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The Best Reviewed Essay Collections of 2021

Featuring joan didion, rachel kushner, hanif abdurraqib, ann patchett, jenny diski, and more.

Well, friends, another grim and grueling plague year is drawing to a close, and that can mean only one thing: it’s time to put on our Book Marks stats hats and tabulate the best reviewed books of the past twelve months.

Yes, using reviews drawn from more than 150 publications, over the next two weeks we’ll be revealing the most critically-acclaimed books of 2021, in the categories of (deep breath): Memoir and Biography ; Sci-Fi, Fantasy, and Horror ; Short Story Collections ; Essay Collections; Poetry; Mystery and Crime; Graphic Literature; Literature in Translation; General Fiction; and General Nonfiction.

Today’s installment: Essay Collections .

Brought to you by Book Marks , Lit Hub’s “Rotten Tomatoes for books.”

1. These Precious Days by Ann Patchett (Harper)

21 Rave • 3 Positive • 1 Mixed Read Ann Patchett on creating the work space you need, here

“… excellent … Patchett has a talent for friendship and celebrates many of those friends here. She writes with pure love for her mother, and with humor and some good-natured exasperation at Karl, who is such a great character he warrants a book of his own. Patchett’s account of his feigned offer to buy a woman’s newly adopted baby when she expresses unwarranted doubts is priceless … The days that Patchett refers to are precious indeed, but her writing is anything but. She describes deftly, with a line or a look, and I considered the absence of paragraphs freighted with adjectives to be a mercy. I don’t care about the hue of the sky or the shade of the couch. That’s not writing; it’s decorating. Or hiding. Patchett’s heart, smarts and 40 years of craft create an economy that delivers her perfectly understated stories emotionally whole. Her writing style is most gloriously her own.”

–Alex Witchel ( The New York Times Book Review )

2. Let Me Tell You What I Mean by Joan Didion (Knopf)

14 Rave • 12 Positive • 6 Mixed Read an excerpt from Let Me Tell You What I Mean here

“In five decades’ worth of essays, reportage and criticism, Didion has documented the charade implicit in how things are, in a first-person, observational style that is not sacrosanct but common-sensical. Seeing as a way of extrapolating hypocrisy, disingenuousness and doubt, she’ll notice the hydrangeas are plastic and mention it once, in passing, sorting the scene. Her gaze, like a sentry on the page, permanently trained on what is being disguised … The essays in Let Me Tell You What I Mean are at once funny and touching, roving and no-nonsense. They are about humiliation and about notions of rightness … Didion’s pen is like a periscope onto the creative mind—and, as this collection demonstrates, it always has been. These essays offer a direct line to what’s in the offing.”

–Durga Chew-Bose ( The New York Times Book Review )

3. Orwell’s Roses by Rebecca Solnit (Viking)

12 Rave • 13 Positive • 1 Mixed Read an excerpt from Orwell’s Roses here

“… on its simplest level, a tribute by one fine essayist of the political left to another of an earlier generation. But as with any of Solnit’s books, such a description would be reductive: the great pleasure of reading her is spending time with her mind, its digressions and juxtapositions, its unexpected connections. Only a few contemporary writers have the ability to start almost anywhere and lead the reader on paths that, while apparently meandering, compel unfailingly and feel, by the end, cosmically connected … Somehow, Solnit’s references to Ross Gay, Michael Pollan, Ursula K. Le Guin, and Peter Coyote (to name but a few) feel perfectly at home in the narrative; just as later chapters about an eighteenth-century portrait by Sir Joshua Reynolds and a visit to the heart of the Colombian rose-growing industry seem inevitable and indispensable … The book provides a captivating account of Orwell as gardener, lover, parent, and endlessly curious thinker … And, movingly, she takes the time to find the traces of Orwell the gardener and lover of beauty in his political novels, and in his insistence on the value and pleasure of things .”

–Claire Messud ( Harper’s )

4. Girlhood by Melissa Febos (Bloomsbury)

16 Rave • 5 Positive • 1 Mixed Read an excerpt from Girlhood here

“Every once in a while, a book comes along that feels so definitive, so necessary, that not only do you want to tell everyone to read it now, but you also find yourself wanting to go back in time and tell your younger self that you will one day get to read something that will make your life make sense. Melissa Febos’s fierce nonfiction collection, Girlhood , might just be that book. Febos is one of our most passionate and profound essayists … Girlhood …offers us exquisite, ferocious language for embracing self-pleasure and self-love. It’s a book that women will wish they had when they were younger, and that they’ll rejoice in having now … Febos is a balletic memoirist whose capacious gaze can take in so many seemingly disparate things and unfurl them in a graceful, cohesive way … Intellectual and erotic, engaging and empowering[.]”

–Michelle Hart ( Oprah Daily )

5. Why Didn’t You Just Do What You Were Told by Jenny Diski (Bloomsbury)

14 Rave • 7 Positive

“[Diski’s] reputation as an original, witty and cant-free thinker on the way we live now should be given a significant boost. Her prose is elegant and amused, as if to counter her native melancholia and includes frequent dips into memorable images … Like the ideal artist Henry James conjured up, on whom nothing is lost, Diski notices everything that comes her way … She is discerning about serious topics (madness and death) as well as less fraught material, such as fashion … in truth Diski’s first-person voice is like no other, selectively intimate but not overbearingly egotistic, like, say, Norman Mailer’s. It bears some resemblance to Joan Didion’s, if Didion were less skittish and insistently stylish and generated more warmth. What they have in common is their innate skepticism and the way they ask questions that wouldn’t occur to anyone else … Suffice it to say that our culture, enmeshed as it is in carefully arranged snapshots of real life, needs Jenny Diski, who, by her own admission, ‘never owned a camera, never taken one on holiday.’” It is all but impossible not to warm up to a writer who observes herself so keenly … I, in turn, wish there were more people around who thought like Diski. The world would be a more generous, less shallow and infinitely more intriguing place.”

–Daphne Merkin ( The New York Times Book Review )

6. The Hard Crowd: Essays 2000-2020 by Rachel Kushner (Scribner)

12 Rave • 7 Positive Listen to an interview with Rachel Kushner here

“Whether she’s writing about Jeff Koons, prison abolition or a Palestinian refugee camp in Jerusalem, [Kushner’s] interested in appearances, and in the deeper currents a surface detail might betray … Her writing is magnetised by outlaw sensibility, hard lives lived at a slant, art made in conditions of ferment and unrest, though she rarely serves a platter that isn’t style-mag ready … She makes a pretty convincing case for a political dimension to Jeff Koons’s vacuities and mirrored surfaces, engages repeatedly with the Italian avant garde and writes best of all about an artist friend whose death undoes a spell of nihilism … It’s not just that Kushner is looking back on the distant city of youth; more that she’s the sole survivor of a wild crowd done down by prison, drugs, untimely death … What she remembers is a whole world, but does the act of immortalising it in language also drain it of its power,’neon, in pink, red, and warm white, bleeding into the fog’? She’s mining a rich seam of specificity, her writing charged by the dangers she ran up against. And then there’s the frank pleasure of her sentences, often shorn of definite articles or odd words, so they rev and bucket along … That New Journalism style, live hard and keep your eyes open, has long since given way to the millennial cult of the personal essay, with its performance of pain, its earnest display of wounds received and lessons learned. But Kushner brings it all flooding back. Even if I’m skeptical of its dazzle, I’m glad to taste something this sharp, this smart.”

–Olivia Laing ( The Guardian )

7. The Right to Sex: Feminism in the Twenty-First Century by Amia Srinivasan (FSG)

12 Rave • 7 Positive • 5 Mixed • 1 Pan

“[A] quietly dazzling new essay collection … This is, needless to say, fraught terrain, and Srinivasan treads it with determination and skill … These essays are works of both criticism and imagination. Srinivasan refuses to resort to straw men; she will lay out even the most specious argument clearly and carefully, demonstrating its emotional power, even if her ultimate intention is to dismantle it … This, then, is a book that explicitly addresses intersectionality, even if Srinivasan is dissatisfied with the common—and reductive—understanding of the term … Srinivasan has written a compassionate book. She has also written a challenging one … Srinivasan proposes the kind of education enacted in this brilliant, rigorous book. She coaxes our imaginations out of the well-worn grooves of the existing order.”

–Jennifer Szalai ( The New York Times )

8. A Little Devil in America by Hanif Abdurraqib (Random House)

13 Rave • 4 Positive Listen to an interview with Hanif Abdurraqib here

“[A] wide, deep, and discerning inquest into the Beauty of Blackness as enacted on stages and screens, in unanimity and discord, on public airwaves and in intimate spaces … has brought to pop criticism and cultural history not just a poet’s lyricism and imagery but also a scholar’s rigor, a novelist’s sense of character and place, and a punk-rocker’s impulse to dislodge conventional wisdom from its moorings until something shakes loose and is exposed to audiences too lethargic to think or even react differently … Abdurraqib cherishes this power to enlarge oneself within or beyond real or imagined restrictions … Abdurraqib reminds readers of the massive viewing audience’s shock and awe over seeing one of the world’s biggest pop icons appearing midfield at this least radical of American rituals … Something about the seemingly insatiable hunger Abdurraqib shows for cultural transaction, paradoxical mischief, and Beauty in Blackness tells me he’ll get to such matters soon enough.”

–Gene Seymour ( Bookforum )

9. On Animals by Susan Orlean (Avid Reader Press)

11 Rave • 6 Positive • 1 Mixed Listen to an interview with Susan Orlean here

“I very much enjoyed Orlean’s perspective in these original, perceptive, and clever essays showcasing the sometimes strange, sometimes sick, sometimes tender relationships between people and animals … whether Orlean is writing about one couple’s quest to find their lost dog, the lives of working donkeys of the Fez medina in Morocco, or a man who rescues lions (and happily allows even full grown males to gently chew his head), her pages are crammed with quirky characters, telling details, and flabbergasting facts … Readers will find these pages full of astonishments … Orlean excels as a reporter…Such thorough reporting made me long for updates on some of these stories … But even this criticism only testifies to the delight of each of the urbane and vivid stories in this collection. Even though Orlean claims the animals she writes about remain enigmas, she makes us care about their fates. Readers will continue to think about these dogs and donkeys, tigers and lions, chickens and pigeons long after we close the book’s covers. I hope most of them are still well.”

–Sy Montgomery ( The Boston Globe )

10. Graceland, at Last: Notes on Hope and Heartache from the American South  by Margaret Renkl (Milkweed Editions)

9 Rave • 5 Positive Read Margaret Renkl on finding ideas everywhere, here

“Renkl’s sense of joyful belonging to the South, a region too often dismissed on both coasts in crude stereotypes and bad jokes, co-exists with her intense desire for Southerners who face prejudice or poverty finally to be embraced and supported … Renkl at her most tender and most fierce … Renkl’s gift, just as it was in her first book Late Migrations , is to make fascinating for others what is closest to her heart … Any initial sense of emotional whiplash faded as as I proceeded across the six sections and realized that the book is largely organized around one concept, that of fair and loving treatment for all—regardless of race, class, sex, gender or species … What rises in me after reading her essays is Lewis’ famous urging to get in good trouble to make the world fairer and better. Many people in the South are doing just that—and through her beautiful writing, Renkl is among them.”

–Barbara J. King ( NPR )

Our System:

RAVE = 5 points • POSITIVE = 3 points • MIXED = 1 point • PAN = -5 points

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Nonfiction Books » Essays

The best essays: the 2021 pen/diamonstein-spielvogel award, recommended by adam gopnik.

WINNER OF the 2021 PEN/Diamonstein-Spielvogel Award for the Art of the Essay

Had I Known: Collected Essays by Barbara Ehrenreich

Every year, the judges of the PEN/Diamonstein-Spielvogel Award for the Art of the Essay search out the best book of essays written in the past year and draw attention to the author's entire body of work. Here, Adam Gopnik , writer, journalist and PEN essay prize judge, emphasizes the role of the essay in bearing witness and explains why the five collections that reached the 2021 shortlist are, in their different ways, so important.

Interview by Benedict King

Unfinished Business: Notes of a Chronic Re-Reader by Vivian Gornick

Nature Matrix: New and Selected Essays by Robert Michael Pyle

Terroir: Love, Out of Place by Natasha Sajé

Maybe the People Would be the Times by Luc Sante

1 Had I Known: Collected Essays by Barbara Ehrenreich

2 unfinished business: notes of a chronic re-reader by vivian gornick, 3 nature matrix: new and selected essays by robert michael pyle, 4 terroir: love, out of place by natasha sajé, 5 maybe the people would be the times by luc sante.

W e’re talking about the books shortlisted for the 2021 PEN/Diamonstein-Spielvogel Award for the Art of the Essay . As an essayist yourself, or as a reader of essays, what are you looking for? What’s the key to a good essay ?

Let’s turn to the books that made the shortlist of the 2021 PEN Award for the Art of the Essay. The winning book was Had I Known: Collected Essays by Barbara Ehrenreich , whose books have been recommended a number of times on Five Books. Tell me more. 

One of the criteria for this particular prize is that it should be not just for a single book, but for a body of work. One of the things we wanted to honour about Barbara Ehrenreich is that she has produced a remarkable body of work. Although it’s offered in a more specifically political register than some essayists, or that a great many past prize winners have practised, the quiddity of her work is that it remains rooted in personal experience, in the act of bearing witness. She has a passionate political point to make, certainly, a series of them, many seeming all the more relevant now than when she began writing. Nonetheless, her writing still always depends on the intimacy of first-hand knowledge, what people in post-incarceration work call ‘lived experience’ (a term with a distinguished philosophical history). Her book Nickel and Dimed is the classic example of that. She never writes from a distance about working-class life in America. She bears witness to the nature and real texture of working-class life in America.

“One point of giving awards…is to keep passing the small torches of literary tradition”

Next up of the books on the 2021 PEN essay prize shortlist is Unfinished Business: Notes of a Chronic Re-Reader by Vivian Gornick.

Vivian Gornick is a writer who’s been around for a very long time. Although longevity is not in itself a criterion for excellence—or for this prize, or in the writing life generally—persistence and perseverance are. Writers who keep coming back at us, again and again, with a consistent vision, are surely to be saluted. For her admirers, her appetite to re-read things already read is one of the most attractive parts of her oeuvre , if I can call it that; her appetite not just to read but to read deeply and personally. One of the things that people who love her work love about it is that her readings are never academic, or touched by scholarly hobbyhorsing. They’re readings that involve the fullness of her experience, then applied to literature. Although she reads as a critic, she reads as an essayist reads, rather than as a reviewer reads. And I think that was one of the things that was there to honour in her body of work, as well.

Is she a novelist or journalist, as well?

Let’s move on to the next book which made the 2021 PEN essay shortlist. This is Nature Matrix: New and Selected Essays by Robert Michael Pyle.

I have a special reason for liking this book in particular, and that is that it corresponds to one of the richest and oldest of American genres, now often overlooked, and that’s the naturalist essay. You can track it back to Henry David Thoreau , if not to Ralph Waldo Emerson , this American engagement with nature , the wilderness, not from a narrowly scientific point of view, nor from a purely ecological or environmental point of view—though those things are part of it—but again, from the point of view of lived experience, of personal testimony.

Let’s look at the next book on the shortlist of the 2021 PEN Awards, which is Terroir: Love, Out of Place by Natasha Sajé. Why did these essays appeal?

One of the things that was appealing about this book is that’s it very much about, in every sense, the issues of the day: the idea of place, of where we are, how we are located on any map as individuals by ethnic identity, class, gender—all of those things. But rather than being carried forward in a narrowly argumentative way, again, in the classic manner of the essay, Sajé’s work is ruminative. It walks around these issues from the point of view of someone who’s an expatriate, someone who’s an émigré, someone who’s a world citizen, but who’s also concerned with the idea of ‘terroir’, the one place in the world where we belong. And I think the dialogue in her work between a kind of cosmopolitanism that she has along with her self-critical examination of the problem of localism and where we sit on the world, was inspiring to us.

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Last of the books on the shortlist for the 2021 Pen essay award is Maybe the People Would Be the Times by Luc Sante.

Again, here’s a writer who’s had a distinguished generalised career, writing about lots of places and about lots of subjects. In the past, he’s made his special preoccupation what he calls ‘low life’, but I think more broadly can be called the marginalized or the repressed and abject. He’s also written acute introductions to the literature of ‘low life’, the works of Asbury and David Maurer, for instance.

But I think one of the things that was appealing about what he’s done is the sheer range of his enterprise. He writes about countless subjects. He can write about A-sides and B-sides of popular records—singles—then go on to write about Jacques Rivette’s cinema. He writes from a kind of private inspection of public experience. He has a lovely piece about tabloid headlines and their evolution. And I think that omnivorous range of enthusiasms and passions is a stirring reminder in a time of specialization and compartmentalization of the essayist’s freedom to roam. If Pyle is in the tradition of Thoreau, I suspect Luc Sante would be proud to be put in the tradition of Baudelaire—the flaneur who walks the streets, sees everything, broods on it all and writes about it well.

One point of giving awards, with all their built-in absurdity and inevitable injustice, is to keep alive, or at least to keep passing, the small torches of literary tradition. And just as much as we’re honoring the great tradition of the naturalist essay in the one case, I think we’re honoring the tradition of the Baudelairean flaneur in this one.

April 18, 2021

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Adam Gopnik

Adam Gopnik has been a staff writer at the New Yorker since 1986. His many books include A Thousand Small Sanities: The Moral Adventure of Liberalism . He is a three time winner of the National Magazine Award for Essays & Criticism, and in 2021 was made a chevalier of the Legion d'Honneur by the French Republic.

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Longreads : The best longform stories on the web

Best of 2021: Personal Essays

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Since we started the #longreads hashtag in 2009 to share great reads on Twitter, curation has been the beating heart of Longreads . All year long, we highlight our favorite stories in the weekly Longreads Top 5 . At the end of the year, we love to reflect on and share the pieces that stayed with us, a tradition we’ve kept for 10 years ! Today, we’re kicking off our annual curation celebration with five moving personal essays we loved in 2021. Watch for lists over the next couple of weeks that highlight reported essays, investigative reporting, features, and profiles.

The Gradual Extinction of Softness , Chantha Nguon and Kim Green, Hippocampus Magazine , November 8, 2021

For this category, I’m recommending a moving, lyrical personal essay from Kim Green and Chantha Nguon. Nguon is a co-founder of a women’s social enterprise in rural northeastern Cambodia. For 10 years, these two friends have been collaborating on Nguon’s life story, through interviews and cooking sessions, which will eventually culminate into Slow Noodles , a memoir on food, loss, and recovered family recipes. This excerpt from the memoir-in-progress is an evocative piece on surviving the Cambodian genocide, and remembering the flavors, the memories, and the past that the Khmer Rouge regime tried to erase. It’s also sprinkled with “recipes,” made up of ingredients that reveal details of Nguon’s life, particularly of her childhood in Battambang: “Take a well-fed nine-year-old with a big family and a fancy French-Catholic-school education. Fold in 2 revolutions, 2 civil wars, and 1 wholesale extermination. Separate her from home, country, and a reliable source of food.” I’ve read this gorgeous essay a number of times, and each time I pay attention to new details — aromas, tastes — which make me appreciate it even more. — Cheri Lucas Rowlands

Authors Chantha Nguon and Kim Green on the story they wish they’d written this year:

We both loved “ Cambodian Americans Are Ready to Share Their Cuisine, On Their Terms ” by Maryam Jillani in Condé Nast Traveler . It’s a great primer on Cambodian cuisine that acknowledges the diaspora’s collective trauma without dwelling on it. And we love how she highlights the artistry of chefs we follow and admire. We wish we had written it but are also thrilled that Jillani did it so well.

Aftermath , Briohny Doyle, Griffith Review , October 24, 2021

In her exquisite piece about the human condition in the age of COVID, climate change, and other calamities, Briohny Doyle challenges readers — and herself — to give up the ghost of renewal. “What is an ideal community, a good life,” Doyle asks, “if nothing is renewed, if we are working in and through catastrophe with only what we have now and in the face of what will be?” This question is more than essay fodder. It’s a mantra, an incantation — for us all. — Seyward Darby

Author Briohny Doyle ‘s personal essay recommendation:

I’m a long-time admirer of Vanessa Berry’s writing, which is always marked by assiduous curiosity and intimate detail. Gentle and Fierce — the title of her new collection — describes her writing as much as her animal subjects. This essay, “ Perec’s Cat ” is a wonderful example of her enviably light touch at work.

Ghosts , Vauhini Vara, The Believer , August 9, 2021

Even as artificial intelligence creeps across science and technology, bulldozing computational problems, we comfort ourselves in the face of such power by thinking there are some things a program simply can’t do. A program can’t be funny, can’t be fraught, can’t be human. And maybe it can’t. But in Vauhini Vara’s gutpunch of an essay, we begin to see the glimmer of otherwise. Unable to write about her sister’s death of a rare cancer years earlier, Vara began feeding the linguistic engine GPT-3 prompts about her sister — and over the course of nine increasingly stirring attempts, their two voices meld in a way that wipes away any preconceptions you might have brought to the piece. This isn’t a warning klaxon about robot overlords; it’s a bracing exploration of what can happen when we finally hold the mirror at the perfect angle. — Peter Rubin

Author Vanessa Angélica Villarreal on “Ghosts”:

“My own writing is largely a practice of communion with the dead—recording forgotten lives, lost records, documenting collective memory. I personally use tarot to tap into my own unconscious and excavate the buried material there, and have noted the recent trend of astrology apps and tarot on TikTok and the uncanny specificity of its algorithms to ensure the right message finds you. It is brilliant to use AI as a divination tool, and to explore what mathematical fabric algorithms might be connected to beyond our understanding.”

Contraindications , Alison Criscitiello, The Alpinist , September 17, 2017

Alison Criscitiello’s essay about her climbing partner Anna Smith has stayed with me for a long time. It starts off as a rollicking adventure story: Two best friends embarking on a climbing expedition to the Indian Himalayas. The affection and admiration the women share spills out of her words, “opposites in almost every way imaginable, end members constantly bringing one another closer to an elusive center.” It is not just an exquisitely told quest: It is also about true friendship — and the joy found in sharing beautiful experiences.

