works that are properly called hagiography , or lives of holy men, written to edify the reader.

Informal autobiography

Autobiography, like biography, manifests a wide variety of forms, beginning with the intimate writings made during a life that were not intended (or apparently not intended) for publication. Whatever its form or time, however, autobiography has helped define a nation’s citizens and political ambitions. The form is crucial to not only how an individual meets the challenge of stating “I am” but how a nation and a historical period do so.

Letters, diaries , and journals

Broadly speaking, the order of this category represents a scale of increasingly self-conscious revelation. Collected letters, especially in carefully edited modern editions such as W.S. Lewis’s of the correspondences of the 18th-century man of letters Horace Walpole (34 vol., 1937–65), can offer a rewarding though not always predictable experience: some eminent people commit little of themselves to paper, while other lesser figures pungently re-create themselves and their world. The 15th-century Paston Letters constitute an invaluable chronicle of the web of daily life woven by a tough and vigorous English family among the East Anglian gentry during the Wars of the Roses; the composer Mozart and the poet Byron, in quite different ways, are among the most revealing of letter writers. Diarists have made great names for themselves out of what seems a humble branch of literature. To mention only two, in the 20th century the young Jewish girl Anne Frank created such an impact by her recording of narrow but intense experience that her words were translated to stage and screen; while a comparatively minor figure of 17th-century England, Samuel Pepys —he was secretary to the navy—has immortalized himself in a diary that exemplifies the chief qualifications for this kind of writing—candour, zest, and an unselfconscious enjoyment of self. The somewhat more formal journal is likewise represented by a variety of masterpieces, from the notebooks, which reveal the teeming, ardent brain of Leonardo da Vinci , and William Wordsworth’s sister Dorothy ’s sensitive recording of experience in her Journals (1897), to French foreign minister Armand de Caulaincourt ’s recounting of his flight from Russia with Napoleon (translated as With Napoleon in Russia , 1935) and the Journals of the brothers Goncourt , which present a confidential history of the literary life of mid-19th-century Paris.

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Biographies: The Stories of Humanity

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A biography is a story of a person's life, written by another author. The writer of a biography is called a biographer while the person written about is known as the subject or biographee.

Biographies usually take the form of a narrative , proceeding chronologically through the stages of a person's life. American author Cynthia Ozick notes in her essay "Justice (Again) to Edith Wharton" that a good biography is like a novel, wherein it believes in the idea of a life as "a triumphal or tragic story with a shape, a story that begins at birth, moves on to a middle part, and ends with the death of the protagonist."

A biographical essay is a comparatively short work of nonfiction  about certain aspects of a person's life. By necessity, this sort of essay  is much more selective than a full-length biography, usually focusing only on key experiences and events in the subject's life.

Between History and Fiction

Perhaps because of this novel-like form, biographies fit squarely between written history and fiction, wherein the author often uses personal flairs and must invent details "filling in the gaps" of the story of a person's life that can't be gleaned from first-hand or available documentation like home movies, photographs, and written accounts.

Some critics of the form argue it does a disservice to both history and fiction, going so far as to call them "unwanted offspring, which has brought a great embarrassment to them both," as Michael Holroyd puts it in his book "Works on Paper: The Craft of Biography and Autobiography." Nabokov even called biographers "psycho-plagiarists," meaning that they steal the psychology of a person and transcribe it to the written form.

Biographies are distinct from creative non-fiction such as memoir in that biographies are specifically about one person's full life story -- from birth to death -- while creative non-fiction is allowed to focus on a variety of subjects, or in the case of memoirs certain aspects of an individual's life.

Writing a Biography

For writers who want to pen another person's life story, there are a few ways to spot potential weaknesses, starting with making sure proper and ample research has been conducted -- pulling resources such as newspaper clippings, other academic publications, and recovered documents and found footage.  

First and foremost, it is the duty of biographers to avoid misrepresenting the subject as well as acknowledging the research sources they used. Writers should, therefore, avoid presenting a personal bias for or against the subject as being objective is key to conveying the person's life story in full detail.

Perhaps because of this, John F. Parker observes in his essay "Writing: Process to Product" that some people find writing a biographical essay "easier than writing an  autobiographical  essay. Often it takes less effort to write about others than to reveal ourselves." In other words, in order to tell the full story, even the bad decisions and scandals have to make the page in order to truly be authentic.

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What Is a Biography?

Learning from the experiences of others is what makes us human.

At the core of every biography is the story of someone’s humanity. While biographies come in many sub-genres, the one thing they all have in common is loyalty to the facts, as they’re available at the time. Here’s how we define biography, a look at its origins, and some popular types.

“Biography” Definition

A biography is simply the story of a real person’s life. It could be about a person who is still alive, someone who lived centuries ago, someone who is globally famous, an unsung hero forgotten by history, or even a unique group of people. The facts of their life, from birth to death (or the present day of the author), are included with life-changing moments often taking center stage. The author usually points to the subject’s childhood, coming-of-age events, relationships, failures, and successes in order to create a well-rounded description of her subject.

Biographies require a great deal of research. Sources of information could be as direct as an interview with the subject providing their own interpretation of their life’s events. When writing about people who are no longer with us, biographers look for primary sources left behind by the subject and, if possible, interviews with friends or family. Historical biographers may also include accounts from other experts who have studied their subject.

The biographer’s ultimate goal is to recreate the world their subject lived in and describe how they functioned within it. Did they change their world? Did their world change them? Did they transcend the time in which they lived? Why or why not? And how? These universal life lessons are what make biographies such a meaningful read.

Origins of the Biography

Greco-Roman literature honored the gods as well as notable mortals. Whether winning or losing, their behaviors were to be copied or seen as cautionary tales. One of the earliest examples written exclusively about humans is Plutarch’s Parallel Lives (probably early 2 nd century AD). It’s a collection of biographies in which a pair of men, one Greek and one Roman, are compared and held up as either a good or bad example to follow.

In the Middle Ages, Einhard’s The Life of Charlemagne (around 817 AD) stands out as one of the most famous biographies of its day. Einhard clearly fawns over Charlemagne’s accomplishments throughout, yet it doesn’t diminish the value this biography has brought to centuries of historians since its writing.

Considered the earliest modern biography, The Life of Samuel Johnson (1791) by James Boswell looks like the biographies we know today. Boswell conducted interviews, performed years of research, and created a compelling narrative of his subject.

The genre evolves as the 20th century arrives, and with it the first World War. The 1920s saw a boom in autobiographies in response. Robert Graves’ Good-Bye to All That (1929) is a coming-of age story set amid the absurdity of war and its aftermath. That same year, Mahatma Gandhi wrote The Story of My Experiments with Truth , recalling how the events of his life led him to develop his theories of nonviolent rebellion. In this time, celebrity tell-alls also emerged as a popular form of entertainment. With the horrors of World War II and the explosion of the civil rights movement, American biographers of the late 20 th century had much to archive. Instantly hailed as some of the best writing about the war, John Hersey’s Hiroshima (1946) tells the stories of six people who lived through those world-altering days. Alex Haley wrote the as-told-to The Autobiography of Malcom X (1965). Yet with biographies, the more things change, the more they stay the same. One theme that persists is a biographer’s desire to cast its subject in an updated light, as in Eleanor and Hick: The Love Affair that Shaped a First Lady by Susan Quinn (2016).

Types of Biographies

Contemporary Biography: Authorized or Unauthorized

The typical modern biography tells the life of someone still alive, or who has recently passed. Sometimes these are authorized — written with permission or input from the subject or their family — like Dave Itzkoff’s intimate look at the life and career of Robin Williams, Robin . Unauthorized biographies of living people run the risk of being controversial. Kitty Kelley’s infamous His Way: The Unauthorized Biography of Frank Sinatra so angered Sinatra, he tried to prevent its publication.

Historical Biography

The wild success of Lin-Manuel Miranda’s Hamilton is proof that our interest in historical biography is as strong as ever. Miranda was inspired to write the musical after reading Ron Chernow’s Alexander Hamilton , an epic 800+ page biography intended to cement Hamilton’s status as a great American. Paula Gunn Allen also sets the record straight on another misunderstood historical figure with Pocahontas: Medicine Woman, Spy, Entrepreneur, Diplomat , revealing details about her tribe, her family, and her relationship with John Smith that are usually missing from other accounts. Historical biographies also give the spotlight to people who died without ever getting the recognition they deserved, such as The Immortal Life of Henrietta Lacks .

Biography of a Group

When a group of people share unique characteristics, they can be the topic of a collective biography. The earliest example of this is Captain Charles Johnson’s A General History of the Pirates (1724), which catalogs the lives of notorious pirates and establishes the popular culture images we still associate with them. Smaller groups are also deserving of a biography, as seen in David Hajdu’s Positively 4th Street , a mesmerizing behind-the-scenes look at the early years of Bob Dylan, Joan Baez, Mimi Baez Fariña, and Richard Fariña as they establish the folk scene in New York City. Likewise, British royal family fashion is a vehicle for telling the life stories of four iconic royals – Queen Elizabeth II, Diana, Kate, and Meghan – in HRH: So Many Thoughts on Royal Style by style journalist Elizabeth Holmes.

Autobiography

This type of biography is written about one’s self, spanning an entire life up to the point of its writing. One of the earliest autobiographies is Saint Augustine’s The Confessions (400), in which his own experiences from childhood through his religious conversion are told in order to create a sweeping guide to life. Maya Angelou’s I Know Why the Caged Bird Sings is the first of six autobiographies that share all the pain of her childhood and the long road that led to her work in the civil rights movement, and a beloved, prize-winning writer.

Memoirs are a type of autobiography, written about a specific but vital aspect of one’s life. In Toil & Trouble , Augusten Burroughs explains how he has lived his life as a witch. Mikel Jollett’s Hollywood Park recounts his early years spent in a cult, his family’s escape, and his rise to success with his band, The Airborne Toxic Event. Barack Obama’s first presidential memoir, A Promised Land , charts his path into politics and takes a deep dive into his first four years in office.

Fictional Biography

Fictional biographies are no substitute for a painstakingly researched scholarly biography, but they’re definitely meant to be more entertaining. Z: A Novel of Zelda Fitzgerald by Therese Anne Fowler constructs Zelda and F. Scott’s wild, Jazz-Age life, told from Zelda’s point of view. The Only Woman in the Room by Marie Benedict brings readers into the secret life of Hollywood actress and wartime scientist, Hedy Lamarr. These imagined biographies, while often whimsical, still respect the form in that they depend heavily on facts when creating setting, plot, and characters.

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What is a biography?

An account of someone's life written by another person., the story of someone's life: understanding biography in a creative sense.

Biography is a literary genre that focuses on the story of someone's life, written by another person. This type of writing often involves research, interviews, and a deep understanding of the subject's personality, experiences, and motivations.

In a creative writing context, biography can be a powerful tool for developing characters and understanding the arc of a story. By exploring the lives of others, we gain insight into the human experience and can use this knowledge to enrich our own work.

Furthermore, biography can be an excellent way to improve our grammar and language skills. As we research and write about historical figures, we are exposed to a rich vocabulary and must hone our ability to describe complex events and emotions. In this sense, biography can be both a literary and a linguistic exercise.

Biography is a genre that has been used widely throughout literary history, both in non-fiction and fictional works. Here are two examples of how biography is used in literature to add depth and nuance to the storytelling.

In her autobiography Becoming, Michelle Obama reflects on her life journey and how she came to be the woman that the world knows today. Through candid and personal anecdotes, she shares her experiences, struggles, and triumphs, providing a valuable insight into her character and the events that have shaped her.

Colm Tóibín's The Master is a fictionalized account of the life of Henry James - a renowned American-British writer. In it, Tóibín explores James's quirky personality, his social anxieties, and his literary ambitions, providing a fascinating glimpse into the mind of this literary giant.

This Reading Life

"Well, there’s so much to read, and I’m so far behind." Wallace Stegner

Fictionalised Biography or Biographical Fiction?

As most of you know by now, I love and adore historical fiction . It’s my preferred genre, although I will have a go at most things if it’s well-written, has an interesting premise or I’m in the mood. However my go-to, when I need a guaranteed read, a read I can simply fall into with comfort and ease, will always be historical fiction.

