cruel angel thesis singer

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Interview: Cruel Angel's Thesis singer Yoko Takahashi

Yoko Takahashi is the iconic voice behind one of the most well-known anime theme songs of all time, A Cruel Angel's Thesis from the original 1995 TV series Neon Genesis Evangelion . The song is a classic around the world and continues to be one of the most popular songs sung at karaoke in Japan. She's no one-hit wonder, either; with 11 albums and several other anime theme songs under her belt, including the closing for Shakugan no Shana and most recently the second opening theme for Cross Ange . We had the chance to ask her a few questions about her career ahead of her first-ever performance in Los Angeles at Anime Expo this past July 4.

Zac: Thank you very much for your time. So 20 years ago, the show was very controversial and I wanted to know if you personally were ever touched by that controversy?

Yoko Takahashi : When I was first deciding to sing the song, I'd never seen the show, nothing, no information at all. I watched the show on the air at the same time as other people.

Zac: Did you have any inkling ever that it would be as big as it was? At any point during the recording process, any idea that it would be such a huge thing and you'd be singing this song for 20 years?

I didn't know about the story, I didn't know about the anime until it was aired so I had no idea.

Zac: How does it feel, in the aftermath, how does it feel to be part of something that's that much of a cultural touchstone? It's such an iconic song and your voice is iconic, it's immediately associated with something millions of people know worldwide. What does that feel like? Do you feel any pressure to represent it in a certain way?

I do sometimes when the title is brought overseas, maybe some other people sing or do the voice acting, so I feel very happy that they recognize my voice in Japanese.

Zac: If there were a new fan who wanted to get into your back catalog, they wanted to explore the rest of your work outside the one song, where would you want them to start and what would you want them to know going in?

My most recent work, I sang the second season opening for Cross Ange , I think that went on sale around January of this year, so that might be a start.

Zac: Are there any songs you feel that you've performed that are underappreciated, that you wish more people knew about?

So my past work?

Zac: Your past work. Anything that's not your most famous song that you feel like, "I wish people discovered that more, they should go check it out because personally I feel like that's a really strong piece of work."

I sang the opening title for Pumpkin Scissors , Aoki Flamme, you know that one?

Zac: I know that one.

You know? Oh, wow. I was really proud of that one, but it wasn't as popular as I hoped, so I hope people will check that one out.

Zac: What are you most excited to see at the convention this year here in LA?

Response: Since it's actually my first time performing in the United States, I just want to see how the American audience will react to my event.

Zac: So are you nervous at all?

I don't know yet! I'll see on the day of.

Zac: Well they're going to love you, don't worry.

Zac: If you could contribute in any way to the final Evangelion film, what would you want to do? Would you rather voice a character, sing a song for it?

Unfortunately who's going to sing the theme songs has already been decided. I would love to participate, but since it's already been decided we'll see how it turns out.

Zac: In the last 20 years, you've been doing this a while, how have things in the pop industry in Japan changed the most for you? What's the biggest thing you've noticed in the past two decades?

It's actually my 25th year since my solo debut. At first I was just kind of a ballad singer and not really popular, but around 1989-1990 the Japanese economy went bust. I didn't know what to do so I actually studied in Los Angeles for about half a year. Then I went back to Japan and was looking for work and that's when the gig for Evangelion came up. At the time I didn't realize the song and anime was going to be such a social phenomenon. Even until now, Cruel Angel's Thesis is always in the top ten for Japanese karaoke for people in their teens, 20s, 30s, 50s, 60s, it's always in the top ten. I didn't realize it was going to be such a social phenomenon. So maybe it began the trend for voice actors or actresses to sing, so that kind of started the whole trend, maybe.

Zac: Have you ever gone out for karaoke and the people you were with pestered you to get up and sing the song? Has that ever happened?

Response: Actually I don't really go to karaoke that often. I'm actually kind of shy about singing in front of people! Thanks to Yoko Takahashi and Anime Expo for the opportunity.

this article has been modified since it was originally posted; see change history

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A Cruel Angel's Thesis

A Cruel Angel's Thesis is the opening theme song for the series Neon Genesis Evangelion , composed by Hidetoshi Sato and sung by Yoko Takahashi . The lyrics are by Neko Oikawa while the arrangement is by Toshiyuki Omori. The song also has the distinction of taking first place in the JASRAC Awards. [1]

This song was written with relatively limited involvement from Hideaki Anno and the production staff, being handled by producer Toshimichi Otsuki . [2] Anno originally wanted to use an excerpt from Borodin's Polovtsian Dances in the opening, but the producers did not approve of this and instead decided to use a J-Pop song, which eventually resulted in the creation of this song by Neko Oikawa.

