Romeo And Juliet Essay for Students and Children

500+ words essay on romeo and juliet.

Romeo and Juliet is the most famous love tragedy written by William Shakespeare. This is a story of love and fate. Furthermore, the basis of this tragic love story is the Old Italian tale translated into English in the sixteenth century. The story is about two young star-crossed lovers whose death results in reconcile between their feuding families. Moreover, Romeo and Juliet is among the most frequently performed plays by Shakespeare .

Romeo and Juliet Essay

Lessons of Love from Romeo and Juliet

First of all, Romeo and Juliet teach us that love is blind. Romeo and Juliet belonged to two influential families. Furthermore, these two families were engaged in a big feud among themselves. However, against all odds, Romeo and Juliet find each other and fall in love. Most noteworthy, they are blind to the fact that they are from rival families. They strive to be together in spite of the threat of hate between their families.

Another important lesson is that love brings out the best in us. Most noteworthy, Romeo and Juliet were very different characters by the end of the story than in the beginning. Romeo was suffering from depression before he met Juliet. Furthermore, Juliet was an innocent timid girl. Juliet was forced into marriage against her will by her parents. After falling in love, the personalities of these characters changed in positive ways. Romeo becomes a deeply passionate lover and Juliet becomes a confident woman.

Life without love is certainly not worth living. Later in the story, Romeo learns that his beloved Juliet is dead. At this moment Romeo felt a heart-shattering moment. Romeo then gets extremely sad and drinks poison. However, Juliet was alive and wakes up to see Romeo dead. Juliet then immediately decides to kill herself due to this massive heartbreak. Hence, both lovers believed that life without love is not worth living.

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Legacy of Romeo and Juliet

Romeo and Juliet is one of Shakespeare’s most popular plays. Furthermore, the play was very popular even in Shakespeare’s lifetime. Scholar Gary Taylor believes it as the sixth most popular of Shakespeare’s plays. Moreover, Sir William Davenant of the Duke’s Company staged Romeo and Juliet in 1662. The earliest production of Romeo and Juliet was in North America on 23 March 1730.

There were professional performances of Romeo and Juliet in the mid-19th century. In 19th century America, probably the most elaborate productions of Romeo and Juliet took place. The first professional performance of the play in Japan seems to be George Crichton Miln’s company’s production in 1890. In the 20th century, Romeo and Juliet became the second most popular play behind Hamlet.

There have been at least 24 operas based on Romeo and Juliet. The best-known ballet version of this play is Prokofiev’s Romeo and Juliet. Most noteworthy, Romeo and Juliet have a huge impact on literature. Romeo and Juliet made romance as a worthy topic for tragedy. Before Romeo and Juliet, romantic tragedy was certainly unthinkable.

Romeo and Juliet are probably the most popular romantic fictional characters. They have been an inspiration for lovers around the world for centuries. Most noteworthy, the story depicts the struggle of the couple against a patriarchal society. People will always consider Romeo and Juliet as archetypal young lovers.

Q1 State any one lesson of love from Romeo and Juliet?

A1 One lesson of love from Romeo and Juliet is that love brings out the best in us.

Q2 What makes Romeo and Juliet unique in literature?

A2 Romeo and Juliet made romance as a worthy topic for tragedy. This is what makes it unique.

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Romeo and Juliet

William shakespeare.

introduction in romeo and juliet essay

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Welcome to the LitCharts study guide on William Shakespeare's Romeo and Juliet . Created by the original team behind SparkNotes, LitCharts are the world's best literature guides.

Romeo and Juliet: Introduction

Romeo and juliet: plot summary, romeo and juliet: detailed summary & analysis, romeo and juliet: themes, romeo and juliet: quotes, romeo and juliet: characters, romeo and juliet: symbols, romeo and juliet: literary devices, romeo and juliet: quizzes, romeo and juliet: theme wheel, brief biography of william shakespeare.

Romeo and Juliet PDF

Historical Context of Romeo and Juliet

Other books related to romeo and juliet.