Then it becomes something else. When Criscitiello describes Anna’s death, it is raw; I felt her pain. The essay turns into a survival story: Surviving not only the physical challenge of getting Anna off the mountain, but the grief, shock, and loneliness overwhelming Criscitiello now that she “no longer had Anna tethered to me.” For three days, she stays with Anna before a team arrives to help take her body down. Even then, Criscitiello remains, “guarding her” until Anna is finally cremated “along the shores of the Beas River in the heart of Manali” and her ashes taken home. It is time spent remembering Anna, whose “strength emanated from her core” and whose spark “set my aspirations afire.” — Carolyn Wells

The Grief Artist , Traci Brimhall, Guernica Magazine , January 6, 2021

Brimhall’s essay explores the influence that art, process, and ritual have on dealing with grief and loss as she mourns her mother’s death and the end of her marriage. So many essays deal with grief, but few consider the shape of it through so many disparate lenses. As Brimhall makes art out of the unexpected, she weaves a strand of persistent, insistent hope for the reader. “I love that nothing is wasted,” she writes. “Everything is ripe for transformation.” This essay reminds me that despite the fact that humans struggle with loss and change, maybe we can learn something about ourselves if we choose to lean on process and routine. Maybe too, we can get better at being more human as we deal with things that end, be it a life, a friendship, a marriage, or even just a time in our lives. — Krista Stevens

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Longform Best of 2021

Browse All Categories

The Abortion I Didn’t Have

“I never thought about ending my pregnancy. Instead, at 19, I erased the future I had imagined for myself.”

Merritt Tierce New York Times Magazine

I Was 12 When We Met

“Blake Bailey was my favorite teacher. Years later, he forced himself on me. Why did I seek his approval for so long?”

Eve Crawford Peyton Slate

Dancing Through New York in a Summer of Joy and Grief

“Part of the joy of social dancing, especially out in a broader public beyond the family home, is that we will never be able to identify all the faces that spin by, the hands that nudge our backs to pass.”

Carina del Valle Schorske New York Times Magazine

The Storyteller

On the writer W.G. Sebald.

Ben Lerner New York Review of Books

Naked Grief

On illness, lockdown, marriage, and intimacy.

Mary H.K. Choi GQ

Top Reads 2021 | Essays

With another year under our belts, here are ten of our most popular essays from 2021, on abandoned whaling communities in the Bering Strait to Joni Mitchell’s Blue  album.

Lice | AK Blakemore

‘I often had head  lice as a child . . . Mum would sit on the lip of the tub and comb and comb, pulling faces, flicking clots of Pantene freckled with their little bodies into the sink’.

AK Blakemore on lice.

A Bleed of Blue | Amy Key

‘I was trying simultaneously to numb the grief I felt and to burrow into that grief, so I could stand in it.’

On love, its absence and Joni Mitchell’s Blue album.

On Vulnerability | Katherine Angel

‘Being porous – being susceptible to the other’s needs and desires – is what makes one tender to the feelings of others, and what puts one at their mercy.’

Katherine Angel on vulnerability . 

Bleak Midwinter | Catherine Taylor

‘In a sense, we had been waiting for the Ripper to visit for months, even years.’

Catherine Taylor on growing up in Sheffield and Peter Sutcliffe.

Breast or Tooth? | Tishani Doshi

‘In the nineteenth century, a woman called Nangeli in Kerala sliced off her breasts and offered them to the tax collectors on a plaintain leaf as protest against having to pay the breast tax.’

Tishani Doshi on breasts and police violence in India.

Having and Being Had | Eula Biss

‘A white set designer and a white director work to create an authentic African American interior. The commercial, they tell us, is going to feature an African American grandmother serving a holiday turkey.’

Eula Biss on complicity and capitalism.

On Mistaking Whales | Bathsheba Demuth

‘Before a gray whale becomes a home, or a barrel of oil, or a metaphor, before she enters the realm of human meaning, she is a being complete in herself.’

Bathsheba Demuth visits the abandoned whaling communities of the Bering Strait.  

A Series of Rooms Occupied by Ghislaine Maxwell | Chris Dennis

‘What is the metaphor of the room? Of the house. Of the neighborhood.’

Chris Dennis on incarceration.

On Running | Larissa Pham

‘Maybe that’s why running has its adherents: there are those who are drawn to its simplicity, who find beauty in its pure, egalitarian punishment. Who even find joy in it.’

Larissa Pham on running.

Mr Brown, Mrs White and Ms Black | Kei Miller

‘Mr Brown only thinks these thoughts. He would never share them with anyone, because these are the kinds of thoughts that implicate him.’

Three stories of race in Jamaica, by Kei Miller.

Title photo courtesy of Amy Key.  

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Granta 167: Extraction Online

You Are the Product

‘The anglophone world, we have to infer, has run out of words for its own feelings.’ Daisy Hildyard on the wisdom of scarecrows.

‘What is the read receipt for?’ Lillian Fishman on texting, power and the ethics of leaving a friend on read.

‘Like pretty much everyone who uses the internet, I have seen many terrible things that I did not search for and that I cannot unsee.’ Rosanna McLaughlin on what the internet thinks she wants.

‘I have a pathological addiction to the internet, which I indulge with the excuse of making art. It rarely translates to anything good and mostly leaves me overstimulated and afraid.’ Paul Dalla Rosa on excess and the internet.

‘rumors of bees on speedwell, / no oxidative stress just / effortless pollination’ Two poems by Sylvia Legris.

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More on granta.com, essays & memoir | the online edition, a summer of japanese literature, dan bradley.

From manga to crime fiction, contemporary literature to Nobel-Prize-winning classics, here are ten works of Japanese literature worth spending your summer on

Ten Books that Changed the World

Martin puchner.

Martin Puchner on ten books that have changed the course of world history.

Essays & Memoir | Issue 167

Power metals, nicolas niarchos.

‘The city, which is home to more than 300,000 people, is collapsing into the millions of shallow, square holes that have been cut into the ground.’ Nicolas Niarchos on mineral extraction in Manono, the Democratic Republic of the Congo.

Fiction | The Online Edition

The material, camille bordas.

‘Rehearsing in front of the mirror was for actors, according to them, not comedians. It was for vain people. A good comedian was the opposite of vain, they said.’ Fiction by Camille Bordas.

Podcasts | Issue 166

Podcast | andrew o’hagan, andrew o’hagan.

‘The world comes down on your head if you don’t tell people what they already believe to be true.’ Andrew O’Hagan on truth, journalism and fiction.

Everything Is Different in Your House

Adam mars-jones.

‘At the end of the year, an ambulance brought Suseela home from hospital to die’.

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The Best American Essays 2021

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“The world is abundant even in bad times; it is lush with interestingness, and always, somewhere, offering up consolation or beauty or humor or happiness, or at least the hope of future happiness,” writes guest editor Kathryn Schulz in the introduction to The Best American Essays 2021 . Featuring essays by Elizabeth Alexander, Molly McCully Brown, Dawn Lundy Martin, and Wesley Morris, to name a few, this installment of the annual anthology captures writers at work during a historic year of grief and tumult. From an intimate account of nursing a loved one during the pandemic to an exploration of the political and aesthetic history of a mustache, this collection demonstrates what it is to be writing during an unprecedented time, offering readers and writers solace and inspiration through rigorous prose.  

More Best Books for Writers

10 Successful Harvard Application Essays | 2021

Our new 2022 version is up now.

Our 2022 edition is sponsored by HS2 Academy—a premier college counseling company that has helped thousands of students gain admission into Ivy League-level universities across the world. Learn more at www.hs2academy.com . Also made possible by The Art of Applying, College Confidential, Crimson Education, Dan Lichterman, Key Education, MR. MBA®, Potomac Admissions, Prep Expert, and Prepory.

AcceptU is the #1 rated college admissions consulting group. With a team composed entirely of former college admissions officers, AcceptU advises families on all aspects of the college planning process, from early profile-building to strategy and essay editing. More than 90% of our past students are admitted to at least one of their top three choices and AcceptU clients achieve 4x higher rates of admission to highly selective colleges. Learn more at www.AcceptU.com and schedule an introductory call with an AcceptU advisor today.

Successful Harvard Essay

I had never seen houses floating down a river. Minutes before there had not even been a river. An immense wall of water was destroying everything in its wake, picking up fishing boats to smash them against buildings. It was the morning of March 11, 2011. Seeing the images of destruction wrought by the earthquake and tsunami in Japan, I felt as if something within myself was also being shaken, for I had just spent two of the happiest summers of my life there.

In the summer of my freshman year, I received the Kikkoman National Scholarship, which allowed me to travel to Japan to stay with a host family in Tokyo for ten weeks. I arrived just as the swine flu panic gripped the world, so I was not allowed to attend high school with my host brother, Yamato. Instead, I took Japanese language, judo, and karate classes and explored the confusing sprawl of the largest city in the world. I spent time with the old men of my neighborhood in the onsen, or hot spring, questioning them about the Japan of their youth. They laughed and told me that if I wanted to see for myself, I should work on a farm.

The next summer I returned to Japan, deciding to heed the old men’s advice and volunteer on a farm in Japan’s northernmost island, Hokkaido. I spent two weeks working more than fourteen hours a day. I held thirty-pound bags of garlic with one hand while trying to tie them to a rope hanging from the ceiling with the other, but couldn’t hold the bags in the air long enough. Other days were spent pulling up endless rows of daikon, or Japanese radish, which left rashes on my arms that itched for weeks. Completely exhausted, I stumbled back to the farmhouse, only to be greeted by the family’s young children who were eager to play. I passed out every night in a room too small for me to straighten my legs. One day, I overslept a lunch break by two hours. I awoke mortified, and hurried to the father. After I apologized in the most polite form of Japanese, his face broke into a broad grin. He patted me on the back and said, “You are a good worker, Anthony. There is no need to apologize.” This single exchange revealed the true spirit of the Japanese farmer. The family had lived for years in conditions that thoroughly wore me out in only a few days. I had missed two hours of work, yet they were still perpetually thankful to me. In their life of unbelievable hardship, they still found room for compassion.

In their life of unbelievable hardship, they still found room for compassion.

When I had first gone to Tokyo, I had sought the soul of the nation among its skyscrapers and urban hot springs. The next summer I spurned the beaten track in an attempt to discover the true spirit of Japan. While lugging enormously heavy bags of garlic and picking daikon, I found that spirit. The farmers worked harder than anyone I have ever met, but they still made room in their hearts for me. So when the tsunami threatened the people to whom I owed so much, I had to act. Remembering the lesson of compassion I learned from the farm family, I started a fund-raiser in my community called “One Thousand Cranes for Japan.” Little more than two weeks later, we had raised over $8,000 and a flock of one thousand cranes was on its way to Japan.

Professional Review by AcceptU

This essay is very clean and straightforward. Anthony wisely uses imagery from a well-known historic event, the 2011 tsunami, to set the scene for his story. He visited Japan for two summers and provides depth about what he learned: In his first summer, he explored Tokyo and studied the language and culture; in his second summer, he lived in rural Japan and worked long hours on a farm.

We like to see how applicants learn, grow or change from the beginning to the end - and Anthony rightfully spends more time describing the hard work and lifestyle of farming and what he learned from this experience.

The beauty of the essay actually lies in its simplicity. Admittedly, it is not a groundbreaking or original essay in the way he tells his story; instead, Anthony comes across as someone who is very interesting, hardworking, intellectually curious, dedicated, humble and likable - all traits that admissions officers are seeking in applicants.

We like to see how applicants learn, grow or change from the beginning to the end - and Anthony rightfully spends more time describing the hard work and lifestyle of farming and what he learned from this experience. Anthony concludes with a reference to his opening paragraph about the tsunami, and impresses the reader with his fundraising to help victims.

It is not necessarily missing, but perhaps a sentence or two could have been added to explain why Anthony was in Japan in the first place. What was his connection to the country, language or culture? Does it tie into an academic interest? If so, that would make his already strong essay even stronger in the eyes of admissions officers.

Sponsored by Bridge to College, a data company that matches students to colleges that are an academic, financial, and social fit. We provide services to students, families, high schools, and colleges to support all of their admissions needs. Visit https://bit.ly/bridge-to-college-successful-essays for more information on the new platform, sign up for updates and consultations, and learn more about what we do.

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I entered the surprisingly cool car. Since when is Beijing Line 13 air-conditioned? I’ll take it. At four o’clock in the afternoon only about twenty people were in the subway car. “At least it’s not crowded,” one might have thought. Wrong. The pressure of their eyes on me filled the car and smothered me. “看看！她是外国人！”(Look, look! She’s a foreigner!) An old man very loudly whispered to a child curled up in his lap. “Foreigner,” he called me. I hate that word, “foreigner.” It only explains my exterior. If only they could look inside.…

I want to keep reading because there is something she is saying about her identity--be it performative or actual--that I am curious about.

They would know that I actually speak Chinese—not just speak, but love. They would know that this love was born from my first love of Latin—the language that fostered my admiration of all languages. Latin lives in the words we speak around the world today. And translating this ancient language is like watching a play and performing in it at the same time. Each word is an adventure, and on the journey through Virgil’s Aeneid I found that I am more like Aeneas than any living, dead, or fictional hero I know. We share the intrinsic value of loyalty to friends, family, and society. We stand true to our own word, and we uphold others to theirs. Like Aeneas’s trek to find a new settlement for his collapsed Troy, with similar perseverance I, too, wander the seas for my own place in the world. Language has helped me do that.

If these subway passengers understood me, they would know that the very reason I sat beside them was because of Latin. Even before Aeneas and his tale, I met Caecilius and Grumio, characters in my first Latin textbook. In translations I learned grammar alongside Rome’s rich history. I realized how learning another language could expose me to other worlds and other people—something that has always excited me. I also realized that if I wanted to know more about the world and the people in it, I would have to learn a spoken language. Spanish, despite the seven years of study prior to Latin, did not stick with me. And the throatiness of French was not appealing. But Chinese, more than these other traditional languages, intrigued me. The doors to new worlds it could open seemed endless. Thus I chose Chinese.

If these subway passengers looked inside me, they would find that my knowledge of both Latin and Chinese makes me feel whole. It feels like the world of the past is flowing through me alongside the world of the future. Thanks to Latin, Chinese sticks in my mind like the Velcro on the little boy’s shoes in front of me. If this little boy and his family and friends could look inside, they would understand that Latin laid the foundation for my lifelong commitment to languages. Without words, thoughts and actions would be lost in the space between our ears. To them, I am a foreigner, “外国人” literally translated as “out-of-country person.” I feel, however, more like an advena, the Latin word for “foreigner,” translated as “(one who) comes to (this place).” I came to this place, and I came to this country to stay. Unfortunately, they will not know this until I speak. Then once I speak, the doors will open.

Professional Review by Bridge to College

Your college essay should serve two purposes: allow the reader to gain insights about you that they are not able to do in other parts of your application and provide an example of your writing abilities. To the former, you are hoping to demonstrate five soft skills that most colleges are at least implicitly interested in gleaning, those that indicate your capacity to be a good student at their institution.

Alex arrives at both goals in an interesting way. Without seeing the rest of her application, I can only assume that she is possibly interested in pursuing a major in a language (if she is pursuing a major in an applied math, this essay would be extremely interesting) and she has likely participated in some kind of team sport to demonstrate the soft skill of teamwork. To be honest, as someone who speaks five languages myself and studied Latin in undergrad, I don’t necessarily agree with her assessment of the languages. BUT I’m interested. I want to keep reading. She isn’t supposed to get everything right in this essay; she’s supposed to demonstrate a capacity for learning. And she does that.

I want to keep reading because there is something she is saying about her identity--be it performative or actual--that I am curious about. With our work in college access and admissions, we’ve only worked in underserved communities, be they students of color or girls interested in STEM or first-generation college students or more. People make an assumption that we are exploiting these identities into sob stories that admissions readers will immediately hang on to. We’re not doing that. We are encouraging students to write about something similar to what Alex did—describe how your identity has created a learning opportunity or a moment of resilience or determination. Alex seems like someone who is well resourced: her access to certain text; language curricula and the amount of time she spent studying those languages; even her sentence structure, gives that away. But her openness to adapt with humility is a critical skill that is so necessary to be a great student, and unfortunately a skill that many students miss.

For the second goal, she does a tremendous job of demonstrating her writing abilities. Her sentence structures are varied and there aren’t egregious mistakes in grammar and spelling. The last two sentences of the second paragraph sold me on her skill-level and personhood. I also really appreciated that she wasn’t shying away from what she has been able to access as far as her schooling. Alex is smart, witty, and well-traveled, and you’re going to know it. I love that.

The essay works as an introduction to who she is and her soft skills, as well as a demonstration of her writing abilities.

CEO and Founder of Bridge to College

Elite Educational Institute has been helping students reach their academic goals through test preparation, tutoring, and college consulting services since 1987. Learn more at www.eliteprep.com .

When I was a child, I begged my parents for my very own Brother PT-1400 P-Touch Handheld Label Maker to fulfill all of my labeling needs. Other kids had Nintendos and would spend their free time with Mario and Luigi. While they pummeled their video game controllers furiously, the pads of their thumbs dancing across their joysticks, I would type out labels on my industrial-standard P-Touch with just as much zeal. I labeled everything imaginable, dividing hundreds of pens into Ziploc bags by color, then rubber-banding them by point size. The finishing touch, of course, was always a glossy, three-eighths-inch-wide tag, freshly churned out from my handheld labeler and decisively pasted upon the numerous plastic bags I had successfully compiled.

Labeling became therapeutic for me; organizing my surroundings into specific groups to be labeled provides me with a sense of stability. I may not physically need the shiny color-coded label verifying the contents of a plastic bag as BLUE HIGHLIGHTERS—FAT, to identify them as such, but seeing these classifications so plainly allows me to appreciate the reliability of my categorizations. There are no exceptions when I label the top ledge of my bookshelf as containing works from ACHEBE, CHINUA TO CONRAD, JOSEPH. Each book is either filtered into that category or placed definitively into another one. Yet, such consistency only exists in these inanimate objects.

Thus, the break in my role as a labeler comes when I interact with people. Their lives are too complicated, their personalities too intricate for me to resolutely summarize in a few words or even with the 26.2 feet of laminated adhesive tape compatible with my label maker. I have learned that a thin line exists between labeling and just being judgmental when evaluating individuals. I can hardly superficially characterize others as simply as I do my material possessions because people refuse to be so cleanly separated and compartmentalized. My sister Joyce jokes freely and talks with me for hours about everything from the disturbing popularity of vampires in pop culture to cubic watermelons, yet those who don’t know her well usually think of her as timid and introverted. My mother is sometimes my biggest supporter, spouting words of encouragement and, at other instances, my most unrelenting critic. The overlap becomes too indistinct, the contradictions too apparent, even as I attempt to classify those people in the world whom I know best.

For all my love of order when it comes to my room, I don't want myself, or the people with whom I interact, to fit squarely into any one category.

Neither would I want others to be predictable enough for me to label. The real joy in human interaction lies in the excitement of the unknown. Overturning expectations can be necessary to preserving the vitality of relationships. If I were never surprised by the behaviors of those around me, my biggest source of entertainment would vanish. For all my love of order when it comes to my room, I don’t want myself, or the people with whom I interact, to fit squarely into any one category. I meticulously follow directions to the millimeter in the chemistry lab but measure ingredients by pinches and dashes in the comfort of my kitchen. I’m a self-proclaimed grammar Nazi, but I’ll admit e. e. cummings’s irreverence does appeal. I’ll chart my television show schedule on Excel, but I would never dream of confronting my chores with as much organization. I even call myself a labeler, but not when it comes to people. As Walt Whitman might put it, “Do I contradict myself? / Very well, then I contradict myself, / (I am large, I contain multitudes.).”

I therefore refrain from the temptation to label—despite it being an act that makes me feel so fulfilled when applied to physical objects—when real people are the subjects. The consequences of premature labeling are too great, the risk of inaccuracy too high because, most of the time, not even the hundreds of alphanumeric digits and symbols available for entry on my P-Touch can effectively describe who an individual really is.

Professional Review by Elite Prep

Amusing yet insightful, perhaps the most outstanding quality of Justine’s personal statement lies in the balance she strikes between anecdotal flourish and honest introspection. By integrating occasional humour and witty commentary into an otherwise lyrical and earnest self-reflection, Justine masterfully conveys an unfettered, sincere wisdom and maturity coveted by prestigious universities.

Justine breaks the ice by recalling a moment in her childhood that captures her fervent passion for labelling. When applying to selective academic institutions, idiosyncrasies and peculiar personal habits, however trivial, are always appreciated as indicators of individuality. Justine veers safely away from the temptation of “playing it safe” by exploring her dedication towards organizing all her possessions, a dedication that has followed her into adolescence.

She also writes from a place of raw honesty and emotion by offering the rationale behind her bizarre passion. Justine's reliance on labelling is underpinned by her yearning for a sense of stability and order in a messy world—an unaffected yearning that readers, to varying degrees, can sympathize with.

She also writes from a place of raw honesty and emotion by offering the rationale behind her bizarre passion. Justine’s reliance on labelling is underpinned by her yearning for a sense of stability and order in a messy world—an unaffected yearning that readers, to varying degrees, can sympathize with. She recognizes, however, it would be imprudent to navigate all facets of life with an unfaltering drive to compartmentalize everything and everyone she encounters.

In doing so, Justine seamlessly transitions to the latter, more pensive half of her personal statement. She extracts several insights by analyzing how, in staunch contrast with her neatly-organized pencil cases, the world is confusing, and rife with contradictions. Within each individual lies yet another world of complexity—as Justine reflects, people can’t be boiled down into “a few words,” and it’s impossible to capture their character, “even with the 26.2 feet of laminated adhesive tape compatible with [her] label maker.”