Oikawa apparently had very little knowledge of the show, which was under production at the time with the episodes not having been colored. According to tweets and interviews, Oikawa went through a proposal of the show (possibly Neon Genesis Evangelion Proposal ) and watched two unfinished episodes on fast-forward, only serving to broadly "fit" the anime after the fact [3] [4] The writing process for Episode 01 took as long as six months, [5] and the opening sequence was not yet finished. [6] [7] The original song included a male chorus, which was cut at director Hideaki Anno's request in order to "emphasize maternal affection". [8]

Oikawa states that she took inspiration for the title from the manga A Cruel God Reigns . [9] Among other statements, Oikawa said the lyrics "become a legend" were originally "become a weapon" and that she decided to make the song about the perspective of a mother when her child "leaves the nest." [10] Singer Yoko Takahashi was also brought in relatively haphazardly and had no knowledge of the series, and would only see the opening featuring her voice when it aired on TV. [11] She had also first met Anno on the day of recording. [12]

Original Japanese Lyrics: Neko Oikawa

Translation Notes

1 This was translated by Takayama Miyuki and these are the translator's notes:

• young boy, become the legend! : The word "shinwa" actually means "myth" ("legend" would be "densetsu"), but I think it sounds better as "legend."
• with surging, hot pathos : "Atsui" (hot) can also mean "intense, passionate." "Pathos" is "the quality or power in life or art of evoking a feeling of pity or compassion; pity; suffering; sorrow."
• Embracing this sky [universe] and shining : "Sora" (sky) is the reading given for the kanji for "uchuu" (universe).
• has any meaning : The kanji used for the "a" in "aeta" is not the normal kanji used in "au" (to meet). It's the first kanji in "ouse" (encounter, tryst) and has more of a connotation of meeting by fate or being brought together by fate, not just meeting. (Interestingly, a dictionary I have gives the meaning of "au," when written with this kanji, as "to meet (with drama or pathos)")
• for learning freedom : The "watashi wa sou" is probably "watashi wa sou omou." And "bible" in this case isn't referring to *the* Bible. "Bible" can also mean "guide book, how-to book, a book valued for its use as a reference," like in "a handyman's bible," or "a bird-watcher's bible."

2 This is the translation found on the U.S. release of Evangelion by ADV.

3 The instrumental section contains chanted non-Japanese lyrics in Yoko Takahashi 's version and a few others, while other versions of the song have a purely instrumental section. The January 1996 issue of Newtype magazine transcribed Takahashi's lyrics in this section as "Fariya. Seta(or sepa) messo. Fariya. Tuse." which they speculate is from the fictional language of the Dead Sea Scrolls. Alternatively, an EvaGeeks forum discussion suggests that the lyrics may be "Faria? Será mesmo? Faria? Eu sei!" which is in the Portuguese language. Since the word "Faria" is usually used in a similar way as the English word "would", those lines could be interpreted as someone doubting something or someone else. There has never been any official information on the actual lyrics or their meaning, if any.

• ↑ http://www.animenewsnetwork.com/news/2011-05-25/songs-from-evangelion-other-anime-win-jasrac-awards
• ↑ From the animania blog report on the March 28, 2005 NHK Anime Yawa talk show (translation by animania) - Otsuki said he allowed Anno to do whatever he wanted in the anime except for the theme music. Otsuki was particular about the theme and handled the music staff by himself, going as far as to claim that no anime staff, even Anno, met the music staff (apparently contradicted by Oikawa's statements). - Yuko Miyamura, BS AnimeYAWA
• ↑ “My manager got the job, we had a quick meeting lasting about 30 minutes, skim-read the proposal and watched two episodes on fast-forward. And with that I was told ‘so, yeah, just write whatever you want!’, and finished the song [lyrics] in about two hours. Sorry to burst your bubble, guys!” http://soranews24.com/2015/01/08/a-cruel-angels-thesis-took-just-two-hours-to-write-says-evangelion-lyricist-neko-oikawa
• ↑ "It wasn't even colored. I wrote the song, and my job was done. I wrote it in about two hours." Anime News Network interview with Neko Oikawa
• ↑ 2nd JUNE interview
• ↑ Notenki Memoirs
• ↑ According to Hidenori Matsubara during the Animazement 2015 convention, "the song was created before they even got done with animation for the opening theme. Strangely enough, the song manage to go along with the opening animation."
• ↑ Refrain of Evangelion OST Booklet, 2003.
• ↑ https://web.archive.org/web/20160830224921/http://news.livedoor.com/article/detail/11939169
• ↑ https://www.sankei.com/west/news/161228/wst1612280011-n1.html
• ↑ Yoko Takahashi Performs Neon Genesis Evangelion Theme, “A Cruel Angel’s Thesis,” to Excited Crowd at Anime Expo 2015 in LA
• ↑ —When was your first meeting with Mr. Anno? "It was on the day of recording. As I said earlier, when I entered the studio before anyone else to get ready, even while I couldn't afford, a man dressed in black and wearing sandals suddenly appeared. I didn't know who it was, but I just said hi, and he was actually Mr. Anno (Hideaki). It was a shocking encounter (laughs)." - Yoko Takahashi: EVANGELION FINALLY (2020)

