Start-up Funding | |
Start-up Expenses to Fund | $900 |
Start-up Assets to Fund | $15,100 |
Total Funding Required | $16,000 |
Assets | |
Non-cash Assets from Start-up | $0 |
Cash Requirements from Start-up | $15,100 |
Additional Cash Raised | $0 |
Cash Balance on Starting Date | $15,100 |
Total Assets | $15,100 |
Liabilities and Capital | |
Liabilities | |
Current Borrowing | $0 |
Long-term Liabilities | $2,000 |
Accounts Payable (Outstanding Bills) | $0 |
Other Current Liabilities (interest-free) | $0 |
Total Liabilities | $2,000 |
Capital | |
Planned Investment | |
Frank Peanut | $6,000 |
Jacob Sweller | $8,000 |
Other | $0 |
Additional Investment Requirement | $0 |
Total Planned Investment | $14,000 |
Loss at Start-up (Start-up Expenses) | ($900) |
Total Capital | $13,100 |
Total Capital and Liabilities | $15,100 |
Total Funding | $16,000 |
The primary operations of The Wonderkind will take place in New York, NY. Because all activities and information can be tracked and maintained using a personal computer and the Internet, we will not need exclusive office space until our operations have reached a scale in which dedicated office space is necessary.
The Wonderkind will publish a website and newsletter that provides product, market trends, and theme analysis, company insight, and interesting business issues impacting society from the collegiate perspective. The angle that we address business and societal issues from is unique in that it is representative of today’s and tomorrow’s top college students opinions. The interests of today’s college generation indicates broader themes that will eventually transform society as a whole. The Wonderkind offers bright, motivated students who are passionate about business and/or the stock market a forum to gain real business experience by allowing them to analyze companies and trends and write about them outside of the classroom. The original thoughts and ideas of these wunderkinds will be available on the Internet at our website: www.thewonderkind.com and in a hard copy newsletter printed quarterly.
The Wonderkind is a collection of the best young financial minds in the U.S. These people see trends and issues in the market that the Wall Street analysts fail to realize. In addition, our analysts do not have the investment banking ties that create a major bias in the Wall Street analysts’ opinion. Certain trends cannot be read in yearly reports and can only be realized at the earliest moments by those with a feel for the future of trends in business and technology. In addition, our analysts are willing to perform the more hands-on research carried out by the Wall Street analyst of thirty years ago. This kind of research could include actually eating at a restaurant with the intent of judging the quality of food service. Or perhaps visiting the local mall and witnessing the consumer traffic at Abercrombie & Fitch vs. The Gap vs. J. Crew. If a hot new MP3 player is creping into the popular music scene, then college students with an astute wit will detect the trend first. Our team of college students will be the Wall Street analysts and business professionals of the future. The Wonderkind provides a forum for these brilliant students to voice their observations and ideas before they become biased by their investment banking counterparts.
The Wonderkind’s uniqueness stems from its creation of an elite team of college students who embody America’s most technologically savvy and dynamic generation of youth. College students of today command more respect from business professionals and society at large than ever before. With the incredible success stories of college entrepreneurs such as Bill Gates, Michael Dell, and Sean Fanning, everyone seems to have an interest in the pulse of the collegiate America.
Our competitive advantage is two fold:
Nearly all needed sales literature will be produced in-house using personal computer desktop publishing software such as Microsoft Publisher. We will outsource all of our printing needs. Sales literature will consist of brochures that can be passed out in person or mailed to our initial list of prospective clients. In addition we will publish performance reports including graphs and charts from our analysts using software such as Microsoft Excel.
After creating the initial knowledge base for our business and we have a growing base of subscribers to our service, we will explore opportunities to further personalize the relationships between our subscribers and our analysts/writers. Our analysts will become available via email communication to subscribers who wish to further discuss the ideas presented by the writer. We will also explore the possibilities of adding additional channels of more consistent communication between subscribers and writers. One possibility for a future channel would be aimed at the corporate recruitment division of firms seeking top collegiate talent. The Wonderkind could become a means to establish an early link between corporations and students.
The Wonderkind will be heavily reliant upon the use of the Internet as a means for publishing its website and communicating with clients through email. We feel that technology will be utilized strictly to our advantage and we currently do not see any competitive threats resulting from the advent of new technologies. This mentality is subject to change and will be reevaluated continually in the future.
The core value of The Wonderkind will lie in our analysts’ role as the brightest and most motivated college students in the country. The Wonderkind is different from other informational publishing services in that it represents collegiate America. Furthermore, value of this company will lie in the experience, education, dedication, and willingness of the analysts and owners to go out on a limb to observe the most pressing trends and tech themes prevalent today. Sound, unbiased analysis of these market trends, themes, and investment ideas, will be our objective.
Subscribers of The Wonderkind will be motivated to gain exposure to the pulse of collegiate America. The Wonderkind’s target market consists of business professionals who enjoy a multitude of information sources.
We will target business professionals who enjoy a range information sources. These people could include buy/sell-side Wall Street analysts or other marketing managers at companies with an interest in consumer trends. The perspective offered by college students is truly separate from the bombardment of traditional business periodical sources. The interests of today’s college generation indicates broader themes business professionals need to be aware of.
Market Analysis | |||||||
Year 1 | Year 2 | Year 3 | Year 4 | Year 5 | |||
Potential Customers | Growth | CAGR | |||||
Business Students | 8% | 800,000 | 860,000 | 924,500 | 993,838 | 1,068,376 | 7.50% |
Business Professionals | 5% | 3,500,000 | 3,675,000 | 3,858,750 | 4,051,688 | 4,254,272 | 5.00% |
Total | 5.48% | 4,300,000 | 4,535,000 | 4,783,250 | 5,045,526 | 5,322,648 | 5.48% |
The most relevant trend to the success of The Wonderkind is the continuing recognition of college business persons. No longer are the top Wall Street analysts and managers the only voices being heard. After the astounding success stories of college students such as Bill Gates, Michael Dell, and Sean Fanning, everyone seems to have an open ear to the collective collegiate conscious.
Another important trend originating in the last few years results from the “Fair Disclosure Act” which was created by the S.E.C. This act states explicitly that companies must disclose all information to the general investing public at the same time as releasing information to Wall Street analysts. In other words, individual investors can be present in the same conference calls with management along with Wall Street analysts effectively leveling the playing field for individual investors.
Another critical market influence on the investing public deals with the separation of the Wall Street research analysts from their investment banking counterparts. The inherent biases of investment banking research is being realized by the investing public. Investors want unbiased fundamental research to make decisions.
J. P. Morgan estimates that that 18 million Americans used online brokerages in 2000. This number is expected to increase to 27 million users with online accounts by the year 2003. J. P. Morgan also projects European online accounts to increase from 3.9 million in 2000 to an estimated 17 million accounts by 2003, an anticipated average annualized growth of over 60%. We mention the European statistics here because we expect some foreign investors to utilize The Wonderkind’s service as a concise, interactive, and cost-efficient method of gaining insight into the American markets. This trend indicates that more people are investing without the aid of a traditional broker. Such people, whether they be college students or business professionals, need supplementary research and information to make their investment decisions.
The online investment research industry consists of a handful of all-inclusive websites that touch on nearly all realms of financial activity. Next, there are numerous lesser-known websites and newsletter services that take a more limited approach, specializing in various aspects of the financial markets.
The Wonderkind’s biggest challenge will be to establish itself as a quality niche service in an arena already filled with a wealth of information.
To our knowledge, there is no other company that offers the same services as The Wonderkind. However, there are several virtual businesses that charge fixed monthly rates for their analysts’ suggested portfolios along with periodic email newsletters. These companies will certainly be competition. However, we believe that The Wonderkind offers many competitive advantages over these more automated market information services. The uniquely powerful collection of extremely smart college students that we plan to create will separate us from these other standardized information services.
The Wonderkind will be distributed via Internet subscriptions and mailed newsletters, which will be promoted via our marketing campaigns. The highly scalable knowledge-based platform on which we will operate, will allow us to efficiently leverage our business to a large audience. In addition, we will be able to communicate with our clients via our website, email, and telephone.
The Wonderkind is removed from these otherwise comparable sites because of our collection of the best and brightest young minds representative of the American collegiate pulse:
1. All-inclusive online financial services:
Already established financial sites such as Yahoo! Finance, CBS MarketWatch, MSN MoneyCentral, The Street.com, and Fool.com certainly could be grouped in the same industry as The Wonderkind. We also group any information provided by discount brokers into this category as well. These services provide market research, daily articles, charts, quotes, and much more. We certainly recognize the breadth and reputation of these sites. However, our object will not be to take away market share from this group. Instead we will strive to serve as a desired supplementary informational service.
2. Reputable and focused companies:
3. Stock Picking Services/Technological Forecasting
Persons such as George Gilder and Michael Murphy have set up subscription-based revenue models similar to what we will strive to achieve for The Wonderkind.
We plan to collect an extensive network of bright and talented college students as writers and analysts. We will gather student representatives from schools across the nation. The position of writer and analyst for The Wonderkind will become more coveted than an internship because of the manner in which our newsletter will provide students with a voice to be heard. Lastly, the college community has a perspective and insight that the overall investing world needs to hear.
Subscribers have access to the stock ideas and societal trend/theme analysis generated by our analysts. In addition, subscribers will have access to a more personalized form of communication with our advisors regarding their own investment ideas as well as further exploration into those ideas already put forth by our analysts.
While traditional stockbrokers and Wall Street Analysts are biased in their buy/sell recommendations due to their financial incentives being aligned with the quantity of trading and preconceived investment banking relationships rather than the soundness of individual investment decisions, The Wonderkind analysts remain independent and unbiased in their advice. The Wonderkind analysts have no incentives other than to offer practical stock picking and trend/theme analysis based upon independent and thorough research.
The Wonderkind is a collection of the best young financial minds in the U.S. These people see trends and issues in the market that the Wall Street analysts fail to realize. In addition, our analysts do not have the investment banking ties that create a major bias in the Wall Street analysts’ opinion. Certain trends cannot be read in yearly reports and can only be realized at the earliest moments by those with a feel for the future of trends in business and technology. Furthermore, our analysts are willing to perform the more hands-on research carried out by the Wall Street analyst of thirty years ago. This kind of research could include actually eating at a restaurant with the intent of judging the quality of food service, or perhaps visiting the local mall and witnessing the consumer traffic at Abercrombie & Fitch vs. The Gap vs. J. Crew. If a hot new MP3 player is creeping into the popular music scene, then college students with an astute wit will detect the trend first. Our team of college students will be the Wall Street analysts and business professionals of the future. The Wonderkind provides a forum for these brilliant students to voice their observations and ideas before they become biased by their investment banking counterparts.
The Wonderkind’s uniqueness stems from its elite team of college students who embody America’s most technologically savvy and dynamic generation of youth. College students of today command more respect from business professionals and society at large than ever before.
Our marketing strategy for The Wonderkind will focus on our differentiation by virtue of representation of college students and their opinions and advice. We seek out the brightest and most motivated students at colleges and universities around the country. The name ‘The Wonderkind’ is a play on the German and American word wunderkind, which describes a person of remarkable talent or ability who achieves great success or acclaim at an early age especially in business.
Our most effective means of gaining exposure to a wide audience will come as a result of communicating with the business/entrepreneurial offices at the top 100 universities in the country. We will look to establish permanent links with these institutions in order to generate interest for student writers as well as publicity from university publications. Also, we will be mailing brochures and information to selective lists of potential subscribers and investors.
Our promotion strategy will be in-line with our main competitive advantage from a business perspective: our ability to contain costs. We will rely upon inexpensive forms of publicity that reach a large number of potential clients. Examples of such publicity will manifest in the form of articles written for student-business publications. One publication in which we have already contacted regarding our proposal is Business Today magazine. Business Today is the largest and most influential student-run publication in the country and is distributed widely to over 200,000 subscribers nationwide.
It is our assumption that one effective means of promoting our service will come by word-of-mouth from all people connected with our service including our analysts, writers, and customers. We expect that networks of friends and family will represent a portion of our initial cliental base and that word of mouth will continue to spread. We will be offering incentives for clients to sign up their friends and colleagues. This incentive will take the form of credit toward our existing services for referring clients. We will reward two free months of service for each new subscriber that is referred by an existing subscriber.
The Wonderkind will be positioned as an alternative form of investment advice designed to offer an enjoyable and energetic source of investment advice from an otherwise unrecognized group of people–college students. We provide investment advice from those who will be making the rules in the future. Ultimately, we fall into the category of an informational publishing service utilizing the Internet as well as traditional paper printing methods of distribution.
While we believe that our services are premium in quality, we have decided to offer them for a flat monthly charge. We believe that we should enter the market with a pricing strategy that is focused on convincing possible clients to give us a try. If we were to initially charge a much higher amount, possibly more in-line with the quality of service our clients will be receiving, we may experience a more difficult time selling to new clients. Once we have established ourselves in the eyes of our clients, we will begin raising our prices accordingly.
We will initially charge a fee of $12.95/month or $129.95/year for our basic service which provides access to all articles and content on our website in addition to a quarterly newsletter mailed to the subscriber.
We imagine that our sales strategy will be a natural follow up from our marketing strategy. Once we have attracted users to our website, the natural progression will be to retain them as subscribers. The majority of this process will be carried out through the website itself. The website will describe the specific benefits of subscribing to our service as well as address any questions prospective subscribers may have. We will give prospective subscribers a sample of the services offered by The Wonderkind. Sample articles and abridged articles will be available free of charge by accessing our website at www.thewonderkind.com. We will make an extraordinary effort to accommodate new subscribers in the beginning and throughout the duration of his or her subscription. We will strive to familiarize our subscribers with our services both on the website and through the comprehensive quarterly newsletter.
Our objectives for growth in our subscriber base are as follows:
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Service Subscribers: | 500 | 1,500 | 4,500 | 6,000 | 7,500 |
Assuming our yearly subscription fee of $129.95, projected subscriber bases translate into yearly revenue projections of:
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Projected revenue in dollars: | 65,000 | 195,000 | 585,000 | 780,000 | 975,000 |
For fiscal accounting purposes, this plan begins in June even though we do not expect to receive income from subscriptions until January of the following year. In the seven months between these dates, we will be carrying out an aggressive marketing campaign to attract both subscribers and contributors.
Sales Forecast | |||
Year 1 | Year 2 | Year 3 | |
Unit Sales | |||
Portfolio View ($12.95/mo.) | 720 | 1,980 | 4,200 |
Portfolio View ($129.95/yr.) | 480 | 1,620 | 4,200 |
Premium Service ($24.95/mo.) | 216 | 720 | 1,680 |
Premium Service ($260/yr.) | 144 | 720 | 2,520 |
Other | 0 | 0 | 0 |
Total Unit Sales | 1,560 | 5,040 | 12,600 |
Unit Prices | Year 1 | Year 2 | Year 3 |
Portfolio View ($12.95/mo.) | $12.95 | $12.95 | $12.95 |
Portfolio View ($129.95/yr.) | $10.83 | $10.83 | $10.83 |
Premium Service ($24.95/mo.) | $24.95 | $24.95 | $24.95 |
Premium Service ($260/yr.) | $21.67 | $21.67 | $21.67 |
Other | $0.00 | $0.00 | $0.00 |
Sales | |||
Portfolio View ($12.95/mo.) | $9,324 | $25,641 | $54,390 |
Portfolio View ($129.95/yr.) | $5,198 | $17,545 | $45,486 |
Premium Service ($24.95/mo.) | $5,389 | $17,964 | $41,916 |
Premium Service ($260/yr.) | $3,120 | $15,602 | $54,608 |
Other | $0 | $0 | $0 |
Total Sales | $23,032 | $76,752 | $196,400 |
Direct Unit Costs | Year 1 | Year 2 | Year 3 |
Portfolio View ($12.95/mo.) | $1.00 | $1.00 | $1.00 |
Portfolio View ($129.95/yr.) | $1.00 | $1.00 | $1.00 |
Premium Service ($24.95/mo.) | $1.00 | $1.00 | $1.00 |
Premium Service ($260/yr.) | $1.00 | $1.00 | $1.00 |
Other | $0.00 | $0.00 | $0.00 |
Direct Cost of Sales | |||
Portfolio View ($12.95/mo.) | $720 | $1,980 | $4,200 |
Portfolio View ($129.95/yr.) | $480 | $1,620 | $4,200 |
Premium Service ($24.95/mo.) | $216 | $720 | $1,680 |
Premium Service ($260/yr.) | $144 | $720 | $2,520 |
Other | $0 | $0 | $0 |
Subtotal Direct Cost of Sales | $1,560 | $5,040 | $12,600 |
Once we have established The Wonderkind as a viable entity, we will begin to evaluate strategic alliances and co-marketing initiatives. One possibility for a future alliance exists in another student-operated investment service called WallStreetProdigy.com which offers recommended stock portfolio analysis via its website. WSP offers analysis and live quotes for all stock picks and represents some of the best investing students in universities and colleges in the U.S. However, for now, our main focus will be on building the foundation of The Wonderkind alone.
The initial management team consists of the founders, Frank Peanut and Jacob Sweller. As we grow, we will be looking to recruit exceptionally qualified students. Both partners are currently taking on as much responsibilities as possible and working together on a number of critical issues.
Frank Peanut and Jacob Sweller will remain full-time partners for the short term. We will look to expand our organizational structure of student networks very shortly and have already contacted a select few potential analysts for The Wonderkind. These students come from universities including: University of Pennsylvania, University of Virginia, and Duke University.
Both founding partners have unique resumes and background experiences. They each bring to the table distinct personal qualities that will complement one another as they manage and grow their business.
Jacob Sweller is on track to receive a dual degree in finance and government. Jacob, enrolled in the Honors Program, scored a 1500 on the SAT exam and is currently ranked in the top 10% of his class. While at school, Jacob has been extremely active in the business arena and has directed business-consulting presentations to the Credit Suisse First Boston investment banking firm as well as McKinsey & Co. consulting firm. Jacob has received over 30 prestigious awards in academics and athletics over the past few years. Jacob currently serves as the Co-fund Manager of the Investment Club responsible for approximately $400,000 in assets.