In concluding, Justine returns back to the premise that started it all, reminding the reader of her take on why compartmentalizing the world would be an ultimately unproductive effort. The most magical part of Justine’s personal statement? It reads easily, flows with imagery, and employs a simple concept—her labelling practices—to introduce a larger, thoughtful conversation.

The best compliment I ever received was from my little brother: “My science teacher’s unbelievably good at telling stories,” he announced. “Nearly as good as you.” I thought about that, how I savor a good story the way some people savor last-minute touchdowns.

I learned in biology that I’m composed of 7 × 10 27 atoms, but that number didn’t mean anything to me until I read Bill Bryson’s A Short History of Nearly Everything. One sentence stayed with me for weeks: “Every atom you possess has almost certainly passed through several stars and been part of millions of organisms on its way to becoming you.” It estimates that each human has about 2 billion atoms of Shakespeare hanging around inside—quite a comfort, as I try to write this essay. I thought about every one of my atoms, wondering where they had been and what miracles they had witnessed.

My physical body is a string of atoms, but what of my inner self, my soul, my essence? I've come to the realization that my life has been a string as well, a string of stories.

My physical body is a string of atoms, but what of my inner self, my soul, my essence? I’ve come to the realization that my life has been a string as well, a string of stories. Every one of us is made of star stuff, forged through fires, and emerging as nicked as the surface of the moon. It frustrated me no end that I couldn’t sit down with all the people I met, interrogating them about their lives, identifying every last story that made them who they are.

I remember how magical it was the first time I read a fiction book: Harry Potter and the Sorcerer’s Stone. I was duly impressed with Quidditch and the Invisibility Cloak, of course, but I was absolutely spellbound by how much I could learn about Harry. The kippers he had for breakfast, the supplies he bought for Potions—the details everyone skimmed over were remarkable to me. Fiction was a revelation. Here, at last, was a window into another person’s string of stories!

Over the years, I’ve thought long and hard about that immortal question: What superpower would you choose? I considered the usual suspects—invisibility, superhuman strength, flying—but threw them out immediately. My superhero alter ego would be Story Girl. She wouldn’t run marathons, but she could walk for miles and miles in other people’s shoes. She’d know that all it takes for empathy and understanding is the right story.

Imagine my astonishment when I discovered Radiolab on NPR. Here was my imaginary superpower, embodied in real life! I had been struggling with AP Biology, seeing it as a class full of complicated processes and alien vocabulary. That changed radically when I listened, enthralled, as Radiolab traced the effects of dopamine on love and gambling. This was science, sure, but it was science as I’d never heard it before. It contained conflict and emotion and a narrative; it made me anxious to learn more. It wasn’t that I was obtuse for biology; I just hadn’t found the stories in it before.

I’m convinced that you can learn anything in the form of a story. The layperson often writes off concepts—entropy, the Maginot Line, anapestic meter—as too foreign to comprehend. But with the right framing, the world suddenly becomes an open book, enticing and ripe for exploration. I want to become a writer to find those stories, much like Jad Abumrad and Robert Krulwich from Radiolab, making intimidating subjects become familiar and inviting for everyone. I want to become Story Girl.

By combining her previous interest with her newfound love for biology, Carrie is able to highlight how her past experiences have assisted her in overcoming novel challenges. This portrays her as a resilient and resourceful problem-solver: traits that colleges value heavily in their students.

Carrie begins her essay with a fondly-remembered compliment from her brother, introducing her most passionate endeavor: storytelling. By recalling anecdotes related to her love of stories, she establishes herself as a deeply inquisitive and creative person; someone whose greatest virtue is their unfettered thirst for knowledge. Curiosity is greatly prized by colleges, and Carrie’s inclusion of this particular value encourages admissions officers to keep reading.

Going on to explore the intersections between stories and science, Carrie reveals her past difficulties with AP biology; that is, until she learnt about the amazing stories hidden within the subject. By combining her previous interest with her newfound love for biology, Carrie is able to highlight how her past experiences have assisted her in overcoming novel challenges. This portrays her as a resilient and resourceful problem-solver: traits that colleges value heavily in their students.

Carrie ends her essay with her belief that through stories, everything is possible. She expounds on her future ambitions in regards to storytelling, as well as her desire to make learning both fun and accessible to everyone via the power of stories. By comparing her goals to that of a superhero, Carrie is able to emphasise her enthusiasm for contributing to social change. Most importantly, Carrie’s ambitions show how she can contribute to the Harvard community positively, making her a strong applicant.

As an admission essay specialist , Dan Lichterman has been empowering students to find their voice since 2004. He helps students stand out on paper, eliminating the unnecessary so the necessary may speak. Drawing upon his storytelling background, Dan guides applicants to craft authentic essays that leap off the page. He is available for online writing support within the US and internationally. To learn more and schedule a brief complimentary consultation visit danlichterman.com.

I have a fetish for writing.

I’m not talking about crafting prose or verses, or even sentences out of words. But simply constructing letters and characters from strokes of ink gives me immense satisfaction. It’s not quite calligraphy, as I don’t use calligraphic pens or Chinese writing brushes; I prefer it simple, spontaneous, and subconscious. I often find myself crafting characters in the margins of notebooks with a fifty-cent pencil, or tracing letters out of thin air with anything from chopsticks to fingertips.

"One's handwriting," said the ancient Chinese, "is a painting of one's mind." After all, when I practice my handwriting, I am crafting characters. My character.

The art of handwriting is a relic in the information era. Why write when one can type? Perhaps the Chinese had an answer before the advent of keyboards. “One’s handwriting,” said the ancient Chinese, “is a painting of one’s mind.” After all, when I practice my handwriting, I am crafting characters.

My character.

I particularly enjoy meticulously designing a character, stroke by stroke, and eventually building up, letter by letter, to a quote person­alized in my own voice. Every movement of the pen and every drop­let of ink all lead to something profound, as if the arches of every "m" are doorways to revelations. After all, characters are the build­ing blocks of language, and language is the only vehicle through which knowledge unfolds. Thus, in a way, these letters under my pen are themselves representations of knowledge, and the delicate beauty of every letter proves, visually, the intrinsic beauty of know­ing. I suppose handwriting reminds me of my conviction in this vi­sual manner: through learning answers are found, lives enriched, and societies bettered.

Moreover, perhaps this strange passion in polishing every single character of a word delineates my dedication to learning, testifies my zeal for my conviction, and sketches a crucial stroke of my character.

"We--must--know ... " the mathematician David Hilbert's voice echoes in resolute cursive at the tip of my pen, as he, addressing German scientists in 1930, propounds the goal of modern intellectu­als. My pen firmly nods in agreement with Hilbert, while my mind again fumbles for the path to knowledge.

The versatility of handwriting enthralls me. The Chinese devel­oped many styles -- called hands -- of writing. Fittingly, each hand seems to parallel one of my many academic interests. Characters of the Regular Hand (kai shu), a legible script, serve me well during many long hours when I scratch my head and try to prove a mathematical statement rigorously, as the legibility illuminates my logic on paper. Words of the Running Hand (xing shu), a semi-cursive script, are like the passionate words that I speak before a committee of Model United Nations delegates, propounding a decisive course of action: the words, both spoken and written, are swift and coherent but resolute and emphatic. And strokes of the Cursive Hand (cao shu) resemble those sudden artistic sparks when I deliver a line on stage: free spontaneous, but emphatic syllables travel through the lights like rivers of ink flowing on the page.

Yet the fact that the three distinctive hands cooperate so seamlessly, fusing together the glorious culture of writing, is perhaps a fable of learning, a testament that the many talents of the Renaissance Man could all be worthwhile for enriching human society. Such is my methodology: just like I organize my different hands into a neat personal style with my fetish for writing, I can unify my broad interests with my passion for learning.

“...We -- will -- know!” Hilbert finishes his adage, as I frantically slice an exclamation mark as the final stroke of this painting of my mind.

I must know: for knowing, like well-crafted letters, has an inherent beauty and an intrinsic value. I will know: for my versatile interests in academics will flow like my versatile styles of writing.

I must know and I will know: for my fetish for writing is a fetish for learning.

Professional Review by Dan Lichterman

We learn that he expresses his innermost self through an art that has become a relic within the information age. As we peer into his mind, we learn something essential about Jiafeng's character–that he is irrepressibly drawn to the intricate beauty of pure learning.

Jiafeng’s essay succeeds by using the metaphor of handwriting, and it’s immense physical satisfaction, to showcase the unbounded pleasure of pursuing knowledge. We can visualize spontaneously crafted letters filling his notebooks. We see him trace Chinese characters into air by chopstick and fingertip. We learn that he expresses his innermost self through an art that has become a relic within the information age. As we peer into his mind, we learn something essential about Jiafeng’s character–that he is irrepressibly drawn to the intricate beauty of pure learning.

Jiafeng goes on to reveal that his intellectual pursuit has been shaped by not one but three Chinese styles of handwriting, each reflecting a distinct element of his intellectual growth. We see Jiafeng’s logic when engaged in mathematical proof, rhetorical flair when speaking before Model United Nations, and improvisational spark when delivering lines on stage. He presents these polymath pursuits as united by writing, indicating to readers that his broad interests are all an expression of the same principle of discovery. By the time readers finish Jiafeng’s essay they have no doubts regarding the pleasure he derives from learning–they have experienced him enacting this celebration of thought throughout every line of this well-crafted personal statement.

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“Ella, what did you think of Douglass’s view on Christianity?” I gulped. Increasingly powerful palpitations throbbed in my heart as my eyes darted around the classroom – searching for a profound response to Dr. Franklin’s question. I took a deep breath while reaching the most genuine answer I could conjure.

“Professor, I don’t know.”

Dr. Franklin stared at me blankly as he attempted to interpret the thoughts I didn’t voice. My lack of familiarity with the assigned text wasn’t a consideration that crossed his mind because he was familiar with my past contributions to class discussions. I was a fervent critic of the corrupted culture behind Christianity of the Puritans in Hawthorne’s “Young Goodman Brown” and modern evangelicals involved in the puzzling divinity of Donald Trump. He arched his flummoxed brows as he began to open his mouth.

“Professor, what I mean is that I’m not sure whether or not I even have a say on Douglass’s statements on Christianity in his Narrative of the Life.”

In class, I often separated the culture of Christianity from the religion. To tie these immensely disparate concepts as one and coin it as Christianity would present fallacies that contradict with the Christianity I knew. Lack of tolerance and hostility were products of humans’ sinful nature – not the teachings of Christ. People were just using Christianity as an excuse to exalt themselves rather than the holy name of Jesus. These were the “facts.”

My greatest realization came when Douglass declared Christian slave-holders as the worst slave-holders he ever met because of their deceptive feign of piety and use of Christianity to justify the oppression of their slaves. I realized that I couldn’t bring myself to raise the same argument that I used to convince myself that my Christianity of love was the only true Christianity. To Douglass, Christianity was the opposite. I didn’t want to dismiss his story. People use this sacred religion to spread hatred, and to many, this is the only Christianity they know. Their experiences aren’t any bit falser than mine.

Christianity isn’t the only culture that harbors truth that transcends the “facts.” America’s less of a perfect amalgamation of different ethnic cultures and more of a society severed by tribal conflicts rooted in the long established political culture of the nation. Issues such as racism, white privilege, and gender disparity are highly salient topics of current political discussion. However, during a time when people can use online platforms with algorithms that provide content they want to see, we fail to acknowledge the truth in other people’s experiences and express empathy.

My protective nature drives my desire to connect with different people and build understanding. To do so, however, I step outside my Korean American Southern Baptist paradigm because my experiences do not constitute everyone else's.

As a Korean-American in the South, I am no stranger to intolerance. I remember the countless instances of people mocking my parents for their English pronunciation and my brother’s stutter. Because their words were less eloquent, people deemed their thoughts as less valuable as well. I protect my family and translate their words whenever they have a doctor’s appointment or need more ketchup at McDonald’s. My protective nature drives my desire to connect with different people and build understanding. To do so, however, I step outside my Korean American Southern Baptist paradigm because my experiences do not constitute everyone else’s.

Excluded from the Manichaean narrative of this country, I observe the turmoil in our nation through a separate lens - a blessing and a curse. Not only do I find myself awkwardly fixed in a black vs. white America, but I also fail to define my identity sandwiched between Korean and American. In the end, I find myself stuck amongst the conventional labels and binaries that divide America.

“You seem to work harder than most to understand other people’s points of view,” Dr. Franklin said after I shared these thoughts to the class.

“I find this easier because I spent my childhood assuming that my culture was always the exception,” I replied. As an anomaly, accepting different truths is second nature.

Professional Review by Crimson Education

At a time in which the Black Lives Matters movement was sweeping America and racial tension was at a high, Ella was able to offer a powerful and brave perspective: how she feels to be neither Black nor White. The true strength of this essay is its willingness to go where people rarely go in college essays: to race, to politics and to religion.

This is a trait that exists in a powerful independent thinker who could push all kinds of debates forwards - academic ones or otherwise.

Her dedication to her religion is evident - but so is her willingness to question the manipulation of the word ‘Christianty’ for less than genuine purposes. It requires intellectual bravery to ask the hard questions of your own religion as opposed to succumbing to cognitive dissonance. This is a trait that exists in a powerful independent thinker who could push all kinds of debates forwards - academic ones or otherwise.

Her word choice continues to emphasize bravery and strength. “I protect my family” inserts Ella as the shield between her family and the daily racism they experience in the south because of their accents and heritage. Her humorous quirks show the insidious racism. She even needs to shield her family from the humble request for some more Ketchup at McDonalds! Imagine if one is nervous to ask for some more Ketchup and even such a mundane activity becomes difficult through the friction of racial tension and misunderstanding. This is a powerful way to deliver a sobering commentary on the real state of society through Ellen’s lived experiences.

She demonstrates her intellectual prowess in her discussion of somewhat high-brow topics but also grounds herself in the descriptions of her daily acts of kindness.

She connects major societal debates (Trumpism for example) with daily experiences (her translations at the doctor’s office) with a gentle but powerful cadence. She demonstrates her intellectual prowess in her discussion of somewhat high-brow topics but also grounds herself in the descriptions of her daily acts of kindness.

Creatively Ella weaves numerous literary devices in and out of her story without them being overbearing. These include alliteration and the juxtaposition of longer sentences with shorter ones to make a point.

Her final dialogue is subtle but booming. “....my culture was the exception”. The reader is left genuinely sympathetic for her plight, challenges and bravery as she goes about her daily life.

Ella is a bold independent thinker with a clear social conscience and an ability to wade in the ambiguity and challenge of an imperfect world.

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"Paint this vase before you leave today," my teacher directed as she placed foreign brushes and paints in my hands. I looked at her blankly. Where were the charts of colors and books of techniques? Why was her smile so decidedly encouraging? The sudden expectations made no sense.

She smiled. "Don't worry, just paint."

In a daze, I assembled my supplies the way the older students did. I was scared. I knew everything but nothing. And even in those first blissful moments of experimentation, it hurt to realize that my painting was all wrong. The gleam of light. The distorted reflection. A thousand details taunted me with their refusal to melt into the glass. The vase was lifeless at best.

As the draining hours of work wore on, I began wearing reckless holes in my mixing plate. It was my fourth hour here. Why had I not received even a single piece of guidance?

At the peak of my frustration, she finally reentered the studio, yawning with excruciating casualness. I felt myself snap.

"I barely know how to hold a brush," I muttered almost aggressively, "how could I possibly have the technique to paint this?"

She looked at me with a shocked innocence that only heightened the feeling of abandonment. "What do you mean you don't have the technique?"

It was as though she failed to realize I was a complete beginner.

And then suddenly she broke into a pitch of urgent obviousness: "What are you doing! Don't you see those details?? There's orange from the wall and light brown from the floor. There's even dark green from that paint box over there. You have to look at the whole picture," she stole a glance at my face of bewilderment, and, sighing, grabbed my paint,stained hand. "Listen, it's not in here," she implored, shaking my captive limb. "It's here." The intensity with which she looked into my eyes was overwhelming.

I returned the gaze emptily. Never had I been so confused…

But over the years I did begin to see. The shades of red and blue in gray concrete, the tints of Phthalo in summer skies, and winter’s Currelean. It was beautiful and illogical. Black was darker with green and red, and white was never white.

I began to study animals. The proportions and fan brush techniques were certainly difficult, but they were the simple part. It was the strategic tints of light and bold color that created life. I would spend hours discovering the exact blue that would make a fish seem on the verge of tears and hours more shaping a deer’s ears to speak of serenity instead of danger.

As I run faster into the heart of art and my love for politics and law, I will learn to see the faces behind each page of cold policy text, the amazing innovation sketched in the tattered Constitution, and the progressiveness living in oak-paneled courts.

In return for probing into previously ignored details, my canvas and paints opened the world. I began to appreciate the pink kiss of ever-evolving sunsets and the even suppression of melancholy. When my father came home from a business trip, it was no longer a matter of simple happiness, but of fatigue and gladness' underlying shades. The personalities who had once seemed so annoyingly arrogant now turned soft with their complexities of doubt and inspiration. Each mundane scene is as deep and varied as the paint needed to capture it.

One day, I will learn to paint people. As I run faster into the heart of art and my love for politics and law, I will learn to see the faces behind each page of cold policy text, the amazing innovation sketched in the tattered Constitution, and the progressiveness living in oak-paneled courts.

It won’t be too far. I know that in a few years I will see a thousand more colors than I do today. Yet the most beautiful part about art is that there is no end. No matter how deep I penetrate its shimmering realms, the enigmatic caverns of wonder will stay.

Professional Review by College Confidential

My favorite college essays begin with one moment in time and end by tying that moment into a larger truth about the world. In this essay, Elizabeth uses this structure masterfully.

This essay is a great example of a create essay. It's real strength, however, lies in showing how the writer pursues her goal despite frustration and grapples with universal questions.

The essay opens with dialogue, placing the reader right in the middle of the action. She shares only the details that make the scene vivid, like the holes in her mixing plate and her teacher’s yawn. She skips backstory and explanations that can bore readers and bog down a short essay. The reader is left feeling as though we are sitting beside her, staring at an empty vase and a set of paints, with no idea how to begin.

The SPARC method of essay writing says that the best college essays show how a student can do one (or more) of these five things: Seize an opportunity, Pursue goals despite obstacles, Ask important questions, take smart Risks, or Create with limited resources. This essay is a great example of a “create” essay. It’s real strength, however, lies in showing how the writer pursues her goal despite frustration and grapples with universal questions.

As the essay transitions from the personal to the universal, her experience painting the vase becomes a metaphor for how she sees the world. Not only has painting helped her appreciate the subtle shades of color in the sunset, it has opened her up to understand that nothing in life is black and white. This parallel works especially well as a way to draw the connection between Elizabeth’s interest in political science and art.

Written by Joy Bullen, Senior Editor at College Confidential

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When I failed math in my sophomore year of high school, a bitter dispute engulfed my household -- “Nicolas Yan vs. Mathematics.” I was the plaintiff, appearing pro se, while my father represented the defendant (inanimate as it was). My brother and sister constituted a rather understaffed jury, and my mother presided over the case as judge.

In a frightening departure from racial stereotype, I charged Mathematics with the capital offences of being “too difficult” and “irrelevant to my aspirations," citing my recent shortcomings in the subject as evi. dence. My father entered a not guilty plea on the defendant's behalf, for he had always harbored hopes that I would follow in his entrepreneurial footsteps -- and who ever heard of a businessman who wasn't an accomplished mathematician? He argued that because I had fallen sick before my examination and had been unable to sit one of the papers, it would be a travesty of justice to blame my "Ungraded” mark on his client. The judge nodded sagely.

With heartrending pathos, I recalled how I had studied A-Level Mathematics with calculus a year before the rest of my cohort, bravely grappling with such perverse concepts as the poisson distribution to no avail. I decried the subject's lack of real-life utility and lamented my inability to reconcile further effort with any plausible success; so that to persist with Mathematics would be a Sisyphean endeavor. Since I had no interest in becoming the entrepreneur that my father envisioned, I petitioned the court for academic refuge in the humanities. The members of the jury exchanged sympathetic glances and put their heads together to deliberate.

Over the next year, however, new evidence that threw the court's initial verdict into question surfaced. Languishing on death row, Mathematics exercised its right to appeal, and so our quasi-court reconvened in the living room.

In hushed tones, they weighed the particulars of the case. Then, my sister announced their unanimous decision with magisterial gravity: "Nicolas shouldn't have to do math if he doesn't want to!" I was ecstatic; my father distraught. With a bang of her metaphorical gavel, the judge sentenced the defendant to "Death by Omission"-- and so I chose my subjects for 11th Grade sans Mathematics. To my father's disappointment, a future in business for me now seemed implausible.

Over the next year, however, new evidence that threw the court's initial verdict into question surfaced. Languishing on death row, Mathematics exercised its right to appeal, and so our quasi-court reconvened in the living room.

My father reiterated his client's innocence, maintaining that Mathematics was neither "irrelevant" nor "too difficult." He proudly recounted how just two months earlier, when my friends had convinced me to join them in creating a business case competition for high school students (clerical note: the loftily-titled New Zealand Secondary Schools Case Competition), I stood in front of the Board of a company and successfully pitched them to sponsor us-- was this not evidence that l could succeed in business? I think I saw a tear roll down his cheek as he implored me to give Mathematics another chance.

I considered the truth of his words. While writing a real-world business case for NZSSCC, l had been struck by how mathematical processes actually made sense when deployed in a practical context, and how numbers could tell a story just as vividly as words can. By reviewing business models and comparing financial projections to actual returns, one can read a company's story and identify areas of potential growth; whether the company then took advantage of these opportunities determined its success. It wasn't that my role in organizing NZSSCC had magically taught me to embrace all things mathematical or commercial -- I was still the same person -- but I recognized that no intellectual constraints prevented me from succeeding in Mathematics; I needed only the courage to seize an opportunity for personal growth.

I stood up and addressed my family: “I’ll do it.” Then, without waiting for the court’s final verdict, I crossed the room to embrace my father: and the rest, as they (seldom) say, was Mathematics.