Historical fiction is a novel where an author sets their book in a period of time before their own and populates it with fictional characters (think Thomas Keneally, Geraldine Brooks, James A. Michener). To refine this even further, you could include authors who write about the immediate past. A time they may have lived through themselves or perhaps their grandparents lived through, providing a personal perspective to the historical context (think Tolstoy, Zola, Harper Lee).

In and around this are books that might be classified as alternate histories (think The Man in the High Castle or Stephen King’s 11/22/63 or George Orwell’s 1984 ) where the author plays with what might have happened if just one event changed.

AH is a genre of speculative fiction consisting of stories in which one or more historical events occur differently. These stories usually contain “what if” scenarios at crucial points in history and present outcomes other than those in the historical record. The stories are conjectural but are sometimes based on fact (wikipedia). 

We can also have books that are historical now by default. I guess you might call them period piece fiction or literary realism. These are novels that are now historical to us, but they were once contemporary (think Jane Austen, Charles Dickens, Louisa May Alcott). For the modern reader, the historical period and setting of these novels now plays an important part in understanding what’s happening to our beloved characters.

And then there is the relatively new fictionalised biography .

Or is that, biographical fiction?

Whichever way you look it, it’s where an author takes real events and real people and makes up stuff about what they said and did to make a story. I love this sub-genre. When done well, it can provide insights into a time and place or a much-loved person that would be impossible to know otherwise, due to the sparsity of primary sources (think Hilary Mantel, Robert Graves, Philippa Gregory).

The  biographical novel  is a  genre  of novel which provides a fictional account of a contemporary or historical person’s life. This kind of novel concentrates on the experiences a person had during his lifetime, the people they met and the incidents which occurred. Like other forms of biographical fiction, details are often trimmed or reimagined to meet the artistic needs of the fictional genre, the novel. These reimagined biographies are sometimes called  semi-biographical novels , to distinguish the relative historicity of the work from other biographical novels (wikipedia).

One of the things I love about this particular genre is it’s ability to view history through a different lens.

In recent times, many authors have been exploring history through a feminist lens or an Indigenous lens (think The Secret River, Benang  or  Alias Grace ). Given that the historical record favours the winners (who usually happen to be older white men) being reminded that other people were involved and impacted is a good thing. A necessary thing.

Historical facts and data are not static; they have always been open to differing opinions and manipulation.

historical revisionism  identifies the re-interpretation of a historical account.  It usually involves challenging the orthodox (established, accepted or traditional) views held by professional scholars about an historical event or time-span or phenomenon, introducing contrary evidence, or reinterpreting the motivations and decisions of the people involved. The revision of the historical record can reflect new discoveries of fact, evidence, and interpretation, which then results in revised history (wikipedia).

Revisionism and re-interpretation are a natural human process. We all adjust our personal stories as new evidence comes to light and as experience and maturity enhance our ability to see beyond our own biases and prejudices.

The history of the world is no different. The stories around the facts, change with time. New information, fresh perspectives and the advantage of hindsight can all have an impact. It opens the doors to exciting new possibilities and original ideas.

Which brings me to the massive disappointment I feel, when this story telling process fails to work it’s magic over me.

It may be that the weird times under which we now live, are adversely affecting my reading habits. I do seem to be leaning more towards narrative non-fiction lately. But let me tell you about two of the disappointments.

Firstly, Hamnet by Maggie O’Farrell.

Shortlisted for this years Women’s Prize and claiming to tell the story of Shakespeare young son who died at age 11 in 1596, this is a lifelong fascination for O’Farrell come to fruition. It sounded so promising.

I loved the first chapter that shows us a young Hamnet playing with his twin sister Judith who suddenly falls ill. She puts herself to bed and Hamnet goes searching for a family member to help, but everyone is out. This is unusual. Hamnet’s search becomes more desperate and tense when he suspects that Judith may have caught the Plague.

But then we switch to back story. The wild, untamed daughter attracts the attention of the dissatisfied tutor to her brothers. Yuck! Her witchy habits means she is an outsider and considered dangerous to know. He knows he shouldn’t, but he does, anyway. Blah, blah, blah.

I picked it up and put it down three times, hoping it was just my bad mood or tiredness. But no. This is just trite and awful. Not even the stuff about the Plague was enough to keep me interested (if only a few more world leaders had been like Queen Elizabeth I thought “ The playhouses are all shut, by order of the Queen, and no one is allowed to gather in public. “)

My next fictionalised biography disappointment was a bit closer to home.

I’ve been looking forward to the new Kate Grenville for some time now. It’s an embargoed title until the 2nd July, but some pre-publicity stuff tells me that the premise of this story about Elizabeth Macarthur hinges on the sudden discovery of some “ shockingly frank secret memoirs.”  Uh-oh!

I many give A Room made of Leaves closer attention in July, just to make sure, but the blurbs unnecessary use of the words ‘notorious’, ‘miraculously’ and  ‘playful’ have turned me off, as has this particular paragraph.

Marriage to a ruthless bully, the impulses of her heart, the search for power in a society that gave women none- this Elizabeth Macarthur manages her complicated life with spirit and passion, cunning and sly wit. Her memoir lets us hear-at last!-what one of those seemingly demure women from history might really have thought.

That has to be one of the worst written blurbs ever. It’s made the story sound like some kind of bodice-ripping, pot-boiler.

I am now feeling rather nervous about starting the final book in Hilary Mantel’s (so far) magnificent trilogy about Thomas Cromwell, The Mirror and the Light . The reports coming in from customers and other bloggers are encouraging, so all I have to do I is make the time to reread the first two!

A copy of Rodham  by Curtis Sittenfeld is also lurking on my TBR pile. I love the idea of an alternate history story line with a feminist lens, but what if the writing is dull and awful? I’ve never read any Sittenfeld before, so I don’t know what to expect.

Despite the above, I do in fact, love this genre. Remember how much I enjoyed In Love With George Eliot by Kathy O’Shaughnessy earlier this year. And my most recent  Zola  (surely the master of fictionalised history), and my current chapter-a-day read of War and Peace plus a whole stack of literary realism or period piece dramas devoured this year alone (ranging from Katherine Mansfield to Angela Thirkell to Mena Calthorpe and just this week Martin Boyd).

I’m certainly not done with fictionalised biographies, but I am a little more wary of late.

As always, I’m happy to consider your favourites, in this genre, for future reference.

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20 thoughts on “ Fictionalised Biography or Biographical Fiction? ”

Where do you find the energy to rant?I can hardly muster up some motivation to read!All kidding aside…appreciate your thoughts on this subject…while I sip my coffee and a slice of homemade Lemon Glaze Cake!Have a good weekend!

Sorry about the disappointments. I like how you wrote about the diversity of the possible combinations between fiction, biography, and history.

I've been very low on energy lately Nancy, but woke up this weekend full of vim, if not quite vigour. With it came a desire to write, something I haven't felt much of lately either.

Historical fiction is may favourite book topic. This post has been brewing for a while 🙂

A new Kate Grenville coming? Wow good to know, I'll be curious to know how it is. Biographical fiction — or whatever you want to call it — can be tricky! Messing with real people's lives. Paula McLain's novel about Beryl Markham \”Circling the Sun\” was pretty good but I was nervous beforehand whether it would be. I have heard good things about Rodham … so I hope to get to it soon. Cheers.

Paula McLain is another good example of someone who makes fictionalised biography look easy. I certainly enjoyed her one on Hemingway's first wife (name escapes me right now).

Really enjoyed your post and love this genre too. I've thoroughly enjoyed reading about the re-imagined lives of women in series by Philippa Gregory and Alison Weir to mention just a few. I can't wait to read Hamnet, and hope I get on with it a little better than you did.

Somehow I've managed to never read a Gregory or a Weir and I have no idea why. They sound just like something I would/should love. Maybe it was my binge reading so many of Jean Plaidy's kings and queens stories in my teens and twenties – I'm all kinged and queened out!

Oh no, now you've made me very wary about the Grenville which I was so looking forward to. But that blurb is dire…….Interesting to see your thoughts on what constitutes historical fiction. I did a MOOC course on this some years ago and it was thought that the time period had to predate the generation of the author – so they cannot write it from their own perspective.

I’ve dipped into the Grenville now & still feel the same away about as I did back in May, sadly. Both others have said they enjoyed it, so please don’t be put off by my take on it!

I have recently fallen in love with historical fiction, thanks to Canadian author, Jack Whyte. However, I’ve just read my first – what would be considered – biographical fiction. I read The Brothers of Auschwitz over Christmas and found it to be the most graphic Holocaust story I have read to date. The author interviewed these brothers to build the story, yet I am left confused by the genre as a whole. Which parts are fact, which parts are fiction? How much is an author able to use creative license, while still holding to the truth of a “biography”?

To date, all my holocaust reading has been survivor stories (written by them or with a ghost writer) and historical works. My first reaction is that I would be very uncomfortable with a fictionlised bio of the Holocaust (which is why I’ve been very reluctant to read The Tattooist of Auschwitz, which has been very successful here in Australia). But then, even the survivors stories will had changed over time.

Just think about the stories about your own life that you tell to new people you meet, or retell endlessly every Christmas. They evolve with the passing of time and with each retelling, new elements get added, things gets tweeked to make a better story. It’s what we all do. Even survivors of traumatic events. It’s not a lie or falsification of facts, it’s just our perspective changes with maturity and experience. And we forget stuff, or put things in the wrong order, all the time. Someone else in the room at the same time, will have a completely different story to tell. Something every single police officer knows.

So now I’m not so sure about the Holocaust and fictionalised bio’s. It’s important these stories are told and remembered, in the hope they never occur again. But if it allows Holocaust deniers to say ‘see I told you it was all made up’ then that is of concern.

You see how my mind works – one little prompt from you and I’m off on one of my tangents!!

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It’s funny, I read Hamnet last year during our first lockdown and it was a massive shot to the heart for me. I didn’t expect a fictionalised biography, though, I just heard it was great and went in with no expectations. But her writing style ! It enthralled me. It’s not even about Shakspeare, or Hamnet by the way, it’s about the mother/wife who seems to live in a paralel world among those people. I absolutely loved it, the chapter on the travel of the flea was absolutely original and when she wrote that X came into the cemetery with a certain amount of children and came out minus one, I wept my heart out. It’s really funny how tastes differ and how one book can have such an impact on someone and not reach another 🙂 And it’s good ! I mean, if we all had the same opinion, what a bore 🙂

It was the wild woman trope that I struggled with – I probably would have preferred if it was more about Hamnet or Shakespeare! I certainly wanted more of the plague stuff and I’m sorry, now, that I missed the journey of the flea. I did also hear that the parts about grief and loss were very touching. And you are very right, if we all liked the same thing, I’d be out of job!

I share your take on Hamnet and it was the journey of the flea which was the last straw and the point where I abandoned it. My book club mainly loved it tho so I was in a minority.

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Literary Fiction: Definition, Characteristics, Literary Fiction Vs. Genre Fiction

Written by MasterClass

Last updated: Aug 20, 2021 • 3 min read

Works of fiction are those that tell made up stories. As opposed to the many genres of nonfiction—biography, autobiography, commentary, data analysis, philosophy, history, and others—fiction is defined by its focus on narratives invented by the author. Most academics and literary critics further subdivide fiction into two categories: genre fiction and literary fiction.

Beyond the Bookends

A Book Blog for Women and Moms who Love to Read

The 33 Best Biographical Fiction Novels for Historical Fiction Lovers

I’ve always gravitated toward biographical fiction novels. There is something about reading someone’s fictional biography that makes me feel so connected to them.

I generally find biographies to be rather dull, but when they are fictionalized I immediately get drawn into their world. I often find myself googling images or doing further research because I’m so entranced.

That’s why I wanted to gather all my favorite biographical novels in one place. You’ll find fictionalized biographies of princesses, rebels, spies, snipers, and writers below.

*Biographical Fiction Post contains affiliate links. Purchases made through links result in a small commission to us at no cost to you. Some books have been gifted. All opinions are our own.

Table of Contents

This post fulfills a prompt for the 2024 reading challenge ! It’s not too late to join!

Our closet in your neighborhood clients are participating in this year’s reading challenge. please consider donating books through our independent bookstore partner ., biographical novels set in america.