Our management team identified insufficient expertise in Web development as an area of concern. While both Frank Peanut and Jacob Sweller have some experience with HTML hard coding and building basic Web pages, neither has the expertise to develop the website that they had originally envisioned.
Several solutions to this problem were evaluated:
Vista.com is a revolutionary e-Business Infrastructure Provider (eBIP) delivering a fully automated and integrated infrastructure platform for corporations to rapidly deliver e-business services to their small- and medium-size business customers. Vista will be providing us with an all-inclusive solution to develop our Web-based business. We are able to access a full range of tools through a Web browser platform from any computer terminal with Internet access. In addition, Vista will be hosting our site and managing a range of smaller details related to maintaining a business on the Web. They have provided us with the tools necessary to implement a fully enabled e-commerce site that has many features including customer database management, password protected content filled areas, email management, and a myriad of other back office applications that will prove extremely useful and necessary. While Vista has empowered us to create our website on our own, they also have customer support and technical specialists available twenty-four hours a day, seven days a week in the event that we need assistance with any area of our site. We feel that in choosing to setup our business with Vista, we have effectively filled the Web design gap that initially existed. Vista should allow for our growth and expansion plans as we envision them.
The Writers : Our writers will be students who submit articles for publishing on The Wonderkind website and newsletter. Only select articles that embody the quality and spirit of The Wonderkind will be published. The writers will not be paid but will gain the opportunity to be promoted to analyst status through exceptional written articles.
The Analysts : An analyst is defined as a consistent writer for The Wonderkind. These analysts will represent the best of our writers and will be true investment wunderkinds. We estimate that each analyst will make approximately $400 per month. Each analyst will be paid X amount of dollars per customer for every month plus a monthly commission determined by the analyst’s quality of service provided to the customers. We estimate the average commission at about $100 monthly for the first year.
The Wonderkind will not have any personnel during the initial stages of operation, during which the partners of the company will handle all services and site operations. We plan to employ 10 full-time analysts by the end of year one. By year three we plan to have 25 analysts on payroll. The table below indicates the payroll provided by The Wonderkind. Not all analysts are expected to produce articles for our company every month.
Personnel Plan | |||
Year 1 | Year 2 | Year 3 | |
Frank Peanut – CEO | $5,000 | $12,000 | $24,000 |
Jacob Sweller | $5,000 | $12,000 | $24,000 |
Analyst | $200 | $3,500 | $7,000 |
Analyst | $400 | $3,500 | $7,000 |
Analyst | $400 | $3,500 | $7,000 |
Analyst | $500 | $3,500 | $7,000 |
Analyst | $200 | $3,500 | $7,000 |
Analyst | $500 | $3,500 | $7,000 |
Analyst | $200 | $3,500 | $7,000 |
Analyst | $400 | $3,500 | $7,000 |
Analyst | $300 | $3,500 | $7,000 |
Analyst | $200 | $3,500 | $7,000 |
Total People | 9 | 18 | 25 |
Total Payroll | $13,300 | $59,000 | $118,000 |
We want to finance growth mainly through free cash flow. We recognize that this means we will have to grow more slowly than we might like. We think that this strategy of more conservative financial management makes sense since we are not trying to create a conglomerate financial company, rather one that focuses on what we believe to be our core competencies and interests. We believe in financing opportunities that add value to our company from a cost/benefit analysis perspective. However, we will not blindly invest our resources in endeavors that do not have a high likelihood of bearing fruit in the future.
Our most important assumption is regarding the arrangement we have obtained with Vista whereby we are in essence being subsidized 100% for the first year. Vista, nonetheless, currently charges regular paying customers $100/month or $599/year.
General Assumptions | |||
Year 1 | Year 2 | Year 3 | |
Plan Month | 1 | 2 | 3 |
Current Interest Rate | 8.75% | 8.75% | 8.75% |
Long-term Interest Rate | 8.75% | 8.75% | 8.75% |
Tax Rate | 16.25% | 15.00% | 16.25% |
Other | 0 | 0 | 0 |
We foresee steadily rising service revenues starting in June of 2001. Our initial objectives for client retention should lend itself directly to our sales forecasts. It is important to note that these goals as stated are extremely subjective to change once we begin operating and acquire a better feel for our market.
By the beginning of the second year, assuming that we pay the costs related to Vista’s services, and assuming 10 analysts on the payroll, the Break-even Analysis below shows what is needed in sales to break even.
Break-even Analysis | |
Monthly Units Break-even | 126 |
Monthly Revenue Break-even | $1,866 |
Assumptions: | |
Average Per-Unit Revenue | $14.76 |
Average Per-Unit Variable Cost | $1.00 |
Estimated Monthly Fixed Cost | $1,740 |
The Wonderkind should be a profitable entity following the first year. This is possible because of our minimal start-up expenses and projections for consistent sales growth. Also, our arrangement with Vista for a full year’s worth of service free of charge is a substantial financial subsidy. The primary expenses incurred will be marketing and payroll. Marketing expenses will include printing fees for brochures to be distributed and other promotional initiatives.
The following table shows the Projected Profit and Loss for The Wonderkind.
Pro Forma Profit and Loss | |||
Year 1 | Year 2 | Year 3 | |
Sales | $23,032 | $76,752 | $196,400 |
Direct Cost of Sales | $1,560 | $5,040 | $12,600 |
Other | $0 | $0 | $0 |
Total Cost of Sales | $1,560 | $5,040 | $12,600 |
Gross Margin | $21,472 | $71,712 | $183,800 |
Gross Margin % | 93.23% | 93.43% | 93.58% |
Expenses | |||
Payroll | $13,300 | $59,000 | $118,000 |
Sales and Marketing and Other Expenses | $6,250 | $5,600 | $5,600 |
Depreciation | $0 | $0 | $0 |
Rent | $0 | $0 | $7,200 |
Leased Equipment | $0 | $0 | $0 |
Utilities | $0 | $0 | $0 |
Insurance | $0 | $0 | $0 |
Payroll Taxes | $1,330 | $5,900 | $11,800 |
Other | $0 | $0 | $0 |
Total Operating Expenses | $20,880 | $70,500 | $142,600 |
Profit Before Interest and Taxes | $592 | $1,212 | $41,200 |
EBITDA | $592 | $1,212 | $41,200 |
Interest Expense | $321 | $481 | $394 |
Taxes Incurred | $41 | $110 | $6,631 |
Net Profit | $231 | $621 | $34,176 |
Net Profit/Sales | 1.00% | 0.81% | 17.40% |
The following chart and table show the Projected Cash Flow for The Wonderkind.
Pro Forma Cash Flow | |||
Year 1 | Year 2 | Year 3 | |
Cash Received | |||
Cash from Operations | |||
Cash Sales | $0 | $0 | $0 |
Cash from Receivables | $13,894 | $55,438 | $148,928 |
Subtotal Cash from Operations | $13,894 | $55,438 | $148,928 |
Additional Cash Received | |||
Sales Tax, VAT, HST/GST Received | $0 | $0 | $0 |
New Current Borrowing | $2,000 | $5,000 | $0 |
New Other Liabilities (interest-free) | $0 | $0 | $0 |
New Long-term Liabilities | $0 | $0 | $0 |
Sales of Other Current Assets | $0 | $0 | $0 |
Sales of Long-term Assets | $0 | $0 | $0 |
New Investment Received | $0 | $47,000 | $0 |
Subtotal Cash Received | $15,894 | $107,438 | $148,928 |
Expenditures | Year 1 | Year 2 | Year 3 |
Expenditures from Operations | |||
Cash Spending | $13,300 | $59,000 | $118,000 |
Bill Payments | $7,842 | $17,382 | $41,998 |
Subtotal Spent on Operations | $21,142 | $76,382 | $159,998 |
Additional Cash Spent | |||
Sales Tax, VAT, HST/GST Paid Out | $0 | $0 | $0 |
Principal Repayment of Current Borrowing | $0 | $2,000 | $5,000 |
Other Liabilities Principal Repayment | $0 | $0 | $0 |
Long-term Liabilities Principal Repayment | $0 | $0 | $0 |
Purchase Other Current Assets | $0 | $0 | $0 |
Purchase Long-term Assets | $0 | $0 | $2,500 |
Dividends | $0 | $0 | $0 |
Subtotal Cash Spent | $21,142 | $78,382 | $167,498 |
Net Cash Flow | ($5,248) | $29,055 | ($18,570) |
Cash Balance | $9,852 | $38,907 | $20,337 |
The Industry standard ratios are for the Other Management Consulting service industry, NAICS code 541618. A quick comparison between the industry standards and Wonderkind shows that our company is in a class all by itself. Therefore, some explanation is necessary. First of all, because it is primarily an Internet company, all sales will be on credit. This means that the company has a very high amount of accounts receivable. In addition, the company has a very high gross margin for the same reasons. Furthermore, because it is a service company utilizing currently owned assets, the company has few long-term assets. We expect the company to have a decreasing net worth as the sales growth slows down, however it may seem abnormally high for some time.
Ratio Analysis | ||||
Year 1 | Year 2 | Year 3 | Industry Profile | |
Sales Growth | 0.00% | 233.24% | 155.89% | 7.29% |
Percent of Total Assets | ||||
Accounts Receivable | 48.12% | 43.91% | 77.34% | 27.65% |
Other Current Assets | 0.00% | 0.00% | 0.00% | 50.47% |
Total Current Assets | 100.00% | 100.00% | 97.52% | 81.73% |
Long-term Assets | 0.00% | 0.00% | 2.48% | 18.27% |
Total Assets | 100.00% | 100.00% | 100.00% | 100.00% |
Current Liabilities | 19.27% | 9.24% | 3.61% | 32.03% |
Long-term Liabilities | 10.53% | 2.88% | 1.98% | 21.13% |
Total Liabilities | 29.80% | 12.12% | 5.59% | 53.16% |
Net Worth | 70.20% | 87.88% | 94.41% | 46.84% |
Percent of Sales | ||||
Sales | 100.00% | 100.00% | 100.00% | 100.00% |
Gross Margin | 93.23% | 93.43% | 93.58% | 100.00% |
Selling, General & Administrative Expenses | 92.23% | 92.62% | 75.92% | 75.12% |
Advertising Expenses | 16.93% | 6.51% | 2.55% | 1.53% |
Profit Before Interest and Taxes | 2.57% | 1.58% | 20.98% | 1.69% |
Main Ratios | ||||
Current | 5.19 | 10.82 | 27.03 | 1.82 |
Quick | 5.19 | 10.82 | 27.03 | 1.42 |
Total Debt to Total Assets | 29.80% | 12.12% | 5.59% | 63.28% |
Pre-tax Return on Net Worth | 2.03% | 1.20% | 42.90% | 3.39% |
Pre-tax Return on Assets | 1.43% | 1.05% | 40.50% | 9.24% |
Additional Ratios | Year 1 | Year 2 | Year 3 | |
Net Profit Margin | 1.00% | 0.81% | 17.40% | n.a |
Return on Equity | 1.73% | 1.02% | 35.93% | n.a |
Activity Ratios | ||||
Accounts Receivable Turnover | 2.52 | 2.52 | 2.52 | n.a |
Collection Days | 41 | 94 | 101 | n.a |
Accounts Payable Turnover | 5.73 | 12.17 | 12.17 | n.a |
Payment Days | 27 | 33 | 21 | n.a |
Total Asset Turnover | 1.21 | 1.11 | 1.95 | n.a |
Debt Ratios | ||||
Debt to Net Worth | 0.42 | 0.14 | 0.06 | n.a |
Current Liab. to Liab. | 0.65 | 0.76 | 0.65 | n.a |
Liquidity Ratios | ||||
Net Working Capital | $15,331 | $62,952 | $94,627 | n.a |
Interest Coverage | 1.85 | 2.52 | 104.64 | n.a |
Additional Ratios | ||||
Assets to Sales | 0.82 | 0.90 | 0.51 | n.a |
Current Debt/Total Assets | 19% | 9% | 4% | n.a |
Acid Test | 2.69 | 6.07 | 5.59 | n.a |
Sales/Net Worth | 1.73 | 1.26 | 2.06 | n.a |
Dividend Payout | 0.00 | 0.00 | 0.00 | n.a |
The table below is the Project Balance Sheet.
Pro Forma Balance Sheet | |||
Year 1 | Year 2 | Year 3 | |
Assets | |||
Current Assets | |||
Cash | $9,852 | $38,907 | $20,337 |
Accounts Receivable | $9,138 | $30,453 | $77,925 |
Other Current Assets | $0 | $0 | $0 |
Total Current Assets | $18,990 | $69,360 | $98,262 |
Long-term Assets | |||
Long-term Assets | $0 | $0 | $2,500 |
Accumulated Depreciation | $0 | $0 | $0 |
Total Long-term Assets | $0 | $0 | $2,500 |
Total Assets | $18,990 | $69,360 | $100,762 |
Liabilities and Capital | Year 1 | Year 2 | Year 3 |
Current Liabilities | |||
Accounts Payable | $1,659 | $1,408 | $3,635 |
Current Borrowing | $2,000 | $5,000 | $0 |
Other Current Liabilities | $0 | $0 | $0 |
Subtotal Current Liabilities | $3,659 | $6,408 | $3,635 |
Long-term Liabilities | $2,000 | $2,000 | $2,000 |
Total Liabilities | $5,659 | $8,408 | $5,635 |
Paid-in Capital | $14,000 | $61,000 | $61,000 |
Retained Earnings | ($900) | ($669) | ($48) |
Earnings | $231 | $621 | $34,176 |
Total Capital | $13,331 | $60,952 | $95,127 |
Total Liabilities and Capital | $18,990 | $69,360 | $100,762 |
Net Worth | $13,331 | $60,952 | $95,127 |
Personnel Plan | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Frank Peanut – CEO | 0% | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 |
Jacob Sweller | 0% | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $1,000 | $1,000 | $1,000 | $1,000 | $1,000 |
Analyst | 0% | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $100 | $0 | $100 | $0 |
Analyst | 0% | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $100 | $0 | $100 | $100 | $100 |
Analyst | 0% | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $100 | $100 | $100 | $100 | $0 |
Analyst | 0% | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $100 | $100 | $0 | $100 | $200 |
Analyst | 0% | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $100 | $0 | $100 |
Analyst | 0% | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $100 | $100 | $100 | $100 | $100 |
Analyst | 0% | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $100 | $0 | $100 | $0 |
Analyst | 0% | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $100 | $100 | $200 |
Analyst | 0% | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $100 | $200 |
Analyst | 0% | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $200 |
Total People | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 6 | 7 | 7 | 10 | 9 | |
Total Payroll | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $2,400 | $2,500 | $2,500 | $2,800 | $3,100 |
General Assumptions | ||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | |
Plan Month | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 |
Current Interest Rate | 8.75% | 8.75% | 8.75% | 8.75% | 8.75% | 8.75% | 8.75% | 8.75% | 8.75% | 8.75% | 8.75% | 8.75% |
Long-term Interest Rate | 8.75% | 8.75% | 8.75% | 8.75% | 8.75% | 8.75% | 8.75% | 8.75% | 8.75% | 8.75% | 8.75% | 8.75% |
Tax Rate | 15.00% | 15.00% | 15.00% | 15.00% | 15.00% | 15.00% | 15.00% | 15.00% | 15.00% | 15.00% | 15.00% | 15.00% |
Other | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Pro Forma Profit and Loss | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Sales | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $2,099 | $4,264 | $4,401 | $5,867 | $6,400 | |
Direct Cost of Sales | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $113 | $269 | $326 | $404 | $448 | |
Other | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Total Cost of Sales | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $113 | $269 | $326 | $404 | $448 | |
Gross Margin | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $1,986 | $3,995 | $4,075 | $5,463 | $5,952 | |
Gross Margin % | 0.00% | 0.00% | 0.00% | 0.00% | 0.00% | 0.00% | 0.00% | 94.62% | 93.69% | 92.59% | 93.11% | 93.00% | |
Expenses | |||||||||||||
Payroll | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $2,400 | $2,500 | $2,500 | $2,800 | $3,100 | |
Sales and Marketing and Other Expenses | $200 | $200 | $300 | $500 | $600 | $600 | $600 | $650 | $650 | $650 | $650 | $650 | |
Depreciation | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Rent | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Leased Equipment | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Utilities | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Insurance | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Payroll Taxes | 10% | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $240 | $250 | $250 | $280 | $310 |
Other | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Total Operating Expenses | $200 | $200 | $300 | $500 | $600 | $600 | $600 | $3,290 | $3,400 | $3,400 | $3,730 | $4,060 | |
Profit Before Interest and Taxes | ($200) | ($200) | ($300) | ($500) | ($600) | ($600) | ($600) | ($1,304) | $595 | $675 | $1,733 | $1,892 | |
EBITDA | ($200) | ($200) | ($300) | ($500) | ($600) | ($600) | ($600) | ($1,304) | $595 | $675 | $1,733 | $1,892 | |
Interest Expense | $15 | $15 | $29 | $29 | $29 | $29 | $29 | $29 | $29 | $29 | $29 | $29 | |
Taxes Incurred | ($32) | ($32) | ($49) | ($79) | ($94) | ($94) | ($94) | ($200) | $85 | $97 | $256 | $279 | |
Net Profit | ($182) | ($182) | ($280) | ($450) | ($535) | ($535) | ($535) | ($1,133) | $481 | $549 | $1,449 | $1,584 | |
Net Profit/Sales | 0.00% | 0.00% | 0.00% | 0.00% | 0.00% | 0.00% | 0.00% | -53.96% | 11.28% | 12.48% | 24.69% | 24.74% |
Pro Forma Cash Flow | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Cash Received | |||||||||||||
Cash from Operations | |||||||||||||
Cash Sales | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Cash from Receivables | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $1,120 | $3,254 | $4,337 | $5,183 | |
Subtotal Cash from Operations | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $1,120 | $3,254 | $4,337 | $5,183 | |
Additional Cash Received | |||||||||||||
Sales Tax, VAT, HST/GST Received | 0.00% | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
New Current Borrowing | $0 | $0 | $2,000 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
New Other Liabilities (interest-free) | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
New Long-term Liabilities | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Sales of Other Current Assets | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Sales of Long-term Assets | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
New Investment Received | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Subtotal Cash Received | $0 | $0 | $2,000 | $0 | $0 | $0 | $0 | $0 | $1,120 | $3,254 | $4,337 | $5,183 | |
Expenditures | Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | |
Expenditures from Operations | |||||||||||||
Cash Spending | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $2,400 | $2,500 | $2,500 | $2,800 | $3,100 | |
Bill Payments | $6 | $182 | $186 | $285 | $453 | $535 | $535 | $545 | $847 | $1,285 | $1,361 | $1,622 | |
Subtotal Spent on Operations | $6 | $182 | $186 | $285 | $453 | $535 | $535 | $2,945 | $3,347 | $3,785 | $4,161 | $4,722 | |
Additional Cash Spent | |||||||||||||
Sales Tax, VAT, HST/GST Paid Out | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Principal Repayment of Current Borrowing | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Other Liabilities Principal Repayment | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Long-term Liabilities Principal Repayment | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Purchase Other Current Assets | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Purchase Long-term Assets | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Dividends | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Subtotal Cash Spent | $6 | $182 | $186 | $285 | $453 | $535 | $535 | $2,945 | $3,347 | $3,785 | $4,161 | $4,722 | |
Net Cash Flow | ($6) | ($182) | $1,814 | ($285) | ($453) | ($535) | ($535) | ($2,945) | ($2,228) | ($532) | $176 | $461 | |
Cash Balance | $15,094 | $14,912 | $16,726 | $16,440 | $15,988 | $15,453 | $14,918 | $11,974 | $9,746 | $9,214 | $9,390 | $9,852 |
Pro Forma Balance Sheet | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Assets | Starting Balances | ||||||||||||
Current Assets | |||||||||||||
Cash | $15,100 | $15,094 | $14,912 | $16,726 | $16,440 | $15,988 | $15,453 | $14,918 | $11,974 | $9,746 | $9,214 | $9,390 | $9,852 |
Accounts Receivable | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $2,099 | $5,244 | $6,391 | $7,921 | $9,138 |
Other Current Assets | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
Total Current Assets | $15,100 | $15,094 | $14,912 | $16,726 | $16,440 | $15,988 | $15,453 | $14,918 | $14,073 | $14,989 | $15,605 | $17,312 | $18,990 |
Long-term Assets | |||||||||||||
Long-term Assets | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