Professional Review by KEY Education

For some, math concepts such as limits, logarithms, and derivatives can bring about feelings of apprehension or intimidation. So, Nicolas’s college essay reflecting on his personal conflict coming to terms with Mathematics offers a relatable, down-to-earth look at how he eventually came to realize and appreciate the importance of this once-dreaded subject. Not only does Nicolas’s statement use a unique, engaging approach to hook the reader in, but also he draws various connections from Mathematics to his relationship with his family, to his maturation process, and to his extracurricular involvement. A number of factors helped Nicolas’s statement add color to his application file, giving further insight into the person he is.

Nicolas’s choice of Mathematics as the focusing lens is effective for a number of reasons. Firstly, it is genuine and approachable. It is not about some grandiose idea, event, or achievement. Rather, it is about a topic to which many students—and people for that matter—can relate. And from this central theme, Nicolas draws insightful linkages to various aspects of his life. At the outset of his essay, Mathematics is presented as the antagonist, or as Nicolas skillfully portrays, the “defendant”. However, by the end of his piece, and as a demonstration of his growth, Nicolas has come to a resolution with the former defendant.

Adding to the various connections, Nicolas presents his case, literally, in an engaging manner in the form of a court scene, with Nicolas as the plaintiff charging the defendant, Mathematics, with being too difficult and irrelevant to his life.

Through Nicolas’s conflict over Mathematics, we gain a deeper understanding of his relationship with his father and the tension that exists in Nicolas fulfilling his father’s wishes of following in his entrepreneurial footsteps. His father’s initial attempts at reasoning with him are rebuffed, however Nicolas later acknowledges that he “considered the truth of his words” and eventually embraces his father, signifying their coming to a resolution with their shared understanding of each other. Furthermore, Nicolas connects his evolved understanding of Mathematics to his important organizational role in creating the business-focused New Zealand Secondary Schools Case Competition, acknowledging how “mathematical processes actually made sense when deployed in a practical context, and how numbers could tell a story just as vividly as words can.” As he states, “I needed only the courage to seize an opportunity for personal growth,” which he ultimately realizes.

Adding to the various connections, Nicolas presents his case, literally, in an engaging manner in the form of a court scene, with Nicolas as the plaintiff charging the defendant, Mathematics, with being too difficult and irrelevant to his life. Bearing in mind word count limitations, what would have been interesting to explore would be deeper insights into each of the connections that Nicolas drew and how he applied these various lessons to other parts of his life.

Nicolas employs a number of characteristics essential for a successful essay: a theme that allows for deeper introspection, an engaging hook or approach, and a number of linkages between his theme and various aspects of his life, providing insight into who he is and how he thinks.

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Successful Harvard Essay by Abigail Mack

Abigail gained national attention after reading her application essay on TikTok earlier this year, with over 19.9 million views on the first video. Her essay helped her to recieve a rare likely letter in the most competitive Harvard application cycle in history with a less than 4 percent acceptance rate, and now she uses her platform to help other college hopefuls navigate the application process. Watch her read the beginning of her essay here and check out her other writing tips on her TikTok .

I hate the letter S. Of the 164,777 words with S, I only grapple with one.

I hate the letter “S”. Of the 164,777 words with “S”, I only grapple with one. To condemn an entire letter because of its use 0.0006% of the time sounds statistically absurd, but that one case changed 100% of my life. I used to have two parents, but now I have one, and the “S” in “parents” isn’t going anywhere.

“S” follows me. I can’t get through a day without being reminded that while my friends went out to dinner with their parents, I ate with my parent. As I write this essay, there is a blue line under the word “parent” telling me to check my grammar; even Grammarly assumes that I should have parents, but cancer doesn’t listen to edit suggestions. I won’t claim that my situation is as unique as 1 in 164,777, but it is still an exception to the rule - an outlier. The world isn’t meant for this special case.

The world wouldn’t abandon “S” because of me, so I tried to abandon “S”. I could get away from “S” if I stayed busy; you can’t have dinner with your “parent” (thanks again, Grammarly) if you’re too busy to have family dinner. Any spare time that I had, I filled. I became known as the “busy kid”- the one that everyone always asks, “How do you have time?” Morning meetings, classes, after school meetings, volleyball practice, dance class, rehearsal in Boston, homework, sleep, repeat. Though my specific schedule has changed over time, the busyness has not. I couldn’t fill the loss that “S” left in my life, but I could at least make sure I didn’t have to think about it. There were so many things in my life that I couldn’t control, so I controlled what I could- my schedule. I never succumbed to the stress of potentially over-committing. I thrived. It became a challenge to juggle it all, but I’d soon find a rhythm. But rhythm wasn’t what I wanted. Rhythm may not have an “S”, but “S” sure liked to come by when I was idle. So, I added another ball, and another, and another. Soon I noticed that the same “color” balls kept falling into my hands- theater, academics, politics. I began to want to come into contact with these more and more, so I further narrowed the scope of my color wheel and increased the shades of my primary colors.

Life became easier to juggle, but for the first time, I didn’t add another ball. I found my rhythm, and I embraced it. I stopped running away from a single “S” and began chasing a double “S”- passion. Passion has given me purpose. I was shackled to “S” as I tried to escape the confines of the traditional familial structure. No matter how far I ran, “S” stayed behind me because I kept looking back. I’ve finally learned to move forward instead of away, and it is liberating. “S” got me moving, but it hasn’t kept me going.

I wish I could end here, triumphant and basking in my new inspiration, but life is more convoluted. Motivation is a double edged sword; it keeps me facing forward, but it also keeps me from having to look back. I want to claim that I showed courage in being able to turn from “S”, but I cannot. Motivation is what keeps “S” at bay. I am not perfectly healed, but I am perfect at navigating the best way to heal me. I don’t seek out sadness, so “S” must stay on the sidelines, and until I am completely ready, motivation is more than enough for me.

Professional Review by HS2 Academy

There's an honesty here as she reveals to the reader her attempts at filling this void in her life by constantly keeping busy. It's further satisfying to see these attempts at committing to various activities evolve into what she terms a double

Abigail’s essay navigates one of the most delicate sorts of topics in college applications: dealing with personal or family tragedy. Perhaps the most common pitfall is to take a tragic event and effuse it with too much pathos and sense of loss that the narrative fails to reveal much about the author’s own personality other than the loss itself. In short, a “sob story.” However, Abigail’s essay adeptly skirts this by utilizing wit and a framing device using the letter “S” to share a profoundly personal journey in a manner that is engaging and thought-provoking.

Rather than focus purely on the loss of one of her parents to cancer, Abigail reflects on her life and the adjustments she has had to make. It is particularly poignant how she expresses the sense that her life with only one remaining parent seems somehow anomalous, that the constant reminders of the completeness in the familial structures of others haunts her.

What also makes this essay all the more intriguing is how we get a glimpse into her internal life as she learns to cope with the loss. There’s an honesty here as she reveals to the reader her attempts at filling this void in her life by constantly keeping busy. It’s further satisfying to see these attempts at committing to various activities evolve into what she terms a “double S,” or “passion,” as she discovers things that she has become passionate about. Perhaps this essay could have been strengthened further by giving the reader a sense of what those passions might be, as we’re left to speculate based on the activities she had mentioned.

Lastly, we see a sense of realism and maturity in Abigail's closing reflection. It’s easy to end an essay like this with a sense of narrative perfection, but she wisely concedes that “life is more convoluted.” This poignant revelation gives us a window into her continuing struggles, but we are nonetheless left impressed by her growth and candor in this essay.

collegeMission is an undergraduate admissions consulting firm focused solely on helping applicants craft their best admissions essays to gain acceptance at top academic institutions. collegeMission's elite admissions consultants have assisted thousands of applicants in successfully pursuing their educational dreams. As accomplished writers and graduates of prestigious universities, our consultants are uniquely qualified to guide you through brainstorming, outlining, and writing your college essays so that the admissions committees take notice. To learn more or schedule a free brainstorming session, visit www.collegemission.com or email [email protected].

I learned the definition of cancer at the age of fourteen. I was taking my chapter 7 biology test when I came upon the last question, “What is cancer?”, to which I answered: “The abnormal, unrestricted growth of cells.” After handing in the test, I moved on to chapter 8, oblivious then to how earth-shattering such a disease could be.

I learned the meaning of cancer two years later. A girl named Kiersten came into my family by way of my oldest brother who had fallen in love with her. I distinctly recall her hair catching the sea breeze as she walked with us along the Jersey shore, a blonde wave in my surrounding family's sea of brunette. Physically, she may have been different, but she redefined what family meant to me. She attended my concerts, went to my award ceremonies, and helped me study for tests. Whenever I needed support, she was there. Little did I know that our roles would be reversed, forever changing my outlook on life.

Kiersten was diagnosed with Stage II Hodgkin's lymphoma at the age of 22. Tears and hair fell alike after each of her 20 rounds of chemotherapy as we feared the worst. It was an unbearable tragedy watching someone so vivacious skirt the line between life and death. Her cancer was later classified as refractory, or resistant to treatment. Frustration and despair flooded my mind as I heard this news. And so I prayed. In what universe did this dynamic make any sense? I prayed to God and to even her cancer itself to just leave her alone. Eventually, Kiersten was able to leave the hospital to stay for six weeks at my home.

But the beauty that resulted from sympathizing as opposed to analyzing and putting aside my own worries and troubles for someone else was an enormous epiphany for me. My problems dissipated into thin air the moment I came home and dropped my books and bags to talk with Kiersten. The more I talked, laughed, smiled, and shared memories with her, the more I began to realize all that she taught me.

My family and I transformed the house into an antimicrobial sanctuary, protecting Kiersten from any outside illness. I watched TV with her, baked cookies for her, and observed her persistence as she regained strength and achieved remission. We beat biology, time, and death, all at the same time, with cookies, TV, and friendship. Yet I was so concerned with helping Kiersten that I had not realized how she helped me during her battle with cancer.

I had been so used to solving my problems intellectually that when it came time to emotionally support someone, I was afraid. I could define cancer, but what do I say to someone with it? There were days where I did not think I could be optimistic in the face of such adversity. But the beauty that resulted from sympathizing as opposed to analyzing and putting aside my own worries and troubles for someone else was an enormous epiphany for me. My problems dissipated into thin air the moment I came home and dropped my books and bags to talk with Kiersten. The more I talked, laughed, smiled, and shared memories with her, the more I began to realize all that she taught me. She influenced me in the fact that she demonstrated the power of loyalty, companionship, and optimism in the face of desperate, life-threatening situations. She showed me the importance of loving to live and living to love. Most of all, she gave me the insight necessary to fully help others not just with intellect and preparation, but with solidarity and compassion. In this way, I became able to help myself and others with not only my brain, but with my heart. And that, in the words of Robert Frost, “has made all the difference.”

Professional Review by collegeMission

Nikolas is candid, writing about how he could solve problems intellectually, but struggled to cope emotionally during Kiersten's diagnosis and treatment. Ultimately, he finds his way and gains a deeper perspective on life, and thus shares a story of overcoming and of complex intellectual and emotional growth.

Nikolas uses an unexpected approach in this essay, sharing a story of someone else’s struggle, as he highlights change within himself. The emotions and connection that he felt for Kiersten, his older brother’s girlfriend, are quite powerful, as is his recognition of his own attempt to navigate his way through the experience. Nikolas is candid, writing about how he could solve problems intellectually, but struggled to cope emotionally during Kiersten’s diagnosis and treatment. Ultimately, he finds his way and gains a deeper perspective on life, and thus shares a story of overcoming and of complex intellectual and emotional growth.

Nikolas’ use of imagery is terrific. We first see it in the essay when he describes one of his first impressions of Kiersten, with her blonde hair flowing in the wind by the Jersey Shore and how that contrasted with the dark hair of his family. That description then flows as we read the next paragraph, where he talks about the impact of her cancer. “Tears and hair fell alike after each of her 20 rounds of chemotherapy as we feared the worst.” Instead of explicitly sharing everyone’s heartbreak, through details that heartbreak becomes so very evident.

One missing piece here is an explanation of why Kiersten stayed with Nikolas’ family rather than returning home to her own family. Maybe a quick explanation would have helped the reader make sense of her location, and create an even stronger linkage with Nikolas and his family. Additionally, Nikolas might have taken one more step toward the end of the essay to connect this newfound emotion to other parts of his life. The final paragraph feels slightly repetitive, and a compelling route could have been to show how he went on to embrace the idea of “loving to live and living to love.” Nonetheless, Nikolas reveals that he is capable of growing through adversity, a character trait that this admissions committee clearly appreciated.

The Top Ten Most-Read Essays of 2021

In 2021, democracy’s fortunes were tested, and a tumultuous world became even more turbulent. Democratic setbacks arose in places as far flung as Burma, El Salvador, Tunisia, and Sudan, and a 20-year experiment in Afghanistan collapsed in days. The world’s democracies were beset by rising polarization, and people watched in shock as an insurrection took place in the United States. In a year marked by high political drama, economic unrest, and rising assaults on democracy, we at the  Journal of Democracy  sought to provide insight and analysis of the forces that imperil freedom. Here are our 10 most-read essays of 2021:

Manuel Meléndez-Sánchez Nayib Bukele has developed a blend of political tactics that combines populist appeals and classic autocratic behavior with a polished social-media brand. It poses a dire threat to the country’s democratic institutions.

Most Read in 2021

Year-End Lists!

We don’t publish a lot of lists. But this year, having launched this new website with nearly complete access to 30 years of magazine archives, we thought it seemed like a good time to look back at the stories that resonated with our readers. 

In that spirit, we’ve compiled the most-read pieces published on our website in 2021, as well as the most-read work from our archives. 

And for good measure, we’ve pulled together a few pieces worth an honorable mention; our favorite Sunday Short Reads ; CNF content that was republished elsewhere; and the best advice, inspiration, and think pieces from some of our favorite publications.

Finally, if you enjoy what follows, please know there’s plenty more! We have a soft paywall on our site, which allows for three free reads a month. To get unlimited access for as little as $4/month, simply subscribe today.

Top 10 Published in 2021

• Almost Behind Us A dental emergency interrupts a meaningful anniversary // JENNIFER BOWERING DELISLE
• El Valle, 1991 An early lesson in strength and fragility // AURELIA KESSLER
• Stay at Home All those hours alone with a new baby can be rough // JARED HANKS
• The Desert Was His Home There are many things we don’t know about Mr. Otomatsu Wada, and a few things we do // ERIC L. MULLER
• Just a Big Cat The dramatic boredom of jury duty // ERICA GOSS
• What Will We Do for Fun Now? Her parents survived World War II and the Blitz just fine … didn’t they? // JANE RATCLIFFE
• Harriet Two brothers and a turtle // TYLER McANDREW
• Rango Getting existential at a funeral for a lizard   // JARRETT G. ZIEMER
• Mouse Lessons from a hamster emergency // BEVERLY PETRAVICIUS
• Roxy & the Worm Box Trying to recapture a childhood love of dirt // ANJOLI ROY

Top 5 from the Archive

• Picturing the Personal Essay A visual guide // TIM BASCOM
• The 5 Rs of Creative Nonfiction The essayist at work   // LEE GUTKIND
• The Line Between Fact & Fiction Do not add, and do not deceive // ROY PETER CLARK
• The Braided Essay as Social Justice Action The braided essay may be the most effective form for our times // NICOLE WALKER
• On Fame, Success, and Writing Like a Mother#^@%*& An interview with Cheryl Strayed   // ELISSA BASSIST

Honorable Mention ( ICYMI Essays)

• Latinx Heritage Month Who do you complain to when it’s HR you have a problem with? // MELISSA LUJAN MESKU
• Women’s Work Sometimes, freedom means choosing your obligations // EILEEN GARVIN
• Bloodlines and Bitter Syrup Avoiding prison in Huntsville, Texas, is nearly impossible // WILL BRIDGES
• Stealth A nontraditional couple struggles with keeping part of their life together private while undertaking the public act of filing for marriage // HEATHER OSTERMAN-DAVIS
• Something Like Vertigo An environmental writer sees parallels between her father’s declining equilibrium and a world turned upside down   // ELIZABETH RUSH

Our favorite Sunday Short Reads from our partners 

from BREVITY

• What Joy Looks Like SSR #128  // DORIAN FOX
• How to Do Nothing SSR #156 // ABIGAIL THOMAS

from DIAGRAM

• At 86, My Grandmother Regrets Two Things SSR #134 // DIANA XIN
• The Seedy Corner SSR #140 // KIMBERLY GARZA

from RIVER TEETH

• Waste Not SSR #131 // DESIREE COOPER
• This Is Orange SSR #141 // JILL KOLONGOWSKI

from SWEET LITERARY

• The Pilgrim’s Prescription SSR #122  // CAROLYN ALESSIO
• Leaves in the Hall SSR #160 // ANNE GUDGER

Our favorite stories from around the internet. 

Advice & Inspiration

• In Praise of the Meander Rebecca Solnit on letting nonfiction narrative find its own way (via Lit Hub )
• What’s Missing Here? A Fragmentary, Lyric Essay About Fragmentary, Lyric Essays Julie Marie Wade on the mode that never quite feels finished (via Lit Hub )
• Getting Honest about Om A brief essay on audience (via Brevity )
• Using the Personal to Write the Global Intimate details, personal exploration and respect for facts (via Nieman Storyboard )
• Fix Your Scene Shapes And quickly improve your manuscript (via Jane Friedman’s blog)

The State of Nonfiction

• What the NYT ‘Guest Essay’ Means for the Future of Creative Nonfiction Description (via Brevity )
• How the Role of Personal Expression and Experience Is Changing Journalism On the future of the newsroom (via Poynter )
• 50 Shades of Nuance in a Polarized World An essayist ponders when to write black-and-white polemics that attract clicks, and when to be more considered (via Nieman Storyboard )
• These Literary Memoirs Take a Different Tack Description (via NY Times )
• The Politics of Gatekeeping On reconsidering the ethics of blind submissions (via Poets & Writers )

The 2021-2022 Common App Essay: How to Write a Great Essay That Will Get You Accepted

If you’re reading this, then you’ve probably started the very exciting process of applying to college—and chances are you may be a little overwhelmed at times. That’s OK! The key to getting into the right college for you is taking each step of the application process in stride, and one of those steps is completing the Common App and the Common App essay.

In this post, you’ll learn what the Common Application essay is, how to write one (including a free checklist to help you with the process), example essays, and much more. Let’s get started!

Table of Contents

What is the Common App, and More Importantly, What is the Common App Essay? Quick Facts on the 2021-2022 Common App Essay How Do You Write a Common App Essay?

What Should I Avoid in My Common App Essay? What Are Some Good Common App Essay Examples?

Common Application Essay FAQs

What is the common app, and more importantly, what is the common app essay.

The “Common App,” short for the Common Application , is a general application used to apply to multiple college undergraduate programs at once. It’s accepted by hundreds of colleges in the United States as well as some colleges internationally.

The idea is that the Common App is a “one-stop shop” so you don’t have to complete a million separate applications. That said, plenty of colleges still require their own application components, and the Common App, as user-friendly as it aims to be, can still feel like a bit of a challenge to complete.

Part of the reason the Common App can seem intimidating is because of the Common App essay component, which is required of all students who submit a college application this way. But never fear! In reality, the Common App essay is easy to ace if you know how to approach it and you give it your best.

So without further ado, let’s take a look at anything and everything you need to know about the 2021-2022 Common App essay in order to help you get into the school of your dreams. We’ve also created a downloadable quick guide to writing a great Common Application essay.

Quick Facts on the 2021-2022 Common App Essay

Below are just a few of the short and sweet things you need to know about the 2021-2022 Common App essay, but we’ll elaborate on some of this content later in this post.

How Do You Write a Common App Essay?

The million dollar question about the Common App essay is obviously, “How do I actually write it?!”

Now there’s something to keep in mind before exploring how to compose the Common App essay, and that’s the purpose of this task. You may be wondering:

• What are college admissions boards actually looking for?
• Why are you being asked to write this essay?

College admissions boards want to see that you can compose a compelling, well-crafted essay. After four years of high school, you’re expected to be able to craft a clear and concise piece of writing that addresses a specific subject.

So yes, you’re actually being evaluated on your essay writing skills, but the purpose of the Common Application essay is deeper than that—it’s to present the type of person and thinker that you are.

Regardless of which prompt you choose, colleges are trying to get a sense of how thoughtfully and critically you can reflect on your life and the world around you .

And furthermore, they want to get a sense of who you are—your interests, your personality, your values—the dimensional aspects of you as an applicant that simply can’t be expressed in transcripts and test scores . In short, you want to stand out and be memorable.

That said, there is no exact formula for “cracking the case” of the Common App essay, but there are plenty of useful steps and tips that can help you write a great essay.

(In a hurry? Download our quick and concise handout that sums up some of the keys to the Common App essay!)

1) Familiarize Yourself With the Common App Prompts and How to Approach Them

The Common App recently released the 2021-2022 essay prompts , which are almost the same as last year’s prompts, but with one BIG difference.

The prompt about problem solving (formerly prompt #4) has been replaced with a prompt about gratitude and how it has motivated you. According to Common App President and CEO Jenny Rickard, this change was inspired by new scientific research on the benefits of writing about gratitude and the positive impact others have had on our lives.

Additionally, the Common App now includes an optional Covid-19 prompt where you can discuss how you’ve personally been affected by the Covid-19 pandemic.

Now, let’s take a look at each 2021-2022 Common App prompt individually. You’ll notice that every prompt really has two parts to it:

• share, explain and describe a narrative, and
• reflect on, analyze, and draw meaning from it.

Let’s take a look.

  Prompt #1: A snapshot of your story

Prompt: Some students have a background, identity, interest, or talent that is so meaningful they believe their application would be incomplete without it. If this sounds like you, then please share your story.

• Discuss a background, identity, or interest that you feel is meaningful to who you are and/or that or sets you apart from others.
• Reflect on why this attribute is meaningful and how it has shaped you as a person.

