how to write an essay on poems

Poetry Explained

How to Write a Poetry Essay (Complete Guide)

Unlock success in poetry essays with our comprehensive guide. Uncover the process to help aid understanding of how best to create a poetry essay.

While many of us read poetry for pleasure, it is undeniable that many poetry readers do so in the knowledge that they will be assessed on the text they are reading, either in an exam, for homework, or for a piece of coursework. This is clearly a daunting task for many, and lots of students don’t even know where to begin. We’re here to help! This guide will take you through all the necessary steps so that you can plan and write great poetry essays every time. If you’re still getting to grips with the different techniques, terms, or some other aspect of poetry, then check out our other available resources at the bottom of this page.

This Guide was Created by Joe Samantaria

Degree in English and Related Literature, and a Masters in Irish Literature

Upon completion of his degrees, Joe is an English tutor and counts W.B. Yeats , Emily Brontë , and Federico Garcia Lorca among his favorite poets. He has helped tutor hundreds of students with poetry and aims to do the same for readers and Poetry + users on Poem Analysis.

How to Write a Poetry Essay

• 1 Before You Start…
• 2 Introductions
• 3 Main Paragraphs
• 4 Conclusions
• 6 Other Resources

Before You Start…

Before we begin, we must address the fact that all poetry essays are different from one another on account of different academic levels, whether or not the essay pertains to one poem or multiple, and the intended length of the essay. That is before we even contend with the countless variations and distinctions between individual poems. Thus, it is impossible to produce a single, one-size-fits-all template for writing great essays on poetry because the criteria for such an essay are not universal. This guide is, therefore, designed to help you go about writing a simple essay on a single poem, which comes to roughly 1000-1200 words in length. We have designed it this way to mirror the requirements of as many students around the world as possible. It is our intention to write another guide on how to write a comparative poetry essay at a later date. Finally, we would like to stress the fact that this guide is exactly that: a guide. It is not a set of restrictive rules but rather a means of helping you get to grips with writing poetry essays. Think of it more like a recipe that, once practiced a few times, can be modified and adapted as you see fit.

The first and most obvious starting point is the poem itself and there are some important things to do at this stage before you even begin contemplating writing your essay. Naturally, these things will depend on the nature of the essay you are required to write.

• Is the poem one you are familiar with?
• Do you know anything about the context of the poem or the poet?
• How much time do you have to complete the essay?
• Do you have access to books or the internet?

These questions matter because they will determine the type, length, and scope of the essay you write. Naturally, an essay written under timed conditions about an unfamiliar poem will look very different from one written about a poem known to you. Likewise, teachers and examiners will expect different things from these essays and will mark them accordingly.

As this article pertains to writing a poverty essay, we’re going to assume you have a grasp of the basics of understanding the poems themselves. There is a plethora of materials available that can help you analyze poetry if you need to, and thousands of analyzed poems are available right here. For the sake of clarity, we advise you to use these tools to help you get to grips with the poem you intend to write about before you ever sit down to actually produce an essay. As we have said, the amount of time spent pondering the poem will depend on the context of the essay. If you are writing a coursework-style question over many weeks, then you should spend hours analyzing the poem and reading extensively about its context. If, however, you are writing an essay in an exam on a poem you have never seen before, you should perhaps take 10-15% of the allotted time analyzing the poem before you start writing.

The Question

Once you have spent enough time analyzing the poem and identifying its key features and themes, you can turn your attention to the question. It is highly unlikely that you will simply be asked to “analyze this poem.” That would be too simple on the one hand and far too broad on the other.

More likely, you will be asked to analyze a particular aspect of the poem, usually pertaining to its message, themes, or meaning. There are numerous ways examiners can express these questions, so we have outlined some common types of questions below.

• Explore the poet’s presentation of…
• How does the poet present…
• Explore the ways the writer portrays their thoughts about…

These are all similar ways of achieving the same result. In each case, the examiner requires that you analyze the devices used by the poet and attempt to tie the effect those devices have to the poet’s broader intentions or meaning.

Some students prefer reading the question before they read the poem, so they can better focus their analytical eye on devices and features that directly relate to the question they are being asked. This approach has its merits, especially for poems that you have not previously seen. However, be wary of focusing too much on a single element of a poem, particularly if it is one you may be asked to write about again in a later exam. It is no good knowing only how a poem links to the theme of revenge if you will later be asked to explore its presentation of time.

Essay plans can help focus students’ attention when they’re under pressure and give them a degree of confidence while they’re writing. In basic terms, a plan needs the following elements:

• An overarching answer to the question (this will form the basis of your introduction)
• A series of specific, identifiable poetic devices ( metaphors , caesura , juxtaposition , etc) you have found in the poem
• Ideas about how these devices link to the poem’s messages or themes.
• Some pieces of relevant context (depending on whether you need it for your type of question)

In terms of layout, we do not want to be too prescriptive. Some students prefer to bullet-point their ideas, and others like to separate them by paragraph. If you use the latter approach, you should aim for:

• 1 Introduction
• 4-5 Main paragraphs
• 1 Conclusion

Finally, the length and detail of your plan should be dictated by the nature of the essay you are doing. If you are under exam conditions, you should not spend too much time writing a plan, as you will need that time for the essay itself. Conversely, if you are not under time pressure, you should take your time to really build out your plan and fill in the details.

Introductions

If you have followed all the steps to this point, you should be ready to start writing your essay. All good essays begin with an introduction, so that is where we shall start.

When it comes to introductions, the clue is in the name: this is the place for you to introduce your ideas and answer the question in broad terms. This means that you don’t need to go into too much detail, as you’ll be doing that in the main body of the essay. That means you don’t need quotes, and you’re unlikely to need to quote anything from the poem yet. One thing to remember is that you should mention both the poet’s name and the poem’s title in your introduction. This might seem unnecessary, but it is a good habit to get into, especially if you are writing an essay in which other questions/poems are available to choose from.

As we mentioned earlier, you are unlikely to get a question that simply asks you to analyze a poem in its entirety, with no specific angle. More likely, you’ll be asked to write an essay about a particular thematic element of the poem. Your introduction should reflect this. However, many students fall into the trap of simply regurgitating the question without offering anything more. For example, a question might ask you to explore a poet’s presentation of love, memory, loss, or conflict . You should avoid the temptation to simply hand these terms back in your introduction without expanding upon them. You will get a chance to see this in action below.

Let’s say we were given the following question:

Explore Patrick Kavanagh’s presentation of loss and memory in Memory of My Father

Taking on board the earlier advice, you should hopefully produce an introduction similar to the one written below.

Patrick Kavanagh presents loss as an inescapable fact of existence and subverts the readers’ expectations of memory by implying that memories can cause immense pain, even if they feature loved ones. This essay will argue that Memory of My Father depicts loss to be cyclical and thus emphasizes the difficulties that inevitably occur in the early stages of grief.

As you can see, the introduction is fairly condensed and does not attempt to analyze any specific poetic elements. There will be plenty of time for that as the essay progresses. Similarly, the introduction does not simply repeat the words ‘loss’ and ‘memory’ from the question but expands upon them and offers a glimpse of the kind of interpretation that will follow without providing too much unnecessary detail at this early stage.

Main Paragraphs

Now, we come to the main body of the essay, the quality of which will ultimately determine the strength of our essay. This section should comprise of 4-5 paragraphs, and each of these should analyze an aspect of the poem and then link the effect that aspect creates to the poem’s themes or message. They can also draw upon context when relevant if that is a required component of your particular essay.

There are a few things to consider when writing analytical paragraphs and many different templates for doing so, some of which are listed below.

• PEE (Point-Evidence-Explain)
• PEA (Point-Evidence-Analysis)
• PETAL (Point-Evidence-Technique-Analysis-Link)
• IQA (Identify-Quote-Analyze)
• PEEL (Point-Evidence-Explain-Link)

Some of these may be familiar to you, and they all have their merits. As you can see, there are all effective variations of the same thing. Some might use different terms or change the order, but it is possible to write great paragraphs using all of them.

One of the most important aspects of writing these kind of paragraphs is selecting the features you will be identifying and analyzing. A full list of poetic features with explanations can be found here. If you have done your plan correctly, you should have already identified a series of poetic devices and begun to think about how they link to the poem’s themes.

It is important to remember that, when analyzing poetry, everything is fair game! You can analyze the language, structure, shape, and punctuation of the poem. Try not to rely too heavily on any single type of paragraph. For instance, if you have written three paragraphs about linguistic features ( similes , hyperbole , alliteration , etc), then try to write your next one about a structural device ( rhyme scheme , enjambment , meter , etc).

Regardless of what structure you are using, you should remember that multiple interpretations are not only acceptable but actively encouraged. Techniques can create effects that link to the poem’s message or themes in both complementary and entirely contrasting ways. All these possibilities should find their way into your essay. You are not writing a legal argument that must be utterly watertight – you are interpreting a subjective piece of art.

It is important to provide evidence for your points in the form of either a direct quotation or, when appropriate, a reference to specific lines or stanzas . For instance, if you are analyzing a strict rhyme scheme, you do not need to quote every rhyming word. Instead, you can simply name the rhyme scheme as, for example, AABB , and then specify whether or not this rhyme scheme is applied consistently throughout the poem or not. When you are quoting a section from the poem, you should endeavor to embed your quotation within your line so that your paragraph flows and can be read without cause for confusion.

When it comes to context, remember to check whether or not your essay question requires it before you begin writing. If you do need to use it, you must remember that it is used to elevate your analysis of the poem, not replace it. Think of context like condiments or spices. When used appropriately, they can enhance the experience of eating a meal, but you would have every right to complain if a restaurant served you a bowl of ketchup in lieu of an actual meal. Moreover, you should remember to only use the contextual information that helps your interpretation rather than simply writing down facts to prove you have memorized them. Examiners will not be impressed that you know the date a particular poet was born or died unless that information relates to the poem itself.

For the sake of ease, let’s return to our earlier question:

Have a look at the example paragraph below, taking note of the ways in which it interprets the linguistic technique in several different ways.

Kavanagh uses a metaphor when describing how the narrator ’s father had “fallen in love with death” in order to capture the narrator’s conflicted attitudes towards his loss. By conflating the ordinarily juxtaposed states of love and death, Kavanagh implies the narrator’s loss has shattered his previously held understanding of the world and left him confused. Similarly, the metaphor could suggest the narrator feels a degree of jealousy, possibly even self-loathing, because their father embraced death willingly rather than remaining with the living. Ultimately, the metaphor’s innate impossibility speaks to the narrator’s desire to rationalize their loss because the reality, that his father simply died, is too painful for him to bear.

As you can see, the paragraph clearly engages with a poetic device and uses an appropriately embedded quotation. The subsequent interpretations are then varied enough to avoid repeating each other, but all clearly link to the theme of loss that was mentioned in the question. Obviously, this is only one analytical paragraph, but a completed essay should contain 4-5. This would allow the writer to analyze enough different devices and link them to both themes mentioned in the question.

Conclusions

By this stage, you should have written the bulk of your essay in the form of your introduction and 4-5 main analytical paragraphs. If you have done those things properly, then the conclusion should largely take care of itself.

The world’s simplest essay plan sounds something like this:

• Tell them what you’re going to tell them
• Tell them what you’ve told them

This is, naturally, an oversimplification, but it is worth bearing in mind. The conclusion to an essay is not the place to introduce your final, groundbreaking interpretation. Nor is it the place to reveal a hitherto unknown piece of contextual information that shatters any prior critical consensus with regard to the poem you are writing about. If you do either of these things, the examiner will be asking themselves one simple question: why didn’t they write this earlier?

In its most simple form, a conclusion is there, to sum up the points you have made and nothing more.

As with the previous sections, there is a little more to a great conclusion than merely stating the things you have already made. The trick to a great conclusion is to bind those points together to emphasize the essay’s overarching thread or central argument. This is a subtle skill, but mastering it will really help you to finish your essays with a flourish by making your points feel like they are more than the sum of their parts.

Finally, let’s remind ourselves of the hypothetical essay question we’ve been using:

Remember that, just like your introduction, your conclusion should be brief and direct and must not attempt to do more than it needs to.

In conclusion, Kavanagh’s poem utilizes numerous techniques to capture the ways in which loss is both inescapable and a source of enormous pain. Moreover, the poet subverts positive memories by showcasing how they can cause loved ones more pain than comfort in the early stages of grief. Ultimately, the poem demonstrates how malleable memory can be in the face of immense loss due to the way the latter shapes and informs the former.

As you can see, this conclusion is confident and authoritative but does not need to provide evidence to justify this tone because that evidence has already been provided earlier in the essay. You should pay close attention to the manner in which the conclusion links different points together under one banner in order to provide a sense of assuredness.

You should refer to the poet by either using their full name or, more commonly, their surname. After your first usage, you may refer to them as ‘the poet.’ Never refer to the poet using just their first name.

This is a good question, and the answer entirely depends on the level of study as well as the nature of the examination. If you are writing a timed essay for a school exam, you are unlikely to need any form of referencing. If, however, you are writing an essay as part of coursework or at a higher education institution, you may need to refer to the specific guidelines of that institution.

Again, this will depend on the type of essay you are being asked to write. If you are writing a longer essay or writing at a higher educational level, it can be useful to refer to other poems in the writer’s repertoire to help make comments on an aspect of the poem you are primarily writing about. However, for the kind of essay outlined in this article, you should focus solely on the poem you have been asked to write about.

This is one of the most common concerns students have about writing essays . Ultimately, the quality of an essay is more likely to be determined by the quality of paragraphs than the quantity anyway, so you should focus on making your paragraphs as good as they can be. Beyond this, it is important to remember that the time required to write a paragraph is not fixed. The more you write, the faster they will become. You should trust the process, focus on making each paragraph as good as it can be, and you’ll be amazed at how the timing issue takes care of itself.

Other Resources

We hope you have found this article useful and would love for you to comment or reach out to us if you have any queries about what we’ve written. We’d love to hear your feedback!

In the meantime, we’ve collated a list of resources you might find helpful when setting out to tackle a poetry essay, which you can find below.

• Do poems have to rhyme?
• 10 important elements of poetry
• How to analyze a poem with SMILE
• How to approach unseen poetry
• 18 Different Types of Themes in Poetry

Home » Poetry Explained » How to Write a Poetry Essay (Complete Guide)

About Joe Santamaria

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Santamaria, Joe. "How to Write a Poetry Essay (Complete Guide)". Poem Analysis , https://poemanalysis.com/how-to-write-a-poetry-essay/ . Accessed 4 September 2024.

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Mastering the art of crafting a poetry essay – essential tips and strategies.

Poetry is a beautiful and complex form of literature that allows individuals to express emotions, thoughts, and experiences in a creative and unique way. When writing an essay about poetry, it is essential to approach the task with care and attention to detail. Crafting an effective poetry essay requires a deep understanding of the art form and the ability to analyze and interpret poetic works. In this article, we will explore some tips to help you create a compelling and insightful poetry essay that showcases your analytical skills and appreciation for poetry.

One of the first steps in writing a poetry essay is to carefully read and analyze the poem or poems you are writing about. Take the time to read the poem multiple times, paying close attention to the language, structure, and overall theme. Consider the tone of the poem, the use of imagery and metaphor, and the emotions evoked by the language. By immersing yourself in the poem and exploring its nuances, you will be better equipped to craft a thoughtful and well-informed essay.

Another important tip for writing a poetry essay is to develop a clear thesis statement that outlines the main argument or interpretation you will be making about the poem. Your thesis should be specific, concise, and focused, providing readers with a roadmap of the points you will be discussing in your essay. Use your thesis statement to guide your analysis and ensure that each paragraph in your essay contributes to your overall argument.

Key Strategies for Writing a Successful Poetry Essay

1. Close Reading: Begin by closely reading the poem multiple times to understand its structure, themes, and language use.

2. Analysis: Analyze the poem’s meaning, symbolism, and poetic devices such as metaphors, similes, and imagery.

3. Thesis Statement: Develop a clear and focused thesis statement that encapsulates your interpretation of the poem.

4. Organization: Organize your essay in a logical and coherent manner, with each paragraph supporting your thesis.

5. Evidence: Use specific examples and quotes from the poem to support your analysis and arguments.

6. Interpretation: Offer your own interpretation of the poem while considering different perspectives and engaging critically with the text.

7. Conclusion: Conclude your essay by summarizing your key points and reiterating the significance of your analysis.

8. Revision: Revise your essay for clarity, coherence, and effectiveness, ensuring that your ideas are well-developed and supported.

9. Proofreading: Proofread your essay carefully to eliminate any errors in grammar, punctuation, and spelling.

10. Feedback: Seek feedback from peers, instructors, or writing centers to improve your essay and gain different perspectives.

Understand the Poem’s Context

Before analyzing a poem, it is essential to understand the context in which it was written. Consider the historical period, the poet’s background, and any events that may have influenced the writing of the poem. Understanding the context can provide valuable insights into the poet’s intentions, the themes addressed, and the overall impact of the poem.

Analyze the Poem’s Structure

Poetry is often characterized by its unique structure, which plays a crucial role in conveying the poet’s message. When analyzing a poem’s structure, pay attention to the following aspects:

Line Length: Examine the length of each line in the poem. Short lines can create a quick, staccato rhythm, while long lines can slow down the pace and add a sense of contemplation.

Stanza Formation: Look at how the poem is divided into stanzas. The number of lines in each stanza and their arrangement can highlight key ideas or themes.

Rhyme Scheme: Identify any rhyme scheme employed by the poet. Rhyme can create a musical quality in the poem and emphasize certain words or ideas.

Meter and Rhythm: Consider the meter and rhythm of the poem. The pattern of stressed and unstressed syllables can influence the poem’s flow and mood.

Understanding these structural elements can deepen your analysis of the poem and help you appreciate the poet’s craft in conveying meaning through form.

Explore the Poem’s Themes

One crucial aspect of crafting an effective poetry essay is to delve into the themes present in the poem. Themes are the underlying messages or concepts that the poet is trying to convey through their work. To effectively analyze a poem’s themes, consider the following:

• Identify recurring ideas or motifs throughout the poem.
• Consider the emotions or feelings evoked by the poem and how they contribute to the overall theme.
• Look for symbolic elements that represent deeper meanings within the poem.
• Reflect on the social, cultural, or historical context of the poem to better understand its themes.

By exploring the poem’s themes in depth, you can gain a deeper understanding of the poet’s intentions and craft a more insightful analysis in your essay.

Examine the Poem’s Use of Language

When crafting a poetry essay, it is essential to analyze the poem’s use of language. Pay close attention to the words, phrases, and imagery used by the poet to convey their message. Consider the tone, mood, and atmosphere created through the poet’s choice of language.

Look for literary devices such as metaphor, simile, personification, and symbolism, and evaluate how they contribute to the overall meaning of the poem. Note the cadence and rhythm of the poem, as well as any rhyme or meter patterns that enhance the poetic effect.

Furthermore, explore the connotations and denotations of key words in the poem, as well as the poet’s use of figurative language. Consider how the poet’s linguistic choices shape the reader’s understanding and emotional response to the poem.

By closely examining the poem’s use of language, you can uncover deeper layers of meaning and appreciate the artistry behind the poet’s writing.

Consider the Poet’s Background

When analyzing a poem for an essay, it’s crucial to consider the poet’s background and life experiences. Understanding the context in which the poet lived can offer valuable insights into the themes, symbols, and emotions expressed in their poetry. Researching the poet’s biography, cultural influences, and historical events that shaped their worldview can deepen your understanding of the poem and enhance your analysis. By considering the poet’s background, you can uncover hidden meanings and nuances that may not be immediately apparent, enriching your interpretation and creating a more comprehensive essay.

Connect Themes to Personal Experience

One effective way to enhance your poetry essay is to connect the themes discussed in the poem to your personal experiences. By relating the themes to your own life, you can offer a unique and personal perspective that will enrich your analysis.

Consider how the themes of the poem resonate with your own emotions, experiences, or beliefs. Share personal anecdotes or examples that illustrate how the themes are relevant to your life. This personal connection can add depth and nuance to your essay, making it more engaging and insightful.

Furthermore, drawing on personal experiences can help you better understand and interpret the poem’s themes. Your own life experiences can provide valuable insights and interpretations that may not be immediately apparent. By exploring the connections between the poem and your personal experiences, you can uncover new layers of meaning and significance.

Craft a Compelling Thesis Statement

One of the most important elements of your poetry essay is the thesis statement. Your thesis should clearly express the main argument or interpretation of the poem you are analyzing. It should be specific, debatable, and insightful.

To craft a compelling thesis statement, start by carefully reading and analyzing the poem. Identify the key themes, symbols, and poetic devices that the poet uses. Consider how these elements contribute to the overall meaning of the poem.

Your thesis statement should make a claim about the poem that can be supported with evidence from the text. Avoid simply summarizing the poem or stating the obvious. Instead, strive to present a unique and thought-provoking interpretation.

Remember that your thesis statement will guide the rest of your essay, so take the time to refine it until you are confident that it effectively captures the essence of your analysis. A strong thesis statement will help you organize your thoughts and present a clear and coherent argument in your poetry essay.

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How to write a poetry essay

• August 26, 2023

Whether you love literature or are just curious, this guide will help you understand, enjoy, and talk about poetry. So, let’s start exploring the world of lines and symbols, where each one tells a story to discover.

Here are the steps on writing a poetry essay.

Choose a poem

The first step is, of course, to choose a poem to write your essay . 

It should be one that you find interesting, thought-provoking, or emotionally resonant. It’s important to select a poem that you can engage with and analyze effectively.

• Choose a poem that genuinely captures your interest. Look for poems that evoke emotions, thoughts, or curiosity when you read them.
• Consider the themes addressed in the poem. It should offer ample material for analysis.

When choosing a poem

So for this guide, let’s choose Emily Dickinson’s poem “Because I could not stop for Death.” You’ll see a short excerpt of this poem for your understanding. 

Poem example for poetry essay

Because i couldn not stop for Death by Emily Dickinson

       Because I could not stop for Death –        He kindly stopped for me –        The Carriage held but just Ourselves –        And Immortality.        We slowly drove – He knew no haste        And I had put away        My labor and my leisure too,        For His Civility –        We passed the School, where Children strove        At Recess – in the Ring –        We passed the Fields of Gazing Grain –        We passed the Setting Sun –        The poem continues....

This poem is intriguing due to its exploration of mortality, the afterlife, and eternity. The imagery and language in the poem provide ample material for analysis, making it a suitable choice for a comprehensive essay.

After carefully choosing the poem that interests you, understanding the poem is the biggest key to writing an effective and nice poetry essay.

Understand the poem

Reading the poem several times to grasp its meaning is the most important part of a good analysis. You must first analyze the structure, rhyme scheme , meter and literary tools used in the poem.

For a solid understanding, you should:

• Read the poem multiple times to familiarize yourself with its content. Each reading may reveal new insights.
• Identify the central themes or messages the poem conveys.
• Study the rhyme scheme and meter (rhythmic pattern) of the poem.
• Consider how the structure, including its stanzas, lines, and breaks, contributes to the poem's meaning and impact.

For example

Remember, understanding the poem thoroughly is the foundation for a well-informed analysis. Take your time to grasp the poem’s various elements before moving on to the next steps in your essay.

Now that we have a clear understanding of the poem, let’s move into writing the introduction. 

Write a catchy introduction

• Begin with an attention-grabbing hook sentence that piques the reader's interest.
• Provide the necessary information about the poem and its author. Mention the poet's name and title of the poem.
• Offer some context about the poem's time period, literary movement, or cultural influences.
• Present your thesis statement , which outlines the main argument or focus of your essay.

Poetry essay introduction example

Introduction

Thesis statement for poetry essays

A thesis statement is a clear and concise sentence or two that presents the main argument or point of your essay . It provides a roadmap for your reader, outlining what they can expect to find in your essay.

In the case of a poetry essay, your thesis statement should capture the central message, themes, or techniques you’ll be discussing in relation to the poem.

Why is the thesis important for a poetry essay?

By reading your thesis statement, your audience should have a clear idea of what to expect from your poem analysis essay.

When creating a thesis statement, keep these in mind: 

• Start by identifying the key elements of the poem that you want to discuss. These could be themes, literary devices, emotions conveyed, or the poet's intentions.
• Based on the key elements you've identified, formulate a central argument that encapsulates your main analysis. What is the poem trying to convey? What are you trying to say about the poem?
• Your thesis should be specific and focused. Avoid vague or broad statements. Instead, provide a clear direction for your analysis.

Poetry essasy thesis statement example

....(introduction starts) ....(introduction continues) ....(introduction continues) In "Because I could not stop for Death," Emily Dickinson employs vivid imagery, personification, and an unconventional perspective on mortality to explore the transcendence of death and the eternity of the soul. Thesis statement, which is usually the last sentence of your introduction

Analyze language and imagery

Language and image analysis in poetry involves a close examination of the words, phrases and literary devices used by the poet. In this step you must uncover the deeper layers of meaning, emotion and sensory experiences conveyed by the poet’s choice of language and imagery.

Why language and imagery?