Accumulated Depreciation | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
Total Long-term Assets | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
Total Assets | $15,100 | $15,094 | $14,912 | $16,726 | $16,440 | $15,988 | $15,453 | $14,918 | $14,073 | $14,989 | $15,605 | $17,312 | $18,990 |
Liabilities and Capital | Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | |
Current Liabilities | |||||||||||||
Accounts Payable | $0 | $176 | $176 | $270 | $435 | $517 | $517 | $517 | $805 | $1,240 | $1,307 | $1,565 | $1,659 |
Current Borrowing | $0 | $0 | $0 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 |
Other Current Liabilities | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 |
Subtotal Current Liabilities | $0 | $176 | $176 | $2,270 | $2,435 | $2,517 | $2,517 | $2,517 | $2,805 | $3,240 | $3,307 | $3,565 | $3,659 |
Long-term Liabilities | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 | $2,000 |
Total Liabilities | $2,000 | $2,176 | $2,176 | $4,270 | $4,435 | $4,517 | $4,517 | $4,517 | $4,805 | $5,240 | $5,307 | $5,565 | $5,659 |
Paid-in Capital | $14,000 | $14,000 | $14,000 | $14,000 | $14,000 | $14,000 | $14,000 | $14,000 | $14,000 | $14,000 | $14,000 | $14,000 | $14,000 |
Retained Earnings | ($900) | ($900) | ($900) | ($900) | ($900) | ($900) | ($900) | ($900) | ($900) | ($900) | ($900) | ($900) | ($900) |
Earnings | $0 | ($182) | ($365) | ($645) | ($1,094) | ($1,629) | ($2,164) | ($2,699) | ($3,832) | ($3,351) | ($2,802) | ($1,353) | $231 |
Total Capital | $13,100 | $12,918 | $12,735 | $12,455 | $12,006 | $11,471 | $10,936 | $10,401 | $9,268 | $9,749 | $10,298 | $11,747 | $13,331 |
Total Liabilities and Capital | $15,100 | $15,094 | $14,912 | $16,726 | $16,440 | $15,988 | $15,453 | $14,918 | $14,073 | $14,989 | $15,605 | $17,312 | $18,990 |
Net Worth | $13,100 | $12,918 | $12,735 | $12,455 | $12,006 | $11,471 | $10,936 | $10,401 | $9,268 | $9,749 | $10,298 | $11,747 | $13,331 |
Sales Forecast | |||||||||||||
Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | ||
Unit Sales | |||||||||||||
Portfolio View ($12.95/mo.) | 0% | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 60 | 100 | 160 | 200 | 200 |
Portfolio View ($129.95/yr.) | 0% | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 80 | 120 | 120 | 160 |
Premium Service ($24.95/mo.) | 0% | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 53 | 53 | 10 | 48 | 52 |
Premium Service ($260/yr.) | 0% | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 36 | 36 | 36 | 36 |
Other | 0% | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Total Unit Sales | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 113 | 269 | 326 | 404 | 448 | |
Unit Prices | Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | |
Portfolio View ($12.95/mo.) | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $12.95 | $12.95 | $12.95 | $12.95 | $12.95 | |
Portfolio View ($129.95/yr.) | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $10.83 | $10.83 | $10.83 | $10.83 | |
Premium Service ($24.95/mo.) | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $24.95 | $24.95 | $24.95 | $24.95 | $24.95 | |
Premium Service ($260/yr.) | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $21.67 | $21.67 | $21.67 | $21.67 | |
Other | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | |
Sales | |||||||||||||
Portfolio View ($12.95/mo.) | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $777 | $1,295 | $2,072 | $2,590 | $2,590 | |
Portfolio View ($129.95/yr.) | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $866 | $1,300 | $1,300 | $1,733 | |
Premium Service ($24.95/mo.) | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $1,322 | $1,322 | $250 | $1,198 | $1,297 | |
Premium Service ($260/yr.) | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $780 | $780 | $780 | $780 | |
Other | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Total Sales | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $2,099 | $4,264 | $4,401 | $5,867 | $6,400 | |
Direct Unit Costs | Month 1 | Month 2 | Month 3 | Month 4 | Month 5 | Month 6 | Month 7 | Month 8 | Month 9 | Month 10 | Month 11 | Month 12 | |
Portfolio View ($12.95/mo.) | 0.00% | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $1.00 | $1.00 | $1.00 | $1.00 | $1.00 |
Portfolio View ($129.95/yr.) | 0.00% | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $1.00 | $1.00 | $1.00 | $1.00 |
Premium Service ($24.95/mo.) | 0.00% | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $1.00 | $1.00 | $1.00 | $1.00 | $1.00 |
Premium Service ($260/yr.) | 0.00% | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $1.00 | $1.00 | $1.00 | $1.00 |
Other | 0.00% | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 | $0.00 |
Direct Cost of Sales | |||||||||||||
Portfolio View ($12.95/mo.) | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $60 | $100 | $160 | $200 | $200 | |
Portfolio View ($129.95/yr.) | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $80 | $120 | $120 | $160 | |
Premium Service ($24.95/mo.) | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $53 | $53 | $10 | $48 | $52 | |
Premium Service ($260/yr.) | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $36 | $36 | $36 | $36 | |
Other | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $0 | |
Subtotal Direct Cost of Sales | $0 | $0 | $0 | $0 | $0 | $0 | $0 | $113 | $269 | $326 | $404 | $448 |
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As an aspiring entrepreneur gearing up to start your own business , you likely know the importance of drafting a business plan. However, you might not be entirely sure where to begin or what specific details to include. That’s where examining business plan examples can be beneficial. Sample business plans serve as real-world templates to help you craft your own plan with confidence. They also provide insight into the key sections that make up a business plan, as well as demonstrate how to structure and present your ideas effectively.
To understand how to write a business plan, let’s study an example structured using a seven-part template. Here’s a quick overview of those parts:
In this section, you’ll find hypothetical and real-world examples of each aspect of a business plan to show you how the whole thing comes together.
Your executive summary offers a high-level overview of the rest of your business plan. You’ll want to include a brief description of your company, market research, competitor analysis, and financial information.
In this free business plan template, the executive summary is three paragraphs and occupies nearly half the page:
You might go more in-depth with your company description and include the following sections:
You can also repurpose your company description elsewhere, like on your About page, Instagram page, or other properties that ask for a boilerplate description of your business. Hair extensions brand Luxy Hair has a blurb on it’s About page that could easily be repurposed as a company description for its business plan.
Market analysis comprises research on product supply and demand, your target market, the competitive landscape, and industry trends. You might do a SWOT analysis to learn where you stand and identify market gaps that you could exploit to establish your footing. Here’s an example of a SWOT analysis for a hypothetical ecommerce business:
You’ll also want to run a competitive analysis as part of the market analysis component of your business plan. This will show you who you’re up against and give you ideas on how to gain an edge over the competition.
This part of your business plan describes your product or service, how it will be priced, and the ways it will compete against similar offerings in the market. Don’t go into too much detail here—a few lines are enough to introduce your item to the reader.
Potential investors will want to know how you’ll get the word out about your business. So it’s essential to build a marketing plan that highlights the promotion and customer acquisition strategies you’re planning to adopt.
Most marketing plans focus on the four Ps: product, price, place, and promotion. However, it’s easier when you break it down by the different marketing channels . Mention how you intend to promote your business using blogs, email, social media, and word-of-mouth marketing.
Here’s an example of a hypothetical marketing plan for a real estate website:
This section of your business plan provides information about your production, facilities, equipment, shipping and fulfillment, and inventory.
The financial plan (a.k.a. financial statement) offers a breakdown of your sales, revenue, expenses, profit, and other financial metrics. You’ll want to include all the numbers and concrete data to project your current and projected financial state.
In this business plan example, the financial statement for ecommerce brand Nature’s Candy includes forecasted revenue, expenses, and net profit in graphs.
It then goes deeper into the financials, citing:
You can use Shopify’s financial plan template to create your own income statement, cash-flow statement, and balance sheet.
A one-page business plan is a pared down version of a standard business plan that’s easy for potential investors and partners to understand. You’ll want to include all of these sections, but make sure they’re abbreviated and summarized:
A startup business plan is meant to secure outside funding for a new business. Typically, there’s a big focus on the financials, as well as other sections that help determine the viability of your business idea—market analysis, for example. Shopify has a great business plan template for startups that include all the below points:
Your internal business plan acts as the enforcer of your company’s vision. It reminds your team of the long-term objective and keeps them strategically aligned toward the same goal. Be sure to include:
A feasibility business plan is essentially a feasibility study that helps you evaluate whether your product or idea is worthy of a full business plan. Include the following sections:
A strategic (or growth) business plan lays out your long-term vision and goals. This means your predictions stretch further into the future, and you aim for greater growth and revenue. While crafting this document, you use all the parts of a usual business plan but add more to each one:
Now that you’re familiar with what’s included and how to format a business plan, let’s go over a few templates you can fill out or draw inspiration from.
Bplans’ free business plan template focuses a lot on the financial side of running a business. It has many pages just for your financial plan and statements. Once you fill it out, you’ll see exactly where your business stands financially and what you need to do to keep it on track or make it better.
PandaDoc’s free business plan template is detailed and guides you through every section, so you don’t have to figure everything out on your own. Filling it out, you’ll grasp the ins and outs of your business and how each part fits together. It’s also handy because it connects to PandaDoc’s e-signature for easy signing, ideal for businesses with partners or a board.
Miro’s Business Model Canvas Template helps you map out the essentials of your business, like partnerships, core activities, and what makes you different. It’s a collaborative tool for you and your team to learn how everything in your business is linked.
Building a business plan is key to establishing a clear direction and strategy for your venture. With a solid plan in hand, you’ll know what steps to take for achieving each of your business goals. Kickstart your business planning and set yourself up for success with a defined roadmap—utilizing the sample business plans above to inform your approach.
What are the 3 main points of a business plan.
To create a simple business plan, start with an executive summary that details your business vision and objectives. Follow this with a concise description of your company’s structure, your market analysis, and information about your products or services. Conclude your plan with financial projections that outline your expected revenue, expenses, and profitability.
The optimal format for a business plan arranges your plan in a clear and structured way, helping potential investors get a quick grasp of what your business is about and what you aim to achieve. Always start with a summary of your plan and finish with the financial details or any extra information at the end.
Home / Blog / The Publishing Plan: What It Is, and How to Create One
by Lesley-Anne Longo
Published at 2023-05-31
What is a publishing plan? Honestly, a publishing plan is exactly what it sounds like! It involves scheduling and planning for the writing and publishing of your manuscript, from start to finish.
And why do you need a publishing plan? Well, publishing can be an amazing journey...but it can also be an overwhelming one. There's the actual writing of the book, the editing process, then the steps of sending out manuscript submissions, or, if you're self-publishing, finding a typesetter/cover designer/etc....there's a lot of items to juggle in order to end up with a finished book. A well thought out publishing plan can help you manage aspects of this process that you didn’t even realize were involved! The tips below can help you develop the right plan for you and your project, to help you manage your publishing journey with ease.
In this blog, I'll identify key components of a publishing plan, beginning with the writing of your manuscript, followed by the editing process, and then taking steps to prepare your manuscript to send out to publishers.
The first part of the publishing plan that an author has to consider is the actual writing of the manuscript. If you’ve already done this, good job! That’s one part of the plan you can check off.
However, if you haven’t written or finished your manuscript yet, it’s a good idea to consider a schedule that will help you get started on the writing, continue the writing, and finish the writing. How can you do this? We know that writing is a demanding process, one with many starts and stops. And we know setting a schedule is easy to do on paper but much harder to actually carry out in practice.
Consider your manuscript: what you are writing and what your goals for your published work are. This can help you draft a schedule. You can set goals to write at least 250 words a day, 2000 words a week, a chapter every two weeks...whatever is realistic and achievable for you. The "achievable" part is key, because ther's nothing worse than setting a goal for yourself and falling short. Attempting to write a chapter a day is a quick path to getting burnt out! Slow and steady is the key here.
Once your manuscript is completed, the editing begins. This process can take varying amounts of time, depending on the level of editing that is required. What are your options? Substantive editing, copy editing, proofreading...how do you know what your manuscript needs to make it shine?
At TEC, we can actually provide an assessment of your full manuscript to determine what will be needed. What this involves is:
From here, we can provide an even more detailed quote for editing based on the findings of the assessment. The assessment will also provide a more accurate idea of how long the editing process will take. We go over all our findings with you in a post-assessment meeting, to ensure you know exactly what will be happening during the editing process, should we move forward. This is also a great time to discuss any queries the editor may have had while reading and assessing your work.
And we will always recommend a strong copy edit, regardless of whether or not we feel the manuscript needs substantive work. A copy edit corrects faulty grammar, incorrect punctuation, misspelled words, and inconsistencies (in spelling and in other ways, like number usage or formatting style). If your writing is already clear and sharp, this process can move fairly quickly.
If you want to learn more about the different types of editing and what is involved as you build your publishing plan, definitely check out our resource guide " Building Your Publishing Plan: A Step-by-Step Guide for Authors ," which expands on the handy information in this blog and will help you build a publishing plan that works for you!
During the editing process, allow time for any finalizing of details the project may need. For example, are there any permissions or copyright work that you need to do? If you want to use an excerpt from a story or if there is a particular illustration or image you want to use, we can clear permissions with the copyright holders on your behalf.
Or perhaps you have someone in mind to write a preface for you, or an introduction? Have you contacted this person and can they meet your deadline?
Once the editing is completed and your manuscript is undergoing its final polish, it’s time to start thinking about your publishing options.
This is an important decision you will have to make as an author. Do you want to publish traditionally through a publishing house, or would you prefer to publish your work through a self-publishing company?
If you decide on self-publishing, it is important that you choose a reputable self-publishing company to work with. Unfortunately, there are many self-publishing companies out there that are all too eager to take advantage of authors. As an exercise, check reviews of self-publishing companies on an unbiased site, run the company’s name and “scam” through a search engine, or, if you’re part of a writing community, ask around to see if anyone you know has had a great experience with a company they’ve used.
An important note though: Self-publishing often requires that you have designated storage space for the books when they are delivered and that you have a strong marketing plan in place for promoting your book. Some self-publishing companies can help you with marketing, but you can be assured it will be for an extra fee.
If you decide you want to find a traditional publishing house for your book, one of the most important steps in this process is making sure it is a good fit.
Once you have a list of possibilities, it's time to begin to draft cover letters, write a synopsis, develop a marketing plan, and other necessary submission package items. Each publisher has different requirements and it is important that these materials reflect their specific requirements.
Once your components are ready, then it's time to send the manuscript packages out. Many publishers ask that submissions be sent electronically through a portal, emailed to a specific address, or mailed in the old-fashioned way.
If you choose to go the traditionally published route, this work is an important part of your publishing plan. What is the best fit for your book?
Publishing is a pursuit that requires investments of both time and money, and it’s a good idea to have a rough outline of how much money you might need to save before you embark on your publishing journey. This may take a bit of time, but it is better to know before you begin the process the cost than to be surprised at the outset.
Today, most publishers require that your book be edited before it is submitted, so editing is an important part of the publishing plan. If you're still in the writing phase of your publishing process, it can be a great idea to start reaching out to editors for quotes once you've got a solid draft in front of you. You'll need to know how many words your manuscript is, as this will help editors gauge how much time they'll need to complete any editing work on your book. Be aware that higher word counts mean higher costs — doing a copy edit on a 40,000 word manuscript is going to take a fair bit less time than a 120,000 word manuscript!
Let the editors know your word count, your desired timeline (if any), and what type (or types) of editing you're looking to have done. The quotes you receive back will help you get a sense of whether you can proceed with editing once the drafting and writing is finished, or whether you might need more time to save up.
