King's College London
Creative writing research phd.
Key information
The PhD in Creative Writing at King’s is a practice-led course, incorporating taught elements and aspects of professional development. It is designed to cater for talented, committed writers who are looking to complete a book-length creative work for publication and sustain a long-term career in writing.
Key Benefits
Our unique programme offers students:
- a varied, structured framework for the development of their creative work, with regular feedback from experienced author-lecturers in the department through supervision and workshops
- purposeful engagement with professionals from the publishing and performance industries throughout the course, building potential routes to publication
- valuable teaching experience in creative writing at HE-level through our Graduate Teaching Assistantship scheme
- practical experience in public engagement, through curating and chairing public literary events at King’s
- a community of fellow writers and collaborative projects
English Department
We have over 100 doctoral students from all over the world working on a wide range of projects. Together with our community of postdoctoral fellows, our early career researchers both organise and participate in our thriving seminar and conference culture.
The English department is home to award-winning novelists, poets, essayists, biographers, non-fiction authors, and literary critics, who supervise creative projects at doctoral level within their specialisms.
Works by our staff have won or been shortlisted for a number of literary accolades, including: the T.S. Eliot Prize, the Forward Prize, the Man Booker Prize, the Sunday Times Young Writer of the Year, the Costa First Novel Award, the Costa Poetry Award, the Somerset Maugham Award, the Commonwealth Book Prize, the Biographers’ Club / Slightly Foxed First Biography Prize, the U.S. National Book Critics Circle Award, the CWA Gold Dagger Award, the European Union Prize for Literature, the RSL Encore Award, the Los Angeles Times Book Award, the E.M. Forster Award from the American Academy of Letters, le Prix du Roman Fnac, le Prix du Roman Etranger, the Kiriyama Prize, the Republic of Consciousness Prize, the Royal Society of Literature’s Encore Award, and the OCM Bocas Prize for Caribbean Literature. Many of the creative writing staff are Fellows of the Royal Society of Literature.
Their most recent publications are:
Benjamin Wood
The Young Accomplice (Penguin Viking, 2022) – fiction
A Station on the Path to Somewhere Better (Scribner, 2018) – fiction
Edmund Gordon
The Invention of Angela Carter (Chatto & Windus, 2016) – creative non-fiction
Loop of Jade (Chatto & Windus, 2015) – poetry
Anthony Joseph
Sonnets for Albert (Bloomsbury Publishing, 2022) – poetry
The Frequency of Magic (Peepal Tree Press, 2019) – fiction
Lara Feigel
The Group (John Murray Press, 2020) – fiction
Free Woman: Life, Liberation and Doris Lessing (Bloomsbury, 2018) – creative non-fiction
Homing: On Pigeons, Dwellings, and Why We Return (John Murray Press, 2019) – creative non-fiction
Daughters of the Labyrinth (Corsair, 2021) – fiction
Beethoven Variations: Poems on a Life (Chatto & Windus, 2020) – poetry
Emerald (Chatto & Windus, 2018) – poetry
Andrew O'Hagan
Mayflies (Faber & Faber, 2020) – fiction
The Secret Life: Three True Stories (Faber & Faber, 2017) – creative non-fiction
*may vary according to research leave and availability.
King's Alumni
The list of King’s alumni not only features many acclaimed contemporary authors—Michael Morpurgo, Alain de Botton, Hanif Kureishi, Marina Lewycka, Susan Hill, Lawrence Norfolk, Ross Raisin, Alexander Masters, Anita Brookner, and Helen Cresswell—it also includes major figures in literature, such as Maureen Duffy, Arthur C Clarke, Thomas Hardy, Christopher Isherwood, BS Johnson, John Keats, W. Somerset Maugham, and Virginia Woolf.
Course Detail
Our postgraduate writing students are given a supportive environment in which to enhance their technique, to explore the depths of their ideas, to sustain their creative motivation, and to prepare them for the demands of the writer’s life beyond the College.
At King's we know that writing well requires self-discipline and an ability to work productively in isolation; but we also appreciate that postgraduate writers thrive when they are part of a community of fellow authors, an environment of constructive criticism and shared endeavour.
That is why we offer our PhD students the guidance of knowledgeable and experienced practitioners. They will have frequent opportunities to interact and collaborate with peers and forge lasting connections within London’s writing industry.
Students will be expected to attend the quarterly Thesis Workshop, and also to take an active part in curating literary events at King’s, including the Poetry And… quarterly reading series. They will be invited to apply for positions teaching undergraduate creative writing modules as part of the Department’s Graduate Teaching Assistantship (GTA) scheme.
After three years (full-time) or six years (part-time), students are expected to submit either:
- a novel or short story collection
- a poetry collection
- a full-length work of creative non-fiction
In addition, they are also required to submit an essay (up to 15,000 words) that examines their practical approach to the conception, development, and revision of their project, and which explores how their creative work was informed by research (archival, book-based, or experiential).