  Prompt #2: An obstacle you overcame

Prompt: The lessons we take from obstacles we encounter can be fundamental to later success. Recount a time when you faced a challenge, setback, or failure. How did it affect you, and what did you learn from the experience?

• Recount a time you faced a challenge, setback, or failure.
• Reflect on how this affected you, what you learned from it, and if it led to any successes later down the line.

  Prompt #3: A belief or idea you questioned or challenged

Prompt: Reflect on a time when you questioned or challenged a belief or idea. What prompted your thinking? What was the outcome?

• Explain a time that you questioned a particular belief or way of thinking.
• Elaborate on what prompted this questioning, what the outcome was, and why this outcome was significant.

  Prompt #4: An experience of gratitude that has motivated you

Prompt: Reflect on something that someone has done for you that has made you happy or thankful in a surprising way. How has this gratitude affected or motivated you?

• Describe the specific experience or interaction that made you feel a sense of gratitude. Make sure to explain who did something nice for you and why it was surprising or unexpected.
• Explain, as specifically as possible, how this feeling of gratitude changed or motivated you. What actions did you take a result? How did your mindset change?

  Prompt #5: An accomplishment or event that sparked personal growth

Prompt: Discuss an accomplishment, event, or realization that sparked a period of personal growth and a new understanding of yourself or others.

• Describe an accomplishment or event that sparked personal growth for you.
• Reflect on the nature of this growth and/or a new understanding you gained in the process.

  Prompt #6: An interest so engaging you lose track of time

Prompt: Describe a topic, idea, or concept you find so engaging that it makes you lose all track of time. Why does it captivate you? What or who do you turn to when you want to learn more?

• Discuss a topic, idea, or interest that is so engaging to you that you lose track of time when focused on it.
• Reflect on and explain why this interest is so important to you, and your method of learning more about it.

  Prompt #7: An essay topic of your choice

Prompt: Share an essay on any topic of your choice. It can be one you’ve already written, one that responds to a different prompt, or one of your own design.

• Discuss any subject matter or philosophical question of interest to you.
• Reflect on the implications of this subject or question, and how it has shaped you, transformed you, impacted your life, etc.

  Now keep in mind that to some degree, it doesn’t actually matter which prompt you choose to answer, so long as you write and present yourself well. But you obviously want to pick whichever Common App essay prompt speaks to you most, and the one you think will provide you the meatiest and most meaningful material.

This is an outstanding guide to choosing the right Common App essay prompt, but as a rule of thumb, the “right” prompt will probably stand out to you. If you have to rack your brain, for example, to think of a challenge you’ve overcome and how the experience has shaped you, then that prompt probably isn’t the right one.

Authenticity is key, so choose the prompt you can answer thoroughly.

2) Brainstorm

Whether you know immediately which prompt you’re going to choose or not, do yourself a huge favor and brainstorm . Take out a notebook and jot down or free write all of the ideas that spring to your mind for as many of the prompts that you’re considering. You might be surprised what ideas you generate as you start doing this, and you might be surprised which ideas seem to have the most content and examples to elaborate on.

Also, it’s important to note that your subject matter doesn’t have to be highly dramatic or spectacular. You don’t have to recount a near-death experience, an epic overseas adventure, a 180-degree turn of faith, etc. Your ordinary life, when reflected upon thoughtfully, is interesting and profound.

3) Answer the Question (and Stay on Topic!)

This may sound painfully obvious, but for some of us, it can be hard to stay on topic. Each prompt is posed as a question , so don’t lose sight of that and let your essay devolve into a story about yourself that never really gets at the heart of the prompt.

As you’re drafting your essay—say after each paragraph—pause and refer back to the question, making sure each paragraph plays some part in actually responding to the prompt.

4) Structure and Organize Your Essay Effectively

The Common App essay isn’t like many of the other argumentative essays you’ve been taught to write in school. It is argumentative in that you are essentially arguing for why you are a good candidate for a particular college, using your personal experience as support, but it’s more than that.

The Common Application essay is essentially a narrative essay that is reflective and analytical by nature. This means that regardless of which prompt you select, you’ll be sharing something personal about yourself, and then reflecting on and analyzing why what you shared is important.

And even if this isn’t an essay format that you’re accustomed to writing, you can still rely on your knowledge of basic essay structures to help you. You’ll still need a clear introduction, body, and conclusion.

Let’s talk about those three pieces now.

Introduction

The purpose of an introduction is 1) to grab the reader’s attention and compel them to continue reading, and 2) to introduce the reader to the general subject at hand.

So the most important part of the introduction is a unique attention-getter that establishes your personal voice and tone while piquing the reader’s interest. An example of a good hook could be a brief illustrative anecdote, a quote, a rhetorical question, and so on.

Now, you may be wondering, “Do I need a thesis statement?” This is a great question and the simple answer is no.

This is because some students prefer to hook their reader with a bit of mystery and let their story unfold organically without a thesis sentence “spoiling” what is to come. This doesn’t mean you can’t have a thesis sentence, it just means you don’t need one. It just depends on how you want to build your personal narrative, and what serves you best.

That said, your essay does need a greater message or lesson in it, which is another way of saying a thesis . You just don’t necessarily have to write it out in the introduction paragraph.

It might help you to keep a thesis in mind or even write it down just for your own sake, even if you don’t explicitly use it in your introduction. Doing so can help you stay on track and help you build up to a stronger reflection.

Here are some examples of narrative thesis statements:

• I moved a lot as a child on account of having a parent in the military, which led me to become highly adaptable to change.
• The greatest obstacle I’ve overcome is my battle with leukemia, which has taught me both incredible resilience and reverence for the present.
• An accomplishment that I achieved was making the varsity volleyball team, which has made me grow tremendously as a person, specifically in the areas of self-confidence and collaboration.

As discussed earlier, there are two parts to each prompt: explanation and reflection . Each part should be addressed throughout the essay, but how you organize your content is up to you.

A good rule of thumb for structuring the body of your essay is as follows:

• Situate your reader: provide context for your story by focusing in on a particular setting, subject matter, or set of details. For example, you may frame an essay about an internship at the zoo with the phrase, “Elephants make the best friends.” Your reader knows immediately that the subject matter involves your interaction with animals, specifically elephants.
• Explain more about your topic and how it affected you, using specific examples and key details.
• Go deeper. Elaborate and reflect on the message at hand and how this particular topic shaped the person you are today.

Note that while there are no set rules for how many paragraphs you should use for your essay, be mindful of breaking paragraphs whenever you naturally shift gears, and be mindful of too-long paragraphs that just feel like walls of text for the reader.

Your conclusion should flow nicely from your elaboration, really driving home your message or what you learned. Be careful not to just dead-end your essay abruptly.

This is a great place to speculate on how you see the subject matter informing your future, especially as a college student and beyond. For example, what might you want to continue to learn about? What problems do you anticipate being able to solve given your experience?

5) Write Honestly, Specifically, and Vividly

It may go without saying, but tell your own story, without borrowing from someone else’s or embellishing. Profound reflection, insight, and wisdom can be gleaned from the seemingly simplest experiences, so don’t feel the need to stray from the truth of your unique personal experiences.

Also, make sure to laser in on a highly specific event, obstacle, interest, etc. It is better to go “narrower and deeper” than to go “wider and shallower,” because the more specific you are, the more vivid and engrossing your essay will naturally be.

For example, if you were a camp counselor every summer for the last few years, avoid sharing several summers’ worth of content in your essay. Focus instead on one summer , and even better, on one incident during that summer at camp.

And on that note, remember to be vivid! Follow the cardinal rule of writing: show and don’t tell . Provide specific details, examples, and images in order to create a clear and captivating narrative for your readers.

6) Be Mindful of Voice and Tone

Unlike in most academic essays, you can sound a bit less stuffy and a bit more like yourself in the Common App essay. Your essay should be professional, but can be conversational. Try reading it aloud; does it sound like you? That’s good!

Be mindful, however, of not getting too casual or colloquial in it. This means avoiding slang, contractions, or “text speak” abbreviations (e.g. “lol”), at least without deliberate context in your story (for example, if you’re recounting dialogue).

You’re still appealing to academic institutions here, so avoid profanity at all costs, and make sure you’re still upholding all the rules for proper style, grammar, and punctuation.

7) Revise and Proofread

This one is a biggie. Give yourself time during your application process to revise, rework, and even rewrite your essay several times. Let it grow and change and become the best version it can be. After you write your first draft, walk away from it for a couple days, and return to it with fresh eyes. You may be surprised by what you feel like adding, removing, or changing.

And of course, make sure your essay is pristine before you submit it. Triple and quadruple check for spelling and usage errors, typos, etc. Since this isn’t a timed essay you have to sit for (like the ACT essay test , for example), the college admissions readers will expect your essay to be polished and sparkling.

A tried and true method for both ensuring flow and catching errors is reading your essay aloud. You may sound a little silly, but it really works!

What Should I Avoid in My Common App Essay?

Resume Material

Your Common App essay is your chance to provide a deeper insight into you as a person, so avoid just repeating what you’d put on a resume. This is not to say you can’t discuss something mentioned briefly on your resume in greater depth, but the best essays offer something new that helps round out the whole college application.

Controversy

Okay, now this one is a bit tricky. On the one hand, you should write boldly and honestly, and some of the prompts (the one about challenging a particular belief, for example) are appropriate for addressing potentially contentious topics.

But that said, avoid being controversial or edgy for the sake of being controversial or edgy. Be steadfast in your beliefs for the greater sake of the narrative and your essay will be naturally compelling without being alienating to your readers.

Vague Stories

If you have a personal story that you’re not entirely comfortable sharing, avoid it, even if it would make a great essay topic in theory. This is because if you’re not comfortable writing on the subject matter, you’ll end up being too vague, which won’t do your story or overall application justice. So choose a subject matter you’re familiar with and comfortable discussing in specifics.

Unless they really, truly serve your essay, avoid general platitudes and cliches in your language. It is definitely encouraged to have an essay with a moral, lesson, or greater takeaway, but try to avoid summing up what you’ve learned with reductive phrases like “slow and steady wins the race,” “good things come in small packages,” “actions speak louder than words,” “you can’t judge a book by its cover,” and so on.

What Are Some Good Common App Essay Examples?

There are tons of Common App essays out there, including these Common App essay examples accepted at Connecticut College, which include explanations from admissions readers about why they were chosen.

But let’s take a look here at two versions of an example essay, one that is just okay and one that is great.

Both Common App essay examples are crafted in response to prompt #2, which is:

Essay Version #1, Satisfactory Essay:

During my sophomore year of high school, I tore my ACL, which stands for “anterior cruciate ligament,” and is the kiss of death for most athletic careers. This injury ended up being one of the greatest obstacles of my life. It was also, however, a turning point that taught me to see opportunity amidst adversity.

It was particularly awful that I was just about to score a winning goal during a championship hockey game when I was checked by a guy on the opposing team and came crashing down on my knee. It was pain unlike anything I’d ever felt before, and I knew immediately that this was going to be bad.

For the few months that followed the accident, I was lost, not really knowing what to do with myself. I didn’t know who I was anymore because hockey had been my whole world and sense of identity. Between working out, attending practice, playing home and away games, and watching games to learn more, it was my lifeblood. Losing my ability to play took a toll on me physically and emotionally and I grew lethargic and depressed.

And then one day I heard my school would be adding an advanced multimedia art class for those students who wanted to continue studying art beyond what was already offered. I had taken the handful of art classes my school offered and really enjoyed and excelled at them—though I had never considered them more than just fun electives to fill my scheduled, as required.

After a couple of weeks of the class, I began feeling better. Suddenly I wanted to draw or paint everything I looked at. I wanted to share the world around me as I saw it with others, to connect with people in a way I’d never done before. I met and made friends with many new people in that art class, people I would have never known if I hadn’t taken it, which also opened me up to all kinds of new mindsets and experiences.

We’re all familiar with the common adage, “When one door closes, another opens,” and this is exactly what happened for me. I might never have pursued art more seriously if I hadn’t been taken out of hockey. This has served as a great reminder for me to stay open to new opportunities. We never know what will unexpectedly bring us joy and make us more well-rounded people.

Areas for Improvement in Version #1:

• It lacks a compelling hook.
• The discussion of the obstacle and reflection upon it are both a bit rushed.
• It could use more vivid and evocative language.
• It uses a cliche (“one door closes”).
• It is somewhat vague at times (e.g. what kinds of “new mindsets and experiences” did the writer experience? In what ways are they now more “well-rounded”?).

Now let’s apply this feedback and revise the essay.

Essay Version #2, Excellent Essay:

My body was splayed out on the ice and I was simultaneously right there, in searing pain, and watching everything from above, outside of myself. It wasn’t actually a “near death” experience, but it was certainly disorienting, considering that just seconds before, I was flying down the ice in possession of the puck, about to score the winning goal of our championship game.

Instead, I had taken a check from an opposing team member, and had torn my ACL (or anterior cruciate ligament), which is the kiss of death for most athletic careers.

My road to recovery included two major surgeries, a couple months on crutches, a year of physical therapy, and absolutely zero athletic activity. I would heal, thankfully, and regain movement in my knee and leg, but I was told by doctors that I may never play hockey again, which was devastating to me. Hockey wasn’t just my passion—it was my life’s goal to play professionally.

For the few months that followed the accident, I was lost, feeling like a ghost haunting my own life, watching everything but unable to participate. I didn’t know who I was anymore because hockey had been my whole world and sense of identity. Between working out, attending practice, playing home and away games, and watching games to learn more, it was my lifeblood. Losing my ability to play took a toll on me physically and emotionally, and I grew lethargic and depressed.

And then one day I heard my school would be adding an advanced multimedia art class after school for those students who wanted to study art more seriously. I had already taken the handful of art classes my school offered and really enjoyed them—though I had never considered them more than just fun electives to fill my schedule, as required. And, because of hockey, I certainly had never had afternoons open.

After a couple of weeks of the class, I began to feel alive again, like “myself” but renewed, more awake and aware of everything around me. Suddenly I wanted to draw or paint everything I looked at, to bring everything I saw to life. It wasn’t just that I’d adopted a new hobby or passion, it was that I began looking more closely and critically at the world around me. I wanted to share what I saw with others, to connect with people in a way I’d never done before.

My art teacher selected a charcoal portrait of mine to be showcased in a local art show and I’ve never been more proud of myself for anything. Many of my friends, family members, and teammates came to see the show, which blew me away, but also I realized then just how much of my own self worth had been attached to people’s perception of me as a successful athlete. I learned how much better it feels to gain self worth from within. Unlike hockey, which I’d trained to be good at since I was a toddler, art is something that made me much more vulnerable. I didn’t do it to try to be the best, I did it because it felt good. And getting out of my comfort zone in this way gave me a sense of confidence I had never known prior, despite all my time on the ice during high-stakes games.

Today, I’m back in skates and able to play hockey, but will probably not play professionally; while I am disappointed, I’m also at peace with it. We make plans in life, and sometimes life has other plans for us that we have to adapt to and embrace, which is the more profound lesson I’ve learned in the healing process. We can crumple in the face of obstacles, or we can look for a silver lining and allow ourselves to grow into more complex, dynamic, well-rounded people. I don’t know what the rest of life holds for me, but I do know that I’m going to keep making art, and I’m going to keep opening myself up to new opportunities and experiences.

Strengths of Version #2:

• It has a compelling hook that draws the reader in.
• It has a clear beginning, middle, and end (expressed as an introduction, body, and conclusion).
• It directly addresses the prompt at hand and sticks to it.
• It focuses on one specific incident.
• It is well balanced in its explanation of and reflection on a given experience.
• It uses a clear, unique voice and tone as well as vivid, evocative language.
• It has a logical and cohesive flow.
• It is highly personal while also polished and professional.

Hopefully these examples have given you ideas of how you can take your Common App essay from good to great. If you have more questions about how to write a Common App essay, keep reading our FAQs below.

How much do I actually have to write for the Common App essay?

Last year, the Common App essay was capped at 650 words with a minimum of 250 words required. The best essays tend to range between 500-650 words.

Think of it this way as you start to draft: 500 words is one single-spaced page (250 words is one double-spaced page), so you should write roughly a page to page and half of typed, single-spaced content.

Where can I find the official Common App essay prompts?

Here are the 2021-2022 Common App essay prompts , which are the same as last year’s, with the exception of a new prompt #4 and the addition of a Covid-19 Common App prompt .

Do I need a title for the Common App essay?

A title is not required for the Common App essay, but you are, of course, more than welcome to include one if you’d like.

Where can I go for more information about the Common App essay?

All of the necessary information for the Common App and the Common App essay can be found on the Common Application home page.

For further reading, here are some posts that tackle and dispel common myths about the Common App essay:

Myth: The Common App essay must sound professional. Myth: Colleges can’t tell if someone helps write a common app essay.

If you haven’t already, you can download our free Common App essay checklist .

Happy Writing!

There you have it! The Common App essay can actually be quite rewarding to write if you give yourself enough time to prepare for it thoroughly. Remember, it’s all about you, and you’re the authority on that! So hunker down and don’t forget to have fun in the writing process.

We’d also love to hear from you! What questions or concerns do you still have about the Common Application essay? What are you thinking about writing on?

Comment below, and good luck!

Nadyja von Ebers is one of Magoosh’s Content Creators. Nadyja holds an MA in English from DePaul University and has taught English and at the high school and college levels for twelve years. She has a decade of experience teaching preparation for the AP exams, the SAT, and the ACT, among other tests. Additionally, Nadyja has worked as an academic advisor at college level and considers herself an expert in all things related to college-prep. She’s applied her college expertise to posts such as UCLA Admissions: The SAT Scores, ACT Scores, and GPA You Need to Get in and A Family Guide to College Admissions . Nadyja loves helping students reach their maximum potential and thrives in both literal and virtual classrooms. When she’s not teaching, she enjoys reading and writing for pleasure and loves spending time in or near the ocean. You can connect with her on LinkedIn !

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From the Heart to Higher Education: The 2021 College Essays on Money

Each year, we ask high school seniors to send us college application essays that touch on money, work or social class. Here are five from this year’s incoming college freshmen.

Credit... Robert Neubecker

Supported by

By Ron Lieber

• June 18, 2021

When the most selective — or, even better, rejective — schools in the United States are accepting under 10 percent of the people pleading for a spot in the next freshman class, it eventually becomes impossible to know why any one person receives an offer, or why a student chooses a particular school.

So in this particularly unpredictable season — as we publish a selection of application essays about money, work or social class for the ninth time — we’ve made one small but permanent change: We (and they) are going to tell you where the writers come from, but not where they are headed.

Our overarching point in publishing their essays isn’t to crack the code on writing one’s way into Yale or Michigan, as if that were even possible. Instead, it’s to celebrate how meaningful it can be to talk openly about money and write about it in a way that makes a reader stop and wonder about someone else’s life and, just maybe, offers a momentary bit of enlightenment and delight.

One writer this year helps her mother find a new way of bringing joy into the world, while another discovers the cost of merely showing up if you’re a female employee. A young man reflects on his own thrift, while a young woman accepts a gift of ice cream and pays a price for it. Finally, caregiving becomes a source of pride for someone young enough to need supervision herself.

Each of the writers will make you smile, eventually. And this year in particular, we — and they — deserve to.

“She began to cry and told me it was too late for her. I could not bear to watch her struggle between ambition and doubt.”

New York — Bronx High School of Science

My mom finds a baffling delight from drinking from glass, hotel-grade water dispensers. Even when three-day-old lemon rinds float in stale water, drinking from the dispenser remains luxurious. Last year for her birthday, I saved enough to buy a water dispenser for our kitchen counter. However, instead of water, I filled it with handwritten notes encouraging her to chase her dreams of a career.

As I grew older, I noticed that my mom yearned to pursue her passions and to make her own money. She spent years as a stay-at-home mom and limited our household chores as much as she could, taking the burden upon herself so that my brothers and I could focus on our education. However, I could tell from her curiosity of and attitudes toward working women that she envied their financial freedom and the self-esteem that must come with it. When I asked her about working again, she would tell me to focus on achieving the American dream that I knew she had once dreamed for herself.

For years, I watched her effortlessly light up conversations with both strangers and family. Her empathy and ability to understand the needs, wants and struggles of a diverse group of people empowered her to reach the hearts of every person at a dinner table, even when the story itself did not apply to them at all. She could make anyone laugh, and I wanted her to be paid for it. “Mom, have you ever thought about being a stand-up comedian?”

She laughed at the idea, but then she started wondering aloud about what she would joke about and how comedy shows were booked. As she began dreaming of a comedy career, the reality of her current life as a stay-at-home mom sank in. She began to cry and told me it was too late for her. I could not bear to watch her struggle between ambition and doubt.

Her birthday was coming up. Although I had already bought her a present, I realized what I actually wanted to give her was the strength to finally put herself first and to take a chance. I placed little notes of encouragement inside the water dispenser. I asked my family and her closest friends to do the same. These friends told her other friends, and eventually I had grown a network of supporters who emailed me their admiration for my mom. From these emails, I hand wrote 146 notes, crediting all of these supporters that also believed in my mom. Some provided me with sentences, others with five-paragraph-long essays. Yet, each note was an iteration of the same sentiment: “You are hilarious, full of life, and ready to take on the stage.”

On the day of her birthday, my mom unwrapped my oddly shaped present and saw the water dispenser I bought her. She was not surprised, as she had hinted at it for many years. But then as she kept unwrapping, she saw that inside the dispenser there were these little notes that filled the whole thing. As she kept picking out and reading the notes, I could tell she was starting to believe what they said. She started to weep with her hands full of notes. She could not believe the support was real, that everyone knew she had a special gift and believed in her.

Within two months, my mom performed her first set in a New York comedy club. Within a year, my mom booked a monthly headlining show at the nation’s premier comedy club.

I am not sure what happened to the water dispenser. But I have read the notes with my mom countless times. They are framed and line the walls of her new office space that she rented with the profits she made from working as a professional comedian . For many parents, their children’s careers are their greatest accomplishment, but for me my mom’s is mine.