The submissions process takes a good amount of research and time, which you should take into account when planning and budgeting. What this step involves is looking up different publishers, examining their catalogues, backlists, and publishing mandates, and deciding if they are a good fit for your book. As previously mentioned, this will also involve creating any number of documents that will be submitted with your manuscript, including cover letters, author bios, chapter outlines or a synopsis, etc. This step requires more budgeting of your own time than money.
If you’ve decided to go the self-publishing route, that’s great! However, you should be very much aware of how much it will cost you to publish your book this way. Many self-publishing companies offer a variety of services that you can choose from, and some offer comprehensive packages for publishing your book that include things like editing, design and layout of book and a cover, and maybe even some marketing.
For example, if I wanted to print through BookBaby, for 100 copies of a 6 x 9 soft & gloss cover, 250-page print book and ebook combo that requires formatting and a basic cover design, and print-on-demand for global retailers (including Amazon, Barnes & Noble, etc.), plus ISBNs and a dynamic layout, that’s already $2,231.00 USD. If I add book promotion services on to that, the total jumps to $3,428.00 USD. Of course, there will be some services that are lower, and some that are likely higher as well. That’s why it’s important to look into these things.
There are other options that allow you to design your own book through portals or by using templates, and you may find these options are more to your liking financially. So, do your research, ask for quotes, and see what services are out there and which ones you think your book will need, and budget accordingly.
Using social media in a planned and thoughtful way can help you promote your book well and get your name out there. As TEC’s Social Media Editor Jean puts it in her blog A Beginner’s Guide to Social Media for Writers & Editors:
Today is a great age for freelance work and entrepreneurship! Literary professionals and freelancer editors can carve out a space for themselves to advertise and promote their work on various social media outlets. You don’t need to have marketing or PR professionals. You don’t need an executive team to curate what, when, or how you publish and market the things that you do. Social media gives you the breathing room to build your brand, content, and audience the way that you want to. And for writers, it means that self-publishing is within the realm of possibility if you dedicate some serious time to building your social media presence.
Remember that you need to build a strong social media presence during the writing of your book so that when your book is published you have an audience who is ready to hear about it and keen to help you promote it.
Many authors make the mistake of creating a social media presence upon publication of their book, then trying to build an audience using a lot of self-serving content to promote their book. The right way to build an audience is to start the process months or even a year in advance. Build an audience by providing great content, join writing communities, and get involved. Once you’ve built up a good number of followers who follow you for the right reasons, then start teasing the release of your book. Lastly, avoid buying followers in the form of bots — sure, your numbers are inflated, but remember, bots can’t buy books, only real live people can.
In the end, creating a publishing management plan is important because it helps to guide your project from manuscript to published book, no matter what publishing direction you take. It will give you a realistic expectation of how much time and money the process is going to require, and helps you manage your expectations of how things are going to progress. These are all important steps in the publishing journey, and the plan helps you map out each step of the way. Our resource guide, " Building Your Publishing Plan: A Step-by-Step Guide for Authors ," will give you all the information you need to create a customized publishing plan that will work for you and your needs, so make sure you take a look!
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Contribution to concept and design by Lesley-Anne Longo
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With over two decades of experience, Growthink has assisted more than 1 million companies in developing effective business plans to launch and expand their businesses. Trust in our expertise to guide you through developing a business plan that drives your success. In addition to our sample plans, below you’ll learn the answers to key business plan questions and gain insightful tips on writing your business plan.
Quick Links to Sections On this Page:
Shoutmouth business plan example, business plan examples by business category.
Clothing Store Business Plan
Embroidery Business Plan
Fashion Business Plan
Jewelry Business Plan
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Banquet Hall Business Plan
Event Planning Business Plan
Event Venue Business Plan
Sample Event Venue Business Plan
Party Rental Business Plan
Photo Booth Business Plan
Table and Chair Rental Business Plan
Wedding Planning Business Plan
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Music Business Plan
Party Bus Business Plan
Podcast Business Plan
Production Company Business Plan
Record Label Business Plan
Recording Studio Business Plan
Sample Non-Profit Business Plan
Charity Business Plan
Sample Nonprofit Business Plan PDF
Social Enterprise Business Plan
Sample Airbnb Business Plan
House Flipping Business Plan
Property Development Business Plan
Property Management Business Plan
Real Estate Business Plan
Real Estate Agent Business Plan
Real Estate Business Plan PDF
Real Estate Development Business Plan
Real Estate Investment Business Plan
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Biodiesel Business Plan
Blogging Business Plan
Clean Tech Business Plan
Mobile App Business Plan
Saas Business Plan
Software Company Business Plan
Technology Business Plan
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Bed and Breakfast Business Plan
Campground Business Plan
Glamping Business Plan
Hotel Business Plan
Mobile Home Park Business Plan
Resort Business Plan
RV Park Business Plan
Travel Agency Business Plan
Sample business plans can help you quickly and easily write a business plan for your own business. Business plans are an important tool for any business, but they can be challenging to create. A sample business plan will help you understand the business plan format , the benefit of market research, and how to write a compelling executive summary. It can also serve as a guide for creating your own business plan, outlining the key sections and providing examples of successful plans. Utilizing the best business plan template can save you time and ensure that your plan is well-structured and comprehensive.
Business plan examples may even help you with the different sections of a plan, including market analysis, business description, cash flow statements/business financial statements, and more. Business plans can also show you how a quality plan in your exact business plan category is organized and shows you the appropriate business communications style to use when writing your business plan.
Any entrepreneur or business owner who has never written a business plan before can benefit from an example or sample plan. New business owners often start with business plan templates , which are helpful but are sometimes more useful after reviewing other sample business plans.
A good sample plan can be a step-by-step guide as you work on your business planning and business idea. Once you have a sense for the flow, specs, and details, etc. that business plans have, utilizing a business plan template will help you pull everything together, helping you create a plan investors and other stakeholders will value. A solid business plan will also help you if you need a bank loan, which may require a startup business plan. Download our free business plan template to help you get started on your own business plan.
Free Download : Free Business Plan Template PDF
First you should read the business plan thoroughly. Study both the type of information provided in key sections like the executive summary, target market analysis, summary, etc., as well as the format and style of the plan. As you read, you may find yourself thinking through things such as improving or evaluating your business planning process, your business idea, or reconsidering who you want to write your business plan for. This is OK and part of the process. In fact, when you start writing a business plan for the first time, it will be much easier because you’ve gone through this process.
After this initial read, outline your business plan and copy in from the sample plan sections that apply to your business. For instance, if the sample plan included public relations in their marketing strategy and sales plan, and you will also use this tactic, you can copy it into your plan and edit it as appropriate. Finally, answer the other questions answered in the sample plan in ways that reflect your unique business and target customers.
Writing a business plan can seem daunting. Starting your business plan writing process by reviewing a plan that’s already been created can remove a lot of mental and emotional barriers while helping you craft the best plan you can.
If your business is unlike any other, using a sample business plan will not be as effective. In this situation, writing a business plan from scratch utilizing a business plan template is probably your best path forward.
As an example, Facebook’s early business plan was unlike others since it was paving a new path and way of doing business. But, groundbreaking new businesses like Facebook are not the norm, and the vast majority of companies will benefit from utilizing sample business plans.
Selecting the appropriate type of business plan depends on your business’s stage, needs, and goals. Let’s explore the different types of business plans and how to determine which business plan format is right for you.
Ultimately, the type of business plan you choose will depend on your business’s specific needs and goals. It may also be beneficial to combine elements from different types of plans to create a customized plan that best fits your business. Carefully consider your objectives and resources before deciding on the right type of plan for your venture.
Don’t you wish there was a faster, easier way to finish your business plan?
With Growthink’s Ultimate Business Plan Template you can finish your plan in just 8 hours or less!
The business plan example below is for Shoutmouth, a company that enjoyed much success in the early 2000’s and which was able to raise funding. While the plan’s premise (social networking) is not as unique now as it was then, the format and structure of this business plan still holds.
Business Overview
Launched in late February 2007, Shoutmouth.com is the most comprehensive music news website on the Internet .
Music is one of the most searched and accessed interests on the Internet. Top music artists like Akon receive over 3 million searches each month. In addition, over 500 music artists each receive over 25,000 searches a month.
However, music fans are largely unsatisfied when it comes to the news and information they seek on the artists they love. This is because most music websites (e.g., RollingStone.com, MTV.com, Billboard.com, etc.) cover only the top eight to ten music stories each day – the stories with mass appeal. This type of generic coverage does not satisfy the needs of serious music fans. Music fans generally listen to many different artists and genres of music. By publishing over 100 music stories each day, Shoutmouth enables these fans to read news on all their favorite artists.
In addition to publishing comprehensive music news on over 1200 music artists, Shoutmouth is a social network that allows fans to meet and communicate with other fans about music, and allows them to:
Success Factors
Shoutmouth is uniquely qualified to succeed due to the following reasons:
Unique Investment Metrics
The Shoutmouth investment opportunity is very exciting due to the metrics of the business.
To begin, over the past two years, over twenty social networks have been acquired. The value in these networks is their relationships with large numbers of customers, which allow acquirers to effectively sell to this audience.
The sales price of these social networks has ranged from $25 to $137 per member. Shoutmouth has the ability to enroll members at less than $1 each, thus providing an extraordinary return on marketing expenditures. In fact, during an April 2007 test, we were able to sign-up 2,000 members to artist-specific Shoutmouth newsletters at a cost of only 43 cents per member.
While we are building Shoutmouth to last, potential acquirers include many types of companies that seek relationships with music fans such as music media/publishing (e.g., MTV, Rolling Stone), ticketing (e.g., Ticketmaster, LiveNation) and digital music sales firms (e.g., iTunes, The Orchard).
Financial Strategy, Needs and Exit Strategy
While Shoutmouth’s technological, marketing and operational infrastructure has been developed, we currently require $3 million to execute on our marketing and technology plan over the next 24 months until we hit profitability.
Shoutmouth will primarily generate revenues from selling advertising space. As technologies evolve that allow us to seamlessly integrate music sampling and purchasing on our site, sales of downloadable music are also expected to become a significant revenue source. To a lesser extent, we may sell other music-related items such as ringtones, concert tickets, and apparel.
Topline projections over the next three years are as follows:
2007 | 2008 | 2009 | |
Shoutmouth Members | 626,876 | 4,289,580 | 9,577,020 |
Unique Visitors | 2,348,050 | 8,390,187 | 18,633,659 |
Total Page Views (Millions) | 20.7 | 273.5 | 781.0 |
Revenues | $165,431 | $2,461,127 | $7,810,354 |
Expenses | $1,407,958 | $2,591,978 | $2,838,423 |
EBITDA | ($1,242,527) | ($130,851) | $4,971,931 |
What is Shoutmouth?
Shoutmouth is an operating company of The Kisco Group Inc. (TKG). Since 2003, TKG has capitalized on web-based marketing opportunities via launching targeted websites and generating web-based leads. TKG revenues in 2005 exceeded $1.3 million and grew to $3.5 million in 2006. Shoutmouth is currently the sole focus of TKG; all other TKG business units have been divested.
Development of Shoutmouth began in August 2006 and the site officially launched on February 21, 2007. Shoutmouth (located at www.shoutmouth.com) is the most comprehensive music news community on the Internet. The website covers 1,200 popular bands and music artists and offers more than 100 new music articles each day. In addition to providing news, Shoutmouth is a web community. That is, Shoutmouth members can actively participate on the site, by doing things such as commenting on news stories and submitting their own stories.
The Market Size and Need for Shoutmouth
The music market is clearly vast. According to IFPI, which represents the recording industry worldwide, global music sales were $33.5 billion in 2005, with the U.S. accounting for $12.3 billion of that amount. Importantly, digitally music sales are seeing substantial growth, with IFPI reporting sales of $400 million in 2004, $1.1 billion in 2005 and $2 billion in 2006.
Online, music is the one of the most frequently searched and accessed interests. For example, according to Wordtracker, the music artist Eminem received over 1.7 million web searches in December 2006, while band Green Day received 534,000 searches.
To put these figures in perspective, top celebrities in other entertainment fields receive but a fraction of this search volume. For example, December 2006 search volumes for select sports stars and actors were as follows: Kobe Bryant, 122K; Tiger Woods, 88K; Cameron Diaz, 332K; and Tom Cruise, 82K.
Conversely, 225 music artists received over 100,000 searches in December 2006, and over 500 music artists received over 25,000 searches.
This data is corroborated by Nielsen BuzzMetrics which plots the most popular topics bloggers are posting about. The chart to the right plots September 25, 2006 to March 25, 2007 and shows how music dominates other entertainment sectors online.
When searching for music artists online, fans, which are primarily between the ages of 13 and 35, are looking for news, pictures, lyrics, videos and audio files. In addition, fans enjoy publicly voicing their opinions about music and interacting with other fans.
There is currently no website besides Shoutmouth that provides comprehensive music news. Currently, to get the latest news on their favorite artists, fans must visit the official websites or fan websites of each of the artists they like . Even then, it is unlikely that the fan will get all the news that has occurred. To solve this problem, Shoutmouth scours the web and uncovers news from thousands of web sites.
What Shoutmouth Does and Will Offer
As of May 2007, the site covers the 1,200 most popular music artists (popularity primarily based on the number of web searches over the past 12 months for each artist).
Shoutmouth currently offers members the ability to:
While establishing itself as the premier music news community, Shoutmouth will embark on the more aggressive goal of becoming the premier music community online . To accomplish this, Shoutmouth will begin to offer additional content (more videos, audio, pictures, lyrics, etc.) and additional functionality (music compatibility testing (e.g., if you like this, you’ll like this), voting capabilities, member-to-member messaging, etc.). We have already begun mapping out our content and technology growths plans to achieve this goal upon financing.
Importantly, Shoutmouth expects to be able to add massive amounts of relevant content (e.g., lyrics, reviews, pictures, video files, audio files, etc.) via member submissions and moderation. This is the same way that YouTube has been able to quickly add millions of videos and Wikipedia has been able to add millions of articles. Importantly, since established music websites (e.g., MTV, RollingStone.com, Billboard.com, etc.) are not community based, they would have to hire thousands of staff members to rival the content that Shoutmouth will have.
How We Get and Publish Our News
Currently, news stories that appear on Shoutmouth are gathered from numerous online sources. Shoutmouth’s staff writers find these stories by using RSS and News feeds that cover thousands of websites. In addition, Shoutmouth community members have the ability to submit stories they find elsewhere.
Typical stories include factual information plus the insight of the author. Shoutmouth editors ensure that all stories are properly classified by artist and genre, and that duplicate articles are filtered out.
Over the past three months, Shoutmouth has developed a solid infrastructure, which we consider a core competitive advantage, that that allows us to provide comprehensive music news . This infrastructure includes:
We are working on a system to ensure that member-submitted articles are automatically routed to the appropriate member of Shoutmouth’s editorial team to improve our efficiencies further.
Shoutmouth’s Goal to Break News First
The majority (approximately 90%) of Shoutmouth’s articles are currently developed by our in-house editorial team, while the balance is submitted by members. In addition, virtually all of our articles are based on information gleaned from other websites. As such, we are generally not the first to publish news; however we are the first and only site to publish all the news in one easily-accessible place. The one current exception is news which is published on bands’ official MySpace pages; Shoutmouth generally publishes articles on this news 24 to 48 hours before it is reported by other news or music sites (due to our efficiencies in finding news).
Shoutmouth realizes that it will gain a key competitive advantage, and will generate significant market buzz, if it is able to report on music news stories before other media sources . To accomplish this, we have begun contacting publicity departments at record labels to gain direct access to music news. We expect these contacts to enable us to gain immediate and sometimes exclusive access to news which will help further establish Shoutmouth as the canonical source for music news. We also plan to more aggressively solicit member submissions of new, buzzworthy news events and will consider offering rewards for unique substantiated news (much the way paparazzi are compensated).
This section of the business plan provides a competitive analysis, which is an overview of the competitive landscape, discusses both indirect and direct competitors and then details Shoutmouth’s competitive advantages.
Because consumer demand for music on the Internet is so great, there are a vast number of music websites. In summary, we consider most sectors of the online music market (which are discussed below) to be indirect competitors and potentially partners, rather than direct competitors, because none of them focus on music news.
The reason we believe that no one focuses on music news is that it is very difficult to do. Because news is very important to music fans, most music websites offer news. However, they primarily get their news from organizations such as CNN, Reuters, the Associated Press and BBC. These large organizations only write about the music stories that have mass appeal, which traditionally amounts to 8-10 music news stories per day. However, since music fans are often zealots when it comes to their favorite artists, they are not merely interested in cover stories. For instance, a U2 fan cares about any U2 news, particularly news that a non-U2 fan might consider insignificant.
In fact, because Shoutmouth is the sole one-stop shop for getting comprehensive music news, there might be an opportunity to license our content to other music websites.
Sectors of the Online Music Market
Shoutmouth specifically comPs in the community-based music news market. While players in this market represent direct competitors, Shoutmouth faces indirect competitors in the following markets:
Each of these markets is described below.
A. Community-Based Sites
Community-based sites, also known as social networking sites, are websites in which members can create profiles, leave comments throughout the site, and communicate with other members among other features.
A June 2006 report by Piper Jaffray entitled “Silk Road: Social Networking is Here to Stay” effectively sums up the power and longevity of social networking:
“We believe social networking sites have become a permanent part of the fabric of web applications and are rapidly becoming one of the most popular activities online, potentially impacting how other popular services such as email, IM, and maybe even search are accessed.
As a clear indication of the growth rate and scale of social networking, consider this: MySpace monthly page views have now surpassed MSN or AOL in the U.S. and are nearly 75% of the size of Yahoo!. Social networking has filled a gap that was left by all the existing portals and web services and it is fulfilling a very important and basic function for millions of users: allowing them to express themselves and connect with their friends, with the two functions tightly integrated.
The leading sites such as MySpace (News Corp), Facebook, and others are amassing significant power in the new landscape of the Internet and the existing Internet companies are likely to have to work with these newcomers as they may yield material control on the flow of traffic to other applications.”