• Start by identifying and listing the literary devices present in the poem. These could include metaphors, similes, personification, symbolism, alliteration, onomatopoeia, and more.
• For each identified device, explain its significance. How does it contribute to the poem's meaning, mood, or tone?
• Analyze how the literary devices interact with the context of the poem. How do they relate to the themes, characters, or situations presented in the poem?
• Discuss how the use of specific language and imagery influences the reader's emotional response and understanding of the poem.

Continuing with Emily Dickinson’s “Because I could not stop for Death,” let’s analyze the use of imagery:

Language and imagery analysis example

Lines chosen for analysis

Discuss themes in body paragraphs

Exploring themes helps you grasp the deeper meaning of the poem and connect it to broader human experiences. Understanding the themes allows you to uncover what the poet is attempting to convey and how the poem relates to readers on a universal level.

In this step, you will likely dedicate multiple body paragraphs to the analysis of various aspects of language and imagery. Each body paragraph should focus on a specific literary device, phrase, or aspect of language and imagery.

Here’s how you can structure the body paragraphs.

Poetry essay body paragraphs example

Body Paragraph 1: Identify and Explain Literary Devices

Body Paragraph 2: Context and Interaction with Themes

Body Paragraph 3: Reader's emotional response and understanding

Provide evidence from the poem

Providing evidence involves quoting specific lines or stanzas from the poem to support the points you’re making in your analysis. These quotes serve as concrete examples that demonstrate how the poet uses language, imagery, or literary devices to convey specific meanings or emotions.

• Select lines or stanzas from the poem that directly relate to the point you're making in your analysis.
• Introduce each quote with context, explaining the significance of the lines and how they contribute to your analysis.
• Use quotation marks to indicate that you're using the poet's language.
• After providing the quote, interpret its meaning. Explain how the language, imagery, or devices used in the quoted lines contribute to your analysis.

Providing evidence example

In your essay, you should include several quotes and interpret them to reinforce your points. Quoting specific lines from the poem allows you to showcase the poet’s language while demonstrating how these lines contribute to the poem’s overall expression.

Write a conclusion

Conclusion paragraph is the last sentence of your poem analysis essay. It reinforces your thesis statement and emphasizes your insights.

Additionally, the conclusion offers a chance to provide a final thought that leaves a lasting impression on the reader. In your conclusion, make sure to:

• Start by rephrasing your thesis statement. Remind the reader of the main argument you've made in your essay.
• Provide a concise summary of the main points. Avoid introducing new information; focus on the key ideas.
• Discuss the broader significance or implications. How does the poem's message relate to readers beyond its specific context?
• End with a thoughtful reflection, observation, or question that leaves the reader with something to ponder.

Poetry essay conclusion example

In your essay, the conclusion serves as a final opportunity to leave a strong impression on the reader by summarizing your analysis and offering insights into the poem’s broader significance.

Now, it’s time to double check what you’ve written.

Proofread and revise your essay

Edit your essay for clarity, coherence, tense selection , correct headings , etc. Ensure that your ideas flow logically and your analysis is well-supported. Remember, a poetry essay is an opportunity to delve into the nuances of a poem’s language, themes, and emotions.

• Review each paragraph to ensure ideas flow logically from one to the next.
• Check for grammar and punctuation errors.
• Verify that your evidence from the poem is accurately quoted and explained.
• Make sure your language is clear and effectively conveys your analysis.

By proofreading and revising, you can refine your essay, improving its readability and ensuring that your insights are communicated accurately.

So this was the last part, you’re now ready to write your first poem analysis (poetry) essay. 

Frequently Asked Questions

What should i include in the introduction of a poetry essay.

In the introduction, provide background information about the poem and poet. Include the poem’s title, publication date, and any relevant context that helps readers understand its significance.

Can I include my emotional responses in a poetry essay?

Yes, you can discuss your emotional responses, but ensure they are supported by your analysis of the poem’s literary elements. Avoid focusing solely on personal feelings.

Is it important to understand the poet's background when writing a poetry essay?

While it can provide context, your focus should be on analyzing the poem itself. If the poet’s background is relevant to the poem’s interpretation, mention it briefly.

What's the best way to conclude a poetry essay?

In the conclusion, summarize your main points and tie them together. Offer insights into the poem’s broader significance, implications, or lasting impact.

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How to Write a Poetry Essay: Step-By-Step-Guide

Table of contents

• 1 What Is A Poetry Analysis?
• 2 How to Choose a Poem for Analysis?
• 3.0.1 Introduction
• 3.0.2 Main Body
• 3.0.3 Conclusion
• 4.1 Title of the Poem
• 4.2 Poetry Background
• 4.3 Structure of the Poem
• 4.4 Tone and Intonation of the Poetry
• 4.5 Language Forms and Symbols of the Poetry
• 4.6 Poetic devices
• 4.7 Music of the Poem
• 4.8 Purpose of Poem
• 5 Poetry Analysis Template
• 6 Example of Poem Analysis

Edgar Allan Poe once said:

“Poetry is the rhythmical creation of beauty in words.” 

The reader’s soul enjoys the beauty of the words masterfully expressed by the poet in a few lines. How much meaning is invested in these words, and even more lies behind them? For this reason, poetry is a constant object of scientific interest and the center of literary analysis.

As a university student, especially in literary specialties, you will often come across the need to write a poetry analysis essay. It may seem very difficult when you encounter such an essay for the first time. This is not surprising because even experienced students have difficulty performing such complex studies. This article will point you in the right direction and can be used as a poetry analysis worksheet.

What Is A Poetry Analysis?

Any poetry analysis consists in an in-depth study of the subject of study and the background details in which it is located. Poetry analysis is the process of decomposing a lyrical work into its smallest components for a detailed study of the independent elements. After that, all the data obtained are reassembled to formulate conclusions and write literary analysis . The study of a specific lyric poem also includes the study of the hidden meaning of the poem, the poet’s attitude and main idea, and the expression of individual impressions. After all, the lyrics aim to reach the heart of the reader.

The goal of the poetry analysis is to understand a literary work better. This type of scientific research makes it possible to study entire categories of art on the example of specific works, classify them as certain movements, and find similarities and differences with other poems representing the era.

A poetry analysis essay is a very common type of an essay for university programs, especially in literary and philological areas. Students are often required to have extensive knowledge as well as the ability of in-depth analysis. Such work requires immersion in the context and a high level of concentration.

How to Choose a Poem for Analysis?

You are a really lucky person if you have the opportunity to choose a poem to write a poetry analysis essay independently. After all, any scientific work is moving faster and easier if you are an expert and interested in the field of study. First of all, choose a poet who appeals to you. The piece is not just a set of sentences united by a common meaning. Therefore, it is primarily a reflection of the thoughts and beliefs of the author.

Also, choose a topic that is interesting and close to you. It doesn’t matter if it is an intimate sonnet, a patriotic poem, or a skillful description of nature. The main thing is that it arouses your interest. However, pay attention to the size of the work to make your work easier. The volume should be sufficient to conduct extensive analysis but not too large to meet the requirement for a poem analysis essay.

Well, in the end, your experience and knowledge of the poetry topic are important. Stop choosing the object of study that is within the scope of your competence. In this way, you will share your expert opinion with the public, as well as save yourself from the need for additional data searches required for better understanding.

Poem Analysis Essay Outline

A well-defined structure is a solid framework for your writing. Sometimes our thoughts come quite chaotically, or vice versa, you spend many hours having no idea where to start writing. In both cases, a poem analysis outline will come to your aid. Many students feel that writing an essay plan is a waste of time. However, you should reconsider your views on such a work strategy. And although it will take you time to make a poetry analysis essay outline, it will save you effort later on. While a perfect way out is to ask professionals to write your essays online , let’s still take a look at the key features of creating a paper yourself. Working is much easier and more pleasant when you understand what to start from and what to rely on. Let’s look at the key elements of a poem analysis essay structure.

The essence of a poetry essay outline is to structure and organize your thoughts. You must divide your essay into three main sections: introduction, body, and conclusions. Then list brainstormed ideas that you are going to present in each of these parts.

Introduction

Your essay should begin with an introductory paragraph . The main purpose of this section is to attract the attention of the reader. This will ensure interest in the research. You can also use these paragraphs to provide interesting data from the author of the poem and contextual information that directly relates to your poem but is not a part of the analysis yet.

Another integral part of the poem analysis essay introduction is the strong thesis statement . This technique is used when writing most essays in order to summarize the essence of the paper. The thesis statement opens up your narrative, giving the reader a clear picture of what your work will be about. This element should be short, concise, and self-explanatory.

The central section of a literary analysis essay is going to contain all the studies you’ve carried out. A good idea would be to divide the body into three or four paragraphs, each presenting a new idea. When writing an outline for your essay, determine that in the body part, you will describe:

• The central idea.
• Analysis of poetic techniques used by the poet.
• Your observations considering symbolism.
• Various aspects of the poem.

Make sure to include all of the above, but always mind the coherence of your poem literary analysis.

In the final paragraph , you have to list the conclusions to which your poetry analysis came. This is a paragraph that highlights the key points of the study that are worth paying attention to. Ensure that the information in the conclusion matches your goals set in the introduction. The last few lines of a poem usually contain the perfect information for you to wrap up your paper, giving your readers a ground for further thought.

Tips on How to Analyze a Poem

Now, having general theoretical information about what a poetry analysis essay is, what its components are, and how exactly you can make an outline, we are ready to move on to practical data. Let’s take a closer look at the key principles that you should rely on in the poetry analysis. As you might guess, just reading a poem will not be enough to make a comprehensive analysis. You have to pay attention to the smallest details to catch what other researchers have not noticed before you.

Title of the Poem

And although the poems do not always have a title, if the work you have chosen has a name, then this is a good basis for starting the poetry analysis. The title of the poetic work gives the understanding of what the poet considers to be the key ideas of his verse. In some cases, this element directly reflects the theme and idea of the poem. However, there are also common cases when the poet plays with the name, putting the opposite information into it. Look at the correlation between the title and the content of the poem. This may give you new clues to hidden meanings.

Poetry Background

To fully immerse yourself in the context of the verse, you need to study the prerequisites for its writing. Analyze poetry and pay attention to the period of the author’s life in which the work was written. Study what emotions prevailed in a given time. The background information will help you study the verse itself and what is behind it, which is crucial for a critical analysis essay . What was the poet’s motivation, and what sensations prompted him to express himself specifically in this form? Such in-depth research will give you a broad understanding of the author’s intent and make your poem analysis essay writing more solid.

This fragment of your poem analysis essay study also includes interpretations of all the difficult or little-known words. Perhaps the analyzed poem was written using obsolete words or has poetic terms. For a competent poem analysis, you need to have an enhanced comprehension of the concepts.

Structure of the Poem

Each lyrical work consists of key elements. The theory identifies four main components of a poem’s structure: stanza, rhyme, meter, and line break. Let’s clarify each of the terms separately so that you know exactly what you are supposed to analyze.

The stanza is also called a verse. This element is a group of lines joined together and separated from other lines by a gap. This component of the poem structure exists for the ordering of the poem and the logical separation of thoughts.

The next crucial element is rhyme. This is a kind of pattern of similar sounds that make up words. There are different types of a rhyme schemes that a particular poem can follow. The difference between the species lies in the spaces between rhyming words. Thus, the most common rhyme scheme in English literature is iambic pentameter.

The meter stands for a composite of stressed and unstressed syllables, following a single scheme throughout the poem. According to the common silabotonic theory, the poem’s rhythm determines the measure of the verse and its poetic form. In other words, this is the rhythm with which lyrical works are written.

Finally, the line break is a technique for distinguishing between different ideas and sentences within the boundaries of one work. Also, the separation serves the reader as a key to understanding the meaning, thanks to the structuring of thoughts. If the ideas went continuously, this would create an extraordinary load on perception, and the reader would struggle to understand the intended message.

Writing an essay about poetry requires careful attention and analysis. Poems, although short, can be intricate and require a thorough understanding to interpret them effectively. Some students may find it challenging to analyze poetry and may consider getting professional help or pay to do an assignment on poetry. Regardless of the approach, it is essential to create a well-structured essay that examines the poem’s meaning and provides relevant examples.

Tone and Intonation of the Poetry

The tone and intonation of the poem could be analyzed based on two variables, the speaker and the recipient. Considering these two sides of the narrative, you can reach a better overview of the analyzed poem.

The first direction is to dig deeper into the author’s ideas by analyzing thematic elements. Pay attention to any information about the poet that can be gleaned from the poem. What mood was the author in when he wrote it, what exactly he felt, and what he wanted to share? What could he be hiding behind his words? Why did the poet choose the exact literary form? Is it possible to trace a life position or ideology through analysis? All of this information will help you get a clue on how to understand a poem.

The analysis of the figure of the recipient is also going to uncover some crucial keys to coherent study. Analyze a poem and determine whether the poem was written for someone specific or not. Find out whether the poet put motivational value into his work or even called readers to action. Is the writer talking to one person or a whole group? Was the poem based on political or social interests?

Language Forms and Symbols of the Poetry

Having sufficiently analyzed the evident elements of the poem, it is time to pay attention to the images and symbols. This is also called the connotative meaning of the work. It can sometimes get challenging to interpret poems, so we will see which other poetic techniques you should consider in the poetry analysis essay.

To convey intricate ideas and display thoughts more vividly, poets often use figurative language. It mostly explains some terms without directly naming them. Lyrical expression works are rich in literary devices such as metaphor, epithet, hyperbole, personification, and others. It may sometimes get really tough to research those poem elements yourself, so keep in mind buying lit essay online. Descriptive language is also one of the techniques used in poems that requires different literary devices in order to make the story as detailed as possible.

To fully understand poetry, it is not enough just to describe its structure. It is necessary to analyze a poem, find the hidden meanings, multiple artistic means, references the poet makes, and the language of writing.

Poetic devices

Poetic devices, such as rhythm, rhyme, and sounds, are used to immerse the audience. The poets often use figurative techniques in various poems, discovering multiple possibilities for the readers to interpret the poem. To discover the composition dedicated to the precise verse, you need to read the poem carefully. Consider studying poetry analysis essay example papers to better understand the concepts. It is a certain kind of reader’s quest aimed at finding the true meaning of the metaphor the poet has hidden in the poem. Each literary device is always there for a reason. Try to figure out its purpose.

Music of the Poem

Many poems formed the basis of the songs. This does not happen by chance because each poem has its own music. Lyrical works have such elements as rhythm and rhyme. They set the pace for reading. Also, sound elements are often hidden in poems. The line break gives a hint about when to take a long pause. Try to pay attention to the arrangement of words. Perhaps this will reveal you a new vision of the analyzed poem.

Purpose of Poem

While you analyze a poem, you are supposed to search for the purpose. Each work has its purpose for writing. Perhaps this is just a process in which the author shares his emotions, or maybe it’s a skillful description of landscapes written under great impressions. Social lyrics illuminate the situation in society and pressing problems. Pay attention to whether the verse contains a call to action or an instructive context. Your task is to study the poem and analyze the motives for its writing. Understanding the general context, and especially the purpose of the poet will make your analysis unique.

Poetry Analysis Template

To make it easier for you to research, we have compiled a template for writing a poetry analysis essay. The best specialists of the our writing service have assembled the main guides that will serve as a layout for your essay. Choose a poem that suits you and analyze it according to this plan.

Introduction:

•     The title of the poem or sonnet
•     The name of the poet
•     The date the poem was first published
•     The background information and interesting facts about the poet and the poem
•     Identify the structure of the poem, and the main components
•     Find out the data about the speaker and recipient
•     State the purpose of the poem
•     Distinguish the topic and the idea of the verse

Figurative language:

•     Study the literary devices
•     Search for the hidden meanings

Following these tips, you will write a competitive poem analysis essay. Use these techniques, and you will be able to meet the basic requirements for quality work. However, don’t forget to add personality to your essay. Analyze both the choices of the author of the poem and your own vision. First of all, beauty is in the eye of the beholder. Do not limit yourself to dry analysis, add your own vision of the poem. In this way, you will get a balanced essay that will appeal to teachers.

Example of Poem Analysis

Maya Angelou’s “Still I Rise,” is a powerful anthem of strength and resilience that has become an iconic piece of literature. The poem was written in the 1970s during the civil rights movement and was published in Angelou’s collection of poetry, “And Still I Rise,” in 1978. The structure of the poem is unique in that it is not divided into stanzas but is composed of a series of short phrases that are separated by semicolons. This creates a sense of continuity and momentum as the poem moves forward. The lack of stanzas also reflects the speaker’s determination to keep going, regardless of the obstacles she faces. The tone of the poem is confident and defiant, with a strong sense of pride in the speaker’s identity and heritage. The intonation is rhythmic and musical, with a repeated refrain that emphasizes the theme of rising above adversity. The language forms used in the poem are simple and direct. One of the most powerful symbols in the poem is the image of the rising sun… FULL POEM ANALYSIS

Our database is filled with a wide range of poetry essay examples that can help you understand how to analyze and write about poetry. Whether you are a student trying to improve your essay writing skills or a poetry enthusiast looking to explore different perspectives on your favorite poems, our collection of essays can provide valuable insights and inspiration. So take a look around and discover new ways to appreciate and interpret the power of poetry!

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Writing About Poetry

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Writing about poetry can be one of the most demanding tasks that many students face in a literature class. Poetry, by its very nature, makes demands on a writer who attempts to analyze it that other forms of literature do not. So how can you write a clear, confident, well-supported essay about poetry? This handout offers answers to some common questions about writing about poetry.

What's the Point?

In order to write effectively about poetry, one needs a clear idea of what the point of writing about poetry is. When you are assigned an analytical essay about a poem in an English class, the goal of the assignment is usually to argue a specific thesis about the poem, using your analysis of specific elements in the poem and how those elements relate to each other to support your thesis.

So why would your teacher give you such an assignment? What are the benefits of learning to write analytic essays about poetry? Several important reasons suggest themselves:

• To help you learn to make a text-based argument. That is, to help you to defend ideas based on a text that is available to you and other readers. This sharpens your reasoning skills by forcing you to formulate an interpretation of something someone else has written and to support that interpretation by providing logically valid reasons why someone else who has read the poem should agree with your argument. This isn't a skill that is just important in academics, by the way. Lawyers, politicians, and journalists often find that they need to make use of similar skills.
• To help you to understand what you are reading more fully. Nothing causes a person to make an extra effort to understand difficult material like the task of writing about it. Also, writing has a way of helping you to see things that you may have otherwise missed simply by causing you to think about how to frame your own analysis.
• To help you enjoy poetry more! This may sound unlikely, but one of the real pleasures of poetry is the opportunity to wrestle with the text and co-create meaning with the author. When you put together a well-constructed analysis of the poem, you are not only showing that you understand what is there, you are also contributing to an ongoing conversation about the poem. If your reading is convincing enough, everyone who has read your essay will get a little more out of the poem because of your analysis.

What Should I Know about Writing about Poetry?

Most importantly, you should realize that a paper that you write about a poem or poems is an argument. Make sure that you have something specific that you want to say about the poem that you are discussing. This specific argument that you want to make about the poem will be your thesis. You will support this thesis by drawing examples and evidence from the poem itself. In order to make a credible argument about the poem, you will want to analyze how the poem works—what genre the poem fits into, what its themes are, and what poetic techniques and figures of speech are used.

What Can I Write About?

Theme: One place to start when writing about poetry is to look at any significant themes that emerge in the poetry. Does the poetry deal with themes related to love, death, war, or peace? What other themes show up in the poem? Are there particular historical events that are mentioned in the poem? What are the most important concepts that are addressed in the poem?

Genre: What kind of poem are you looking at? Is it an epic (a long poem on a heroic subject)? Is it a sonnet (a brief poem, usually consisting of fourteen lines)? Is it an ode? A satire? An elegy? A lyric? Does it fit into a specific literary movement such as Modernism, Romanticism, Neoclassicism, or Renaissance poetry? This is another place where you may need to do some research in an introductory poetry text or encyclopedia to find out what distinguishes specific genres and movements.

Versification: Look closely at the poem's rhyme and meter. Is there an identifiable rhyme scheme? Is there a set number of syllables in each line? The most common meter for poetry in English is iambic pentameter, which has five feet of two syllables each (thus the name "pentameter") in each of which the strongly stressed syllable follows the unstressed syllable. You can learn more about rhyme and meter by consulting our handout on sound and meter in poetry or the introduction to a standard textbook for poetry such as the Norton Anthology of Poetry . Also relevant to this category of concerns are techniques such as caesura (a pause in the middle of a line) and enjambment (continuing a grammatical sentence or clause from one line to the next). Is there anything that you can tell about the poem from the choices that the author has made in this area? For more information about important literary terms, see our handout on the subject.

Figures of speech: Are there literary devices being used that affect how you read the poem? Here are some examples of commonly discussed figures of speech:

• metaphor: comparison between two unlike things
• simile: comparison between two unlike things using "like" or "as"
• metonymy: one thing stands for something else that is closely related to it (For example, using the phrase "the crown" to refer to the king would be an example of metonymy.)
• synecdoche: a part stands in for a whole (For example, in the phrase "all hands on deck," "hands" stands in for the people in the ship's crew.)
• personification: a non-human thing is endowed with human characteristics
• litotes: a double negative is used for poetic effect (example: not unlike, not displeased)
• irony: a difference between the surface meaning of the words and the implications that may be drawn from them

Cultural Context: How does the poem you are looking at relate to the historical context in which it was written? For example, what's the cultural significance of Walt Whitman's famous elegy for Lincoln "When Lilacs Last in the Dooryard Bloomed" in light of post-Civil War cultural trends in the U.S.A? How does John Donne's devotional poetry relate to the contentious religious climate in seventeenth-century England? These questions may take you out of the literature section of your library altogether and involve finding out about philosophy, history, religion, economics, music, or the visual arts.

What Style Should I Use?

It is useful to follow some standard conventions when writing about poetry. First, when you analyze a poem, it is best to use present tense rather than past tense for your verbs. Second, you will want to make use of numerous quotations from the poem and explain their meaning and their significance to your argument. After all, if you do not quote the poem itself when you are making an argument about it, you damage your credibility. If your teacher asks for outside criticism of the poem as well, you should also cite points made by other critics that are relevant to your argument. A third point to remember is that there are various citation formats for citing both the material you get from the poems themselves and the information you get from other critical sources. The most common citation format for writing about poetry is the Modern Language Association (MLA) format .

A Full Guide to Writing a Perfect Poem Analysis Essay

01 October, 2020

14 minutes read

Author:  Elizabeth Brown

Poem analysis is one of the most complicated essay types. It requires the utmost creativity and dedication. Even those who regularly attend a literary class and have enough experience in poem analysis essay elaboration may face considerable difficulties while dealing with the particular poem. The given article aims to provide the detailed guidelines on how to write a poem analysis, elucidate the main principles of writing the essay of the given type, and share with you the handy tips that will help you get the highest score for your poetry analysis. In addition to developing analysis skills, you would be able to take advantage of the poetry analysis essay example to base your poetry analysis essay on, as well as learn how to find a way out in case you have no motivation and your creative assignment must be presented on time.

What Is a Poetry Analysis Essay?

A poetry analysis essay is a type of creative write-up that implies reviewing a poem from different perspectives by dealing with its structural, artistic, and functional pieces. Since the poetry expresses very complicated feelings that may have different meanings depending on the backgrounds of both author and reader, it would not be enough just to focus on the text of the poem you are going to analyze. Poetry has a lot more complex structure and cannot be considered without its special rhythm, images, as well as implied and obvious sense.

While analyzing the poem, the students need to do in-depth research as to its content, taking into account the effect the poetry has or may have on the readers.

Preparing for the Poetry Analysis Writing

The process of preparation for the poem analysis essay writing is almost as important as writing itself. Without completing these stages, you may be at risk of failing your creative assignment. Learn them carefully to remember once and for good.

Thoroughly read the poem several times

The rereading of the poem assigned for analysis will help to catch its concepts and ideas. You will have a possibility to define the rhythm of the poem, its type, and list the techniques applied by the author.

While identifying the type of the poem, you need to define whether you are dealing with:

• Lyric poem – the one that elucidates feelings, experiences, and the emotional state of the author. It is usually short and doesn’t contain any narration;
• Limerick – consists of 5 lines, the first, second, and fifth of which rhyme with one another;
• Sonnet – a poem consisting of 14 lines characterized by an iambic pentameter. William Shakespeare wrote sonnets which have made him famous;
• Ode – 10-line poem aimed at praising someone or something;
• Haiku – a short 3-line poem originated from Japan. It reflects the deep sense hidden behind the ordinary phenomena and events of the physical world;
• Free-verse – poetry with no rhyme.

The type of the poem usually affects its structure and content, so it is important to be aware of all the recognized kinds to set a proper beginning to your poetry analysis.

Find out more about the poem background

Find as much information as possible about the author of the poem, the cultural background of the period it was written in, preludes to its creation, etc. All these data will help you get a better understanding of the poem’s sense and explain much to you in terms of the concepts the poem contains.

Define a subject matter of the poem

This is one of the most challenging tasks since as a rule, the subject matter of the poem isn’t clearly stated by the poets. They don’t want the readers to know immediately what their piece of writing is about and suggest everyone find something different between the lines.