The Personal Librarian by Marie Benedict and Victoria Christopher Murphy

July 2021 Good Morning America Book Club Pick

This fictionalized version of Belle de Costa Greene was wonderful, I’m so glad it was a GMA pick and a Gilded Age book to boot!

Greene was J.P. Morgan’s personal librarian and later the librarian for his heir. She was also a black woman passing as white. She had to keep her roots hidden in order to hold her job, but I’m glad her real truth is being told now.

Find This Book in: Books set in Libraries

The Invention of Wings by Sue Monk Kidd

January 2014 Oprah’s Book Club Pick

I picked this book up in Charleston when I was there for a visit in October of 2018. I wanted to pick up a book about the city. When I found out that our hotel was next to the Grimke sister’s home, I knew this was the book for me.

This book tells the story of Sarah Grimke, one of the first female abolitionists, and her slave, Handful.

Carnegie’s Maid by Marie Benedict

First off look at this COVER! I loved this biographical novel but I’m sad my copy is an ebook because now I think I need to get the hardback version.

The story revolves around Andrew Carnegie’s housemaid and their fictional relationship. It was fascinating to learn about life in Pittsburg during the 1860s. This story particularly focuses on the different social classes of the American Industrial Revolution.

Caroline: The Little House Revisited by Sarah Miller

I read Little House on the Prairie for the first time earlier this year mostly because I wanted the background for this exact book. The entire time I was reading the original series, I found myself wondering about the choices the parents were making.

I wanted to know why certain things were being done and I finally got my answers in Sarah Miller’s classic retelling of the story. I didn’t love Little House, but I ADORED Caroline. This fictionalized biography is better than the original series in my opinion.

Marlene by C.W. Gortner

When it comes to books like The Seven Husbands of Evelyn Hugo, this would be a natural story to gravitate toward. I found the story to be focused too much on Marlene’s exploits as a bi-sexual woman. Yes, that’s groundbreaking – but it’s not all that defined her.

Which is why she fell flat as a character. I wanted more of her war-time efforts, more of her Hollywood life, more of her relationship with her daughter – just more substance in general. The writing and research were impeccable, as usual, it just didn’t live up to what I thought it could be.

Political Biographical Fiction

Jacqueline in Paris by Ann Mah

I had no idea that Jackie Kennedy spent a year abroad living in Paris in the year following the end of WWII. I was fascinated by Ann Mah’s take on what Jackie would have seen in post-war France.

This fictional biography covered it all! The rise of communism, the French people’s disdain for Americans, the struggle to make ends meet for many citizens, and the return to the glitz and glam of the gilded aristocracy.

As far as historical fiction books go, it was one of the most unique ones I’ve read in recent years. I immediately gave it to my francophile mother because I know she will adore it. This book was a must for our ultimate beach reads 2023 post.

American Princess by Stephanie Marie Thornton

We all know I love a good Royal Read but I don’t usually get to read a book about American royalty. We may not have an actual royal family, but dynasties like the Vanderbilts, Carnegies, Kennedys, and Roosevelts serve as good replacements. This story is about Alice Roosevelt, daughter of our 26th president, Teddy Roosevelt.

This historical fiction novel covers her life from the moment her father became President to her second breast cancer surgery. And what a doozy of a life she led! I couldn’t help wondering how her antics would have been perceived had she lived in today’s society. I read it in a few days and adored it! #gifted

The Kennedy Debutante by Kerri Maher

I had no idea the Kennedy girls were just as interesting at the Kennedy boys. This Historical Fiction biography told the story of Kick Kennedy during her stay in London before and during WWII. I found her to be a fascinating character.

I spent so much time googling photos of her during this time of her life. It’s crazy how the standards for marriage have changed in such a short amount of time over in London.

Jackie and Maria by Gill Paul

Excuse me while I gush about Gill Paul‘s newest biographical fiction book, Jackie and Maria.⁣ Gill Paul is quickly becoming an auto-buy author for me. I loved Another Woman’s Husband and The Lost Daughter, about the Windsors and Romanovs respectively. Paul’s take on a new dynasty, The Kennedys, is equally compelling.⁣ ⁣ Most people know about Jackie’s life during her White House years, but hearing the tale of what caused her to marry Aristotle Onassis was fascinating. I loved the dual narrators of Jackie and Onassis’s long-time lover, opera singer Maria Callas.⁣ It’s a perfect political novel about music!

18 Fun Fiction and Non-Fiction Books About Women in Politics

For more biographical fiction about political figures, check out this post.

Historical Biographical Fiction about the British Monarchy

An Indiscreet Princess: A Novel of Queen Victoria’s Defiant Daughter by Georgie Blalock

Well before Princess Diana, Meghan Markle, and Wallis Simpson, there was another royal rebel – Lady Louise, daughter of Queen Victoria and Prince Albert. And what a rebel she was! Why are there not more royal reads about her?

In the late 1800s, it was Louise, an artist, and sculptor, who was seen as quite rebellious. She took courses for the arts at a public school, talked back to the queen, and even had pre- and extra-marital affairs! Quite the scandal for the time.

I loved getting a look at one of the lesser-known (to me) royal figures. I hope to learn about more of Queen Victoria’s offspring in the future.

The White Queen by Philippa Gregory

The White Queen is one of my favorite Philippa Gregory novels, revolving around Elizabeth Woodville and her relationship with the King of England. I love the magical elements of this book as Elizabeth and her mother were said to be witches. We had to put this on our list of witch books.

It’s a really wonderful story. I learned so much about the tumultuous history of Britain. Also of note, Elizabeth was the mother of the boys in the tower which this book covers as well. If you love biographical novels, Philippa Gregory has written more than a dozen for you to read.

Find this book in Biographical Fiction / Best Witch Books / Books with Colors in the Title

American Duchess by Karen Harper

This particular biographical fiction book spans the same time period at Downton Abbey. It too features an American Heiress wed in London society to infuse a ducal estate with much-needed funds.

Unlike Lady Cora, the heroine of this story is a real historical figure. Consuelo Vanderbilt’s wedding to the Duke of Marlborough was considered the wedding of the century at the time, but their marriage left something to be desired.

Consuelo is forced to take up the mantle of duty for her estate and title, and in doing so, she finds her inner strength.

Modern Biographical Novels about the British Royal Family

Before the Crown by Flora Harding

After all the royal reads I’ve read over the years, I can’t believe this is my first story about The Queen’s romance with Prince Philip. With the Jubilee coming up now in England, this was a perfect fictionalized biography to read!

I was wondering about how Philip won the heart of then Princess Elizabeth, and this fictional story filled in some fun details. Think of it as a prequel to the first episode of The Crown in the best way!

Every royal-obsessed person needs to add this pick from Books about Queen Elizabeth II to their TBR list and check out our list of books like the crown !

The Queen’s Secret by Karen Harper

I don’t think enough is written about Elizabeth, the Queen Mother. She was a dynamic lady who was a guiding light for her husband, King George, as well as Queen Elizabeth. This biographical novel focuses on her work behind-the-scenes during WWII.

We get an inside look at the issues between her husband and his brother, King Edward, who abdicated to be with Wallis Simpson. Churchill’s relationship with the then Queen consort is also examined. We love the unique perspective of this pick from books about WWII.

The Other Windsor Girl by Georgie Blalock

I knew a little about Princess Margaret from what I gleaned from The C rown, but it was nice to focus on her as the main character. I can’t imagine what it would have been like had she been the Queen of England.

She actually reminded me a lot of Wallace Simpson. She was most definitely a royal rebel. She’s still not my favorite royal but this historical fiction biography helped me understand her life, personality, and pressures. This book about QEII will give you a different perspective on being a royal.

We included this pick as one of our favorite books about the royal family for book clubs ! So it obviously needed to be in our list of books for book clubs as well.

The Duchess by Wendy Holden

This intimate look at Wallis Simpson was wonderfully written. Never have I had compassion for the Duchess of Windsor in the way I did when I read this historical fiction biography.

Holden’s portrayal of this controversial historical figure focused on the time period when Wallis and King Edward fell in love, but also the time period after his death.

I actually felt bad for both the king, who clearly didn’t want the crown, and the woman he both loved and used to get out of his royal duties. There is so much to talk about it this book about Wallis Simpson, which is why we love this book for book clubs.

Love royal reads ? Check out the dozens we’ve rounded up here!

13 Captivating Books about the Royal Family

For more biographical fiction books about the British royal family, head to this post.

Fictional Biography Novels Set in France

The Queen of Paris by Pamela Binnings Ewen

I had such mixed feelings reading this biographical novel, in a good way. I hated Chanel who is a ruthless, shrewd woman who will do whatever she needs to in order to succeed, even becoming a nazi spy. I felt no sympathy for her, only disgust… and yet …. ⁣ ⁣ The writing drew me in. I don’t agree with Chanel’s choices, but I was intrigued by her life during the war and all she did to try to save her own skin. This pick from books about WWII is a must-read.

It was fascinating to read about regardless of my personal feelings about the heroine of the story. She’s not written to be liked, but rather to be examined and no list of books set in Paris would be complete without her.⁣ ⁣ I’d recommend this fictionalized biography if you are looking to uncover the more sinister side of the renowned icon.

Code Name Hélène: A Novel by Ariel Lawson

I LOVED this book so much.  It is so beautifully written, amazingly researched, and absolutely enthralling.  This book is based on the life of Nancy Wake, a nurse and journalist who became a Special Operations Executive during WWII. ⁣

She was an amazing woman and I had never heard of her before this fictional biography.  It has wonderful characters, a fabulous story, romance, adventure, and the terrifying reality of life during WWII.

Find this book in Historical Fiction Books / Best Books for Book Clubs

The Age of Light by Whitney Scharer

This historical fiction novel is about real-life photographer and model,  Lee Miller. I had never heard about Miller prior to this book, though I was familiar with her lover – Man Ray.

Why We Loved it: She made some life choices that I can’t say I agree with, but I found her to be a strong, feminist woman ahead of her time. This book is a five star read, but be warned – there are some erotic scenes in the novel.

Find this book in Biographical Fiction / Best Books of 2019 / Jazz Age Novels / Art Novels / Best Book Club Books

Mademoiselle Chanel by C. W. Gortner

Coco Chanel is a fascinating woman, who is famed for her stylish, sophisticated fashions. Yet this story explores her connection to the Nazis during WWII and just how far she would go to stay on top.

Why We Loved it: I loved this story, but ended up hating the woman it was about. I grew up loving Chanel designs and idolizing the fashion icon. However, when I learned more about her life, I was scandalized and horrified….but I couldn’t put it down!

Find this book in Books set in the 1920s , Biographical Fiction / Fashion Novels / Books Set in France

16 Sensational Books Set in France to Love

Love when Frace is the setting of a book? We do too! That’s why we created this list.

Fictionalized Biographies about Authors

The Mystery of Mrs. Christie by Marie Benedict

⁣Marie Benedict is the master of bringing women back to life in her historical fiction novels. The Mystery of Mrs. Christie is my favorite to date and I found it hard to put down. ⁣In December 1926, Agatha Christie went missing for 11 days. She re-emerged as mysteriously as she disappeared and more questions than answers persist.

Why We Like it: Benedict does a wonderful job of building the mystery using her brilliant imagination and bringing us into the world of Agatha Christie. It is the perfect blend of fiction and mystery and is an absolute delight.

Find this book in Historical Mystery Books / 13 Fiction Books about Writers / Books About Books / Biographical Fiction Novel / 1920s Novels

Bronte’s Mistress by Finola Austin

I’m a sucker for the classics, but I don’t know much about the authors of the classics I love. Of course, I knew of the Bronte sisters, but I had no idea that they had a brother or that he was a naughty one 😉.⁣ How could i not read this pick from novels about writers?

This story was fascinating to me because while I don’t condone modern-day infidelity, I understand how women back in the day had limited options. I loved Lydia and her (selfish) views of the world around her and I felt how hard it must be to be a woman in historic times.⁣

Her antics were utterly entertaining as were the antics of her children. I was rooting for her the entire time, even when I wanted to slap her and tell her to come to her senses.⁣

Z – A Novel of Zelda Fitzgerald by Therese Anne Fowler

Zelda Fitzgerald gets her moment in the sun in this fictionalized biography of her life. Zelda, often belittled by her husband, was actually the muse behind his stories.