  • Full Title: Romeo and Juliet
  • When Written: Likely 1591-1595
  • Where Written: London, England
  • When Published: “Bad quarto” (incomplete manuscript) printed in 1597; Second, more complete quarto printed in 1599; First folio, with clarifications and corrections, printed in 1623
  • Literary Period: Renaissance
  • Genre: Tragic play
  • Setting: Verona, Italy
  • Climax: Mistakenly believing that Juliet is dead, Romeo kills himself on her funeral bier by drinking poison. Juliet wakes up, finds Romeo dead, and fatally stabs herself with his dagger.
  • Antagonist: Capulet, Lady Capulet, Montague, Lady Montague, Tybalt

Extra Credit for Romeo and Juliet

Tourist Trap. Casa di Giulietta, a 12-century villa in Verona, is located just off the Via Capello (the possible origin of the anglicized surname “Capulet”) and has become a major tourist attraction over the years because of its distinctive balcony. The house, purchased by the city of Verona in 1905 from private holdings, has been transformed into a kind of museum dedicated to the history of Romeo and Juliet , where tourists can view set pieces from some of the major film adaptations of the play and even leave letters to their loved ones. Never mind that “the balcony scene,” one of the most famous scenes in English literature, may never have existed—the word “balcony” never appears in the play, and balconies were not an architectural feature of Shakespeare’s England—tourists flock from all over to glimpse Juliet’s famous veranda.

Love Language. While much of Shakespeare’s later work is written in a combination of verse and prose (used mostly to offer distinction between social classes, with nobility speaking in verse and commoners speaking in prose), Romeo and Juliet is notable for its heady blend of poetic forms. The play’s prologue is written in the form of a sonnet, while most of the dialogue adheres strictly to the rhythm of iambic pentameter. Romeo and Juliet alter their cadences when speaking to each another, using more casual, naturalistic speech. When they talk about other potential lovers, such as Rosaline and Paris, their speech is much more formal (to reflect the emotional falsity of those dalliances.) Friar Laurence speaks largely in sermons and aphorisms, while the nurse speaks in blank verse.

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Juliet, as portrayed by Olivia Hussey, in the film Romeo and Juliet, 1968.

What are some examples of film adaptations of Romeo and Juliet ?

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Leonardo DiCaprio (L) and Kate Winslet in a scene from the motion picture Titanic (1997) directed by James Cameron. Academy Awards, Oscars, cinema, film, movie

Romeo and Juliet

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What is Romeo and Juliet about?

Romeo and Juliet is about a young hero and heroine whose families, the Montagues and the Capulets, respectively, are ferocious enemies. Romeo and Juliet ’s passionate star-crossed love leads to their demise, which ultimately serves to pacify the relationship between their families.

What is Romeo and Juliet based on?

Shakespeare’s principal source for the plot of Romeo and Juliet was The Tragicall Historye of Romeus and Juliet , a long narrative poem written in 1562 by the English poet Arthur Brooke , who had based his poem on a French translation of a tale by the Italian writer Matteo Bandello .

Where is Romeo and Juliet set?

Shakespeare’s Romeo and Juliet is set in Verona , Italy.

How is Romeo and Juliet still relevant today?

The characters of Romeo and Juliet have been continuously depicted in literature, music, dance, and theatre. The premise of the young hero and heroine whose families are enemies is so appealing that Romeo and Juliet have become, in the modern popular imagination, the representative type of star-crossed lovers.

Some of the most distinct film adaptations of Romeo and Juliet are Franco Zeffirelli ’s 1968 version of the same name, which notably cast actors similar in age to the play’s young protagonists; Baz Luhrmann ’s visually vibrant 1996 Romeo + Juliet ; and the 2013 zombie romantic comedy Warm Bodies . Learn more.

introduction in romeo and juliet essay

Romeo and Juliet , play by William Shakespeare , written about 1594–96 and first published in an unauthorized quarto in 1597. An authorized quarto appeared in 1599, substantially longer and more reliable. A third quarto, based on the second, was used by the editors of the First Folio of 1623. The characters of Romeo and Juliet have been depicted in literature , music, dance, and theatre. The appeal of the young hero and heroine—whose families, the Montagues and the Capulets, respectively, are implacable enemies—is such that they have become, in the popular imagination, the representative type of star-crossed lovers.