What is the subject matter? In a nutshell, it is the main idea of the poem. Usually, a poem may have a couple of subjects, that is why it is important to list each of them.

In order to correctly identify the goals of a definite poem, you would need to dive into the in-depth research.

Check the historical background of the poetry. The author might have been inspired to write a poem based on some events that occurred in those times or people he met. The lines you analyze may be generated by his reaction to some epoch events. All this information can be easily found online.

Choose poem theories you will support

In the variety of ideas the poem may convey, it is important to stick to only several most important messages you think the author wanted to share with the readers. Each of the listed ideas must be supported by the corresponding evidence as proof of your opinion.

The poetry analysis essay format allows elaborating on several theses that have the most value and weight. Try to build your writing not only on the pure facts that are obvious from the context but also your emotions and feelings the analyzed lines provoke in you.

How to Choose a Poem to Analyze?

If you are free to choose the piece of writing you will base your poem analysis essay on, it is better to select the one you are already familiar with. This may be your favorite poem or one that you have read and analyzed before. In case you face difficulties choosing the subject area of a particular poem, then the best way will be to focus on the idea you feel most confident about. In such a way, you would be able to elaborate on the topic and describe it more precisely.

Now, when you are familiar with the notion of the poetry analysis essay, it’s high time to proceed to poem analysis essay outline. Follow the steps mentioned below to ensure a brilliant structure to your creative assignment.

Best Poem Analysis Essay Topics

• Mother To Son Poem Analysis
• We Real Cool Poem Analysis
• Invictus Poem Analysis
• Richard Cory Poem Analysis
• Ozymandias Poem Analysis
• Barbie Doll Poem Analysis
• Caged Bird Poem Analysis
• Ulysses Poem Analysis
• Dover Beach Poem Analysis
• Annabelle Lee Poem Analysis
• Daddy Poem Analysis
• The Raven Poem Analysis
• The Second Coming Poem Analysis
• Still I Rise Poem Analysis
• If Poem Analysis
• Fire And Ice Poem Analysis
• My Papa’S Waltz Poem Analysis
• Harlem Poem Analysis
• Kubla Khan Poem Analysis
• I Too Poem Analysis
• The Juggler Poem Analysis
• The Fish Poem Analysis
• Jabberwocky Poem Analysis
• Charge Of The Light Brigade Poem Analysis
• The Road Not Taken Poem Analysis
• Landscape With The Fall Of Icarus Poem Analysis
• The History Teacher Poem Analysis
• One Art Poem Analysis
• The Wanderer Poem Analysis
• We Wear The Mask Poem Analysis
• There Will Come Soft Rains Poem Analysis
• Digging Poem Analysis
• The Highwayman Poem Analysis
• The Tyger Poem Analysis
• London Poem Analysis
• Sympathy Poem Analysis
• I Am Joaquin Poem Analysis
• This Is Just To Say Poem Analysis
• Sex Without Love Poem Analysis
• Strange Fruit Poem Analysis
• Dulce Et Decorum Est Poem Analysis
• Emily Dickinson Poem Analysis
• The Flea Poem Analysis
• The Lamb Poem Analysis
• Do Not Go Gentle Into That Good Night Poem Analysis
• My Last Duchess Poetry Analysis

Poem Analysis Essay Outline

As has already been stated, a poetry analysis essay is considered one of the most challenging tasks for the students. Despite the difficulties you may face while dealing with it, the structure of the given type of essay is quite simple. It consists of the introduction, body paragraphs, and the conclusion. In order to get a better understanding of the poem analysis essay structure, check the brief guidelines below.

Introduction

This will be the first section of your essay. The main purpose of the introductory paragraph is to give a reader an idea of what the essay is about and what theses it conveys. The introduction should start with the title of the essay and end with the thesis statement.

The main goal of the introduction is to make readers feel intrigued about the whole concept of the essay and serve as a hook to grab their attention. Include some interesting information about the author, the historical background of the poem, some poem trivia, etc. There is no need to make the introduction too extensive. On the contrary, it should be brief and logical.

Body Paragraphs

The body section should form the main part of poetry analysis. Make sure you have determined a clear focus for your analysis and are ready to elaborate on the main message and meaning of the poem. Mention the tone of the poetry, its speaker, try to describe the recipient of the poem’s idea. Don’t forget to identify the poetic devices and language the author uses to reach the main goals. Describe the imagery and symbolism of the poem, its sound and rhythm.

Try not to stick to too many ideas in your body section, since it may make your essay difficult to understand and too chaotic to perceive. Generalization, however, is also not welcomed. Try to be specific in the description of your perspective.

Make sure the transitions between your paragraphs are smooth and logical to make your essay flow coherent and easy to catch.

In a nutshell, the essay conclusion is a paraphrased thesis statement. Mention it again but in different words to remind the readers of the main purpose of your essay. Sum up the key claims and stress the most important information. The conclusion cannot contain any new ideas and should be used to create a strong impact on the reader. This is your last chance to share your opinion with the audience and convince them your essay is worth readers’ attention.

Problems with writing Your Poem Analysis Essay? Try our Essay Writer Service!

Poem Analysis Essay Examples 

A good poem analysis essay example may serve as a real magic wand to your creative assignment. You may take a look at the structure the other essay authors have used, follow their tone, and get a great share of inspiration and motivation.

Check several poetry analysis essay examples that may be of great assistance:

• https://study.com/academy/lesson/poetry-analysis-essay-example-for-english-literature.html
• https://www.slideshare.net/mariefincher/poetry-analysis-essay

Writing Tips for a Poetry Analysis Essay

If you read carefully all the instructions on how to write a poetry analysis essay provided above, you have probably realized that this is not the easiest assignment on Earth. However, you cannot fail and should try your best to present a brilliant essay to get the highest score. To make your life even easier, check these handy tips on how to analysis poetry with a few little steps.

• In case you have a chance to choose a poem for analysis by yourself, try to focus on one you are familiar with, you are interested in, or your favorite one. The writing process will be smooth and easy in case you are working on the task you truly enjoy.
• Before you proceed to the analysis itself, read the poem out loud to your colleague or just to yourself. It will help you find out some hidden details and senses that may result in new ideas.
• Always check the meaning of words you don’t know. Poetry is quite a tricky phenomenon where a single word or phrase can completely change the meaning of the whole piece. 
• Bother to double check if the conclusion of your essay is based on a single idea and is logically linked to the main body. Such an approach will demonstrate your certain focus and clearly elucidate your views. 
• Read between the lines. Poetry is about senses and emotions – it rarely contains one clearly stated subject matter. Describe the hidden meanings and mention the feelings this has provoked in you. Try to elaborate a full picture that would be based on what is said and what is meant.

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Poetry Analysis Essay Guide: Structure, Examples, and Writing Tips

Updated 26 Jul 2024

With its intricate language and captivating imagery, poetry has the remarkable ability to touch the depths of our emotions and provoke reflections. As readers, we often find ourselves captivated by the beauty and depth of a poem, but when tasked with analyzing and interpreting its layers of meaning, we may feel overwhelmed. 

This blog post is your full poem analysis essay guide — you will get valuable insights and practical tips to navigate the intricate world of poetry analysis.

What is a poetry analysis essay? Quick explanation

A poetry analysis examines and interprets a poem to understand its meaning, themes, structure, language, and literary devices used by the poet. It seeks to go beyond the surface level and delve into the poem's complexities and nuances, uncovering its intentions, symbolism, and the overall effect created through the choice of words, imagery, rhythm, and other literary devices.

An analysis can change how you view the poem and help you see a deeper meaning, which helps to develop a greater appreciation for the artistry of poetry. To conduct a poetry analysis essay, you must engage with the poem on multiple levels, exploring its themes, emotions, and ideas.

How to choose a topic for a poetry analysis essay?

When choosing a poetry analysis essay topic, you should start by reading various poems and selecting one that captures your interest. Look for poems that resonate with you emotionally or intellectually or have themes or elements you find intriguing.

You can also look at its complexity and depth: a poem with multiple layers of meaning, rich imagery, and intricate language can provide ample material for analysis. Avoid choosing too simplistic or straightforward poems, as they may limit the depth of analysis.

Then, consider the thematic poem elements. Does it explore love, nature, identity, death, or social issues? Choose the one that addresses themes you find compelling or relevant, as it will make the analysis more engaging.

Remember, the topic you choose should be one that you feel passionate about, and that allows for a thorough and insightful analysis. It should offer enough material for exploration and interpretation, enabling you to delve into the poem's nuances and uncover deeper layers of meaning.

Poetry analysis essay outline with examples

An outline should include various sections to ensure a comprehensive and organized analysis — we added key rules and poetry analysis essay examples to guide you. 

Introduction

The introduction sets the tone for the essay and provides the necessary context. It introduces the poem and the poet, establishes the focus of the analysis, and presents the thesis statement.

Include the following: 

• Provide the title, poet's name, and publication date.
• Add brief background information about the poet and the poem's context.
• State your main argument or poem interpretation.

Poem analysis essay example :

‘Robert Frost's poem 'The Road Not Taken,' published in 1916, is a widely celebrated piece of American literature. In this poem, Frost explores the theme of choices and their lifelong impact. Closely examining the poem's language, symbolism, and narrative perspective makes it clear that 'The Road Not Taken' challenges the notion of individualism and invites a reconsideration of the conventional interpretation.’

Poem summary

A summary of the poetry analysis essay provides a concise overview of its content and structure. It helps the reader grasp the key elements of the poem before delving into the analysis. You need to: 

• Summarize the content and structure of the poem.
• Highlight key events, images, or ideas presented in the poem.

'The Road Not Taken' is a narrative poem consisting of four stanzas with a rhyming scheme of ABAAB. The speaker reflects on a pivotal moment in their life when faced with two diverging paths in a yellow wood. They ultimately choose the less traveled road, which proves to have a profound impact on their life journey."

Analysis of poetic devices 

Analyzing poetic devices helps uncover the poet's intentional choices, which deepen the understanding of the themes, emotions, and overall impact on the reader. You need to: 

• Identify and analyze the literary devices.
• Discuss their effects on the poem's meaning and tone.
• Explore how the devices contribute to the overall poetic experience.

Metaphor: Frost uses the metaphor of the roads to symbolize life choices. By describing the two paths as 'diverged in a yellow wood,' he invites readers to consider the paths as representative of life's diverging opportunities. The metaphor emphasizes the significance of decision-making and the uncertainty that accompanies it.

Analysis of themes

By analyzing how themes are developed and conveyed, the essay reveals the poem's complexities and invites readers to engage with its deeper layers of meaning.

Make sure you complete the following:

• Identify and explore the central poem themes.
• Analyze how these themes are developed and conveyed throughout the poem.
• Provide evidence to support your analysis.

Individualism vs. Conformity: Frost challenges the conventional interpretation of the poem as a celebration of individualism. Instead, he suggests that both paths were equally worn, implying that choices often appear more significant in retrospect. The poem raises questions about the role of individual agency and the influence of societal expectations in decision-making.

If you have ever worked on other types of analysis, like a literary analysis essay, you know that the conclusion needs to summarize the main points and findings. It reinforces the thesis statement and restates the significance of the analysis. Your job is to: 

• Recapitulate the analyzed poem's central themes, literary devices, and elements.
• Restate the thesis statement or main argument and emphasize how the analysis has supported and illuminated it.
• Discuss the broader significance of the poem and its analysis.

In conclusion, John Keats' "Ode to a Nightingale" transports us to a realm where the boundaries between reality and imagination blur. Through his masterful use of vivid imagery, melodic language, and introspective musings, Keats invites us to contemplate the ephemeral nature of life and the solace that art can offer.

Poetry analysis essay: full guide 

While poetry analysis is essential, some students also get asked to conduct a literature review. You only need to shoot ‘ write my literature review ’ to get professional assistance and learn more. In this section, we will review key things you must include in your poem analysis essay. 

By analyzing the title of a poem, you can gain insights into the poet's intentions, thematic focus, and overall tone and atmosphere. It helps create a deeper exploration of the poem's content and enhances your understanding of its artistic and emotional impact. 

• Consider the literal meaning.  Start by examining the literal meaning of the title. Look for any keywords, phrases, or references that stand out. Consider the denotative meaning of these words and how they relate to the subject matter or themes you might expect to find in the poem.
• Look for symbolism.  Titles often carry symbolic or metaphorical significance. Consider whether the title has a deeper symbolic meaning beyond its literal interpretation. Look for potential connections between the title and the content or themes of the poem. 
• Examine word choice and connotations.  Pay attention to the specific words chosen for the title. Consider their connotations and the associations they evoke. Analyze how these words contribute to the poem's tone, mood, or overall atmosphere. Reflect on whether the title reflects a positive, negative, ambiguous, or ironic tone.
• Explore multiple interpretations.  Titles can be open to interpretation, allowing for multiple layers of meaning. Consider different interpretations of the title and how they align with your initial understanding of the piece. Reflect on how these interpretations influence your overall analysis and understanding of the poem.
• Reflect on the poet's intention.
• Consider the poet's intention in choosing the title. Reflect on whether the title serves to summarize, encapsulate, or add complexity to the poem's themes or ideas. Analyze how the title may reflect the poet's artistic vision or provide a clue to their intended message.
• Compare with the ending.  Sometimes, the title of a poem gains additional significance or takes on new meaning when compared with the poem's ending. Analyze the relationship between the title and the final lines of the poem. Reflect on whether the title is reaffirmed, challenged, or transformed by the poem's conclusion.

While conducting poetry analysis essays, analyzing a poem's structure is a must. Here are questions that will guide you:

• Determine the specific form of the poem. Is it a sonnet, a haiku, a ballad, or a free verse? 
• Are the lengths of the lines and stanzas consistent or vary throughout the poem? Reflect on how these breaks and variations contribute to the poem's rhythm, pacing, and overall effect.
• Does the poem follow a specific rhyme scheme (such as AABB, ABAB, or ABBA), or if it lacks a regular rhyme pattern? 
• Are there any repeated words, phrases, or entire lines? Reflect on why the poet employs repetition and how it contributes to the overall meaning or effect of the poem. 
• How does punctuation affect the flow and interpretation of the piece? Does the poet use punctuation to create pauses, emphasize certain words or phrases, or convey a specific tone or mood? 
• Consider how the structure relates to its content and themes. Does the form enhance or challenge the poem's meaning? Analyze whether there is harmony or tension between the form and the subject matter and how this contributes to the poem's overall effect.

Tone and intonation of the poetry

By paying attention to the tone and intonation, you can gain insights into the poet's attitude, mood, and overall atmosphere. To analyze the tone and intonation in your poem analysis essay, read it multiple times, immersing yourself in the language and imagery used. Consider the following aspects:

Word choice. Look for words with strong connotations that evoke particular emotions or create a specific mood. Consider whether the words used convey a sense of joy, sadness, anger, or contemplation. 

Figurative language.  Analyze the poem's figurative language, such as metaphors, similes, and personification. Consider how these devices contribute to the tone and intonation. For example, using vivid metaphors may create a tone of intensity or heightened emotion, while gentle similes may convey a more tender or reflective tone.

Sentence structure and syntax.  Note whether the sentences are long or short, fragmented or flowing. Consider how the poet's choices in sentence structure and syntax influence the tone and rhythm of the poem. Short, abrupt sentences may create a sense of urgency or tension, while longer, flowing sentences may convey a more contemplative or relaxed tone.

Analyzing the purpose of a poem involves examining the poet's intentions, motivations, and the message they seek to convey through their work. 

• Reflect on the poet's background, including their life experiences, cultural influences, and literary tradition. Consider the historical, social, or political context in which the poem was written. Analyze how these factors may have shaped the poet's purpose and influenced their choice of subject matter or themes.
• Identify the main themes or ideas explored in the poem. Themes can range from love, nature, identity, social justice, mortality, or any other subject that the poet engages with. Reflect on the poet's purpose in addressing these themes and how they relate to the larger human experience or the poet's personal beliefs.
• Consider how literary devices such as metaphors, similes, symbolism, or allusion contribute to the poem's purpose. Reflect on how they enhance the meaning, create vivid imagery, or add layers of depth to the poet's message.
• Reflect on the impact the poem has on you as a reader. Analyze how the poet's purpose is conveyed through the emotional, intellectual, or sensory responses evoked by the poem. You can reflect on whether the poem achieves its purpose in engaging, enlightening, or transforming the reader's understanding or perspective.
• Based on your analysis, formulate your interpretation of the poet's purpose. Just like with the critical analysis essay example, engage with the text and connect your findings to your own experiences, knowledge, or beliefs. It’s a good idea to support your interpretation with evidence from the poem, highlighting specific lines, images, or techniques that contribute to the poet's purpose.

Language and imagery 

Analyzing the language and imagery of poetry involves closely examining the poet's use of language, vivid descriptions, and literary devices to create a rich sensory experience for the reader. 

• Imagery refers to sensory language that creates vivid mental images in the reader's mind. Pay attention to the visual, auditory, tactile, olfactory, and gustatory images created by the poet. 
• Symbols are objects, images, or actions representing deeper meanings beyond their literal interpretation. Analyze the symbols used in the poem and consider their significance and potential interpretations.
• Poetic devices are techniques poets use to enhance their work's meaning, sound, and musicality. Analyze the following poetic devices and their impact on the poem:

Metaphor: Identify comparisons between two seemingly unrelated things without using "like" or "as."

Sample: "Her laughter was a melody that danced through the air."

Simile: Notice comparisons that use "like" or "as" to liken one thing to another.

Sample: "His smile shone like the sun on a summer's day."

Personification: Look for instances where non-human objects or abstract concepts are given human qualities or characteristics.

Sample: "The wind whispered secrets through the trees."

Alliteration: Identify the repetition of consonant sounds, particularly at the beginning of words.

Sample: "Peter Piper picked a peck of pickled peppers."

Assonance: Notice the repetition of vowel sounds within words.

Sample: "The rain in Spain falls mainly on the plain."

Onomatopoeia: Identify words that imitate or resemble the sounds they describe.

Sample: "The sizzle of the frying pan filled the kitchen."

Analyzing the music of a poem involves examining the poet's use of sound patterns, rhythm, meter, and other musical elements to create a harmonious and melodic effect. 

Poem's meter. Meter refers to the rhythmic pattern created by stressed and unstressed syllables in a line of poetry. Analyzing it helps you understand the poem's musical structure and its effect on the reader.

Rhyme and rhyme scheme.  Examine the poem's use of rhyme, including end rhymes (rhyming words at the end of lines) and internal rhymes (rhyming words within lines). Analyzing rhyme and rhyme schemes provides insights into the poem's musicality and the poet's deliberate choices.

Sound devices . Look for sound devices employed by the poet to create musical effects, including alliteration, assonance, and consonance. 

Writing poetry analysis essay: key points 

• Read the poem multiple times to grasp its meaning and gather initial impressions.
• Analyze the title and consider its significance in the poem's themes and content.
• Examining poetry analysis structure, including its stanzas, lines, and rhyme scheme.
• Analyze the language and imagery used, noting any literary devices the poet employs.
• Consider the tone and mood of the piece of poetry and how they contribute to its overall message.
• Reflect on the purpose of the poem and the poet's intended audience.
• Formulate a clear thesis statement that presents your interpretation or analysis.
• Develop the body paragraphs, each focusing on a specific aspect.
• Support your analysis with evidence from the work, including quotes and examples.
• Explain the significance of your findings and how they contribute to the overall understanding of the poem.
• Conclude your paper by summarizing your main points and reflecting thoughtfully on the poem's impact or significance.

Poetry analysis essay template

I. Introduction

• Hook: Begin with an attention-grabbing statement or question.
• Context: Provide brief background information about the poet and the poem.
• Thesis statement: State your main argument or interpretation.

II. Analysis of Title

• Analyze the title's significance and possible meanings.
• Discuss how the title sets the tone or introduces key themes.

III. Analysis of Structure

• Examine the poem's structure, including stanzas, lines, and rhyme scheme.
• Analyze the impact of the structure on the poem's meaning or rhythm.

IV. Analysis of Language and Imagery

• Identify and analyze literary devices used in the poem (e.g., metaphors, similes, personification).
• Discuss the effectiveness of the poet's language in conveying the poem's themes or emotions.
• Analyze the vividness and impact of the poem's imagery.

V. Analysis of Tone and Mood

• Identify the piece's overall tone (e.g., joyful, melancholic, contemplative).
• Discuss how the poet's tone contributes to the reader's understanding or emotional response.
• Analyze the mood created by the poem's language and imagery.

VI. Analysis of Themes and Meaning

• Identify the central themes.
• Analyze how the poet develops and conveys these themes through various poetic elements.
• Discuss the deeper meaning or message conveyed by the poem.

VII. Conclusion

• Summarize the main points discussed in the essay.
• Restate the thesis statement and its significance.
• Provide a final reflection on the poem's impact or enduring relevance.

Tips on how to write a poetry analysis essay

Embrace your emotional response. Poetry often evokes strong emotions. Don't shy away from expressing your personal feelings and reactions. Your emotional response can be a valuable entry point for deeper analysis.

Engage with the poet's background.  Research the poet's life, experiences, and historical context. Understanding the poet's background can illuminate the poem's inspiration and add depth to your analysis.

Draw connections to other works.  Compare the poem with other works by the same poet or poets from the same literary movement. Identifying common themes and stylistic choices can enrich your interpretation.

Visualize the poem.  Create a visual representation of the imagery and structure. Sketching or visual aids can help you better understand the poem's patterns and symbolism.

Collaborate with peers. Discuss the piece of poetry with classmates or friends and exchange ideas. Engaging in group discussions can offer fresh perspectives and lead to new insights.

Apply real-life experiences. Relate the themes or messages of the poem to real-life situations or historical events. This approach can make the poem's meaning more relatable and relevant.

Challenge conventions.  Feel free to challenge conventional interpretations or literary analysis norms. A fresh perspective can lead to a more unique and compelling essay.

In conclusion

By carefully examining the poem's structure, language, imagery, and themes, we unlock its secrets and profoundly understand the poet's intentions. Writing a poetry analysis essay allows us to explore our interpretations, connect with the poet's voice, and engage with the timeless and universal truths that poetry conveys.

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Written by Steven Robinson

Steven Robinson is an academic writing expert with a degree in English literature. His expertise, patient approach, and support empower students to express ideas clearly. On EduBirdie's blog, he provides valuable writing guides on essays, research papers, and other intriguing topics. Enjoys chess in free time.

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How to Write a Poem Analysis: 6 Steps for Students and New Reviewers

Even if you do not plan on learning how to write a poem analysis essay, building a routine of analysis into your reading can deepen your appreciation.

Elliot Riley

Emily Butler is a librarian and writer. You can discover more of their literary opinions on their YouTube channel, youtube.com/emilybutler, and follow them on Twitter @EmilyFButler1.

View All posts by Elliot Riley

If you’re a student or new reviewer first approaching the task, you may be wondering how to write a poem analysis. Fortunately, there are concrete steps you can take to analyze a poem or collection of poetry. Even if you do not plan on learning how to write a poem analysis essay, building a routine of analysis into your poetry reading can deepen your appreciation for the genre.

Poems have many layers of meaning. A particularly beautiful and well-crafted poem only becomes more enjoyable the more you increase your understanding of the decisions the poet made to craft it. The following steps outline the kinds of questions to ask yourself while writing a poem analysis.

Step 1: Read the Poem Aloud

Poetry has a long oral history. Poets often utilize sound techniques which are easier to detect when reading the poem aloud. Read it once without an analytical focus. Simply notice how you respond to the poem. Begin by asking yourself broad, simple questions such as: How did this make me feel? What do I think the poet is trying to say?

Jot some notes down about your initial impression. Analyzing a poem is a recursive process. You will read the poem several times, and these first impressions can provide interesting clues for what to focus on in your analysis.

Step 2: Identify the Type of Poem

There are several different types of poems, but all poems fall into three overarching categories: free verse, formal verse, and prose poems. Formal poetry itself comes in many more specific forms. Check out A Beginner’s Guide to Different Types of Poems.

There are certain analytical questions you can ask yourself depending on the type of the poem you’re reading. If this is a prose poem, ask yourself, what exactly makes this piece of writing a poem, as opposed to a short piece of prose? Recognizing a specific poetic form allows you to contextualize the poem in history. For example, if you’re reading a sonnet, consider how the poem you’re analyzing fits with or fights against the conventions of sonnets.

Step 3: Mark It Up

There is no one correct way to mark up a poem. You can underline lines which stand out to you. You can take notes in the margins identifying poetic techniques as you see them. You can scan the poem,  a method of marking stressed and unstressed syllables. You can circle words which seem important or stand out as surprising.

If you are reviewing an entire poetry collection, it’s a good idea to take notes in the margins about particular motifs or themes. That way, when you are finished with your first read, you can look for ideas which appeared in multiple poems.

Step 4: Consider Poetic Techniques

Read the poem several times, considering a single poetic technique at a time. For example, free verse and formal poems use line breaks. Read through the poem once, focusing on how the poet has broken lines, and the impact of those decisions. If the poem contains stanzas, do the same for stanzas. You can repeat this process with any poetic technique: similes, metaphors, imagery, assonance, consonance, alliteration. How do these poetic techniques support, enhance, or problematize the overall message of the poem? Your observations will prove crucial when you are ready to sit down and write a poem analysis.