Social networking sites such as MySpace.com, Facebook.com, Tagged.com, and TagWorld.com have educated consumers regarding the value of these sites and how to use them. Their success has spurred genre-specific social networks such as community-based/social networking news sites and music sites, which are discussed below.
Shoutmouth doesn’t view established social networking sites as competitors since these sites have a general focus. That is, members talk about all aspects of life, from dating to music to movies, etc. Conversely, Shoutmouth is solely focused on music.
B. Community-Based News Sites
Community-based news sites are sites in which members decide what’s newsworthy and what’s not. For instance, on Digg.com, the most prominent community-based news site, members “Digg” stories that they feel are most newsworthy. The stories that the community feels are most important rise to Digg’s homepage, while less important stories get little attention.
Digg’s one million members can submit stories, “digg” stories, and comment on stories. Digg focuses on general news with a slant towards technology, gaming and unique/sensational news. While Digg does have a Music area within its Entertainment section, this receives little focus. In fact, at the time of the writing of this plan, Digg’s music home page only includes one article submitted within the past 48 hours. Furthermore, Digg doesn’t pare down the music category into sub-categories such as Rock and individual music artists. Conversely, these sub-categories are the entire focus of Shoutmouth.
Other sites that are similar to Digg include Newsvine.com, Spotback.com and Gabbr.com. Of most relevance is the Digg-like site for music, Noisetap.com, which was launched by Ticketmaster in January 2007.
Like Digg, Noisetap.com allows members to submit and vote for music stories. Noisetap.com is organized by music genre and not by music artist. This most likely will not satisfy the needs of many music fans since they don’t have the ability to find news on the specific artists they care most about. Likewise, without a full-time staff actively researching and publishing news stories at the artist-level, Noisetap.com will never be able to offer the comprehensive news that Shoutmouth does.
While Shoutmouth is currently similar to community-based news sites in that members can submit stories and comment on the news they find most interesting, no established player in the market provides a comprehensive focus on music. In addition, Shoutmouth sees these sites as marketing partners as we have and will continue to submit our stories on them to increase our readership.
C. Community-Based Music Sites
There are many community-based music websites, although none focuses on music news such as Shoutmouth. Conversely, these sites generally give members the ability to create and listen to song play lists. The community acts to help individual members find new music and new friends based on similarities in their music tastes. Prominent sites in this genre include Last.fm, Finetune, Pandora, RadioBlogClub, MyStrands, iLike[1] and iJigg.
Last.fm is the most prominent community-based music site and is a good model with which to compare Shoutmouth. Likewise, we will benchmark our performance against Last.fm as we reach of goal of becoming the premier music news community and focus on becoming the premier music community.
According to Alexa, Last.fm is the 359th most visited site on the Internet. While Last.fm focuses on allowing members to create customized Internet stations based on their music tastes, the site has much additional content and social networking features. For instance, for each artist, Last.fm includes pictures, a bio, concert dates, discography, fans on Last.fm, and similar artists. Fans are also able to create journals and communicate with other fans. Key features that Last.fm doesn’t currently focus on include news and video.
D. Traditional Music Websites
Traditional music websites such as MTV.com, RollingStone.com, Billboard.com, NME.com, AOL Music, and Yahoo! Music tend to have many features such as news, reviews, pictures, videos and audio. While these sites are generally very well done and extremely popular, they are under-serving visitors in two core areas: music news and community .
These sites’ lack of music news stems from the difficulty in creating this news, specifically that it requires filtering through thousands of articles and websites to find relevant stories. Likewise, as discussed, these firms might wish to license our news content in the future.
Regarding community , none of the top music sites are thriving communities. Rather, either these sites offer no community features or they recently began offering select features (e.g., submitting reviews or commenting on articles). Even when available, the community features on these sites are afterthoughts and are not engrained within the core fabric of the sites.
While they haven’t been able to transform their current sites into communities, top music websites clearly understand the power of online music communities and have an appetite for them. For example, in January 2007, MTV invested in social networking website TagWorld. MTV also acquired RateMyProfessors.com and Quizilla.com (teen social network) in January 2007 and October 2006 respectively.
As mentioned previously, our vision is to build and incorporate additional technologies, and use our “army” of members to publish vast amounts of music content on Shoutmouth, in order to fully satisfy music fans and leapfrog traditional music sites in terms of their music content.
E. Official Artist and Fan Sites
Shoutmouth com’s with official music artist websites and fan websites. These sites often include news about the specific artist as well as pictures, videos and other relevant information.
On one hand, official music artist and fan websites are direct competitors to Shoutmouth. This is because some of these sites offer comprehensive news on the specific artist they cover. In addition, many offer forums, discussion boards or other ways to communicate with other fans.
However, two factors separate Shoutmouth from these types of sites: 1) breadth and 2) sophistication.
Specifically, MusicToday offers web design and hosting, develops sophisticated online stores, builds online fan clubs and offers web ticketing among other services to select top music artists such as Dave Matthews Band, Christina Aguilera, Kenny Chesney, Britney Spears and Usher. While offering sophisticated tools for select music artist websites, MusicToday offers little to no music news nor advanced social networking functions. For instance, the official Dave Matthews Band website offers less than one news story per month.
F. Direct Competitors: Community-Based Music News Sites
Shoutmouth’s direct competitors are other music news websites that have social or community features that allow users to join the site, submit articles, comment on articles, create public profiles and/or communicate with other members. Shoutmouth has identified one significant player who offers this service, AbsolutePunk.net.
AbsolutePunk.net has done a good job of building a user base (the site claims 125,000+ registered members and nearly 500,000 un-registered members). In addition, the user base is very active — the average story on their site receives approximately 20 comments. AbsolutePunk.net offers music news, reviews, pictures and interviews among other features.
On the negative side, AbsolutePunk.net’s articles are generally posted by one staff writer (as opposed to Shoutmouth’s five writers), most articles are simply one sentence posts rather than full articles, and no attempt seems to have been made to cover all news stories. In addition, the site only covers the punk music genre. Although “punk” is broadly defined on the site, the site doesn’t cater to genres such as R&B, rap and country among others, failing to satisfy the broader market.
AbsolutePunk.net is owned by Indieclick, a Los Angeles-based media company. According to the AbsolutePunk.net website, the site:
Shoutmouth’s Competitive Advantage
In addition to being the first to fill the untapped market void for comprehensive music news, Shoutmouth’s competitive advantage in the market primarily includes the following:
Online Marketing Sophistication
Content Development Experience and Expertise
Shoutmouth’s team, primarily team members DL and PF, has operated an affiliate marketing business focusing on music for the past four years. Affiliate marketing is defined as a system of revenue sharing between one site (the affiliate) which features an ad or content designed to drive traffic to another site (the merchant). The affiliate receives a fee based on traffic to the merchant which converts to sales.
Our affiliate business has focused on connecting music fans, primarily aged 13 to 30, with music offers such as iPods and ringtones. Over the past two years, we have successful sold affiliated offers to over 500,000 customers. We have become a significant online advertiser, receiving Google’s “over 1 million leads” award, and are recognized as a major player among the top affiliate networks.
It is important to note that affiliate marketing success has been credited with part of MySpace’s success. This is because effective affiliate marketers understand how to drive and convert on Internet traffic.
Shoutmouth will employ its affiliate marketing techniques to drive traffic to Shoutmouth.com and enroll members. We will utilize technologies and proprietary techniques that allow us to monitor multiple metrics such as the cost per visitor, cost per member sign-up, etc., so that we can set and maintain profitable metrics.
Another venture that Shoutmouth team members, primarily PK and DL, launched was the development of over 3,000 niche websites. To create the content for these websites, we employed a virtual work force of over 90 researchers in India and 30 writers and editors in the US.
This experience taught us how to manage a large workforce, train writers to improve content quality and motivate a large group of people. These skill sets will be critical in allowing Shoutmouth to grow the content of the site, as developed by both staff and members, while maintaining quality standards.
Shoutmouth’s marketing plan includes the following:
Online Advertising : Shoutmouth will initiate pay-per-click advertising campaigns on Google and Yahoo! in order to inexpensively drive traffic to the site. Specifically, Shoutmouth believes it can drive qualified traffic to the site for 20 cents per visitor and achieve a 20% member conversion rate, thus generating members at a cost of $1.00 per member.
Keys to Shoutmouth’s success in achieving this metric include:
Invite-A-Friend : Shoutmouth is in the process of creating an aggressive invite-a-friend/member referral program. In doing so, we are following the lead of social movie community, Flixster, which grew to 5 million members within 10 months. It did this by encouraging members, during their initial registration process, to upload and send an invitation to multiple contacts in their email address books. The technology to develop this process is fairly complex and we expect to be completed with and to rollout this program in June 2007.
Direct Email Marketing : Shoutmouth will directly contact bloggers and prominent music fans we find online to tell them about Shoutmouth, encourage them to join, and encourage them to write about Shoutmouth on their blogs and online journals .
Creating/Distributing Buzzworthy/Viral Content : Shoutmouth plans to have several buzzworthy/viral articles (i.e., content that people would want to email to their friends since it is funny, interesting, etc.) on the site each day. With a single click, visitors will be able to send these articles to social bookmarking sites such as Digg.com or Fark.com, where these articles could receive widespread attention. In addition to our traditional news stories, Shoutmouth will also periodically create special reports/features in order to satisfy our members and visitors and to try to get widespread exposure.
An example of the power of such buzzworthy content, Shoutmouth has already succeeded in having two stories accepted by Fark and Digg, which have brought in over 50,000 unique visitors.
Super Fans/Street Team Development : Shoutmouth also plans to recruit “super fans.” Super fans are individuals who are passionate about a certain music artist/band and actively contribute articles and/or comments on Shoutmouth. We will recruit these fans, reward them with status (e.g., adding a gold Shoutmouth headphones image to their profile page) and encourage them to more aggressively promote the site by:
Public Relations : Upon financing, Shoutmouth will hire a public relations firm to help us get mentions in media sources ranging from magazines, newspapers, radio, television and blogs. To date, we have developed and issued press releases via Billboard Publicity Wire which have been syndicated throughout the web. An effective PR firm will enable Shoutmouth to quickly reach a wide audience.
Widgets : Shoutmouth will create artist-specific and genre-specific music news widgets. For example, our U2 widget (see example on right) would include all of the recent U2 articles published on Shoutmouth. The widget can easily be placed on MySpace pages, blogs, etc. Each story title in the widget links to the full article on Shoutmouth.
Shoutmouth has great expectations for our widget. To begin, no such widget currently exists as there is no one place to get comprehensive news for specific music artists. Secondly, each time someone places a Shoutmouth widget on their blog or social networking page, it will effectively market Shoutmouth to a wide audience at zero cost to us.
This section provides a brief roadmap of the initial and future functionality of Shoutmouth.
Initial Site Functionality
The initial Shoutmouth website will include the following features:
Future Site Functionality
Shoutmouth will use news and basic functionality as the platform though which we will build a thriving music community. After initial launch, the Shoutmouth technology team will work on incorporating additional features such as:
Revenue Model
During the first six months, Shoutmouth will not generate any revenues as it will not sell advertising space nor offer products for sale. This decision has been made to spur the growth of the Shoutmouth community. By initially positioning Shoutmouth more as a non-profit, for-the-people-by-the-people venture, members will be more prone to promote the site and invite their friends than if the site looks too commercial.
Starting in September 2007, Shoutmouth will primarily generate revenues from selling advertising space. As technologies (such as the Snocap music widget) evolve that allow us to seamlessly integrate music sampling and purchasing on our site, sales of downloadable music are also expected to be a significant revenue source. To a lesser extent, we may sell other music-related items such as ringtones, concert tickets, and apparel.
Funding To Date
To date, Shoutmouth’s founders have invested $500,000 in Shoutmouth, with which we have accomplished the following:
Funding Requirements/Use of Funds
Shoutmouth is currently seeking $3 million to provide funding for the next 24 months. At this point, the site will be profitable and can grow organically, or additional capital may be sought to more aggressively expand our member base.
The capital will be used as follows:
Financial Projections
Below is an overview of Shoutmouth’s Financial Projections for the next three years. Please see the Appendix for the full financial projections and key assumptions.
Exit Strategy / Valuation Metric
Shoutmouth’s most likely exit strategy is to be acquired by a traditional music website or property (e.g., Viacom/MTV, Ticketmaster, Rolling Stone), an entertainment/media conglomerate (e.g., Yahoo!, IAC/InterActiveCorp, NBC), or a large social networking site (e.g., News Corp/MySpace).
This strategy is supported by the significant M&A activity in the social networking market, which includes the following transactions over the past 24 months:
Del.icio.us | social bookmarking | 12/05 | $30-$35 million | Yahoo! |
eCrush Inc. | teen social network | 01/07 | Undisclosed | Hearst Magazines Digital Media |
FanNation | sports social networking | 01/07 | $20+ million | Sports Illustrated |
Five Across Inc. | social networking | 02/07 | Undisclosed | Cisco Systems Inc. |
Flickr | photo uploading and sharing community | 03/05 | $15-35 million (rumored) | Yahoo! |
Grouper | video creating, uploading and sharing community | 08/06 | $65 million | Sony Pictures |
Jumpcut | video creating, uploading and sharing community | 09/06 | $15 million (rumored) | Yahoo! |
KiwiBox.com | teen social network | 02/07 | Undisclosed | Magnitude Information Systems, Inc. |
MyBlogLog | blog community tool | 01/07 | $10 million (rumored) | Yahoo! |
MySpace | social networking | 07/05 | $580 million | News Corp. |
Quizilla.com | teen social network | 10/06 | Undisclosed | Viacom/MTV Networks |
RateMyProfessors.com | community focused on rating college professors | 01/07 | Undisclosed | Viacom/MTV Networks |
social news site | 10/06 | Undisclosed | Conde Nast/ Wired Digital | |
Sconex.com | social network for high school students | 03/06 | $6.1 million | Alloy Inc. |
TelevisionWithoutPity.com | TV fan site | 03/07 | Undisclosed | Bravo |
Weblogs Inc. | blogging network | 10/05 | $25 million (rumored) | AOL |
YouTube | video community | 10/06 | $1.65 billion | Google Inc. |
Regarding valuation, below are the estimated valuations of social networking companies on a per member basis upon exit:
Based on this data, not only are social networking sites a promising investment, but sites that can acquire members for less than $25 each (a conservative valuation estimate based on the figures above), should earn a solid return on investment. As discussed above, Shoutmouth’s goal is to acquire members for no more than $1 each.
In addition, per the membership projections above, Shoutmouth’s valuation at the end of 2009, at a $25 valuation per member, is expected to be $239 million. A more conservative, using a 24.4 time EBITDA multiple (the average multiple of tech M&A deals in 2006 according to The M&A Advisor), yields a $121 million valuation in 2009.
Shoutmouth’s founding team includes entrepreneurs and managers with a track record of success and a history of successfully working together.
Management Team
DL, Co-Founder and CEO
D has a history of successfully launching and growing businesses of all sizes. As president and co-founder of an entrepreneurial services firm., D has personally assisted in the launch and development of over 100 ventures.
Over the past three years, D founded and has managed The Kisco Group which includes an affiliate marketing division (2006 revenues exceeded $3 million), a search engine optimization business which includes a network of 3,000 websites (2006 revenues exceeded $500,000) and an e-commerce business (which includes TopPayingKeywords.com and ShowerHeadsEtc.com).
D earned his Bachelors degree from the University of South Carolina.
PK, Co-Founder and Vice President of Operations
For the past two years, P has managed The Kisco Group’s search engine optimization business where he hired, trained and managed nearly 100 employees and a dozen outside firms. During this time, P has honed his management skills with regards to content development, marketing and operations.
P has had a passion for music since childhood and has been a semi-professional drummer for the past 15 years.
P earned his Bachelors of Arts degree, magna cum laude, from Clemson University.
PF, Co-Founder and Vice President of Technology
For the past year, P has managed The Kisco Group’s affiliate marketing business. In addition to setting up and managing widespread marketing campaigns, P has developed sophisticated analytic techniques to precisely analyze web traffic in order to optimize profitability.
Since August 2006, P has shifted his efforts and leveraged his technology skills in developing the Shoutmouth website. P has been instrumental in selecting the Content Management Platform upon which Shoutmouth is built, and finding and managing the technology team.
P earned his Bachelor of Arts degree from Swarthmore College.
AB, Marketing Manager
A’s background in music includes being a singer, songwriter, guitarist and producer. He has also worked on the marketing side of music, having marketed Veritas Records through the development and distribution of promotional materials.
A’s career also includes psychological research and administration, having served as a Research Assistant with the Interpersonal Perception And Communication Laboratory in Cambridge, MA.
A earned his Bachelor of Arts degree in Psychology from Ohio State University.
M, Lead Technology Developer
M is an experienced web programmer with expertise in web design, application development and database development among others.
M’s work experience includes serving as a Senior Developer at Spheres. M has also engaged in multiple, long term freelance projects including serving as a Database Developer Consultant with The Penn Group and a Web Developer Consultant with Volution Media Group and Allied Online Consulting Group.
M earned his Bachelors degree in Computer Science with a minor in Cognitive Science from Rutgers University.
Content Development Team
Shoutmouth’s writing team, managed by PK, includes the following members:
Outsourced Technology Team
Shoutmouth works very closely with 2skies, a technology firm based in Australia with staff in Australia and the United States. 2skies is run by JDN, one of the co-founding developers of XE, the platform upon which Shoutmouth is built.
XE is an extensible, Open Source web application framework written in PHP and licensed under the GNU General Public License. XE delivers the requisite infrastructure and tools to create custom web applications that include fully dynamic multi-platform Content Management Solutions (CMS).