He drew inspiration from her diary and her life for characters like Daisy in The Great Gatsby. Yet, their marriage kept Zelda from reaching her own greatest potential. A fascinating character study of the woman behind the man.

The Christie Affair by Nina de Gramont

February 2022 Reese Witherspoon Book Club Pick

I adored this mystery novel set during the 11 days of Agatha Christie’s disappearance. It’s told from the perspective of Christie’s husband’s mistress and it is utterly absorbing. This biographical novel is totally fictional because there is no account of what actually happened to Agatha Christie during those 11 days.

There are layers of mystery throughout, with a side of a love story. It’s actually a hotel novel because the majority of the book takes place at a small hotel.

I never felt I would be able to sympathize with a mistress but I was cheering for her by the end. If you love mystery books, historical mystery books in particular, this is a must-read.

Romanov Family Biographical Fiction Novels

The Tsarina’s Daughter by Ellen Alpsten

I’ve been enthralled with the Romanovs since I saw my first Faberge egg. While most of my reading has focused on the fall of the dynasty, I was intrigued by this biographical fiction novel set after the reign of Peter the Great.

Why We Liked It It was FASCINATING to see the cultural backdrop of Russia’s imperial court. I loved learning about the court intrigue and the ruthless way power changed hands.

Find this book in Cozy Winter Books / Royal Reads / Romanov Novels

The Last Grand Duchess by Bryn Turnbull

I love stories about the Romanov Dynasty. Ever since I saw a collection of Faberge eggs when I was a child, the story of the last members of the Russian Imperial family have always fascinated me.

This biographical historical fiction story revolves around the eldest daughter, Olga. Its dual timeline switches between the family’s life after the revolution and Olga’s childhood and the events that lead to the revolution in the first place.

Why We Loved It: We all know how this tragic story ends, so this book is all about the journey. I love that Turnbull focused on a sister other than Anastasia.

Find this book in Ultimate Beach Reads 2022 / Romanov Historical Fiction / Biographical Fiction

The Romanov Empress by C.W. Gortner

If you are into biographical historical fiction, this is a great one for your list. I had no idea that the Tsarina was such a force.

Think the British Monarchy is the only one with scandalous stories worth telling? Think again! This book is all about Empress Marina’s life. As the mother of the last Tsar of Russia, it was compelling to read about the events of the Russian Revolution as they unfolded.

I loved how the author laid out the family’s struggle with adjusting to the people’s needs. Empress Alexandra and her dependent relationship with Rasputin is also covered in the novel. I’d love to see a mini-series made about this family.

The Lost Daughter by Gill Paul

Why We Liked it: Maria’s story drew me in immediately, but I floundered a bit when it skipped over to Val’s portions. I just didn’t feel a connection to her and found myself wishing it would get back to Maria’s parts. Still, it was a good biographical historical fiction royal novel if you are interested in a lesser-known Romanov. 

Find this book in Books about the Romanovs / Books like The Crown / Biographical Fiction

More Royal Biographical Fiction

The Marriage Portrait by Maggie O’Farrell

December 2022 Reese Witherspoon Book Club Pick

I couldn’t put down this biographical fiction book set in Italy in the 1550s. Maggie O’Farrell just has a way of writing that is utterly captivating.

It’s the story of Lucrezia, daughter of the Grand Duke of Florence, and her unfortunate life as a child bride to the ruler of Ferrara. I always thought that British royal history had all drama, but this story proved me wrong! Those Italians are masters at the art of poison and murder.

I found the story, which also revolves around the painting of the titular marriage portrait, to be fast-moving and fascinating. It’s one of those historical fiction books that had me googling what was real and what truths were bent.  

The Girl in White Gloves by Kerri Maher

I adored this royal read about Grace Kelly and had trouble putting it down. The storyline is split between Grace’s rise to Hollywood stardom and her future as a settled princess. The writing was so captivating that I found myself sneaking pages on my Kindle all over town. 

Kerri Maher brought Grace Kelly to life in this biographical fiction book about her life. I had no idea about her home life struggles, her many romances, or the state of her marriage to Rainer. 

Find this book in Biographical Fiction / Books Like Evelyn Hugo / Books with a color in the Title / Books Like the Crown

The Queen’s Fortune by Allison Pataki

The Queen’s Fortune had everything I love in a historical fiction novel – royalty, drama, a touch of romance, a strong female protagonist, and action. This book starts out all action and it doesn’t let up!⁣

I devoured the story of Napoleon, his former lover, and the dynasty that he helped her create with her eventual husband, who happened to be his #1 frenemy. They didn’t know what frenemies we’re back then but Napoleon and Bernadotte were the OGs.⁣

This is one of the biographical fiction books set in France that we could have put in so many categories and is a great place to start.

The Second Duchess by Elizabeth Loupas

The Duke of Ferrara has taken a second wife after possibility having killed his first duchess. While first ignoring the rumors, soon Barbara decides she needs to investigate what happened to Lucrezia de Medici.

I liked the mystery aspects of this biographical fiction story. I was certainly living in fear that something would befall Barbara as her pool of suspects grew larger.

More Biographical Historical Fiction Novels

Diva by Daisy Goodwin

Daisy Goodwin has done it again with this incredible biographical fiction about Maria Callas, famed Opera singer, and lover of Aristotle Onassis. 

As usual with Daisy Goodwin’s stories, I found myself transfixed by the story of Maria’s life and her relationship with Onassis. It was fascinating to see how their courtship affected her performances and how she grew to become an unstoppable force in an industry ruled by men.

Why we like it: I had previously read Gill Paul‘s story Jackie & Maria and thought I might find this book redundant, but I was wrong. They bring two different perspectives that flush out the Maria – Onassis- Jackie O love triangle. #gifted by St. Martins Press

Find this book in Music Books / Biographical Fiction / New Historical Fiction Books

Hamnet by Maggie O’Farrell

I had this book on my TBR for so long and I am so happy that I finally had a chance to read it. This is the story of Shakespeare’s life, family, and extraordinary wife during the time of the plague.

Shakespeare himself is never actually mentioned by name in this extraordinary and heartbreaking book that was so hard to put down. I know why it made so many lists of top books for 2020. And if you are looking for biographical novels about writers, this one is a must-read.

Find this book in Biographical Fiction Novels / Books About Books

The Most Beautiful Girl in Cuba by Chanel Cleeton

Chanel Cleeton is back with a prequel to the Perez family story. This time, she examines their ancestor, Marina during the 1896 war between Spain and the US on Cuban soil. This is one of our favorite Gilded Age books set internationally.

Evangelina Cisneros, dubbed The Most Beautiful Girl in Cuba by the New York newspapers, and journalist Grace Harrington’s stories are also the focus of this biographical novel.

Why I Liked it: Cleeton’s vivid imagery and captivating stories make learning about Cuba’s tragic history compelling and helps give context to the Cuba we know today.

Find this book in Gilded Age Books / Biographical Fiction / Chanel Cleeton Books

The Diamond Eye by Kate Quinn

Kate Quinn’s stories of the women heroes of WWII continue to dazzle every time. The subject for this story is Soviet Sniper Mila Pavlichenko, commonly known as Lady Death.

The story flashes between her time in on a diplomatic tour of the U.S. when she befriended Eleanor Roosevelt and her life leading up to and during the war. We learn about what motivated her to become the most decorated sniper in the army, what life was like on the battlefields of war, and how love plays a role in her life.

But the tension is really heightened by the narration of an assassin out to kill President Roosevelt and frame Mila for the murder. I adored this biographical historical fiction story by Quinn.

Which biographical fiction novel are you most interested in reading?

Ultimate List of Historical Fiction

Love Historical Fiction? The Ultimate List of Historical Fiction is the perfect list for you. It is carefully divided by time.

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As a mother of two boys, Kirsten rediscovered her life-long love for reading while choosing appropriate books for her children. She started this website with Jackie to share their passion for literacy with other moms and kids. She uses her years of experience in marketing and public relations to create quarterly magazines, implement social media strategy, and ensure the website content is relevant and beautiful.

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The Differences between Memoir, Autobiography, and Biography - article

Creative nonfiction: memoir vs. autobiography vs. biography.

Writing any type of nonfiction story can be a daunting task. As the author, you have the responsibility to tell a true story and share the facts as accurately as you can—while also making the experience enjoyable for the reader.

There are three primary formats to tell a creative nonfiction story: memoir, autobiography, and biography. Each has its own distinct characteristics, so it’s important to understand the differences between them to ensure you’re writing within the correct scope.

A memoir is a collection of personal memories related to specific moments or experiences in the author’s life. Told from the perspective of the author, memoirs are written in first person point of view.

The defining characteristic that sets memoirs apart from autobiographies and biographies is its scope. While the other genres focus on the entire timeline of a person’s life, memoirs structure themselves on one aspect, such as addiction, parenting, adolescence, disease, faith, etc.

They may tell stories from various moments in the author’s life, but they should read like a cohesive story—not just a re-telling of facts.

“You don’t want a voice that simply relates facts to the reader. You want a voice that shows the reader what’s going on and puts him or her in the room with the people you’re writing about.” – Kevan Lyon in Writing a Memoir

Unlike autobiographies and biographies, memoirs focus more on the author’s relationship to and feelings about his or her own memories. Memoirs tend to read more like a fiction novel than a factual account, and should include things like dialogue , setting, character descriptions, and more.

Authors looking to write a memoir can glean insight from both fiction and nonfiction genres. Although memoirs tell a true story, they focus on telling an engaging narrative, just like a novel. This gives memoir authors a little more flexibility to improve upon the story slightly for narrative effect.

However, you should represent dialogue and scenarios as accurately as you can, especially if you’re worried about libel and defamation lawsuits .

Examples of popular memoirs include Eat, Pray, Love by Elizabeth Gilbert and The Glass Castle by Jeannette Walls.

Key traits of a memoir:

- Written in 1 st person POV from the perspective of the author - Less formal compared to autobiographies and biographies - Narrow in scope or timeline - Focused more on feelings and memories than facts - More flexibility to change the story for effect

Autobiography

Like a memoir, an autobiography is the author’s retelling of his or her life and told in first person point of view, making the author the main character of the story.

Autobiographies are also narrative nonfiction, so the stories are true but also include storytelling elements such as a protagonist (the author), a central conflict, and a cast of intriguing characters.

Unlike memoirs, autobiographies focus more on facts than emotions. Because of this, a collaborator often joins the project to help the author tell the most factual, objective story possible.

While a memoir is limited in scope, an autobiography details the author’s entire life up to the present. An autobiography often begins when the author is young and includes detailed chronology, events, places, reactions, movements and other relevant happenings throughout the author’s life.

“In many people’s memoir, they do start when they’re younger, but it isn’t an, ‘I got a dog, then we got a fish, and then I learned to tie my shoes’…it isn’t that kind of detail.” – Linda Joy Meyers in Memoir vs. Autobiography

The chronology of an autobiography is organized but not necessarily in date order. For instance, the author may start from current time and employ flashbacks or he/she may organize events thematically.

Autobiographers use many sources of information to develop the story such as letters, photographs, and other personal memorabilia. However, like a memoir, the author’s personal memory is the primary resource. Any other sources simply enrich the story and relay accurate and engaging experiences.

A good autobiography includes specific details that only the author knows and provides context by connecting those details to larger issues, themes, or events. This allows the reader to relate more personally to the author’s experience. 

Examples of popular autobiographies include The Diary of a Young Girl by Anne Frank and I Know Why the Caged Bird Sings by Maya Angelou.

Key traits of an autobiography:

- Written in 1 st person POV from the perspective of the author, occasionally with the help of a collaborator - More formal and objective than memoirs, but more subjective than biographies - Broad in scope or timeline, often covering the author’s entire life up to the present - Focused more on facts than emotions - Requires more extensive fact-checking and research than memoirs, but less than biographies

A biography is the story of events and circumstances of a person’s life, written by someone other than that person. Usually, people write biographies about a  historical  or  public figure . They can be written with or without the subject’s authorization.

Since the author is telling the account of someone else, biographies are always in third person point of view and carry a more formal and objective tone than both memoirs and autobiographies.