Adrienne Coleman

“The intense Saturday night crucible of the restaurant, with all the unwanted phone numbers, catcalls and wandering hands, jolted me into an unavoidable reckoning with feminism in a professional world.”

Locust Valley, N.Y. — Friends Academy

“Pull down your mask, sweetheart, so I can see that pretty smile.”

I returned a well-practiced smile with just my eyes, as the eight guys started their sixth bottle of Brunello di Montalcino. Their carefree banter bordered on heckling. Ignoring their comments, I stacked dishes heavy with half-eaten rib-eye steaks and truffle risotto. As I brought their plates to the dish pit, I warned my female co-workers about the increasingly drunken rowdiness at Table 44.

This was not the first time I’d felt uncomfortable at work. When I initially presented my résumé to the restaurant manager, he scanned me up and down, barely glancing at the piece of paper. “Well, you’ve got no restaurant experience, but you know, you package well. When can you start?” I felt his eyes burn through me. That’s it? No pretense of a proper interview? “Great,” I said, thrilled at the prospect of earning good money. At the same time, reduced to the way I “package,” I felt degraded.

I thought back to my impassioned feminist speech that won the eighth-grade speech contest. I lingered on the moments that, as the leader of my high school’s F-Word Club, I had redefined feminism for my friends who initially rejected the word as radical. But in these instances, I realized how my notions of equality had been somewhat theoretical — a passion inspired by the words of Malala and R.B.G. — but not yet lived or compromised.

The restaurant has become my real-world classroom, the pecking order transparent and immutable. All the managers, the decision makers, are men. They set the schedules, determine the tip pool, hire pretty young women to serve and hostess, and brazenly berate those below them. The V.I.P. customers are overwhelmingly men, the high rollers who drop thousands of dollars on drinks, and feel entitled to palm me, a 17-year-old, their phone numbers rolled inside a wad of cash.

Angry customers, furious they had mistakenly received penne instead of pane, initially rattled me. I have since learned to assuage and soothe. I’ve developed the confidence to be firm with those who won’t wear a mask or are breathtakingly rude. I take pride in controlling my tables, working 13-hour shifts and earning my own money. At the same time, I’ve struggled to navigate the boundaries of what to accept and where to draw the line. When a staff member continued to inappropriately touch me, I had to summon the courage to address the issue with my male supervisor. Then, it took weeks for the harasser to get fired, only to return to his job a few days later.

When I received my first paycheck, accompanied by a stack of cash tips, I questioned the compromises I was making. In this physical and mental space, I searched for my identity. It was simple to explore gender roles in a classroom or through complex characters in a Kate Chopin novel. My heroes, trailblazing women such as Simone de Beauvoir and Gloria Steinem, had paved the road for me. In my textbooks, their crusading is history. But the intense Saturday night crucible of the restaurant, with all the unwanted phone numbers, catcalls and wandering hands, jolted me into an unavoidable reckoning with feminism in a professional world.

Often, I’ve felt shame; shame that I wasn’t as vocal as my heroes; shame that I feigned smiles and silently pocketed the cash handed to me. Yet, these experiences have been a catalyst for personal and intellectual growth. I am learning how to set boundaries and to use my professional skills as a means of empowerment.

Constantly re-evaluating my definition of feminism, I am inspired to dive deeply into gender studies and philosophy to better pursue social justice. I want to use politics as a forum for activism. Like my female icons, I want to stop the burden of sexism from falling on young women. In this way, I will smile fully — for myself.

Hoseong Nam

“I feel haunted, cursed by the compulsion to diligently subtract pennies from purchases hoping it will eventually pile up into a mere dollar.”

Hanoi, Vietnam — British Vietnamese International School

Despite the loud busking music, arcade lights and swarms of people, it was hard to be distracted from the corner street stall serving steaming cupfuls of tteokbokki — a medley of rice cake and fish cake covered in a concoction of hot sweet sauce. I gulped when I felt my friend tugging on the sleeve of my jacket, anticipating that he wanted to try it. After all, I promised to treat him out if he visited me in Korea over winter break.

The cups of tteokbokki, garnished with sesame leaves and tempura, was a high-end variant of the street food, nothing like the kind from my childhood. Its price of 3,500 Korean won was also nothing like I recalled, either, simply charged more for being sold on a busy street. If I denied the purchase, I could console my friend and brother by purchasing more substantial meals elsewhere. Or we could spend on overpriced food now to indulge in the immediate gratification of a convenient but ephemeral snack.

At every seemingly inconsequential expenditure, I weigh the pros and cons of possible purchases as if I held my entire fate in my hands. To be generously hospitable, but recklessly drain the travel allowance we needed to stretch across two weeks? Or to be budgetarily shrewd, but possibly risk being classified as stingy? That is the question, and a calculus I so dearly detest.

Unable to secure subsequent employment and saddled by alimony complications, there was no room in my dad’s household to be embarrassed by austerity or scraping for crumbs. Ever since I was taught to dilute shampoo with water, I’ve revised my formula to reduce irritation to the eye. Every visit to a fast-food chain included asking for a sheet of discount coupons — the parameters of all future menu choice — and a past receipt containing the code of a completed survey to redeem for a free cheeseburger. Exploiting combinations of multiple promotions to maximize savings at such establishments felt as thrilling as cracking war cryptography, critical for minimizing cash casualties.

However, while disciplined restriction of expenses may be virtuous in private, at outings, even those amongst friends, spending less — when it comes to status — paradoxically costs more. In Asian family-style eating customs, a dish ordered is typically available to everyone, and the total bill, regardless of what you did or did not consume, is divided evenly. Too ashamed to ask for myself to be excluded from paying for dishes I did not order or partake in, I’ve opted out of invitations to meals altogether. I am wary even of meals where the inviting host has offered to treat everyone, fearful that if I only attended “free meals” I would be pinned as a parasite.

Although I can now conduct t-tests to extract correlations between multiple variables, calculate marginal propensities to import and assess whether a developing country elsewhere in the world is at risk of becoming stuck in the middle-income trap, my day-to-day decisions still revolve around elementary arithmetic. I feel haunted, cursed by the compulsion to diligently subtract pennies from purchases hoping it will eventually pile up into a mere dollar, as if the slightest misjudgment in a single buy would tip my family’s balance sheet into irrecoverable poverty.

Will I ever stop stressing over overspending?

I’m not sure I ever will.

But I do know this. As I handed over 7,000 won in exchange for two cups of tteokbokki to share amongst the three of us — my friend, my brother and myself — I am reminded that even if we are not swimming in splendor, we can still uphold our dignity through the generosity of sharing. Restricting one’s conscience only around ruminating which roads will lead to riches risks blindness toward rarer wealth: friends and family who do not measure one’s worth based on their net worth. Maybe one day, such rigorous monitoring of financial activity won’t be necessary, but even if not, this is still enough.

Neeya Hamed

“In America, we possess all the tangible resources. Why is it, then, that we fruitlessly struggle to connect with one another?”

New York — Brooklyn Friends School

Sitting on monobloc chairs of various colors, the Tea Ladies offer healing. Henna-garnished hands deliver four cups of tea, each selling for no more than 10 cents. You may see them as refugees who fled the conflict in western Sudan, passionately working to make ends meet by selling tea. I see them as messengers bearing the secret ingredients necessary to truly welcome others.

On virtually every corner in Sudan, you can find these Tea Ladies. They greet you with open hearts and colorful traditional Sudanese robes while incense fills the air, singing songs of ancient ritual. Their dexterous ability to touch people’s lives starts with the ingredients behind the tea stand: homegrown cardamom, mint and cloves. As they skillfully prepare the best handmade tea in the world, I look around me. Melodies of spirited laughter embrace me, smiles as bright as the afternoon sun. They have a superpower. They create a naturally inviting space where boundless hospitality thrives.

These humble spaces are created by people who do not have much. Meanwhile, in America, we possess all the tangible resources. Why is it, then, that we fruitlessly struggle to connect with one another? On some corners of Mill Basin, Brooklyn, I discovered that some people don’t lead their lives as selflessly.

I never imagined that the monobloc chair in my very own neighborhood would be pulled out from under me. Behind this stand, the ingredients necessary to touch my life were none but one: a friendly encounter gone wrong. While waiting for ice cream, a neighbor offered to pay for me. This deeply offended the shop owner glaring behind the glass; he resented my neighbor’s compassion because his kindness is reserved for those who do not look like me. The encounter was potent enough to extract the resentment brewing within him and compelled him to project that onto me.

“I guess Black lives do matter then,” he snarked.

His unmistakably self-righteous smirk was enough to deny my place in my community. It was enough to turn a beautiful sentiment of kindness into a painfully retentive memory; a constant reminder of what is to come.

Six thousand three hundred and fifty-eight miles away, Sudan suddenly felt closer to me than the ice cream shop around the corner. As I walked home, completely shaken and wondering what I did to provoke him, I struggled to conceptualize the seemingly irrelevant comment. When I walk into spaces, be it my school, the bodega or an ice cream shop, I am conscious of the cardamom mint, and cloves that reside within me; the ingredients, traits and culmination of thoughts that make up who I am, not what I was reduced to by that man. I learned, however, that sometimes the color of my skin speaks before I can.

I realized that the connotations of ignorance in his words weren’t what solely bothered me. My confusion stemmed more from the complete lack of care toward others in his community, a notion completely detached from everything I believe in. For the Tea Ladies and the Sudanese people, it isn’t about whether or not people know their story. It isn’t about solidarity in uniformity, but rather seeing others for who they truly are.

Back in Khartoum, Sudan, I looked at the talents of the Tea Ladies in awe. They didn’t necessarily transform people with their tea, they did something better. Every cup was a silent nod to each person’s dignity.

To the left of me sat a husband and father, complaining about the ridiculous bread prices. To the right of me sat a younger worker who spent his days sweeping the quarters of the water company next door. Independent of who you were or what you knew before you got there, their tea was bridging the gap between lives and empowering true companionship, all within the setting of four chairs and a small plastic table.

Sometimes, that is all it takes.

“I was the memory keeper, privy to the smallest snippets that go forgotten in a lifetime.”

Lafayette, Calif. — Miramonte High School

I was the ultimate day care kid — I never left.

From before I could walk to the start of middle school, Kimmy’s day care was my second home. While my classmates at school went home with stay-at-home moms to swim team and Girl Scouts, I traveled to the town next door where the houses are smaller, the parched lawns crunchy under my feet from the drought.

At school, I stuck out. I was one of the few brown kids on campus. Both of my parents worked full time. We didn’t spend money on tutors when I got a poor test score. I’d never owned a pair of Lululemon leggings, and my mom was not versed in the art of Zumba, Jazzercise or goat yoga. At school, I was a blade of green grass in a California lawn, but at day care, I blended in.

The kids ranged from infants to toddlers. I was the oldest by a long shot, but I liked it that way. As an only child, this was my window into a sibling relationship — well, seven sibling relationships. I played with them till we dropped, held them when they cried, got annoyed when they took my things. And the kids did the same for me. They helped as I sat at the counter drawing, and starred in every play I put on. They watched enviously as I climbed to the top of the plum tree in the backyard.

Kimmy called herself “the substitute mother,” but she never gave herself enough credit. She listened while I gushed about my day, held me when I had a fever and came running when I fell out of the tree. From her, I learned to feed a baby a bottle, and recognize when a child was about to walk. I saw dozens of first steps, heard hundreds of first words, celebrated countless birthdays. Most importantly, I learned to let the bottle go when the baby could feed herself.

And I collected all the firsts, all the memories and stories of each kid, spinning elaborate tales to the parents who walked through the door at the end of the day. I was the memory keeper, privy to the smallest snippets that go forgotten in a lifetime.

I remember when Alyssa asked me to put plum tree flowers in her pigtails, and the time Arlo fell into the toilet. I remember the babies we bathed in the kitchen sink, and how Kimmy saved Gussie’s life with the Heimlich maneuver. I remember the tears at “graduation,” when children left for preschool, and each time our broken family mended itself when new kids arrived.

When I got home, I wrote everything down in my pink notebook. Jackson’s first words, the time Lolly fell off the couch belting “Let It Go.” Each page titled with a child’s name and the moments I was afraid they wouldn’t remember.

I don’t go to day care anymore. Children don’t hide under the table, keeping me company while I do homework. Nursing a baby to sleep is no longer part of my everyday routine, and running feet don’t greet me when I return from school. But day care is infused in me. I can clean a room in five minutes, and whip up lunch for seven. I remain calm in the midst of chaos. After taming countless temper tantrums, I can work with anyone. I continue to be a storyteller.

When I look back, I remember peering down from the top of the plum tree. I see a tiny backyard with patches of dead grass. But I also see Kimmy and my seven “siblings.” I see the beginnings of lives, and a place that quietly shapes the children who run across the lawn below. The baby stares curiously up at me from the patio, bouncing in her seat. She will be walking soon, Kimmy says. As will I.

Ron Lieber has been the Your Money columnist since 2008 and has written five books, most recently “The Price You Pay for College.” More about Ron Lieber

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The best video essays of 2021

An escape from the most popular to the most captivating

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As coronavirus cloistered the world, the genre of video essays continued to augment in popularity on Youtube. Despite the homogeny of the creator space being apparent from a cursory glance, 2021 saw POC video essayists gaining momentum on the platform. From behemoths like D’Angelo Wallace to humble creators like myself, there is a gradient of experiences that are finally being represented thanks to YouTube’s algorithm “apparently” being an equalizer. That being said, this article hopes to shed light on some of gems you may have missed.

Beyond the players, the format of video essays has also evolved. Gone are the days when a midwestern man could aggregate thousands of views on a video about why water is wet. (OK, jk, that still happens.) But most of today’s video essays now amalgamate several genres of YouTube videos. Whether it’s the commentary crossovers à la Tara Mooknee , or the stand-up comedy stylings of Chill Goblin , there is a variety of variations to find. Here are a few that surprised us in the last year. —Ransford James, aka Foreign

[ Ed. note: This list is ordered chronologically rather than ranked by preference, meaning everything is worth checking out. And if you need more to watch, check out last year’s list .]

“Your Island is a Commune pt. 1,” Nowhere Grotesk

I first discovered this touching series on Animal Crossing: New Horizons via the social posts on F. D. Signifier’s YouTube channel — more on him later, but credit where credit’s due. Nowhere Grotesk’s bio on social media reads, “We’re two visual artists that create and examine art through a utopian leftist lens,” and that feeling permeates this series.

Discussing Animal Crossing: New Horizons through the lens of communal living and pastoral nostalgia, Nowhere Grotesk pushes back on the easy joke that Tom Nook is a greedy capitalist. Instead, this series shows how Animal Crossing: New Horizons conveys the concept of community as directly in conflict with urbanization and capitalism, thriving only when everyone’s needs are met without the turmoil of work. Even the addition of the Happy Home Paradise DLC , which gives players the option to work for additional outcomes, doesn’t nullify the anticapitalist argument here; working is a choice you can but don’t have to make. The island even meets more of the players’ needs by providing free healthcare. Animal Crossing isn’t the apolitical fluff many seem to think; instead, it’s a lovely, immersive argument for anarcho-communism, mutual aid, and rooting our politics in community. —Wil Williams

“The Market of Humiliating Black Women,” Tee Noir

This offering is far from obscure, but by the off chance that Tee Noir has evaded your eyes and eluded your ears, consider my favorite video from her so far: “ The Market of Humiliating Black Women .” Without spoiling this masterpiece, Tee breaks down what is such an innocuous experience that not many people even notice: How quotidian Black women’s pain is in popular media. From high-budget Tyler Perry movies to grainy WorldstarHipHop videos, the parodying of pain that Black women face on the daily is rewarded with thousands of millions of views and thousands of shares.

This is an experience that is far from second-hand with regard to Tee Noir, as she faces scrutiny that men don’t, simply by virtue of being a Black woman on this platform — let alone her queerness. —RJ

“The Day Rue ‘Became’ Black,” Yhara Zayd

After hitting shelves in 2008, Suzanne Collins’ The Hunger Games was praised for the way it conveyed real-life modern class struggles in a strange, borderline fantastical world. The Hunger Games was clear about what it was saying and referencing, but apparently, some readers didn’t get the memo — or perhaps they refused to.

In this video, Zayd pulls on the Hunger Games fandom’s history to dissect what made some readers so shocked when Amandla Stenberg, a young Black actress, was cast as Rue, a young girl who is ... canonically Black. This isn’t just about people reading a book wrong, though; it’s about why audiences felt less protective of Rue the moment she “became” Black “in casting.” It’s also about why most of those comments have since been scrubbed from the internet.

Yhara Zayd’s work has been featured on all of my video essay lists , and for good reason. Her sharp, concise, passionate analysis is scored by a low-key (but not necessarily relaxed) aesthetic and narration style. Her occasional breaks to make a joke or loosen up her script emphasize what’s so important about the topic at hand: the humanity. —WW

“Infantilization and the Body Hair Debate,” Shanspeare

Unironic ASMR, charismatic candor, and witty humor are but a few of Shanspeare’s calling cards. Despite the myriad of channels dedicated to analyzing pop culture, none do it quite like Shanspeare. “ Infantilization and the Body Hair Debate ” is one of the most eye-opening videos that I have encountered, and it has provoked me — a cishet Afro-Caribbean man — into thoroughly addressing my own contributions to the subject matter. This deep dive into how the world incentivizes childlike behavior from women is as unnerving as it is necessary to watch. From the way I speak to women, to my subconscious preference of nicely shaven legs, Shanspeare details how all of that is essentially the product of a purposeful inculcation that was underway far before I was even a thought. I cannot emphasize to you enough that you should watch this masterpiece and all of her other ones as well. —RJ

“Bo Burnham vs. Jeff Bezos,” CJ the X

Thanks to my specific symptoms of ADHD, it can be really hard for me to devote time to watch video essays that are over an hour long, and even harder for me to really fall in love with them. I hope this will help convey the gravity with which I am saying that I watched this two-and-a-half-hour video more times than any other video on YouTube this year. What starts as an analysis of Bo Burnham’s Inside slowly morphs into something else, then something else, then something else . This video transitions so gracefully between discussions of posthumanism, the internet, online fame, and what makes something funny, all while being punctuated with CJ the X’s hallmark near-absurdist blink-and-you’ll-miss-it humor. What makes this video an instant classic of the medium, though, is how it lands: a deep, sincere, vulnerable love letter to empathy and human connection, wound up in a personal anecdote that makes the thesis feel even more real.

I struggled to have basic hope or faith in humanity this year. I struggled to tell myself that everything is worth it. No piece of media helped me more with those struggles than this video. I wrote a piece on my read of Inside before seeing this video, and after watching it, my read on Inside has changed. And I’m so grateful. — WW

“The Reign of the Slim Thick Influencer,” Khadija Mbowe

I hope that this creator needs no introduction, because I feel woefully unequipped to introduce them myself. Khadija Mbowe walks the walk, and the walk is an onerous one. Being a feminine-presenting nonbinary creator of an obsidian hue, they brazenly break down some of the most nuanced topics with empathy and levity. Moreover, they pay it forward by promoting creators that the algorithm may have missed — much like myself, and in the same way Tee Noir promoted them a year ago.

“ The Reign of the Slim-Thick Influencer ” is arguably my favorite Khadija Mbowe video this year. It’s a discussion of the trend of Brazilian butt lifts , how influencers like Kim Kardashian perpetuate unrealistic beauty standards, and the awful origins of commodifying the Black woman’s body. This is a must-see for everybody who consumes social media, which is … everybody. — RJ

“make more characters bi, you cowards: why (not) romance?,” voice memos for the void

An installment of Voice Memos for the Void’s Romance in Media series, “make more characters bi, you cowards: why (not) romance?” does what it says on the tin. This video analyzes the strange state of bisexual characters in media, pointing out how rarely bisexual characters get to fall in love. Not have sex, but fall in love. Voice Memos for the Void effortlessly combats rebuttals to this idea that we hear every time we ask for more representation and romance: “Why do they need to be queer?” “Why do they need to be in love?” It also dives into different depictions of masculinity, a history of Byronic heroes, and the troubling tropes that follow bisexual characters around in media, like that of the Magical and/or Hedonistic Bisexual . Forgive the glitchy camera in this video; equipment is expensive, and the commentary more than makes up for the video fidelity. We can thank F. D. Signifier’s feed for putting this video on my radar, too. — WW

“The Black Right Wing,” Anansi’s Library

While Tee Noir enjoys (?) a visibility that many POC creators don’t, Anansi boasts a dedicated 15,000 subscriber count but is deserving of far more. They stay closer to the format that many video essays have in the past of concealing their face in their videos, relying more on the merit of their musings than the luster of their looks. Many of us simply create and comment on the actions of others, but Anansi, for lack of a better term, is really in the field. They are deeply entrenched in American activism, which makes their videos simply an accompaniment to a much larger concerted effort.

This video on The Black Right Wing is redolent of the very fight that they have fought on many occasions. It details this unique subset of Black Americans that embraces the Trumpian conservatism that still plagues the United States to this very day. If you are fascinated by the neurosis necessary to align oneself with a party that is antipodal to your existence, then this is the video for you! — RJ

“On Leftist Disunity,” St. Andrewism

By now you must see the peaks and valleys that this list is riding, from creators who have passed the 100,000 mark to those who are still in the 10,000s. The themes that combine in all of them are apparent: their marginalized status, the video essay format, and most of all, the quality. Over the last year, the Trinibagan St. Andrewism has amassed over 50,000 subscribers, and his video On Leftist Disunity is a highlight. This video is the quintessential love letter to the leftist community that encourages the embrace of the many differences it has within it. Instead of approaching this with the pessimism that many people do, St. Andrew seems gleefully optimistic that this diversity of thought will end up saving not only the United States but the world. —RJ

“Break Bread,” F. D. Signifier

OK, now we can talk about F. D. Signifier in earnest. In my video essay list for our Masterpieces of Streaming series, I gave a brief history of video essays through the lens of educational videos. In “Breaking Bread,” F. D. Signifier offers an uncomfortably accurate parallel history: the rise of video essays from rant reviewers like The Nostalgia Critic. The trend of debate bros and, in F. D. Signifier’s words, every LeftTuber making a video about Ben Shapiro, isn’t just rooted in the medium’s history, though; it’s also rooted in whiteness. That lens and style of video stays prominent thanks to the YouTube algorithm, and while the homogeneity of video essays has been critiqued many times, “Break Bread” breaks down the issue with an astounding level of complexity, research, and guests from all over the video essay ecosystem. How much of a video essayist’s success comes down to talent? How much comes down to luck? And how much comes down to the algorithm knowing that what keeps people watching is simply who looks familiar? — WW

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First-year applicants: Essays, activities & academics

Rather than asking you to write one long essay, the MIT application consists of several short response questions and essays designed to help us get to know you. Remember that this is not a writing test. Be honest, be open, be authentic—this is your opportunity to connect with us.

