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Master's Theses - English Language and Literature

Theses/dissertations from 2023 2023.

“Hideous things have happened here”: Rape myths, rape culture, and healing in adolescent literature , Holly J. Greca

Moments of excess: Type 1 diabetes and the myth of control in adolescent fiction for girls , Michelle E. LeGault

Theses/Dissertations from 2022 2022

A sociophonetic analysis of female-sounding virtual assistants , Alyssa Allen

Vampire narratives: Looking at queer-centric experiences in comparison to hetero-centric norms in order to model a new queer vampiric experience , Marah Heikkila

Theses/Dissertations from 2021 2021

Overhearers’ perceptions of familiarity between interlocutors in computer-mediated communication based on GIF usage , Alexa F. Druckmiller

Feminism by proxy: Jane Austen’s critique of patriarchal society in Pride and Prejudice and Emma , Alexis Miller

The memory of mythmaking: Transgenerational trauma and disability as a collective experience in Afrofuturist storytelling , Jessica Tapley

Theses/Dissertations from 2020 2020

Body image/imagining bodies: Trauma, control, and healing in graphic memoirs about anorexia , Kristine M. Gatchel

Word-final /t/-release and linguistic style: An investigation of the speech of two Jewish women from metro Detroit , Janet Leppala

Hermione syndrome: Reexamining feminist sidekicks and power in 2000-2010 children’s and young adult fantasy literature , Josiah Pankiewicz

Theses/Dissertations from 2018 2018

Fear and (non) fiction: Agrarian anxiety in “The Colour Out of Space” , Antonio Barroso

Sculpted from clay, shaped by power: Feminine narrative and agency in Wonder Woman , Mikala Carpenter

Players in a storm: Climate and political migrants in The Tempest and Othello , Darcie Rees

Reclaiming racial/ethnic identity vs. reconstructing Asian American masculinity in Gene Luen Yang’s American Born Chinese , Hyun-Joo Yoo

Theses/Dissertations from 2017 2017

The organization of turn-taking in fieldwork settings: A case study , Amy Brunett

Exploring the political impact of literature and literary studies in American government , Taylor Dereadt

"We met in a bar by happenstance": Master narratives in couples stories , Brent A. Miller

Theses/Dissertations from 2016 2016

What is the negro woman's story?: Negro Story Magazine and the dialogue of feminist voices , Maureen Convery

Illustrating adolescent awareness: Teaching historical injustices and promoting agency through picture books in secondary classrooms , Melissa Hoak

Phonemic inventory of the Shor language , Uliana Kazagasheva

Cannibalism in contact narratives and the evolution of the wendigo , Michelle Lietz

Parody and the pen: Pippi Longstocking, Harriet M. Welsch, and Flavia de Luce as disrupters of space, language, and the male gaze , Kelsey McLendon

Haec fortis sequitur illam indocti possident: A linguistic analysis of demonstratives in genres of early Latin fragments , Erica L. Meszaros

Tricking for change: Establishing the literary trickster in the western tradition , Christopher Michael Stuart

Because, x: A new construction of because in popular culture , Stephanie Walla

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Home > ACADEMIC-UNITS > College of Arts and Sciences > Department of English Language and Literature > ENGLISH_ETD

MA in English Theses

Theses/dissertations from 2018 2018.

Implementing Critical Analysis in the Classroom to Negate Southern Stereotypes in Multi-Media , Julie Broyhill

Fan Fiction in the English Language Arts Classroom , Kristen Finucan

Transferring the Mantle: The Voice of the Poet Prophet in the Works of Elizabeth Barrett Browning and Emily Dickinson , Heidi Brown Hyde

The Effects of Social Media as Low-Stakes Writing Tasks , Roxanne Loving

Student and Teacher Perceptions of Multiliterate Assignments Utilizing 21st Century Skills , Jessica Kennedy Miller

The Storytellers’ Trauma: A Place to Call Home in Caribbean Literature , Ilari Pass

Post Title IX Representations of Professional Female Athletes , Emily Shaw

Theses/Dissertations from 2017 2017

“Not as She is” but as She is Expected to Be: Representations, Limitations, and Implications of the “Woman” and Womanhood in Selected Victorian Literature and Contemporary Chick Lit. , Amanda Ellen Bridgers

The Intrinsic Factors that Influence Successful College Writing , Kenneth Dean Carlstrom

"Where nature was most plain and pure": The Sacred Locus Amoenus and its Profane Threat in Andrew Marvell's Pastoral Poetry , James Brent King

Colorblind: How Cable News and the “Cult of Objectivity” Normalized Racism in Donald Trump’s Presidential Campaign , Amanda Leeann Shoaf

Gaming The Comic Book: Turning The Page on How Comics and Videogames Intersect as Interactive, Digital Experiences , Joseph Austin Thurmond

Theses/Dissertations from 2016 2016

The Nature, Function, and Value of Emojis as Contemporary Tools of Digital Interpersonal Communication , Nicole L. Bliss-Carroll

Exile and Identity: Chaim Potok's Contribution to Jewish-American Literature , Sarah Anne Hamner

A Woman's Voice and Identity: Narrative Métissage as a Solution to Voicelessness in American Literature , Kali Lauren Oldacre

Pop, Hip Hop, and Empire, Study of a New Pedagogical Approach in a Developmental Reading and English Class , Karen Denise Taylor

Theses/Dissertations from 2015 2015

Abandoning the Shadows and Seizing the Stage: A Perspective on a Feminine Discourse of Resistance Theatre as Informed by the Work of Susanna Centlivre, Eliza Haywood, Frances Sheridan, Hannah Cowley, and the Sistren Theatre Collective , Brianna A. Bleymaier

Mexican Immigrants as "Other": An Interdisciplinary Analysis of U.S. Immigration Legislation and Political Cartoons , Olivia Teague Morgan

Theses/Dissertations from 2014 2014

"I Am a Living Enigma - And You Want To Know the Right Reading of Me": Gender Anxiety in Wilkie Collins's The Haunted Hotel and The Guilty River , Hannah Allford

Theses/Dissertations from 2013 2013

Gender Performance and the Reclamation of Masculinity in Frank Miller's Batman: The Dark Knight Returns , John William Salyers Jr.

Theses/Dissertations from 2012 2012

"That's a Lotta Faith We're Putting in a Word": Language, Religion, and Heteroglossia as Oppression and Resistance in Comtemporary British Dystopian Fiction , Haley Cassandra Gambrell

Theses/Dissertations from 2011 2011

Mirroring the Madness: Caribbean Female Development in the Works of Elizabeth Nunez , Lauren Delli Santi

"Atlas Shrugged" and third-wave feminism: An unlikely alliance , Paul McMahan

"Sit back down where you belong, in the corner of my bar with your high heels on": The use of cross-dressing in order to achieve female agency in Shakespeare's transvestite comedies , Heather Lynn Wright

Theses/Dissertations from 2010 2010

Between the Way to the Cross and Emmaus: Deconstructing Identity in the 325 CE Council of Nicaea and "The Shack" , Trevar Simmons

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Digital Commons @ USF > College of Arts and Sciences > English > Theses and Dissertations

English Theses and Dissertations

Theses/dissertations from 2024 2024.

The Drama of Last Things: Reckoning in Late Medieval and Early Modern English Drama , Spencer M. Daniels

African Spirituality in Literature Written by Women of African Descent , Brigét V. Harley

Hidden Monstrosities: The Transformation of Medieval Characters and Conventions in Shakespeare's Romances , Lynette Kristine Kuliyeva

Making the Invisible Visible: (Re)envisioning the Black Body in Contemporary Adaptations of Nineteenth-Century Fiction , Urshela Wiggins McKinney

Lawful Injustice: Novel Readings of Racialized Temporality and Legal Instabilities , Danielle N. Mercier

“Manne, for thy loue wolde I not lette”: Eucharistic Portrayals of Caritas in Medieval and Early Modern English Literature and Drama 1350-1650 , Rachel Tanski

Theses/Dissertations from 2023 2023

Of Mētis and Cuttlefish: Employing Collective Mētis as a Theoretical Framework for Marginalized Communities , Justiss Wilder Burry

What on earth are we doing (?): A Field-Wide Exploration of Design Courses in TPC , Jessica L. Griffith

Organizations Ensuring Resilience: A Case Study of Cortez, Florida , Karla Ariel Maddox

Theses/Dissertations from 2022 2022

Using Movie Clips to Understand Vivid-Phrasal Idioms’ Meanings , Rasha Salem S. Alghamdi

An Exercise in Exceptions: Personhood, Divergency, and Ableism in the STAR TREK Franchise , Jessica A. Blackman

Vulnerable Resistance in Victorian Women’s Writing , Stephanie A. Harper

Curricular Assemblages: Understanding Student Writing Knowledge (Re)circulation Across Genres , Adam Phillips

PAD Beyond the Classroom: Integrating PAD in the Scrum Workplace , Jade S. Weiss

Theses/Dissertations from 2021 2021

Social Cues in Animated Pedagogical Agents for Second Language Learners: the Application of The Embodiment Principle in Video Design , Sahar M. Alyahya

A Field-Wide Examination of Cross-Listed Courses in Technical Professional Communication , Carolyn M. Gubala

Labor-Based Grading Contracts in the Multilingual FYC Classroom: Unpacking the Variables , Kara Kristina Larson

Land Goddesses, Divine Pigs, and Royal Tricksters: Subversive Mythologies and Imperialist Land Ownership Dispossession in Twentieth Century Irish and American Literature , Elizabeth Ricketts

Oppression, Resistance, and Empowerment: The Power Dynamics of Naming and Un-naming in African American Literature, 1794 to 2019 , Melissa "Maggie" Romigh

Generic Expectations in First Year Writing: Teaching Metadiscoursal Reflection and Revision Strategies for Increased Generic Uptake of Academic Writing , Kaelah Rose Scheff

Reframing the Gothic: Race, Gender, & Disability in Multiethnic Literature , Ashely B. Tisdale

Intersections of Race and Place in Short Fiction by New Orleans Gens de Couleur Libres , Adrienne D. Vivian

Mental Illness Diagnosis and the Construction of Stigma , Katie Lynn Walkup

Theses/Dissertations from 2020 2020

Rhetorical Roundhouse Kicks: Tae Kwon Do Pumsae Practice and Non-Western Embodied Topoi , Spencer Todd Bennington

9/11 Then and Now: How the Performance of Memorial Rhetoric by Presidents Changes to Construct Heroes , Kristen M. Grafton

Kinesthetically Speaking: Human and Animal Communication in British Literature of the Long Eighteenth Century , Dana Jolene Laitinen

Exploring Refugee Students’ Second Language (L2) Motivational Selves through Digital Visual Representations , Nhu Le

Glamour in Contemporary American Cinema , Shauna A. Maragh

Instrumentalization Theory: An Analytical Heuristic for a Heightened Social Awareness of Machine Learning Algorithms in Social Media , Andrew R. Miller

Intercessory Power: A Literary Analysis of Ethics and Care in Toni Morrison’s Song of Solomon , Alice Walker’s Meridian , and Toni Cade Bambara’s Those Bones Are Not My Child , Kelly Mills

The Power of Non-Compliant Logos: A New Materialist Approach to Comic Studies , Stephanie N. Phillips

Female Identity and Sexuality in Contemporary Indonesian Novels , Zita Rarastesa

"The Fiery Furnaces of Hell": Rhetorical Dynamism in Youngstown, OH , Joshua M. Rea

“We developed solidarity”: Family, Race, Identity, and Space-Time in Recent Multiethnic U.S. American Fiction , Kimber L. Wiggs

Theses/Dissertations from 2019 2019

Remembrance of a Wound: Ethical Mourning in the Works of Ana Menéndez, Elías Miguel Muñoz, and Junot Díaz , José Aparicio

Taking an “Ecological Turn” in the Evaluation of Rhetorical Interventions , Peter Cannon

New GTA’s and the Pre-Semester Orientation: The Need for Informed Refinement , Jessica L. Griffith

Reading Rape and Answering with Empathy: A New Approach to Sexual Assault Education for College Students , Brianna Jerman

The Karoo , The Veld , and the Co-Op: The Farm as Microcosm and Place for Change in Schreiner, Lessing, and Head , Elana D. Karshmer

"The weak are meat, and the strong do eat"; Representations of the Slaughterhouse in Twentieth and Twenty-First Century Literature , Stephanie Lance

Language of Carnival: How Language and the Carnivalesque Challenge Hegemony , Yulia O. Nekrashevich

Queer Authority in Old and Middle English Literature , Elan J. Pavlinich

Because My Garmin Told Me To: A New Materialist Study of Agency and Wearable Technology , Michael Repici

No One Wants to Read What You Write: A Contextualized Analysis of Service Course Assignments , Tanya P. Zarlengo

Theses/Dissertations from 2018 2018

Beauty and the Beasts: Making Places with Literary Animals of Florida , Haili A. Alcorn

The Medievalizing Process: Religious Medievalism in Romantic and Victorian Literature , Timothy M. Curran

Seeing Trauma: The Known and the Hidden in Nineteenth-Century Literature , Alisa M. DeBorde

Analysis of User Interfaces in the Sharing Economy , Taylor B. Johnson

Border-Crossing Travels Across Literary Worlds: My Shamanic Conscientization , Scott Neumeister

The Spectacle of The Bomb: Rhetorical Analysis of Risk of The Nevada Test Site in Technical Communication, Popular Press, and Pop Culture , Tiffany Wilgar

Theses/Dissertations from 2017 2017

Traveling Women and Consuming Place in Eighteenth-Century Travel Letters and Journals , Cassie Patricia Childs

“The Nations of the Field and Wood”: The Uncertain Ontology of Animals in Eighteenth-Century British Literature , J. Kevin Jordan

Modern Mythologies: The Epic Imagination in Contemporary Indian Literature , Sucheta Kanjilal

Science in the Sun: How Science is Performed as a Spatial Practice , Natalie Kass

Body as Text: Physiognomy on the Early English Stage , Curtis Le Van

Tensions Between Democracy and Expertise in the Florida Keys , Elizabeth A. Loyer

Institutional Review Boards and Writing Studies Research: A Justice-Oriented Study , Johanna Phelps-Hillen