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The Meaning Behind The Song: Cruel Angel’s Thesis (Neon Genesis Evangelion) by Amalee

The song “Cruel Angel’s Thesis” by Amalee is a cover of the iconic opening theme for the anime series “Neon Genesis Evangelion.” This song holds a deep meaning that resonates with both fans of the anime and those who appreciate its artistry. The lyrics, composed by Neko Oikawa and the music by Hidetoshi Sato, beautifully encapsulate the complex themes and emotions within the series.

Table of Contents

The song delves into the inner struggles of the show’s main characters, particularly Shinji Ikari, the reluctant pilot of the giant mecha known as an Evangelion. It explores themes of existentialism, self-discovery, and the battle between personal desires and societal expectations. The lyrics reflect the characters’ desires for acceptance, understanding, and the quest for identity in a hostile and chaotic world.

Amalee’s rendition of “Cruel Angel’s Thesis” adds a new layer of emotional depth to the song, with her powerful vocals and emotive delivery. She captures the essence of the characters’ struggles and brings the lyrics to life, allowing listeners to connect on a deeper level. Her interpretation enhances the meaning behind the song, making it a beloved rendition among fans of the anime and newcomers alike.

Frequently Asked Questions

Q: what is the main theme of “neon genesis evangelion”.

A: The main theme of “Neon Genesis Evangelion” revolves around the exploration of complex psychological and philosophical concepts, such as the nature of the human soul, existentialism, and the impact of trauma on personal identity.

Q: Who composed the original version of “Cruel Angel’s Thesis”?

A: The original version of “Cruel Angel’s Thesis” was composed by Hidetoshi Sato, with lyrics by Neko Oikawa. The song was performed by Yoko Takahashi as the opening theme for the anime series “Neon Genesis Evangelion.”

Q: What does the title “Cruel Angel’s Thesis” signify?

A: The title “Cruel Angel’s Thesis” represents the conflicting nature of the characters in the anime series. It speaks to the inherent contradiction between their desire for freedom and their role in the larger machinations of society.

Q: Why is Amalee’s cover version of “Cruel Angel’s Thesis” popular?

A: Amalee’s cover version of “Cruel Angel’s Thesis” is popular because of her exceptional vocal talent and ability to capture the emotional essence of the song. Her rendition adds a unique touch that resonates with fans of the anime series.

Q: What does “Neon Genesis Evangelion” symbolize?

A: “Neon Genesis Evangelion” is renowned for its intricate symbolism. It delves into complex themes such as the search for meaning in a chaotic world, the nature of the human condition, and the duality of light and darkness.

Q: How does “Cruel Angel’s Thesis” contribute to the narrative of “Neon Genesis Evangelion”?

A: “Cruel Angel’s Thesis” serves as the opening theme song for “Neon Genesis Evangelion” and sets the tone for the series. The lyrics align with the show’s central themes and provide a glimpse into the struggles and aspirations of the main characters.

Q: What emotions does “Cruel Angel’s Thesis” evoke?

A: “Cruel Angel’s Thesis” evokes a range of emotions, including a sense of inner turmoil and vulnerability. It also inspires feelings of determination, hope, and the will to overcome personal challenges.

Q: How does “Cruel Angel’s Thesis” resonate with viewers?

A: “Cruel Angel’s Thesis” resonates with viewers due to its relatable exploration of the complexities of human nature, the struggle for self-acceptance, and the search for purpose. The song’s lyrics are open to interpretation, allowing individuals to connect with it on a personal level.

Q: Why is “Cruel Angel’s Thesis” considered an iconic anime song?

A: “Cruel Angel’s Thesis” is considered an iconic anime song because of its powerful composition, meaningful lyrics, and its ability to capture the essence of “Neon Genesis Evangelion.” It has become a symbol of the series and holds a special place in the hearts of fans worldwide.

Q: What impact has “Cruel Angel’s Thesis” had on the music industry?

A: “Cruel Angel’s Thesis” has had a significant impact on the music industry, particularly within the anime and J-pop genres. Its popularity and cultural significance have inspired countless cover versions, remixes, and tributes, solidifying its place as an influential and enduring song.

Q: How has “Cruel Angel’s Thesis” contributed to the popularity of “Neon Genesis Evangelion”?

A: “Cruel Angel’s Thesis” has played a crucial role in the popularity of “Neon Genesis Evangelion.” As the opening theme, it instantly captivates viewers, drawing them into the series and setting the stage for the thought-provoking narrative and complex characters that lie ahead.