Step 5: Pay Attention to the Turn(s)

In poetry, the term “volta,” sometimes called a “turn,” is a shift in the tone, meaning, or style of a poem. This is a common enough poetic technique that it warrants its own step in the analytic process. Nearly every sonnet contains a turn in the final two lines of the poem, but countless other types of poems contain some sort of shift.

Voltas are so common that if the poem you’re reading does not contain a volta, that is a decision worth incorporating into a poem analysis. You can always ask yourself whether or not a poem contains a turn, and how this impacts the poem overall. Focus on the final lines of a poem, since that is where the volta typically appears.

Step 6: Make an Argument

If you are reviewing an entire poetry collection you can use the above steps for each poem. Then consider the way that the poet has chosen to order the poems within the collection. Revisit the first and last poems, asking yourself how they might function as a kind of introduction and conclusion to the collection.

As with any other essay in the realm of literature, in order to write a poem analysis essay, you should formulate an argument and back it up with evidence. Different readers can have opposing ideas about how a poem or collection of poetry operates, and that’s okay, as long as both readers have evidence to support their claims. How do you back up your claims with evidence? Refer to your notes, especially your observations of poetic techniques. Whenever necessary, quote exact lines or stanzas and use them to support your argument.

Step 7: Consider the Audience

Writing a book review of a poetry collection is considerably different from writing an essay about it. That is because book reviews serve a different purpose than essays do. Individual readers, book buyers, and librarians read reviews in order to decide whether or not to purchase a book.

Ask yourself: what kind of reader might enjoy this collection? It’s always a good idea to compare and contrast to other collections of poetry. You can recommend the poetry collection you’re reviewing to fans of another poet, for example.

Book reviews tend to be considerably shorter than essays, often as short as two or three hundred words. For that reason, it’s important to be concise. Unlike reviewing fiction or nonfiction, you do not exactly need to “summarize” a poetry collection. Most poetry collections cannot be summarized the way that a novel or nonfiction book can. Instead, list some of the central thematic concerns of the collection and describe the poetic style. Tell your readers what kind of poems they will find in this collection. Are these prose poems, free verse, formal verse, or a combination? Are they simple, accessible poems, or complex poems with unusual syntax? Does the collection contain a lot of references?

In a book review, you will want to quote a line or two which represents some aspect of the poetry collection as a whole. Since you do not have a lot of space, choose something representative of the poet’s style. This will give readers an idea of whether or not this collection appeals to them. For more information about writing book reviews, check out How To Write a Book Review: Six Steps to Take .

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Poem Analysis Essay Guide: Outline, Template, Structure

Poetry analysis, which is similar to poetry review, involves analyzing the language and figures of speech used by a poet. It also entails sharing personal views regarding the poem and breaking down the poetic instruments utilized by the said poet. However, it’s not just about the words used (Headrick, 2014). It entails reading between the lines and understanding what made the poet come up with a particular poem. So it may require some background research on the author and history behind the creation of the poem.

Do not worry; we can take care of your academic needs! If you do not have enough time to complete the assignment, get help from EssayService. Our " pay for essay " service has vast experience with this type of work. We have a wide range of free guides and blogs to help you so that you will have more time for the important things.

What Is A Poetry Analysis?

Poetry analysis may define as a critical review given on a poem, a reflection on the depth and gravity of a poem. It revolves around multiple aspects of a poem starting from the subject of a poem, its theme (meaning), tone, literary devices or speech figures, form to the feeling of the poet to how a reader feels about the poem. It is not only the analysis of techniques used in a poem, but poetry analysis provides a broader and wider picture of the poem, its reality, its hidden meanings between the lines, a study of poet’s mind, feeling and intention behind a poem. Different techniques used in poetry analysis are helpful tools in investigating and reviewing the poem. Behind every review or analysis vital research on poet (author), era (time frame), possible reasons, the background behind the conceptualization poem is vital.

If you have been asked to write a poem analysis essay, then it means to examine the piece and further dissect it into key elements including its form, techniques used and historical value. Then further appreciating the poem and highlighting to others these points, and gaining a better understanding.

It is also important to show as many ideas as possible that relate to the poem and then create conclusions on this.

To start writing a poetry analysis essay let's look at the prewriting stage.

How to Choose a Topic for a Poetry Analysis Essay?

• In the subject of the poem we mainly focus on the reasons such as why is the poem written or what is it all about?
• What is the context, the central content of the poem?
• Who wrote the poem and why?
• When and where the poet did write the poem, what or who has influenced the poet and what are the key features of the poem?

A topic should be chosen based on the theme you want to write. The theme is the message that the poem is trying to convey. You need to look therefore for concepts and notions that pop up in the poem and come up with an appropriate theme based on those perceptions or "feelings". If you can’t still figure out what topic you should choose for your analysis, it is recommended that you go through other poems similar poems and get a suitable topic for your analysis. Don’t also forget to cite your poem well. And also use in-text citations while quoting from the poem.

Poem Analysis Essay Outline

To create a good essay, it is needed to plan out the structure of a poem analysis essay so the writing stage will be easier and faster.

Here is an outline of a poem analysis essay to use:

Opening paragraph - Introduce the Poem, title, author and background.

Body of text - Make most of the analysis, linking ideas and referencing to the poem.

Conclusion - State one main idea, feelings and meanings.

Poem Analysis Essay Introduction

To start an introduction to a poem analysis essay, include the name of the poem and the author . Other details like the date of when it was published can also be stated. Then some background information and interesting facts or trivia regarding the poem or author can also be included here.

Poem Analysis Essay Body

When writing the main body of text keep in mind you have to reference all ideas to the poem so include a quotation to back up the sentence, otherwise, it will be a wasted comparison and not count. Be clear with your statements.

Poem Analysis Essay Conclusion

Now, this is where you should take a step back from analyzing the individual elements of the poem and work out its meaning as a whole. Combine the different elements of the analysis and put forward one main idea.

What is the poet trying to say, and how is it enforced and with what feeling? Then look at the meaning and what timeframe does this evolve over?

For example, is it obvious from the start, or does it gradually change towards the end? The last few lines can be very significant within a poem and so should be included in the poem analysis essay conclusion and commented on the impact on the piece.

Remember that you can always send us a " write an essay for me " text and have your assignment done for you.

How to Analyze a Poem?

Before even thinking about your first draft, read the poem as much as possible. If it's possible, listen to it in the original form. This depends on many factors which include if the poet is still alive?

Also reading aloud can help identify other characteristics that could be missed and even to a friend or colleague will give a chance to more insight. It is important to remember that poetry is a form of art painted with only words, this said it could take time to fully appreciate the piece. So take note of any first thoughts you have about the poem, even if they are negative.

Your opinions can change over time but still mark these first thoughts down.

So that to analyze a poem properly, you have to pay attention to the following aspects:

Title of the Poem

So let's go deeper into the poem analysis essay and look at the title. The poet may have spent a lot of time thinking about naming the piece so what can be observed from this and what further questions can be asked?

• What are your expectations? For example, the poem could be titled “Alone” written by Edgar Allan Poe and from this it is natural to assume it will be sad. After reading further does the reality turn out to be different?
• What is the literature style used? So for example, the work could be called “His last sonnet” by John Keats. From appearance, it is possible to deduce that it could be in sonnet form and if not why did the poet choose to mislead the audience?
• What is the poem about? In the poem, “How do I love thee? Let me count the ways” by Elizabeth Barrett, it already states what could be included and what to expect but if it differs from the title what would this suggest?

Literal Meaning of the Poetry

According to our  to fully appreciate a piece, it is needed to understand all the words used. So, for example, get a good dictionary and look up all the unknown words. Then go through partly known words and phrases and check these too. Also, maybe check the meaning of words that are used a lot, but remember some text may have had a different meaning a century ago, so use the internet to look up anything that is not clear. Furthermore, people and places and any cultural relevance of the time should be researched too to get a deeper look at the poet's attitude towards the piece. Patterns might become visible at this point and maybe the theme of the poem.

Structure of the Poem

When looking at the structure of the piece this will reveal more information so pay close attention to this. Look at the organization and sections, this will unlock more questions:

• What does each part discuss?
• How do the parts relate to each other?
• Can you see formal separations?
• What logical sense does it have?
• Is there emotional sense that can be evaluated?
• Does having a strict format say anything about the poet?
• Also failing to have a strict structure does this reveal something?

Once you have observed the structure, it is possible to go deeper into the poem analysis essay and investigate how the speaker communicates the poem to the reader.

Tone and Intonation of the Poetry

So now it is possible to look at the poet and see what details can be obtained from them. Is it possible to see the gender or age of the speaker? Is there some race or religious references to pick up on? Then can we see if the speaker is directly communicating their thoughts and ideas to the reader? If not, what is the character the poet has created to convey the ideas or messages? Does the poet's persona differ to the character created and what can be analyzed from this? Also the mood of the speaker could be available now, are they happy or sad, and how can you find out this from the poem?

Once the poet is understood it is possible to move onto who or what the poem is designed for. Then you can see the purpose of the poetry, what does the poet want from the reader? It is also possible that the poet does not desire a response from the audience and is simply making a statement or expressing themselves.

For example, a poem about spring could just be a happy statement that winter has ended. Looking from the other side, this could be an attempt to attract someone's attention or maybe just an instruction to plow the field.

Purpose of the Poem

The subject of the poem can help identify the purpose, as this usually will be what the poet is describing. Then the theme can be identified also, and what does it say about the work? Are there any links between the theme and the subject and what can analyzed from that? The timeframe is also an important factor to consider, for example, the poet's goal back when it was written, may have changed and why? Furthermore, has the original purpose survived the test of time and can it be said to be the best indicator of success?

Language and Imagery of the Poetry

Until this point it was only possible to analyze the literal information available which is the denotative meaning.’ Now let's look at the imagery, symbolism and figures of speech, this is the connotative meaning.

This is where you should look for pictures described within the text and analyze why they have been depicted? So for example, if the poet thas decided to describe the moon this could set the time in the work or maybe the mood of the poem. Also look for groups of images described and patterns within this, what can be deducted from that?

So when looking for symbolism within the text this could be an event or physical object, including people and places that represent non-physical entities like an emotion or concept. For example, a bird flying through the air can be seen as freedom and escaping usual conforms.

Poetic devices

In your analysis you will look at techniques like metaphors, similes, personification and alliteration to include just a few. It's important to identify the actual device used and why it was chosen. For example, when comparing something within the text using a metaphor then look at how they are connected and in what way they are expressed? Try to use all available clues to gain better insight into the mind of the poet.

Music of the Poem

Poetry and music have deep connections and can be compared together due to the history and uses throughout the ages.

Here are some things to look out for to help with those comparisons:

• Meter - This can be available to investigate in different ways, for example, iambic pentameter has a strict five beats per line just like a musical score if used what does it say?
• Rhythm - Just like with music, poem can have a rhythm but if there is no given meter, it is needed to look closer and observe what this does to the work. For example, a particular beat that is fast could make the poem happy.
• Special effects - Looking for not so obvious signs where the poet has written in a way so you take longer to pronounce words. Also it is possible to grab your attention in other ways, for what reason has the writer done that?
• Rhyme - There are many different types of rhyming techniques used within poetry, once identified look at how it impacts on the work like make it humorous for example? Be careful to look for unusual patterns for example rhymes within the lines and not just at the end of the sentences, even reading out aloud might help find these and then what does it this say about the poem?
• Sound effects - The depiction of different sounds can be powerful and also using different voices, look at what impact this has on the piece and why?
• Breaking Rules - Rhyme and meter for example can have very specific rules but what if the poet decided to break these conventional techniques and make something new, what does this add to the work and why

How to Write a Poem Analysis Essay?

Below you will find a compelling guide on how to analyze poetry with handy writing tips:

• Choose a suitable poem - If possible, before you start, pick the main subject of your essay, a poem that you would like to analyze. The more you find it interesting, the easier it will be to handle the task.
• Read it fully - If you are wondering how to analyse poetry, the first step you can’t go without is carefully reading the chosen poem multiple times and, preferably, out loud.
• Always double-check the meanings - When reading a poem, don’t forget to check for the meanings of unknown (and known as well) words and phrases.
• Collect all the details you need - To write a compelling essay, you need to study the poem’s structure, contents, main ideas, as well as other background details.
• Explore hidden meanings - When analyzing poem, be sure to look beyond the words. Instead, focus on finding broader, hidden ideas that the author wanted to share through his piece.
• Make an outline - Once you have analyzed poem, outline your essay and write it following the plan.
• Proofread and edit - Finally, once your essay is ready, take your time to revise and polish it carefully.

Poetry Analysis Template

To write a winning poem analysis essay, use the template below or order an essay from our professionals.

Introduction

• Name of Poem
• Name of Poet
• Date of Publication
• Background or any relevant information

Form of poem

• Structure of poem
• Rhyme of poem

Meaning of poem

• Overall meaning
• How can we relate the poem to our life

Poetic Techniques

• Literary devices

Form of the Poem

Poems are written in some ways, here one need to identify which structure the poet has used for the poem. The forms of poems broadly are stanzas, rhythm, punctuation and rhymes. Carefully analyze the length and number of stanzas , does the rhythm impacts the meaning of the poem, is there many punctuations or little, either the rhyme is consistent, or it’s breaking and what is the rhyme contributing to the meaning of the poem or is it random.

Theme, Meaning or Message of the Poem

In this part, we focus on the topic, main issue or idea of the poem. There are layers of meaning hidden in a poem.

• Meaning: surface meaning that what is actually or physically happening in the poem which a reader can sense.
• Deeper Meaning: the central idea of the poem or what is it actually about.
• Theme: in poetry, there is always a hidden meaning in every line, which depicts the message about life.

Numerous topics can be covered in poems such as love, life, death, birth, nature, memory, war, age, sexuality, experience, religion, race, faith, creator and many others.

Tone of the Poem

The tone of the poem shows attitude or mood of the language used by the poet. Analyze the different shades of the language used in the poem for example; is it formal, judgmental, informal, critical, positive, bitter, reflective, solemn, frustrated, optimistic, ironic, scornful, regretful or morbid.

Literary Device used in the Poem

Find out what the different literary devices are or what sort of figures of speech is used by the poet . Analyze these techniques and suggest their use in the poem by the poet. The poem can contain a symbol, similes, metaphor, alliteration, allegories, oxymoron, assonances, dissonances, repetition, hyperbole, irony.

Conclusion or Feel of the Poem

Lastly, analyze the emotions and feelings linked with the poem; of the poet and what do you feel when you read the poem. This is the very critical part of reviewing a poem because we analyze the inner depth of the poem, the intention & feelings of the poet, the targeted audience, does the poem reflect the poet’s persona, perspective or it does not match with the poet.

Poetry Analysis Essay Example

Analysis of Edgar Allan Poe’s Poem “Annabel Lee”

Written in 1849 and first published after the author’s death, Annabel Lee by Edgar Allan Poe is a beautiful story of true love that goes beyond life. In the poem, the author is commemorating the girl named Annabel Lee, whom he knew since childhood. Despite the young age, the love between the narrator and Annabel was so deep and true that even angels were jealous, and, according to Edgar Allan Poe, their jealousy was so severe that they killed the love of his life. The poem ends with young Annabel Lee being buried in a tomb, leaving the readers with a feeling that the author kept holding on to his love for her for many years after her death.

The two evident topics in the poem are love and loss. The entire narration revolves around the author’s agonizing memory, at the same time demonstrating to the readers the purity and power of true love that makes him cherish the memory of his beloved one even after she is gone. Apart from that, Edgar Allan Poe also discusses such issues of love as jealousy and envy. The author states that the love of the two teens was so strong that even angels in heaven were not half as happy as Annabel and Edgar, which caused them to invade the teens’ romantic “kingdom by the sea” and kill the girl.

The topics discussed in the poem, as well as the style of narration itself, give the poem a very romantic atmosphere. It follows the main principles of the romantic era in poetry in the 18th and 19th centuries, which Edgar Allan Poe was representing. At the same time, the author also gives his poem a sense of musicality and rhythm. The poem’s rhyme scheme puts emphasis on the words “Lee”, “me”, and “sea”. The repetition of these words gives the poem a song-like sound.

A significant role in Edgar Allan Poe’s poem is played by imagery, which emphasizes the author’s unique style. The main imagery used by Allan Poe in Annabel Lee is the Kingdom. The author uses this imagery to set the right tone for his poem and give it a sort of a fairytale feel. At the same time, this imagery is used to take the reader to a different place, though not specifying what exactly this place is. To confirm this - the author uses the phrase “the kingdom by the sea” multiple times in his piece, never specifying its meaning. This trick enables the readers to leave this to their own imagination.

Apart from the Kingdom, the author also operates with the imagery of angels and demons. The narrator blames them for their envy for their deep love, which resulted in the death of Annable Lee. Thus, the author gives a negative attitude towards this imagery. This brings us to another big topic of good and evil discussed in the poem.

Nevertheless, even though the angels’ intervention seems to be clear to the reader from what the author says, Poe’s choice of words doesn’t directly implicate their responsibility for the girl’s death. The narrator blames everybody for his loss. However, he does this in a very tactical and covert way.

In conclusion, it becomes clear that the narrator in Annabel Lee did not only pursue a goal to share his pain and loss. He also emphasizes that true love is everlasting by stating that his love for the gone girl lives with him after all these years. With all its deep topics, imagery, and musicality, Annabel Lee is now considered one of the best works by Edgar Allan Poe.

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How to Write a Poetry Analysis Essay: Template, Topic, Sample

Samuel Gorbold

Poetry analysis is simply the process of reviewing the multiple artistic, functional, and structural pieces that make up a poem. Normally, this review is conducted and recorded within an analytical essay . This type of essay writing requires one to take a deeper look at both the choices that a poet made and the effects of those choices. In essence, these essays require an in-depth analysis of all parts that were used to form a work of poetry. Read the details from our essay writing service .

What Is A Poetry Analysis?

From an academic literary point of view, knowing the steps to follow to understand how to analyze poetry is essential. All kinds of jobs are usually found on the Internet, from relatively informal web articles to pedagogical documents in indexed journals. All of them typically coincide on one point: poems are a type of lyrical expression structured in verses. From that we can derive what a poem analysis essay should be about.

Therefore, when you have chosen a poem to analyze, it is crucial to review definitions such as stanza, lyrical object, rhyme, synalepha, syneresis, among others. In this way, poems can be classified, interpreted, and "measured." Of course, without pretending to form unanimous criteria, since a stylized narrative emerged from inspiration always has a tremendous subjective load for whoever reads it. A good poem analysis essay or any poetry analysis in general leaves some room for interpretation. It's better not to deal in absolutes which you can see in all poem analysis essay examples.

Poetry Analysis Essay Subject Matter

The final element to writing a poetry analysis essay is a part of the composition dedicated to the poems subject matter. This can be analyzed during the reader’s quest to determine the theme, tone, mood, and poems meaning. The subject matter – and the thematic elements that support the intended message behind the subject – is often an interpretive minefield. Often, people have different ideas about what a poet is trying to say by their use of a subject, so unless the message is implicitly stated, it is best to state multiple possibilities about what the poet may have meant and included evidence for these theories. As the essay is to be an analysis, opinions are to be avoided in favor of facts and conjectures that are backed by evidence from work.

How To Choose A Topic For A Poem Analysis Essay?

A great way to choose a topic for these type of assignments is to decide on a topic that would deal with information that one is already familiar with. For example, if the choice of the poem to analyze is up to the writer, then it may be beneficial for the writer to choose a poem that he/she has encountered before. If the choice is to be made between different subject areas within a poem, then the writer could find it easier to choose to focus on writing about an area that plays to his/her strengths, so that the statements made in the essay are conveyed clearly and confidently. Such assignments may seem like a daunting writing experience at first, but if the topic, outline, and paper are composed following the steps above, the essay should turn out very well.

The analysis essay is a challenging type of assignment. Your task is not to retell poetry in prose because a lyric poem is not a transposition of some prosaic intention. Still, while embodying a particular poetic state of the artist and analyzing the lyrics, you should also be able to "enter" a similar condition. To interpret in a poem analysis essay a work means to approach the author’s intention. This can be done by following the path of the so-called "slow reading" – from the first verse to the last, considering each line of poetry, its content and form, sound, images, the logic of development of the author’s feeling or thought as a step towards solving the author’s idea.

How To Write A Poetry Analysis Essay?

In order to compose a poetry analysis essay, one must first read the poem carefully. This reading allows one to become familiar with the poem helping produce a strong literary analysis essay . It is also an opportunity to make note of the rhyme scheme (if there is one), the type of poem (limerick, ode, sonnet, lyric, haiku, free verse, etc.) and other poetic techniques that the poet used (such as enjambment, meter, end-stopped lines, figurative language, etc.). All of those elements in the poem are essential to know when one is writing such an essay because they are a part of the poem’s structure and can affect the content. It is not a bad idea to read up on these poetic terms before writing an essay, since being knowledgeable about a subject can allow one to assume a more confident tone when composing a literary analysis essay on that topic. By following the guidelines provided in this blog you will not be wondering how to write a poetry analysis assignment any longer. It is also important to follow the poem analysis essay structure. It's not paramount but it will make your poem analysis essay writing much easier.

Poetry Analysis Essay Outline

An outline for a poetry analysis essay can be very simple, as it is just a guideline for the writer to build upon as the first draft is written. When starting your introductions it would probably be best to put the essays title at the top of a page, then place a Roman numeral one (I) underneath, preceding the word "introduction." Under this, one can list brainstormed ideas for the introductory paragraph. The final portion of your poem analysis essay introduction should be dedicated to the papers thesis statement.  Following the completion of that portion of the outline, one can move on to the body paragraphs of your example. Each of the Roman numerals used to label this part should denote a different subject area in respect to the poem that will be discussed in the essay. Letters under these numerals may be followed by subtopics within each subject area that are to be dealt within individual paragraphs (or sentences, if it is to be a shorter essay) within the body of the paper. At this point you are almost done with your poem analysis essay outline.

Introduction

It is necessary to add a poem’s title and author in the introduction to poetry essays. Other information, such as the date of printing, may be used. You can also include the poem’s or author’s additional details, as well as interesting facts or trivia.

Body Of Text

How to analysis poetry? When composing the main body of text, bear in mind that you must reference all the poem concepts, so add a quote to support the sentence; otherwise, the analogy would be a waste of time and will not be counted. Your comments must be explicit.

Now is the time to stand back from examining the poem’s elements and find out the poem’s general significance. It is bringing together the various aspects of the study into one key concept when writing about poetry.

What is the poet’s message, and how is it expressed, and with what emotion?

Then understand the context and how this evolves.

Is it clear from the outset, or does it progressively change as the story progresses? The last few lines of a poem can be significant, so they should be included in the poem review essay conclusion and discussed in terms of their influence on the work.

How To Analyze A Poem?

So how to analyze a poem? Commenting on a text is a way to verify what the author said and how he transmitted it, relating both concepts. You have to observe the connotations and the implicit meanings, interconnecting them with precise ideas. It is a moment when the reader establishes affinity with the text he reads, exposing his aesthetic sensitivity, articulating what the author said, the way he did it, with his subjectivity of those who analyze and comment.

When you analyze poem, the text must be coherent, resulting from the articulation of all aspects to be dealt with in the different analysis plans. Citations must appear in quotation marks. When it is not necessary to quote a complete verse or a complete sentence, you must use the sign [...] at the place where the transcription is interrupted. When it is desired to quote more than one verse, and that quote follows precisely the order of the analyzed poem, the respective verses must be separated using an oblique bar.

This is an essential step. Analyzing a poem, you need to understand the central message; the author’s primary emotion is trying to share with the poem’s recipient.

So now you can pay attention to the poet and see what information you can learn from them. Is it easy to get the speaker’s gender or age? Were there any racial or theological allusions to be found? Can we really tell whether the speaker is expressing their opinions and suggestions to the reader directly? If not, who is the poet’s character who is conveying the thoughts or messages? Your essay on poetry must include all the vital answers.

When you’ve figured out who or what the poem is about, you should go on to who or what the poem is about. Can the meaning of the poem be seen; what does the author expect from the audience? It’s pretty likely that the poet merely makes a comment or expresses themselves without expecting a reaction from the crowd.

A poem about March, for example, might be a cheerful declaration that winter is over. At the same time, it could be an intention to get somebody’s focus.

The analysis of poetic language is the most challenging part of the whole poetry essay. It has multiple openings, and the resources are very varied, so it is necessary to analyze the elements and assign them significant values.

Presenting a list of worthless poetic elements is not of great interest to the commentary of the poem. Analyzing poems, better share your images of what’s related to the topic.

Poetic Techniques

To analyse a poem successfully, you should remember the technical part of the task. If the poem has many metaphors, repetitions, or alliterations, it is in your best interests to highlight the emotional representation and expressiveness of the work you are interpreting. But don’t limit yourself to defining the style figures (for example, alliteration is the repetition of phonemes); this does not matter for the essay.