The Spirit of Friendship: Girlfriends in Contemporary African American Literature , Tangela La'Chelle Serls

Aphra Behn on the Contemporary Stage: Behn's Feminist Legacy and Woman-Directed Revivals of The Rover , Nicole Elizabeth Stodard

(Age)ncy in Composition Studies , Alaina Tackitt

Constructing Health Narratives: Patient Feedback in Online Communities , Katie Lynn Walkup

Theses/Dissertations from 2016 2016

Rupturing the World of Elite Athletics: A Feminist Critical Discourse Analysis of the Suspension of the 2011 IAAF Regulations on Hyperandrogenism , Ella Browning

Shaping Climate Citizenship: The Ethics of Inclusion in Climate Change Communication and Policy , Lauren E. Cagle

Drop, Cover, and Hold On: Analyzing FEMA's Risk Communication through Visual Rhetoric , Samantha Jo Cosgrove

Material Expertise: Applying Object-oriented Rhetoric in Marine Policy , Zachary Parke Dixon

The Non-Identical Anglophone Bildungsroman : From the Categorical to the De-Centering Literary Subject in the Black Atlantic , Jarad Heath Fennell

Instattack: Instagram and Visual Ad Hominem Political Arguments , Sophia Evangeline Gourgiotis

Hospitable Climates: Representations of the West Indies in Eighteenth-Century British Literature , Marisa Carmen Iglesias

Chosen Champions: Medieval and Early Modern Heroes as Postcolonial Reactions to Tensions between England and Europe , Jessica Trant Labossiere

Science, Policy, and Decision Making: A Case Study of Deliberative Rhetoric and Policymaking for Coastal Adaptation in Southeast Florida , Karen Patricia Langbehn

A New Materialist Approach to Visual Rhetoric in PhotoShopBattles , Jonathan Paul Ray

Tracing the Material: Spaces and Objects in British and Irish Modernist Novels , Mary Allison Wise

Theses/Dissertations from 2015 2015

Representations of Gatsby: Ninety Years of Retrospective , Christine Anne Auger

Robust, Low Power, Discrete Gate Sizing , Anthony Joseph Casagrande

Wrestling with Angels: Postsecular Contemporary American Poetry , Paul T. Corrigan

#networkedglobe: Making the Connection between Social Media and Intercultural Technical Communication , Laura Anne Ewing

Evidence of Things Not Seen: A Semi-Automated Descriptive Phrase and Frame Analysis of Texts about the Herbicide Agent Orange , Sarah Beth Hopton

'She Shall Not Be Moved': Black Women's Spiritual Practice in Toni Morrison's The Bluest Eye, Beloved, Paradise, and Home , Rondrea Danielle Mathis

Relational Agency, Networked Technology, and the Social Media Aftermath of the Boston Marathon Bombing , Megan M. Mcintyre

Now, We Hear Through a Voice Darkly: New Media and Narratology in Cinematic Art , James Anthony Ricci

Navigating Collective Activity Systems: An Approach Towards Rhetorical Inquiry , Katherine Jesse Royce

Women's Narratives of Confinement: Domestic Chores as Threads of Resistance and Healing , Jacqueline Marie Smith

Domestic Spaces in Transition: Modern Representations of Dwelling in the Texts of Elizabeth Bowen , Shannon Tivnan

Theses/Dissertations from 2014 2014

Paradise Always Already Lost: Myth, Memory, and Matter in English Literature , Elizabeth Stuart Angello

Overcoming the 5th-Century BCE Epistemological Tragedy: A Productive Reading of Protagoras of Abdera , Ryan Alan Blank

Acts of Rebellion: The Rhetoric of Rogue Cinema , Adam Breckenridge

Material and Textual Spaces in the Poetry of Montagu, Leapor, Barbauld, and Robinson , Jessica Lauren Cook

Decolonizing Shakespeare: Race, Gender, and Colonialism in Three Adaptations of Three Plays by William Shakespeare , Angela Eward-Mangione

Risk of Compliance: Tracing Safety and Efficacy in Mef-Lariam's Licensure , Julie Marie Gerdes

Beyond Performance: Rhetoric, Collective Memory, and the Motive of Imprinting Identity , Brenda M. Grau

Subversive Beauty - Victorian Bodies of Expression , Lisa Michelle Hoffman-Reyes

Integrating Reading and Writing For Florida's ESOL Program , George Douglas Mcarthur

Responsibility and Responsiveness in the Novels of Ann Radcliffe and Mary Shelley , Katherine Marie McGee

Ghosts, Orphans, and Outlaws: History, Family, and the Law in Toni Morrison's Fiction , Jessica Mckee

The "Defective" Generation: Disability in Modernist Literature , Deborah Susan Mcleod

Science Fiction/Fantasy and the Representation of Ethnic Futurity , Joy Ann Sanchez-Taylor

Hermes, Technical Communicator of the Gods: The Theory, Design, and Creation of a Persuasive Game for Technical Communication , Eric Walsh

Theses/Dissertations from 2013 2013

Rhetorical Spirits: Spirituality as Rhetorical Device in New Age Womanist of Color Texts , Ronisha Witlee Browdy

Disciplinarity, Crisis, and Opportunity in Technical Communication , Jason Robert Carabelli

The Terror of Possibility: A Re-evaluation and Reconception of the Sublime Aesthetic , Kurt Fawver

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Department of English

Recent PhD Dissertations

Terekhov, Jessica (September 2022) -- "On Wit in Relation to Self-Division"

Selinger, Liora (September 2022) -- "Romanticism, Childhood, and the Poetics of Explanation"

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Ashe, Nathan (April 2022) – "Narrative Energy: Physics and the Scientific Real in Victorian Literature”

Bartley, Scott H. (April 2022) – “Watch it closely: The Poetry and Poetics of Aesthetic Focus in The New Criticism and Middle Generation”

Mctar, Ali (November 2021) – “Fallen Father: John Milton, Antinomianism, and the Case Against Adam”

Chow, Janet (September 2021) – “Securing the Crisis: Race and the Poetics of Risk”

Thorpe, Katherine (September 2021) – “Protean Figures: Personified Abstractions from Milton’s Allegory to Wordsworth’s Psychology of the Poet”

Minnen, Jennifer (September 2021) – “The Second Science: Feminist Natural Inquiry in Nineteenth-Century British Literature”

Starkowski, Kristen (September 2021) – “Doorstep Moments: Close Encounters with Minor Characters in the Victorian Novel”

Rickard, Matthew (September 2021) – “Probability: A Literary History, 1479-1700”

Crandell, Catie (September 2021) – “Inkblot Mirrors: On the Metareferential Mode and 19th Century British Literature”

Clayton, J.Thomas (September 2021) – “The Reformation of Indifference: Adiaphora, Toleration, and English Literature in the Seventeenth Century”

Goldberg, Reuven L. (May 2021) – “I Changed My Sex! Pedagogy and the Trans Narrative”

Soong, Jennifer (May 2021) – “Poetic Forgetting”

Edmonds, Brittney M. (April 2021) – “Who’s Laughing Now? Black Affective Play and Formalist Innovation in Twenty-First Century black Literary Satire”

Azariah-Kribbs, Colin (April 2021) – “Mere Curiosity: Knowledge, Desire, and Peril in the British and Irish Gothic Novel, 1796-1820”

Pope, Stephanie (January 2021) – “Rethinking Renaissance Symbolism: Material Culture, Visual Signs, and Failure in Early Modern Literature, 1587-1644”

Kumar, Matthew (September 2020) – “The Poetics of Space and Sensation in Scotland and Kenya”

Bain, Kimberly (September 2020) – “On Black Breath”

Eisenberg, Mollie (September 2020) – “The Case of the Self-Conscious Detective Novel: Modernism, Metafiction, and the Terms of Literary Value”

Hori, Julia M. (September 2020) – “Restoring Empire: British Imperial Nostalgia, Colonial Space, and Violence since WWII”

Reade, Orlando (June 2020) – “Being a Lover of the World: Lyric Poetry and Political Disaffection after the English Civil War”

Mahoney, Cate (June 2020) – “Go on Your Nerve: Confidence in American Poetry, 1860-1960”

Ritger, Matthew (April 2020) – “Objects of Correction:  Literature and the Birth of Modern Punishment”

VanSant, Cameron (April 2020) – “Novel Subjects:  Nineteenth-Century Fiction and the Transformation of British Subjecthood”

Lennington, David (November 2019) – “Anglo-Saxon and Arabic Identity in the Early Middle Ages”

Marraccini, Miranda (September 2019) – “Feminist Types: Reading the Victoria Press”

Harlow, Lucy (June 2019) – “The Discomposed Mind”

Williamson, Andrew (June 2019) – “Nothing to Say:  Silence in Modernist American Poetry”

Adair, Carl (April 2019) – “Faithful Readings: Religion, Hermeneutics, and the Habits of Criticism”

Rogers, Hope (April 2019) – “Good Girls: Female Agency and Convention in the Nineteenth-Century British Novel”

Green, Elspeth (January 2019) – “Popular Science and Modernist Poetry”

Braun, Daniel (January 2019) – Kinds of Wrong: The Liberalization of Modern Poetry 1910-1960”

Rosen, Rebecca (November 2018) – “Making the body Speak: Anatomy, Autopsy and Testimony in Early America, 1639-1790”

Blank, Daniel (November 2018) – Shakespeare and the Spectacle of University Drama”

Case, Sarah (September 2018) – Increase of Issue: Poetry and Succession in Elizabethan England”

Kucik, Emanuela  (June 2018) – “Black Genocides and the Visibility Paradox in Post-Holocaust African American and African Literature”

Quinn, Megan  (June 2018) – “The Sensation of Language: Jane Austen, William Wordsworth, Mary Shelley”

McCarthy, Jesse D.  (June 2018) – “The Blue Period: Black Writing in the Early Cold War, 1945-1965

Johnson, Colette E.  (June 2018) – “The Foibles of Play: Three Case Studies on Play in the Interwar Years”

Gingrich, Brian P.  (June 2018) – “The Pace of Modern Fiction: A History of Narrative Movement in Modernity”

Marcus, Sara R.  (June 2018) – “Political Disappointment: A Partial History of a Feeling”

Parry, Rosalind A.  (April 2018) – “Remaking Nineteenth-Century Novels for the Twentieth Century”

Gibbons, Zoe  (January 2018) – “From Time to Time:  Narratives of Temporality in Early Modern England, 1610-1670”

Padilla, Javier  (September 2017) – “Modernist Poetry and the Poetics of Temporality:  Between Modernity and Coloniality”

Alvarado, Carolina (June 2017) – "Pouring Eastward: Editing American Regionalism, 1890-1940"

Gunaratne, Anjuli (May 2017) – "Tragic Resistance: Decolonization and Disappearance in Postcolonial Literature"

Glover, Eric (May 2017) – "By and About:  An Antiracist History of the Musicals and the Antimusicals of Langston Hughes and Zora Neale Hurston"

Tuckman, Melissa (April 2017) – "Unnatural Feelings in Nineteenth-Century Poetry"

Eggan, Taylor (April 2017) – "The Ecological Uncanny: Estranging Literary Landscapes in Twentieth-Century Narrative Fiction"

Calver, Harriet (March 2017) – "Modern Fiction and Its Phantoms"

Gaubinger, Rachel (December 2016) – "Between Siblings: Form and Family in the Modern Novel"

Swartz, Kelly (December 2016) – "Maxims and the Mind: Sententiousness from Seventeenth-Century Science to the Eighteenth-Century Novel"

Robles, Francisco (June 2016) – “Migrant Modalities: Radical Democracy and Intersectional Praxis in American Literatures, 1923-1976”

Johnson, Daniel (June 2016) – “Visible Plots, Invisible Realms”

Bennett, Joshua (June 2016) – “Being Property Once Myself: In Pursuit of the Animal in 20th Century African American Literature”

Scranton, Roy (January 2016) – “The Trauma Hero and the Lost War: World War II, American Literature, and the Politics of Trauma, 1945-1975

Jacob, Priyanka (November 2015) – “Things That Linger: Secrets, Containers and Hoards in the Victorian Novel”

Evans, William (November 2015) – “The Fiction of Law in Shakespeare and Spenser”

Vasiliauskas, Emily (November 2015) – “Dead Letters: The Afterlife Before Religion”

Walker, Daniel (June 2015) – “Sociable Uncertainties: Literature and the Ethics of Indeterminacy in Eighteenth-Century Britain”

Reilly, Ariana (June 2015) – “Leave-Takings: Anti-Self-Consciousness and the Escapist Ends of the Victorian Marriage Plot”

Lerner, Ross (June 2015) – "Framing Fanaticism: Religion, Violence, and the Reformation Literature of Self-Annihilation”

Harrison, Matthew (June 2015) – "Tear Him for His Bad Verses: Poetic Value and Literary History in Early Modern England”

Krumholtz, Matthew (June 2015) – “Talking Points: American Dialogue in the Twentieth Century”

Dauber, Maayan (March 2015) – "The Pathos of Modernism: Henry James, Virginia Woolf, and Gertrude Stein (with a coda on J.M. Coetzee)”

Hostetter, Lyra (March 2015) – “Novel Errantry: An Annotated Edition of Horatio, of Holstein (1800)”

Sanford, Beatrice (January 2015) – “Love’s Perception: Nineteenth-Century Aesthetics of Attachment”

Chong, Kenneth (January 2015) – “Potential Theologies: Scholasticism and Middle English Literature”

Worsley, Amelia (September 2014) – “The Poetry of Loneliness from Romance to Romanticism”

Hurtado, Jules (June 2014) – “The Pornographer at the Crossroads: Sex, Realism and Experiment in the Contemporary English Novel”

Rutherford, James (June 2014) – "Irrational Actors: Literature and Logic in Early Modern England”

Wilde, Lisa (June 2014) – “English Numeracy and the Writing of New Worlds, 1543-1622”

Hyde, Emily (November 2013) – “A Way of Seeing: Modernism, Illustration, and Postcolonial Literature”

Ortiz, Ivan (September 2013) – “Romanticism and the Aesthetics of Modern Transport”

Aronowicz, Yaron (September 2013) – “Fascinated Moderns: The Attentions of Modern Fiction”