Q: What is the significance of the opening theme in an anime series?

A: The opening theme in an anime series serves as a powerful introduction, setting the tone and atmosphere for the story that follows. It establishes an emotional connection with the audience and leaves a lasting impression, contributing to the overall viewing experience.

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Yoko Takahashi

Yōko Takahashi (高橋 洋子 Takahashi Yōko, born on 28 August 1966) is a Japanese singer (whose vocals are very easily recognizable) from Tokyo, perhaps best known for performing A Cruel Angel's Thesis (残酷な天使のテーゼ Zankoku na Tenshi no Tēze), the opening theme song of the anime series Neon Genesis Evangelion . She also performs the closing theme, an "acid bossa" version of "Fly Me to the Moon" and Tamashii no Rufuran (魂のルフラン Tamashii no Rufuran, Refrain of Soul), the closing theme of Evangelion: Death and Rebirth . She also recently performed "Metamorphose," the opening theme to studio Gainax's 20th anniversary series, This Ugly Yet Beautiful World, the ending theme Yoake Umarerekuru Shōjo (夜明け生まれ来る少女 The Girl who was Born at Dawn) for the anime Shakugan no Shana (灼眼のシャナ Blazing-Eyed Shana) and the opening theme Aoki Flamme for Pumpkin Scissors (パンプキン・シザーズ Panpukin Shizāzu) She is also Arimi Matsuno's sister-in-law.

• 1 Songs in Evangelion
• 2 Singles and Albums
• 3 External Links
• 4 References

Songs in Evangelion [ ]

• " Zankoku na Tenshi no These " (Original, 10th Anniversary, MATSURI SPIRIT Versions).
• " Tamashii no Rufuran " (Soul's Refrain), the ending song for Rebirth (Original and 10th Anniversary Versions).
• " Yokan " (Premonition), the ending song for Girlfriend of Steel .
• " Mugen Houyou " (Eternal Embrace), the ending song for Girlfriend of Steel 2nd .
• " Shiawase wa Tsumi no Nioi " (Happiness is the Smell of Sin), the opening song for Ayanami Raising Project (Dreamcast and PC versions only).
• A few versions of " Fly Me to the Moon " used in the series.
• " Kokoro yo Genshi ni Modore " (Return to Primitive Heart)
• " Tsuki no Meikyuu " (Moon Labyrinth), not used in the series or games.
• " Final Call ", theme song of the Neon Genesis Evangelion ~Roar to the Future~ pachinko machine.
• " Crime and Punishment - Those who are unwilling to pray ", promotional song for the S.J.H.U. PROJECT Shin Universe Robo .

Singles and Albums [ ]

• Zankoku na Tenshi no Thesis / FLY ME TO THE MOON (1995)
• Zankoku na Tenshi no These (Single) (1995)
• Tamashii no Rufuran/Kokoro yo Genshi ni Modore (single) (1997)
• Refrain, The Songs Were Inspired by Evangelion (1997)
• Zankoku na Tenshi no These/FLY ME TO THE MOON (2003 single) (2003)
• Neon Genesis Evangelion Decade (2005)
• Tamashii no Rufuran/-THANATOS-IF I CAN'T BE YOURS- (single) (2006)
• Zankoku na Tenshi no These 2009 VERSION (2009)
• Doukoku e no Monorogu (Single) (2010)
• Shibashi Sora ni Inorite (single) (2013)
• Welcome to the stage! (single) (2014)
• Zankoku na Tenshi no These/Tamashii no Rufuran (single) (2018)
• EVANGELION EXTREME (2019)
• EVANGELION FINALLY (2020)
• Nyankoku na Nyanko no These (2021)
• Shiro SAGISU what if? Yoko TAKAHASHI ver. (2021)
• Final Call (single) (2021)
• Teardrops of hope (single) (2022)
• EVANGELION ETERNALLY (2023)

External Links [ ]

References [ ].

• All songs before 2005 by Takahashi's songs, minus any versions she sang of Fly Me to the Moon, can be found on the Neon Genesis Evangelion Decade album.

• 2 Rei Ayanami
• 3 Kaworu Nagisa

高橋洋子 (Yoko Takahashi) - 残酷な天使のテーゼ (A Cruel Angel’s Thesis) (English Translation)

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高橋洋子 (Yoko Takahashi) - 残酷な天使のテーゼ (A Cruel Angel’s Thesis) (English Translation) Lyrics

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• Jun 5, 2023

[Analysis] Yoko Takahashi - A Cruel Angel's Thesis by Animenz

Attention all anime fans! Are you ready to immerse yourself in the captivating world of anime soundtracks? Prepare to be blown away by the incredible talent of pianist Animenz as he takes iconic songs, like the unforgettable "A Cruel Angel's Thesis," and transforms them into breathtaking piano arrangements with his unique classical style.