VIII. Appendix: Shoutmouth Financial Projections 3-Year Income Statement
Total Page Views (MILLIONS) | |||
Revenues | $165,431 | $2,461,127 | $7,810,354 |
Staffing | $891,058 | $1,328,078 | $1,522,923 |
Outsourced Technology | $115,000 | $60,000 | $60,000 |
Office Space | $26,400 | $90,000 | $90,000 |
Advertising | $254,000 | $900,000 | $900,000 |
Other Marketing/Public Relations | $72,000 | $120,000 | $150,000 |
Web Hosting | $11,500 | $33,900 | $55,500 |
Other | $38,000 | $60,000 | $60,000 |
$1,407,958 | $2,591,978 | $2,838,423 | |
($1,242,527) | ($130,851) | $4,971,931 | |
Depreciation | $1,600 | $4,200 | $5,800 |
($1,244,127) | ($135,051) | $4,966,131 | |
Income Taxes @ (40%) | ($497,651) | ($54,020) | $1,986,452 |
Income Taxes Paid | $0 | $0 | $1,434,781 |
Income Tax Credit | ($497,651) | ($551,671) | $0 |
($1,244,127) | ($135,051) | $3,531,350 |
3-Year Balance Sheet
As of December 31
Cash | $1,845,206 | $1,614,336 | $4,726,360 |
Accounts Receivable (30 days) | $13,597 | $202,284 | $641,947 |
Inventory | $0 | $0 | $0 |
Current Assets | $1,858,803 | $1,816,620 | $5,368,307 |
Other Assets | |||
Equipment (Computer systems, office equipment, etc.) | $16,000 | $26,000 | $32,000 |
Accumulated Depreciation | ($1,600) | ($5,800) | ($11,600) |
Total Long-Term Assets | $14,400 | $20,200 | $20,400 |
$1,873,203 | $1,836,820 | $5,388,707 | |
Accounts Payable (30 days) | $117,330 | $215,998 | $236,535 |
Total Current Liabilities | $117,330 | $215,998 | $236,535 |
Long Term Debt | $0 | $0 | $0 |
Paid In Capital | $3,000,000 | $3,000,000 | $3,000,000 |
Retained Earnings | ($1,244,127) | ($1,379,178) | $2,152,172 |
Total Equity | $1,755,873 | $1,620,822 | $5,152,172 |
$1,873,203 | $1,836,820 | $5,388,707 |
3-Year Cash Flow Statement
Net Income/Loss | ($1,244,127) | ($135,051) | $3,531,350 |
Depreciation | $1,600 | $4,200 | $5,800 |
Minus Increase in Accounts Receivable | ($13,597) | ($188,687) | ($439,663) |
Plus Change in Current Liabilities | $117,330 | $98,668 | $20,537 |
Net Cash Flow from Operating | ($1,138,794) | ($220,870) | $3,118,024 |
Purchases of Property & Equipment | ($16,000) | ($10,000) | ($6,000) |
Net Cash Flow from Investing | ($16,000) | ($10,000) | ($6,000) |
Cash Received from Investors | $3,000,000 | $0 | $0 |
Net Cash Flow from Financing | $3,000,000 | $0 | $0 |
$1,845,206 | ($230,870) | $3,112,024 | |
$1,845,206 | $1,614,336 | $4,726,360 |
BUSINESS PLAN
INFOGUIDE INC.
118 Wilson Ct. Paramus, N.J. 12204
February 12, 1992
Infoguide Inc. is a reference publisher. This plan provides details on how it intends to utilize additional funding to purchase, market, and support the continued production of a title it will purchase from a larger publisher .
Present situation, product/service description, market analysis, competition, marketing strategy, pricing and profitability, selling tactics, assumptions: base case.
The Bakers Bread Guide, completed and first introduced in April 1991, is the only updated source of bread laws reporting instructions for every state, county, city, town and parish in the U.S.-some 4300 jurisdictions. It is an annual subscription service priced at over $500 per year. More than 200 grocery stores and bakeries already subscribe to the Guide: annual subscriptions are over $90,000 today.
Able Bakery Publications has agreed to sell the Guide to me for its balance sheet book value, about $131,000, because the Guide is not significant enough as a new product within their new business strategy.
I have established a company, Infoguide, Inc., a New Jersey Corporation, which will be capitalized at $200,000, for the purpose of producing and marketing the Guide. The company will be owned 2/3 by me jointly with my wife and l/3 by my wife's mother. $75,000 will show as common stock; $125,000 will be a subordinated five-year balloon note.
This financing is adequate to meet the needs of the expected forecast for cash needs to operate and market the Guide successfully.
Most of the purchase price will be allocated to 750 sets of the Guide which are held in inventory ready for distribution. The initial goal and total focus of the company will be to get these 750 sets into the hands of power users, the grocery stores and bakeries which do a national business.
At the anticipated sales rate of 240 sets per year, the 1000 subscriber level will be accomplished in 1996.
Once all 1000 sets originally printed are subscribed, annual sales will exceed $500,000 while production and fulfillment costs will be less than $200,000. In other words, the products will become a cash cow.
Excess cash will be invested in related products and services and/or acquisitions, leveraging the company into a position to sell out or go public.
I have access to a number of lists of prospective subscribers, including continuing access to Guide clients under the acquisition agreement. The markets are very highly targetable: total penetration will be about 3000 sets worth almost $2 million in annual sales.
The most effective sales approach to the target markets is telephone sales. I have identified two successful salespeople to work as independent contractors selling the Guide to firms I will identify.
I intend to obtain another $100,000 in term financing in order to sell the 1000 sets more quickly and to reduce production costs significantly.
The marketplace has a genuine need for the Bread Laws Guide as demonstrated by the fact that five of the top ten grocery stores in the U.S. are already subscribers. However, markets are still mostly untapped because the present owner of the service is unwilling to commit adequate resources to direct marketing.
I am poised now to get to the target markets with adequate resources and effective selling propositions.
At its present stage, the Bread Laws Guide is fully developed as an annual subscription print service. It is the only updated service of its kind. It was introduced initially in April 1991 with a quarterly update cycle. Since then, three updates have been completed.
The current service is early in its life cycle, with total sales of 200 in a market estimated at 3000 potential users. There is little likelihood that the need for such a service will diminish because the bread statutes are law in all 50 states.
During the next few years, the objective of the company will be to increase the subscription level to 1000. At that point, sufficient funds will be available from operations to extend the product line to include ancillary services, such as online access, a call-in service, a newsletter, and Bread Laws forms sales.
Current prices may be too high at $595 per year for initial penetration marketing; this will be reviewed as soon as the Guide is acquired. There is significant leeway in pricing because of the economics of this type of annual subscription publication.
Profitability is, in a real sense, controllable because the most substantial cost is for marketing/sales rather than for production, fulfillment, and administration. At the targeted 1000 subscription level, in any event, the service is solidly profitable with positive cash flow.
First, the division responsible for the Guide was restructured in 1991 for many reasons, one of which was that many of the companies had become unprofitable. Second, the Guide produced an accounting loss of $137,000 in fiscal 1991 and was expected to show a loss of $50,000-100,000 in fiscal 1992.
The combination of these three factors led Able Bakery Publications to consider my purchase offer at their book value because it solved short term problems for them, that is,
Current customers are using the service daily in preparing their Bread Laws reportings. They are reportedly enthusiastic about the usefulness and quality of the service.
Management is in place. Initially, staffing will consist of family members and independent contractors who are familiar with the Bread Laws marketplace and services. Printing, storage and fulfillment are done under contract by Brown Printing, a major, quality printing firm in Rochester, N.Y. An independent direct response marketing firm may also be utilized if cost-effective.
After acquisition and startup costs of $150,000, an additional $50,000 has been allocated initially to marketing/sales activities.
The current annual sales of $90,000 are adequate to cover most operational cash needs during the first year because operating costs will be kept to a minimum.
The primary objectives of Infoguide, Inc. are to:
Profits …Annual profits will approach initial investment by year five
Products …Focus on serving the Bread Laws market niche will be maintained
Customers …Company motto is "Love Thy Subscriber"
Quality …Products and services will set a standard for quality… "Gold Stripe" Service
People …After the initial investment phase, a professional organization will be built
Growth …Cash flow will be reinvested first into expanded market penetration and then into ancillary products/services
Compared to past performance of the Bread Laws Guide in its first year of publication (April 1991 -March 1992) under Able Bakery Publications, I intend to be both more creative in marketing and more aggressive in selling in order to penetrate the marketplace more effectively, as detailed below.
To understand the potential of the Bread Laws Guide, I looked at a sister publication service provided by Able Bakery Publications, called The Cookie Service. That publication sells for over $900 per year and has over 3000 subscribers. It is the only publication that provides an up-to-date compendium of cookie laws for all fifty states. Each year the price is raised and the renewal rate is over 90%. I estimate that its production and fulfillment costs are no more than $200 per subscriber per year.
Like The Cookie Service, the Bread Laws Guide is also unique in its niche.
One of the markets of the Bread Laws Guide is the same grocery stores that purchase The Cookie Service. Therefore the key to matching the success of The Cookie Service is to get the Bread Laws Guide into the hands of these firms: this is the key element of my marketing strategy. In addition, the costs of production and fulfillment will be less than those for The Cookie Service, making the breakeven point very low and marginal profits after that high.
Based on a 31% market share for the Bread Laws Guide by 1996, I estimate the return on investment to be 83% in 1996 alone. In summary, here are the figures in thousands of dollars:
Sales | 179 | 266 | 335 | 397 | 452 |
Accounting Profit | (61) | 3 | 73 | 124 | 166 |
% Margin | (34) | 1 | 22 | 31 | 37 |
Share of Market (%) | 13 | 2 | 23 | 27 | 31 |
ROI | |||||
Annual | (33) | 12 | 37 | 62 | 83 |
Cumulative | (31) | (29) | 8 | 70 | 153 |
The initial focus of the company will be on the core subscription service, concentrating on basic activities and priorities in sales, production, etc. with a goal of adding 240 subscriptions per year, for a total of 1000 by the end of 1996.
At that point, options of acquiring other related products, selling the company or going public can be considered.
Once this growth pattern is realized, the company will expand beyond the core service. Various new product ideas are noted in this presentation.
The Bread Laws Reporting Guide (Bread Laws Guide for short) is the only comprehensive publication related to Bread Laws.
Physically it is a five volume loose leaf set containing approximately 6000 pages of text organized by state for each of the 50 states plus Washington, D.C. The pages contain information as follows:
The set is presently updated quarterly based upon a questionnaire distributed to all the reporting jurisdictions and upon information gathered regarding new and revised legislation and regulations in each of the states. The first three updates were as follows:
Subscribers may order the entire set or individual states. Pricing is set so that a subscriber with a need for more than 5-6 states would order the entire set. A facsimile service is also offered: a client may call for a specific jurisdiction and receive a copy of the current Guide page immediately by facsimile.
Development of other ancillary products/services is in progress and future products/services are planned to be introduced as cash flow allows. The first of these will be a facsimile newsletter, which will be sent out whenever there is a significant change going into effect in any state.
As noted, the Bread Laws Guide is not a look-alike directory so frequently produced by publishers. It is rather, the only frequently updated guide to Bread Laws reporting and the only one with specific information about the local (4200) reporting jurisdictions.
The product is protected in the following ways:
The publication itself is copyrighted and carries an ISBN number. "Bread Laws Guide" and similar expressions will be trademarked at the federal level.
The information for the 4300 jurisdictions is maintained on a computer database that may be loaded to an online system for immediate access as a future product. The database presently makes communication with the jurisdictions inexpensive.
For most subscribers, the Bread Laws Guide will pay for itself in terms of cost and reject savings within a few months for the following reasons:
The Bread Laws Guide does not purport to be a legal text. There are other services and publications which fill this requirement. Rather, the Guide is for the professional who needs to do a reporting now and who understands the law itself. It is a practical working tool in other words.
There is no other source of this up-to-date reporting information.
The Bread Laws Guide is extremely easy to use because:
The combination of quarterly updates with the planned newsletter keeps the publication current (and will keep the service before its audience in each firm continually). The nearest competitor issues an annual paperback that is out of date before it is published.
As sales ramp up, the profitability of this publication surges because of the characteristics of an annual subscription service, summarized as follows:
The Bread Laws were first enacted in the 1970's. They cover the sale, leasing, and financing of commercial bread manufacturing establishments. Each state has enacted its own version of the model act recommended by the American Bakers Association. Even the model act has been altered a few times over the years. Therefore major inconsistencies exist from state to state in the law and regulations, including reporting fees.
Most states have some form of local reporting, which requires reporting two forms, one at the state level and one at the local level. The local level also varies depending upon the state, and may be a town, city, county or parish.
Over the years, there has been continuing discussion of the possibility of federalizing the law, that is, centralizing all reportings at the federal level. This is as likely as the federalization of corporate law.
The company plans to develop new products and enhance existing products. New products/services that are to be developed in the near future include a facsimile newsletter, paperback semiannual summary guides, and reporting services.
Concepts for follow-on (next generation) products or services include an online version of the service (on Lexis, Westlaw) and a CD-ROM version.
Just as important as my own vision of the future, I and my staff will be listening carefully to the subscribers in order to determine their future needs which the company can meet.
Key points in defining the market segment for the Bread Laws Guide are by service type, user type, and geographic location.
In the service type dimension, the service is unique. The only other publications are an annual paperback put out by Charlie Baker, the leading Bread Laws forms provider in the U.S., and a small, general booklet from Bread Reporting Services. The user type dimension is critical to targeting. The significant user types are as follows:
Grocery stores | 45,000 | 1,000 |
Bakeries | 12,000 | 900 |
Other Bakers | 3,000 | 500 |
Bread Companies | 3,000 | 500 |
Bread Reporting Cos. | 1,000 | 100 |
64,000 | 3,000 |
Geographic location is also considered a market dimension because of the obvious disparity in the size of states. Clearly New York and California are not only the largest states, but also are the baking centers where the national bakers are located. Therefore any marketing plan will focus especially on these two states.
Currently, the only market distribution information available is from: Charlie Baker, which reports that it has over 7,000 subscribers to its annual paperback; and Warren Gorham Lamont, which sells a number of Bread Laws related publications, has 30,000 names on its subscriber mailing list (which I will use for leads). These figures do confirm that the estimated market potential for the Bread Laws Guide (3000 subscribers) is within reason.
Of course, the current recession has seen the reduction in both grocery stores and bakeries, as well as greater difficulty in selling publications because of budget constraints. However, these short-term trends will not have that much impact on long-term potential for the Guide since the total market size is so large. The key to marketing is to get the Guide into the right user hands.
The Bread Laws Guide has several distinct advantages over the potential competition, of which the top six are listed here.
There are two distinct handicaps inherent in the product today, which I will focus on remedying as noted below.
The upside potential for the Bread Laws Guide within these target markets over the next five years may well be greater than the 1000 sets forecast based upon the money allocated to marketing under the conditions introduced in the Present Situation and Strengths/Weaknesses analysis.
In addition to the product extensions discussed elsewhere in this presentation, an altogether new application for this type of product/service would be tapping environmental related markets. Since this field is so new, the kinds of procedures that have been standardized over 20 years for the Bread Laws are hardly in place for searching or reporting environmental-related records. I am working on a "Bible" on how to deal with environmental agencies around the U.S. (state and federal) to assist the same markets the Guide is sold in now.
Further opportunity for product extensions depend upon generating funds from the Guide itself.
Still another possibility for development involves Bread Laws reporting and search services. However, this direction would involve a commitment to compete with Able Bakery Publications, which I hesitate to do for a number of compelling business reasons.
The only complementary products/service already in use by these customers is the Charlie Baker Guide, a paperback which is published once a year around December at a price of $15.95. It goes out of date very quickly and only includes state level information.
Other publications that contain general Bread Laws information include:
The latter publication is for the legal researcher, whereas the Bread Laws Guide is for the person who actually has to report under the law.
As noted, the print competition is not in the same category as the Bread Laws Guide because the Guide is in fact unique.
The question for the future is whether anyone will decide to enter the market with a comparable product. On the one hand, a prospective competitor could use the Bread Laws Guide to get a head start on its data collection. On the other, it is unlikely that another publisher will chance such an entry when the niche is so small. For comparison, The Cookie Service on Able Bakery Publications and the NBI Bread Laws Law Service have no competitors.
See the marketing plan for information about how I intend to keep any competition out of the market.
A source of indirect competition must be considered: service companies that prepare reportings for attorneys and bakeries. As already explained, hundreds of these companies are located in state capitals around the country. Although most are primarily local to their own state, many also do a significant national business. Since these companies will purchase the Guide themselves to handle their own clients, those same clients may not need the Guide.
The impact of this competition is not anticipated to be all that great because 90% of Bread Laws reportings are traditionally prepared by the institution or its attorneys.
This table shows how I evaluate the risks involved in the development of the Guide today. It allows a comparison of exposure, given various assumptions.
I have weighted each element according to its importance to the success of the Guide and listed them in descending order.
Elements | Degree of Risk of Risk | ||||
Low | Med | High | Weight | Total | |
Maturity | 10 | .25 | 2.50 | ||
Strategy | 5 | .20 | 1.00 | ||
Competition | 1 | .15 | 0.15 | ||
Industry | 1 | .10 | 0.10 | ||
Management | 1 | .10 | 0.10 | ||
Past Prfrmnc. | 5 | .10 | 0.50 | ||
Economy | 5 | .10 | 0.50 | ||
Overall Risk | 1.00 | 4.85 |
Maturity In this initial stage, gaining subscriber confidence is critical. Therefore, both weight and risk factor must be considered high.
Strategy Effective product/service, price distribution, promotion strategies are critical. Therefore strategy is highly weighted. Risk is only medium because I am able to take advantage of lessons learned over the past year.
Competitive Position The market is wide open with few competitors today.
Industry: Company must stay competitive as business matures. Company must keep out any direct competitors. Risk is low because good products/services have loyal long term fallowings in these markets.
Management Careful planning, clear objectives and experienced leadership are in place.
Past Performance Medium risk because results to date could have been better except that resources were not applied.
Economy The economy must be considered because the current recession has significantly slowed service company sales and Bread Laws reportings, and represents some risk. However, capitalization of the company will take it through this period and the company is prepared with its inventory to take advantage of the next upswing in the economy.
These risks clearly point to the need for focus in the marketing plan to place the Guide in as many potential subscriber offices as possible as soon as possible. This strategy is the key to addressing almost all the risks, as discussed below.