Wythoff, Grant (September 2013) – “Gadgetry: New Media and the Fictional Imagination”

Ramachandran, Anitha (September 2013) – "Recovering Global Women’s Travel Writings from the Modern Period: An Inquiry Into Genre and Narrative Agency”

Reuland, John (April 2013) – “The Self Unenclosed: A New Literary History of Pragmatism, 1890-1940”

Wasserman, Sarah (January 2013) – “Material Losses: Urban Ephemera in Contemporary American Literature and Culture”

Kastner, Tal (November 2012) – "The Boilerplate of Everything and the Ideal of Agreement in American Law and Literature"

Labella, John (October 2012) – "Lyric Hemisphere: Latin America in United States Poetry, 1927-1981"

Kindley, Evan (September 2012) – "Critics and Connoisseurs: Poet-Critics and the Administration of Modernism"

Smith, Ellen (September 2012) – "Writing Native: The Aboriginal in Australian Cultural Nationalism 1927-1945"

Werlin, Julianne (September 2012) – "The Impossible Probable: Modeling Utopia in Early Modern England"

Posmentier, Sonya (May 2012) – "Cultivation and Catastrophe:  Forms of Nature in Twentieth-Century Poetry of the Black Diaspora"

Alfano, Veronica (September 2011) – “The Lyric in Victorian Memory”

Foltz, Jonathan (September 2011) – “Modernism and the Narrative Cultures of Film”

Coghlan, J. Michelle (September 2011) – “Revolution’s Afterlife; The Paris Commune in American Cultural Memory, 1871-1933”

Christoff, Alicia (September 2011) – “Novel Feeling”

Shin, Jacqueline (August 2011) – “Picturing Repose: Between the Acts of British Modernism”

Ebrahim, Parween (August 2011) – “Outcasts and Inheritors: The Ishmael Ethos in American Culture, 1776-1917”

Reckson, Lindsay (August 2011) – “Realist Ecstasy: Enthusiasm in American Literature 1886 - 1938"

Londe, Gregory (June 2011) – “Enduring Modernism: Forms of Surviving Location in the 20th Century Long Poem”

Brown, Adrienne (June 2011) – “Reading Between the Skylines: The Skyscraper in American Modernism”

Russell, David (June 2011) – “A Literary History of Tact: Sociability, Aesthetic Liberalism and the Essay Form in Nineteenth-Century Britain”

Hostetter, Aaron (December 2010) – "The Politics of Eating and Cooking in Medieval English Romance"

Moshenska, Joseph (November 2010) – " 'Feeling Pleasures': The Sense of Touch in Renaissance England"

Walker, Casey (September 2010) – "The City Inside: Intimacy and Urbanity in Henry James, Marcel Proust and Virginia Woolf"

Rackin, Ethel (August 2010) – "Ornamentation and Essence in Modernist Poetry"

Noble, Mary (August 2010) – "Primitive Marriage: Anthropology and Nineteenth-Century Fiction"

Fox, Renee (August 2010) – "Necromantic Victorians: Reanimation, History and the Politics of Literary Innovation, 1868-1903"

Hopper, Briallen (June 2010) – “Feeling Right in American Reform Culture”

Lee, Wendy (June 2010) -- "Failures of Feeling in the British Novel from Richardson to Eliot"

Moyer, James (March 2010) – "The Passion of Abolitionism: How Slave Martyrdom Obscures Slave Labor”

Forbes, Erin (September 2009) – “Genius of Deep Crime:  Literature, Enslavement and the American Criminal”

Crawforth, Hannah (September 2009) – “The Politics and Poetics of Etymology in Early Modern Literature”

Elliott, Danielle (April 2009) – "Sea of Bones: The Middle Passage in Contemporary Poetry of the Black Atlantic”

Yu, Wesley (April 2009) – “Romance Logic: The Argument of Vernacular Verse in the Scholastic Middle Ages”

Cervantes, Gabriel (April 2009) – "Genres of Correction: Anglophone Literature and the Colonial Turn in Penal Law 1722-1804”

Rosinberg, Erwin (January 2009) – "A Further Conjunction: The Couple and Its Worlds in Modern British Fiction”

Walsh, Keri (January 2009) – "Antigone in Modernism: Classicism, Feminism, and Theatres of Protest”

Heald, Abigail (January 2009) – “Tears for Dido: A Renaissance Poetics of Feeling”

Bellin, Roger (January 2009) – "Argument: The American Transcendentalists and Disputatious Reason”

Ellis, Nadia (November 2008) – "Colonial Affections: Formulations of Intimacy Between England and the Caribbean, 1930-1963”

Baskin, Jason (November 2008) – “Embodying Experience: Romanticism and Social Life in the Twentieth Century”

Barrett, Jennifer-Kate (September 2008) – “ ‘So Written to Aftertimes’: Renaissance England’s Poetics of Futurity”

Moss, Daniel (September 2008) – “Renaissance Ovids: The Metamorphosis of Allusion in Late Elizabethan England”

Rainof, Rebecca (September 2008) – “Purgatory and Fictions of Maturity: From Newman to Woolf”

Darznik, Jasmin (November 2007) – “Writing Outside the Veil: Literature by Women of the Iranian Diaspora”

Bugg, John (September 2007) – “Gagging Acts: The Trials of British Romanticism”

Matson, John (September 2007) – “Marking Twain: Mechanized Composition and Medial Subjectivity in the Twain Era”

Neel, Alexandra (September 2007) – “The Writing of Ice: The Literature and Photography of Polar Regions”

Smith-Browne, Stephanie (September 2007) – “Gothic and the Pacific Voyage: Patriotism, Romance and Savagery in South Seas Travels and the Utopia of the Terra Australis”

Bystrom, Kerry (June 2007) – “Orphans and Origins: Family, Memory, and Nation in Argentina and South Africa”

Ards, Angela (June 2007) – “Affirmative Acts: Political Piety in African American Women’s Contemporary Autobiography”

Cragwall, Jasper (June 2007) – “Lake Methodism”

Ball, David (June 2007) – “False Starts: The Rhetoric of Failure and the Making of American Modernism, 1850-1950”

Ramdass, Harold (June 2007) – “Miswriting Tragedy: Genealogy, History and Orthography in the Canterbury Tales, Fragment I”

Lilley, James (June 2007) – “Common Things: Transatlantic Romance and the Aesthetics of Belonging, 1764-1840”

Noble, Mary (March 2007) – “Primitive Marriage: Anthropology and Nineteenth-Century Fiction”

Passannante, Gerard (January 2007) – “The Lucretian Renaissance: Ancient Poetry and Humanism in an Age of Science”

Tessone, Natasha (November 2006) – “The Fiction of Inheritance: Familial, Cultural, and National Legacies in the Irish and Scottish Novel”

Horrocks, Ingrid (September 2006) – “Reluctant Wanderers, Mobile Feelings: Moving Figures in Eighteenth-Century Literature”

Bender, Abby (June 2006) – “Out of Egypt and into bondage: Exodus in the Irish National Imagination”

Johnson, Hannah (June 2006) – “The Medieval Limit: Historiography, Ethics, Culture”

Horowitz, Evan (January 2006) – “The Writing of Modern Life”

White, Gillian (November 2005) – “ ‘We Do Not Say Ourselves Like That in Poems’: The Poetics of Contingency in Wallace Stevens and Elizabeth Bishop

Baudot, Laura (September 2005) – “Looking at Nothing: Literary Vacuity in the Long Eighteenth Century”

Hicks, Kevin (September 2005) – “Acts of Recovery: American Antebellum Fictions”

Stern, Kimberly (September 2005) – “The Victorian Sibyl: Women Reviewers and the Reinvention of Critical Tradition”

Nardi, Steven (May 2005) – “Automatic Aesthetics: Race, Technology, and Poetics in the Harlem Renaissance and American New Poetry”

Sayeau, Michael (May 2005) – “Everyday: Literature, Modernity, and Time”

Cooper, Lawrence (April 2005) – “Gothic Realities: The Emergence of Cultural Forms Through Representations of the Unreal”

Betjemann, Peter (November 2004) – “Talking Shop: Craft and Design in Hawthorne, James, and Wharton”

Forbes, Aileen (November 2004) – “Passion Play: Theaters of Romantic Emotion”

Keeley, Howard (November 2004) – “Beyond Big House and Cabin: Dwelling Politically in Modern Irish Literature”

Machlan, Elizabeth (November 2004) – “Panic Rooms: Architecture and Anxiety in New York Stories from 1900 to 9/11”

McDowell, Demetrius (November 2004) – “Hawthorne, James, and the Pressures of the Literary Marketplace”

Waldron, Jennifer (November 2004) – “Eloquence of the Body: Aesthetics, Theology, and English Renaissance Theater”

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Home > ARTSSCI > English > dissertations

English Dissertations and Theses

The English Department Dissertations and Theses Series is comprised of dissertations and thesis authored by Marquette University's English Department doctoral and master's students.

Theses/Dissertations from 2024 2024

Speculative Escapism in Contemporary Fantasy: Labor, Utility, Affect , Liamog Seamus Drislane

Disillusionment and Domesticity in Mid-20th-Century British Catholic Literature , Catherine Simmerer

A LIBERATED WEST?: FEMALE AUTHORS’ REPRESENTATIONS OF THE "REAL AND THE FANTASIZED" ON THE AMERICAN FRONTIER , Amanda Diane Zastrow

Theses/Dissertations from 2023 2023

Lifting the Postmodern Veil: Cosmopolitanism, Humanism, and Decolonization in Global Fictions of the 21st Century , Matthew Burchanoski

Gothic Transformations and Remediations in Cheap Nineteenth-Century Fiction , Wendy Fall

Milton’s Learning: Complementarity and Difference in Paradise Lost , Peter Spaulding

“The Development of the Conceptive Plot Through Early 19th-Century English Novels” , Jannea R. Thomason

Theses/Dissertations from 2022 2022

Gonzo Eternal , John Francis Brick

Intertextuality and Sociopolitical Engagement in Contemporary Anglophone Women’s Writing , Jackielee Derks

Innovation, Genre, and Authenticity in the Nineteenth-Century Irish Novel , David Aiden Kenney II

Reluctant Sons: The Irish Matrilineal Tradition of Oscar Wilde, James Joyce, and Flann O’Brien , Jessie Wirkus Haynes

Britain's Extraterrestrial Empire: Colonial Ambition, Anxiety, and Ambivalence in Early Modern Literature , Mark Edward Wisniewski

Theses/Dissertations from 2021 2021

Re-Reading the “Culture Clash”: Alternative Ways of Reading in Indian Horse , Hailey Whetten

Theses/Dissertations from 2020 2020

When the Foreign Became Familiar: Modernism, Expatriation, and Spatial Identities in the Twentieth Century , Danielle Kristene Clapham

Reforming Victorian Sense/Abilities: Disabilities in Elizabeth Gaskell’s Social Problem Novels , Hunter Nicole Duncan

Genre and Loss: The Impossibility of Restoration in 20th Century Detective Fiction , Kathryn Hendrickson

A Productive Failure: Existentialism in Fin de Siècle England , Maxwell Patchet

Inquiry and Provocation: The Use of Ambiguity in Sixteenth-Century English Political Satire , Jason James Zirbel

Theses/Dissertations from 2019 2019

No Home but the World: Forced Migration and Transnational Identity , Justice Hagan

The City As a Trap: 20th and 21st Century American Literature and the American Myth of Mobility , Andrew Joseph Hoffmann

The Fantastic and the First World War , Brian Kenna

Insane in the Brain, Blood, and Lungs: Gender-Specific Manifestations of Hysteria, Chlorosis, & Consumption in 19th-Century Literature , Anna P. Scanlon

Reading Multicultural Novels Melancholically: Racial Grief and Grievance in the Joy Luck Club, Beloved, and Anil's Ghost , Jennifer Arias Sweeney

Theses/Dissertations from 2018 2018

The Ethos of Dissent: Epideictic Rhetoric and the Democratic Function of American Protest and Countercultural Literature , Jeffrey Lorino Jr

Literary Cosmopolitanisms of Salman Rushdie, Amitav Ghosh, and Arundhati Roy , Sunil Samuel Macwan

The View from Here: Toward a Sissy Critique , Tyler Monson

The Forbidden Zone Writers: Femininity and Anglophone Women War Writers of the Great War , Sareene Proodian

Theatrical Weddings and Pious Frauds: Performance and Law in Victorian Marriage Plots , Adrianne A. Wojcik

Theses/Dissertations from 2016 2016

Changing the Victorian Habit Loop: The Body in the Poetry and Painting of Dante Gabriel Rossetti and William Morris , Bryan Gast

Gendering Scientific Discourse from 1790-1830: Erasmus Darwin, Thomas Beddoes, Maria Edgeworth, and Jane Marcet , Bridget E. Kapler

Discarding Dreams and Legends: The Short Fiction of Elizabeth Madox Roberts, Flannery O’Connor, Katherine Anne Porter, and Eudora Welty , Katy L. Leedy

Theses/Dissertations from 2015 2015

Saving the Grotesque: The Grotesque System of Liberation in British Modernism (1922-1932) , Matthew Henningsen

The Pulpit's Muse: Conversive Poetics in the American Renaissance , Michael William Keller

A Single Man of Good Fortune: Postmodern Identities and Consumerism in the New Novel of Manners , Bonnie McLean

Julian of Norwich: Voicing the Vernacular , Therese Elaine Novotny

Theses/Dissertations from 2014 2014

Homecomings: Victorian British Women Travel Writers And Revisions Of Domesticity , Emily Paige Blaser

From Pastorals to Paterson: Ecology in the Poetry and Poetics of William Carlos WIlliams , Daniel Edmund Burke

Argument in Poetry: (Re)Defining the Middle English Debate in Academic, Popular, and Physical Contexts , Kathleen R. Burt

Apocalyptic Mentalities in Late-Medieval England , Steven A. Hackbarth

The Creation of Heaven in the Middle Ages , William Storm

(re)making The Gentleman: Genteel Masculinities And The Country Estate In The Novels Of Charlotte Smith, Jane Austen, And Elizabeth Gaskell , Shaunna Kay Wilkinson