- How to apply
- Fees or Funding
Many of our incoming students apply for AHRC funding via the London Arts and Humanities Partnership. Please see their website ( www.lahp.ac.uk ) for more detail of deadlines, application procedure and awards available. Also the ‘Student Funding’ section of the Prospectus will give you more information on other scholarships available from King’s.
UK Tuition Fees 2023/24
Full time tuition fees:
£5,820 per year (MPhil/PhD, Creative Writing)
Part time tuition fees:
£2,910 per year (MPhil/PhD, Creative Writing)
International Tuition Fees 2023/24
£22,900 per year (MPhil/PhD, Creative Writing)
£11,450 per year (MPhil/PhD, Creative Writing)
UK Tuition Fees 2024/25
£6,168 per year (MPhil/PhD, Creative Writing)
£3,084 per year (MPhil/PhD, Creative Writing)
International Tuition Fees 2024/25
£24,786 per year (MPhil/PhD, Creative Writing)
£12,393 per year (MPhil/PhD, Creative Writing)
These tuition fees may be subject to additional increases in subsequent years of study, in line with King’s terms and conditions.
- Study environment
Base campus
Strand Campus
Located on the north bank of the River Thames, the Strand Campus houses King's College London's arts and sciences faculties.
PhD in Creative Writing students are taught through one-to-one sessions with an appointed supervisor in their chosen specialism (fiction, creative non-fiction, or poetry) as well as through quarterly thesis workshops. They are also appointed a second supervisor whose role is to offer an additional perspective on the work being produced.
We place great emphasis on pastoral care and are a friendly and welcoming department in the heart of London. Our home in the Virginia Woolf Building offers many spaces for postgraduate students to work and socialise. Studying in London means students have access to a huge range of libraries from the Maughan Library at King’s to the Senate House Library at the University of London and the British Library.
Our PhD Creative Writing students are taught exclusively by practicing, published writers of international reputation. These include:
Benjamin Wood (Senior Lecturer in Creative Writing)
Supervises projects in fiction.
Edmund Gordon (Senior Lecturer in Creative Writing)
Supervises projects in fiction and creative non-fiction.
Sarah Howe (Lecturer in Poetry)
Supervises projects in poetry.
Anthony Joseph (Lecturer in Creative Writing)
Supervises projects in poetry and fiction.
Jon Day (Senior Lecturer in English)
Supervises projects in creative non-fiction and fiction
Lara Feigel (Professor of Modern Literature)
Supervises projects in creative non-fiction and fiction.
Ruth Padel (Professor Emerita of Poetry)
Andrew O’Hagan (Visiting Professor)
*Teaching staff may vary according to research leave and availability.
Our programme also incorporates the following taught components:
Thesis Workshop
A termly writing seminar for the discussion and appraisal of works-in-progress. These are taught on a rotational basis by all members of the creative writing staff, so that students get the benefit of hearing a range of voices and opinions on their work throughout the course.
The Writing Life
A suite of exclusive guest talks and masterclasses from leading authors, publishers, and editors, in which students receive guidance from people working at the top level of the writing industry and learn about the various demands of maintaining a career as a writer.
Recent speakers have included Amit Chaudhuri, Chris Power, Rebecca Watson, Mendez, Frances Leviston, Joanna Biggs, Joe Dunthorne, Francesca Wade, Kishani Widyaratna, Jacques Testard and Leo Robson.
Other elements of professional development are included in the degree:
Agents-in-Residence
Candidates in fiction or creative-nonfiction will meet and discuss their work in one-to-one sessions with invited literary agents, who are appointed to yearly residencies. These sessions offer writers a different overview of the development of their project: not solely from the standpoint of authorial technique, but with a view towards the positioning of their writing within a competitive and selective industry. Poetry candidates will meet and discuss their work with invited editors from internationally recognised poetry journals and presses.
Undergraduate Teaching
Through our Graduate Teaching Assistant (GTA) training scheme, our PhD students can apply to lead undergraduate creative writing workshops in fiction, creative non-fiction, and/or poetry, enabling them to acquire valuable HE-level teaching experience that will benefit them long after graduation.
Reading Series
Our students are required to participate in the curation of literary events at King’s. They are also responsible for curating Poetry And… , a quarterly reading in which leading poets illuminate the powerful connections between poetry and other disciplines. Students will develop skills in public engagement by chairing discussions and may also perform excerpts of their own writing.