Shakespeare’s principal source for the plot was The Tragicall Historye of Romeus and Juliet (1562), a long narrative poem by the English poet Arthur Brooke , who had based his poem on a French translation of a tale by the Italian Matteo Bandello .

View an excerpt of David Garrick's 18th-century adaptation of William Shakespeare's “Romeo and Juliet” where the lovers speak to each other before they die

Shakespeare sets the scene in Verona , Italy . Juliet and Romeo meet and fall instantly in love at a masked ball of the Capulets, and they profess their love when Romeo, unwilling to leave, climbs the wall into the orchard garden of her family’s house and finds her alone at her window. Because their well-to-do families are enemies, the two are married secretly by Friar Laurence . When Tybalt, a Capulet, seeks out Romeo in revenge for the insult of Romeo’s having dared to shower his attentions on Juliet, an ensuing scuffle ends in the death of Romeo’s dearest friend, Mercutio . Impelled by a code of honour among men, Romeo kills Tybalt and is banished to Mantua by the Prince of Verona, who has been insistent that the family feuding cease . When Juliet’s father, unaware that Juliet is already secretly married, arranges a marriage with the eminently eligible Count Paris, the young bride seeks out Friar Laurence for assistance in her desperate situation. He gives her a potion that will make her appear to be dead and proposes that she take it and that Romeo rescue her. She complies. Romeo, however, unaware of the friar’s scheme because a letter has failed to reach him, returns to Verona on hearing of Juliet’s apparent death. He encounters a grieving Paris at Juliet’s tomb, reluctantly kills him when Paris attempts to prevent Romeo from entering the tomb, and finds Juliet in the burial vault. There he gives her a last kiss and kills himself with poison. Juliet awakens, sees the dead Romeo, and kills herself. The families learn what has happened and end their feud.

For a discussion of this play within the context of Shakespeare’s entire corpus, see William Shakespeare: Shakespeare’s plays and poems .

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Graham Hamilton (Romeo), Edward Gero (Friar Laurence), and Nicole Lowrance (Juliet),  Romeo and Juliet , directed by PJ Paparelli, Folger Theatre, 2005. Photo: Carol Pratt.

Introduction to the play

In  Romeo and Juliet , Shakespeare creates a violent world, in which two young people fall in love. It is not simply that their families disapprove; the Montagues and the Capulets are engaged in a blood feud.

In this death-filled setting, the movement from love at first sight to the lovers’ final union in death seems almost inevitable. And yet, this play set in an extraordinary world has become the quintessential story of young love. In part because of its exquisite language, it is easy to respond as if it were about all young lovers.

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But soft, what light through yonder window breaks? It is the East, and Juliet is the sun.

Good night, good night. Parting is such sweet       sorrow That I shall say “Good night” till it be morrow.

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Costume design for Edna May Oliver as the Nurse in George Cukor's 1936 MGM film of Romeo and Juliet

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Essays and resources from The Folger Shakespeare

Learn more about the play, its language, and its history from the experts behind our edition.

About Shakespeare’s Romeo and Juliet An introduction to the plot, themes, and characters in the play

Reading Shakespeare’s Language A guide for understanding Shakespeare’s words, sentences, and wordplay

An Introduction to This Text A description of the publishing history of the play and our editors’ approach to this edition

Textual Notes A record of the variants in the early printings of this text

A Modern Perspective An essay by Gail Kern Paster

Further Reading Suggestions from our experts on where to learn more

Shakespeare and his world

Learn more about Shakespeare, his theater, and his plays from the experts behind our editions.

Shakespeare’s Life An essay about Shakespeare and the time in which he lived

Shakespeare’s Theater An essay about what theaters were like during Shakespeare’s career

The Publication of Shakespeare’s Plays An essay about how Shakespeare’s plays were published

Related blog posts and podcasts

Quiz: what do you know about "romeo and juliet".

Challenge yourself with a quiz about Romeo and Juliet; Folger Theatre’s production is beginning performances on October 1.