The marketing strategy of the company may be summarized in two statements:
The overall marketing plan for the Bread Laws Guide is based on the following fundamentals:
To prove the value of The Guide, the marketing strategy will focus on benefits of use, including efficiency improvements, cost savings, and elimination of rejects. This can be done not only by the typical brochures, cover letters and telesales scripts, but through personal professional contacts I have developed, references by satisfied subscribers, etc.
The Bread Laws Guide will be treated as a long-lived product/service, which will be improved only in small ways beyond the basic service concept. No frills are needed to sell successfully, as long as a basic focus on top grocery stores and financial institutions is maintained.
Because of the special characteristics of these markets, the strategy must incorporate a strong message that the Bread Laws Guide and its publisher are the experts in the field.
This position will be enforced through the ancillary products/services, such as the facsimile newsletter for instant updates on significant changes as well as through a continuing dialogue with the top people in the field.
The Guide is seen in this light by many of the current subscribers, but more promotion is obviously needed to get the publication into the minds of the entire target markets.
Its unique characteristics can be exploited to arrive at a winning position in the consumer's mind. In terms of market segmentation advantages, I will use the satisfied subscribers more effectively.
Since the long-term success of the Guide depends upon renewals, annual, constant, effective, and positive contact with subscribers must be maintained. Most publishers do not seem to recognize who the actual subscribers are; they are not just the person or department that pays for the service.
I define a subscriber as anyone who uses the Guide. Therefore, contact must be established with paralegals who use copies in their libraries and documentation specialists in bakeries who prepare Bread Laws reportings. One account may have dozens of users.
They will be identified through telephone surveys, questionnaires and the like, and will then be kept informed about the Guide.
In order to produce a consistent identity, I will introduce "Gold Stripe" Service to the subscribers. It will include the following features, plus others to be added in the future in order to maintain the highest possible renewal rate:
The name "Gold Stripe" has been chosen for a very specific reason. After the acquisition, the Guide is not allowed to continue to use the name Able Bakery Publications, leaving me with 6000 binders costing $6.00 each, which has already been embossed on its spine with the name Able Bakery Publications. Not wishing to throw away $36,000, I came up with the idea of obtaining a high quality, gold-leaf or brass overlay that can be firmly glued over the Able Bakery Publications name: thus, "Gold Stripe" becomes the logo of the company.
The concept of critical mass is important to understanding the selling tactics which will be utilized initially (Stage One) and how these tactics will change over time (Stage Two). Stage One tactics are discussed in the Selling Tactics Section, and Stage Two is discussed in the Advertising Section.
A product/service has reached critical mass when it has gained enough market penetration to become a sort of household word in its industry. In other words, once critical mass in a market is reached, a significant percentage of sales will come from more indirect marketing, and tactics such as advertising and public relations make sense to keep the product name before the customers. Before critical mass is reached, however, such indirect marketing is a waste of money because there is little name recognition to start with in the market.
Therefore, the Stage One sales plan will be focused on obtaining critical mass status for the Bread Laws Guide. This will be accomplished by directing all marketing resources into the telesales channel with a goal of placing the first 1000 sets of the Guide in the top 500 grocery stores, bakeries, etc. I estimate that the Guide will reach its critical mass once these 1000 sets are in place, at which time the marketing strategy will be adjusted to Stage Two.
Based on this strategic plan, I am presently pursuing the following tasks:
The prices for the products/services are determined first and foremost by value to the subscribers. Since pricing is not constrained by direct competitive pressures, the approach taken is to test various levels of prices, volume discounts, for cash, package deals, etc. in order to find the best price-volume mix in each market.
Experience so far confirms that the current pricing is not excessively high, but further testing is needed to determine whether lower prices can expand demand (Is there any price elasticity?). Testing will be done continuously as part of the direct response and telemarketing programs.
The other annual subscription services mentioned in this planare priced for $665 to $900 per year, and the only Bread Laws-related newsletter is priced at $395 per year. The Bread Laws Guide retail price of $595 per year again appears to be in the right range from these comparatives.
I feel that customers will pay in the $400-700 per year based upon the perceived values discussed in the Description Section (Payback) and in the Strategy Section. To reiterate, potential subscribers must be convinced of these values through the correct marketing strategy.
The current price structure appears in the Exhibits. The volume discounts, which previously applied only if the purchase order came from one place in a company, will now be extended to all locations from one company, even under separate purchase orders.
Also, the Bread Laws Guide can be examined and returned for full credit within 30 days of receipt if the customer is not 100% satisfied. Experience so far indicates less than a 10% return rate.
Profitability in the long run is not so much a function of the initial price cost relationship as of the number of years a customer renews the subscription. Consider the following:
Subscriber for | Sales @$500 | Cost @200 | Profit | Cost @400 | Profit |
1 year | 500 | 200 | 300 | 400 | 100 |
5 years | 2500 | Lost | 2000 | 500 | |
10 years | 5000 | 4000 | 1000 |
The lesson of this example is that lower cost (or for that matter, higher initial price) does not equal more profits in the annual subscription business. If as a result of costs being twice as high subscribers renew for 5 years versus one year, profits are significantly higher and they get even better in 10 years. Thus, as the marketing strategy explains, the Bread Laws Guide philosophy will be "Love Thy Subscriber," and significant resources are allocated to obtain and maintain each subscriber.
This analysis does not mean that I am cavalier about costs: just the opposite, in fact. Non-marketing expenses, including personnel, printing and other costs will be watched severely so that maximum resources can be committed on a continuing basis to obtain new subscribers and keep existing ones.
The costs and expenses, as detailed in the financials, are as follows per subscription per year:
Product Cost | $250 | $100 |
Production | ||
Expenses | 149-74 | 149 decreasing to 74 |
Marketing | ||
Expenses | 200 | 165 decreasing to 37 |
599 | 414 | |
524 | 211 |
Experience to date has indicated that the cost of obtaining a new subscriber is relatively high ($200) because of price and market characteristics. Although I will be examining ways to increase the efficacy of each marketing dollar, I feel it is only fair to use this figure in the forecasts. Any productivity improvements will only improve results further.
Initially, therefore, I plan to lose $99 on each new subscriber the first year based upon an average net sales yield perset of $500, and to earn $86 on each renewal subscription.
The wisdom of this approach becomes clear over time: while new subscriptions will continue to cost more to obtain than renewals, costs will decrease significantly as the subscriber base rises, leading to 60% margins ($300 profit on $500 sale) on renewal business by 1996.
It should be noted that the 6% delivery charge is inherently very profitable ($300 of sales versus $6 for postage).
All estimates are based upon experience to date. For example, the $500 average sales price was determined from the sales of the first 200 sets, some at full price of $595, some at the introductory price of $545 and some at multiples of $75 for individual states. The reason the average of $415 on the sales worksheet for 1991 is lower than the forecast is that 30 sets were given to Able Bakery Publications offices at $215 per set. Per the acquisition agreement, Able Bakery Publications will pay over $400 per set starting in 1992.
Discounts will continue to be offered to subscribers as an inducement for:
Three selling approaches have been used by Able Bakery publications, with mixed results:
Over 25,000 pieces have been sent out, resulting in about 60 sales. At a cost of $1.00 per piece, this approach has cost over $400 per subscription. However, the best of mailings, from the Warren Gorham Lamont list, showed a .5% sale rate, for a cost per subscription of $200.
The 20 Able Bakery Publications telesales people "mention" the Guide in their presentations to Bread Laws search prospects and clients as part of their overall sales pitch. Very few sales arise from this source.
The 20 outside sales people were instructed each to sell 5 sets in the July-august period of 1991. Actual sales achieved were about 3 per person, which accounts for the sales bulge in those shown on the sales worksheet. Since that time there has been little focus on this product and fewer than 5 sales per month come from this source.
The remainder of sales to date come from word of mouth and from calls to other service companies.
A little advertising was done and a public relations piece was put out, both with little effect. Some complimentary sets were sent to important figures in the American Bakers Association and other recognized national Bread Laws experts, but recently these people were insulted by being asked to pay for updates.
None of these approaches have yielded satisfactory results as far as I am concerned.
These experiences lead to the conclusion that a more focused sales approach is necessary in order to grow sales at a faster rate and/or at a lower unit cost, as follows:
The following sections discuss each of these steps in more detail.
Many specific sources of Bread Laws reporting firms are available to me, including,
All these lists are just raw material, of course. I have developed logic and programs to match and combine these lists for use by the telephone sales people.
The resulting combined file will contain multiple individual names and multiple locations for each significant national grocery store chain.
The combined lists will provide more than one access to each targeted subscriber, which in turn will allow multiple scripting for different kinds of contacts, such as:
In other words, the telephone will be used for initial contact with an objective of identifying the people in each firm with the greatest need for the Guide. When these people are identified, they will be approached with a specific script focusing on the benefits of the Guide:
The close of this call will usually be to send the prospect more information (the sales material) about the Guide, or even better, to get a commitment to try the Guide on a trial basis.
The follow-up call will review the material and ask for the order.
Of course, if this particular prospect does not agree to purchase, the sales person will call another user in the firm. There is always another user in each firm who will listen.
Once a trial is assured, the telesales person will ask for the names of other users in the firm and will notify them that the Guide is available. The more people who use the Guide, the easier it will be to keep it in the firm year after year.
Sales material is designed specifically to support the telephone sale, that is, to address the questions of the user and to help convince that person to find it in the budget to purchase the Guide.
Materials will include:
Some of the sales people who worked for me on past projects are now available to work for the Guide as independent contractors, and I will contract with two of them, one in the East and one in the West. They have the following characteristics in common:
In other words, I am assembling a mature sales force whom I am confident will achieve my sales goals of 240 sets per year.
Compensation will consist of commissions based upon paid sales with additional incentives for achieving sales over my targets. The company will pay for all sales materials, telephone calls, mailing lists and travel expenses.
These people will also be the feedback loop between the product and the customer. They continually ask for suggestions and improvement ideas as well as addressing any complaints. In fact, these sales people will be fully empowered to address any subscriber need, including flexibility to price the Guide creatively in order to get the order and to maintain the renewal subscription.
As discussed in the Marketing Strategy Section, advertising and other forms of indirect or pull marketing do little good for a product such as the Guide that has not reached critical mass in its market penetration. Therefore, these costly frills will be avoided until Stage Two.
I will, however, implement two indirect sales plans that will cost the company virtually nothing and which will produce an extra 30-100 subscription sales per year, as follows:
The Guide will, as part of the acquisition package keep in place its distinct 800 number: 800-4-BREAD. This number is used by subscribers to place orders, to ask for information including the fax order service, and to contact the Guide for any other reason. It is also used by jurisdictions to let the Guide know about impending changes in regulations, procedures, etc.
The number will ring in the Paramus headquarters, and any messages for the sales people will be forwarded to them by voice mail. The phone will be answered in person from 8-5 Eastern time.
The Guide has been in production since April 1991. As noted above, it has already gone through three update cycles. At present this cycle is quarterly. Updates are based upon information from the following sources:
As information arrives, it is entered immediately into the jurisdiction database so that the most current information will be available for call-in customers (and later for immediate updating of an online database). Then, once a quarter, the altered pages are printed and distributed by Brown Printing.
I contemplate three significant improvements in this process:
Brown Printing not only prints the Guide and its updates, it also inventories sets; fulfills orders for new sets; packages and delivers updates; and updates the sets in inventory. The company will continue to use Brown for fulfillment services because they have a fine reputation for service, accuracy and timeliness.
I will make only two changes to the fulfillment process:
The base case is what I consider the most likely scenario for sales, costs, and growth. The next section examines worst and best cases as well.
Inflation is not considered in the forecasts and estimates because prices for this kind of subscription service typically can be raised to offset cost increases.
The column entitle "Factor" on some of the worksheets contains cost per unit or growth factors used in the forecasts.
The sales forecast is based upon experience to date. 1992 sales are for 10 months, on the assumption of a March 1 purchase date.
Note that sales tax will only be charged in New Jersey because the new company has no other locations.
New sets include 5 binders at $6 each. 6000 pages of test, tabs and the like. 750 sets were purchased as part of the acquisition.
Update costs are computed at 2400 pages per year per set at $.04 per page.
Management fees, such as a salary for me, are not included in the estimates, as my compensation will depend upon results and available cash flow.
Editor fee is estimated based upon prior results.
Postage is for new sets and update delivery, newsletters and faxes.
Telephone is for administrative and jurisdiction calls.
Jurisdiction mail is estimated at 4300 pieces of mail four times a year at $.75 per letter, including return postage.
Production coordinator is a part-time position that will be contracted out.
Subscriptions and supplies are needed for research and general operations.
Amortization of startup expenses is taken over three years.
Interest is calculated at 6% on the subordinated debt of $125,000.
Royalties at 6% of sales are due to Able Bakery Publications as part of the acquisition agreement.
Mailing list costs are primarily for the Warren Gorham Lamont list.
Brochures include the cost of about 20,000 direct mail pieces utilized by the telephone sales people at $.80 per set of sales materials.
Postage includes direct mail and delivery of new sets and updates.
Telephone is estimated at 80 calls per day/$1.00 per call.
Commissions are estimated at $100 per new subscription sold.
See balance sheet assumptions for most cash flow items.
Cost of sales for new sets is not a cash expense because of the 750 sets purchased in the acquisition, until 1995 when the present inventory has been depleted. At that time, 500 more full sets (New Inventory) will be printed and packaged at a cost of $150 per set.
Note that withdrawals for management fees and to pay taxes on earnings by stockholders (subchapter S corporation) are not included in this presentation.
The initial stockholder investment of $200,000 is allocated as follows:
Receivables are estimated at 60 days sales outstanding.
No fixed assets are shown because the computer equipment obtained in the acquisition is expensed. No other capital assets are required to operate the business.
To be conservative, no payables are assumed.
Capital Contributions of $200,000 | |||||
Less Purchase Price of $125,000. Which Is Primarily 750 New Sets | |||||
Less $10,000 Legal and Other Startup Costs | |||||
65000 | 17000 | 50200 | 155300 | 227520 | |
Accounting Profit | −61250 | 3200 | 73100 | 124220 | 165764 |
Add: Non-Cash Outlays | |||||
Cost of Sales -New | 32250 | 36000 | 36000 | 36000 | 36000 |
A/P Balance | 0 | 0 | 0 | 0 | 0 |
Amortization | 12000 | 12000 | 12000 | ||
Less: | |||||
A/R Outstdg. Chg. | −31000 | −18000 | −16000 | −13000 | −13000 |
New Inventory | −75000 | ||||
Net Cash Flow this Year | −48000 | 33200 | 105100 | 72220 | 188764 |
Ending Cash | 17000 | 50200 | 155300 | 227520 | 416284 |
Best case: schedules.
A term loan of $100,000 is added to the balance sheet to be used as follows:
Purchase computer publishing equipment | $20,000 |
Double marketing/sales expenditures | $70,000 |
Increased production expenses | $10,000 |
As a result of the increased investment in sales, the number of new sets sold is doubled to 40 per month, and the cost of updates is decreased by utilizing advanced computer methods.
By 1996, sales will rise to $799,000 because of the compounding effect of renewal sales, 77% more than base case sales of $452,000.
Expenses reflect both the interest on the term debt and the depreciation over 5 years of the computer equipment.
Although cash flow appears to be less advantageous than the base case, in fact this is only due to the continued discretionary increased marketing/sales expenditure levels. Profits before these discretionary expenses in 1996 are $414,000 vs $239,000 in the basecase. In other words, the company has a lot more to spend on future growth because of the additional impetus provided by the term loan funds.
The worst case scenario continues expense projections at the base case rate while sales decrease to only 10 sets per month, or half the base case rate.
It is significant to note that even without a cutback in market/sales expenses, a cash shortfall of only $5500 is generated. Renewal sales still put the company into positive cash flow over the 5 year period.
Starts with capital contributions of $200,000 | |||||
Less purchase price of $125,000, which is primarily 750 new sets | |||||
Less $10,000 legal and other startup costs | |||||
Plus a term loan of $100,000 repayable in years 3-5 | |||||
165000 | 45000 | −400 | −16540 | 20624 | |
Accounting Profit | −137250 | −63400 | 84860 | 202164 | 274522 |
Add-Non-Cash Outlays | |||||
Cost of Sales-New | 32250 | 72000 | 20000 | 0 | 0 |
Amortization | 12000 | 12000 | 12000 | ||
A/P Balance | 0 | 0 | 0 | 0 | 0 |
Depreciation | 4000 | 4000 | 4000 | 4000 | 4000 |
Less: | |||||
A/R Outstanding | −31000 | −70000 | −104000 | −136000 | −164000 |
Repay Term Loan | −33000 | −33000 | −34000 | ||
Cash Flow this Year | −120000 | −45400 | −16140 | 37164 | 80522 |
Ending Cash | 45000 | −400 | −16540 | 20624 | 101146 |
Capital contributions of $200,000 | |||||
Less purchase price of $125,000, which is primarily 750 new sets | |||||
Less $10,000 legal and other startup costs | |||||
65000 | 5000 | −5500 | 12600 | 53820 | |
Accounting Profit | −70000 | −31500 | −4900 | 29220 | 38764 |
Add: Non-Cash Outlays | |||||
Cost of Sales-New | 18000 | 18000 | 18000 | 18000 | 18000 |
Amortization | 12000 | 12000 | 12000 | ||
A/P Balance | 0 | 0 | 0 | 0 | 0 |
Less: A/R Outstanding | −20000 | −9000 | −7000 | −6000 | −6000 |
Cash Flow this Year | −60000 | −10500 | 18100 | 41220 | 50764 |
Ending Cash | 5000 | −5500 | 12600 | 53820 | 104584 |
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A lean business plan format is a shortened version of your more detailed business plan. It’s helpful when modifying your plan for a specific audience, like investors or new hires.
Also known as a one-page business plan, it includes only the most important, need-to-know information, such as:
💡 Tip: For a step-by-step guide to creating a lean business plan (including a sample business plan), read our guide on how to create a lean business plan .
It’s tempting to dive right into execution when you’re excited about a new business or side project, but taking the time to write a thorough business plan and get your thoughts on paper allows you to do a number of beneficial things:
A business plan can be as informal or formal as your situation calls for, but even if you’re a fan of the back-of-the-napkin approach to planning, there are some key benefits to starting your plan from an existing outline or simple business plan template.