You should certainly be thoughtful about your essays, but if you’re thinking too much—spending a lot of time stressing or strategizing about what makes you “look best,” as opposed to the answers that are honest and easy—you’re doing it wrong.

Our questions

For the 2023–2024 application, we’re asking these short answer essay questions:

• What field of study appeals to you the most right now? (Note: Applicants select from a drop-down list.) Tell us more about why this field of study at MIT appeals to you.
• We know you lead a busy life, full of activities, many of which are required of you. Tell us about something you do simply for the pleasure of it.
• How has the world you come from—including your opportunities, experiences, and challenges—shaped your dreams and aspirations?
• MIT brings people with diverse backgrounds together to collaborate, from tackling the world’s biggest challenges to lending a helping hand. Describe one way you have collaborated with others to learn from them, with them, or contribute to your community together.
• How did you manage a situation or challenge that you didn’t expect? What did you learn from it?

Depending on the question, we’re looking for responses of approximately 100–200 words each. There is also one final, open-ended, additional-information text box where you can tell us anything else you think we really ought to know.

Please use our form, not a resume, to list your activities. There is only enough space to list four things—please choose the four that mean the most to you and tell us a bit about them.

Self-reported Coursework Form

How you fill out this form will not make or break your application, so don’t stress about it. Use your best judgment—we’re simply trying to get a clear picture of your academic preparation by subject area. We see thousands of different transcripts, so it really helps us to view your coursework and grades in a consistent format.

Here are a few quick tips to help you complete this section:

• The self-reported coursework should be completed by students in U.S. school systems only. If you attend an international school, we’ll just use your transcript.
• The information you provide does not replace your official high school transcript, which must be sent to us from your school to verify your self-reported information (in order to avoid accidental misrepresentation, it might help to have a copy of your high school transcript in front of you while completing this form).
• Avoid abbreviations, if at all possible, and enter the names of your school courses by subject area. Please include all classes you have taken and are currently taking. If your courses were taken outside of your high school (at a local junior college or university, for example), tell us where they were taken in the “Class Name” field.
• In the “Grade Received” field, list term and/or final grades for each class, as found on your school transcript (semester, trimester, quarter, final, etc.). Use one entry only per class. For example, it’s not necessary to use a separate entry for each semester of the same class. Place all grades for a class in the same field, separating grades with commas.

Home » Mobile

Best Cell Phone Plans

We picked the best cell phone plans for unlimited data, nationwide coverage, hotspot data, family discounts, and sign-up deals.

✰ Best-value plans from our recommended partners ✰

Choosing a cell phone plan has never been harder: There are just too many great options.

Between T-Mobile, Verizon, AT&T, and the plethora of prepaid carriers like Visible, Mint Mobile, and Consumer Cellular, there are over 200 cell phone packages available in the United States—many of which include excellent pricing, generous data allotments, and 5G coverage.

We keep tabs on the latest plan options and follow developments in the mobile world closely. Take a dive into this guide to get the scoop on the best cell phone packages. You can find details on which plans deliver the best coverage, most competitive prices, greatest deals on hotspot data, juiciest discounts for families, and more.

Best cell phone plans at a glance

Here is a quick breakdown of the plans we highlight on this page:

• Best unlimited plan for a single line: T-Mobile’s Go5G Plus plan gives you everything you could need in a phone plan and more: Unlimited high-speed data, 50GB of monthly hotspot data, international data and texting, plus a yearlong AAA membership and subscriptions to Netflix and Apple TV+.
• Best cell phone coverage: Verizon’s Unlimited Welcome offers the best cellular coverage for a fair price, so you’re more likely to get a clear connection whether you’re in a network-congested city or a remote rural area.
• Best overall value : The $25 Visible Plan doesn’t cost much but still delivers reliable 4G LTE and 5G coverage via Verizon’s networks. You also get unlimited hotspot data, albeit at maximum speeds of 5Mbps.
• Best deal for new customers: Mint Mobile charges only $15 per month for the first three months of service for unlimited talk, text, and data with a 40GB data cap.
• Best family plan : The AT&T Unlimited Starter SL plan comes with ActiveArmor security, a nice chunk of hotspot data, and lower rates per line as you add more lines together.
• Best budget option for a single line : Tello sticks to the basics with its 10 GB Data + Unlimited Talk & Text plan. For just $19 a month, you get a solid chunk of high-speed data that works over T-Mobile's 4G LTE and 5G networks. You can also use the data for your phone's hotspot. 

Quick guide to this article:

• T-Mobile: Best unlimited plan for a single line

Verizon: Best coverage

Visible: best overall value, mint mobile: best deal for new customers.

• AT&T: Best family plan
• Tello Mobile: Best budget option for a single line
• How to pick a cell phone plan
• Best cellular coverage
• Best wireless speeds

Honest reviews written by real people

Why should you trust Reviews.org? Because we are real people writing these reviews, and we talk to real people in order to research them.

Our brand partners do not see or approve our articles before they are published, but we make a commission if you click an affiliate link. Learn more about Reviews.org on our About Us page .

How did we pick the best cell phone plans?

Reviews.org does extensive research to compare and contrast prices on cell phone plans—but price isn’t everything. To determine the real value of a good cell phone package, we pay close attention to important factors like the coverage you get and data speeds on the carrier’s network. We go into more detail on these two driving factors and others farther down on this page .

After looking over the fine print for pricing, speeds, high-speed data, and more, we reach out to folks in different areas of the country and scour platforms like Reddit and Quora for firsthand accounts giving us insights into the cellular carriers and plans we want to highlight. We also try to get hands-on experience with cell phone plans when it’s possible to do so. With all those considerations, we can make reliable recommendations.

Reviews.org makes money when readers click our sponsored links, but I researched and wrote this piece independently. Our brand partners do not read or preapprove our pieces before they are published.

T-Mobile Go5G Plus: Best unlimited plan for a single line

Cellular carriers have been leveraging partnerships with streaming companies and other brands to offer “everything but the kitchen sink”-style phone options lately, and T-Mobile’s Go5G Plus is a perfect example. One of T-Mobile’s flagship unlimited plans, it offers truly unlimited high-speed data, 50GB of hotspot data along, and some major perks, including subscriptions to Netflix and AppleTV+ (with 4K streaming), a free one-year AAA membership, and T-Mobile Tuesday discounts.

This is a perfect option for regular travelers and others who regularly need phone and internet while away from home. A Wi-Fi hotspot data cap of 50GB gives you a lot of flexibility for streaming, gaming, and remote work on multiple devices. The plan also includes unlimited texting and 5GB of priority data when you travel internationally—and 15GB of data for Canada and Mexico.

It’s well worth considering a lower-tier T-Mobile unlimited package (such as Go5G or Essentials Saver) if you don’t need all the bells and whistles that come with Go5G Plus. But no other carrier compares to T-Mobile when it comes to mobile perks, and all of the flexibility, firepower, and extras you get on this plan more than justify the higher cost.

Pay half price for the same T-Mobile coverage

If you want to get a good cell phone plan that operates on T-Mobile’s network, you can always opt for a prepaid carrier. Prepaid carriers (otherwise known as MVNO or mobile virtual network operators ) use the same networks as the major carriers, but charge significantly less for unlimited plans.

Tello’s unlimited data plan costs only $25 a month and uses T-Mobile’s network for service. Just know that Tello's unlimited plan comes with a 35GB data cap, and once you pass that data allotment, your speeds slow to an absolute crawl. Stick to Wi-Fi as much as you can, and you shouldn’t come close to passing the data cap.

Verizon has long held a strong reputation for cellular coverage, and it still delivers excellent service across most of the country today. Verizon’s 4G LTE network covers 55% of the country ( according to federal data ) and it gets the best ratings for coverage experience from Opensignal, an analytics organization that monitors cellular networks. That makes Verizon’s Unlimited Welcome plan the way to go if you need an ultrareliable cellular carrier or live in an area that otherwise gets spotty service.

Francisco Ruiz, an avid road tripper living in Los Angeles told Reviews.org about an experience where Verizon’s coverage made all the difference. “We blew a tire on the I-15 freeway near Barstow and were miles away from the nearest town,” Ruiz said. “I was the only one in our group who used Verizon—and the only one who could get a signal to call AAA.”

Verizon takes a thrifty approach to perks

The Unlimited Welcome plan also offers discounts and benefits as part of a unique slate of $10 per month add-ons. Services include mobile hotspot data, TravelPass credits, and subscriptions to platforms like Apple One and the Disney Bundle ( Disney+ , Hulu , & ESPN+ ). Some of the discounts are pretty slim, and it would be nicer if you could get the benefits for no additional price. But the $10 add-on structure makes it so you can pick and choose. It also brings down the overall price of an unlimited plan, letting you cover all the important fundamentals (like 5G Ultra Wideband access and unlimited high-speed data) at a relatively affordable price.

Pay half price for the same Verizon coverage

Verizon’s cell phone plans can be costly, but you can get a cheaper unlimited plan on Verizon’s network with a prepaid MVNO carrier.

Looking for an alternative to Verizon? If you already pay for Spectrum or Cox internet , you can bundle your internet and cell phone packages together for a discounted rate. Going with one of these providers is a great option if you need a simple, low-cost cellular plan that still delivers solid cell service over the best 4G LTE network coverage in the country.

The first thing you notice about Visible is the price: An unlimited phone package for only $25 a month is absolute steal. The fact that you get unlimited talk, text, data, and mobile hotspot data for such a low fee makes Visible one of the best value cell phone plans on the market.

As you can read in our full-length Visible wireless review , you do have to accept some limitations with this carrier. The baseline plan operates on Verizon’s network, giving you the best cellular coverage in the United States. However, you don’t get access to the fastest data speeds on Verizon’s Ultra Wideband 5G network—that requires an upgrade to Visible+, which costs $20 more per month.

The hotspot data on this plan is also capped at 5Mbps. But you get unlimited hotspot data, and in a switch from how things used to be, Visible allows you to connect more than one Wi-Fi device at a time. Slow it may be, you still enough speeds to stream in standard definition and browse the internet—a handy option if you’ve got a toddler in the backseat who just has to watch Disney+ on their iPad during a long drive or you need to do some work while at a hotel.

Currently, nobody can beat Mint Mobile 's unlimited plan that costs just $15 per month for the first three months of service. Even after those three months are up, Mint's $30 unlimited plan still has most cell phone packages beat when it comes to price. If you ever find yourself in a situation where you need good cell phone service for at least a couple of months, look no further.

You won't always get the fastest data speeds with a prepaid carrier. But since Mint uses T-Mobile's fast 5G network—the fastest and most widely-available 5G in the country —that means you can get download speeds on your phone up to 50Mbps. 

Occasional data speed throttling

Mint Mobile customers might occasionally see their data speeds throttled during peak-usage periods or when the network gets congested with too many users. If tons of people are accessing the internet at the same time on T-Mobile's network, the carrier gives priority to its brand-name customers and sends prepaid customers to the back of the line.

You're much more likely to run into data throttling in a big city or at a crowded concert or sports game. But if you're out in the suburbs or living in a rural area, you’re less likely to see slowdowns.

AT&T Unlimited Starter SL: Best family plan

On its own, the AT&T Unlimited Starter plan costs $66 a month, but the price per line drops significantly when you add more lines. Three lines or more make the plan just $45.99 a month per line, and you can get it down to $35.99 a month per line when you get a family plan with four or more lines together.

The total savings on this plan adds up to $380 every month. AT&T has a lot of great cellular plans , but this one hits the sweet spot because you also get unlimited data, 5GB of high-speed mobile hotspot data every month, and you can even get a free phone with the trade-in program. What sets this AT&T family plan apart from similar plans offered by T-Mobile and Verizon is the extra security features. All AT&T plans come with a feature called ActiveArmor that alerts users for suspected fraud and spam. If you’re worried about family members getting scammed, this feature offers some peace of mind.

Tello Mobile 10 GB Data + Unlimited Talk & Text: Best budget option for a single line

A prepaid provider running over T-Mobile's 4G LTE and 5G networks, Tello gets you a simple deal that's perfect if you make a few calls a week and use your data for standard social media scrolling. T-Mobile has the biggest 5G network in the country and excellent coverage overall, so you can get reliable cell service on this plan for a bargain price.

The plan costs just $19 a month, and while it doesn't give you as much data as you get from other carriers, 10GB a month is still enough to get a modest streamer or social media scroller through the month. You can also use your phone's hotspot with this plan; just be careful how often you use it, since the hotspot data comes out of your total 10GB monthly allotment. 

If you need more data, you can always upgrade to the unlimited plan, which gives you 35GB of data for just $6 more a month.

Want to know more about Tello? Take a look at our Tello Mobile review .

What to look for in a cell phone plan

Here are a few tips to keep in mind when deciding on a cell phone plan:

A reasonable price: The average phone user spends $66 a month on a cellular plan from one of the “Big Three” carriers (T-Mobile, Verizon, and AT&T). But many cellular customers would be just fine paying $39 a month for a prepaid plan from an MVNO like Visible or Mint. Make sure to compare prices and think through what features you really need before committing to a phone plan.

Enough high-speed data to last you the month: About 10GB of high-speed data a month is a great start for many users, but consdering the average person checks their phone 144 times a day , you may need more or less depending on how often you use your phone to go online. Many cell phone plans are advertised as “unlimited,” but they come with a cap on high-speed or “premium” data that gives you a fast connection over 4G LTE and 5G networks. You may need to look at the fine print to figure out how much high-speed data you’re getting.

Adequate coverage for where you live: Not all mobile providers have reliable service in every part of the United States. Verizon has the best 4G LTE cellular coverage in the country, but T-Mobile has the biggest and fastest 5G network. See our breakdown on the best carriers for coverage to get a sense of which carrier works best for you.

Mobile hotspot data (if you need it): Do you like taking your laptop and working on the beach? Some cell phone plans offer designated high-speed hotspot data every month, and you can also sign up for a separate data plan that lets you power a mobile hotspot device capable of hitting faster speeds and connecting more devices. 

A discount for two lines or family plans: Many carriers offer a discount per-line when you open two lines or more on a package, giving you a break on the overall cost of your monthly bill. This is usually referred to as a family plan discount, but you can add anyone you want on an extra line—including friends or even neighbors.

Which wireless carrier has the best cellular coverage?

Verizon has the best cell phone coverage for 4G LTE users nationwide, while T-Mobile gets the best 5G coverage.

Analytics company Opensignal credited Verizon for offering the best 4G LTE coverage in the country. Those results track with our experience comparing the top cell phone coverage in the United States. While usage of 5G phones is on the upswing, 4G coverage is still more prevalent than 5G. So you’re best off with a plan on Verizon’s network over AT&T and T-Mobile for coverage.

Network coverage experience

Opensignal’s “coverage experience” rating measures “the extent of mobile networks in the places people live, work and travel,” according to its report. Taking in both percentage of land and population covered by cell service, the rating reflects the users’ experience as they travel around areas where cell service should be readily available.

Every cell phone plan we recommend uses at least one of the Big Three major networks: AT&T, T-Mobile, or Verizon. These networks stretch across the United States but can offer wildly different experiences depending upon your exact location. For example, a Verizon customer in Des Moines, Iowa might get better cell reception than a T-Mobile customer in the same city.

The best way to find out what coverage to expect in your neighborhood is by entering your zip code in our coverage map and swap between the networks to see what network offers the best coverage for you.

Which wireless carrier has the best wireless speeds?

T-Mobile gets the fastest data speeds on average, according to Opensignal. The analytics company rates speed through the Download Speed Experience metric, which measures users’ everyday experiences with 4G and 5G wireless networks—and T-Mobile blows the competition out of the water.

Faster internet speeds mean you can download and upload files faster and watch YouTube videos without buffering. But fast speeds also make it possible to do more things on one device. For example, fast speeds mean you can download an app in a shorter time while also getting up-to-date traffic info on your GPS app in between streaming YouTube videos.

Average download speeds

Recap: what’s the best cell phone plan.

There isn’t really a one-size-fits-all best cell phone plan. That’s why we break down our recommendations into categories. Here are our best-in-choice cell phone plans for our top six categories:

• Best unlimited plan: T-Mobile’s Go5G Plus plan offers unlimited high-speed data, including 50GB of hotspot data, for $90/month per line. Go5G Plus customers also unlimited international texting, 5GB of international high-speed phone data, free subscriptions to Netflix and AppleTV+, and a free AAA membership for a year. And with T-Mobile Tuesday deals, Go5G Plus’s perks are practically unlimited.
• Best coverage : Verizon offers the most reliable coverage no matter where you go in the country.
• Best overall value : Visible gets you unlimited hotspot data (with max speeds of 5Mbps) for just $25 a month, making this a nice plan for small families and road trippers.
• Best deal for new customers : Mint Mobile offers its unlimited talk, text, and data plan to new customers at half the price for the first three months of service.
• Best family plan : The AT&T Unlimited Starter SL costs $66 a month on its own, but the price plummets down to $36 monthly if you get a family plan together with four or more lines.
• Best value phone plan for a single line : Tello’s 10 GB Data + Unlimited Talk & Text only costs $19 a month and gets you a solid little chunk of data and excellent coverage over T-Mobile's 4G LTE and 5G networks.

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Browns' Nick Chubb Is The Best At Gashing Defenses With Big Runs Since 2021

Anthony moeglin | 22 hours ago.

• Cleveland Browns

We are out of superlatives that properly describe Nick Chubb . His skillset and what he means to the Cleveland Browns organization is extraordinary. When he experienced his gruesome knee injury in Week Two of the 2023 NFL season, it felt like the Browns' season was over and that Nick Chubb's career was severely altered.

While the Browns were able to somehow find their proper level and put together a playoff season, Chubb is still working his way back to playing shape for the upcoming season. Although he missed over 90 percent of the entire 2023 season, Nick Chubb still stands alone atop one running back stat category.

Of all running backs in the NFL since 2021, Nick Chubb's 26 rushes for 20 or more yards is best in the entire league.

Most rushes of 20+ yards over the last 3 seasons: Nick Chubb: 26 He missed all but two games in 2023 🤯 pic.twitter.com/SuyG4NBVwX — PFF Fantasy & Betting (@PFF_Fantasy) June 4, 2024

It's more than Christian McCaffery, Saquon Barkley, Derrick Henry and every other back in the entire league, even after missing 15.5 games last year.

Chubb has been the one constant on a Browns roster that has experienced immense amounts of turnover and has felt like a reality TV show at times. Since Chubb's rookie season in 2018, he has been all business all the time. When he was splitting carries with Carlos Hyde, to making the playoffs in 2020, to the Odell Beckham Jr. saga in 2021, to the quaterback situation the last three years, the one constant has been Nick Chubb.

No one knows what the new version of Nick Chubb is going to look like, but what can be counted on is that when he is ready, he is going to be the hardest-working guy on this Browns roster. Maybe the 20-plus yard runs will be few and far between in the future, but what won't change is Chubb's importance as a member of the Cleveland Browns.

ANTHONY MOEGLIN

Anthony Moeglin is a northeast Ohio native, who most notably quarterbacked John Carroll University to the NCAA DIII National Semifinals in 2016 after beating the No. 1 team in the country twice in a 4-week stretch. He contributes written and video/podcast content for Browns Digest, as well as serving as the lead football analyst for BuckeyesNow on the FanNation network.

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'ZDNET Recommends': What exactly does it mean?

ZDNET's recommendations are based on many hours of testing, research, and comparison shopping. We gather data from the best available sources, including vendor and retailer listings as well as other relevant and independent reviews sites. And we pore over customer reviews to find out what matters to real people who already own and use the products and services we’re assessing.

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The best Raspberry Pi alternatives: Expert tested

We know how difficult it is to dedicate an entire PC to a project, which requires time, money, and effort. In this situation, single-board computers come in handy, and the best-known single-board computer (SBC) is, undoubtedly, the Raspberry Pi -- known worldwide for its versatility, low power consumption, reliability, and user-friendliness. 

Also:  Finding Raspberry Pi: Where to buy the latest model and its alternatives

However, you can still explore alternatives to the Raspberry Pi, especially considering the current shortage and the recent surge in price. Alternative SBCs can be used to customize unique projects and provide improved performance alongside AI and VR support. Other alternatives are rated for industrial use, and some are suitable for programming and educational products or, perhaps, even for taking advantage of  ChatGPT  applications. 

What is the best Raspberry Pi alternative right now?

We tested and researched the best Raspberry Pi alternatives available based on performance, connectivity and storage, ease of use, and price. Libre Computer Board (aka, Le Potato) is our top pick for the best Raspberry Pi alternative overall due to its features and price in the single-board computer space, proving itself to be a solid single-board computer suitable for beginners and enthusiasts. 

The best Raspberry Pi alternatives of 2024

Libre computer board aml-s905x-cc (le potato), best raspberry pi alternative overall.

• Great price
• Well-made with great documentation
• Limited capabilities

This Libre Computer Board is a solid single-board computer at an affordable price. If you're interested in trying out an SBC for the first time and don't want to invest too much into it, this is a great option for you.  

Plus, it offers endless storage expansion via MicroSD cards, which is great if you use it heavily. You will not break any speed records, and it won't be suitable for heavy-resource projects. Still, this board offers great features, including Linux, open-source graphics, video libraries, and UEFI support -- and for only $35.