Juliet, Then and Now, with Sophie Duncan

Discover how our perceptions of Juliet have evolved over centuries, as Sophie Duncan explores the lasting legacy of Shakespeare’s first tragic heroine.

Summer Reading: Romeo and Juliet, Revisited

Looking for summer reading? Try a novel based on Romeo and Juliet , from a San Diege restaurant feud to a zombie horror tale to a story about first love.

David West Read on & Juliet

Hit musical & Juliet  combines  Romeo and Juliet  with the songs of pop hitmaker Max Martin. Its writer, Schitt’s Creek writer and executive producer David West Read, tells us about how the idea came to him while he was concussed.

The Amateur of Fashion: Robert "Romeo" Coates

Meet Robert “Romeo” Coates, a 19th century gent better known for his antics (and fashion sense) than his acting.

“I Want It That Way”: Rosaline & Juliet

“In both ‘Rosaline,’ a charming teen romcom streaming on Hulu, and ‘& Juliet,’ a splashy new musical making its Broadway debut this week, Shakespeare’s tragedy becomes a surprising springboard for music, comedy, and investigations into narrative ownership,” writes Austin Tichenor.

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Choral Reading: Juliet’s Soliloquy in Romeo and Juliet 4.3

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Early printed texts

Romeo and Juliet was first printed in 1597 (Q1) as a quarto that is markedly different than any subsequent early printing: it is shorter, the wedding scene is radically different, and the language widely differs in the last three acts. The play appeared as a quarto in 1599 (Q2) in a text that seems to have had a different source than the one behind Q1; this version of the play was reprinted in 1609 (Q3) and in 1623 (Q4). The play is included in the 1623 First Folio, with a text that differs from Q3 beyond what we would expect typesetters to change. Most modern editions, like the Folger, are based on Q2.

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Title page of Romeo and Juliet in the First Quarto

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Romeo and Juliet

By william shakespeare, romeo and juliet essay questions.

In what way do Romeo and Juliet break gender conventions? How do these roles fluctuate throughout the play?

At the beginning of the play, the young lovers' behavior reverses common gender conventions – Romeo acts in a way that his friends call feminine, while Juliet exhibits masculine qualities. Romeo is by no means an archetypal Elizabethan man; he is disinterested in asserting his physical power like the other male characters in the play. Instead, Romeo chooses to stew in his pensive melancholy. On several instances, Romeo's companions suggest that his introspective behavior is effeminate. On the other hand, Juliet exhibits a more pronounced sense of agency than most female characters in Shakespeare's time. While the women around her, like her mother, blindly act in accordance with Lord Capulet's wishes, Juliet proudly expresses her opinion. Even when she has lost a battle (like when Lord Capulet insists she consider marrying Paris), she demonstrates a shrewd ability to deflect attention without committing to anything. In her relationship with Romeo, Juliet clearly takes the lead by insisting on marriage and proposing the plan to unite them. As the play progresses, Romeo starts to break out of his pensive inaction to the point that Mercutio notices this change. Romeo also makes a great shift from his cowardly attempt at suicide in Act III to his willful decision in Act V. Overall, Romeo and Juliet are arguably a good match because they are so distinct. Juliet is headstrong, while Romeo is passive until passion strikes and inspires him to action.

Contrast Romeo's attempted suicide in Act 3 with his actual suicide in Act 5. How do these two events reveal changes in his character and an evolving view of death?

Romeo considers suicide in both Act 3 and Act 5. In Act 3, Romeo's desire to take his own life is a cowardly response to his grief over killing Tybalt. He is afraid of the consequences of his actions and would rather escape the world entirely than face losing Juliet. Both Friar Laurence and the Nurse criticize Romeo for his weakness and lack of responsibility - taking the knife from his hands. In contrast, Romeo actually does commit suicide in Act V because he sees no other option. He plans for it, seeking out the Apothecary before leaving Mantua, and kills himself out of solidarity with Juliet, not because he is afraid. While suicide is hardly a defensible action, Romeo's dual attempts to take his life reveal his growing maturity and his strengthened moral resolve.

Several characters criticize Romeo for falling in love too quickly. Do you believe this is true? Does his tendency towards infatuation give the audience occasion to question Romeo's affection for Juliet?