Theses/Dissertations from 2013 2013

Brides, Department Stores, Westerns, and Scrapbooks--The Everyday Lives of Teenage Girls in the 1940s , Carly Anger

Placed People: Rootedness in G. K. Chesterton, C. S. Lewis, and Wendell Berry , David Harden

Rhetorics Of Girlhood Trauma In Writing By Holly Goddard Jones, Joyce Carol Oates, Sandra Cisneros, And Jamaica Kincaid , Stephanie Marie Stella

Theses/Dissertations from 2012 2012

A Victorian Christmas in Hell: Yuletide Ghosts and Necessary Pleasures in the Age of Capital , Brandon Chitwood

"Be-Holde the First Acte of this Tragedy" : Generic Symbiosis and Cross-Pollination in Jacobean Drama and the Early Modern Prose Novella , Karen Ann Zyck Galbraith

Pamela: Or, Virtue Reworded: The Texts, Paratexts, and Revisions that Redefine Samuel Richardson's Pamela , Jarrod Hurlbert

Violence and Masculinity in American Fiction, 1950-1975 , Magdalen McKinley

Gender Politics in the Novels of Eliza Haywood , Susan Muse

Destabilizing Tradition: Gender, Sexuality, and Postnational Identity in Four Novels by Irish Women, 1960-2000 , Sarah Nestor

Truth Telling: Testimony and Evidence in the Novels of Elizabeth Gaskell , Rebecca Parker Fedewa

Spirit of the Psyche: Carl Jung's and Victor White's Influence on Flannery O'Connor's Fiction , Paul Wakeman

Theses/Dissertations from 2011 2011

Performing the Audience: Constructing Playgoing in Early Modern Drama , Eric Dunnum

Paule Marshall's Critique of Contemporary Neo-Imperialisms Through the Trope of Travel , Michelle Miesen Felix

Hermeneutics, Poetry, and Spenser: Augustinian Exegesis and the Renaissance Epic , Denna Iammarino-Falhamer

Encompassing the Intolerable: Laughter, Memory, and Inscription in the Fiction of John McGahern , John Keegan Malloy

Regional Consciousness in American Literature, 1860-1930 , Kelsey Louise Squire

The Ethics of Ekphrasis: The Turn to Responsible Rhetoric in Mid-Twentieth Century American Poetry , Joshua Scott Steffey

Theses/Dissertations from 2010 2010

Cognitive Architectures: Structures of Passion in Joanna Baillie's Dramas , Daniel James Bergen

On Trial: Restorative Justice in the Godwin-Wollstonecraft-Shelley Family Fictions , Colleen M. Fenno

Theses/Dissertations from 2009 2009

What's the point to eschatology : multiple religions and terminality in James Joyce's Finnegans wake , Martin R. Brick

Economizing Characters: Harriet Martineau and the Problems of Poverty in Victorian Literature, Culture and Law , Mary Colleen Willenbring

Submissions from 2008 2008

"An improbable fiction": The marriage of history and romance in Shakespeare's Henriad , Marcia Eppich-Harris

Bearing the Mark of the Social: Notes Towards a Cosmopolitan Bildungsroman , Megan M. Muthupandiyan

The Gothic Novel and the Invention of the Middle-Class Reader: Northanger Abbey As Case Study , Tenille Nowak

Not Just a Novel of Epic Proportions: Ralph Ellison's Invisible Man As Modern American Epic , Dana Edwards Prodoehl

Recovering the Radicals: Women Writers, Reform, and Nationalist Modes of Revolutionary Discourse , Mark J. Zunac

Theses/Dissertations from 2007 2007

"The Sweet and the Bitter": Death and Dying in J.R.R. Tolkien's The Lord of the Rings , Amy M. Amendt-Raduege

The Games Men Play: Madness and Masculinity in Post-World War II American Fiction, 1946-1964 , Thomas P. Durkin

Denise Levertov: Through An Ecofeminist Lens , Katherine A. Hanson

The Wit of Wrestling: Devotional-Aesthetic Tradition in Christina Rossetti's Poetry , Maria M.E. Keaton

Genderless Bodies: Stigma and the Myth of Womanhood , Ellen M. Letizia

Envy and Jealousy in the Novels of the Brontës: A Synoptic Discernment , Margaret Ann McCann

Technologies of the Late Medieval Self: Ineffability, Distance, and Subjectivity in the Book of Margery Kempe , Crystal L. Mueller

"Finding-- a Map-- to That Place Called Home": The Journey from Silence to Recovery in Patrick McCabe's Carn and Breakfast on Pluto , Valerie A. Murrenus Pilmaier

Emily Dickinson's Ecocentric Pastoralism , Moon-ju Shin

The American Jeremiad in Civil War Literature , Jacob Hadley Stratman

Theses/Dissertations from 2006 2006

Literary Art in Times of Crisis: The Proto-Totalitarian Anxiety of Melville, James, and Twain , Matthew J. Darling

(Re) Writing Genre: Narrative Conventions and Race in the Novels of Toni Morrison , Jennifer Lee Jordan Heinert

"Amsolookly Kersse": Clothing in Finnegan's Wake , Catherine Simpson Kalish

"Do Your Will": Shakespeare's Use of the Rhetoric of Seduction in Four Plays , Jason James Nado

Woman in Emblem: Locating Authority in the Work and Identity of Katherine Philips (1632-1664) , Susan L. Stafinbil

When the Bough Breaks: Poetry on Abortion , Wendy A. Weaver

Theses/Dissertations from 2005 2005

Heroic Destruction: Shame and Guilt Cultures in Medieval Heroic Poetry , Karl E. Boehler

Poe and Early (Un)American Drama , Amy C. Branam

Grammars of Assent: Constructing Poetic Authority in An Age of Science , William Myles Carroll III

This Place is Not a Place: The Constructed Scene in the Works of Sir Walter Scott , Colin J. Marlaire

Cognitive Narratology: A Practical Approach to the Reader-Writer Relationship , Debra Ann Ripley

Theses/Dissertations from 2004 2004

Defoe and the Pirates: Function of Genre Conventions in Raiding Narratives , William J. Dezoma

Creative Discourse in the Eighteenth-Century Courtship Novel , Michelle Ruggaber Dougherty

Exclusionary Politics: Mourning and Modernism in the Works of Elizabeth Barrett Browning, Amy Levy, and Charlotte Mew , Donna Decker Schuster

Theses/Dissertations from 2003 2003

Toward a Re-Formed Confession: Johann Gerhard's Sacred Meditations and "Repining Restlessnesse" in the Poetry of George Herbert , Erik P. Ankerberg

Idiographic Spaces: Representation, Ideology and Realism in the Postmodern British Novel , Gordon B. McConnell

Theses/Dissertations from 2002 2002

Reading into It: Wallace Stegner's Novelistic Sense of Time and Place , Colin C. Irvine

Brisbane and Beyond: Revising Social Capitalism in Mid-Nineteenth-Century America , Michael C. Mattek

Theses/Dissertations from 2001 2001

Christians and Mimics in W. B. Yeats' Collected Poems , Patrick Mulrooney

Renaissance Roles and the Process of Social Change , John Wieland

'Straunge Disguize': Allegory and Its Discontents in Spenser's Faerie Queene , Galina Ivanovna Yermolenko

Theses/Dissertations from 2000 2000

Reading American Women's Autobiography: Spheres of Identity, Spheres of Influence , Amy C. Getty

"Making Strange": The Art and Science of Selfhood in the Works of John Banville , Heather Maureen Moran

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Recent Dissertations

This page lists the most recent ten years of PhD and MFA dissertations, their authors and committee chairs, and a short abstract for the project. MFA dissertations will be added as they become available. The title and author of dissertations (and MA theses for degrees conferred under thesis requirements) completed more than ten years ago are available here .

2023 | 2022 | 2021 | 2020 | 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010

Dissertation Title

Student name, program, chair name, chair, the value of storytelling through digital family narratives: a case study of a dine storyteller, sunnie clahchischiligi, rhetoric and writing, tiffany bourelle, chair.

The abstract will be available presently.

Menetekel: Ishmael's Black Whale and the Semiotics of Doom

Ty cronkhite, american literary studies, scarlett higgins, chair, from peer review to peer review conference: increasing collaboration in asynchronous and synchronous computer-mediated modes in a technical and professional communication class, sofia tarabrina, rhetoric and writing, cristyn elder, chair, museum of clean: a memoir, cyrus stuvland, creative writing, greg martin, chair, meadowlark: poems, tyler hayes-mortensen, creative writing, stephen benz and diane thiel, chairs, maneuvering mestizaje in shakespeare's tragiccomedies, andrea borunda, british and irish literary studies, marissa greenberg, chair, jennifer tubbs , creative writing, andrew bourelle , chair.

The lines between fact and fiction, real and surreal blur in this collection of magical realist tales. A young woman, coerced into hunting mysterious creatures in the forest, discovers that her worldview is marred by prejudice in “The Woods,” only to lose the family and support network on which she has relied for her entire life. The nature of storytelling itself is examined in “Violet,” in which a pregnant teenager has to make difficult decisions for her baby, informed by the complex and restrictive geopolitical systems in which we live. Meanwhile, the teen protagonist in “Redbud” struggles against the tyranny of the beauty industry in her small-town dystopia. “ Starseed ” examines the impact of Otherizing, while “The Soap Factory” takes on issues of consent and gendered violence. “The Garden” and “The Hive” follow this through line into an increasingly alienating and isolating postindustrial world. Each of these stories asks readers, What does it mean to be an outsider? Fortunately, it turns out you can see a lot from the outside looking in .  

Rhea Erica Ramakrishnan , Creative Writing

Lisa chavez , chair.

Even if something’s observable, does that mean we can trust it? In Spectator, a collection of poems in three parts, a speaker asks this question repeatedly. As a child of immigrants, her identity feels constantly in flux and, often, threatened. What does it mean that her identity doesn’t take the form her parents ascribe to her? She finds that her present often feels like a betrayal of the past, especially as she begins to fall in love—which is, in itself, a kind of illusion. An illusion, though, is still instructive—perhaps more so than something we believe, unshakably to be true.  

Spectator is a dance between the present and the past. The speaker collects and arranges her memories to try to make sense of her present and, indeed, she finds bright moments of clarity. Ultimately, though, she finds herself manipulating the images of the people she loves to more closely mirror herself—and her self will not stay still.  

More than the Defiant Few: Lost Womanhood and Necro Women Dismantling Nineteenth-Century Gender Ideologies

Vicki vanbrocklin , american literary studies, jesse aleman , chair.

Too many scholars still rely on adjectives such as deviant, unruly, dangerous, and wild to describe women who interrogate rigid forms of womanhood, especially women of color. My project intervenes in nineteenth-century womanhood discussions, which have traditionally solidified three main categories: Republican, True, and New Womanhood. Between True Womanhood in the mid-nineteenth century and the late nineteenth-century concept of New Womanhood lies an overlooked category aptly understood as Lost Womanhood. I focus on newspaper archives, archival research, and imaginative literature to find “lost” women who critiqued a patriarchal system that thrives on women living in a status akin to being socially dead. Recovering marginalized women writers and reexamining how women openly questioned the gender roles prescribed to them proves that an alternate model of womanhood always existed. Lost Women can recognize the instabilities in their lives and work to change them through negotiation or resistance. They deeply understand their second-class status and rebel against it with successful strategies of writing located in their literary texts and the historical archive. Lost Womanhood creates a critical approach to embracing more nineteenth-century women’s material conditions and lived realities. As a more normative form of womanhood, Lost Womanhood directly critiques a patriarchal system that thrives on women as second-class citizens with a lack of rights. This new category of womanhood will remedy True and New Womanhood’s problematic nature as forms of unsustainable womanhood and decenter middle-class whiteness as the principal determiner of womanhood with an interracial approach. Women who would not or could not embody True Womanhood provide a more expansive way of understanding nineteenth-century womanhood in the United States.  

Making Space for Central Ameerican Diasporic Decolonial Imaginaries: An Autoethnography of a 1st Generation Central-American-American  

Melisa n. garcia , rhetoric and writing, bethany davila , chair.

This autoethnography argues that alternative discourses are necessary to give voice to non-dominant narratives and to engage with underrepresented identities and experiences. I use the frameworks of constellating identities and decolonial imaginaries to explore the narratives of my Central American immigrant parents and my own first generation Central American-American experiences. Specifically, I examine a graphic narrative and multimodal installation that I created in order to discover enacted constellating identities that are not fixed but disbursed and change over time. I also describe the decolonial imaginaries, the “third spaces” that are created from the lived experiences of underrepresented individuals, made visible in these narratives. Understanding and accessing constellating identities and decolonial imaginaries is vital to countering the shame, secrecy and silence that is common among the Central American diaspora .  

Whose Body is Deserving: Discourse, Power, and Ideologies Concerning Non-Normative Bodies on Instagram

Misty thomas , rhetoric and writing  , beth davila, chair.

This dissertation uses FCDA to investigate the construction and control of the boundaries of normativity as they relate to the body. Data in the form of comments was collected from three different Instagram accounts run by individuals with non-normative bodies. From the data, I argue that not only are non-normative bodies controlled through the coded language of health, but through racialized dehumanization. Even alleged demonstrations of support are problematized through what is being supported. The Instagram comments left on the accounts of non-normative bodies demonstrates that these bodies are suppressed as a way to maintain normative ideologies.  

The Buried Train

Amanda kooser, creative writing, daniel mueller, chair.

The past is never gone in The Buried Train, a collection of three stories that engages with memory, memoir and postmodernism. “A Patchwork Person” melds fiction and nonfiction across a novella-length metaphysical detective story as an alter ego of the writer goes on a cross-country search for her missing, Pynchon-obsessed stepfather. “The Nature of Love is Lingering” uses the personal essay as an exploration of the writer’s alcoholic father and his legacy in her life. “The Buried Train,” a short fiction story, investigates childhood trauma reemerging in the relationship between the writer and her brother as they seek out a flood-ravaged New Mexico ghost town. Themes of family, the search for the self and (of course) trains unite this trio of tales.  

Regional Domesticities: Recalling, Rewriting, and Redefining Gender and Domesticity in the Greater Southwest

Laurie lowrance, american literary studies, jesse aleman, chair.