These arrangements ensure that these beloved OSTs stay fresh and captivating for years to come, allowing you to relive the storylines and hinting plotlines through the mesmerizing melodies. Join us on a musical journey that transcends time and experiences the magic of Animenz's anime piano arrangements. Get ready to be amazed!

Yoko Takahashi: The Voice Behind Iconic Anime Theme Songs

Yoko Takahashi is a Japanese singer and songwriter known for her contributions to the music industry, particularly in anime theme songs. She was born on August 28, 1966, in Tokyo, Japan. Takahashi gained widespread recognition for her iconic song "A Cruel Angel's Thesis," which served as the opening theme song for the popular anime series "Neon Genesis Evangelion" in 1995.

The song became a significant hit and is still widely recognized and celebrated as one of the most iconic anime theme songs ever. Aside from her work on "Neon Genesis Evangelion," Yoko Takahashi has also performed theme songs for other anime series, including "Martian Successor Nadesico," "Memories Off," and "Golden Boy."

She has released numerous albums and singles throughout her career, showcasing her versatility as a singer and songwriter. Takahashi's music often combines pop, rock, and electronic elements, and her powerful and distinctive voice has made her a beloved figure in the anime music scene. Her contributions to the industry have earned her a dedicated fan base both in Japan and internationally.

Photo Credit: Last.fm

A Cruel Angel's Thesis: A Powerful Anthem of Neon Genesis Evangelion

A Cruel Angel's Thesis is a song composed by Hidetoshi Sato and performed by Yoko Takahashi. It serves as the opening theme song for the anime series Neon Genesis Evangelion, created by Hideaki Anno. The song was released in 1995 as part of the soundtrack for the anime.

Composed in the key of D minor, A Cruel Angel's Thesis has a distinct and energetic sound. The song combines elements of pop, rock, and electronic music, creating a catchy and memorable tune. It features strong guitar riffs, upbeat synthesizer melodies, and dynamic vocals. Lyrically, the song touches upon themes of self-discovery, loneliness, and the struggle to find one's place in the world.

The lyrics are in Japanese and reflect the introspective and philosophical nature of the anime series. The song's title itself, A Cruel Angel's Thesis, suggests a contrast between angelic and cruel aspects, reflecting the complex and often contradictory themes explored in Neon Genesis Evangelion. A Cruel Angel's Thesis became a massive success in Japan and gained international recognition as well. Its popularity can be attributed not only to its catchy composition but also to its association with the groundbreaking and influential nature of the anime series. The song has been covered and remixed by various artists and has remained a beloved and iconic piece of anime music since its release.

Neon Genesis Evangelion Original Soundtrack

A Cruel Angel's Thesis

from Anime Neon Genesis Evangelion

- Artist: Yoko Takahashi

- Released: October, 25th, 1995

- Anime:Neon Genesis Evangelion

- Label: Starchild

- Music: Shiro Sagisu

- Genre: Jpop

- Key: C Minor

- Length: 4'05"

Discover the Masterful Artistry of Animenz, the Anime Piano Virtuoso

Animenz is the talented Anime Piano Arranger and Steinway Artist! With over a decade of experience, this classically trained pianist has been enchanting audiences with exquisite piano arrangements of Anime Openings, Endings, and Soundtracks since 2010. If you're a fan of anime music, you won't want to miss the captivating playlist this artist has curated, featuring a collection of their remarkable anime piano covers. Animenz started his YouTube channel on January 14th 2010, and now currently has almost 500 million total views with 2.1 million subscribers. He uploads his content regularly and currently has 221 videos.

Animenz’s most popular video was posted on YouTube on February 12th 2015 with more than 90 million views is yet again an anime OST called “ Unravel – Tokyo Ghoul OP [Piano] ” from the anime Tokyo Ghoul.

With a passion for music spanning more than 20 years, this accomplished pianist resides in Japan, where they have established their very own recording studio. Each video showcases their exceptional talent on a Steinway D-274 Grand Piano, capturing the pure essence of their performances with the utmost precision, thanks to state-of-the-art microphones.

The goal of this Anime Piano Arranger is to elevate anime music to the level of "Classic music" that will be cherished not only in the present but for centuries to come. By infusing their arrangements with a touch of classical brilliance, they aim to create a timeless connection between the world of anime and the rich heritage of classical music.

Immerse yourself in the captivating melodies and skilful interpretations that Animenz has to offer. Prepare to embark on a musical journey that transcends time, as they breathe new life into beloved anime compositions. Whether you're a fan of the original soundtracks or simply appreciate the artistry of piano music, this artist's arrangements are sure to captivate and delight you.