This question obviously asks for a student opinion, but there is evidence to support both sides of the argument. In Act 2, Friar Laurence states his opinion that Romeo does indeed fall in love too quickly. Romeo is arguably in love with being in love more than he is in love with any particular woman. The speed with which his affections shift from Rosaline to Juliet – all before he ever exchanges a word with the latter – suggests that Romeo's feelings of 'love' are closer to lust than commitment. This interpretation is supported by the numerous sexual references in the play, which are even interwoven with religious imagery in Romeo and Juliet's first conversation. However, it also possible to argue that Romeo's lust does not invalidate the purity of his love. Romeo and Juliet celebrates young, passionate love, which includes physical lust. Furthermore, whereas Romeo was content to pine for Rosaline from afar, his love for Juliet forces him to spring into action. He is melancholy over Rosaline, but he is willing to die for Juliet. Therefore, a possible reading is that Romeo and Juliet's relationship might have been sparked by physical attraction, but it grew into a deep, spiritual connection.

Examine the contrast between order and disorder in Romeo and Juliet . How does Shakespeare express this dichotomy through symbols, and how do those motifs help to underline the other major themes in the play?

The contrast between order and disorder appears from the Prologue, where the Chorus tells a tragic story using the ordered sonnet form. From that point onwards, the separation between order and disorder is a common theme. Ironically, violence and disorder occurs in bright daylight, while the serenity of love emerges at night. The relationship between Romeo and Juliet is uncomplicated without the disorderly feud between their families, which has taken over the streets of Verona. The contrast between order and disorder underscores the way that Shakespeare presents love - a safe cocoon in which the lovers can separate themselves from the unpredictable world around them. At the end of the play, it becomes clear that a relationship based on pure love cannot co-exist with human weaknesses like greed and jealousy.

Many critics note a tonal inconsistency in Romeo and Juliet . Do you find the shift in tone that occurs after Mercutio's death to be problematic? Does this shift correspond to an established structural tradition or is it simply one of Shakespeare's whims?

After the Prologue until the point where Mercutio dies in Act III, Romeo and Juliet is mostly a comic romance. After Mercutio dies, the nature of the play suddenly shifts into tragedy. It is possible that this extreme shift is merely the product of Shakespeare's whims, especially because the play has many other asides that are uncharacteristic of either comedy or tragedy. For example, Mercutio's Queen Mab speech is dreamy and poetic, while the Nurse's colorful personality gives her more dimension than functional characters generally require. However, it is also possible to see the parallels between this tonal shift and the play's thematic contrast between order and disorder. Shakespeare frequently explored the human potential for both comedy and tragedy in his plays, and it is possible that in Romeo and Juliet , he wanted to explore the transition from youthful whimsy into the complications of adulthood. From this perspective, the play's unusual structure could represent a journey to maturity. Romeo grows from a petulant teenager who believes he can ignore the world around him to a man who accepts the fact that his actions have consequences.

Eminent literary critic Harold Bloom considers Mercutio to be one of Shakespeare's greatest inventions in Romeo and Juliet . Why do you agree or disagree with him? What sets Mercutio apart?

One of Shakespeare's great dramatic talents is his ability to portray functional characters as multi-faceted individuals. Mercutio, for example, could have served a simple dramatic function, helping the audience get to know Romeo in the early acts. Then, his death in Act 3 is a crucial plot point in the play, heightening the stakes and forcing Romeo to make a life-changing decision. Mercutio barely appears in Arthur Brooke's Romeus and Juliet , which Romeo and Juliet is based on. Therefore, Shakespeare made a point of fleshing out the character. In Mercutio's Queen Mab speech, Shakespeare has the opportunity to truly delve into the bizarre and often dangerous sexual nature of love. Further, Mercutio's insight as he dies truly expresses the horrors of revenge, as he declares a plague on both the Montague and Capulet families. He is the first casualty of their feud - and because he transcends functionality, the audience mourns his untimely death and can relate to Romeo's capricious revenge.

How does Shakespeare use symbols of gold and silver throughout the play? What does each element represent?