Technical Poetry Analysis Worksheet

After covering the technical aspects of a poem, it is best to learn about the poem's background. This means that one may find it beneficial to look up the poet, the date that the poem was written, and the cultural context surrounding the work. All of that information typically permits the reader a better understanding of the poem, and it seems self-explanatory that one who has an enhanced comprehension of the poem would have an easier time conducting an analysis of that poem.

Poetry Analysis Essay Tips

If you want to analyse poetry successfully, here are a few things to keep in mind:

• Read the poem at least twice. This poetic analysis tip is general and applies to all text types: always read the text two times minimum. Read, in fact, as many times as necessary to understand poetry. We miss some critical points by doing just one reading, especially in poetry that expresses personal information.
• Identify the figures of speech. Another critical step is to pay attention to the figures of speech – this is precisely where you will find some information implied in the text. Pay attention to metaphors, antitheses, or any other model of speech that appears in the poem.
• Don’t let your opinion interfere with the interpretation. Precisely because it is a text with a lot of subjectivity, do not let your idea and conception of a specific theme interfere with the understanding of poetry. Always read neutrally concerning the poet’s point of view, without prejudice about the subject matter.
• Get to know the authors’ lives briefly. If you do this, you will have complementary information that will help you to interpret the poetry.
• Keep the habit of reading and try to analyze poems. Finally, keep the poetry reading habit. Reading is one of the most natural ways to get intimate with the language and its particularities.

Poetry Analysis Essay Template

1. Author and title of the poem .

2. Style : romanticism, realism, symbolism, Acmeism, sentimentalism, avant-garde, futurism, modernism, etc.

3. Genre : epigram, epitaph, elegy, ode, poem, ballad, novel in verse, song, sonnet, dedication poem, etc.

4. The history of the poem’s creation (when it was written, for what reason, to whom it was dedicated). How important is this exact poem in the poet’s biography.

5. Theme, idea, main idea .

6. The poet’s vocabulary (everyday, colloquial; bookish, neutral, journalistic).

7. Composition of the work .

- Analyze the micro-theme of each stanza. Highlight the main parts of the poetic work, show their connection (= determine the emotional drawing of the poem);

8. Description of a lyrical hero .

9. Your impressions of the work .

Poetry Analysis Essay Example

A good poem analysis essay example is an essential factor that can help you understand how to write an evaluative poetry essay. The poetry essay aims to test the ability to perceive and interpret the problems and artistic merits of the studied and independently read literary works, using the information obtained in studying the subject on the theory and history of literature. Let’s have a look at the analysis essay example of two poems.

The poem’s problem is an essential part of the poem structure and is determined by the formulation of the question in the text or the work’s subtext. This aspect of poetic work is not generally different from other literature types: the social and ethical questions are asked by the poets, and they also respond to "eternal" philosophical questions.

A poetry analysis worksheet can also be a specific set of parameters that the instructor has asked you to examine the work from. In this scenario, it is important to create a structure that will highlight the given set of instructions. An example of such a task would be "The Tyger" by William Blake. In this poem, one can examine it from the initial emerging theme examining the process of a tiger’s creation and unavoidably its end. This context lets us understand that no power other than God himself could create something as beautiful and terrifying as the tiger. However, some literary analysis essays will require you to adopt different interpretations of this subject matter. Some often compared the beauty and fear inspired by the tiger to the industrial revolution and new machinery being built at the time when Blake wrote this poem.

Another version of a poem background is that Blake explores the coexistence of good and evil and asks about the source of their existence, wondering how one creator could create both beauty and horror. Modern readers can resonate with this poem easily because the questions asked there are essential.

Sun Of The Sleepless

The author of the poem, George Byron («Sun of the Sleepless» taken as our poetry essay example), was born on January 22, 1788, in London into a titled but low-income family. The first education, from the biography of Byron, was received at a private school. Then he began to study at the classical gymnasium, the school of Dr. Gleni (there was a great desire for reading), the Harrow school. Byron wrote several poems in this school.

Metaphor is one of the linguistic, stylistic devices most often found in Byron’s lyrics; many of them indicate the poet’s peculiar style. In verse, the star illuminates the darkness that it cannot dispel. The meaning of Byron’s image: not hopelessness and bitterness of reproach, but the thought that the memory of happiness does not save, but even more "painfully" highlights the darkness.

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Poetry & Poets

Explore the beauty of poetry – discover the poet within

How To Structure A Poetry Essay

Writing a poetry essay can be a challenging and more involved task than writing an essay on any other topic. It requires an in-depth knowledge of the form and an understanding of the language, images and symbols that create the poem’s meaning. To begin, let’s define what a poetry essay is – it is a type of essay that requires the writer to explore a subject in an analytical and creative way in order to make conclusions about it. In this article, we will cover some essential points to help you structure a poetry essay including identifying the primary subject of the poem, understanding the language used in the poem, and analysing the poem’s themes and images.

Identifying the Primary Subject of the Poem

The first step in structuring a poetry essay is to identify the primary subject of the poem. In order to do this, you must first read the poem and understand the overall meaning. Themes, symbols and images are all elements that should be considered when reading a poem. Once you have read the poem and identified the primary subject, you should then move on to the task of analysing the poem.

Understanding the Language Used in the Poem

The language and structure used in a poem can affect its meaning. It is important to look at the way words are used, the structure of the poem, imagery and sound. Understanding the language can help you to better interpret the poem and make conclusions about the primary subject.

Analysing the Poem’s Themes and Images

In order to draw conclusions about the poem, it is important to analyse the themes and images used in the poem. Does the poem explore a specific emotion or convey a certain message? What symbols are used to represent this emotion or message? These are all important questions to consider when structuring a poetry essay.

Tone and Style

When structuring a poetry essay, it is also important to consider the tone and style of the poem. What kind of tone does the poem have? Is it a humorous piece or a serious one? Considering the style can help to add depth to the analysis of the poem.

Exploring Metaphors and Similes

When analysing a poem, it can be useful to explore the metaphors and similes used. Metaphors and similes can be used to compare one thing to another in order to emphasize a point or draw a comparison. Exploring these comparisons can help you to draw conclusions about the poem.

Analyzing How the Poem Is Structured

The structure of the poem can help to understand its meaning. Does the poem have a rhyme scheme or is it written in a more free-verse style? Are there repeated lines or themes throughout the poem that can help to further explore its meaning? Analysing the poem’s structure can help to uncover some of its hidden meanings.

The Power of Imagery

Imagery is an important element in poetry that can help to make the poem more vivid and exciting. When analysing a poem, it can be beneficial to think about how the imagery is used to convey a certain emotion or meaning. Is the imagery figurative or literal? Exploring the imagery can help to uncover some of the poem’s deeper meanings.

The Role of Literary Devices

When structuring a poetry essay, it is important to consider how literary devices are used in the poem. Does the poem make use of personification or alliteration to convey a certain emotion or message? Considering how the poet has deployed these devices can help to further explore the poem’s meaning.

The Use of Symbols

Symbols are often used in poetry to convey a certain meaning or emotion. When analysing a poem, it can be useful to think about how symbols are used to convey a certain message. Are the symbols literal or figurative? What is the significance of the symbols? Exploring the symbols can help to make conclusions about the poem.

Approaching the Poem from a Theoretical Perspective

When constructing a poetry essay, it is beneficial to consider the poem from a theoretical perspective. What is the poem’s historical and cultural context? What perspectives from experts can be used to interpret the poem? Examining the poem from this perspective can help to uncover some of its hidden meanings.

The Role of Metaphor in Poetry

Metaphor is an important component of poetry that can be used to convey meaning, convey emotion, and give the reader an abstraction of the experience being described in the poem. When analysing a poem, it can be useful to think about how metaphor is used to convey a certain emotion or message. What metaphors are used in the poem? What is the significance of the metaphors? Exploring these questions can help to draw conclusions about the poem.

Examining Different Genres and Forms

When structuring a poetry essay, it can be useful to examine the different genres and forms of the poem. Does the poem follow a traditional form or is it written in a more modern style? Examining the genre and form of the poem can help to uncover some of its deeper meanings.

The Power of Structure

The structure of a poem can have a great impact on its meaning. Does the poem follow a traditional form or does it have a unique structure? What is the significance of the structure? Analysing the poem’s structure can help to uncover some of its deeper meanings.

Exploring the Allusions Made in the Poem

Allusions are often used in poetry to add layers of meaning to the poem. When constructing a poetry essay, it can be beneficial to think about how allusions are used in the poem. What allusions are used and what is the significance of these allusions? Exploring these questions can help to draw conclusions about the poem.

Considering Mood and Tone

When structuring a poetry essay, it can be useful to consider the mood and tone of the poem. What mood and tone are established by the words, images and symbols used in the poem? Examining the mood and tone of the poem can help to draw conclusions about the poem.

Minnie Walters

Minnie Walters is a passionate writer and lover of poetry. She has a deep knowledge and appreciation for the work of famous poets such as William Wordsworth, Emily Dickinson, Robert Frost, and many more. She hopes you will also fall in love with poetry!

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• How to write a literary analysis essay | A step-by-step guide

How to Write a Literary Analysis Essay | A Step-by-Step Guide

Published on January 30, 2020 by Jack Caulfield . Revised on August 14, 2023.

Literary analysis means closely studying a text, interpreting its meanings, and exploring why the author made certain choices. It can be applied to novels, short stories, plays, poems, or any other form of literary writing.

A literary analysis essay is not a rhetorical analysis , nor is it just a summary of the plot or a book review. Instead, it is a type of argumentative essay where you need to analyze elements such as the language, perspective, and structure of the text, and explain how the author uses literary devices to create effects and convey ideas.

Before beginning a literary analysis essay, it’s essential to carefully read the text and c ome up with a thesis statement to keep your essay focused. As you write, follow the standard structure of an academic essay :

• An introduction that tells the reader what your essay will focus on.
• A main body, divided into paragraphs , that builds an argument using evidence from the text.
• A conclusion that clearly states the main point that you have shown with your analysis.

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Table of contents

Step 1: reading the text and identifying literary devices, step 2: coming up with a thesis, step 3: writing a title and introduction, step 4: writing the body of the essay, step 5: writing a conclusion, other interesting articles.

The first step is to carefully read the text(s) and take initial notes. As you read, pay attention to the things that are most intriguing, surprising, or even confusing in the writing—these are things you can dig into in your analysis.

Your goal in literary analysis is not simply to explain the events described in the text, but to analyze the writing itself and discuss how the text works on a deeper level. Primarily, you’re looking out for literary devices —textual elements that writers use to convey meaning and create effects. If you’re comparing and contrasting multiple texts, you can also look for connections between different texts.

To get started with your analysis, there are several key areas that you can focus on. As you analyze each aspect of the text, try to think about how they all relate to each other. You can use highlights or notes to keep track of important passages and quotes.

Language choices

Consider what style of language the author uses. Are the sentences short and simple or more complex and poetic?

What word choices stand out as interesting or unusual? Are words used figuratively to mean something other than their literal definition? Figurative language includes things like metaphor (e.g. “her eyes were oceans”) and simile (e.g. “her eyes were like oceans”).

Also keep an eye out for imagery in the text—recurring images that create a certain atmosphere or symbolize something important. Remember that language is used in literary texts to say more than it means on the surface.

Narrative voice

Ask yourself:

• Who is telling the story?
• How are they telling it?

Is it a first-person narrator (“I”) who is personally involved in the story, or a third-person narrator who tells us about the characters from a distance?

Consider the narrator’s perspective . Is the narrator omniscient (where they know everything about all the characters and events), or do they only have partial knowledge? Are they an unreliable narrator who we are not supposed to take at face value? Authors often hint that their narrator might be giving us a distorted or dishonest version of events.

The tone of the text is also worth considering. Is the story intended to be comic, tragic, or something else? Are usually serious topics treated as funny, or vice versa ? Is the story realistic or fantastical (or somewhere in between)?

Consider how the text is structured, and how the structure relates to the story being told.

• Novels are often divided into chapters and parts.
• Poems are divided into lines, stanzas, and sometime cantos.
• Plays are divided into scenes and acts.

Think about why the author chose to divide the different parts of the text in the way they did.

There are also less formal structural elements to take into account. Does the story unfold in chronological order, or does it jump back and forth in time? Does it begin in medias res —in the middle of the action? Does the plot advance towards a clearly defined climax?

With poetry, consider how the rhyme and meter shape your understanding of the text and your impression of the tone. Try reading the poem aloud to get a sense of this.

In a play, you might consider how relationships between characters are built up through different scenes, and how the setting relates to the action. Watch out for  dramatic irony , where the audience knows some detail that the characters don’t, creating a double meaning in their words, thoughts, or actions.

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Your thesis in a literary analysis essay is the point you want to make about the text. It’s the core argument that gives your essay direction and prevents it from just being a collection of random observations about a text.

If you’re given a prompt for your essay, your thesis must answer or relate to the prompt. For example:

Essay question example

Is Franz Kafka’s “Before the Law” a religious parable?

Your thesis statement should be an answer to this question—not a simple yes or no, but a statement of why this is or isn’t the case:

Thesis statement example

Franz Kafka’s “Before the Law” is not a religious parable, but a story about bureaucratic alienation.

Sometimes you’ll be given freedom to choose your own topic; in this case, you’ll have to come up with an original thesis. Consider what stood out to you in the text; ask yourself questions about the elements that interested you, and consider how you might answer them.

Your thesis should be something arguable—that is, something that you think is true about the text, but which is not a simple matter of fact. It must be complex enough to develop through evidence and arguments across the course of your essay.

Say you’re analyzing the novel Frankenstein . You could start by asking yourself:

Your initial answer might be a surface-level description:

The character Frankenstein is portrayed negatively in Mary Shelley’s Frankenstein .

However, this statement is too simple to be an interesting thesis. After reading the text and analyzing its narrative voice and structure, you can develop the answer into a more nuanced and arguable thesis statement:

Mary Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as.

Remember that you can revise your thesis statement throughout the writing process , so it doesn’t need to be perfectly formulated at this stage. The aim is to keep you focused as you analyze the text.

Finding textual evidence

To support your thesis statement, your essay will build an argument using textual evidence —specific parts of the text that demonstrate your point. This evidence is quoted and analyzed throughout your essay to explain your argument to the reader.

It can be useful to comb through the text in search of relevant quotations before you start writing. You might not end up using everything you find, and you may have to return to the text for more evidence as you write, but collecting textual evidence from the beginning will help you to structure your arguments and assess whether they’re convincing.

To start your literary analysis paper, you’ll need two things: a good title, and an introduction.

Your title should clearly indicate what your analysis will focus on. It usually contains the name of the author and text(s) you’re analyzing. Keep it as concise and engaging as possible.

A common approach to the title is to use a relevant quote from the text, followed by a colon and then the rest of your title.

If you struggle to come up with a good title at first, don’t worry—this will be easier once you’ve begun writing the essay and have a better sense of your arguments.

“Fearful symmetry” : The violence of creation in William Blake’s “The Tyger”

The introduction

The essay introduction provides a quick overview of where your argument is going. It should include your thesis statement and a summary of the essay’s structure.

A typical structure for an introduction is to begin with a general statement about the text and author, using this to lead into your thesis statement. You might refer to a commonly held idea about the text and show how your thesis will contradict it, or zoom in on a particular device you intend to focus on.

Then you can end with a brief indication of what’s coming up in the main body of the essay. This is called signposting. It will be more elaborate in longer essays, but in a short five-paragraph essay structure, it shouldn’t be more than one sentence.

Mary Shelley’s Frankenstein is often read as a crude cautionary tale about the dangers of scientific advancement unrestrained by ethical considerations. In this reading, protagonist Victor Frankenstein is a stable representation of the callous ambition of modern science throughout the novel. This essay, however, argues that far from providing a stable image of the character, Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as. This essay begins by exploring the positive portrayal of Frankenstein in the first volume, then moves on to the creature’s perception of him, and finally discusses the third volume’s narrative shift toward viewing Frankenstein as the creature views him.

Some students prefer to write the introduction later in the process, and it’s not a bad idea. After all, you’ll have a clearer idea of the overall shape of your arguments once you’ve begun writing them!

If you do write the introduction first, you should still return to it later to make sure it lines up with what you ended up writing, and edit as necessary.

The body of your essay is everything between the introduction and conclusion. It contains your arguments and the textual evidence that supports them.

Paragraph structure

A typical structure for a high school literary analysis essay consists of five paragraphs : the three paragraphs of the body, plus the introduction and conclusion.

Each paragraph in the main body should focus on one topic. In the five-paragraph model, try to divide your argument into three main areas of analysis, all linked to your thesis. Don’t try to include everything you can think of to say about the text—only analysis that drives your argument.

In longer essays, the same principle applies on a broader scale. For example, you might have two or three sections in your main body, each with multiple paragraphs. Within these sections, you still want to begin new paragraphs at logical moments—a turn in the argument or the introduction of a new idea.

Robert’s first encounter with Gil-Martin suggests something of his sinister power. Robert feels “a sort of invisible power that drew me towards him.” He identifies the moment of their meeting as “the beginning of a series of adventures which has puzzled myself, and will puzzle the world when I am no more in it” (p. 89). Gil-Martin’s “invisible power” seems to be at work even at this distance from the moment described; before continuing the story, Robert feels compelled to anticipate at length what readers will make of his narrative after his approaching death. With this interjection, Hogg emphasizes the fatal influence Gil-Martin exercises from his first appearance.

Topic sentences

To keep your points focused, it’s important to use a topic sentence at the beginning of each paragraph.

A good topic sentence allows a reader to see at a glance what the paragraph is about. It can introduce a new line of argument and connect or contrast it with the previous paragraph. Transition words like “however” or “moreover” are useful for creating smooth transitions:

… The story’s focus, therefore, is not upon the divine revelation that may be waiting beyond the door, but upon the mundane process of aging undergone by the man as he waits.

Nevertheless, the “radiance” that appears to stream from the door is typically treated as religious symbolism.

This topic sentence signals that the paragraph will address the question of religious symbolism, while the linking word “nevertheless” points out a contrast with the previous paragraph’s conclusion.

Using textual evidence

A key part of literary analysis is backing up your arguments with relevant evidence from the text. This involves introducing quotes from the text and explaining their significance to your point.

It’s important to contextualize quotes and explain why you’re using them; they should be properly introduced and analyzed, not treated as self-explanatory:

It isn’t always necessary to use a quote. Quoting is useful when you’re discussing the author’s language, but sometimes you’ll have to refer to plot points or structural elements that can’t be captured in a short quote.

In these cases, it’s more appropriate to paraphrase or summarize parts of the text—that is, to describe the relevant part in your own words:

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The conclusion of your analysis shouldn’t introduce any new quotations or arguments. Instead, it’s about wrapping up the essay. Here, you summarize your key points and try to emphasize their significance to the reader.

A good way to approach this is to briefly summarize your key arguments, and then stress the conclusion they’ve led you to, highlighting the new perspective your thesis provides on the text as a whole:

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

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By tracing the depiction of Frankenstein through the novel’s three volumes, I have demonstrated how the narrative structure shifts our perception of the character. While the Frankenstein of the first volume is depicted as having innocent intentions, the second and third volumes—first in the creature’s accusatory voice, and then in his own voice—increasingly undermine him, causing him to appear alternately ridiculous and vindictive. Far from the one-dimensional villain he is often taken to be, the character of Frankenstein is compelling because of the dynamic narrative frame in which he is placed. In this frame, Frankenstein’s narrative self-presentation responds to the images of him we see from others’ perspectives. This conclusion sheds new light on the novel, foregrounding Shelley’s unique layering of narrative perspectives and its importance for the depiction of character.

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Poetry Analysis: How to Analyze a Poem

Every author and poet has their own unique style that cannot be replicated. Based on how they think or what they are trying to portray, they create various poems to explore several ideas or theories that were on their mind.

By mastering how to analyze poetry, you also learn how to ask questions, see multiple meanings in simple things, and develop figurative thinking. Let’s give your brain a boost! Discover how to write poetry analysis from EssayPro service - custom dissertation writing .

What Is a Poetry Analysis?

Poetry analysis is the process of reviewing the multiple artistic, functional, and structural pieces that make up a poem. Typically, this review is conducted and recorded within the structure of a literary analysis essay.

The nature of poetry is expressing complex feelings, which usually makes multiple meanings. To understand them, you must examine not only words, but also rhythm, images, obvious meaning, and implied meaning.

Writing a poem analysis essay requires one to take a more in-depth look at both the choices that a poet made and the overall effects of those choices. These papers need a detailed analysis of all of the parts that were used to form a work of poetry.

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4 Pre-Writing Steps to Take

Read the poem carefully.

It is essential to reread the analyzed poetry several times to get a full grasp of the numerous ideas and concepts. This also gives you an opportunity to make a note of the rhyme scheme (if there is one), the type of poem (limerick, ode, sonnet, lyric, haiku, free verse, etc.) and other poetic techniques that the poet used (such as enjambment, meter, end-stopped lines, figurative language, etc.).

• Limerick: Limerick is a stanza of five lines, with the first, second and fifth rhyming with one another and having three feet of three syllables each; and the shorter third and fourth lines also rhyme with each other, but having only two feet of three syllables.
• Ode: Its structure — 10-line stanzas rhyming, with the 8th line iambic trimeter and all the others iambic pentameter
• Sonnet: A fourteen-line poem written in iambic pentameter. Was made famous by non-other than Shakespeare! (Shakespeare invented the word "swag"... just saying)
• Lyric: A lyric poem is a comparatively short, non-narrative poem in which a single speaker presents a state of mind or an emotional state. Rather than tell a story, the speaker talks about his thoughts using a specific rhyming style.
• Haiku: Invented by the Japanese, a haiku is a three-line poem with seventeen syllables, written in a 5/7/5 syllable count.
• Free-Verse: Rather simple, free verse is poetry that does not rhyme or have a regular rhythm.

All of those elements of the poem are essential to know when one is writing a poetry analysis essay because they are a part of the poem’s structure and can affect the content.

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Learn About the Background of the Poem

This means that you can find it beneficial to look up the poet, the date that the poem was written, and the cultural context of the work. All of that information typically gives the reader a more in-depth understanding of the poem, and it seems self-explanatory that one who has an enhanced comprehension of the poem would have an easier time analyzing that poem.

Define a Composition Dedicated to the Subject Matter of the Poem

This can be analyzed during the reader’s quest to determine the theme, tone, mood, and meaning of the poem. The subject matter — and the thematic elements that support the intended message behind the subject — is often an interpretive minefield.

Pick a Side Among the Various Theories That You Have Created

Often, people have different ideas about what a poet is trying to say by their use of a subject, so unless the message is implicitly stated, it is best to report multiple possibilities about what the poet may have meant and included evidence for these theories.

The amateur writer can try to elaborate on several existing ideas and theories. Be careful not to mistake this with choosing a popular opinion or biased one. They should be defending the one that carries the most weight or offers the most validation. As the essay is supposed to be an analysis, try to avoid opinions in favor of facts and conjectures that are backed by evidence from work.

How to Choose a Poem to Analyze?

A great way to choose a topic for a poetry analysis essay is to decide on one that would deal with information that you are already familiar with. For example, if the choice of the poem to analyze is up to you, then it may be beneficial for you to choose a poem that you have encountered before. If the choice is to be made between different subject areas within a poem, then you could find it easier to choose to focus on writing about an area that plays to your strengths, so that the statements made in the essay are conveyed clearly and confidently.

A poem analysis essay may seem like a daunting writing assignment at first, but if the topic, outline, and paper are composed following the steps mentioned above, the paper will no doubt, turn out very well.

Poetry Analysis Essay Outline

An outline for a poetry analysis essay can be very simple. It is merely a guideline for the writer to build upon. Put the title of the paper at the top of the page, then place the number one (1) underneath, just before the word “Introduction.” Under this, you can list brainstormed ideas for the introduction paragraph of the paper. The final portion of this section should be dedicated to the thesis statement of the paper.

Need a poetry analysis essay outline? Here is a basic structure to follow for your outline:

Following an outline for a poetry research essay is recommended to make sure you organize all your thoughts and statements you want to say. No matter whether you know how to write poetry — an outline will help identify areas that need to be explored in the analysis.

Introduction

Starting with the title for the analysis can be something very basic or a clever quote, a statement from the piece. Moving onto the introduction to poetry analysis, this should open with a “hook” to get the reader's attention. Follow up with the Authors name and title for the piece. Add some interesting trivia or background info that is not known to the audience, but try to keep it short. To finish off the introduction to a poetry analysis, state your thesis.

The bulk of ideas and comparisons need to be explored here in a clear, focused way. When writing a poetry analysis, each paragraph should be devoted to one point or feature you are comparing. You can divide each point by using the corresponding letter from the outline. Try to make it a coherent and specific about what is being compared (example: when stating your ideas about what the poetic devices do to the piece check whether you state each one and do not generalize). Using transition words and phrases will keep the paragraphs flowing well and more helpful to read.

It's important when looking at how to analyze a poem to finish with a set-out conclusion. Firstly, start by restating the thesis in different words. Summarize the most important findings to prove the thesis. From this, you can draw up your own opinions and take a step back and say what it all means with one key idea. Lastly, try to leave the reader with something memorable to take away with them (a thought-provoking sentence or question about the poem).