Like an autobiography, biographies cover the entire scope of the subject’s life, so it should include details about his or her birthplace, educational background, work history, relationships, death and more.

Good biographers will research and study a person’s life to collect facts and present the most historically accurate, multi-faceted picture of an individual’s experiences as possible. A biography should include intricate details—so in-depth research is necessary to ensure accuracy.

“If you’re dealing principally with historical figures who are long dead, there are very few legal problems…if you’re dealing with a more sensitive issue…then the lawyers will be crawling all over the story.” – David Margolick in Legal Issues with Biographies

However, biographies are still considered creative nonfiction, so the author has the ability to analyze and interpret events in the subject’s life, looking for meaning in their actions, uncovering mistakes, solving mysteries, connecting details, and highlighting the significance of the person's accomplishments or life activities.

Authors often organize events in chronological order, but can sometimes organize by themes or specific accomplishments or topics, depending on their book’s key idea.

Examples of popular biographies include Steve Jobs by Walter Isaacson and The Immortal Life of Henrietta Lacks by Rebecca Skloot.

Key traits of a biography:

- Written about another person, often a celebrity or public figure, and told in 3 rd person point of view - More formal and objective than both memoirs and autobiographies - Broad in scope or timeline, often covering the subject’s entire life up to the present - Focused solely on facts - Requires meticulous research and fact-checking to ensure accuracy

• Biographies and Memoirs
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Met you this morning briefly and just bought your book on Amazon. Congratulations. 

Very helpful. I think I am heading down the path of a memoir.

Thank you explaining the differences between the three writing styles!

Very useful article. Well done. Please can we have more. Doctor's Orders !!!

My first book, "Tales of a Meandering Medic" is definitely a Memoir.

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Memoir, Biography, Narrative Nonfiction—How Are They Different?

Posted by Lisa Dale Norton | Feb 1, 2019 | Writing Insights | 0 |

Here we are in February, the time of year when we throw ourselves back into writing the story of our life. The end of the year, with its deepening dark and circle of celebrations, distracts. But now, we begin again, clawing our way through the relentlessness of the information cycle to a quiet rhythm of shaping words, and asking fundamental questions: What is a memoir? How is it different from biography, and how are both related to that thing called narrative nonfiction?           

Here’s my take on it:

Memoir is a story based on your life experience and what you have learned from it.

It is a winnowing of all that has happened into a tight view of a slim section of experience: the coming of age years; the head-spinning start of a career; early motherhood. But always, it is a winnowing of the vast, complicated arc of events that has constituted your life. Narrow, narrow, narrow. Find one series of events that linked together explores some vulnerable and pressing universality of life.

Biography is all about you, too—and all is the correct word. This is where you get to write about where you were born, and what went on during your young years, leaving home, setting out to make your way in the world, love, relationship, work, loss—the whole canvas.

See how biography is different from memoir?

Of course, we hope a biography will show us mistakes made and lessons learned—the vicissitudes that brought a woman to be who she is, pimples and all. We hope for some readers’ transformation as we witness the arc of that person’s life, but this is different from the expectations of the reader of memoir.

 The reader of memoir dives in for the short version, the lens of the camera zooming in to show the close up of just the years from 6 to 18, or just that summer your husband died, or just the college years that led to a Rhodes Scholarship, or just the years when you, through sheer fortitude, worked your way out of poverty, of just those events that came together to make you the vocal activist you are today. Slim focus. And from that slim focus a nugget of wisdom.

 Narrative nonfiction is a similar but slightly different beast.

This is a form where you might write about yourself and your experience a good deal, but you will also be teaching us something about the world. Maybe it’s the world of a dwindling tribe of the last subsistence whalers in the world (“The Last Whalers: Three Years in the Far Pacific with a Courageous Tribe and a Vanishing Way of Life” by Doug Bock Clark, recently published by Little, Brown and Company), so that the story ends up being about the writer’s experience getting the story, and about the nonfiction information itself.

We could say narrative nonfiction is the wedding of journalism and memoir, and while you may not be a journalist, you can do the same thing with your story by finding a topic that is central to your manuscript and making it an equal and parallel part of the story you write about yourself. Here’s a book where a writer did just that: “Don’t Make Me Pull Over: An Informal History of the Family Road Trip” (Simon & Schuster, 2018), which combined author Richard Ratay’s personal experiences with road trips, and the history of the American road trip from post-WWII to the 1970s.

See what I mean?

If you take the time to peruse the shelves of current nonfiction in your local book shop, you will see a lot of nonfiction with the author as player in the story. Why? Because we are a culture obsessed with the personal, the “I” of everything. Neither good nor bad, just ‘tis. And so, many contemporary nonfiction books give us the writer as a character and that character’s experience. But, they also give us information: the biologist who writes about his early days in the Galapagos, and Charles Darwin; the violinist who writes about becoming first chair of an orchestra, and the violin; the dog lover who writes about her dogs, and the industry of dog shows—two parallel stories that dip into and weave around each other giving us something fresh.

The name narrative nonfiction tells you everything you need to know: narrative, which means a story, and nonfiction, which refers to a topic from our world.

Can you find your project in this spectrum? Doing so now in February will make your writing year more productive, and make you more savvy about the marketplace.

About The Columnist

Lisa Dale Norton

Lisa Dale Norton is an author, developmental book editor, and a dynamic public speaker. She is passionate about layered writing structures in narrative nonfiction that reflect the complexity of life experience, and about the transformative power of writing a memoir. She is a gifted teacher, clear communicator, and a pro at creating an environment were learning can happen. Lisa wrote America’s go-to memoir writing guide, Shimmering Images: A Handy Little Guide to Writing Memoir (Macmillan), and the literary nonfiction story Hawk Flies Above: Journey to the Heart of the Sandhills (Picador USA), which won comparisons to the writing of Annie Dillard. https://lisadalenorton.com/

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What Is a Biography? Definition & 25+ Examples

Have you ever wondered what lies beneath the surface of history’s most influential figures?

Imagine a chance to delve into the intricate tapestry of their lives, unraveling the threads that have woven together the very essence of their character, and unearthing the pivotal moments that shaped their destinies.

Welcome to the enthralling world of biographies, where you are invited to embark on a captivating journey into the lives of the extraordinary. Prepare to be captivated by the compelling tales of human resilience, ingenuity, and ambition that lie at the heart of each biography.

Table of Contents

Defining Biography

A biography is a detailed account of a person’s life, written by someone other than the subject. The term “biography” is derived from two Greek words: “bio,” which means life, and “graphy,” which signifies writing. Thus, a biography is the written history of someone’s life, offering an in-depth look at their experiences, achievements, and challenges.

Biographies typically focus on the life of notable individuals, such as historical figures or celebrities, and provide a comprehensive view of their personal and professional journey.

Biographers, the authors of these works, aim to offer an accurate, well-researched portrayal of their subjects by studying various sources and conducting interviews if possible. This thorough research and attention to detail ensure that the resulting narrative is both informative and engaging.

Biographies are a subgenre of non-fiction literature, as they chronicle the lives of real people. However, not all life stories fall under the category of biography.

Autobiographies and memoirs, for instance, focus on the author’s own experiences and are written from a first-person perspective. While autobiographies aim to present an overarching narrative of the author’s life, memoirs tend to focus on specific incidents or periods.

When crafting a biography, it is essential for the biographer to maintain a neutral tone, avoiding any judgment or personal bias. This objectivity allows readers to form their opinions based on the presented facts, gaining a broader understanding of the subject.

Elements of a Biography

A well-crafted biography contains several key elements that provide a comprehensive picture of the subject’s life. These elements help readers gain a deeper understanding of the subject while fostering an emotional connection. Below are some essential aspects of a biography:

Personal and Family Background

The personal and family background section of a biography provides an essential foundation for understanding the subject’s journey and the factors that shaped their life. By exploring the subject’s early years, readers gain insight into the environment and experiences that influenced their character, values, and aspirations.

This section typically begins with an overview of the subject’s birthplace, family origins, and cultural heritage. It delves into the family dynamics, including descriptions of the subject’s parents, siblings, and extended family, shedding light on the relationships that played a crucial role in their development.

The personal and family background section also addresses significant life events, challenges, and milestones that occurred during the subject’s upbringing. These formative experiences may include pivotal moments, such as moving to a new city, attending a particular school, or encountering a mentor who had a lasting impact on their life.

Education and Career

The education and career section of a biography is crucial for understanding the intellectual and professional development of the subject. By tracing the subject’s academic journey and career progression, readers gain a clearer picture of the knowledge, skills, and experiences that shaped their path and contributed to their success.

This section begins by outlining the subject’s educational background, including the schools they attended, the degrees or qualifications they obtained, and any specialized training they received. It also highlights the subject’s academic achievements, such as scholarships, awards, or distinctions, and any influential mentors or teachers who played a significant role in their intellectual growth.

The education and career section also delves into the subject’s professional life, chronicling their work history, job titles, and key responsibilities. It explores the subject’s career trajectory, examining how they transitioned between roles or industries and the factors that influenced their choices.

Major Events and Turning Points

The major events and turning points section of a biography delves into the pivotal moments and experiences that significantly influenced the subject’s life, shaping their character, values, and destiny.

By exploring these transformative events, readers gain a deeper understanding of the forces and circumstances that drove the subject’s actions and choices, as well as the challenges and triumphs they faced along the way.

This section encompasses a wide range of events, which could include personal milestones, such as marriage, the birth of children, or the loss of a loved one.

These personal events often provide insights into the subject’s emotional landscape and reveal the support systems, relationships, and personal values that sustained them through difficult times or propelled them to greater heights.

Influences and Inspirations

The influences and inspirations section of a biography delves into the individuals, ideas, and events that had a profound impact on the subject’s beliefs, values, and aspirations.

By understanding the forces that shaped the subject’s worldview, readers gain a deeper appreciation for the motivations driving their actions and decisions, as well as the creative and intellectual foundations upon which their accomplishments were built.

This section often begins by identifying the key figures who played a significant role in the subject’s life, such as family members, mentors, peers, or historical figures they admired.

It explores the nature of these relationships and how they shaped the subject’s perspectives, values, and ambitions. These influential individuals can provide valuable insights into the subject’s personal growth and development, revealing the sources of inspiration and guidance that fueled their journey.

The influences and inspirations section also delves into the ideas and philosophies that resonated with the subject and shaped their worldview. This could include an exploration of the subject’s religious, political, or philosophical beliefs, as well as the books, theories, or artistic movements that inspired them.

This section examines the events, both personal and historical, that impacted the subject’s life and inspired their actions. These could include moments of personal transformation, such as a life-altering experience or an epiphany, or broader societal events, such as wars, social movements, or technological innovations.

Contributions and Impact

The contributions and impact section of a biography is pivotal in conveying the subject’s lasting significance, both in their chosen profession and beyond. By detailing their achievements, innovations, and legacies, this section helps readers grasp the extent of the subject’s influence and the ways in which their work has shaped the world around them.

This section begins by highlighting the subject’s key accomplishments within their profession, such as breakthroughs, discoveries, or innovative techniques they developed. It delves into the processes and challenges they faced along the way, providing valuable insights into their creativity, determination, and problem-solving abilities.

The contributions and impact section also explores the subject’s broader influence on society, culture, or the world at large. This could include their involvement in social or political movements, their philanthropic endeavors, or their role as a cultural icon.

In addition to discussing the subject’s immediate impact, this section also considers their lasting legacy, exploring how their work has continued to inspire and shape subsequent generations.

This could involve examining the subject’s influence on their successors, the institutions or organizations they helped establish, or the enduring relevance of their ideas and achievements in contemporary society.

Personal Traits and Characteristics

The personal traits and characteristics section of a biography brings the subject to life, offering readers an intimate glimpse into their personality, qualities, and views.

This section often begins by outlining the subject’s defining personality traits, such as their temperament, values, and passions. By exploring these attributes, readers gain insight into the subject’s character and the motivations driving their actions and decisions.

These qualities could include their perseverance, curiosity, empathy, or sense of humor, which may help explain their achievements, relationships, and outlook on life.