Shakespeare uses gold and silver as symbols to criticize human folly. He often invokes the image of silver to symbolize pure love and innocent beauty. On the other hand, he uses gold as a sign of greed or desire. For example, Shakespeare describes Rosaline as immune to showers of gold, an image that symbolizes the selfishness of bribery. Later, when Romeo is banished, he comments that banishment is a "golden axe," meaning that banishment is merely a shiny euphemism for death. Finally, the erection of the golden statues at the end of the play is a sign of the fact that neither Lord Capulet nor Lord Montague has really learned anything from the loss of their children. They are still competing to claim the higher level of grief. Romeo, however, recognizes the power of gold and rejects it - through him, Shakespeare suggests a distinction between a world governed by wealth and the cocoon of true love.

Do a character analysis of Friar Laurence. What motivates him? In what ways does this motivation complicate his character?

Friar Laurence is yet another character who transcends his functional purpose. When Romeo first approaches the Friar to plan his marriage to Juliet, the older man questions the young man's sincerity, since Romeo openly pined for Rosaline only a few days before. However, the Friar shows a willingness to compromise by agreeing to marry the young lovers nevertheless. What ultimately motivates Friar Laurence is his desire to end the feud between the Capulets and the Montagues, and he sees Romeo and Juliet's marriage as a means to that end. While his peaceful intentions are admirable, his devious actions to achieve them – conducting a marriage that he explicitly questions – suggests he is more driven by politics than by an internal moral compass. The fact that a religious figure would compromise one of the Church's sacraments (marriage) further suggests that the Friar wants his power to extend beyond the confines of his Chapel. He also displays his hubris by helping Juliet to fake her death, rather than simply helping her get to Mantua to be with Romeo. While Friar Laurence is not an explicit villain, his internal contradictions speak to Shakespeare's ability to create multi-faceted characters.

Should Romeo and Juliet be considered a classical tragedy (in which fate destroys individuals)? Or is it more a tragedy of circumstance and personality? Moreover, could the tragic ending of Romeo and Juliet have been avoided?

In classical tragedy, an individual is defeated by Fate, despite his or her best efforts to change a pre-determined course of events. A classical tragedy both celebrates an individual's willpower while lamenting the fact that the universe cannot be bested by mankind. The tragic elements in Romeo and Juliet are undeniable - two young lovers want nothing more than to be together and fall victim to an ancient feud and rigid societal conventions. However, while Romeo and Juliet's deaths result from human folly, the immovable power of fate also has a hand in sealing their destinies. For instance, Romeo and Juliet had many opportunities to simply run away together instead of being separated after Romeo is banished from Verona. Furthermore, many of the tragic occurrences are contingent on antagonistic characters running into one another, and then choosing to pursue vengeance rather than simply walk away. Based on this evidence, it is possible to read Shakespeare's intent as suggesting that behavioral adjustment can often prevent tragic events.

How is Romeo and Juliet a criticism of organized religion? Examine the play's secularism to develop your answer.

While Romeo and Juliet does not present explicit attacks against religion, Shakespeare reveals his skepticism of Christianity in subtle ways. In many ways, Romeo and Juliet must reject the tenets of Christianity in order to be together. In their first meeting, they banter, using religious imagery to share their sexual feelings. In this exchange, the lovers acknowledge the omnipresence of Christianity, but cheekily use religious images in an unexpected context. Further, Christian tradition would have required Juliet to submit to her father's desire, but instead, she manipulates his expectations to distract him from her real agenda. Even Friar Laurence, an explicitly religious figure, uses Christianity as a tool towards his own ends. In this way, the play implicitly suggests that the rigid rules of religion often work in opposition to the desires of the heart - and to pursue true happiness, one must throw off the shackles of organized faith.

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Romeo and Juliet Questions and Answers

The Question and Answer section for Romeo and Juliet is a great resource to ask questions, find answers, and discuss the novel.

Can you find verbal irony in the play? Where?

One example of verbal irony would be Romeo's reference to the poison he has purchased as a "sweet medicine". A cordial is a sweet liquor or medicine.

Come, cordial and not poison, go with me To Juliet's grave; for there must I use thee.