Tips for a Poetry Analysis

We have put together some handy tips to help you with when writing a poetry analysis essay:

• If possible, choose a poem that you would like to write about. This seems like a simple enough idea but very relevant. If you have the choice pick a poem you enjoy.
• Try reading the poem to a colleague or friend and even just out loud to yourself. This will help discover any hidden information from the sound, and it’s always good to get a second opinion or extra ideas.
• Don’t be scared to double-check the meanings of words and phrases. This is vital to know how to write a poem analysis essay and to the best, you can. Some words may have had different meanings, cultural references and places all should be looked up if only half certain.
• Check if the conclusion has one clear central idea or theme. Do not put in many confusing ideas or conclusions as this will look like you have not evaluated the work with focus. To go beyond a simple poetry analysis for middle school, try to show how it links to broader themes and the outside world.
• Always try to look beyond the words themselves. Hunt for hidden meanings and any little clues upon which to build a picture. Anybody could know how to write a poem but to explore the hidden meanings within poetry takes time, skill, and a lot of research.

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Poetry Analysis Essay Example

Read also a very fascinating article the Divine Comedy summary . Our readers find it very informative.

Ballad of Birmingham is the author of the poem that revolves around a little girl who would like to go downtown to take part in a freedom protest. Her mother, however, says that she cannot go because of the dangerous conditions outside. Her mother instead tells her to go to church despite the little girl's constant explanations that she would not be alone. Defeated and in a show of respect for her mother, the little girl gets dressed and goes to church. Her mother is contented that she would be fine at the church. Sooner her mother hears of an explosion that sets her racing downtown in search of her daughter. Unfortunately, she finds her daughters dress and shoes in the piles and rubbles. She is left wondering where her daughter is.

Have a Poem to Analyze and Feel Stumped?

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Writing About Poetry

By seth ducharme ’92, get to know the poem, describe the poem.

Before you begin to organize your essay, read the poem aloud several times, noting its structure, meter, recurring images or themes, rhyme scheme-­anything and everything which creates an effect.

Paraphrase the poem

Again, before you begin to organize your essay, make sure you understand the language of the poem. Poetry, particularly from other time periods, often contains confusing syntax or vocabulary. Put into your own words those lines or phrases which are especially difficult. Resist the temptation to brush over the lines or phrases which seem unintelligible; these can be the most crucial parts of the poem. The Oxford English Dictionary is a good resource for defining difficult vocabulary.

How the Poem Works

Analyze the poem.

Since your analysis should make up the bulk of your essay, approach it with care. Knowing that you will not be able to address every aspect of the poem, select the elements which work together to create special effects. Look beyond the surface meaning of the words and start to think about how the techniques used in the poem add depth to its meaning. How do the elements work together? Do they complement each other, do they create tension, or both? Think in terms of cause and effect and look for relationships within the poem itself. For example, if you see a pattern of imagery which suggests something about the speaker, look at other areas of the poem for more evidence along the same lines. In poetry, form and content are inseparable, so you must not overlook the relationship between what the speaker says and how he or she says it.

Interpret the poem

Using your analysis of how the poem works as your evidence, interpret the poem--answer the question, “So what is this poem all about?” In the interpretation, you bring together your analysis of the elements in the poem and show what they mean to the poem as a whole. You may suggest an interpretation of the speaker's state of mind, the poem’s subject, or the nature of the experience which the poem creates. For example, does Poe’s “The Raven” describe a dream? A drug-induced hallucination? A recollection? Why do you think so? What evidence, from your analysis, supports your idea? The main argument of your paper should begin to take form as you struggle with this process. You have great freedom in interpreting a poem, provided that your assertions are solidly linked to your evidence. Interpretation that does not align with your analysis will be invalid. In the words of M. H. Abrams, editor of the Norton Anthology of Poetry , “There is no one, right interpretation of a poem—but there is one which is more right than any of the others.” The multi-faceted nature of poetry demands that you know where you are going before you begin to construct your written argument, which is why the description and paraphrase stages are so important. Your selective analysis emerges from them in the form of an argument that is limited to a manageable set of ideas. After you have thought through these stages and taken good notes, you should be ready to begin writing your essay.

Constructing Your Paper

Review your notes. Look for patterns and themes. Formulate a thesis statement that will allow you to explain the relationships and the effects of elements in the poem. If you can, indicate in the thesis the areas or features of the poem important to your argument (a pattern of imagery, for instance, or a series of crucial lines). Remember, your thesis statement must argue a point; instead of simply saying that a poet uses certain poetic devices, you must give some indication in your thesis as to how those devices work and what they do to the poem’s meaning. You do not need to go into elaborate detail in your thesis, but do show the relationship between the poem and your argument.

Introduction

Your first paragraph should make your reader comfortable with the poem by identifying the poet, offering a brief, general description of the poem and, most importantly, leading into the thesis and development of the argument by narrowing and limiting the subject. It may be helpful to imagine the introduction as a funnel, initially appealing to your reader from a wide perspective and then swiftly directing him or her into the body of your essay. Avoid sweeping, abstract statements or statements which you cannot concretely link to your thesis. The more quickly you get away from the general and focus on the specific, the sooner you will engage your reader.

The Development of Your Argument

The approach you undertake in your thesis determines the organization of the rest of the essay. Some arguments lend themselves to a linear presentation. For example, if you choose to trace the development of the speaker according to the recurrence of an image throughout the poem, you might want to go through the poem chronologically to show how that image changes in significance from line to line or stanza to stanza. You need not limit yourself to such a presentation, however. Many poems are difficult to explain chronologically; some poems are better suited to a non-linear argument which reflects cycles or other patterns in the poem. If you organize your argument according to the patterns you choose to address, your argument might move through the poem several times, according to the instances of the images and their contextual significance. For example, one word may have a formal relationship to numerous other words in the poem. The word “snow” has a relationship to the word “flow” in that they rhyme, and to the word “ice” in that they are both associated with winter. To discuss the significance of these relationships, you may find yourself jumping around the poem. That’s fine, as long as you make your argument clear and keep your thesis in sight.

Each paragraph should consist of a point which is credible, relevant to your thesis, and analytical. Remember that you are arguing for a certain position and need to convince your reader of that position. At the beginning of each paragraph, tell your reader the focus of your argument in that paragraph by starting with a topic sentence. The rest of the paragraph should address the assertion with convincing evidence. The effectiveness of your argument depends heavily on how well you incorporate evidence into your paragraphs.

Using Evidence

You cannot create a compelling argument without evidence to back it up, but you must present that evidence in the context of your own argument. Merely including a line or a passage in your paper without linking it to your argument will not be convincing. Try incorporating your evidence into a “sandwich” of information which will allow your reader to receive the full impact of the lines. Before the quotation, describe the evidence in terms of the poem. Where is it located in the poem? Is it part of a pattern? Let your reader know what he or she should be looking for. After the quotation, if the passage is particularly difficult to understand, you should explain problematic syntax or vocabulary. Then, you must analyze the quote and show how that quote supports the claims you are making in your thesis. This is the most important part of your paper; it is where you make your interpretation clear to the reader and where you prove your thesis. Don't assume that the quotation will speak for itself—it is your job to explain it.

Be sure to cite your evidence properly. Citing from a poem is different from citing from a prose text. Because the line form of poetry is so important, you must indicate where lines end by separating them with a slash mark “/”. If you are quoting more than three lines, single space the passage, indent, and present the passage as it appears in the poem. Follow the quotation with the appropriate line numbers enclosed in parentheses (see English Department handout on use of quotations and citations, available from the Department office and the Writing Center).

The Conclusion

Conclusions take many forms. In your conclusion you can emphasize crucial ideas, raise questions about the poem, or connect the poem to other literary works or experiences. This is where you can offer your interpretation of the poem, which by now should be convincing to your reader since you have presented your evidence in the body of the paper. You may raise new ideas in a conclusion, provided that they are solidly linked to the development of your argument. Remember, you have flexibility, but your conclusion should flow naturally from the body of your paper.

Final Thoughts

• If you have the choice of which poem to write about, pick one you like.
• Read the poem aloud. Your ear will notice things your eyes miss.
• Notice the way the poem looks on the page. The form of the poem may reveal something about the way it works.
• Be careful to make a clear distinction between the poet and the speaker. Even in poems that are written in the first person, you should be careful not to assume anything about the speaker that the poem itself does not suggest.
• Let your interpretation follow your analysis—avoid making unsupported assertions.
• Be selective with your evidence. Limit the length of your quotations to a workable size. Passages longer than a few lines will be impossible to explain in a single paragraph.  

Enjoy the Poem!

Poems are artistic expressions that demand that you appreciate them before you begin to reduce them to something explainable. Often, the most brilliant elements in a poem are very subtle and will be felt before they are understood. Remember, you are not just explaining what a poem does, you are explaining what it does to you. You are the medium in which the poem comes to life. Writing about poetry offers you a special opportunity to interact with a work of art.

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Nesbitt-Johnston Writing Center

Contact Name

Jennifer Ambrose

Writing Center Director

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To learn how to write a poem step-by-step, let’s start where all poets start: the basics.

This article is an in-depth introduction to how to write a poem. We first answer the question, “What is poetry?” We then discuss the literary elements of poetry, and showcase some different approaches to the writing process—including our own seven-step process on how to write a poem step by step.

So, how do you write a poem? Let’s start with what poetry is.

How to Write a Poem: Contents

What Poetry Is

• Literary Devices

How to Write a Poem, in 7 Steps

How to write a poem: different approaches and philosophies.

• Okay, I Know How to Write a Good Poem. What Next?

It’s important to know what poetry is—and isn’t—before we discuss how to write a poem. The following quote defines poetry nicely:

“Poetry is language at its most distilled and most powerful.” —Former US Poet Laureate Rita Dove

Poetry Conveys Feeling

People sometimes imagine poetry as stuffy, abstract, and difficult to understand. Some poetry may be this way, but in reality poetry isn’t about being obscure or confusing. Poetry is a lyrical, emotive method of self-expression, using the elements of poetry to highlight feelings and ideas.

A poem should make the reader feel something.

In other words, a poem should make the reader feel something—not by telling them what to feel, but by evoking feeling directly.

Here’s a contemporary poem that, despite its simplicity (or perhaps because of its simplicity), conveys heartfelt emotion.

Poem by Langston Hughes

I loved my friend. He went away from me. There’s nothing more to say. The poem ends, Soft as it began— I loved my friend.

Poetry is Language at its Richest and Most Condensed

Unlike longer prose writing (such as a short story, memoir, or novel), poetry needs to impact the reader in the richest and most condensed way possible. Here’s a famous quote that enforces that distinction:

“Prose: words in their best order; poetry: the best words in the best order.” —Samuel Taylor Coleridge

So poetry isn’t the place to be filling in long backstories or doing leisurely scene-setting. In poetry, every single word carries maximum impact.

Poetry Uses Unique Elements

Poetry is not like other kinds of writing: it has its own unique forms, tools, and principles. Together, these elements of poetry help it to powerfully impact the reader in only a few words.

The elements of poetry help it to powerfully impact the reader in only a few words.

Most poetry is written in verse , rather than prose . This means that it uses line breaks, alongside rhythm or meter, to convey something to the reader. Rather than letting the text break at the end of the page (as prose does), verse emphasizes language through line breaks.

Poetry further accentuates its use of language through rhyme and meter. Poetry has a heightened emphasis on the musicality of language itself: its sounds and rhythms, and the feelings they carry.

These devices—rhyme, meter, and line breaks—are just a few of the essential elements of poetry, which we’ll explore in more depth now.

More About What Poetry Is

Learn more about what poetry is here:

https://writers.com/what-is-poetry

Understanding the Elements of Poetry

As we explore how to write a poem step by step, these three major literary elements of poetry should sit in the back of your mind:

• Rhythm (Sound, Rhyme, and Meter)

1. Elements of Poetry: Rhythm

“Rhythm” refers to the lyrical, sonic qualities of the poem. How does the poem move and breathe; how does it feel on the tongue?

Traditionally, poets relied on rhyme and meter to accomplish a rhythmically sound poem. Free verse poems —which are poems that don’t require a specific length, rhyme scheme, or meter—only became popular in the West in the 20th century, so while rhyme and meter aren’t requirements of modern poetry, they are required of certain poetry forms.

Poetry is capable of evoking certain emotions based solely on the sounds it uses. Words can sound sinister, percussive, fluid, cheerful, dour, or any other noise/emotion in the complex tapestry of human feeling.

Take, for example, this excerpt from the poem “Beat! Beat! Drums!” by Walt Whitman:

Red — “b” sounds

Blue — “th” sounds

Green — “w” and “ew” sounds

Purple — “s” sounds

Orange — “d” and “t” sounds

This poem has a lot of percussive, disruptive sounds that reinforce the beating of the drums. The “b,” “d,” “w,” and “t” sounds resemble these drum beats, while the “th” and “s” sounds are sneakier, penetrating a deeper part of the ear. The cacophony of this excerpt might not sound “lyrical,” but it does manage to command your attention, much like drums beating through a city might sound.

To learn more about consonance and assonance, euphony and cacophony, onomatopoeia , and the other uses of sound, take a look at our article “12 Literary Devices in Poetry.”

https://writers.com/literary-devices-in-poetry

It would be a crime if you weren’t primed on the ins and outs of rhymes. “Rhyme” refers to words that have similar pronunciations, like this set of words: sound, hound, browned, pound, found, around.

Many poets assume that their poetry has to rhyme, and it’s true that some poems require a complex rhyme scheme. However, rhyme isn’t nearly as important to poetry as it used to be. Most traditional poetry forms—sonnets, villanelles , rimes royal, etc.—rely on rhyme, but contemporary poetry has largely strayed from the strict rhyme schemes of yesterday.

There are three types of rhymes:

• Homophony: Homophones are words that are spelled differently but sound the same, like “tail” and “tale.” Homophones often lead to commonly misspelled words .
• Perfect Rhyme: Perfect rhymes are word pairs that are identical in sound except for one minor difference. Examples include “slant and pant,” “great and fate,” and “shower and power.”
• Slant Rhyme: Slant rhymes are word pairs that use the same sounds, but their final vowels have different pronunciations. For example, “abut” and “about” are nearly-identical in sound, but are pronounced differently enough that they don’t completely rhyme. This is also known as an oblique rhyme or imperfect rhyme.

Meter refers to the stress patterns of words. Certain poetry forms require that the words in the poem follow a certain stress pattern, meaning some syllables are stressed and others are unstressed.

What is “stressed” and “unstressed”? A stressed syllable is the sound that you emphasize in a word. The bolded syllables in the following words are stressed, and the unbolded syllables are unstressed:

• Un• stressed
• Plat• i• tud• i•nous
• De •act•i• vate
• Con• sti •tu• tion•al

The pattern of stressed and unstressed syllables is important to traditional poetry forms. This chart, copied from our article on form in poetry , summarizes the different stress patterns of poetry.

2. Elements of Poetry: Form

“Form” refers to the structure of the poem. Is the poem a sonnet , a villanelle, a free verse piece, a slam poem, a contrapuntal, a ghazal , a blackout poem , or something new and experimental?

Form also refers to the line breaks and stanza breaks in a poem. Unlike prose, where the end of the page decides the line breaks, poets have control over when one line ends and a new one begins. The words that begin and end each line will emphasize the sounds, images, and ideas that are important to the poet.

To learn more about rhyme, meter, and poetry forms, read our full article on the topic:

https://writers.com/what-is-form-in-poetry

3. Elements of Poetry: Literary Devices

“Poetry: the best words in the best order.” — Samuel Taylor Coleridge

How does poetry express complex ideas in concise, lyrical language? Literary devices—like metaphor, symbolism , juxtaposition , irony , and hyperbole—help make poetry possible. Learn how to write and master these devices here:

https://writers.com/common-literary-devices

To condense the elements of poetry into an actual poem, we’re going to follow a seven-step approach. However, it’s important to know that every poet’s process is different. While the steps presented here are a logical path to get from idea to finished poem, they’re not the only tried-and-true method of poetry writing. Poets can—and should!—modify these steps and generate their own writing process.

Nonetheless, if you’re new to writing poetry or want to explore a different writing process, try your hand at our approach. Here’s how to write a poem step by step!

1. Devise a Topic

The easiest way to start writing a poem is to begin with a topic.

However, devising a topic is often the hardest part. What should your poem be about? And where can you find ideas?

Here are a few places to search for inspiration:

• Other Works of Literature: Poetry doesn’t exist in a vacuum—it’s part of a larger literary tapestry, and can absolutely be influenced by other works. For example, read “The Golden Shovel” by Terrance Hayes , a poem that was inspired by Gwendolyn Brooks’ “We Real Cool.”
• Real-World Events: Poetry, especially contemporary poetry, has the power to convey new and transformative ideas about the world. Take the poem “A Cigarette” by Ilya Kaminsky , which finds community in a warzone like the eye of a hurricane.
• Your Life: What would poetry be if not a form of memoir? Many contemporary poets have documented their lives in verse. Take Sylvia Plath’s poem “Full Fathom Five” —a daring poem for its time, as few writers so boldly criticized their family as Plath did.
• The Everyday and Mundane: Poetry isn’t just about big, earth-shattering events: much can be said about mundane events, too. Take “Ode to Shea Butter” by Angel Nafis , a poem that celebrates the beautiful “everydayness” of moisturizing.
• Nature: The Earth has always been a source of inspiration for poets, both today and in antiquity. Take “Wild Geese” by Mary Oliver , which finds meaning in nature’s quiet rituals.
• Writing Exercises: Prompts and exercises can help spark your creativity, even if the poem you write has nothing to do with the prompt! Here’s 24 writing exercises to get you started.

At this point, you’ve got a topic for your poem. Maybe it’s a topic you’re passionate about, and the words pour from your pen and align themselves into a perfect sonnet! It’s not impossible—most poets have a couple of poems that seemed to write themselves.

However, it’s far more likely you’re searching for the words to talk about this topic. This is where journaling comes in.

Sit in front of a blank piece of paper, with nothing but the topic written on the top. Set a timer for 15-30 minutes and put down all of your thoughts related to the topic. Don’t stop and think for too long, and try not to obsess over finding the right words: what matters here is emotion, the way your subconscious grapples with the topic.

At the end of this journaling session, go back through everything you wrote, and highlight whatever seems important to you: well-written phrases, poignant moments of emotion, even specific words that you want to use in your poem.

Journaling is a low-risk way of exploring your topic without feeling pressured to make it sound poetic. “Sounding poetic” will only leave you with empty language: your journal allows you to speak from the heart. Everything you need for your poem is already inside of you, the journaling process just helps bring it out!

Learn more about keeping a daily journal here:

How to Start Journaling: Practical Advice on How to Journal Daily

3. Think About Form

As one of the elements of poetry, form plays a crucial role in how the poem is both written and read. Have you ever wanted to write a sestina ? How about a contrapuntal, or a double cinquain, or a series of tanka? Your poem can take a multitude of forms, including the beautifully unstructured free verse form; while form can be decided in the editing process, it doesn’t hurt to think about it now.

4. Write the First Line

After a productive journaling session, you’ll be much more acquainted with the state of your heart. You might have a line in your journal that you really want to begin with, or you might want to start fresh and refer back to your journal when you need to! Either way, it’s time to begin.

What should the first line of your poem be? There’s no strict rule here—you don’t have to start your poem with a certain image or literary device. However, here’s a few ways that poets often begin their work:

• Set the Scene: Poetry can tell stories just like prose does. Anne Carson does just this in her poem “Lines,” situating the scene in a conversation with the speaker’s mother.
• Start at the Conflict : Right away, tell the reader where it hurts most. Margaret Atwood does this in “Ghost Cat,” a poem about aging.
• Start With a Contradiction: Juxtaposition and contrast are two powerful tools in the poet’s toolkit. Joan Larkin’s poem “Want” begins and ends with these devices. Carlos Gimenez Smith also begins his poem “Entanglement” with a juxtaposition.
• Start With Your Title: Some poets will use the title as their first line, like Ron Padgett’s poem “Ladies and Gentlemen in Outer Space.”

There are many other ways to begin poems, so play around with different literary devices, and when you’re stuck, turn to other poetry for inspiration. You can learn more about starting a poem here: 

How to Start a Poem (When You Don’t Know Where to Start)

5. Develop Ideas and Devices

You might not know where your poem is going until you finish writing it. In the meantime, stick to your literary devices. Avoid using too many abstract nouns, develop striking images, use metaphors and similes to strike interesting comparisons, and above all, speak from the heart.

6. Write the Closing Line

Some poems end “full circle,” meaning that the images the poet used in the beginning are reintroduced at the end. Gwendolyn Brooks does this in her poem “my dreams, my work, must wait till after hell.”

Yet, many poets don’t realize what their poems are about until they write the ending line . Poetry is a search for truth, especially the hard truths that aren’t easily explained in casual speech. Your poem, too, might not be finished until it comes across a necessary truth, so write until you strike the heart of what you feel, and the poem will come to its own conclusion.

7. Edit, Edit, Edit!

Do you have a working first draft of your poem? Congratulations! Getting your feelings onto the page is a feat in itself.

Yet, no guide on how to write a poem is complete without a note on editing. If you plan on sharing or publishing your work, or if you simply want to edit your poem to near-perfection, keep these tips in mind.

• Adjectives and Adverbs: Use these parts of speech sparingly. Most imagery shouldn’t rely on adjectives and adverbs, because the image should be striking and vivid on its own, without too much help from excess language.
• Concrete Line Breaks: Line breaks help emphasize important words, making certain images and themes clearer to the reader. As a general rule, most of your lines should start and end with concrete words—nouns and verbs especially.
• Stanza Breaks: Stanzas are like paragraphs to poetry. A stanza can develop a new idea, contrast an existing idea, or signal a transition in the poem’s tone. Make sure each stanza clearly stands for something as a unit of the poem.
• Mixed Metaphors: A mixed metaphor is when two metaphors occupy the same idea, making the poem unnecessarily difficult to understand. Here’s an example of a mixed metaphor: “a watched clock never boils.” The meaning can be discerned, but the image remains unclear. Be wary of mixed metaphors—though some poets (like Shakespeare) make them work, they’re tricky and often disruptive.
• Abstractions: Above all, avoid using excessively abstract language. It’s fine to use the word “love” 2 or 3 times in a poem, but don’t use it twice in every stanza. Let the imagery in your poem express your feelings and ideas, and only use abstractions as brief connective tissue in otherwise-concrete writing.

Lastly, don’t feel pressured to “do something” with your poem. Not all poems need to be shared and edited. Poetry doesn’t have to be “good,” either—it can simply be a statement of emotions by the poet, for the poet. Publishing is an admirable goal, but also, give yourself permission to write bad poems, unedited poems, abstract poems, and poems with an audience of one. Write for yourself—editing is for the other readers.

Poetry is the oldest literary form, pre-dating prose, theater, and the written word itself. As such, there are many different schools of thought when it comes to writing poetry. You might be wondering how to write a poem through different methods and approaches: here’s four philosophies to get you started.

How to Write a Poem: Poetry as Emotion

If you asked a Romantic Poet “what is poetry?”, they would tell you that poetry is the spontaneous emotion of the soul.

The Romantic Era viewed poetry as an extension of human emotion—a way of perceiving the world through unbridled creativity, centered around the human soul. While many Romantic poets used traditional forms in their poetry, the Romantics weren’t afraid to break from tradition, either.

To write like a Romantic, feel—and feel intensely. The words will follow the emotions, as long as a blank page sits in front of you.

How to Write a Poem: Poetry as Stream of Consciousness

If you asked a Modernist poet, “What is poetry?” they would tell you that poetry is the search for complex truths.

Modernist Poets were keen on the use of poetry as a window into the mind. A common technique of the time was “Stream of Consciousness,” which is unfiltered writing that flows directly from the poet’s inner dialogue. By tapping into one’s subconscious, the poet might uncover deeper truths and emotions they were initially unaware of.

Depending on who you are as a writer, Stream of Consciousness can be tricky to master, but this guide covers the basics of how to write using this technique.

How to Write a Poem: Mindfulness

Mindfulness is a practice of documenting the mind, rather than trying to control or edit what it produces. This practice was popularized by the Beat Poets , who in turn were inspired by Eastern philosophies and Buddhist teachings. If you asked a Beat Poet “what is poetry?”, they would tell you that poetry is the human consciousness, unadulterated.

To learn more about the art of leaving your mind alone , take a look at our guide on Mindfulness, from instructor Marc Olmsted.

https://writers.com/mindful-writing

How to Write a Poem: Poem as Camera Lens

Many contemporary poets use poetry as a camera lens, documenting global events and commenting on both politics and injustice. If you find yourself itching to write poetry about the modern day, press your thumb against the pulse of the world and write what you feel.

Additionally, check out these two essays by Electric Literature on the politics of poetry:

• What Can Poetry Do That Politics Can’t?
• Why All Poems Are Political (TL;DR: Poetry is an urgent expression of freedom).

Okay, I Know How to Write a Poem. What Next?

Poetry, like all art forms, takes practice and dedication. You might write a poem you enjoy now, and think it’s awfully written 3 years from now; you might also write some of your best work after reading this guide. Poetry is fickle, but the pen lasts forever, so write poems as long as you can!