Cover of A Cruel Angel's Thesis by Animenz

Elevating the Art: Animenz's Transformative Approach to 'A Cruel Angel's Thesis

The song is an iconic song, for both anime and non-anime lovers equally. Having said that if there is anime OST, then Animenz would have or will be soon covering it on his piano. He describes that this song was a bit challenging but he still managed to make it his style, adding the orchestra style in the arranging.

The video was uploaded on YouTube on May 23, 2020, and it has 7.7 million views on the song. The original song is in key signature C minor and Animenz’s song is also in C minor. Where the original song is faster around 128 BPM, the Animenz’s song has 76 BPM. The time signature is 4/4.

The song starts with the lyrics and after fifteen seconds of the powerful high-pitched voice of Yoko Takahashi, other instruments join the song. This part of the song calling the protagonist to rise up and to have become a legend.

In Animenz’s song, he starts off with arpeggios. He said that usually while playing this song in front of a Live audience, he does make some changes while playing but kept this arpeggios part the same as he loved this part. Then he takes a short pause and starts with the first verse.

The original song starts with the beats of drums which is a memorable part, and with that, there are lyrics again. The song where the protagonist is Shinji Ikari, falling in love and earning for it. Shinji desperately needs to be loved and to the point where it causes him to take wrong decisions.

The singer hopes for Shinji to get better in love and find happiness. The song and the soothing voice of Yoko Takahashi bring out the essence and feelings of Shinji more promptly. The song has the same beats till the last stanza of the first verse where the singer also takes a bit of a higher pitch and then there is a pause to take the chorus of the song.

Animenz’s takes a bit faster note. There is still the essence of the original composition but the bits of his own added varieties. He starts with a slower tone, and then the next time pitch and volume of the song has been increased. Then again he keeps up the beat till he reaches the chorus of the song.

The singer sings this in a higher pitch and the background sound seems to be in similar beats. The song here talks about the plan of the series. Then it talks about Shinji in the finale of the Eva-1 [spoilers ahead] in space and becomes a ‘God-like’ legend. Hence for shading the part where the boy will go forward and become a legend.

Animenz’s song is very upbeat and can be a stand-alone piano piece and itself. The song is arranged here that way and then added the left-hand accompaniment as Animenz didn’t quite understand the ‘mysterious guitar solo’ part even though he has listened to the song many many times. The hand synchronization is highly commendable and the way his fingers play on the piano is a treat to the eyes and ears.

Instrumental

There is an instrumental part before going to the next verse. It has similar beats following as the earlier but in the middle, there is a short part where it feels that the song has gotten slower but then it gets back on the similar beats fast.

Because the Animenz wasn’t about the original harmonics of the song so he added his own piano solo in this part, he used jazz to lyrical style here. He tried to be as minimalist with his approach, in doing so he did it by reducing two bass notes in the left hand as he wanted the attention to be on the upcoming choir.

Just after the instrumental piece the singer again starts to sing about Shinji. Some talk about the anime and his character in the anime. Singer also sings about wishing Shinji to have his own happiness. This also talks about Shinji’s relationship with the characters of the anime, while the biblical-themed story continues. The song again has a bit higher pitch before starting the chorus.

In Animenz’s version, he follows a similar approach as the previous verse. The atmosphere is a bit faster than the original song and the way his fingers dance on the song is admirable. This is one of the best versions of the song on piano ever made. The song is again played lightly on the piano.

The original song also starts as the previous chorus and with the same energy and beats the singer continues to sing the part. The lyrics have many references to the ongoing story from the anime. Shinji had behaviour to escape and abandoning pattern. But this time singer is praising Shinji and leaving his behaviour. Yet again ending in the part where the singer sings about Shinji becoming the future legend.

In Animenz’s this part is played with an amazing finger movement and the arrangement feels magical. With the gliding of the piano from right to left and differentiating the next piece. This has the same atmosphere and environment built as the original song. On YouTube, this is most times a repeated part of the song. Then the song has a similar feeling as the previous chorus.

There is a bridge in the song with a small stanza. This line has the singer telling Shinji that there is help. Again, raising Shinji to God status, and talking about making history. After this comes the final chorus.

Animenz’s version is also short as the original version. The speed and the song’s tempo are decreased in this part. The keys are played softly. And with the song the Animenz picks up the speed of the piano. Then he plays the short part with his right hand only. Then continues with both hands. Then goes on to play the final chorus.

Then comes the final chorus of the song. This is the short chorus as compared to the other chorus of the song. It talks to stay true to the desecrated symphony and not to betray the memories.

During the final repeat of the chorus, Animenz introduces an alternative harmonization in the left hand, strategically building towards the song's climax. At this moment, Animenz envisions the addition of a striking Tam-Tam, enhancing the impact of the composition. Following this turning point, the artist brings back the atmosphere reminiscent of the song's beginning. In a captivating twist, the right-hand arpeggios resurface, gradually ascending like an angel until they reach the highest possible piano key, C8.