What do we learn about Mercutio in queen man speech?

The whole speech is based on pagan Celtic mythology. Mercutio’s speech is laced with sexual innuendo. The words “queen” and “mab” refer to whores in Elizabethan England. As his speech goes on we notice the subtext get increasingly sexual...

What does Romeo fear as he approaches Capulet house? What literary device would this be an example of?

Romeo feels something bad is going to happen.

I fear too early, for my mind misgives Some consequence yet hanging in the stars

Looks like foreshadowing to me!

Study Guide for Romeo and Juliet

Romeo and Juliet study guide contains a biography of William Shakespeare, literature essays, a complete e-text, quiz questions, major themes, characters, and a full summary and analysis.

  • About Romeo and Juliet
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Essays for Romeo and Juliet

Romeo and Juliet essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Romeo and Juliet by William Shakespeare.

  • Unity in Shakespeare's Tragedies
  • Fate in Romeo and Juliet
  • Romeo and Juliet: Under the Guise of Love
  • The Apothecary's Greater Significance in Romeo and Juliet
  • Romeo and Juliet: Two Worlds

Lesson Plan for Romeo and Juliet

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E-Text of Romeo and Juliet

Romeo and Juliet e-text contains the full text of Romeo and Juliet by William Shakespeare.

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“Romeo and Juliet” Essay Introduction essay

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) We first see Juliet, the heroine of , in 1.3., with her mother, Lady Capulet and the Nurse. She meets Romeo in 1.5. and they are married in 1.6. Juliet stabs herself in 5.3.

. Vol. 8. Ed. Evangeline Maria O'Connor. J.D. Morris and Co.

Such is the simplicity, the truth, and the loveliness of Juliet's character, that we are not at first aware of its complexity, its depth, and its variety. There is in it an intensity of passion, a singleness of purpose, an entireness, a completeness of effect, which we feel as a whole; and to attempt to analyze the impression thus conveyed at once to soul and sense, is as if while hanging over a half-blown rose, and revelling in its intoxicating perfume, we should pull it asunder, leaflet by leaflet, the better to display its bloom and fragrance.

. . . All Shakspeare's women, being essentially women, either love or have loved, or are capable of loving; but Juliet is love itself. The passion is her state of being, and out of it she has no existence. It is the soul within her soul; the pulse within her heart; the life-blood along her veins, "blending with every atom of her frame." The love that is so chaste and dignified in Portia — so airy-delicate and fearless in Miranda — so sweetly confiding in Perdita — so playfully fond in Rosalind — so constant in Imogen — so devoted in Desdemona — so fervent in Helen — so tender in Viola — is each and all of these in Juliet.

In the delineation of that sentiment which forms the groundwork of the drama, nothing in fact can equal the power of the picture but its inexpressible sweetness and its perfect grace: the passion which has taken possession of Juliet's whole soul has the force, the rapidity, the resistless violence of the torrent; but she is herself as "moving delicate," as fair, as soft, as flexible as the willow that bends over it, whose light leaves tremble even with the motion of the current which hurries beneath them. But at the same time that the pervading sentiment is never lost sight of, and is one and the same throughout, the individual part of the character in all its variety is developed, and marked with the nicest discrimination. For instance, the simplicity of Juliet is very different from the simplicity of Miranda; her innocence is not the innocence of a desert island. The energy she displays does not once remind us of the moral grandeur of Isabel, or the intellectual power of Portia; it is founded in the strength of passion, not in the strength of character; it is accidental rather than inherent, rising with the tide of feeling or temper, and with it subsiding. Her romance is not the pastoral romance of Perdita, nor the fanciful romance of Viola; it is the romance of a tender heart and a poetical imagination. Her inexperience is not ignorance; she has heard that there is such a thing as falsehood, though she can scarcely conceive it. Her mother and her nurse have perhaps warned her against flattering vows and man's inconstancy. . . .