This dissertation examines how Native American and Mexican American women in the greater Southwest negotiated domestic expectations within their own cultures while navigating the demands of encroaching Anglo culture to produce something new: hybrid domesticities rooted in the region, which I call regional domesticities. Chapter 1 focuses on María Amparo Ruiz de Burton and connects her novels Who Would Have Thought It? and The Squatter and the Don to the rhetoric of the Overland Monthly. Chapter 2 explores bicultural collaborations between Native American and Anglo women and focuses on Sarah Winnemucca’s Life Among the Piutes and Helen Sekaqueptewa’s Me and Mine. Chapter 3 examines public preservation through Adina De Zavala’s History and Legends of the Alamo and Jovita González’s Dew on the Thorn and Caballero. Chapter 4 pairs the Sherman Institute with Leslie Marmon Silko’s Gardens in the Dunes to demonstrate how gardens produce hybrid domestic spaces .  

Jennifer Conn, Creative Writing

Lisa chavez, chair.

Poetry has long been a method for story-telling. I have implemented prose and poetry to give voice to memoir. Personal photographs and illustrations I created are used in counterpoint to the poems, to exemplify the silences experienced by children who were raised in trauma and how one can move beyond the trauma experience, yet still keeps aspects of that trauma with them in a way that impacts all future interactions of their life.  

Nada Más Que Decir

Darren donate, creative writing.

The following dissertation is made up of a collection of poems concerning Mexican-American labor, socioeconomic distress and transnationality. While the work in this dissertation attempts to understand "brownness" through the lens of migration and marginalization, it aims to present the contemporary realities of Mexican-American peoples. Through a combination of "traditional poetics" (what the author dubs as left-hand margin poems) and "VisPo," the collection attempts to understand the complexity of intergenerational and multicultural relationships in Hispanic communities. The collected poetry is intended to be hyper-regional, concerned with violence that occurs in urban Los Angeles—violence that is sexual, corporeal, and emotional in nature. The author is concerned with how race and culture is constructed (and reacted towards) through poetry. This work includes photographs from the author’s family members in hopes to better understand the obstacles of immigrant experience.  

A Little Bird Told Me: Stories

Amarlie foster, creative writing.

This creative dissertation is a suite of short fiction and essays. This project is an exploration of love and romance, with a pointed interest in how wider cultural narratives about "romance" impact both the author and her characters in their experiences of love and romance. The collection examines what happens when “the Real” brushes up against simulation models, and ultimately asks the question: what is authentic and true, and does the Real exist?

An American Standard

Seth garcia, creative writing, thank you, john, michelle gurule, creative writing.

THANK YOU, JOHN is a comedy-tragedy memoir, following 24-year-old, Michelle Gurule, a queer, wanna-be writer, exasperated by poverty, bad teeth, and the poor choices of her family. With a Chicano father convinced aliens will eventually rule the world, and a White mother who’d maxed out her credit cards to feed her McDonald’s addiction, Michelle turns to Oprah Winfrey’s  SuperSoul Sunday  episodes for insight, which leads her to believe a sugar daddy arrangement is her density. As John becomes aware of the severity of Michelle’s family’s poverty, he leverages it against her, offering financial security for the lot of them in exchange for marriage and Michelle must decide between lifelong financial security for her and her family or the uncertain path of an artist.

Jane Kalu, Creative Writing

Julie shigekuni, chair.

MOTHERING is a story cycle that focuses on Igbo women dealing with the complexities of patriarchy in their marriages, parental relationships, friendships, sibling relationships, and their environments. It’s a book about longing, about promises made to address this longing, and about the consequences of decisions made based on those promises. The women in MOTHERING live in either Albuquerque or Enugu, one arriving to meet a long-time lover who finally has his papers and can have her join him, another moving to America to find her long-lost brother who disappeared in the 80s. These women are strong-willed and make their own decisions, or at least think they do.  

Charlotte Smith

Heather johnson lapahie, creative writing, sharon warner and daniel mueller, chairs.

In this novella, Charlotte Smith, the main character, a gay Dine fifteen-year-old girl, is propelled into prostitution with an abusive older man. In the beginning, Charlotte is kicked out of her mother's home for having a homosexual relationship with another girl, Ava. The two girls try to make it on the street, homeless, together, but fail. Circumstances force Charlotte to resort to prostitution to support them both.

Animal Texts: Critical Animal Concepts in Environmental Literature for the Anthropocene

Lauren perry, american literary studies, jesse alemán, chair.

This dissertation examines how key environmental texts from the late nineteenth, twentieth, and twenty-first centuries portray animals and the changing conception of animal lives. Beginning with short stories by Sarah Orne Jewett and Jack London, the first chapter examines how early environmentally-minded writers developed animals' independent subjectivity. The second chapter analyzes how Aldo Leopold’s  A Sand County Almanac  (1949) and Sarah Carson’s  Silent Spring  (1962) promote ecological awareness by paying attention to animal time. Chapter three argues that Edward Abbey’s  Desert Solitaire  (1968) develops a layered understanding of animal consciousness. Chapter four contends that Terry Tempest Williams’  Refuge  (1991) merges the genre of memoir with scientific writing to chronicle animal memories. Chapter five analyzes Dan Flores’  Coyote America  (2016) and Nate Blakeslee’s  American Wolf  (2017) as examples of animal texts that utilize history, mythology, science, and decades of wildlife watching to create a new kind of literary animal presence that accurately conveys what animals have experienced and continue to experience alongside humans.

The Ego at an Impasse: Aesthetic Empathy and the Abject d’art in Fin de Siècle Supernatural Fiction

Leandra binder, british & irish literary studies, gail houston, chair.

This dissertation examines the symbol of an art object which represents a corpse or dead person’s identity, what I call the  abject d’art , as it appears in  fin de siècle  supernatural fiction by Vernon Lee (Violet Paget) to identify late Victorian notions of Kristevan abjection,  avant la lettre . Lee’s aesthetic philosophy informs her use of the  abject d’art , especially her examination of the empathetic process as part of aesthetics to explain how individuals represent and respond to objects mentally and emotionally. Through her analysis of empathy, Lee identifies the ego as a fallible moderator of an individual’s responses and judgments towards the external world. Lee’s fiction uses the  abject d’art  to expose how ego-driven perception results in abusive representations of women and the laboring classes. This project identifies expressions of the  abject d’art  in Lee’s fiction, tracing her critique of determinism, religion, marriage, and social injustice as sources of abjection.

A Rhetorical Analysis through American Indian/Indigenous Tribal Leadership:  The Rhetorics of Four North American Tribal Leaders

Loyola bird, rhetoric & writing, the ridgeway ghost, mitch marty, creative writing, gregory martin, chair.

The Ridgeway Ghost  is a memoir in essays about alcohol and alcoholism, about the way my father’s alcoholism has affected my life, about the way that generational alcoholism in my father’s family has affected my life, my relationships, and the way I think about myself. It’s about how place and culture can create the ideal circumstances for addiction to take root in a family and never let go. The story told through  The Ridgeway Ghost  isn’t unique – it’s abundantly common – but through this selection of essays I analyze the culturally embedded mentality of drinking as a staple of life in Wisconsin and the way functional alcoholism can crater a person or a family.

A Boy Named Ariel

Ariel mcguirk , creative writing.

This creative dissertation is a first-person dramatic memoir. This project is an exploration of grief and longing to connect to a mother who died before the narrator could form memory. It examines grief, family, escape, and home, through an Aristotelian ‘hero’s journey’ story structure that connects with several social issues prevalent in US discourse for the past two decades—including the opioid epidemic, migration between Mexico and the US, post 9/11 conflicts in the Middle East, and economic bereavement. Influences for this project include Tobias Wolff, Alison Bechdel, Mary Karr, Leslie Jamison, and James Baldwin.

First the Blessing, Then the Aftermath

Emily murphy, creative writing.

This collection of poetry explores themes of time, memory, and identity through a lens crafted after a Choose-Your-Own-Adventure Novel. Drawing on the author’s personal experiences and history, this collection confronts the reader with the historical implications of their own choices through a structure that compels multiple readings, leading to new discoveries of the interior experience of choice. A pair of choices located at the end of each poem confront the reader with an opportunity to complete the poem as best suits them. Each successive re-reading will result in new iterations of the book’s structure, though the odds of any two readings being identical are vanishingly small. By successively re-reading and re-engaging with the contents of this book, the reader is given the opportunity to re-create a history and by so doing, re-create their own.  

The Magic of Love: Love Magic in Medieval Romance

Dalicia raymond, medieval studies, anita obermeier, chair.

This project examines authorial representations of the morality of three functions of love magic: to induce, to disrupt, and to facilitate love in twelfth- through fifteenth-century Middle High German, Old French, and Middle English romances. Using a cultural studies approach with close textual analysis and informed by gender studies, it investigates medieval romance authors’ discomfort with love inducing magic and asserts that this discomfort is a response to the magic’s violation of free will, a central tenet of medieval theology. I find that authors condemn love inducing magic but mark specific instances acceptable through explicit clarification of divine approval. Love disrupting and facilitating magic do not inherently violate free will, and so the morality of the magical practitioner’s motivations is extended onto the love magic. This project provides an understanding of how medieval authors grappled with the morality attached to love magic and how they communicated this morality to audiences.

Mass and Shadow

Rubin rodriguez, creative writing, stephen benz, chair.

Mass and Shadow is a book of prose poems centered around the death of a mother and the maturation of a her son. It investigates what it means to be Chicano in suburban California, as well as the toll disease has on family. In the preface, the author presents his poetic aesthetic as well as the themes of the book: family dynamics, disease, religion, and class dynamics.  

Getting to Denver: Instructor Participation in the Design of Standardized Writing Program Assessment Technologies

Soha turfler, rhetoric & writing.

This dissertation presents a framework for writing instructor participation in the design of writing program assessment technologies. I base this framework on a case study into the participation of 16 non-tenure track (NTT) and graduate teaching assistant (GTA) writing instructors in the design of a final portfolio assignment prompt for the first-year composition (FYC) program at the University of New Mexico (UNM). I specifically question how Writing Program Administrators (WPAs) and assessment designers can address the needs, interests, and values of writing instructors in the design of writing program assessment technologies, including the important need for agency and professional autonomy. Relying on Broad's Dynamic Criteria Mapping and Wenger's social theories of community and participation, I present and analyze a methodology for shaping instructor participation in the design process. Finally, I present findings relating instructors' participation to the concept of writing assessment validity.  

Dissonances of Dispossession: Narrating Colonialism and Slavery in Expansion of Capitalism

W. oliver baker, american literary studies (mellon fellowship).

This project studies how ethnic American literature of the long nineteenth century represents the relationship between the dispossession of lands and lives—the histories of settler colonialism and slavery—and the making of democracy and capitalism in the United States. We often think of this relationship in terms of temporally distinct stages in which the formal equality of democracy and the marketplace overcome and thus leave behind the direct domination of colonization and enslavement. However, I focus on how the early novels of Indigenous, African, and Mexican American writers from the period of manifest destiny to the New Deal era represent the ways colonial and racial dispossession are not overcome by but in fact underpin and cohere liberal democracy and its market economy. I argue that the formal dissonance of these early novels—the way the narrative and aesthetic structures of these works contain irresolvable tensions and oppositions that foreclose harmony or unity in their formal visions or experiences—embodies how the social cohesion, cooperation, and consent required for liberal democracy and the wage labor relation are produced through and continue to depend on Native dispossession and anti-Black subjection. In doing so, they serve as a key literary history or archive of narrative forms mapping a formative period in the history of racial capitalism. These early novels reveal how whiteness and settler sovereignty serve as the linchpins of capitalism. That is, they demonstrate how the violence of anti-Indianness and anti-Blackness generates the forms of unity among settlers that help overcome the contradictions of US capitalism in ways that enable its meteoric expansion in the long nineteenth century when the United States transforms from a settler colony into a settler empire at the center of the world system in the twentieth century. In this way, my project contributes to how we understand race and capitalism. It shows not only how capitalism depends on producing racial, colonial, gender, and sexual difference, but also how the ability for capitalism to expand in the face of its internal conflict between labor and capital is made possible through this unity among settlers generated by colonization and enslavement.

By Talon and By Tooth: Disaster Culture, American Literary Naturalism, and the Aesthetic of (Dis)integration

Vincent basso, american literary studies (bilinski fellowship).

This study demonstrates how American literary naturalism, roughly between 1870-1910, and U.S. print culture more generally, projected an aesthetics of (dis)integration. The term (dis)integration is particularly useful in thinking through the ways traumatic and disintegrative episodes coordinate and integrate U.S. publics. I periodize this work in the turn-of-the-century because it was then that realist literature coincides with the expansion of the national press and new media technologies like photography and film, all of which facilitated the widespread dissemination of crisis narratives, marking the period as the advent of what is popularly referred to as disaster culture in the United States. Through these technologies, I further argue that social and environmental crises underwent a widespread cultural sublimation into entertainment commodities and thereby normalized statist socioeconomic control. I apply the logic of social ecology to critique how U.S. literary naturalism and print culture responded to the naturalization and spectacle of poverty, addiction, racial violence, and natural disasters. My analysis also demonstrates how realist authors represent what I term negative ecologies, diegetic worlds characterized by replicative systems of social and environmental violence. I contend that literatures oriented to social activism only persevere beyond their own ideological constraints when they resist utopian visions and instead effectuate traumatic ambiguities that allow for the creative re-imagining of social futures.

Traveling Light

Tatiana duvanova, creative writing.

The following manuscript contains a novella and a short story collection, accompanied by a critical preface. The novella focuses on three young women who go to China to be foreign language teachers at a Chinese University and, due to a mix up, end up living in the same apartment over the course of one semester. The three heroines come from troubled background and engage in various self-distracting behaviors until they begin to heal and forge their own path in life.

The short stories in the collection deal with various subjects and themes, such as consumerism, environmental destruction, and commodification of women and nature.

Material Matters: Paratextual Bodies in Nineteenth-Century Indigenous Book History

Amy gore, american literary studies.