Notably, this marks the first time the Animenz has utilized the C8 note in any of their arrangements (as of the posting of the song). These artistic choices contribute to the dynamic and emotive qualities of the arrangement, elevating the overall impact of the song.

This is the final part of the song. The final refrain again talks about the boy drifting and going to the galaxy and shining with the stars. Henceforth the boy will become a legend.

Animenz’s plays this part of the song softly and continuously to repeatedly play it. The main part of the song is repeated and played around nine times throughout the song, but while listening or for Animenz to play it repeatedly never got boring.

Finally, the song ends softly on the final keys played at the right-hand side of the piano and the final note played by the left hand at the left-most side of the piano.

Also, check out the live singing of Yoko Takahashi posted on YouTube by Japoin TV.

In conclusion, the world of anime soundtracks has been forever transformed by the extraordinary talent of pianist Animenz. Through his breathtaking piano arrangements, he has taken iconic songs like A Cruel Angel's Thesis and infused them with his unique classical style. These arrangements not only breathe new life into beloved OSTs but also ensure their lasting captivation for years to come. By joining us on this musical journey, you'll experience the magic firsthand and be transported back into the storylines, reliving the emotions and discovering hidden plotlines through the mesmerizing melodies. Prepare to be amazed as Animenz's hands dance effortlessly across the keys, painting a vivid musical picture that ignites your imagination. Whether you're a devoted anime fan or simply appreciate the beauty of piano music, this adventure is one you won't want to miss. Immerse yourself in the enchanting world of Animenz's anime piano arrangements and let the melodies speak to your heart like never before. Get ready to be captivated, to feel the music deep within your soul, and to unlock the timeless allure of his extraordinary talent. Step into the world of Animenz and let the melodies carry you away on a journey you'll never forget.

If you love this arrangement, you can check the arrangement here. There are other Animenz arrangements which are definitely worth checking out.

If you like this song or any other song, there are many more sheet music you can find on MyMusicSheet or mymusicsheet.com

Until next time, Happy Music!

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5 Things You May Not Know About Evangelion’s ‘A Cruel Angel’s Thesis’

Impress your friends at your next karaoke session with these little-known facts about the iconic anime song

August 2, 2024

“A Cruel Angel’s Thesis” might just be the most popular anime song of all time. In both Japanese and Western surveys, the opening theme from Hideaki Anno’s Neon Genesis Evangelion performed by Yoko Takahashi is often ranked at the very top by anime fans and karaoke goers. Even people who aren’t really into Japanese animated shows may have picked up the song’s famous opening lyrics, Zankoku na tenshi no you ni … (“Like a cruel angel …”) through pop culture osmosis. Yet for all of the song’s popularity, there are still some things about it that you may not know, like how …

1. Yoko Takahashi Still Practices the Song Daily

Neon Genesis Evangelion premiered nearly 30 years ago in 1995. People can change a lot in that time, especially singers. Their voices may not be what they used to be or they may not have the same range or lung capacity, but it’s OK because nobody expects them to sing exactly like they did three decades ago. 

Except for Yoko Takahashi. She expects herself to perform “A Cruel Angel’s Thesis” during live performances just like she did in 1995 to transport the fans back in time to when they first encountered the show that most likely got them into anime. It’s why in past interviews, the singer has admitted to still practicing the song for up to two hours a day, focusing especially on the a cappella intro, which she finds particularly challenging.

2. The Song’s Title Was Inspired by an Incredibly Dark Manga

In interviews, the song’s lyricist, Neko Oikawa, claimed that the title “A Cruel Angel’s Thesis” was a nod to the comic book A Cruel God Reigns ( Zankoku na Kami ga Shihai Suru ). Created in 1992 by Moto Hagio, the manga is set in the US and tells the story of 15-year-old Jeremy who tries to murder his sexually abusive stepfather but ends up killing both his stepfather and his own mother. 

The guilt eventually drives Jeremy into using drugs, which he affords by prostituting himself. Thankfully, none of that made its way into the final song, which, according to Oikawa, was inspired by the concept of “motherhood.”

3. Hideaki Anno Originally Wanted To Use Music From a Russian Opera for the Opening

There is a lot of symbolic imagery in Neon Genesis Evangelion, which fans of the show have analyzed again and again over the years. Hideaki Anno probably should have told them sooner not to waste their time. A lot of the visuals and plot points in Evangelion are, apparently, there simply because they seemed cool to him . Though in later interviews , Anno talked about finally embracing the complexities that fans saw in his creation, his approach to the original anime series was, basically, “No plans; just vibes.”

That’s possibly why, before contracting out the opening theme, he wanted to use something different and experimental to start off the show. His first choice was “Polovtsian Dances” from Act 2 of Alexander Borodin’s opera Prince Igor , the same song that opened the 2014 Winter Olympics in Sochi. The idea was ultimately shot down by the studio.