Once you understand how to write a poem, and after you’ve drafted some pieces that you’re proud of and ready to share, here are some next steps you can take.

Publish in Literary Journals

Want to see your name in print? These literary journals house some of the best poetry being published today.

https://writers.com/best-places-submit-poetry-online

Assemble and Publish a Manuscript

A poem can tell a story. So can a collection of poems. If you’re interested in publishing a poetry book, learn how to compose and format one here:

https://writers.com/poetry-manuscript-format

How to Write a Poem: Join a Writing Community

Writers.com is an online community of writers, and we’d love it if you shared your poetry with us! Join us on Facebook and check out our upcoming poetry courses .

Poetry doesn’t exist in a vacuum, it exists to educate and uplift society. The world is waiting for your voice, so find a group and share your work!

Sean Glatch

39 comments.

super useful! love these articles 💕

Finally found a helpful guide on Poetry’. For many year, I have written and filed numerous inspired pieces from experiences and moment’s of epiphany. Finally, looking forward to convertinb to ‘poetry format’. THANK YOU, KINDLY. 🙏🏾

Indeed, very helpful, consize. I could not say more than thank you.

I’ve never read a better guide on how to write poetry step by step. Not only does it give great tips, but it also provides helpful links! Thank you so much.

Thank you very much, Hamna! I’m so glad this guide was helpful for you.

Best guide so far

hey can you help me with my poems

Very inspirational and marvelous tips

Thank you super tips very helpful.

I have never gone through the steps of writing poetry like this, I will take a closer look at your post.

Beautiful! Thank you! I’m really excited to try journaling as a starter step x

[…] How to Write a Poem, Step-by-Step […]

This is really helpful, thanks so much

Extremely thorough! Nice job.

Thank you so much for sharing your awesome tips for beginner writers!

People must reboot this and bookmark it. Your writing and explanation is detailed to the core. Thanks for helping me understand different poetic elements. While reading, actually, I start thinking about how my husband construct his songs and why other artists lack that organization (or desire to be better). Anyway, this gave me clarity.

I’m starting to use poetry as an outlet for my blogs, but I also have to keep in mind I’m transitioning from a blogger to a poetic sweet kitty potato (ha). It’s a unique transition, but I’m so used to writing a lot, it’s strange to see an open blog post with a lot of lines and few paragraphs.

Anyway, thanks again!

I’m happy this article was so helpful, Eternity! Thanks for commenting, and best of luck with your poetry blog.

Yours in verse, Sean

One of the best articles I read on how to write poems. And it is totally step by step process which is easy to read and understand.

Thanks for the step step explanation in how to write poems it’s a very helpful to me and also for everyone one. THANKYOU

Totally detailed and in a simple language told the best way how to write poems. It is a guide that one should read and follow. It gives the detailed guidance about how to write poems. One of the best articles written on how to write poems.

what a guidance thank you so much now i can write a poem thank you again again and again

The most inspirational and informative article I have ever read in the 21st century.It gives the most relevent,practical, comprehensive and effective insights and guides to aspiring writers.

Thank you so much. This is so useful to me a poetry

[…] Write a short story/poem (Here are some tips) […]

It was very helpful and am willing to try it out for my writing Thanks ❤️

Thank you so much. This is so helpful to me, and am willing to try it out for my writing .

Absolutely constructive, direct, and so useful as I’m striving to develop a recent piece. Thank you!

thank you for your explanation……,love it

Really great. Nothing less.

I can’t thank you enough for this, it touched my heart, this was such an encouraging article and I thank you deeply from my heart, I needed to read this.

great teaching Did not know all that in poetry writing

This was very useful! Thank you for writing this.

After reading a Charles Bukowski poem, “My Cats,” I found you piece here after doing a search on poetry writing format. Your article is wonderful as is your side article on journaling. I want to dig into both and give it another go another after writing poetry when I was at university. Thank you!

Thanks for reading, Vicki! Let us know how we can support your writing journey. 🙂

Thank you for the nice and informative post. This article truly offers a lot more details about this topic.

Very useful information. I’m glad to see you discussed rhyming, too. I was in the perhaps mistaken idea that rhyming is frowned upon in contemporary poems.

Thanks alot this highly needed for a starter like me

Thanks for this Beautiful 🌹 step by step piece. As I dive into learning how to write poems I will probably find them helpful and refer to them later on again when needed. Thanks♥️

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Craft Essay as a Set of Commands

By Joanna Acevedo

First, read the following poem;

She Spent A Year Hallucinating Birds by Jill Alexander Essbaum  https://www.poetryfoundation.org/poetrymagazine/poems/92035/she-spent-a-year-hallucinating-birds 

They perched on roofs and fences and sills. They posed statue-still on catenary lines. They aligned along cables like prayer beads on rope. They amassed en masse on the cemetery lawn and marauded the broad, yawning fields like cattle. Their cackles were black. Each shadow dove and pecked. They nested in chimneys and chirped at the chime of the church bell. They worked in shifts. Clocked out at odd hours. They laid their eggs in the V s of trees. They teemed on the dry-baked banks of creek beds, streams the sun had overseen. They teetered on the bed-knob tops of flagpoles. They pitched like pennies into founts. They pitched like babies into wells. They thumped at doors then skulked away like hoodlum teens. They jabbed her. When she cried they did it faster. Everyone knows what happened next. Some grew big as sunflower stalks, others tall like bonfire flames. Or moving vans. Or the sick, brick houses people die inside of every night. Their hatchlings canopied the sky. Was it her fault, then, when they pinned her to the ground and thrust their feathers down her throat? Or wormed between her legs in bad-man ways? Or rattled plumes and whooped and beat her body with their wings? Or locked their talons to her thighs and tra-la-la- ed that ditty from the old-time music box? Or forced their whiskies past her lips? Or put her in the pillory? This was foreplay, in a way. They rolled in rabid packs and woofed like dogs. She couldn’t throw a bone. The meat was gone. They chased her and they named her and they boiled her tears and bathed her. Then they ate her.

1. It’s important to read slowly. Try reading aloud. This will help you to get a sense of the rhythm—a good place to start as you begin to break down any poem.

a. The repetition of “They,” here is what makes this poem so successful. As the poem moves forward, we see the escalation from simple, longer lines into increasingly quick and choppy clauses which make the poem read faster and more urgently. b. The “They,” mentioned throughout this poem is ambiguous. We have no idea who “They,” are, except for the title; so, the title becomes the only reference point we have for this protagonist’s abuser—and this leaves an open-endedness to this writing, a sense that we don’t know precisely everything that is going on—we might have less information than we think we do, as readers. An uneasiness governs this poem, culminating in a final climax.

2. If you have written something related, be sure and mention it, like this interview with Chen Chen in Gasher which talks about titles and their impact: https://www.gasherpress.com/post/what-is-the-more-complicated-truth-i-m-not-facing-a-conversation-with-chen-chen-on-vulnerability . It’s always useful to hype up your own work if there is some kind of connection.

3. Is there any kind of imagery or language you are particularly interested in or inspired by? Pull out a line or two:

They aligned along cables like prayer beads on rope. Or: They nested in chimneys and chirped at the chime of the church bell.

4. Now you must talk about why you were drawn to these lines. Here, you can show some awareness of poetic technique, showing your knowledge and even mentioning other related poems if you have any that immediately come to mind.

a. For the first line, “They aligned…” the “prayer beads,” is an immediately eye-catching and specific metaphor. It brings religious themes into work which seems to be devoid of any kind of hope or faith. This is clearly intentional. We see Essbaum bringing us into what is perhaps a more nuanced and complex space than we previously realized. Not only is this world that she has crafted clearly threatening, but there is an element of religion and even perhaps punishment or cruelty which was not obvious earlier. b. The second line shows Essbaum’s attention to detail with the alliteration. This is a sharply empathic line, and it leads to the church bell—another religious reference. This review in The Rumpus explores poet J. Estanislao Lopez’s collection We Borrowed Gentleness , which often dips into such themes: https://therumpus.net/2023/08/02/j-estanislao-lopez/ , if further reading is helpful.

5. The poem, as we continue to read, starts to break down. Structure is the most important element to talk about at this juncture. Talking about the history of the prose poem can be important at this point, and it might even be helpful to mention French writers like Rimbaud or Baudelaire, who helped popularize the form. Even quoting one or two lines of their work could be a contrast from the Essbaum poem—which has become so charged that readers may need a break from considering it in such tight detail.

6. Structure is important because the language of the poem has become so elevated and then speculative. Check out this poem by Marianne Chan which does something similar: https://www.poetryfoundation.org/poetrymagazine/poems/156325/my-therapist-talks-about-biddle-city . As you write your craft essay it will be useful to quote from these sources and format their citations properly—a skill to brush up on.

a. As this poem becomes more and more speculative and spills into the territory of magical realism, it’s important to make sure the reader feels grounded in the poetic space. For the reader of a craft essay, we want to feel as if the writer understands the nature of the breakdown of the writing and can talk about how it serves the poem. With a line like: “Some grew big as sunflower stalks…” we as readers need to understand that you as a craft writer understand and can justify this poetic move, that you understand the poem and its motivations. b. This is a tricky poem and there is much that works under the surface, but at its core, it’s depicting an assault, or series of assaults, as well as hinting at the larger structural problems with the patriarchy. Understanding this, giving contextual clues by sharing lines like, “Was it her fault, then, when they pinned her to the ground and thrust their feathers down her throat?” and helping readers to this conclusion without being too obvious, will be the key to this review.

7. It’s a painful poem in many ways. It’s a poem built on deep emotion but also warped with a vein of irony. The reader needs to appreciate the elegance of this solution, the rapid-fire short sentences which graphically describe the violence of this woman’s experience. At times she is quite clear; at other times more obscure. The push-pull of this technique should be emphasized in the craft writing that concerns this poem.

a. The detail of this poem, and its relentlessness, are the things that stay with us as readers after we put the poem down. This poem does not flinch. We get it all and we get it all, quickly. We don’t hesitate. This can be a useful technique for writing about experiences that feel too complex to write about. b. And the metaphor of hallucinaitng birds? Aside from the logistical and physical question, a longform narrative metaphor can give a sense of cohesiveness to a piece of writing that allows it to explore an emotional state without having to worry too much about checking back in with the reader.

8. As we work with difficult texts, the thing to remember is: what is this work trying to do? This is key to all craft writing. If you break down a piece into its components, you will start to see how it has been built and you can teach that to others. You can continue to learn. It’s a big world out there.

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How to Start Writing Poetry as a Total Beginner

If you’re searching for an outlet to express your creativity, writing poetry is an accessible way to escape and effectively process your emotions. Unsure where to begin? Here’s how to start writing poetry as a total beginner. 

Spend time simply freewriting

Grab a notebook, open your Notes app, or create a new Word document—whichever medium works for you—and write whatever comes to mind. Don’t worry about form!Editing and structure will come later. 

Freewriting can help to unlock the basis of a poem and reveal emotions and experiences that you need to process. As you freewrite, remain nonjudgemental, since this practice serves as an opportunity to simply let your creativity flow and a chance to let go of perfection.

Observe what inspires you

An important piece of writing poetry is observation. Becoming a keen observer of your inner and outer experiences helps you tell complete, nuanced stories. 

You’ll also begin to notice what inspires you, which provides direction for your poems and helps you cultivate your identity as a poet. You might feel inspired to write about your  mental health  journey, your relationships, or nature, for example.

Read a few poetry books

Read, read, read! Reading poetry expands your understanding and knowledge of voice, genres, and literary devices. Purchase a few poetry books that you feel drawn to. If you’re on a budget, buy your collections from an  online  or brick-and-mortar thrift store. You could even rent collections from your local library or borrow a book from your friend. 

As you read, take notes on what elements stand out to you. Maybe you feel drawn to metaphor, rhyme, or a collection’s visual aesthetic—these notes can provide inspiration for your own poems.

Experiment with different forms

Don’t be afraid to write in different poetic forms. Whether you write an acrostic poem, a poem with a specific rhyme scheme, or a  free verse  poem, experimenting with form will promote your creativity and help you hone your skills.

Enroll in a beginner’s workshop

If you’re looking for a more structured approach to learning how to write poetry, enroll in a beginner’s workshop. 

Working on assignments or projects will help you build your skillset and gain confidence as a poet. Depending on the workshop, you might even be able to converse with your instructor and classmates, which can help answer your questions while building your own poetry  community .

Browse through Read Poetry’s writing prompts and tips

Read Poetry regularly publishes writing  prompt s and  tip s (like this one!). Look no further for inspiration and education at no cost—from seasonal prompts to literary device posts to deep dive genre articles, our resources are right at your fingertips.

We hope you feel excited and motivated to start writing poetry. Learning any craft is a process—remember to take your time and have fun! If you’d like to take this practice a step further by sharing your poetry with others, check out our guide on starting a poetry  Instagram account .

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• Our Mission

2 Strategies to Help Students Appreciate Poetry

An emotional connection, even from a single word, can help high school students learn to appreciate poems on an authentic level.

Even though you already know the answer, you still ask the question. “So, who here reads poetry for fun?” You can almost see the tumbleweed blow through the classroom. Not a single hand goes up. “How about plays?” Now, a scattering of hands. “Well, how about novels?” Lots of hands shoot up. But for poetry? No one.

This is a scenario all too familiar to English teachers. Even though they study it almost every single year, as soon as students leave the English classroom, it’s like poetry ceases to exist. You won’t find many students curling up at night with a good book of poetry.

Part of the reason for this is that many students don’t know how to enjoy poetry . They know how to study poetry, but not how to read it just for the fun of doing so. For many students, poetry reading is inexorably linked to a very particular kind of classroom activity. We pore over its lines, dwelling over every word. In so doing, we risk smothering the hit of emotion that the best poetry provokes. We spend so much time analytically pulling apart a poem that we leave no space simply to feel it . 

In this article, I offer two concrete classroom strategies that will help your students enjoy the poetry that they study even more. Your students will see poetry not as something arduous and deliberate, but as something to take pleasure in. Each strategy—tried and tested in my classroom—inculcates a way of reading poetry that privileges its emotional pull.

Build a Resonance Index 

The word that most captures this style of encounter is resonance . This is a word that, to me, exudes what it means to study literature. It emphasizes that lightning-bolt feeling of reading something that just connects to you, even if you don’t fully know why. It’s the way a word or image tingles, latching itself onto something you’ve felt or experienced before.

In your teaching of poetry, give “resonance” a home. Ask students to dedicate a section of their notebook for jotting down any lines or images that resonate with them. Here, ask them to jot down any lines or images that resonate with them. They don’t need to analyze them, they only to feel them and note their experience. They can do this in their reading of poetry outside of the classroom, too. This practice offers a space for students to reflect on what they’ve just read and notice the kinds of emotional reactions it stirred up.

When using this strategy, I like to give students five minutes to do this immediately after reading a poem for the first time. Have them turn to their resonance index and then jot down anything that moves them: a word, line, or snippet of a phrase; an image that the poem has conjured in their mind or an idea they had. The point is that anything goes: It’s deliberately nondirected. If it resonated, students jot it down.

Next, use these newly formed resonances as the foundation for class discussion. Moving around the room, ask students to share something they’ve just noted, whatever it might be. Ask them to explore why it resonated with them and what they like about it. Invite other students to add their thoughts. Ask if anyone else jotted down something similar—invariably somebody has—and ask them to consider whether they noted it for similar or different reasons.

You can also use the resonance index as a starting point for writing. Ask students to glance back at their initial list and select one thought as a focal point for a short burst of writing. Explain that it doesn’t matter what they select, only that it resonated. Give them 10 minutes to write down whatever comes to mind in relation to what they picked—teasing out and exploring why they think it has resonated.

You could also simply leave the index as it is. Do nothing with it. Ask students to jot down what resonates and then simply move on. The point of this strategy is to encourage students into a new relationship with the poetry they’re reading: seeing it not as something to pick apart, but as something to feel.

Look for the Neon Line

British poet Simon Armitage said that every poem has a “neon line,” which, he explained, is “one line in a poem that seems to be flashing on and off.”

Rather than asking students to over-analyze and over-annotate a poem, start by focusing on its neon line. Get them to the poem and then, operating mostly on gut instinct, highlight its most important line. Give them just a few seconds to do this. Read, pause for breath, highlight their chosen line.

Next, move around the room, asking students to share their neon line, perhaps offering an initial thought as to what attracted them to it. This becomes a great way to access a poem, requiring students to seek out and be attentive to bursts of emotion.

A variation of this strategy is to show students the chosen poem for just a split second. Project it onto the screen and then, 3-2-1, snatch it away again. Now, ask students to consider the words or lines that stayed with them, no matter how blurry. Whatever has caught their attention, even if subconsciously, is bound to be worth exploring.

Likewise, you can just read the poem to students—making sure they don’t have access to a printed copy. Read it once and then ask them to jot down any words or lines they can remember. Move around the room, asking students to share what they wrote. Inevitably, lines will be misheard or words misremembered, but this doesn’t matter. What matters is helping students to connect with the poems they read at an emotional level, getting them to see what parts “flash on and off.”

Both of these strategies cultivate a disposition of pleasurable appreciation. They transform poetry reading from a process of painstaking analysis to what it always has been: an affective and emotive experience in which we privilege not only what we come to intellectually understand, but the way poetry moves us. Helping our students to develop such a disposition in their reading of poetry will also help to unlock how much they enjoy it.

• Library of Congress
• Research Guides
• American Folklife Center

Folklife and Creative Writing: Resources in the American Folklife Center

Introduction.

• Cowboy poetry
• Veterans poetry
• Living Nations, Living Words
• Brazilian Chapbooks
• Veteran Memoirs
• Plays and Novels
• Non-Fiction
• Library Blog Posts and Podcasts
• Additional Resources
• Searching the Collection
• Maggie Jones,  Folklife Intern, American Folklife Center
• Melanie Kimball,  Folklife Intern, American Folklife Center
• Meg Nicholas, Folklife Specialist, American Folklife Center

Created:  June 13, 2024

Last Updated:  August 6, 2024

Ask a Librarian: American Folklife Center

American folklife center : ask a librarian.

Have a question? Need assistance? Use our online form to ask a librarian for help.

This guide provides an introduction to doing research on the topic of creative writing using American Folklife Center collections, and serves as a companion piece to an existing guide on Narrative and Verbal Arts in AFC collections. While the American Folklife Center archive contains primarily unpublished materials, in some cases a collection may include a manuscript or drafts of poems, essays or memoirs that were later published.

The Center's Collection Policy Statement lists nine areas of distinction for its collections, including "Narrative and Verbal Arts." The policy statement has this to say about this area of distinction:

Narrative and Verbal Arts encompass a wide range of genres including stories, myths, legends, jokes, fan literature, memes, proverbs, folk poetry, and cowboy poetry, as well as premier collections of American English regional dialects, plus collections of Gullah (Sea Islands Creole), Caribbean, and French-based Creole dialects.

For the purposes of this guide, "creative writing" encompasses examples of the written word found in AFC archival collections. This may refer to collections of materials written about AFC archival collections, or it may refer to a manuscript item that forms part of a donated collection. The items featured here often cross genres, including poetry, memoirs, and manuscripts for novels, essays and other non-fiction writing. To aid in navigation, collections have been grouped according to the following genres:

• Autobiography and Memoir
• Non-Fiction and Essays

Some collections may feature one creative writing style, while still others contain examples of multiple genres. In the latter case, the collection has been grouped according to the genre which best describes its contents.

In addition to these genre collections, the AFC archive also has items which pertain to the act of writing itself. These include interviews with notable authors which include descriptions of their writing process, as well as an exploration of writing for archival cataloguing.

Some of the collections and resources featured in this guide are available online. Others, including many non-digitized collections of note, require a visit to the American Folklife Center reading room. This guide is not intended to serve as a comprehensive record of all AFC archival collections relevant to this subject.

Writers Found in AFC Collections

• Maya Angelou
• Allen Ginsberg
• Stetson Kennedy
• Arthur Miller
• Toni Morrison
• Zora Neale Hurston

There is a digital presentation of this collection.

Creative Writing in the American Folklife Center

Richard Joseph Heh, author. "My Last Mission" poem written by Richard Joseph Heh. Richard Joseph Heh Collection (AFC 2001/001/87986), Veterans History Project, American Folklife Center, Library of Congress.

Lyntha Scott Eiler, photographer. John Russell, of Montcoal, reading a poem entitled "Keeper of the Forest" at the University of Charleston in Charleston, West Virginia. March 15, 1996. Coal River Folklife Collection (AFC 1999/008), American Folk

Alan Lomax, writer. Draft of unpublished scene from a play about the embodied characters Mind and Matter. Alan Lomax Collection (AFC 2004/004), American Folklife Center, Library of Congress.

Unrealeased outtake footage of an interview with poet Allen Ginsberg . Bruce Jackson and Diane Christian Collection (AFC 2011/009), American Folklife Center, Library of Congress.

Bess Lomax Hawes, writer. Bess's early writing, from 1930. Bess Lomax Hawes Collection (AFC 2014/008), American Folklife Center, Library of Congress

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• Last Updated: Aug 23, 2024 3:22 PM
• URL: https://guides.loc.gov/folklife-creative-writing

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Illustration Liz Zonarich/Harvard Staff; photos courtesy of Woodberry Poetry Room, Houghton Library, and by Stephanie Mitchell/Harvard Staff Photographer

Where sights and sounds of modern poetry are

Harvard Staff Writer

Woodberry Poetry Room embarks on online preservation project

On the third floor of Harvard’s Lamont Library sits a portal to a world inhabited by the words, images, and sounds of modern and contemporary poetry. 

Since the early 1930s, the Woodberry Poetry Room has been amassing an audio and video collection of recordings that includes thousands of hours of readings, interviews, lectures, workshops, seminars, oral histories, panel discussions, radio broadcasts, theatrical performances, folk music concerts, ethnographic field recordings, and even memorial services. Now, thanks to a $250,000 Public Knowledge Grant from the Mellon Foundation, the poetry room will have the opportunity to preserve and further amplify its “library of voices.” 

The funding will enable the poetry room to digitize 2,000 of its most rare, at-risk reel-to-reel recordings and create a Library of Voices website, a digital AV platform on which the curators hope to explore fresh ways for visitors to engage with literary recordings in the online environment. 

“In the U.S., the reel-to-reel had its heyday in the mid-century, after American GIs brought an early model tape recorder — the Magnetophon — and related technologies back from Germany in 1945,” said Christina Davis, curator of the poetry room. “The poetry room’s earliest known use of the technology was in 1947, when we deployed it to record T.S. Eliot’s first big post-War reading at Sanders Theatre. Reels remained our primary format through the early 1980s, so by preserving them we’re saving a deeply diverse range of cultural and historical materials.”  

“The Love Song of J. Alfred Prufrock.”

Let us go then, you and I, when the evening is spread out against the sky like patient etherized upon a table. Let us go through certain half-deserted streets, the muttering retreats of restless nights in one-night cheap hotels and sawdust restaurants with oyster shells. Streets that follow like a tedious argument of insidious intent to lead you to an overwhelming question– Oh, do not ask, what is it? Let us go and make our visit. In the room, the women come and go talking of Michelangelo.

The yellow fog that rubs its back upon the window panes. The yellow smoke that rubs its muzzle on the window panes. Licked its tongue into the corners of the evening, lingered upon the pools that stand in drains. Let fall upon its back the soot that falls from chimneys. Slipped by the terrace, made a sudden leap. And seeing that it was a soft October night, curled once about the house and fell asleep.

And indeed there will be time for the yellow smoke that slides along the street rubbing its back upon the window panes. There will be time, there will be time to prepare a face to meet the faces that you meet.

There will be time to murder and create, and time for all the works and days of hands that lift and drop a question on your plate. Time for you and time for me, and time yet for a hundred indecisions and for a hundred visions and revisions before the taking of a toast and tea. In the room, the women come and go talking of Michelangelo.

And indeed, there will be time to wonder, do I dare, and do I dare? Time to turn back and descend the stair with a bald spot in the middle of my hair. They will say, how his hair is growing thin. My morning coat, my collar mounting firmly to the chin. My necktie rich and modest but asserted by a simple pin. They will say, but how his arms and legs are thin. Do I dare disturb the universe?

In a minute, there is time for decisions and revisions which a minute will reverse. For I have known them all already, known them all. Have known the evenings, mornings, afternoons. I have measured out my life with coffee spoons. I know the voices dying with a dying fall beneath the music from a farther room. So how should I presume?

And I have known the eyes already, known them all, the eyes that fix you in a formulated phrase. And when I am formulated, sprawling on a pin. When I am pinned and wriggling on the wall, then how should I begin to spit out all the butt-ends of my days and ways? And how should I presume?

And I have known the arms already, known them all, arms that are braceleted and white and bare. But in the lamplight, downed with light brown hair, is it perfume from a dress that makes me so digress? Arms that lie along a table or wrap about a shawl. And how should I presume? And how should I begin?

Shall I say, I have gone at dusk through narrow streets and watched the smoke that rises from the pipes of lonely men in shirtsleeves leaning out of windows. I should have been a pair of ragged claws scuttling across the floors of silent seas. And the afternoon, the evening, sleeps so peacefully smoothed by long fingers. Asleep, tired, or it malingers stretched on the floor here beside you and me.