Material Matters: Paratextual Bodies in Nineteenth-Century Indigenous Book History , focuses on Indigenous authors during the long nineteenth century, from 1772 to 1936, to examine the known “firsts” of Indigenous literature. Starting with the first book published by a Native author and moving to other first entries into Indigenous literary production, I argue that the reprints, editions, and paratextual elements of Indigenous books embody a frontline of colonization as Indigenous authors battle the public perception of Indigenous books and negotiate the representations of Indigenous bodies.

The Chaotic Domestic: Tracing Affect in Representations of Nation, Class, and Gender in Eighteenth-Century Laboring-Class Women's Writing

Kelly j. hunnings, british & irisish literary studies.

My dissertation traces a term I call the “chaotic domestic” in the writing of a collection of eighteenth-century women laboring-class writers: Mary Barber, Mary Collier, Mary Leapor, Ann Yearsley, and Janet Little. The chaotic domestic in the hands of these writers is multi-layered and affect-driven, focusing as they do on issues regarding nation, class, and gender. As both a poetic trope and the seeming natural and dynamic state of the domestic sphere, the image of the domestic that this set of writers represents and defines is turbulent, unruly, and one that deals with the tangled web of local and global, public and private, gendered and classist identity politics. Most importantly, I seek to demonstrate how the chaotic domestic serves as something these writers  do   to subvert class and gender systems that affect their public and private lives.

Re-thinking the Weird (in the) West: Multi-Ethnic Literatures and the Southwest

Jana koehler, american literary studies (hector torres fellow), melina vizcaíno-alemán , chair.

My dissertation examines the genre of weird fiction, specifically texts that engage the concept of the Weird West. While authors such as Robert E. Howard and H.P. Lovecraft are often seen as the founders of this genre, I argue that ethnic and women writers, such as Charlotte Perkins Gilman, Ishmael Reed, Leslie Marmon Silko, Lucha Corpi, and others, explore the hidden histories of the West and Southwest in ways that incite a rethinking of the weird. Most importantly, I seek to demonstrate how the weird is not only a literary genre but a literary aesthetic and methodology that women and ethnic writers deploy against violent patriarchy and white supremacy in addition to misleading and dangerous fantasies of the Old West.

Female Protagonist Mega-Archetypes: A Study in Medieval European Romances

Doaa omran, medieval literature.

Despite the claim that structuralism has sung its swan song, my research offers new insights in the field of structuralism through archetypal criticism by exploring four female hero mega-archetypes as narrative structures inspired by the Qur’an and the Bible. These scriptural narratives offer tenets, based on narratives and motifs, that, as structural units, create and identify mega-archetypes. This study posits how, rather than being extensions of existing structuralist taxonomies on the male hero monomyth, the female mega-archetypes enrich that monomythical narrative. This work details the structure of the mega-archetypes Zulaikhah (Potiphar’s wife), Sarah and Hagar, the Virgin Mary, and Queen of Sheba,. A number of medieval European romances, specifically Arthurian, aptly illustrate each of these mega-archetypes and confirm how each crosses culture, time, and race.

675 Days: Stories Queer Kids Tell Themselves

Hayley peterson, creative writing.

This is a full-length memoir and cultural commentary that explores sex and gender, sexuality and queerness, and sexual assault and harassment. Specifically, it focuses on how my upbringing in a conservative suburb of Portland, Oregon, with politically conservative, but sexually liberal parents, and the rhetoric of third-wave feminism, forced me to question what it truly means to be a “strong, independent woman.”

The book follows my coming of age as a queer woman. I explore topics such as: porn, BDSM and kink, faking orgasms, consent and coercion, and how faux-empowerment has led to low self-worth for girls in my generation. I also explore the ways in which third-wave feminism has contributed to performative female sexuality and self-objectification, and the ways in which queerness and kink can provide a better framework for sex.

Multimodal Composition and Digital Technology: Investigating the Out-of-Class Experiences of Students in a First-Year Composition Class

Jennifer morgan sims, rhetoric & writing.

This study explores how first-year students in a multimodal composition class use digital technology outside of class to complete their projects. The tendency in Composition studies to characterize students as “self-teaching” users of technology may obscure complex out-of-class experiences, so this study analyzes data from project reflections of 19 first-year students completing digital multimodal compositions to gain insight into their practices. Qualitative analysis reveals that the technical problems students encountered tended to be frequent and repetitive, and some problems were exacerbated by conflicts between the assignment requirements and the capacity of the technology required. Students tended to use trial-and-error methods in response to problems, and they frequently switched to another program rather than solve the problem at hand. Going forward, instructors should dialogue with students about the advantages and drawbacks of technology, encourage a variety of technology and composition types, and assess projects using technology criteria and with the help of technology-focused student reflections.

Calling All Corpses: An Exmaination of the Treatment of the Dead in Old English Literature

Jessica troy, medieval studies, jonathan davis-secord, chair.

The care and disposal of the dead bodies, an unavoidable reminder of one’s mortality, rarely receives in-depth literary attention. In early medieval England, the Anglo-Saxons dealt with corpses but seldom discussed the undertaking in written documents. Instead they focused on the grandiose deeds of heroes like Beowulf and the holy lives of revered saints.

This dissertation examines various genres of Old English literature to identify times when authors discuss corpses and to what end these discussions led. Hagiographers, for example, describe the corpses of certain saints such as Æthelthryth and Edmund at length while the bodies of other saints are virtually ignored post-mortem. Their burials, such as that of Cecilia, may be only one half-line in length while the description of Æthelthryth’s corpse includes burial, exhumation, discovery of incorruption, and reburial. Her dead body receives almost as much attention as does her living body. Both women uphold their chastity and virginity throughout their lives, but it is only Æthelthryth’s corpse which receives attention. Edmund’s dead body is also given great attention, but his purity is not of primary concern. In my dissertation, I examine the discussion of corpses by various authors within hagiography as well as non-hagiographical texts, identify discrepancies in gender and social standing which may contribute to the length of the authors’ discussion, and use the Anglo-Saxon culture as a basis to explain why corpses such as those of Beowulf, Grendel, Æthelthryth, and Edmund take center stage but a battlefield full of fallen soldiers, Grendel’s mother, and Cecilia receive less than two lines of text.

Multilingual Writers and Online Instruction: Expanding Our Theoretical and Instructional Frameworks

Mariya v. tseptsura, rhetoric & writing, todd ruecker, chair.

This dissertation is based on a year-long mixed-methods study of linguistically diverse students in one online composition program. It focuses on the experiences of students and instructors from 27 online sections of first and second-year college writing courses. Using student and instructor surveys and interviews, it analyzes how second language writers’ success was affected by the online environment, especially by the issues of technology and digital divide, students’ online identity construction, and the lack of authentic online classroom learning communities. The manuscript provides a broader overlook of students’ experiences across linguistic backgrounds and uses four case studies to offer a detailed, in-depth account of four multilingual students’ paths through their online writing courses. This dissertation provides writing instructors and administrators with recommendations to re-envision online writing courses, mobilizing the affordances of online venues to promote the success of students from all language backgrounds.

American Yogi

Lydia wassan, creative writing.

An investigation of the story of Wassan Singh, a spiritualist in the 1920s.

"Enough of Thought, Philosopher!": Emily Brontë's Interrogation of Death

Katherine alexander, british & irish literary studies.

The year 1847 marked the appearance of   Wuthering Heights   on the literary scene. Writing under the pseudonym of Ellis Bell, Emily Brontë soon became known as the “Sphynx (sic) of Literature” following the publication of the culminating masterpiece of her literary career. Although she was not a trained philosopher, her drawings, poems, letters,   devoirs,   and only novel offer an organic approach to philosophical matters, particularly in her engagements with the meanings of time and space and her interrogations of death.

Surrounded by the pervasive presence of death from her earliest years and beyond, Brontë moved to rigorous interrogations of the afterlife in her writing beginning with explorations of the Bible and organized religion. Not finding answers there, she turned to Nature and the tenets of Stoicism that self-sufficiency, delayed fulfillment, and an afterlife in which the spirit is not restricted to an unfathomable heaven. Ultimately, she envisioned a world where any gap between the spatio-temporal and spiritual could be traversed thus eliminating the barriers between the two realms. The cosmos that Brontë constructs is an immanent space where any divine presence is manifested in the random workings of Nature. The wild moors behind the Haworth Parsonage represented this space, both literally and metaphorically. She often features windows to mark permeable barriers between two spaces and powerful storms to move her characters through time and space. Thus, a powerful storm on the moors transports Catherine Earnshaw, Brontë’s conflicted heroine of   Wuthering Heights,   from the afterlife back to her childhood home where she discovers a male visitor in her ontological space. When he shatters the window glass, she grasps the opportunity to intervene in her own story. This is the extraordinary event that sets the tone for the discussion that features major developments in Brontë’s intellectual and artistic journey as well as her protofeminist and protomodern contributions to literature.

No scholar to date has examined the life and   oeuvre   of Emily Brontë in this manner. This study offers an enriching exploration of the powerful framework that she constructs in her philosophical interrogations of death.

Body as News

Colby gates, creative writing.

This poetry collection deals with the intersections of sexuality, spirituality, and the physical body. The work is centered in the examination of relationships that range from the personal, intimate, familial, and religious. The poems are often, though not always, confessional in nature. I am interested in exploring tensions between content, form, and style to create meaning. The work in the manuscript balances itself between realms of magic, dream, and physical and psychological reality. My intention with this collection is to evoke a space for psychic reckoning and a sense of human understanding. My hope is that the work resists isolation or separation— and instead provides opportunities for closeness, recognition, and intimate dialectic between the reader and the work.

Accidental Curators

Steven d. howe, creative writing.

The goal of this manuscript is to construct an essay collection representing the various essay styles I enjoy. The essays track the narrator from childhood to adulthood through various situations, while coalescing around the theme of how memory and experience of youth impact decisions and actions later in life. I show how memory is translated into action, how we choose to ignore/fight some memory and experience, but embrace others when it comes to important moments in our lives, such as confronting social issues, addressing insecurities as a parent, dealing with grief and loss, etc.

Several essays are connected by the thread of growing up in poverty with an estranged, alcoholic father, and how these memories influenced my approach to fatherhood. My father was mostly absent growing up, but the moments we were together were often defined by emotional abuse toward my mother, my siblings, and me. In addition to family issues, I delve into social justice themes, such as poverty, racism, and LGBTQ acceptance. Regardless of the subject, all essays dip back and forth between childhood and adulthood and contain memories and/or experiences reflected upon by the adult narrator. Even in the more research-based work, this reflection is present. In keeping with the thematic preoccupation of memory, I experiment with multiple forms of the essay; traditional, segmented, research-based, etc.

Material Culture in Religious Narratives of the Old English Exeter Book

Justin larsen, medieval studies (bilinski fellowship).

The term “material culture” represents many different approaches and schools of thought across multiple academic disciplines, but its place in the study of medieval literature is particularly difficult to ascertain. The long tradition of simply using the archaeological record to “fill in” gaps left in the textual historical record does little to expand our understanding of the place that these objects actually occupied in the users’ daily lives, nor does it allow us to make greater connections between the texts, their audiences, and their broader environment. Likewise, the role of the text and its reception has a great deal to do with the physical attributes of the object in which that text is recorded. An examination of this intersection of text and object can thus provide us with a clearer picture of daily life and thought in pre-Conquest England

This dissertation examines the ways in which references to objects of material culture are used in the context of the first five poems of the Old English   Exeter Book , as well as the impact of the   Book   as a physical thing upon the poetry. After establishing a list of twenty categories of material culture derived from the text of the   Exeter Book   itself and assigning each reference to material culture to one or more of these categories, the larger patterns of usage become visible, making apparent the thematic and structural functions of such references. Likewise, by examining the physical nature of the   Exeter Book and the roles it has played throughout its millennium of history, we gain insight into the ways in which the   Book   was valued and used. Taken together, twenty-first-century readers can use this analysis to gain a greater understanding of the importance of things in the context of pre-Conquest England, perhaps even including the purpose for which the   Exeter Book   was assembled.

Sunshine '89

David o'connor, creative writing.

Sunshine ’89 is a coming-of-age-novel, set in Canada in 1989, this creative work explores the travel of a young adoptee from a remote outpost to the bourgeois center of the country in order to pursue a life in the theatre. What ensues is a mentor-apprentice story exploring art, race, sexuality, performance, aging, dementia, alcoholism, politics, Canada, and other theme. Above all, a page- turner and picaresque romp meant to entertain and challenge.

Holy Body, Holy Place: The Veneration of St. Swithun from the Old Minster to Winchester Cathedral

Abigail robertson, medieval studies (bilinski fellowship).

By considering the way that medieval people would have responded to the hagiography, relics, and shrine of St. Swithun based on their experience as readers and pilgrims, this project will survey the rationale behind the veneration of a saint whose life was largely unknown yet who was ardently beloved and honored in death. That there is not any book-length scholarship dedicated to St. Swithun or his cult aside from Lapidge’s edition,  The Cult of St. Swithun , further demonstrates the way that this project will fill a gap in scholarship about the history and sociocultural relevance of this still-famous saint. My dissertation paints a picture of how St. Swithun’s afterlife affected the ecclesiastical communities at Winchester and how the cult of the saint developed and changed in Winchester and beyond through the end of the medieval period. By considering this, I argue that the architectural features of the original Saxon cathedral, the Old Minster (particularly after the cathedral was rebuilt in the late-eleventh century), and eventually the Norman Winchester Cathedral compelled visitors to the saint’s shrine to reenact Swithun’s  translatio and thus fundamentally connected Winchester as a  locus to Swithun’s  virtus in an experiential way; as a result, pilgrimage to Winchester was a necessary component for any medieval person who aspired to venerate Swithun.

Triangle: A Novella with Stories

Faerl torres, creative writing.

This novella and short story collection is a work of fiction, which addresses themes of love, loss, loyalty, friendship, fidelity, and self-discovery. The main novella,  Triangle  is a coming of age story that follows Francis, the protagonist, as he struggles to break from his childhood relationships and the role he's occupied and to decide who he wants to be on his own. "Peeling Doves" is a story about lost innocence as two young sisters face off with malice for the first time. "Strawberry Harvest" is a story about Ava, a woman who is counting on her transition into motherhood to escape from the purposeless life she detests. When she begins to miscarry her baby she must find hope within herself. "Batman" is a story about Bruce, a young man choosing to reveal the truth of his abusive childhood and shed light on the past he's tried to keep shadowed.