Postgraduate Training
There is a range of induction events and training provided for students by the Centre for Doctoral Studies, the Faculty of Arts and Humanities and the English Department. A significant number of our students are AHRC-funded through the London Arts and Humanities Partnership (LAHP) which also provides doctoral training to all students. All students take the ‘Doctoral Seminar’ in their first year. This is a series of informal, staff-led seminars on research skills in which students can share and gain feedback on their own work. We run a series of ‘Skills Lunches’, which are informal lunch meetings with staff, covering specific topics, including Upgrading, Attending Conferences, Applying for Funding and Post-Doctoral Awards, etc. Topics for these sessions are generally suggested by the students themselves, so are particularly responsive to student needs. We have an Early Career Staff Mentor who runs more formal workshops of varying kinds, particularly connected to career development and the professions.
Through our Graduate Teaching Assistantship Scheme, doctoral students can apply to teach in the department (usually in their second year of study) and are trained and supported as they do so.
- Entry requirements
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Master of Arts (Writing and Literature)
Creative practice can be a complicated thing. To feel safe and feel like the teachers supported my creative development was really valuable. The skills I learnt through Deakin’s Master of Arts (Writing and Literature) helped me become a published poet.
Coral Reeve
I studied online and the lecturers were great to speak to and were always prompt with answering questions and feedback. The supervision received was also very insightful. My supervisor allowed me to be creative with my thesis, while keeping the writing within the thesis marking guidelines.
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Alumni and Students
Past alumni of Deakin’s Writing, Literature and Culture programs include writers, academics, researchers, teachers, librarians, critics, editors, communications specialists, copywriters and digital storytellers.
Featured Alumni
Katie hansord.
Her most recent work is Colonial Australian Women Poets: Political voice and feminist traditions (2021, Anthem Press) . This book considers the political and feminist significance of non-canonical women poets, particularly those who were writing in newspapers and periodicals, in colonial Australia.
…more featured alumni to come…
Further Alumni Links
Alumni writers i nclude Paddy O’Reilly , Tom Cho , Liam Guilar , Ania Walwicz, Sam Cooney , Christopher Lappas , Sophie Black , Emma Alberici, Kieran Carroll , Fiona McCallum and Gregory Day .
Other alumni have gone on to forge careers as academics , including Indigo Perry , Alyson Miller , Toby Davidson , Liz Parsons, Emma Whatman , Jo Scicluna , Shelley Buerger and Jo Langdon .
Current PhD candidates:
Majoring in Literary Studies and Astrophysics at Monash University in 2017, Oscar went on to undertake an Honours Course in Creative Writing at the University of Melbourne in 2019. His PhD thesis involves writing an exegesis with an accompanying novel, Static Sun, Phantom Breath , which will implement and explore a post-structuralist analysis of practice-led research and the relationships between theory and practice, and culture and nature.
Simon Gluskie, PhD candidate in Creative Writing
Simon Gluskie’s research interests are in simulation, surveillance and control. He writes creatively on how technology enables these elements to exist in day-to-day life to varying degrees, creating new spaces while hybridising the old. Simon is concerned with the question of whether experimenting with the form of a creative writing product can allow for a more “accurate” account of the end user existing simultaneously in both virtual and actual space. Using David Foster Wallace as an influence, his fiction aims to “make the familiar strange.” He contributed the presentation ‘Masks & the Avatar’ to a symposium in October 2021 .
This paper approaches the problem of the avatar being a mask worn by the user when navigating digital space. David Foster Wallace’s Infinite Jest will be used as a written creative example of telephonic vanity, contextualised within the current realities of Zoom meetings, social media profiles and video calls.
Anna Spargo-Ryan is the author of The Gulf and The Paper House , stories that try to break open ribcages and stomp on hearts. She won the 2016 Horne Prize for her essay “The Suicide Gene”. Her PhD seeks to understand the experiences of destitute women in nineteenth-century South Australia, and to restore their voices through creative nonfiction writing. Title: Altered States: truthful unreliable minds in contemporary Australian storytelling
…more PhD candidates to come…
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English - creative writing (Bachelor of Arts)Gain expertise, practical experience and develop creative skills. In all units, the emphasis is on publication or the achievement of professional standards. Initially, you undertake various forms of constructive, descriptive and narrative writing, non-fiction and fiction writing, script writing and poetry writing. Key informationUnit set code. MJ-A310009 (major) MN-A310009 (minor) Burwood (Melbourne), Waurn Ponds (Geelong), Online Career outcomesYou may find employment in freelance writing, finance, health and manufacturing industries, government departments, media and entertainment industries, publishing companies, tourism, hospitality and service industries. Explore units
Complete 8 units from:
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Your estimated FEE-HELP repayments. $25,000* is the estimated full cost for a Graduate Diploma of Creative Writing ( 8 credit points), based on the 2024 fees. $1,196 is the annual FEE-HELP payment, based on your current salary. 2% of your current salary be spent on FEE-HELP. *Disclaimer.