4. The Lyrics Were Slapped Together at the Last Minute

Neko Oikawa wasn’t closely involved with the making of Neon Genesis Evangelion. Her entire introduction to the project was a 30-minute meeting (without the music director, Hidetoshi Sato) and a screening of the first two episodes of the anime on fast-forward. After that, she was told to basically write whatever she wanted, as long as it felt “philosophical.” The writer admits it took her about two hours to complete the assignment.

5. There Are a Few Tricks to Singing the Song Perfectly

Yoko Takahashi was asked to sing the opening’s a cappella intro “in a child’s voice” or “like a teenager” (despite being 30 at the time). This, combined with some of Neko Oikawa’s difficult lyrics and the song’s tempo, provided a challenge to Takahashi, which she has learned to overcome over the decades. She then took all that she’s learned and put it into a 2021 instruction book of vocal exercises specifically for singing “A Cruel Angel’s Thesis” and “Soul’s Refrain” — the theme from Evangelion: Death and Rebirth — perfectly. She recommends that fans of the song first “practice at a slow tempo … Just slow down at first and pay attention to the melody of the a cappella.”

However, the most important piece of advice that Takahashi has for fans is to not get discouraged. The singer herself reportedly still feels nervous when performing the intro to Evangelion because it really is a difficult song. But, as she says , the sense of accomplishment you get when you get through the whole thing is more than worth the effort.

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• » ‘A Cruel Angel’s Thesis’ took just two hours to write says Evangelion lyricist Neko Oikawa
• Studio Ghibli

‘A Cruel Angel’s Thesis’ took just two hours to write says Evangelion lyricist Neko Oikawa

If you’ve ever been to karaoke with anyone who likes anime, chances are you know ‘A Cruel Angel’s Thesis’, the theme song to Neon Genesis Evangelion  – it’s a karaoke classic. Since its original release, singer Yoko Takahashi has re-released the song, which is known as  Zankoku na Tenshi no Tēze  in Japanese, three times; it celebrates its 20th anniversary this year.

When Neko Oikawa, who wrote the lyrics to the hit song back in 1995, claimed this week that she only spent two hours on it , some fans weren’t too surprised. After all, history is full of hit songs that were supposedly written in mere minutes, from ‘(I Can’t Get No) Satisfaction’ to ‘Under Pressure’ to ‘My Sharona’.

What’s more impressive – especially when you consider how well ‘A Cruel Angel’s Thesis’ fits the series’ themes – is that the lyricist knew next to nothing about the show itself  when she wrote it.

Oikawa was posting on Twitter in reference to Gainax co-founder Toshio Okada, who said in 2012 that he formed the anime studio (which went on to produce Neon Genesis Evangelion ) mainly as a way of escaping an awkward workplace situation – Okada had married a coworker, and then had an affair with another woman in the same company.

Writing on January 5, Oikawa suggested that the origins of ‘A Cruel Angel’s Thesis’ were similarly random, making it all sound rather slapdash:

“My manager got the job, we had a quick meeting lasting about 30 minutes , skim-read the proposal and watched two episodes on fast-forward . And with that I was told ‘so, yeah, just write whatever you want!’, and finished the song [lyrics] in about two hours . Sorry to burst your bubble, guys!”

Answering further questions from fans on Twitter, Oikawa also went into more detail about the process of writing the song. The lyricist never met with composer Hidetoshi Sato while creating the piece. Instead, Oikawa explained :

“The music was composed first. It was always that way with Evangelion songs. Once Toshiyuki Ōmori had more or less finished the arrangement, [singer] Yōko Takahashi laid down a temporary track singing the melody ‘la la la’, so it was really easy to work on [writing the lyrics].”

Perhaps it was Oikawa’s jokey tone, or the suggestion that her revelations would “burst the bubble” of legions of Evangelion fans, but Japanese netizens seemed unmoved, with comments including:

“It’s not even that good a song!” “The best songs are always written like that – inspiration strikes and you get it down in a few minutes.” “Why is she announcing this years and years later? No one cares.”

But we’re seriously impressed that after just one brief meeting and fast-forwarding through two episodes , Oikawa wrote lyrics that fit the show so well and have become an enduring classic. Koichi Sugiyama also famously claimed to have written the Dragon Quest Overture in five minutes – maybe there’s something in the (Japanese) water?

▼ Listen to ‘A Cruel Angel’s Thesis’ in the  Neon Genesis Evangelion  opening sequence.

https://www.youtube.com/watch?v=2puG7QiIpRA

Source: Hachima Kikou Featured image: Eva Armageddon Read the lyrics (with English translations) online at  Evageeks wiki

• ( A Cruel Angel's Thesis • music • Neon Genesis Evangelion • theme music )

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