The personal traits and characteristics section also delves into the subject’s views and beliefs, offering a window into their thoughts and opinions on various topics. This could include their perspectives on politics, religion, culture, or social issues, providing readers with a clearer understanding of the context in which they operated and the factors that shaped their worldview.

Anecdotes and personal stories play a crucial role in illustrating the subject’s personality and characteristics, as they offer concrete examples of their behavior, actions, or interactions with others.

Quotes and first-hand accounts from the subject or those who knew them well can also be invaluable in portraying their personal traits and characteristics. These accounts offer unique insights into the subject’s thoughts, feelings, and experiences, allowing readers to see the world through their eyes and better understand their character.

Types of Biographies

Biographies come in various forms and styles, each presenting unique perspectives on the lives of individuals. Some of the most common types of biographies are discussed in the following sub-sections.

Historical Fiction Biography

Historical fiction biographies artfully weave together factual information with imaginative elements, creating a vibrant tapestry of the past. By staying true to the core of a historical figure’s life and accomplishments, these works offer a unique window into their world while granting authors the creative freedom to delve deeper into their emotions, relationships, and personal struggles.

Such biographies strike a delicate balance, ensuring that the essence of the individual remains intact while allowing for fictional embellishments to bring their story to life. This captivating blend of fact and fiction serves to humanize these iconic figures, making their experiences more relatable and engaging for readers who embark on a journey through the pages of history.

Here are several examples of notable historical fiction biographies:

• “Wolf Hall” by Hilary Mantel (2009)
• “The Paris Wife” by Paula McLain (2011)
• “Girl with a Pearl Earring” by Tracy Chevalier (1999)
• “The Other Boleyn Girl” by Philippa Gregory (2001)
• “Loving Frank” by Nancy Horan (2007)

Academic Biography

Academic biographies stand as meticulously researched and carefully crafted scholarly works, dedicated to presenting an accurate and comprehensive account of a subject’s life.

Authored by experts or researchers well-versed in their field, these biographies adhere to rigorous standards of accuracy, sourcing, and objectivity. They delve into the intricacies of a person’s life, achievements, and impact, scrutinizing every aspect with scholarly precision.

Intended for an educated audience, academic biographies serve as valuable resources for those seeking a deeper understanding of the subject’s contributions and influence. By placing the individual within the broader context of their time, these works illuminate the complex web of factors that shaped their lives and legacies.

While academic biographies may not always carry the same narrative flair as their fictional counterparts, their commitment to factual integrity and thorough analysis make them indispensable resources for scholars, students, and enthusiasts alike

Here are several examples of notable academic biographies:

• “Einstein: His Life and Universe” by Walter Isaacson (2007)
• “Steve Jobs” by Walter Isaacson (2011)
• “John Adams” by David McCullough (2001)
• “Alexander the Great” by Robin Lane Fox (1973)
• “Marie Curie: A Life” by Susan Quinn (1995)

Authorized Biographies

Authorized biographies offer a unique perspective on the lives of their subjects, as they are written with the explicit consent and, often, active participation of the individual in question.

This collaboration between the biographer and the subject can lead to a more accurate, detailed, and intimate portrayal of the person’s life, as the author is granted access to a wealth of personal information, documents, and anecdotes that might otherwise be inaccessible.

When working on an authorized biography, the biographer is typically given permission to access personal documents, such as letters, diaries, and photographs, which can provide invaluable insights into the subject’s thoughts, emotions, and experiences.

This primary source material allows the biographer to construct a narrative that is grounded in fact and captures the essence of the individual’s life and personality.

Here are several examples of notable authorized biographies:

• “Mandela: The Authorized Biography” by Anthony Sampson (1999)
• “Marilyn Monroe: The Biography” by Donald Spoto (1993)
• “Joni Mitchell: In Her Own Words” by Malka Marom (2014)
• “The Snowball: Warren Buffett and the Business of Life” by Alice Schroeder (2008)
• “Notorious RBG: The Life and Times of Ruth Bader Ginsburg” by Irin Carmon and Shana Knizhnik (2015)

Fictionalized Academic Biography

Fictionalized academic biographies merge the best of both worlds, combining the rigorous research and scholarly integrity of academic biographies with the engaging storytelling of historical fiction.

Authors of these works expertly navigate the delicate balance between maintaining factual accuracy and venturing into the realm of imagination.

This approach allows them to explore the subject’s personal life, relationships, and the broader historical context in a compelling manner, while ensuring the narrative remains firmly rooted in well-researched facts.

Here are several examples of notable fictionalized academic biographies:

• “The Women” by T.C. Boyle (2009)
• “Z: A Novel of Zelda Fitzgerald” by Therese Anne Fowler (2013)
• “The Marriage of Opposites” by Alice Hoffman (2015)
• “Vanessa and Her Sister” by Priya Parmar (2014)
• “The Last Days of Night” by Graham Moore (2016)

Prophetic Biography

Prophetic biographies delve into the rich and profound narratives of religious figures or prophets, meticulously weaving together insights from sacred texts, religious traditions, and historical accounts.

By providing a comprehensive portrayal of the individual’s life, teachings, and impact on society, these biographies serve as an invaluable resource for understanding the pivotal role these figures played in shaping the course of religious history and the lives of the faithful.

Here are several examples of notable prophetic biographies:

• “Muhammad: His Life Based on the Earliest Sources” by Martin Lings (1983)
• “The Life of Moses” by F.B. Meyer (1893)
• “The Life of the Buddha: According to the Pali Canon” by Bhikkhu Ñāṇamoli (1972)
• “The Quest of the Historical Jesus” by Albert Schweitzer (1906)
• “The Lives of the Saints” by Alban Butler (1756)

Biography Development Process

A biography is a comprehensive written account of an individual’s life, and the development process involves several essential components to ensure the biography’s accuracy and readability.

A biographer’s primary responsibility is to conduct extensive research in order to gather a comprehensive array of facts about the subject. This meticulous process involves reviewing various documents and sources that shed light on the individual’s life and experiences, as well as the historical context in which they lived.

Key documents, such as birth and death certificates, provide essential information about the subject’s origins and family background. Personal correspondence, letters, and diaries offer invaluable insights into the subject’s thoughts, emotions, relationships, and experiences. News articles, on the other hand, can reveal public perceptions of the subject, as well as their impact on society and culture.

Archives often serve as treasure troves of information for biographers, as they contain a wealth of primary sources that can help illuminate the subject’s life and times. These archives may include collections of personal papers, photographs, audio recordings, and other materials that offer first-hand accounts of the individual’s experiences or shed light on their accomplishments and impact.

Consulting relevant books and articles is another crucial aspect of a biographer’s research process, as these secondary sources provide context, analysis, and interpretation of the subject’s life and work.

By delving into the existing scholarship and engaging with the works of other researchers, biographers can solidify their understanding of the individual and the historical circumstances in which they lived.

Interviewing people who knew the subject personally is a vital component of a biographer’s research process, as it allows them to access unique insights, personal stories, and firsthand accounts of the individual’s life.

Friends, family members, co-workers, and colleagues can all offer valuable perspectives on the subject’s character, relationships, achievements, and challenges, thereby enriching the biographer’s understanding of their life and experiences.

While subjective anecdotes offer a more intimate glimpse into the subject’s personality and personal life, it is essential for biographers to balance these accounts with factual research.

By corroborating and contextualizing personal stories with objective information gleaned from primary and secondary sources, biographers can ensure that their portrayal of the individual’s life remains accurate and well-rounded.

This process of balancing subjective anecdotes with factual research also allows biographers to present a more nuanced and comprehensive view of their subject. By weaving together personal stories with historical context, biographers can create a richer and more engaging narrative that captures the complexity and multifaceted nature of the individual’s life.

In addition, by considering various perspectives and sources of information, biographers can address potential biases or discrepancies in their account, resulting in a more reliable and credible portrayal of the subject.

This careful attention to detail and commitment to accuracy not only enhances the quality of the biography but also helps establish trust between the biographer and their readers.

Chronological Narration

Organizing a biography in a chronological manner is a highly effective approach, as it allows readers to follow the subject’s life events in a logical and coherent sequence.

By presenting the information in a linear fashion, the biographer enables readers to trace the subject’s journey from their early years to their later accomplishments, making it easier to understand the context and progression of their life.

To effectively arrange a chronological narrative, the biographer should begin by highlighting significant milestones and accomplishments in the subject’s life. These key events serve as anchor points in the story, helping to structure the narrative and maintain the reader’s interest.

By focusing on these pivotal moments, the biographer can illustrate the subject’s growth, development, and achievements over time, providing a clear and engaging overview of their life’s trajectory.

Contextualization

Contextualizing the subject within their historical and cultural framework is a crucial aspect of biographical writing, as it enables readers to gain a deeper understanding of the individual’s life, choices, and significance.

Embedding the subject within their historical context involves examining the political, social, and economic landscape of the time. This includes exploring major events, trends, and issues that affected the subject’s life and decisions, such as wars, social movements, technological advancements, or cultural shifts.

Additionally, considering the subject’s cultural context is essential for understanding their beliefs, values, and creative expression. This involves examining the artistic, intellectual, and philosophical currents of the time, which may have influenced the subject’s work, ideas, or relationships.

Moreover, contextualizing the subject within their historical and cultural framework can help to humanize them, revealing the complexities, contradictions, and struggles that are often inherent in the human experience.

This approach offers readers a more nuanced and empathetic understanding of the subject, allowing them to see the person as a product of their time and circumstances, rather than as an isolated figure.

Famous Biographies and Biographers

The life of samuel johnson, ll.d. by james boswell (1791).

“The Life of Samuel Johnson, LL.D.” is a biography of the English writer and literary critic Samuel Johnson, written by his friend and contemporary James Boswell. Published in 1791, it is often considered one of the greatest biographies in the English language and a pioneering work in the development of modern biography as a literary genre.

Samuel Johnson (1709-1784) was a prominent figure in 18th-century English literature, known for his wide-ranging knowledge, wit, and moral authority. He is best remembered for his dictionary, “A Dictionary of the English Language,” published in 1755, which became the standard English dictionary for over a century. He was also a prolific essayist, poet, and critic.

James Boswell (1740-1795) was a Scottish lawyer, diarist, and author who became friends with Johnson in 1763. Over the course of their friendship, Boswell made detailed notes of their conversations and observations, which he later used as the basis for his biography.

“The Life of Samuel Johnson, LL.D.” is a comprehensive and vivid portrait of Johnson’s life, character, and work. Boswell covers Johnson’s early years, education, and struggles with poverty and illness, as well as his rise to prominence as a writer and his involvement in the vibrant literary circles of 18th-century London.

The biography also delves into Johnson’s friendships and relationships, including his long association with Hester Thrale, a prominent society hostess, and writer.

What sets Boswell’s biography apart is his skill in capturing Johnson’s personality, wit, and conversation. By presenting Johnson’s thoughts and opinions on a wide range of topics, as well as anecdotes and reminiscences from those who knew him, Boswell creates a vivid and engaging portrait of his subject.

The Immortal Life of Henrietta Lacks (2010)

“The Immortal Life of Henrietta Lacks” is a non-fiction book written by Rebecca Skloot, published in 2010. The book tells the story of Henrietta Lacks, an African American woman whose cancer cells were taken without her knowledge or consent during a biopsy in 1951. These cells, known as HeLa cells, became the first immortal human cell line, reproducing indefinitely under laboratory conditions.

HeLa cells have been used extensively in medical research, contributing to significant scientific breakthroughs, such as the development of the polio vaccine, gene mapping, and cancer research.

Henrietta Lacks was a young mother of five when she was diagnosed with an aggressive form of cervical cancer at the age of 31. She received treatment at Johns Hopkins Hospital in Baltimore, where a sample of her cancerous tissue was taken without her knowledge. Henrietta passed away in 1951, but her cells continued to live on, revolutionizing medical research.

Rebecca Skloot spent more than a decade researching Henrietta Lacks’ life and the scientific history of HeLa cells. Skloot also interviewed Lacks’ surviving family members, who were unaware of Henrietta’s contribution to science until the 1970s.

The book explores the ethical issues surrounding the use of human tissue in research, the question of consent, and the lack of compensation for the Lacks family.