Raised by the River

Crystal zanders, creative writing.

Raised by the River  is a collection of poems exploring the themes of historical trauma, family dynamics, racial tensions, child abuse, and education. Several poems explore the culture and history of the Deep South with an emphasis on Mississippi. Slavery is also a recurring theme as well as the vestiges of it that continue to plague the South in the form of racism and poverty. Parents and grandparents play a large role as well. The collection ends by exploring complicated grief and the maturation that occurs after loss.

Neither Surrogate Nor Complement: The Long Life of Visual Narratives

Ann l. d'orazio, british & irish literary studies (bilinski fellowship).

Visual narratives are contested territory. They require tools from a variety of academic disciplines, and they defy the usual sets of interpretive strategies and systems of nomenclature in traditional humanities disciplines. This dissertation fills in one of the missing approaches to visual narratives; that is the long historical, interconnected view that renders visible significant connections among graphic narratives from the medieval manuscript to the contemporary comic book and graphic novel. The project articulates a theory of the long material and cultural life of visual narratives in a variety of media forms, including the manuscript, the early printed book, the lithograph series, and the comic book. The project records and embraces the preponderance of narrative images in a variety of media forms, and in doing so, argues that visual narratives are both typical methods of storytelling, and that their ubiquity has been used to create and disseminate narratives to larger groups of the public rather than small coterie groups. The typically popular and topical, and sometimes didactic nature of visual narratives makes them especially suited to a sort of populist politics even before the introduction of print and the advent of postindustrial mass culture. This project advances an understanding of all producers of visual narratives as laborers in a persistent mechanism of collective production, which remains present throughout all of the media examined in the dissertation.

The dissertation covers a temporally wide range of materials not only to prove the pervasiveness and intelligibility of narrative images across a variety of eras and media forms, but also to demonstrate repeated, often recursive, patterns of making and dissemination common to these different periods and forms. The geographic and cultural range is not as wide, owing much more to the time and space limitations of the dissertation rather than anything else. The project examines commonalities not to make a flattening gesture, but to reverse the institutional tendency of literary studies to undervalue or ignore typical, common works.

Invention, Integration, and Engagement With/In an Engineering Student Organization

Brian hendrickson, rhetoric & writing, charles paine, chair.

This dissertation draws from a three-year study of writing and rhetorical engagement in an engineering student organization at a university in the southwestern United States. I describe how students in the organization use writing to undertake a water quality program in an indigenous territory in Bolivia. I describe the student organization as a boundary-zone activity between its parent organization, the college of engineering, and its community and non-governmental organization partners. I provide a narrative of the organization as a site of rhetorical engagement, from the beginnings of the water quality program in 2007, through a 2014 partnership with a capstone design course in civil engineering, to a 2015 assessment trip to Bolivia. Employing expansive developmental research, an interventionist methodology derived from cultural-historical activity theory, I analyze observation notes, interview transcripts, and textual artifacts. The textual artifacts include the student organization’s correspondence, reports, field books, journals, promotional materials, websites, and informational architecture. I also analyze curriculum maps, the capstone course’s syllabus and assignment guidelines, and all of the correspondence and assignment drafts produced by the capstone team. I describe the manner in which writing both requires and facilitates the internalization of social motive, or a conceptualization of the contradictions within an activity system and between it and its neighbor activities. This conceptualization functions in effect as a recognition of rhetorical exigence. I further describe how students, faculty, and professional engineers must internalize the need to vertically and horizontally integrate the boundary-zone activity of the student chapter through explicitly intentional dialogic writing activity. Through my research, I work with the students to reinterpret obstacles as opportunities for building partnerships across and beyond the curriculum toward a more holistic approach to rhetorically engaged learning aligned with the aims of a twenty-first century liberal education. Based on my findings, I recommend that even within a curricular environment not immediately amenable to vertical and horizontal integration, the associated contradictions can be treated as exigences for writing-intensive, rhetorically engaged learning.

The Price of Admission

Catherine hubka, creative writing.

This work of creative non-fiction is a memoir of the writer’s experiences as a recovering alcoholic who, early in recovery, became involved with a married man in Alcoholics Anonymous while she herself was married, sparking a marital, mid-life, and identity crisis. The protagonist proceeds to break numerous taboos, both within the program of Alcoholics Anonymous and within society, leading to unhealthy enmeshment with the married man and further disillusionment with herself. Two years into her recovery, one of her children dies tragically. Her grief over the loss of her son further alienates her from both family and herself until finally, she finds herself broke, isolated and homeless. Her next move is transgressive, but paradoxically liberates her from the unhealthy entanglement with the married man and becomes a vehicle not only back to her family, but also to herself.

The Magic Weave, A veil is also a weave

Paula hughson, creative writing.

The author introduces her poems and illustrates her development as a poet, somewhat later in life, drawing from her early experiences in the Caribbean. A central thesis is the author’s conviction, based on experience, that it is possible to arrive at beauty and clarity of thought, even when departing from a painful place of perceived imperfection. Emphasis is placed on the translations such as between chaos and order and between the author’s Spanish culture an Spanish language and her English medium of communication. The author illustrates aspects of theme, form, language and sound, how poems think, in her poems, contrasting also with the works of other poets who have been major influences, particularly William Carlos Williams and Kay Ryan.

Storyless: A Memoir

Ana june, creative writing.

In May 2002, during an argument with my fiancé, Chris, about a small amount of money, I punched a wall and broke my hand. In that one moment of overwhelm I was angry, but even more than that I felt somehow disconnected from myself. I felt, paradoxically, as though I was not actually the one driving my fist into the wall. I’d never been good at handling conflict; nearly every time I became embroiled in an argument I had a sensation that the floor was opening up beneath me and that I was floating away. But when I punched the wall I also felt something I couldn’t wrap my head around until much later: I felt entirely “storyless.” At the time I understood this feeling primarily by what had happened thirteen months earlier, when my husband Malcolm went home with another woman after work. But when I started following the threads backwards, I found so much more. In this work, I excavate the effects of my parents' divorce, a variety of abusive high school relationships, rape, and abortion. I explore what it means to become a mother in the aftermath of trauma, and then survive the end of my first marriage that fell to pieces under the very same roof where my parents’ marriage ended.

In the end, I learn that I was never storyless at all, but that I had to find my own voice so I could stop lifting away from myself, seal up the earth beneath my feet, and tell my story on my terms.

Under the Rainbow

Celia laskey, creative writing.

Big Burr, Kansas, is the most homophobic town in the USA. As   Under the Rainbow   opens, a task force arrives to try to change that. A clash of cultures follows, forcing the characters to see themselves and their world in new ways.

Each chapter is written from a different character’s point of view—some from the town, some from the task force. As the book progresses, characters reappear and intersect in ways that illuminate more about them. For example, one story is about a task force member whose cat is kidnapped by their neighbor. A later story explores a deep friendship between the aforementioned task force member and an elderly Big Burr woman living in a nursing home.   Under the Rainbow   runs the gamut from gravity to levity, from desperation to hope, showing the universality of each person’s experience.

From the Kingdom of the Lost

Lawrence reeder, creative writing.

From the Kingdom of the Lost   is a collection of poems where the speaker examines his memories associated with his father’s stage four cancer diagnosis that leads to his eventual death.

Throughout the book, a boy character appears and serves as a stand-in for where memory and emotion have been distorted by the trauma of the father’s decline. The interaction between the boy character poems and the dying father poems drives the narrative forward. Additionally, there are contemplative poems that serve to assess the personal beliefs and identity of the speaker. By the end, the speaker has assessed how the grieving process is affected by trauma, religious devotion, and social disparities.

n between the boy character poems and the dying father poems drives the narrative forward. Additionally, there are contemplative poems that serve to assess the personal beliefs and identify of the speaker. By the end, the speaker has assessed how the grieving process is affected by trauma, religious devotion, and social disparities.

West by Midwest

Lucas shepherd, creative writing.

His family died in a car accident, but the vehicular mayhem of demolition derby still attracts former aircraft mechanic Sid Rivers. Rules of the road change on the track: you must crash. In between county fair derbies, Sid hunts for the hit-and-run driver who killed his family, but everything changes the night he gives a ride to the wrong hitchhiker: Eden, a recovering meth addict on the run. With her in tow, Sid must dodge a crucible of crooked cops, ex-football stars, and a taxidermist who doesn’t limit his work to the animal kingdom. Just before Sid ditches his troublesome new passenger, he learns she may hold the key to his past. But with everyone gunning for them, will he survive long enough to learn who killed his family? And will the answer help mend his life or cause a deeper spiral? After all, crashing cars is easier than putting them back together... West by Midwest, a neo-Western crime thriller, explores regret, guilt, and second chances in a land where war comes second nature and peace must be wrestled to the ground.

Devilish Leaders, Demonic Parliaments, and Diabolical Rebels: The Political Devil and Nationalistic Rhetoric from Malmesbury to Milton

Karra shimabukuro, british & irish literary studies.

Throughout its history, England and its writers have created its national identity out of thin air. Some writers such as William of Malmesbury and John Milton have consciously constructed their imagined Englands, while other authors during the medieval and early modern periods are subtler, but whose works reflect the historical and cultural moment, the fears, desires, and anxieties about kingship, tyranny, heirs, and stability, that existed during that time. Little scholarship has focused on the devil’s role in these constructions, his political nature, and how this nature is used in constructing nationalistic arguments. This devil can lead kings, nobles, and clergymen astray, resulting in devilish leadership, as seen in Malmesbury’s  Gesta regum Anglorum   but devils can be humans who act as devilish leaders, as seen William Shakespeare’s  1 Henry IV   and  Macbeth.   Part of the danger of human devils is that they reflect fears that the threat, the devil, could be anyone.  Þe Deulis Parlement   and  Paradise Lost   both feature actual devils, who counter the authority of God and his structures, tempt others with their demonic speech, attempt to create their own demonic structures, and incite rebellion. It is worth noting that while Chapter One focuses on threats to the nation, as does Chapter Four, Chapters Two and Three construct the demonic as the people and structures who counter the power structure and authority of the monarchy, not the collective of the people.

Every Last Bad Time

Jason thayer, creative writing.

This memoir investigates themes of loss and adjustment, the ways in which we recalibrate in the wake of grief. After losing his father at seven years old, and then two of his best friends in car wrecks later in life, our narrator searches for closure, for ceremony that might make sense out of every last bad time.

Embodying the West: A Literary and Cultural History of Environment, Body, and Belief

Julie williams, american literary studies (bilinski fellowship).

My dissertation challenges the dominant narrative identity about Western embodiment and opens the field of Western literary studies as it explores what the West looks like to women writers for whom it is not a space of regeneration through violence. I argue that women’s writing reconceptualizes Western literature, creating a counter-narrative about American identity by shaping a space for and a discourse about the embodied experiences that have been marginalized, silenced, and ignored. Through examining discourses of health and embodiment in women’s writing about the American West from the 1880s to the present day, my study brings together a diverse archive of narratives about bodies that have been excluded from cultural conceptions of the West: women with non-normative gender and sexual identities, American Indian women writers, atomic protestors and atomic beauty queens, and people with disabilities. My project drafts a new paradigm as it thinks of embodiment in the West, one that recognizes the body as both a physical object and a political one, and argues that the physical body holds meaning for the republic and its values. I focus on the tactics of storytelling and community building to disrupt dominant narratives that limit perceptions and representations of Western embodiment and what meanings that holds in our culture. The chapters are organized around themes that drive different manifestations of embodiment: alternative models of gender and sexual expression in chapter one, how the negotiation of language creates new modes of belonging in the stories of American Indian women’s embodied experiences in chapter two, the move from the West as a space of nuclear pageantry to one of protest in chapter three, and expressions of disability that push back against an ablest view of the West in chapter four. Chapters are not ordered chronologically; rather, they present different topics of embodiment and follow these threads through time to tease out the changing cultural landscape of Western embodiment. “Embodying the West” addresses a blind spot in Western literary and cultural history as it constructs an alternate genealogy of writers to make legible non-normative conceptions about the West and the bodies that inhabit it.

Charles Wormhoudt, Creative Writing

The following book of poems is broken into four sections themed on air travel to reflect the manuscript’s title and primary preoccupation: leaving, for better or worse, and the ensuing journeys. The sections are “Departure,” “Baggage,” “Layover,” and “Arrival.” Inherent in this structure is also something of a narrative arc—a classical story structure that suggests continuity (of plot or character) and change. It is a book of lyric poems, however, and so it resists conforming entirely to the narrative mode, even as it embodies the questions at the heart of its structure: what causes one to leave a person or place, when is it time to, and who or what is left behind? What changes in the process of leaving? Where does one end up, and can one return home?

From Recovery to Discovery: Ethnic American Science Fiction and (Re)Creating the Future

Daoine bachran, american literary studies (mellon fellowship).

My project assesses how science fiction by writers of color challenges the scientific racism embedded in genetics, nuclear development, digital technology, and molecular biology, demonstrating how these fields are deployed disproportionately against people of color. By contextualizing current scientific development with its often overlooked history and exposing the full life cycle of scientific practices and technological changes, ethnic science fiction authors challenge science’s purported objectivity and make room for alternative scientific methods steeped in Indigenous epistemologies. The first chapter argues that genetics is deployed disproportionally against black Americans, from the pseudo-scientific racial classifications of the nineteenth century and earlier through the current obsession with racially tailored medicine and the human genome. I argue that the fiction of Octavia Butler, Tananarive Due, and Andrea Hairston reveals the continuing scientific racialization of black Americans and complicates questions of humanity that still rise from genetic typing and medical testing. Chapter 2 interrogates the nuclear cycle, revealing what has been erased—the mining of uranium on the Navajo Nation, nuclear testing on Paiute and Shoshone land in the United States, similar tests on Indigenous soil in Kazakhstan, and nuclear waste buried in the New Mexico and Texas deserts. I contend Leslie Marmon Silko, William Saunders, and Stephen Graham Jones reveal the destructive influence of the buried nuclear cycle on Indigenous people globally, as they posit an Indigenous scientific method with which to fight through their novels. The third chapter exposes how the Latina/o digital divide in the United States elides a more disturbing multinational divide between those who mine for, assemble, and recycle the products that create the digital era and those with access to those products. From mining for rare earth elements in the Congo to assembling electronics in Mexico’s maquiladoras and “recycling” used electronics across the developing world, the novels of Alejandro Morales, Rosaura Sánchez and Beatrice Pita, and Ernest Hogan reveal the hidden price of the digital world and demand representation—digital, scientific, and historical. Chapter 4 builds on current discussions of Alex Rivera’s film  Sleep Dealer  to argue that Chicana/o and Indigenous authored science fiction films reveal how the global harvesting of natural resources has expanded to include life itself and organisms’ interiors. Films and other visual productions by Robert Rodriguez, Reagan Gomez, Federico Heller, Jose Nestor Marquez, Rodrigo Hernández Cruz, and Nanobah Becker predict biocolonialism’s expansion as they create worlds reflecting current practices where life forms become no more than patented, mechanized resources for neocolonial capitalist production and consumption.