1 year full-time or part-time equivalent. Fee paying annual fee - commencing 2025. $38,000 for 1 yr full-time AUD. Level. Postgraduate (Graduate Certificate and Graduate Diploma) CRICOS course code. 0100134 Burwood (Melbourne) Deakin course code. A636.
If you're studying for a PhD in the creative arts, you can submit a thesis comprising creative work and an exegesis of between 25 000 and 50 000 words. Read More. Course information. ... Get all the information you need to successfully apply for a Deakin research degree or PhD, including key dates, entry requirements, supporting documents and ...
Deakin has over 80 HDR students enrolled across Creative Writing and Literary Studies, and 25 experienced staff available to supervise a wide spectrum of creative and scholarly projects. HDR options within the SCCA include the Master of Arts and the Doctor of Philosophy (PhD). Advanced-level writers with a strong national or international ...
Zoe Dzunko is a PhD candidate at Deakin University and a member of the Contemporary Histories Research Group. Here she writes about what it means to be a poet writing a PhD. Poetry, Creative Writing PhDs and Community. I'm often asked when I started writing poems—almost as frequently as I'm asked why—and find the attempt to provide a definitive response quite difficult.
Discover how to connect with audiences of all ages in Deakin's Graduate Diploma of Creative Writing. In this one-year specialist course, you will be mentored by published authors as you learn how to create a body of work for publication.
Study. Whether you want to polish your creative writing skills, master the art of literary criticism, deepen your understanding of narrative and culture, dive into a major research project, or lay the groundwork for a literary or academic career, Deakin's Writing, Literature and Culture program offers a wealth of study options.
The Prior Publication Option…. In 2016, Deakin University introduced the PhD by Prior Publications in the Creative Arts. Currently, there are around 10 candidates either enrolled in the degree or successfully completed. Our students have enjoyed professional careers as novelists, visual artists, documentary film-makers, public artists ...
In 2009 I came to Deakin University. I conduct research within and across traditional and non-traditional domains and I have a special interest in debates concerning the PhD of the Future. Research Groups Literature and its Readers Discipline Research Cluster Creative Writing Discipline Research Cluster HOME Research Hub
voices. The first involves original writing that itself contributes to the extension and inventiveness of the field of creative writing and its practices. The second articulates, for the field, extended expert knowledge (MA) or original knowledge (PhD) concerning writing or the practices of writing, in the form of an exegetical component.
Creative Writing Research PhD. The PhD in Creative Writing at King's is a practice-led course, incorporating taught elements and aspects of professional development. It is designed to cater for talented, committed writers who are looking to complete a book-length creative work for publication and sustain a long-term career in writing.
Master of Arts (Writing and Literature) Creative practice can be a complicated thing. To feel safe and feel like the teachers supported my creative development was really valuable. The skills I learnt through Deakin's Master of Arts (Writing and Literature) helped me become a published poet.
PhD student Claire Gaskin is a Melbourne-based poet and creative writing teacher. Her website introduces her poetry collections: A Snail in the … Cátia Freitas is Under the Sea in the 3MT Asia-Pacific semi-final
Dr Pawel Cholewa completed his PhD in the Creative Arts and Writing at CQUniversity Australia in 2019. His first book Fictocritical Innovations: A Millennial Perspective was published in 2021.Since 2011 he has worked as an English Teacher, a university lecturer/tutor and freelance editor, intermittently producing music under the moniker Outside The Academy.
Creative writing is a specialisation within the Master of Arts (Writing and Literature) ... Find a research degree or PhD; Find a research supervisor ; How to apply for a research degree; Research degree entry requirements; ... We acknowledge the Traditional Custodians of the unceded lands and waterways on which Deakin University does business ...
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Past alumni of Deakin's Writing, Literature and Culture programs include writers, academics, researchers, teachers, librarians, critics, editors, ... Anna Spargo-Ryan, PhD candidate in Creative Writing. Anna Spargo-Ryan is the author of The Gulf and The Paper House , stories that try to break open ribcages and stomp on hearts. She won the ...
Tyumen (Russian: Тюмень; IPA: [tʲʉˈmʲenʲ] ) is the largest city and the administrative center of Tyumen Oblast, Russia, located on the Tura River 2,500 kilometers (1,600 mi) east of Moscow.
The climate of Tyumen ()Tyumen is located in the southern part of Russia on the banks of the river Tura and is the capital of the Tyumen oblast (administrative division).
Professional and creative writing (Bachelor of Arts - Honours) Discipline. Contact information. For further information please contact the SCCA Honours Coordinator: Dr Alyson Miller. Campus: Melbourne Burwood. Tel: (03) 5247 9315. Email: [email protected].
To complete a Minor sequence in English - Creative Writing students must complete four (4) credit points from below, comprising of no more than one (1) credit point at level one, and at least one (1) credit point at level 3. Choice of units must include one (1) credit point from either ALW101 or ALW102. Study a Bachelor of Arts with a major in ...