Alexander Hamilton by Ron Chernow (2004)

“Alexander Hamilton” is a comprehensive biography of the American Founding Father Alexander Hamilton, written by historian and biographer Ron Chernow. Published in 2004, the book provides an in-depth look into Hamilton’s life, from his humble beginnings in the West Indies to his significant contributions as a statesman, economist, and influential figure in early American history.

Chernow’s biography delves into Hamilton’s early life as an orphan in the Caribbean, his immigration to the American colonies, and his education. It also explores his involvement in the American Revolutionary War, where he served as an aide to General George Washington and later as an artillery officer.

The book details Hamilton’s role in the development of the United States Constitution and his work as the first Secretary of the Treasury under President Washington, where he was instrumental in establishing the nation’s financial system.

“Alexander Hamilton” also examines Hamilton’s personal life, including his relationships, marriage, and infamous extramarital affair, as well as his longstanding political rivalries with figures such as Thomas Jefferson, James Madison, and Aaron Burr. The biography concludes with the story of Hamilton’s tragic death in a duel with Burr in 1804.

It received critical acclaim and won several awards, including the George Washington Book Prize. The biography also inspired Lin-Manuel Miranda to create the hit Broadway musical “Hamilton,” which premiered in 2015 and went on to achieve widespread popularity and numerous accolades, further solidifying Alexander Hamilton’s place in popular culture and history.

Notable Biographies in Different Fields

Science and technology.

Biographies in the field of science and technology offer fascinating insights into the lives and minds of extraordinary individuals who have made significant advancements in their respective fields.

These biographies often provide an in-depth look at the personal and professional lives of scientists, inventors, engineers, and other innovators, highlighting their discoveries, inventions, and contributions to human knowledge and progress.

Arts and Literature

Biographies of artists, actors, and writers often provide captivating and inspiring accounts of the lives of these creative individuals. By examining their personal and professional journeys, these biographies allow readers to gain a deeper understanding of the inspirations, motivations, and challenges that have shaped their subjects’ artistic achievements.

These biographies often delve into the early lives of their subjects, exploring formative experiences that may have influenced their creative paths. They also examine the artistic processes and the development of the subjects’ distinctive styles, providing valuable insights into their creative methodologies, influences, and inspirations.

Sports and Athletics

Biographies of athletes provide riveting accounts of the lives and careers of remarkable individuals who have achieved greatness in the world of sports. These stories often serve as powerful sources of inspiration, showcasing the dedication, perseverance, and triumphs of athletes who have overcome obstacles and pushed the boundaries of human potential.

These biographies delve into the formative experiences of their subjects, exploring how early influences, innate talent, and personal motivations led them to pursue athletic excellence. They also provide insights into the rigorous training regimens, discipline, and sacrifices that athletes make to achieve their goals, highlighting the incredible determination and work ethic that underpin their success.

Additionally, biographies of athletes often touch on the personal challenges and setbacks these individuals have faced, such as injuries, controversies, or personal struggles.

Historical Figures

Biographies of historical figures offer a unique window into the lives, personalities, and experiences of individuals who have left lasting impacts on the world. By delving into the stories of these influential people, readers can gain a deeper understanding of the political, social, and cultural contexts that shaped their actions and decisions, as well as the lasting legacies they left behind.

These biographies often provide richly detailed accounts of their subjects’ lives, including their upbringing, education, relationships, and personal struggles. By exploring the complex facets of these individuals, biographies help to humanize historical figures, providing a more comprehensive and nuanced understanding of their motivations, beliefs, and actions.

In addition to personal narratives, biographies of historical figures often weave together broader historical contexts and events. This allows readers to gain valuable insights into the social, political, and cultural forces that influenced their subjects’ lives and decisions.

Writing a Compelling Biography

A captivating biography requires more than just a simple retelling of a person’s life events. It delves into their personal experiences, relationships, and accomplishments, while maintaining an objective and authentic approach.

Being Objective and Authentic

An essential aspect of a well-written biography is its objectivity. The narrative should portray the real person, depicting their experiences and beliefs accurately.

While it can be tempting to embellish facts or minimize flaws, striving for authenticity is crucial in presenting a credible account. This involves thorough research and verification of facts, even when they contradict the author’s initial assumptions.

Authenticity also extends to the respectful portrayal of a subject’s relationships and exploration of their inner world, while avoiding speculation or gossip.

Balancing Personal and Public Life

When writing a biography, one must strike a balance between the subject’s personal and public life. This includes weaving together stories from their childhood, personal relationships, and major life events that may have shaped their character. The integration of both personal and public aspects contributes to a more comprehensive understanding of their vita.

However, careful consideration must be given to privacy concerns, and it is important to determine which aspects of the individual’s life are appropriate to disclose. Ultimately, the reader should gain insight into the person’s journey without feeling intrusive.

Creating Engaging Storylines

Just as in a novel, a great biography should feature engaging storylines that keep readers interested. This can be achieved by organizing the narrative around important events, challenges, and accomplishments that are relevant and compelling. To maintain a smooth flow, strategically transitioning between these key moments helps maintain reader interest.

The use of different perspectives, anecdotes, and historical context can also enhance the storyline. Paint vivid pictures of the settings, allowing readers to immerse themselves in the subject’s world. Furthermore, showcasing the subject’s resilience, growth, and impact, can contribute to a powerful and memorable biography.

Frequently Asked Questions

Can biographies be fictional or purely factual.

Biographies usually aim to present an accurate and factual representation of someone’s life. However, some authors might take creative liberties and incorporate fictionalized elements for dramatic or storytelling purposes.

It is crucial for readers to be aware of the author’s intentions and approach when reading such biographical works.

Can biographies be biased?

Biographies, like any form of writing, can be subject to biases depending on the author’s perspective, beliefs, or intentions.

It is essential for readers to critically evaluate biographies by considering factors such as the author’s credentials, potential biases, and the sources used in the research process.

By comparing multiple biographies on the same subject or cross-referencing with other sources, readers can develop a more comprehensive and balanced understanding of the individual’s life and achievements.

Are biographies always based on famous or historical figures?

While biographies often focus on famous or historical figures, they can also be written about lesser-known individuals with compelling stories or unique experiences.

These “everyday” biographies can provide valuable insights into the lives of ordinary people and the challenges they face, offering a broader understanding of the human experience and fostering empathy and connection among readers.

Are there any ethical considerations when writing a biography?

Yes, ethical considerations play a significant role in writing biographies.

Biographers must respect the privacy and dignity of their subjects, particularly when dealing with sensitive or personal information. They should also strive for accuracy and fairness, avoiding sensationalism or misrepresentation of facts.

Additionally, biographers should acknowledge and address any potential biases or conflicts of interest that may affect their portrayal of the subject.

Biographies offer us unparalleled access to the lives and legacies of remarkable individuals, spanning diverse genres and approaches.

From historical fiction to academic rigor, prophetic accounts to fictionalized narratives, biographies captivate our imagination and enrich our understanding of the human experience. These literary gems remind us that behind every great achievement lies a story of struggle, triumph, and unwavering determination.

So, let us continue to explore these remarkable journeys, as we delve deeper into the pages of history and the hearts of those who have shaped our world.

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Biographical Fiction Definition – Complete List of Book Genres

by Mark Malatesta | Sep 26, 2018 | Book Genres Fiction

Home » Book Genres Fiction » Biographical Fiction Definition – Complete List of Book Genres

Biographical Fiction Definition –  What’s the best definition for the biographical fiction genre? Biographical fiction is made up of books that are based on a historical person, with fiction aspects added. The time period of the person’s life may be accurate, for instance, but the circumstances of their life may be changed. A good example would be Lincoln VS Vampires; the story is set in Abraham Lincoln’s time with some of the locations and names being completely accurate, but with the fantastical addition of vampires that he slays.

Depending on what fiction aspects are added, also determines what other genres it could fall into. With the example above, the genre would be biographical horror fiction because horror elements (vampires) were added to the biographical story.

Scroll below now to see 25 biographical fiction genre examples, or click here to see all fiction genres .

Biographical Fiction Definition – Examples

Review this list of popular examples to help you get a better understanding of the biographical fiction genre.

1. The Paris Wife by Paula McLain

2. Loving Frank by Nancy Horan

3. Z: A Novel of Zelda Fitzgerald by Therese Anne Fowler

4. The Aviator’s Wife by Melanie Benjamin

5. Half Broke Horses by Jeannette Walls

6. The Other Boleyn Girl by Philippa Gregory

7. The Autobiography of Mrs. Tom Thumb by Melanie Benjamin

8. The Constant Princess by Philippa Gregory

9. Remarkable Creatures by Tracy Chevalier

10. The Autobiography of Henry VIII: With Notes by His Fool, Will Somers by Margaret George

11. The Lady Elizabeth by Alison Weir

12. The Painted Girls by Cathy Marie Buchanan

13. The Boleyn Inheritance by Philippa Gregory

14. Alice I Have Been by Melanie Benjamin

15. The Chaperone by Laura Moriarty

16. The White Queen by Philippa Gregory

17. The Master by Colm Tóibín

18. The Red Queen by Philippa Gregory

19. The Women by T.C. Boyle

20. The Lacuna by Barbara Kingsolver

21. The Forest Loverby Susan Vreeland

22. Regeneration by Pat Barker

23. Mistress of the Sun by Sandra Gulland

24. Frida by Bárbara Mujica

25. Mary, Called Magdalene by Margaret George

Biographical Fiction Definition – Related Book Genres

* Alternate History Fiction Genre

* Faction Definition

* Historical Fiction Definition

* Narrative Fiction Definition

* Period Piece Fiction Genre

* Speculative Fiction Definition

Click here now to see all fiction genres .

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Exploring biographies

Part of English Non-fiction Year 5

Watch: What is a biography?

Remember, biographies should be written in chronological order and in the third person .

Use time prepositions to help you order your writing, for example:

next , afterwards , later , during , until

Is there anything else you’d still like to know about Marie Curie? Write down your questions. For example:

What kind of person was she?

Look online or in information books to find out the answers to your questions.

Ask for help from an adult when looking online so you can find the information you need most effectively.

Play our fun English game Crystal Explorers. game Play our fun English game Crystal Explorers

Use grammar, punctuation and spelling skills to explore jungles, caves and tombs on your mission!

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Biographies and autobiographies

• count 13 of 18

Using evidence to support what you say

• count 14 of 18

Writing a speech

• count 15 of 18

Diary writing

• count 16 of 18

Definition of Fiction

Examples of well-known literary fiction novels, common examples of genres in fiction, what is literary fiction, what is genre fiction, difference between literary fiction and genre fiction, examples of fiction in literature, example 1:  don quixote by miguel de cervantes.

It is one thing to write as poet and another to write as a historian: the poet can recount or sing about things not as they were, but as they should have been, and the historian must write about them not as they should have been, but as they were, without adding or subtracting anything from the truth.

Example 2:  A Very Old Man with Enormous Wings by Gabriel García Márquez

The news of the captive angel spread with such rapidity that after a few hours the courtyard had the bustle of a marketplace and they had to call in troops with fixed bayonets to disperse the mob that was about to knock the house down. Elisenda, her spine all twisted from sweeping up so much marketplace trash, then got the idea of fencing in the yard and charging five cents admission to see the angel .

Example 3:  Ragtime  by E.L. Doctorow

He was buried alive in a grave and could not escape, and had to be rescued. Hurriedly, they dug him out. The earth is too heavy, he said gasping. His nails bled. Soil fell from his eyes. He was drained of color and couldn’t stand. His assistant threw up. Houdini wheezed and sputtered. He coughed blood. They cleaned him off and took him back to the hotel. Today, nearly fifty years since his death, the audience for escapes is even larger.

Synonyms of Fiction

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File Thom Gunn’s Life Under the Tortured Poets Department

A comprehensive new biography, by Michael Nott, lays bare the tragic circumstances behind a brilliant iconoclast’s life and work.

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By David Orr

David Orr is the author of a poetry collection, “Dangerous Household Items,” and three books about poetry. He teaches poetry and the practice of criticism at Rutgers University.