Our impression of Juliet's loveliness and sensibility is enhanced, when we find it overcoming in the bosom of Romeo a previous love for another. His visionary passion for the cold, inaccessible Rosaline, forms but the prologue, the threshold, to the true, the real sentiment which succeeds to it. This incident, which is found in the original story, has been retained by Shakspeare with equal feeling and judgement; and far from being a fault in taste and sentiment, far from prejudicing us against Romeo, by casting on him, at the outset of the piece, the stigma of inconstancy, it becomes, if properly considered, a beauty in the drama, and adds a fresh stroke of truth to the portrait of the lover. Why, after all, should we be offended at what does not offend Juliet herself? for in the original story we find that her attention is first attracted towards Romeo, by seeing him "fancy-sick and pale of cheer, for love of a cold beauty. . . ."

In the extreme vivacity of her imagination, and its influence upon the action, the language, the sentiments of the drama, Juliet resembles Portia; but with this striking difference. In Portia, the imaginative power, though developed in a high degree, is so equally blended with the other intellectual and moral faculties, that it does not give us the idea of excess. It is subject to her nobler reason; it adorns and heightens all her feelings; it does not overwhelm or mislead them. In Juliet, it is rather a part of her southern temperament, controlling and modifying the rest of her character; springing from her sensibility, hurried along by her passions, animating her joys, darkening her sorrows, exaggerating her terrors, and, in the end, overpowering her reason. With Juliet, imagination is, in the first instance, if not the source, the medium of passion; and passion again kindles her imagination.



It is through the power of imagination that the eloquence of Juliet is so vividly poetical; that every feeling, every sentiment comes to her clothed in the richest imagery, and is thus reflected from her mind to ours. The poetry is not here the mere adornment, the outward garnishing of the character; but its result, or rather blended with its essence. It is indivisible from it, and interfused through it like moonlight through the summer air. To particularize is almost impossible, since the whole of the dialogue appropriated to Juliet is one rich stream of imagery. . . .

The famous soliloquy, "Gallop apace, ye fiery-footed steeds," teems with luxuriant imagery. The fond adjuration, "Come night I come Romeo! come thou day in night!" expresses that fulness of enthusiastic admiration for her lover, which possesses her whole soul; but expresses it as only Juliet could or would have expressed it — in a bold and beautiful metaphor. Let it be remembered that in this speech Juliet is not supposed to be addressing an audience, nor even a confidante; and I confess I have been shocked at the utter want of taste and refinement in those who, with coarse derision, or in a spirit of prudery, yet more gross and perverse, have dared to comment on this beautiful "Hymn to the Night," breathed out by Juliet in the silence and solitude of her chamber. She is thinking aloud; it is the young heart "triumphing to itself in words." In the midst of all the vehemence with which she calls upon the night to bring Romeo to her arms, there is something so almost infantine in her perfect simplicity, so playful and fantastic in the imagery and language, that the charm of sentiment and innocence is thrown over the whole; and her impatience, to use her own expression, is truly that of "a child before a festival, that hath new robes and may not wear them." It is at the very moment too that her whole heart and fancy are abandoned to blissful anticipation, that the nurse enters with the news of Romeo's banishment; and the immediate transition from rapture to despair has a most powerful effect. . . .

It is in truth a tale of love and sorrow, not of anguish and terror. We behold the catastrophe afar off with scarcely a wish to avert it. Romeo and Juliet must die; their destiny is fulfilled; they have quaffed off the cup of life, with all its infinite of joys and agonies, in one intoxicating draught. What have they to do more upon this earth? Young, innocent, loving and beloved, they descend together into the tomb; but Shakspeare has made that tomb a shrine of martyred and sainted affection consecrated for the worship of all hearts — not a dark charnel vault, haunted by spectres of pain, rage, and desperation. Romeo and Juliet are pictured lovely in death as in life; the sympathy they inspire does not oppress us with that suffocating sense of horror which in the altered tragedy makes the fall of the curtain a relief; but all pain is lost in the tenderness and poetic beauty of the picture.
Mrs. Jameson:
_____



: The Complete Annotated Play
: Examination Questions and Answers









Plot Summary (Acts 1 and 2)
Plot Summary (Acts 3, 4 and 5)

and the Rules of Dramatic Tragedy
: Teacher's Notes and Classroom Discussion
Essay Topics


















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