A blank page can be intimidating to even the most seasoned writers. Using an established business planning process and template can help you get past the inertia of starting your business plan, and it allows you to skip the work of building an outline from scratch. You can always adjust a template to suit your needs.
If you’ve never sat through a business class, you might never have created a SWOT analysis or financial projections. Templates that offer guidance—in plain language—about how to fill in each section can help you navigate sometimes-daunting business jargon and create a complete and effective plan.
In some cases, you may not need to complete every section of a startup business plan template, but its initial structure shows you you’re choosing to omit a section as opposed to forgetting to include it in the first place.
There are some high-level strategic guidelines beyond the advice included in this free business plan template that can help you write an effective, complete plan while minimizing busywork.
If you’re writing a business plan for yourself in order to get clarity on your ideas and your industry as a whole, you may not need to include the same level of detail or polish you would with a business plan you want to send to potential investors. Knowing who will read your plan will help you decide how much time to spend on it.
Understanding the goals of your plan can help you set the right scope. If your goal is to use the plan as a roadmap for growth, you may invest more time in it than if your goal is to understand the competitive landscape of a new industry.
Writing a 10- to 15-page document can feel daunting, so try to tackle one section at a time. Select a couple of sections you feel most confident writing and start there—you can start on the next few sections once those are complete. Jot down bullet-point notes in each section before you start writing to organize your thoughts and streamline the writing process.
Planning is key to the financial success of any type of business , whether you’re a startup, non-profit, or corporation.
To make sure your efforts are focused on the highest-value parts of your own business planning, like clarifying your goals, setting a strategy, and understanding the target market and competitive landscape, lean on a business plan outline to handle the structure and format for you. Even if you eventually omit sections, you’ll save yourself time and energy by starting with a framework already in place.
What is the purpose of a business plan.
The purpose of your business plan is to describe a new business opportunity or an existing one. It clarifies the business strategy, marketing plan, financial forecasts, potential providers, and more information about the company.
If you need help writing a business plan, Shopify’s template is one of the most beginner-friendly options you’ll find. It’s comprehensive, well-written, and helps you fill out every section.
The five essential parts of a traditional business plan include:
There are several free templates for business plans for small business owners available online, including Shopify’s own version. Download a copy for your business.
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Before you begin: get in the right mindset, 1. determine your business concept, 2. research your competitors and market, 3. create your business plan, 4. choose your business structure, 5. register your business and get licenses, 6. get your finances in order, 7. fund your business, 8. apply for business insurance, 9. get the right business tools, 10. market your business, 11. scale your business, what are the best states to start a business, bottom line, frequently asked questions (faqs).
Starting a business is one of the most exciting and rewarding experiences you can have. But where do you begin? There are several ways to approach creating a business, along with many important considerations. To help take the guesswork out of the process and improve your chances of success, follow our comprehensive guide on how to start a business. We’ll walk you through each step of the process, from defining your business idea to registering, launching and growing your business.
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The public often hears about overnight successes because they make for a great headline. However, it’s rarely that simple—they don’t see the years of dreaming, building and positioning before a big public launch. For this reason, remember to focus on your business journey and don’t measure your success against someone else’s.
New business owners tend to feed off their motivation initially but get frustrated when that motivation wanes. This is why it’s essential to create habits and follow routines that power you through when motivation goes away.
Some business owners dive in headfirst without looking and make things up as they go along. Then, there are business owners who stay stuck in analysis paralysis and never start. Perhaps you’re a mixture of the two—and that’s right where you need to be. The best way to accomplish any business or personal goal is to write out every possible step it takes to achieve the goal. Then, order those steps by what needs to happen first. Some steps may take minutes while others take a long time. The point is to always take the next step.
Most business advice tells you to monetize what you love, but it misses two other very important elements: it needs to be profitable and something you’re good at. For example, you may love music, but how viable is your business idea if you’re not a great singer or songwriter? Maybe you love making soap and want to open a soap shop in your small town that already has three close by—it won’t be easy to corner the market when you’re creating the same product as other nearby stores.
If you don’t have a firm idea of what your business will entail, ask yourself the following questions:
These questions can lead you to an idea for your business. If you already have an idea, they might help you expand it. Once you have your idea, measure it against whether you’re good at it and if it’s profitable.
Your business idea also doesn’t have to be the next Scrub Daddy or Squatty Potty. Instead, you can take an existing product and improve upon it. You can also sell a digital product so there’s little overhead.
Before you choose the type of business to start, there are some key things to consider:
Not sure what business to start? Consider one of these popular business ideas:
Most entrepreneurs spend more time on their products than they do getting to know the competition. If you ever apply for outside funding, the potential lender or partner wants to know: what sets you (or your business idea) apart? If market analysis indicates your product or service is saturated in your area, see if you can think of a different approach. Take housekeeping, for example—rather than general cleaning services, you might specialize in homes with pets or focus on garage cleanups.
The first stage of any competition study is primary research, which entails obtaining data directly from potential customers rather than basing your conclusions on past data. You can use questionnaires, surveys and interviews to learn what consumers want. Surveying friends and family isn’t recommended unless they’re your target market. People who say they’d buy something and people who do are very different. The last thing you want is to take so much stock in what they say, create the product and flop when you try to sell it because all of the people who said they’d buy it don’t because the product isn’t something they’d buy.
Utilize existing sources of information, such as census data, to gather information when you do secondary research. The current data may be studied, compiled and analyzed in various ways that are appropriate for your needs but it may not be as detailed as primary research.
SWOT stands for strengths, weaknesses, opportunities and threats. Conducting a SWOT analysis allows you to look at the facts about how your product or idea might perform if taken to market, and it can also help you make decisions about the direction of your idea. Your business idea might have some weaknesses that you hadn’t considered or there may be some opportunities to improve on a competitor’s product.
Asking pertinent questions during a SWOT analysis can help you identify and address weaknesses before they tank your new business.
A business plan is a dynamic document that serves as a roadmap for establishing a new business. This document makes it simple for potential investors, financial institutions and company management to understand and absorb. Even if you intend to self-finance, a business plan can help you flesh out your idea and spot potential problems. When writing a well-rounded business plan, include the following sections:
Learn more: Download our free simple business plan template .
An exit strategy is important for any business that is seeking funding because it outlines how you’ll sell the company or transfer ownership if you decide to retire or move on to other projects. An exit strategy also allows you to get the most value out of your business when it’s time to sell. There are a few different options for exiting a business, and the best option for you depends on your goals and circumstances.
The most common exit strategies are:
As your small business grows, it’s important to have a scalable business model so that you can accommodate additional customers without incurring additional costs. A scalable business model is one that can be replicated easily to serve more customers without a significant increase in expenses.
Some common scalable business models are:
One of the most important things to do when starting a small business is to start planning for taxes. Taxes can be complex, and there are several different types of taxes you may be liable for, including income tax, self-employment tax, sales tax and property tax. Depending on the type of business you’re operating, you may also be required to pay other taxes, such as payroll tax or unemployment tax.
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When structuring your business, it’s essential to consider how each structure impacts the amount of taxes you owe, daily operations and whether your personal assets are at risk.
An LLC limits your personal liability for business debts. LLCs can be owned by one or more people or companies and must include a registered agent . These owners are referred to as members.
An LLP is similar to an LLC but is typically used for licensed business professionals such as an attorney or accountant. These arrangements require a partnership agreement.
If you start a solo business, you might consider a sole proprietorship . The company and the owner, for legal and tax purposes, are considered the same. The business owner assumes liability for the business. So, if the business fails, the owner is personally and financially responsible for all business debts.
A corporation limits your personal liability for business debts just as an LLC does. A corporation can be taxed as a C corporation (C-corp) or an S corporation (S-corp). S-corp status offers pass-through taxation to small corporations that meet certain IRS requirements. Larger companies and startups hoping to attract venture capital are usually taxed as C-corps.
Before you decide on a business structure, discuss your situation with a small business accountant and possibly an attorney, as each business type has different tax treatments that could affect your bottom line.
There are several legal issues to address when starting a business after choosing the business structure. The following is a good checklist of items to consider when establishing your business:
Make it memorable but not too difficult. Choose the same domain name, if available, to establish your internet presence. A business name cannot be the same as another registered company in your state, nor can it infringe on another trademark or service mark that is already registered with the United States Patent and Trademark Office (USPTO).
Business Name vs. DBA
There are business names, and then there are fictitious business names known as “Doing Business As” or DBA. You may need to file a DBA if you’re operating under a name that’s different from the legal name of your business. For example, “Mike’s Bike Shop” is doing business as “Mike’s Bikes.” The legal name of the business is “Mike’s Bike Shop,” and “Mike’s Bikes” is the DBA.
You may need to file a DBA with your state, county or city government offices. The benefits of a DBA include:
You’ll officially create a corporation, LLC or other business entity by filing forms with your state’s business agency―usually the Secretary of State. As part of this process, you’ll need to choose a registered agent to accept legal documents on behalf of your business. You’ll also pay a filing fee. The state will send you a certificate that you can use to apply for licenses, a tax identification number (TIN) and business bank accounts.
Next, apply for an employer identification number (EIN) . All businesses, other than sole proprietorships with no employees, must have a federal employer identification number. Submit your application to the IRS and you’ll typically receive your number in minutes.
Legal requirements are determined by your industry and jurisdiction. Most businesses need a mixture of local, state and federal licenses to operate. Check with your local government office (and even an attorney) for licensing information tailored to your area.
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Keep your business and personal finances separate. Here’s how to choose a business checking account —and why separate business accounts are essential. When you open a business bank account, you’ll need to provide your business name and your business tax identification number (EIN). This business bank account can be used for your business transactions, such as paying suppliers or invoicing customers. Most times, a bank will require a separate business bank account to issue a business loan or line of credit.
If you sell a product, you need an inventory function in your accounting software to manage and track inventory. The software should have ledger and journal entries and the ability to generate financial statements.
Some software programs double as bookkeeping tools. These often include features such as check writing and managing receivables and payables. You can also use this software to track your income and expenses, generate invoices, run reports and calculate taxes.
There are many bookkeeping services available that can do all of this for you, and more. These services can be accessed online from any computer or mobile device and often include features such as bank reconciliation and invoicing. Check out the best accounting software for small business, or see if you want to handle the bookkeeping yourself.
Before you fund your business, you must get an idea of your startup costs. To determine these, make a list of all the physical supplies you need, estimate the cost of any professional services you will require, determine the price of any licenses or permits required to operate and calculate the cost of office space or other real estate. Add in the costs of payroll and benefits, if applicable.
Businesses can take years to turn a profit, so it’s better to overestimate the startup costs and have too much money than too little. Many experts recommend having enough cash on hand to cover six months of operating expenses.
When you know how much you need to get started with your business, you need to know the point at which your business makes money. This figure is your break-even point.
In contrast, the contribution margin = total sales revenue – cost to make product
For example, let’s say you’re starting a small business that sells miniature birdhouses for fairy gardens. You have determined that it will cost you $500 in startup costs. Your variable costs are $0.40 per birdhouse produced, and you sell them for $1.50 each.
Let’s write these out so it’s easy to follow:
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Writing a publishing company business plan is a crucial step toward the success of your business. Here are the key steps to consider when writing a business plan: 1. Executive Summary. An executive summary is the first section planned to offer an overview of the entire business plan. However, it is written after the entire business plan is ...
A publishing company's business plan clearly defines the company's mission, target audience, products and services, marketing strategy, and financial projections. It provides an in-depth analysis of the company's strengths, weaknesses, opportunities, and threats. The plan should be comprehensive yet concise - typically 15-30 pages long.
5. Business Tasks + Schedule. It's important that you treat your writing business as a business. So make a list of regular tasks (everything from sales tracking and accounting, to editorial calendars and words written per day), and add them to your calendar, Asana, your day planner, or whatever system works for you. 6.
A business plan is a comprehensive document laying out how you plan to build and sustain a profitable publishing company. There's way too much involved in a business plan for us to go over all of it here, but the short version is that you'll want to include things like: Your mission statement; Long-term goals; Short-term goals
5. Set up an accounting process. Stifle that yawn, because this is an important, can't-be-overlooked step! Whether you're using a free resource like Google Sheets, a paid tool like Quickbooks, or outsourcing accounting work to a professional, nailing your bookkeeping practices down from the start is essential.
1. Choose the Name for Your Publishing Company. The first step to starting a publishing company is to choose your business' name. This is a very important choice since your company name is your brand and will last for the lifetime of your business. Ideally, you choose a business name that is meaningful and memorable.
155. Last updated on January 8th, 2024. You can start your own publishing company with these simple steps: Develop a business structure (usually an LLC) Choose the name and location for your company. Register your business. Obtain your EIN and set up a business banking account.
Marketing Plan. Traditionally, a marketing plan includes the four P's: Product, Price, Place, and Promotion. For a magazine business plan, your marketing strategy should include the following: Product: In the product section, you should reiterate the type of magazine company that you documented in your Company Analysis.
Publishing Company Business Plan — Free Template. This template will help you to build your business plan from gathering vital information to presenting it professionally. ... Example: A book sells for $16 and a total of 10,000 are sold. This adds up to the total sales of $160,000.
When it comes to creating a business plan for your book publishing venture, ClickUp has you covered with a template tailored specifically for the industry. ... Creating a business plan for a book publishing company can be a daunting task, but with the help of ClickUp's Business Plan Template, you can break it down into five simple steps: 1 ...
The "Artists In Business" magazine will sell for $3.95 per single issue on the newsstand. A one-year subscription is $16.95. A two year subscription is $29.95. "Trade" soft-cover books will sell for $14.95. Paperback size "booklets" will sell for $7.95. Future hardcover books will sell for $19.95 to $22.95.
There are seven essential elements that should be in every publishing entrepreneur's business plan: A "Resources Necessary to Complete the Book" Calculation. Before you begin any business, or any project, be sure you can afford it. For example, aspiring authors are often shocked at the cost of editing a manuscript, which can prove much ...
1. The executive summary. The first section of your book publishing house's business plan is the executive summary which provides, as its name suggests, an enticing summary of your plan which should hook the reader and make them want to know more about your business.
Check out these sample business plans for magazine publishers, newsletter publishing, video television production, magazine journalists, music recording producers, theatrical music producers, and other publishing and production related business. Then use what you learn to write a business plan of your own. Explore our library of Publishing ...
Business Plan Outline Use the following outline to begin writing your business plan. A completed business plan can range from 10 to 50+ pages. Your plan should be a work in progress that you modify over time. If you plan to pursue any kind of business loan or financing, you will need to present a business plan. I. Company Description / Overview
Publishing is overall a high margin and high profitable business. The key to succeed in this industry is by successful marketing. The business plan outline for magazine publishers includes some key objectives to follow. The key to success are mentioned right below. Attain the targeted circulation level.
A crucial aspect of a business plan for a book publishing company is the financial section, which includes projected income statements, balance sheets, and cash flow statements. This section provides an overview of the company's financial performance and is used to make informed decisions about the company's operations and budgeting.The income statement, also known as the profit and loss ...
This plan is for someone working as a self-employed publisher four hours a day, five days a week, 48 weeks a year, with a target annual salary of £24,000.That's £25 an hour, but you'll need ...
1. Create Your Executive Summary. The executive summary is a snapshot of your business or a high-level overview of your business purposes and plans. Although the executive summary is the first section in your business plan, most people write it last. The length of the executive summary is not more than two pages.
The Wonderkind is an informational publishing company comprised of the best and brightest college students with business/investing interests. The Wonderkind's focus allows students to discuss business matters most relevant to them and their Wall Street analyst counterparts--current market and product trends, social issues, and general stock market dynamics--and decipher how these ...
Marketing plan: A strategic outline of how you plan to market and promote your business before, during, and after your company launches into the market. Logistics and operations plan: An explanation of the systems, processes, and tools that are needed to run your business in the background. Financial plan: A map of your short-term (and even ...
The first part of the publishing plan that an author has to consider is the actual writing of the manuscript. If you've already done this, good job! That's one part of the plan you can check off. However, if you haven't written or finished your manuscript yet, it's a good idea to consider a schedule that will help you get started on the ...
Shoutmouth Business Plan Example. The business plan example below is for Shoutmouth, a company that enjoyed much success in the early 2000's and which was able to raise funding. While the plan's premise (social networking) is not as unique now as it was then, the format and structure of this business plan still holds. I. Executive Summary
Encyclopedia of Business, 2nd ed. Publisher Business Plan: Business Plans - Volume 01. Toggle navigation. Encyclopedia . ... Company must stay competitive as business matures. Company must keep out any direct competitors. Risk is low because good products/services have loyal long term fallowings in these markets. ... For example, the $500 ...
7 business plan examples: section by section. The business plan examples in this article follow this template: Executive summary. An introductory overview of your business. Company description. A more in-depth and detailed description of your business and why it exists. Market analysis.
Our free business plan template includes seven key elements typically found in the traditional business plan format: 1. Executive summary. This is a one-page summary of your whole plan, typically written after the rest of the plan is completed. The description section of your executive summary will also cover your management team, business ...
For a real-world example, take a look at the weekly content calendar for The Winnipeg Free Press. Sure, this isn't a social media content calendar, but it is a weekly plan anchored by consistent content ideas. Source: Winnipeg Free Press. Content frameworks like these give you one less thing to consider as you create your posts.
The best way to accomplish any business or personal goal is to write out every possible step it takes to achieve the goal. Then, order those steps by what needs to happen first. Some steps may ...
Marketing Plan Example (Filled Out) Here's a fake content marketing plan example for a fictitious shoe company. Marketing Plan Template: [Project Zeus Running Collection] Marketing Goal. Drive $200,000 in sales for the new Zeus running collection within the first 4 months of launch day. Target Audience.
Step 7. Create a social media content calendar. Step 8. Create compelling content. Step 9. Track performance and make adjustments. Bonus: Get a free social media strategy template to quickly and easily plan your own strategy. Also use it to track results and present the plan to your boss, teammates, and clients.