THOM GUNN: A Cool Queer Life , by Michael Nott

One version of the life of Thom Gunn might go like this: After a childhood spent in an erratic orbit of Fleet Street journalism, Gunn developed into a remarkably assured young writer and had immediate success as a poet, first in Britain, then in the United States. Openly gay despite the dangers of that identification in the second half of the 20th century, he led a scruffy, cheerfully louche existence (loads of sex with dubious characters, piles of drugs, often with the same dubious characters) while writing poems of elegant astringency. Gunn taught at several universities with conscientiousness, he plunged into leather dive bars as if they were all about to close forever, and he earned a devoted battalion of advocates who viewed him as a world-class writer who, rare among world-class writers, didn’t court the favor of people who use descriptions like “world-class writer.” He died as a prize-bedecked iconoclast, a near contradiction that suited him down to his panther tattoo.

Another version might go like this: A precocious poet but also a haunted, depressive young man, Gunn crossed the Atlantic in 1954 and found companionship and acceptance, particularly in San Francisco, his longtime home. But he could never fully overcome the darkness that had gathered around him since the moment when, at age 15, he found his mother’s body after she’d taken her own life. Though he became a beloved writer and teacher with a strong circle of loyal friends, most notably his longtime partner Mike Kitay, he was driven to risky, compulsive behavior that struck even some of his piratical associates as excessive. He died alone in his bedroom of a drug overdose at age 74, having last been seen “decked out in his leathers like he was going out.”

It’s to the credit of Michael Nott’s new biography, “Thom Gunn: A Cool Queer Life,” that these versions, and several others, seem equally and sometimes alternately valid. Gunn has always been a puzzle. Incongruity is a primary feature of his poetry, which frequently takes an impersonal, formal stance toward (or against) decidedly informal subject matter; the effect is as if glaciers had somehow been drawn up the slopes of an active volcano. “Venetian Blind,” a poem from the 1980s, begins, “I pull it down while glancing through/Into my neighbour’s room next door,” and quickly moves to sketchier territory: “You know I’m watching. How I wish/You’d come up here, dark sportive sport.” The poem ends:

I study possibility Through rigid slats, or ordered verses, Within which border it rehearses Its partial being, freeing me Slightly adjusting them to scan The self-possession that is you, Who cannot guess at what I do Here, light-sliced, with another man .

The Elizabethan elaboration of this voyeuristic, exhibitionistic scenario is like being offered a bong by someone wearing a doublet.

There are two basic types of poetic biography: the critical study with biographical elements, and the complete life for scholarly posterity. Nott’s is the latter, with an emphasis on “complete.” If you’d like to know where Gunn went for drinks when he lived in New York in 1970, well, he “still frequented the leather bar Keller’s but also enjoyed new bars: His favorites included the Zoo, on West 13th Street, and the Den, a members-only leather bar at West 12th Street and Greenwich Avenue.” A little of such pulverizing detail can go a long way; I would have been content not to learn, for example, that “Andy,” one of Gunn’s dozens and dozens of unstable, much younger conquests, “ruptured a testicle and spent several days in San Francisco General.” But Nott, who previously co-edited a collection of Gunn’s letters , has set out here to produce a work sturdy enough to support decades of future commentary on Gunn. He’s succeeded — this book is everything you ever wanted to know about Thom Gunn but had not even thought about asking.

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The True Story of Maestro and Leonard Bernstein’s Complicated Marriage with Felicia Montealegre

Portrayed in the new Bradley Cooper movie, Leonard Bernstein and Felicia Montealegre’s seemingly perfect marriage was tested by the famous conductor’s infidelity.

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His wife, Felicia Montealegre, was less prominent but was an impressive artist in her own right. A successful actor who performed on Broadway and television, she also played piano, sang , and was an amateur painter and sculptor. Bernstein and Montealegre were a power couple in the public eye, and she was a source of strength and inspiration for her husband.

But their relationship was not an easy one. Bernstein had affairs with both women and men throughout his life, as Montealegre well knew. They broke off their engagement once before marrying, and Bernstein left her for a man at one point in their marriage, after which Montealegre angrily declared that Bernstein was “going to die a bitter and lonely old man.”

Their love, marriage, estrangement, and ultimate reconciliation is the subject of the new biopic Maestro , which features Bradley Cooper as Bernstein and Carey Mulligan as Montealegre. The movie, directed by Cooper, is now streaming on Netflix . Here is the true story of the romance at the heart of Maestro .

“That’s Where We Fell in Love”

Although born in Costa Rica, Montealegre’s family moved to Chile when she was 1 year old. There, her musical talent was recognized by the famed Chilean pianist Claudio Arrau, who tutored her on the instrument before she moved to New York in 1944 to study acting, according to Leonard Bernstein: The Infinite Variety of a Musician by Peter Gradenwitz.

Before they actually met, Montealegre had seen Bernstein conducting at the New York City Center and was said to have expressed her intention of marrying him even then, according to the biography Leonard Bernstein by Humphrey Burton.

The two finally met at a party on February 5, 1947, one day before Montealegre’s 24 th birthday. Bernstein, then 28, had just played the Brahms D minor concerto with Arrau, the party’s host, during a New York City concert. Arrau introduced Bernstein and Montealegre “and that’s where we fell in love,” Bernstein said, according to Gradenwitz.

A few months after this encounter, the two were engaged, but they subsequently decided they weren’t ready for marriage and broke it off within less than a year. Montealegre began a romantic relationship with actor Richad Hart, with whom she had performed in several plays, but he died of a coronary occlusion in January 1951, at age 35, according to Burton.

After Hart’s death, Montealegre and Bernstein rekindled their romance. However, as Burton wrote: “Over the next few months, she would learn the hard way, through his absence, about his peripatetic lifestyle, with its pattern of incessant travel and hotel meals, new orchestras to conquer and other relationships to pursue.”

Living an “Imaginary Life”

Bernstein and Montealegre announced their second engagement in August 1951, and they were married less than a month later. According to Burton, Bernstein’s parents didn’t like Montealegre at first—his mother told Bernstein “I don’t think she is the girl for you; you deserve someone better”—but they both eventually came around.

The couple went on to have three children named Jamie, Alexander, and Nina. In the public eye, Bernstein seemed like a devoted husband and father, but in reality, he was engaged with multiple affairs with both men and women while married, Burton said.

Montealegre, who knew of Bernstein’s reputation for affairs before marrying him, maintained a positive demeanor to the outside world, but his behavior put intense pressure on her. According to Burton, Montealegre knew he had male sexual partners but believed she could “change” him because he didn’t exclusively sleep with men.

“You are a homosexual and may never change,” she wrote in a letter to Bernstein. “Let’s try and see what happens if you are free to do as you like, but without guilt and confession… Our marriage is not based on passion but on tenderness and mutual respect.”

Bernstein, himself, was torn about his bisexuality and engaged in years of therapy with the apparent hope of being “cured,” according to The New York Times . In describing his sexual attractiveness toward men, Bernstein wrote to his sister, “I have been engaged in an imaginary life with Felicia.”

Estranged then Reunited

In 1971, Bernstein met and fell in love with Tom Cothran, the music director of a San Francisco classical radio station. After bonding over their love of music, the two began an affair and repeatedly took vacations together. After five years, Bernstein left Montealegre to live with Cothran in California, according to Leonard Bernstein: An American Musician by Allen Shawn.

Montealegre felt “destroyed,” not only by Bernstein leaving her, but also by his claim that Cothran—rather than she—was his best friend and the only person who truly understood his music, according to Burton. Infuriated, she told Bernstein that he was “going to die a bitter and lonely old man.”

Shortly after their separation, Montealegre was diagnosed with lung cancer. Upon learning this, Bernstein returned to Montealegre and cared for her until her death on June 16, 1978, at age 56. Bernstein never fully recovered from the loss. “He was heartbroken,” his friend Yehudi Menuhin said, according to Gradenwitz. “He is a man who feels so very deeply.”

Bernstein didn’t resume his romance with Cothran, though the two remained friends until Cothran died from AIDS in 1987, according to Burton. Bernstein died of a heart attack three years later on October 14, 1990. He was buried at the Green-Wood Cemetery in Brooklyn, New York, alongside Montealegre.

Stream Maestro on Netflix Now

Carey Mulligan stars as Felicia Montealegre opposite Bradley Cooper ’s Leonard Bernstein in Maestro . The movie is now streaming on Netflix.

Colin McEvoy joined the Biography.com staff in 2023, and before that had spent 16 years as a journalist, writer, and communications professional. He is the author of two true crime books: Love Me or Else and Fatal Jealousy . He is also an avid film buff, reader, and lover of great stories.

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Classical Musicians

Leonard Bernstein

Wolfgang Mozart

Johann Sebastian Bach

Richard Rodgers

Franz Joseph Haydn

Luciano Pavarotti

Ludwig van Beethoven

George Frideric Handel

Pyotr Ilyich Tchaikovsky

Hector Berlioz

Gustav Mahler

• Entertainment

Trump Basks While Adoring Crowd Sings Happy Birthday During TPUSA Speech

‘we will track you down’: lara trump threatens to prosecute anyone ‘cheating’ in election, ‘this is open mic’ byron donalds wings it on stage as crowd awaits hour late trump: ‘i was not supposed to speak’, ‘we will lock him up’ mtg vows to have anthony fauci tried for ‘crimes against humanity’, ‘that’s a zombie lie’ bill maher stunned when charlemagne says black people still have to be 5 times better, tucker carlson biography dumped — politico columnist argues over tanking relevance.

AP Photo/Seth Wenig, File

A biography about populist firebrand Tucker Carlson has been canceled by a major publishing house, according to a new article arguing that Carlson’s star power has waned since his ouster from Fox News.

Politico’s Michael Schaffer reported Friday that Little, Brown, and Co. publishing initially hired writer Jason Zengerle to pen the book Hated by All the Right People: Tucker Carlson and the Unravelling of the Conservative Mind . The book was set to a be a nuanced but unsparing look at Carlson’s journey from mainstream conservative journalist to controversial right-wing pundit.

In his column, Schaffer attributed the book deal’s demise to Carlson’s diminished cultural relevance, writing that “the cancellation stems at least in part from the belief that Carlson, once the biggest name on cable, no longer has the kind of cultural footprint to warrant a pricey, complicated book by a top-shelf writer.” Schaffer also noted that a number of delays in the book as well as its even-handed tone may have also contributed to the publisher’s decision to kill the project.

Last year, Carlson was fired from Fox News soon after the network settled a $787 million defamation lawsuit over election lies by Dominion Voting Systems.

Since then, he’s released videos on X, formerly Twitter, and formed his own media company Tucker Carlson Network. While the videos have retained the attention of his audience and the news media, Carlson arguably does not boast the same audience he commanded from his perch on Fox News.

Schaffer also argued there is waning appetite for a book that doesn’t play to a partisan side. He reviewed a draft of the book from Zengerle, who writes for  New York Times Magazine , and reported it to be a complex portrait of the controversial pundit:

I got a peek at a 60,000-word chunk of draft from Zengerle’s reporting, and it presents a nuanced portrait of a generation of conservatives who grew up in the Reagan era, came to Washington in the 1990s, and were pulled in wildly different directions as the Bush administration floundered and the new GOP embraced Trump. That’s fascinating stuff — if not exactly the kind of scathing hate-read whose scandalous allegations will send books flying off shelves in blue-city bookstores. In a polarized country, fury sells. Beyond attracting readers hungry for outrage, it also snags the attention of the TV bookers and podcast hosts who can put a book on the radar screen. Complexity doesn’t work as well: The lefties who loathe Carlson might not want to spend 400 pages with a three-dimensional version of the guy, and the righties who hero-worship him still won’t want to shell out for something from a non-fan.

Carlson was the top-rated cable news host in the U.S. at the time Fox News fired him and has even been considered a possible VP pick for Donald Trump .

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Teofimo Lopez Jr.: Biography, record, fights and more

Teofimo Lopez Jr. is the WBO junior welterweight champion. Lopez is the former WBO, WBA and IBF lightweight champion. He won the WBO junior welterweight title with a unanimous decision win over Josh Taylor in June 2023.

As an amateur boxer, Lopez won the 2015 National Golden Gloves.

Next fight: June 29 vs. Steve Claggett

Record: 20-1, 13 KOs DOB: Jul. 30, 1997 Age: 26 Stance: Orthodox Reach: 68½ inches Height: 5-foot-8

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