Customers love the price point and general versatility of this SBC, although some report booting issues.

Libre Computer Board AML-S905X-CC (Le Potato) t ech specs: Processor:  Amlogic S905X SoC |  Graphics:  Mali-450 GPU |  RAM:  Up to 2GB DDR3 SDRAM |  Connectivity:  4x USB 2.0 Type A |  Ports:  HDMI 2.0 |  Storage expansion:  MicroSD Card Slot |  Interface:  eMMC Interface |  Speed:  100Mb Fast Ethernet

Orange Pi 5 Plus

Best raspberry pi alternative for media.

• Upgradable storage
• Strong performance
• Supports multiple OS
• Customers report support problems

The $150 Orange Pi 5 Plus board is an excellent Raspberry PI alternative if you're looking for a board suitable for media purposes. 

The Orange Pi 5 Plus does pack a punch -- sporting a Rockchip RK3588 8-core (64-bit) CPU (2.4Ghz), an Arm Mali GPU, 16GB RAM, support for Debian11, Android 12, Ubuntu22.04, Orange Pi operating systems, and a video output HDMI connector at up to 8K. 

Customers report that they are happy with the power and speed of the system as a Raspberry Pi alternative, although some users also say they have experienced support problems. 

Orange Pi 5 Plus t ech specs :  Processor : Rockchip RK3588 8-Core 64-Bit (quadcore A76 + quadcore A55) up to 2.4GHz |  Graphics : ARM Mali-G610 |  RAM : LPDDR4/4x up to 16GB | up to 256GB eMMC storage modules |  Video : up to 8K @60fps |  Connectors:  USB, Ethernet (2xPCIe 2.5G LAN)

Asus Tinker Board S R2.0

Best raspberry pi alternative for hobbyists.

• Color-coded GPIO for ease of use
• Packed with features
• Great finish
• Pricey at different stockists

This board has several excellent features that make it ideal for hobbyists. We particularly appreciate the color-coded GPIO header, which makes it easy to recognize respective pin headers. Plus, the detailed silk-screen print on the face of the board makes it clear where everything goes. 

The Asus Tinker Board features an excellent processor, and the 16GB eMMC speed offers enough power for most projects. There is also HD & UHD (4K) video support and various ports, including LAN and USB. You'll find it for $160 at Asus. 

Customers say there is far less support available compared to Raspberry Pi, but they generally like it as a project SBC.

Asus Tinker Board S R2.0 t ech specs: Processor:  Rockchip Quad-Core RK3288 1.8GHz |  Graphics:  Arm Mali-T764 GPU |  RAM:   2GB LPDDR3 dual-channel |  Bandwidth:  802.11 b/g/n |  Bluetooth:  V4.0 + EDR |  Speed:  16GB eMMC

Best Raspberry Pi alternative for power

• Various hardware options
• Advanced options such as Petitboot
• Steep learning curve
• More complicated than a regular SBC
• Customers report power supply issues

Powerful yet energy-efficient, the Odriod N2+ would be ZDNET author Adrian Kingsley-Hughes' first choice if he wanted to replace his desktop computer with a single-board computer. 

This SBC is great for advanced users who want more power than a regular SBC. It offers excellent connectivity and can run the Petitboot app. It can also run various versions of Linux, including the latest Ubuntu, and is compatible with AndroidOS. 

Also:  How to install Linux on your Raspberry Pi

Amazon sells a version with 4GB RAM for $105, and Hard Kernel sells a 2GB model for $66. Customer reviews indicate that the N2+ is a great home automation and gaming option, although some users have experienced power supply issues. 

Odroid N2+ t ech specs: Processor:  Amlogic S922X -- 4x Cortex-A73 @ 2.2GHz, 2x Cortex-A53 @ 1.9GHz |  Graphics:  Mali-G52 GPU |  RAM:  2GB or 4GB DDR4 |  Interface:  eMMC socket with optional 8GB to 128GB |  Features:  8MB SPI flash with boot select switch and Petitboot app |  Ports:  Gigabit Ethernet port, HDMI 2.1 port for up to 4K@60Hz |  Connectivity:  4x USB 3.0 ports |  Speed:  2.4Ghz with Gigabit Ethernet Port 

Udoo Bolt V3

Best raspberry pi alternative for speed.

• Excellent performance
• Designed for large workloads
• Rapid speeds
• Overkill for most tasks

There's not much that the Udoo Bolt V3 can't handle, despite starting as a Kickstarter project back in the day (a realm where many projects fail). It's incredibly fast and great for VR, AR, and AI projects, sporting a Ryzen processor and Vega graphics. If you need to load massive files quickly and effectively, the Udoo Bolt V3 will not disappoint. 

The 32GB eMMC speed is unmatched by any other board we recommend. But it's expensive -- at least $361, depending on the stockists. Customers who have used Udoo Bolt V3 acknowledge this high price point but enjoy the sheer power of this SBC.

Udoo Bolt V3 t ech specs: Processor:  AMD Ryzen Embedded V1202b dual core/quad thread @ 2.3ghz (3.2ghz Boost) |  Graphics:  AMD Radeon Vega 3 |  RAM:  2x DDR4 dual-channel 64-bit SO-DIMM Sockets With ECC Support up to 32GB |  Speed:  32GB eMMC 5.0 high-speed drive

What is the best Raspberry Pi alternative?

Le Potato is ZDNET's top pick overall due to its affordability and features in the single-board computer space. We've broken down each Raspberry Pi alternative below based on processor, storage, and speed. If one of these qualities is a priority for you, this analysis may help you choose the best single-board computer for you.

Which is the right Raspberry Pi alternative for you?

Sometimes, you need to get on with a project, so you buy a cheap single-board computer -- or, perhaps, you've just begun exploring the field of SBCs. But if you want to invest in better hardware, you want to ensure you're not wasting money. 

To find the best SBC for you, we suggest starting with a clear idea of the projects you'll use it for. This can be the hard part, but it's worth the time. Getting derailed partway through a project can result in a massive setback that costs time and money.

Next, do some research. How much power and performance do you need? What operating system do you need to use? This SBC guide offers the best Raspberry alternatives so you can find the board that fits your budget and needs.

How did we choose these Raspberry Pi alternatives?

The Raspberry Pi is an excellent piece of hardware, but it's been built within specific constraints that enable mass appeal. These SBCs take what the Raspberry Pi brought to the table further with features that allow you to customize your experience. 

Our list includes options personally tested by ZDNET authors and highly recommended products based on customer reviews and feedback, with these factors specifically in mind:

• Performance : Performance is critical when you consider purchasing a new SBC. We have considered processing power, RAM, and graphics. 
• Connectivity & storage : SBCs offer a range of connectivity options. Some provide Bluetooth, for example, whereas others only have HDMI and Ethernet. Furthermore, some SBCs include storage, while others provide USB ports for connecting your own drives. 
• Ease of use : SBCs don't have to be complex, and some of our options include practical color coding or other features to make your projects easier to handle. 
• Price : Not everyone wants to invest in the most high-spec SBC out there, especially if they are just starting out and exploring their interests. We have considered a range of devices with beginners, hobbyists, and tech enthusiasts in mind. 

Factors to consider when choosing a Raspberry Pi alternative:

When you are selecting your new Raspberry Pi alternative, you should consider the following essential factors:

• Price : How much are you willing to spend on your new project? The use case matters, too: if you are just starting out, a cheaper SBC should be fine, whereas you might want to spend more on long-term projects. 
• Project : If you want an SBC for hobbyist projects, you won't need the most advanced or expensive kits out there -- minimal RAM and processing will do. However, if you want to explore the capabilities of AI, for example, you might want to consider a model with higher specifications. 
• Media : If you intend to use your Raspberry Pi alternative for media, such as streaming audio and video, ensure that the SBC you are considering has the required components and support. 

What's the best way to get started with a single-board computer?

The Raspberry Pi is still the best place to start if you want to get experience with a single-board computer. 

Also: Struggling to buy a Raspberry Pi? It could become a lot easier

These alternatives are a great next step to expand your SBC knowledge. The Raspberry Pi is a great tool for familiarizing yourself with the setup and GPIO pins. It's also a useful tool if one of your kids has an interest in programming that you want to encourage. 

What's a good source for cases for your Raspberry Pi or an alternative SBC?

There are various options. You can find a lot of generic cases out there to protect your Raspberry Pi or alternative SBC, and I recommend getting one. After all, if you're investing in an SBC, you should protect it. 

Also, if you are lucky enough to own a 3D printer, then you'll have an endless supply of them! Alternatively, you can visit the 3D printing marketplace Shapeways to find your perfect case. 

Can you make your single-board computer waterproof?

You can try to waterproof the case by using seals or silicone grease. You could also spray the board with a conformal coating to resist moisture. 

But beyond these steps, there's no way to make them completely waterproof, and you risk damage if you don't keep your electronics away from adverse weather conditions and environments.

Why are Raspberry Pi models so expensive now?

Inflation aside, the cost of Raspberry Pi models -- once only 15 dollars or so -- has increased due to a number of factors. Supply shortages, made worse during the pandemic, have impacted supply and demand, and furthermore, the price of computing components and chips has increased. 

Are there other alternative Raspberry Pis worth considering?

We chose a variety of Raspberry Pi alternatives based on performance, hardware options, and pricing. If these don't work for you, here are some suitable alternatives: 

ZDNET Recommends

The best laptops of 2024: expert tested, the raspberry pi 5 gets an ai upgrade, the best cheap tablets for under $400: expert tested.

More From Forbes

Will coherent stock rebound to levels of around $100 seen in 2021.

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UKRAINE - 2023/09/23: In this photo illustration, a Coherent Corp. logo is seen on a smartphone ... [+] screen and in the background. (Photo Illustration by Pavlo Gonchar/SOPA Images/LightRocket via Getty Images)

The stock price of Coherent Inc. (NYSE: COHR) , a semiconductor company, trades at $70 per share, about 30% below its peak level of $100 seen in February 2021. In contrast, Lattice Semiconductor (NASDAQ: LSCC) stock saw a 15% decline. COHR stock was trading at $71 in early June 2022, just before the Fed started increasing rates, and is now close to that level, compared to a substantial 40% gain for the S&P 500 during this period. Our detailed analysis of Coherent’s upside post-inflation shock captures trends in the company’s stock during the turbulent market conditions seen over 2022. It compares these trends to the stock’s performance during the 2008 recession.

Coherent stock saw a solid 22% rise, on Monday, June 3, after the company announced a new CEO – Jim Anderson – who was earlier heading Lattice Semiconductor. Under his leadership, Lattice saw its stock surge a spectacular 12x from $8 in Sep. 2018 to $98 earlier this year. Given the strong performance of Lattice in the last six years, investors have given a thumbs up to Coherent stock after its change in leadership.

The performance of COHR stock with respect to the index over the last three years has been lackluster. Returns for the stock were -10% in 2021, -49% in 2022, and 24% in 2023. In comparison, returns for the S&P 500 have been 27% in 2021, -19% in 2022, and 24% in 2023 — indicating that COHR underperformed the S&P in 2021 and 2022. In fact, consistently beating the S&P 500 — in good times and bad — has been difficult over recent years for individual stocks; for heavyweights in the Industrials sector including GE, CAT, and RTX, and even for the megacap stars GOOG, TSLA, and MSFT. In contrast, the Trefis High Quality Portfolio , with a collection of 30 stocks, has outperformed the S&P 500 each year over the same period. Why is that? As a group, HQ Portfolio stocks provided better returns with less risk versus the benchmark index; less of a roller-coaster ride, as evident in HQ Portfolio performance metrics .

Given the current uncertain macroeconomic environment with high oil prices and elevated interest rates, could COHR face a similar situation as it did in 2021 and 2022 and underperform the S&P over the next 12 months — or will it see a strong jump? The $68 average of analysts price estimates is close to the current market price of $70, implying that after its recent surge, COHR stock appears fully valued.

COHR Return Compared With Trefis Reinforced Portfolio

Samsung Issues Critical Update For Millions Of Galaxy Users

Today’s nyt ‘connections’ hints and answers for thursday, june 6, as russia s armored vehicles get worse ukraine s american made m 2s destroy them faster.

2022 Inflation Shock

Timeline of Inflation Shock So Far:

• 2020 – early 2021: Increase in money supply to cushion the impact of lockdowns led to high demand for goods; producers unable to match up.
• Early 2021: Shipping snarls and worker shortages from the coronavirus pandemic continue to hurt supply.
• April 2021: Inflation rates cross 4% and increase rapidly.
• Early 2022: Energy and food prices spike due to the Russian invasion of Ukraine. Fed begins its rate hike process.
• June 2022: Inflation levels peak at 9% – the highest level in 40 years. The S&P 500 index declined more than 20% from peak levels.
• July – September 2022: Fed hikes interest rates aggressively – resulting in an initial recovery in the S&P 500 followed by another sharp decline.
• October 2022 – July 2023: Fed continues rate hike process; improving market sentiments helps S&P500 recoup some of its losses.
• Since August 2023: Fed has kept interest rates unchanged to quell fears of a recession, and it is prepared for rate cuts in 2024.

In contrast, here’s how COHR stock and the broader market performed during the 2007/2008 crisis.

Timeline of 2007-08 Crisis

• 10/1/2007: Approximate pre-crisis peak in S&P 500 index
• 9/1/2008 – 10/1/2008: Accelerated market decline corresponding to Lehman bankruptcy filing (9/15/08)
• 3/1/2009: Approximate bottoming out of S&P 500 index
• 12/31/2009: Initial recovery to levels before accelerated decline (around 9/1/2008)

Coherent and S&P 500 Performance During 2007-08 Crisis

COHR stock declined from $18 in September 2007 to $9 in March 2009, as the markets bottomed out, implying it lost 49% of its pre-crisis value. It recovered to $16 levels in early 2010, reflecting a solid 77% growth between March 2009 and January 2010. The S&P 500 Index saw a decline of 51%, falling from levels of 1,540 in September 2007 to 757 in March 2009. It then rallied 48% between March 2009 and January 2010 to reach levels of 1,124.

Coherent’s Fundamentals Over Recent Years

Coherent’s revenue increased 2.2x from $2.4 billion in 2020 to $5.2 billion in 2023, and $4.6 billion over the last twelve months. II-VI acquired Coherent in 2022 and renamed the company as Coherent. The laser business of the legacy Coherent has driven the sales growth in recent years. Coherent’s earnings per share stood at $(2.93) in 2023, versus $(0.79) in 2020.

Does Coherent Have A Sufficient Cash Cushion To Meet Its Obligations Through The Ongoing Inflation Shock?

Coherent’s total debt surged from $2.4 billion in 2020 to $4.5 billion now, while its cash increased from $493 million to $822 million over the same period. The company garnered $634 million in cash flows from operations in 2023. The company has a high debt, but it should be able to meet its near-term obligations. Its debt as a percentage of equity currently stands at around 42%.

With the Fed’s efforts to tame runaway inflation rates helping market sentiments, we believe COHR stock has the potential for more gains once fears of a potential recession are allayed. While its stock may see some positive action from the recent change in leadership, it is unlikely to see the levels it was trading at in 2021, anytime soon. Furthermore, high debt levels remain a near-term concern for the company.

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The 7 Best Neck Fans for Staying Cool on the Go

Grab one of these affordable necks fan and blow the heat away.

Gear-obsessed editors choose every product we review. We may earn commission if you buy from a link. Why Trust Us?

Considering the benefits—and the so-not-ideal alternative of donning a drippy washcloth—neck fans are a great purchase to make before summer travel, whether you’re sightseeing in a city or camping in the backcountry. But they’re just as useful for day-to-day to wear as you sit in a stuffy home office, run errands in humid weather, or even working out. Point being, the best neck fans are a far cry from an amusement park souvenir—they’re durable, practical, and you can grab one for about 30 bucks.

For more ways to beat the heat this summer, check out our top picks for the best window fans , best portable air conditioners , and best ductless air conditioners .

The Best Neck Fans

• Best Overall: Torras Coolify Wearable Neck Fan
• Best Value: Civipower Neck Fan
• Most User-Friendly: Jisulife Portable Neck Fan
• Most Comfortable: Sweetfull Portable Neck Fan
• Most Versatile: Vagau Portabel Neck Fan

What to Consider

Wearable neck fans typically use bladeless fans so your hair and clothing won’t get caught up. We recommend one bladed wearable fan for our budget pick since bladed options are often cheaper, but if you can spare the extra $20 or so, spring for a bladeless neck fan. No matter how much you spend, expect to hear the fan’s noise while you’re using it.

Battery Life

Neck fans mostly run on rechargeable batteries, so consider the battery life if you want to wear one outside for an entire day or take it camping. Most of the neck fans we write about have an estimated runtime of at least four hours, though some models are said to last up to 10 hours or more on the lowest setting.

Consider how hard you want the fans to blow on your neck. Many of these models come with multiple speeds, but some have more options. Though keep in mind—the faster the speed, the louder the noise.

How We Selected

You may have a specific reason you want a neck fan, say for a trip to a theme park or music festival, but these portable gadgets can be used practically anywhere. Use them while commuting on public transit, lounging on the patio , or while grilling during summer cookouts.

During our research, we read through tons of customer reviews to identify potential product issues and compared options for battery life, speeds, noise level, and other features to identify models that perform well and offer the best value.

Torras Coolify Wearable Neck Fan

If you’re looking for maximum cooling, consider this neck fan from Torras. It’s designed with cooling technology to actually reduce skin temperature around your neck by up to 12 degrees, thanks to a built-in semiconductor cooling chip.

The Torras also features a long-lasting battery, fast USB-C charging, bladeless design, and three fan speeds. While it is the most expensive option on our list, its features and excellent cooling capability make it worth the money.

Civpower Wearable Neck Fan

The Civpower neck fan offers high-quality cooling with its 78 air vents and turbo fan blades that generate airflow to your face and neck. The lightweight band and low noise level make it comfortable to wear for long periods, lasting as long as an estimated 16 hours on its lowest setting, though only three hours on high speed.

That said, it’s still an excellent option, plus it has three gears to adjust the sound of the fan, and features a sleek design.

Jisulife Portable Neck Fan

This Jisulife portable neck fan is lightweight, with no blades and 78 air outlets around the neck band so you can really cool off. The fan has three speeds, a solid battery life, and a comfortable fit for all-day use. It even comes at an affordable price under $40 at the time of writing.

It’s constructed from plastic and silicone and features single-button operation, fast USB-C charging, and a powerful dual-sided turbine motor. If you’re looking for a no-frills neck fan that provides good airflow for most activities, this option from Jisulife will do.

Sweetful Portable Neck Fan

The Sweetful portable neck fan delivers long-term comfort according to several user reviews. The fan features a decent battery life, bladeless design, and multiple fan speeds. It’s also super quiet, with some users saying they don’t notice the sound while wearing it.

Other highlights include the lightweight design and an extra-padded neckband for comfort, though the battery life could be better. At its highest setting, this neck fan only lasts roughly four hours.

Black + Decker Comfortpak Neck Fan

This wearable device isn’t exactly a neck fan, but you can wear it pretty much anywhere to help you regulate body temperature just the same. Instead of using a fan, the Comfortpak relies on cooling or heating a stainless steel plate that makes direct contact with your body.

You can wear it around your neck or place that plate on your wrists or face as needed. Plus, with the option for warming, this nifty gadget is great for year-round use.

It has three cooling and warming settings, and it’s wrapped in a silicone strap that makes it easy to clean. It also comes in three colors to give it some flair.

Vagau Wearable Neck Fan

If you’ve never tried a wearable neck fan and want to give it a shot for as little money as possible, try this Vagau option. For about $16 at the time of this writing, you can experience an all-day breeze on your neck. The stand-up design can even work as a small desk fan in a pinch.

For the cost, it has a pretty decent battery life, maxing out at 10 hours on the lowest setting. Keep in mind that this one isn’t bladeless, so if you have long hair, make sure to tie it up before you put this on.

Delmac Portable Neck Fan

Delmac’s neck fan needs only three hours of charging to last up to an estimated 20 hours. The bladeless design has 60 air holes that wrap around the band to circulate air around your neck and face.

The silicon band can flex to fit comfortably and is lightweight enough to wear for long periods of time. It’s quiet on its lowest setting though some customers noted it can be noisy on its highest. Still, many reviews say the lowest setting provides sufficient air flow. The impressive battery life is also a huge plus for those that don’t want to worry about charging it everyday.

Danny Perez is a Commerce Editor for Popular Mechanics with a focus on men's style, gear, and home goods. Recently, he was coordinator of partnership content at another product journalism outlet. Prior to that, he was a buyer for an independent men's shop in Houston, Texas, where he learned all about what makes great products great. He enjoys thrifting for 90s Broadway tees and vintage pajama sets. His spare time is occupied by watching movies and running to impress strangers on Strava.

Rachel Klein is a Senior Commerce Editor for Popular Mechanics , where she writes about everything from garden hose reels and patio furniture to mesh wifi systems and robot vacuums. She started her career as a daily newspaper reporter and was a travel editor for more than a decade before she started testing and reviewing luggage, noise-cancelling headphones, and other travel-related products. Fast-forward another five years and her area of expertise includes home decor, appliances, tech, and outdoor adventure gear. In her spare time, you'll find her planning her next trip, reading historical fiction, and seeing as much art as she can squeeze into a weekend. 

Kevin Cortez is an editor for Runner's World, Bicycling, and Popular Mechanics covering reviews. A culture and product journalist for over ten years, he’s an expert in men’s style, technology, gaming, coffee, e-bikes, hiking, gear, and all things outdoors. He most recently worked as the Style Editor for Reviewed, a top product recommendation site owned by USA TODAY. He also helped with the launch of WSJ's Buy Side commerce vertical, and has covered the music and podcast industries for Mass Appeal, Genius, Vulture, Leafly, Input, and The A.V. Club. Equally passionate about leisure as he is his penmanship, Kevin dedicates his spare time to graphic novels, birding, making cold brew, and taking long, meandering walks.

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