Should I, after tea and cakes and ices, have the strength to force the moment to its crisis? But though I have wept and fasted, wept and prayed. Though I have seen my head grown slightly bald brought in upon a platter. I am no prophet, and here’s no great matter. I have seen the moment of my greatness flicker, and I have seen the eternal footman hold my coat and snicker. And in short, I was afraid.

And would it have been worth it, after all, after the cups, the marmalade, the tea, among the porcelain, among some talk of you and me? Would it have been worthwhile to have bitten off the matter with a smile? To have squeezed the universe into a ball to roll it towards some overwhelming question. To say, I am Lazarus, come from the dead, come back to tell you all, I shall tell you all– if one, settling a pillow by her head, should say, that is not what I meant at all.

That is not it at all.

And would it have been worth it after all? Would it have been worthwhile after the sunsets and the dooryards and the sprinkled streets? After the novels, after the teacups, after the skirts that trail along the floor, and this, and so much more? It is impossible to say just what I mean!

But as if a magic lantern through the nerves in patterns on a screen. Would it have been worthwhile if one, settling a pillow or throwing off a shawl and turning toward the window, should say, that is not it at all. That is not what I meant at all.

No, I am not Prince Hamlet, nor was meant to be. Am an attendant lord, one that will do to swell a progress, start the scene or two, advise the prince. No doubt an easy tool, deferential, glad to be of use, politic, cautious, and meticulous. Full of high sentence, but a bit obtuse. At times, indeed, almost ridiculous. Almost, that times, the fool. I grow old. I grow old. I shall wear the bottoms of my trousers rolled. Shall I part my hair behind? Do I dare to eat a peach? I saw wear white flannel trousers and walk up on the beach. I have heard the mermaid singing each to each. I do not think that they will sing to me.

I have seen them riding seaward on the waves combing with white hair of the waves blown back when the wind blows the water white then black. We have lingered in the chambers of the sea by sea girls wreathed with seaweed red and brown till human voices wake us and we drown.

“Gerontion.”

Thou hast nor youth nor age, but as it were, an after dinner sleep dreaming of both. Here I am, an old man in a dry month being read to by a boy waiting for rain. I was neither at the hot gates nor fought in the warm rain nor knee deep in the salt marsh heaving a cutlass bitten by flies, fought. My house is a decayed house, and the Jew squats on the window sill, the owner spawned in some estaminet of Antwerp, blistered in Brussels, patched and peeled in London. The goat coughs at night in the field overhead. Rocks, moss, stone crop, iron, merds. The woman keeps the kitchen, makes tea, sneezes at evening, poking the peevish gutter. I, an old man, a dull head among windy spaces. Signs are taken for wonders. We would see a sign. The word within a word, unable to speak a word, swaddled with darkness. In the juvescence of the year came Christ the tiger. In depraved May, dogwood and chestnut, flowering Judas, to be eaten, to be divided, to be drunk among whispers. By Mr. Silvero with caressing hands, at Limoges who walked all night in the next room.

By Hakagawa, bowing among the Titians. By Madame de Tornquist, in the dark room shifting the candles. Fraulein von Kulp who turned in the hall, one hand on the door. Vacant shuffles weave the wind. I have no ghosts. An old man in a draughty house under a window knob.

After such knowledge, what forgiveness? Think now. History has many cunning passages, contrived corridors and issues. Deceives with whispering ambitions. Guides us by vanities. Think now. She gives when our attention is distracted, and what she gives, gives with such supple confusions that the giving famishes the craving.

Gives too late. What’s not believed in or is still believed in memory only. Reconsidered passion gives too soon. Into weak hands, what’s thought can be dispensed with till the refusal propagates a fear. Think. Neither fear nor courage saves us. Unnatural vices are fathered by our heroism. Virtues are forced upon us by our impudent crimes. These tears are shaken from the wrath-bearing three.

The tiger springs in the new year. Us he devours. Think at last. We have not reached conclusion when I stiffen in a rented house. Think at last I have not made this show purposelessly, and it is not by any concitation of the backward devils. I would meet you upon this honestly. I that was near your heart was removed therefrom to lose beauty in terror, terror in inquisition.

I have lost my passion. Why should I need to keep it since what is kept must be adulterated? I have lost my sight, smell, hearing, taste, and touch. How should I use them for your closer contact? These, with a thousand small deliberations protract the profit of their chilled delirium, excite the membrane, when the sense has cooled, with pungent sauces. Multiply variety in a wilderness of mirrors.

What will the spider do? Suspend its operations? Will the weevil delay? De Bailhache, Fresca, Mrs. Cammel, whirled beyond the circuit of the shuddering bear in fractured atoms. Gull against the wind in the windy straights of Belle Isle or running on the Horn. White feathers in the snow, the Gulf claims. And an old man, driven by the trades, to a sleepy corner. Tenants of the house. Thoughts of a dry brain in a dry season.

“The Hollow Men.”

We are the hollow men. We are the stuffed men leaning together, headpiece filled with straw. Alas. Our dried voices, when we whisper together, are quiet and meaningless as wind and dry grass or rats’ feet over broken glass in our dry cellar.

Shape without form, shade without color. Paralyzed force. Gesture without motion. Those who have crossed with direct eyes to death’s other kingdom. Remember us, if at all, not as lost, violent souls but only as the hollow men, this stuffed men.

Eyes I dare not meet in dreams. In death’s dream kingdom, these do not appear. There, the eyes are sunlight on a broken column. There is a tree swinging, and voices are in the wind singing more distant and more solemn than a fading star.

Let me be known nearer in death’s dream kingdom. Let me also wear such deliberate disguises– rat’s coats, crow skin, crossed staves in a field, behaving as the wind behaves. No nearer. Not that final meeting in the twilight kingdom.

This is the dead land. This is cactus land. Here, the stone images are raised. Here, they receive the supplication of a dead man’s hand under the twinkle of a fading star. Is it like this in death’s other kingdom? Waking alone at the hour when we are trembling with tenderness. Lips that would kiss form prayers to broken stone.

The eyes are not here. There are no eyes here in this valley of dying stars, in this hollow valley, this broken jaw of our lost kingdoms. In this last meeting places we grope together and avoid speech gathered on this beach of the tumid river. Sightless, unless the eyes reappear as the perpetual star, multifoliate rose of death’s twilight kingdom. They hope only of empty men.

Here we go round the prickly pear, prickly pear, prickly pear. Here we go round the prickly pear at 5 o’clock in the morning. Between the idea and the reality, between the motion and the act, falls the shadow. For Thine is the kingdom.

Between the conception and the creation, between the emotion and the response, falls the shadow. Life is very long. Between the desire and the spasm, between the potency and the existence, between the essence and the descent, falls the shadow. For Thine is the kingdom. For thine is– life is– for thine is the– this is the way the world ends. This is the way the world ends. This is the way the world ends. Not with a bang but a whimper.

“Triumphal March.”

Stone. bronze, stone, steel, stone, oak leaves, horses’ heels over the paving. And the flags, and the trumpets, and so many eagles. How many? Count them. And such a press of people. We hardly knew ourselves that day or knew the city.

This is the way to the temple, and we, so many, crowding the way. So many waiting. How many waiting? What did it matter on such a day? Are they coming? No, not yet. You can see some eagles and hear the trumpets. Here they come. Is he coming?

The natural wakeful life of our ego is a perceiving. We can wait with our stools and our sausages. What comes first? Can you see? Tell us. It is 5,800,000 rifles and carbons, 102,000 machine guns, 28,000 trench mortars, 53,000 field and heavy guns.

I cannot tell how many projectiles, mines, and fuses. 13,000 airplanes, 24,000 airplane engines, 50,000 ammunition wagons, now 55,000 army wagons, 11,000 field Kitchens, 1,150 field bakeries. What a time that took. Will it be he no? No. Those are the golf club captains. These, the scouts.

And now, the societe gymnastique de Poissy. And now, come the mayor and the liverymen. Look, there he is now. Look. There is no interrogation in his eyes or in the hands. Quiet over the horse’s neck. And the eyes, watchful, waiting, perceiving, indifferent. Oh, hidden under the dove’s wing, hidden in the turtle’s breast. Under the palm tree at noon. Under the running water. At the still point of the turning world. Oh, hidden.

Now they go up to the temple. Then, the sacrifice. Now come the virgins bearing urns, urns containing dust. Dust. Dust of dust. And now, stone, bronze, stone, steel, stone, oak leaves, horses’ heels over the paving.

That is all we could see. But how many eagles, and how many trumpets? And Easter Day we didn’t get to the country, so we took young Cyril to church. And they rang a bell. And he said, right out loud, crumpets. Don’t throw away that sausage. It’ll come in handy. He’s artful. Please, will you give us a light? Light. Light. Et les soldats faisaient la haie? Ils la faisaient.

“Journey of the Magi.”

A cold coming we had of it, just the worst time of the year for a journey. And such a long journey. The ways deep and the weather sharp. The very dead of winter. And the camels galled, sore-footed, refractory, lying down in the melting snow. There were times we regretted the summer palaces on slopes, the terraces, and the silken girls bringing sherbet.

Then the camel men cursing and grumbling and running away and wanting their liquor and women. And the night fires going out, and the lack of shelters, and the cities hostile and the towns unfriendly, and the villages dirty and charging high prices. A hard time we heard of it. At the end, we preferred to travel all night sleeping in snatches with the voices singing in our ears saying that this was all folly.

Then at dawn we came down to a temperate valley, wet below the snow line, smelling of vegetation, with a running stream and a water mill beating the darkness, and three trees on the low sky, and an old white horse galloping away in the meadow.

Then we came to a tavern with vine leaves over the lintel. Six hands at an open door dicing for pieces of silver, and feet kicking the empty wine skins. But there was no information. And so we continued and arrived at evening, not a moment too soon finding the place. It was, you may say, satisfactory.

All this was a long time ago. I remember, and I would do it again, but set down this, set down this. Were we led all that way for birth or death? There was a birth, certainly. We had evidence and no doubt. I had seen birth and death, but had thought they were different. This birth was hard and bitter agony for us, like death, our death. We returned to our places, these kingdoms, but no longer at ease here, in the old dispensation, with an alien people clutching their gods. I should be glad of another death.

“A Song for Simeon.”

Lord, the Roman hyacinths are blooming in bowls and the winter sun creeps by the snow hills. The stubborn season has made stand. My life is light, waiting for the death’s wind like a feather on the back of my hand. Dust in sunlight and memory in corners wait for the wind that chills towards the dead land. Grant us Thy peace.

I have walked many years in this city, kept faith and fast. Provided for the poor. Have given and taken honor and ease. There went never any rejected from my door. Who shall remember my house? Where shall live my children’s children when the time of sorrow is come? They will take to the goat’s path and the fox’s is home flying from the foreign faces and the foreign swords.

Before the time of cords and scourges and lamentation, grant us Thy peace. Before the stations of the mountain of desolation, before the certain hour of maternal sorrow. Now at this birth season of decease, let the infant, the still unspeaking and unspoken word grant Israel’s consolation to one who has 80 years and no tomorrow. According to Thy word.

They shall praise Thee and suffer in every generation with glory and derision. Light upon light, mounting the saints’ stair. Not for me, the martyrdom, the ecstasy of thought and prayer. Not for me, the ultimate vision. Grant me Thy peace. And a sword shall pierce Thy heart, Thine also.

I am tired with my own life and the lives of those after me. I am dying in my own death and the deaths of those after me. Let Thy servant depart having seen Thy salvation.

“Difficulties of a Statesman.”

Cry? What shall I cry? All flesh is grass. Comprehending the companions of the bath, the Knights of the British Empire, the Cavaliers, oh, Cavaliers of the Legion of Honor. The Order of the Black Eagle, first then second class. And the Order of the Rising Sun.

Cry, cry, what shall I cry? The first thing to do is to form the committees, the consultative councils, the standing committees, select committees and subcommittees. One secretary will do for several committees. What shall I cry? Arthur Edward Cyril Parker is appointed telephone operator at the salary of 1 pound, 10 a week rising by annual increments of 5 shillings to 2 pounds, 10 a week. With a bonus of 30 shillings at Christmas and one week’s leave a year.

A committee has been appointed to nominate a commission of engineers to consider the water supply. A commission is appointed for public works, chiefly the question of rebuilding the fortifications. A commission is appointed to confer with the Volscian commission about perpetual peace. The fletchers and javelin-makers and smiths have appointed a joint committee to protest against the reduction of orders.

Meanwhile, the guards shake dice on the marches, and the frogs, O Mantuan, croak in the marshes. Fireflies flare against the faint sheet lightning. What shall I cry? Mother, mother, here is the row of family portraits, dingy busts, all looking remarkably Roman, remarkably like each other, lit up successively by the flare of a sweaty torchbearer yawning.

Oh, hidden under the, hidden under the, where the dove’s foot rested and locked for a moment, a still moment, repose of noon, set under the upper branches of noon’s widest tree. Under the breast feather stirred by the small wind after noon. There, the cyclamen spreads its wings. There, the clematis droops over the lintel.

Oh, mother, not among these busts all correctly inscribed. I, a tired head among these heads, necks strong to bear them, noses strong to break the wind. Mother, may we not be some time, almost now, together? If the mactations, immolations, oblations, impetrations are now observed, may we not be, oh hidden, hidden in the stillness of noon in the silent crooking night?

Come with the sweep of the little bat’s wing, with the small flare of the firefly or lightning bug. Rising and falling, crowned with dust. The small creatures, the small creatures chirp thinly through the dust through the night. Oh, mother, what shall I cry? We demand a committee, a representative committee, a committee of investigation. Resign! Resign! Resign!

Among the many authors whose recordings will be preserved are: John Ashbery, W.H. Auden, Amiri Baraka, Elizabeth Bishop, Gwendolyn Brooks, Lucille Clifton, E.E. Cummings, T.S. Eliot, Robert Frost, Allen Ginsberg, Robert Hayden, Seamus Heaney, June Jordan, Li-Young Lee, Audre Lorde, Czesław Miłosz, Mary Oliver, George Oppen, Sonia Sanchez, Ntozake Shange, Dylan Thomas, and Derek Walcott.

Those recordings reflect only a portion of the diversity of materials the poetry room has documented, which include readings and performances in Arabic, Czech, Estonian, Finnish, French, Gaelic, German, Greek, Hindi,  Hungarian, Italian, Japanese, Korean, Latin, Lithuanian, Mandarin, Persian, Polish, Romanian, Russian, Spanish, Thai, Turkish, Ukrainian, Vietnamese and Welsh. 

Christina Davis (left) and Mary Walker Graham.

Stephanie Mitchell/Harvard Staff Photographer

Following the digitization phase, the curators will work with a design firm to create the Library of Voices website, which will feature more than 150 archival and contemporary highlights from the collection, representing almost a century of the spoken word.

Plans for the site and its custom-designed Vocarium player are deeply rooted in the room’s rich history with recorded sound.

The archive is, according to its curators, one of the first devoted to the poetic voice, and is home to one of the first poetry-record labels in the world — the Harvard Vocarium, founded by Harvard Professor of Public Speaking Frederick C. Packard Jr. and active until 1955. 

Harvard Vocarium founder Frederick C. Packard Jr. and the Woodberry Poetry room circa 1950.

Courtesy of the Woodberry Poetry Room, Houghton Library

Packard collected and recorded some of the earliest extant recordings of such writers as Eliot, Frost, Ezra Pound, Robert Lowell, Marianne Moore, Anaïs Nin, and Muriel Rukeyser. 

“Long after Professor Packard ceased recording for his Vocarium label, the poetry room curators carried on his vision for the library of voices, making recordings of both private studio sessions and public readings, a practice that continues to this day,” said Mary Walker Graham, associate curator of the Woodberry Poetry Room. “We build our collection by curating and recording all of the public programs we host each year. Increasingly, we also solicit studio recordings from poets who might be passing through.” 

The Voices site, which is set to launch in Spring 2026, hopes to reflect the feel of the poetry room itself. Designed by Finnish architect Alvar Aalto in 1949, the space is warm and inviting, clean and uncluttered, with lots of room for tables, chairs, and other comfortable seating, bookcases lining the walls, and two record players equipped with outlets for eight sets of earphones to allow for shared sessions.

“We want to bring the same thoughtfulness of design that’s found in the poetry room’s architecture — an architecture intended for listening — into the digital space,” Graham said.

Christina Davis, curator of the poetry room, pulls a recording from the collection.

Photos by Stephanie Mitchell/Harvard Staff Photographer

A reel of an E.E. Cummings reading from 1954.

More recordings of Cummings from the 1950s and ’60s.

“Reel-to-reel had its heyday in the mid-century,” said Davis. And remained the poetry room’s “primary format through the early 1980s, so by preserving them we’re saving a deeply diverse range of cultural and historical materials.”

“The primary encounter that we are hoping to create is one of radical hospitality and pleasure, like this radiant and embracing Aalto-designed space with its luminous views of the Yard and the sky,” Davis added. “Our goal is to facilitate an immersive encounter with poetry in such a way that it honors the art form’s sensual and sonic dimensions.”  

The poetry room is also notably the primary repository for the Academy of American Poets’ sound archive, which documents almost 50 years of New York City-based readings and performances; the Anne Sexton and Her Kind archive; the Phone-A-Poem archive; and the Galway Kinnell Recording Collection.

Other authors whose work will be included in this project are: Etel Adnan, Ai, Agha Shahid Ali, Yehuda Amichai, Margaret Atwood, Ingeborg Bachmann, Wendell Berry, John Berryman, Jorge Luis Borges, Ernesto Cardenal, Robert Creeley, Forugh Farrokhzad, Louise Glück, Cathy Park Hong, Susan Howe, Denise Levertov, Eileen Myles, Vladimir Nabokov, Sylvia Plath, Adrienne Rich, Claudia Rankine, Wallace Stevens, Susan Sontag, Cecilia Vicuña, Ocean Vuong, Anne Waldman, William Carlos Williams, Marguerite Yourcenar, and Raúl Zurita.

Though not all of the recordings that are preserved will be featured on the website, all will be deposited into the Harvard Digital Repository and ultimately will be available via HOLLIS.

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At Wingspread, the home designed  by Frank Lloyd Wright  for Herbert Johnson of Johnson Wax,  the central dome is lit from above  by circled rows of clerestory windows.  Unfortunately, those windows leaked.

Once, during a thunderstorm,  they dripped on the bald and shining crown  of Herbert F. Johnson himself  while he presided at the head of a dinner table  lined with mayors and members of Congress.  Herbert F. got Frank Lloyd on the phone  and barked, What do I do?   Wright said, Move your chair .

Years later, after the home became  more or less a public place,  one of Herbert Johnson’s daughters,  old and bent in a wheelchair,  would visit of an afternoon  just to hear percolations of silence.

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ChatGPT is great at summarizing books. But will AI ever write a true work of literature?

• Contrary to popular belief, generative AI is capable of producing quality prose.
• While some writers resist the idea that AI can produce art alone, others use it as a tool for creative writing.
• It’s probable that AI will change literature the same way past innovations changed other arts.

It’s 2024 and fantasy author George R.R. Martin has officially spent 12 years working on The Winds of Winter , the long-awaited sixth installment in the series that inspired the HBO hit Game of Thrones . With no release date in sight, one tech-savvy fan decided to write the story himself, or rather, he asked ChatGPT to write it for him. Prompted to develop outlines for each chapter, and then turn those outlines into prose, the AI churned out a 683,276-word tome of surprising quality.

Surprising because although this “fan-made” version of Winds of Winter failed to live up to the standards of Martin’s work, it did contain the unexpected twists and turns that made his fantasy epic so successful. Among the book’s flabbergasted readers was Martin, who upon learning of its existence not only took legal action against the fan but also ChatGPT’s developer, OpenAI.

Joining the ranks of other bestselling authors such as John Grisham and Jonathan Franzen, Martin’s ongoing war with large language models — which were trained on their writing, among countless other sources — raises an important question about the creative capabilities of machine learning. Anyone who has used AI programs like ChatGPT in recent months knows they are great at summarizing textbooks and writing boilerplate cover letters, but can they also produce the kind of writing that moves us and speaks to our souls?

Training data

Journalist Vauhini Vara thinks the answer is yes. In an article titled “Confessions of a Viral AI Writer,” she relates how in 2020 OpenAI granted her early access to GPT-3. Defining creative writing mainly as “waiting for the right word,” she suspected that generative AI, with its instantaneous access to every noun and adjective in the English dictionary, could be a helpful tool, especially for topics she struggled to write about.

One of these topics — the topic, really — was the death of Vara’s older sister, who was diagnosed with a rare form of cancer while still in high school. Initially, GPT-3’s attempts at writing a story based on this premise were unsatisfactory. The AI would swap her sister’s real-world fate with a miraculous recovery or, in drafts where her death was acknowledged, turn Vara into a long-distance runner racing for charity. It wasn’t until she shifted to a more collaborative writing process, with GPT-3 learning from and adapting to her own inputs, that it managed to produce a line of text that genuinely touched her:

We were driving home from Clarke Beach, and we were stopped at a red light, and she took my hand and held it. This is the hand she held: the hand I write with, the hand I am writing this with.

Although ChatGPT has been programmed to write in a bland, explanatory way, it can learn to mimic other voices provided it has enough training data.

“I think there is a misconception that large language models like ChatGPT are not very good at writing in a lyrical, literary prose style,” author Sean Michaels tells Big Think after being pointed to Vara’s article. “In fact, they can do it easily and quite well, just like all the image-generating software can do things like making photos in the styles of Wes Anderson or David Lynch.”

For his novel Do You Remember Being Born , in which a poet is approached by a tech company to co-author a collection of poems with their AI, Michaels created a custom version of ChatGPT he called “Moorebot,” which through training learned to write in the style of real-world poet Marianne Moore, further blurring the distinction between human and machine.

AI: creativity and connection

Although some writers oppose the rise of AI out of concern for their employability, others have embedded the debate in an older, broader dialogue on the meaning and purpose of art. The Oscar-winning screenwriter Charlie Kaufman, who writes in a style so idiosyncratic critics coined the phrase “Kaufmanesque” to describe it, has been perhaps most vocal about his personal distaste of machine learning. Looking beyond the standard definition of creativity — creating something new and original — Kaufman describes art as any form of expression that establishes an emotional connection between people.

“Say who you are,” he said in a BAFTA lecture that foreshadowed comments made during the 2023 SAG strikes . “Really say it, in your life and in your work. Tell someone out there — someone who is lost, someone not yet born, someone who won’t be born for 500 years. Your writing will be a record of your time. It can’t help but be. But if you’re honest, you will help that person be less lonely in their world.”

Even if AI were capable of writing something emotional or profound, which Vara and Michaels claim it can, Kaufman would refuse to recognize this as art because it cannot establish a link between reader and author. “If I read a poem,” he recently said in a statement on AI , “and that poem moves me, I am in love with the person who wrote it. I can’t be in love with a computer program. I can’t, because it isn’t anything.”

Kaufman’s sentiment should be assessed alongside that of Michaels who, through his work with AI, has reached a different conclusion: Human creativity is less special than we want to believe. He explains:

“Imagine I write, ‘The moon looked like a slice of lemon.’ You read it and think, ‘That’s an interesting image.’ But when AI does it, you think, ‘Well, is that interesting? Because it just seems completely random.’ Human beings have this capacity to make meaning from things and find connections where there are none or where there is no intention behind them. I found it provocative not just that AI could come up with lines I found beautiful or strange or interesting, but also that it got me wondering if the AI was doing something successfully as a writer or if I was doing something successfully as a reader.”

As for whether or not AI is capable of ‘true’ creativity:

“It’s true human art draws on memories, bodies, dreams, and arbitrary but somehow meaningful linkages between abstract, surreal thoughts. None of those things are things ChatGPT has. At least not in a literal way. But then again, there is something strange about the way fiction is about pretended bodies, pretended dreams, pretended lived experiences. If you read a modern story about, say, a 17th-century Dutch merchant, that’s not based on anybody’s real-life experience as a 17th-century merchant. Similarly, because these large language models don’t have what we have, that doesn’t mean that their work has none of the qualities that ours does. It’s not that easy.”

The future of writing

According to Michaels, increased usage of large language models is expected to lead “to a certain convergence of styles, with writing becoming less diverse and more monolithic as we use the same algorithms.”

Florent Vinchon, a PhD student at Université Paris Cité studying the creative skills of generative AI, suggests that — although it is still too soon to say with certainty — machine learning “might have the same impact on writing as photography had on painting,” a view shared by other experts in the field. Just as the camera pushed painters from realism to abstraction, spawning artistic movements that concerned themselves with how we perceive rather than what , AI could inspire new generations of authors to experiment with their writing.

Since programs like ChatGPT allow anyone to produce competent prose, the novels and novellas of tomorrow may be deliberately less polished, riddled with grammatical errors and linguistic idiosyncrasies that point to the limits of the human brain and the uniqueness of the individual perspective. Far from a threat to the survival of creative writing or human creativity in general, AI, like the innovative technologies that came before it, may become a force of change and a source of inspiration.