Where Birds Go to Die, a Memoir

Daniel berger, creative writing.

This memoir explores the various ways the author has attempted to cope with his father's suicide and his mother's autoimmune diseases, which finally claimed her life after a 14-year fight.

A Guayaba's Heart

Melisa garcia, creative writing, steve benz, chair.

A Guayaba's Heart is a poetry collection that is utilizes memory as a binding for the themes of language, family, and Central American landscapes, The poetry collection takes a close look at these themes through a generational lens and gives space to the unveiling of family secrets, the imaginary homeland, and interweaving binaries of language.

Brenna Gomez, Creative Writing

Whistle is a blurred boundary collection of short stories and essays based on my experiences growing up in Walsenburg, Colorado. The eight distinct pieces feature similar characters and overlap thematically across both genres.

Chicana Feminist Acts: Re-Staging Chicano/a Theater from the Early Twentieth Century to the Present

Natalie kubasek, american literary studies (mellon fellowship).

Chicana Feminist Acts   intervenes in the patriarchal forces that negate the historical presence and social agency of Chicanas on the stage of U.S. literature by recovering the transformative power of Chicana drama to enact feminist change. I position early playwrights Josephina Niggli, Estela Portillo Trambley and Teatro Chicana, alongside contemporary feminist playwright Cherríe Moraga, as part of the rich and varied history of feminist cultural production in the U.S. that challenges the systematic sexist oppression of Chicanas. My thesis is that Chicana theater stages a series of feminist “acts” that continuously re-stage Chicana subjectivity to resist fixed patriarchal and nationalist paradigms of gender and sexuality. Moreover, I maintain that, since the 1930s, Chicanas have staged feminist acts in theater that challenge dominant and Chicano gender/sex norms by imagining and performing different Chicana identities. The humanistic social scientific approach I take to this project allows the subjects of Chicana feminist theater to create its living history. Chicana theater comes alive through interviews with Chicana playwrights alongside archival investigations of photographic stills, playbills, and theater reviews. As a result, the trajectory of Chicana theater that I trace proves Mexican and Mexican American women have challenged dominant paradigms of gender and sexuality long before the 1970s’ so-called first wave of Chicana feminism. My research shows that theater has always played a transformative role in advancing the social position of Chicanas to enact social change.

Thieves' Nest

Kathryne lim, creative writing.

Thieves' Nest is a poetry collection bound by themes of separation, detachment, landscape, and displacement. The collection is divided into three sections that mark different phases of the speaker's life, as experienced primarily through the speaker's relationship to place.

"I Heard the Same Thing Once Before": Intertextuality in Selected Works of Evelyn Waugh

Janelle lynn ortega, american literary studies.

Through the lens of structural intertextuality, this dissertation reveals the significance of literary allusion in some of Evelyn Waugh’s works. It investigates intertextual significance and intent that has, heretofore, been largely bypassed. This study tracks Waugh’s intertextual instances from his earliest novels through his short stories to one of his final works. Waugh’s intertextuality unearths a hope for not only literary culture but also the world at large.

A study of Waugh’s intertextuality uncovers an overarching theme of hope rooted in literary culture. This dissertation begins with an explanation of intertextual theory and the words and phrases pivotal to a cohesive understanding of these findings. It then proceeds through the works chronologically. Chapter One explores the use of Dante and Carroll in the novel Vile Bodies by explaining a deterioration of both culture and humanity while providing a remedy that is literature. Then Chapter Two’s discussion of Malory’s text within Handful of Dust rejects the initial critical reaction of associating pessimism and fatalism with the text. Chapter Three’s analysis of “Out of Depth” and Love Among the Ruins uncovers an intertextual analysis concerning Huxley, Shakespeare and earlier works of Waugh himself that purports the importance of reviving literary culture and reclaiming freewill. Chapter Four recognizes that Waugh’s use of T.S. Eliot in Brideshead Revisited begins to confirm the essentiality of literature for the well-being or the individual as well as the world. The dissertation culminates in Chapter Five with The Ordeal of Gilbert Pinfold and its emphasis on the personal application of intertext.

Ultimately this dissertation reveals that by way of intertext Evelyn Waugh subtly challenges his readers to improve themselves by looking beyond their own experiences. The deeper he explores the art of intertext the more his texts reveal the troubles of the current age. At the same time, however, as this dissertation demonstrates, his use of intertext not only diagnoses the tribulations facing the modern world but also provides a cure in the form of a reviving literary culture.

On Childhood and Other Sad Things

Matthew maruyama, creative writing.

This manuscript is an experimental and otherwise lyrical autobiography that explores the nature of childhood.

A New and Different Sun

Ann olson, creative writing.

A New and Different Sun is a non-fiction essay collection. Essay themes concern the landscape, ideals, and politics of the American West.

"The Distemper of a Gentleman": Grotesque Visual and Literary Depcitions of Gout in Great Britain 1744-1826

Calinda shely, british and irish literary studies, gail houston and carolyn woodward, chairs.

In this dissertation I explore the way in which visual and literary representations of gout in British literature and popular culture during the period 1744-1826 evince anxieties regarding over-consumption, particularly in relation to imperial expansion. I argue that the prevalence of gout in graphic satire indicates a common cultural understanding and perception of upper-class over-consumption of food, alcohol, material goods, and sex that threatens the health of the entire British body politic. These depictions provide a way through which the interests of those outside of the ruling classes can begin to develop a sense of community and subtly articulate a voice calling for an alteration or revision of the unwritten constitution of the nation. In chapters one through three I demonstrate the ways in which examples of gout in graphic satire evidence widespread dissatisfaction with upper-class over-consumption as it affects the nation’s political, economic, and social systems. In chapter four I examine representations of gouty men of the aristocracy and upper gentry in Sarah Fielding’s The Countess of Dellwyn and Tobias Smollett’s The Adventures of Roderick Random; I contend that Fielding and Smollett offer rather more radical and nuanced depictions of this stock figure than those common within the graphic satire of the era. These authors’ representations thus offer greater possibilities for revision of the unwritten constitution structuring the nation and its institutions. In chapter five I argue that Samuel Richardson’s Clarissa depicts Mr. Harlowe as a nouveau riche character representative of the changing physiognomy of the upper classes; his over-consumption demonstrates the contagious nature of immoderation and the tragic effects that it has upon women, who are treated as commodities used to enable further aggregation and aggrandizement.

"The Bellows / of Experience": The Modernist Love Poem and Its Legacy

Stephanie spong, american literary studies, british and irish literary studies, matthew hofer, chair.

The vein of experimental love poetry examined in this project takes advantage of the friction generated by charging both form and content with innovation. The troubled relationship between sex and power is knit directly into the long and dynamic history of love poetry, but there has yet to be a published monograph on the modernist love poem and its implications for literary history. This dissertation fills a major gap in scholarship and speaks to the broader social concerns addressed by public discourse on sex, sexuality, and eros. The body of modernist love poetry includes allusions to traditional love poetry—a tradition in lyric extending from the earliest written poems and culminating in nineteenth-century sentimentality—as well as explicit erotic content, satire, polemic, violence, and anxiety. It is not neatly bounded by nation, gender, race, or aesthetic approach, but nonetheless, this project examines the consistent presence and achievement of experimental Anglophone poets working with the genre. My dissertation begins with a series of case studies examining the work of Gertrude Stein, William Carlos Williams, Ezra Pound, Mina Loy, the Baroness Elsa von Freytag-Loringhoven, and Langston Hughes to elucidate love poetry in its modernist form. The project establishes the place innovative modernist love poetry holds in literary history, and casts forward with two chapters, one on Anne Sexton and Robert Creeley, and another on Harryette Mullen and Bruce Andrews, to illustrate how mid-century and contemporary poets have continued to find new ways of re-imagining the genre.

Black Stone on a White Wind

Lynn wohlwend, creative writing.

Black Stone on a White Wind is a memoir dealing with the aftermath of my fathers suicide and my search to understand who my father was after his death.

Siete Lenguas : The Rhetorical History of Dolores Huerta and the Rise of Chicana Rhetoric

Christine beagle, rhetoric and writing, michelle kells, chair.

This dissertation is first an historical trajectory of Chicana Rhetoric in the American polis and then a perspectival analysis of three key texts from Chicana labor right’s activist and vice president of the United Farm Workers Union Dolores Huerta. The trajectory establishes an efficacious legacy of Chicana Rhetoric and the analyses of Huerta’s rhetoric explore what Chicana Rhetoric is and is not through the lens of media, scholarly, and personal rendition. I argue throughout that Chicana Rhetoric is representative of current intersections in social, political, racial, and gender rhetorics and Dolores Huerta is the embodiment of these intersections. The implications of this speak to the immediate need for Rhetoric and Composition to honor Chicana rhetors and scholars in our canonical fields of study.

A Currency of Birds

Lucy burns, creative writing.

This collection of poetry narrates the experience of woman who has arrived in a desert city without memory of her arrival or her past. The poems explore presence through absence, loss, longing, fragmentation, and the construction of identity.

What Happens Next

Carrie classon, creative writing.

What Happens Next  is a memoir set in Nigeria, Tanzania, and the coast of Kenya. The story chronicles the author's loss of marriage, job, and home, and the journey to rediscovery of self.

The Survivors: A Novel

Jill dehnert, creative writing, sharon oard warner, chair.

Why are we, as a species, drawn to literature, particularly fiction? And also, why are writers drawn to tell stories? In this paper, I seek to find an answer to those questions because I think more than anything, to be able to understand your own art you must first be able to understand your desire to create art in the first place.

God's Chosen: The Cults of Virgin Martyrs in Anglo-Saxon England

Colleen dunn, medieval studies, jonathan davis-secord and helen damico, chairs.

At the center of Anglo-Saxon life was a thriving religious culture, which—in one of its most vibrant forms—was expressed in the cult of saints. The virgin martyr became one of the most popular forms of sanctity, yet with hundreds of possible martyrs who could have been venerated, the question becomes which ones ultimately thrived in Anglo-Saxon England and why? Moreover, the very need for these two questions reveals a troubling fact: when writing about female virgin martyrs, the hagiographers never chose a native Anglo-Saxon woman as the focus of their passiones. In exploring both the reasons for and the implications of the choice made by these hagiographers to forgo local female virgin martyrs in favor of foreign models, I particularly investigate the appeal of Saint Juliana of Nicomedia and St. Margaret of Antioch, as they represent not only two of the earliest models of the virgin martyr brought to England, but also two of the models that would survive to the end of the Anglo-Saxon era and continue on into the Anglo-Norman one. The purpose of this dissertation is thus two-fold: firstly, to demonstrate that viable options existed for Anglo-Saxon female martyrs and were intentionally ignored by those who had the authority to promote their cults; and, secondly, to explore the specific appeal the Mediterranean female martyrs held for Anglo-Saxons.

"The Fact of God": Form and Belief in British Modernist Poetry

Annarose fitzgerald, british and irish literary studies.

My dissertation analyzes the relationship between the concept of metaphysical belief and the poetic innovations enlisted to articulate this belief in the works of British modernist poets W. B. Yeats, Ezra Pound, Mina Loy, T.S. Eliot, Basil Bunting, Philip Larkin, and Thom Gunn. Moving from Celtic mythos to Buddhist philosophy, Anglo-Catholic prayer to ancient Greek burial rites, I argue that spirituality and poetic experimentation were reciprocal influences: modernist experimentations in poetic form had a direct impact on how poets represented and articulated metaphysical beliefs and practices, and these metaphysical concepts themselves significantly affected these poets’ development of their craft, prompting consideration of what makes poetry itself believable for modern readers.

While several studies analyze the religious and spiritual interests of modernist writers, demonstrating that secularization does not accurately categorize English literature of the early twentieth century, my project moves beyond proving that modernists were believers and instead employs belief as an active critical term for literary analysis. Each chapter examines how a particular British modernist poet employs belief as a condition that allows poetic form and metaphysical concepts to intersect in productive ways. Rather than merely dismissing or advocating for belief in certain metaphysical concepts, these poets scrutinize, re-conceptualize, and re-imagine poetic forms, spiritual ideologies, and religious structures so as to render belief in the metaphysical, and in poetry as a conduit for the metaphysical, to become relevant and necessary possibilities in the twentieth century.

Shifting Dreams: Intersections of the Rhetorical Imagination of U.S. Immigration Policy and the Writing Practices of Dreamers

Genevieve garcia de mueller, rhetoric and writing.

This dissertation examines the intersections between the rhetoric of the DREAM Act and the discourse of the migrant activists, specifically DREAMers, affected by the Act’s language. Through a hermeneutic approach combining a rhetorical, genre, and critical discourse analysis, I examine how the DREAMers respond to marginalizing textual features of the Act. DREAMers appropriate genres and rhetorical moves of the dominant discourse to combat four problem features of the DREAM Act, namely the criminalizing nature, the erasure of the affected subjects (migrants), the taking away of agency from the affected subjects (migrants), and the propagation of xenophobic racism.

Often fraught with limiting language, the DREAM Act is at once the most comprehensive progressive immigration legislation and a heavily weighted document that further marginalizes migrants through those four problem areas. I employ various frameworks to examine the intersections between the discriminatory rhetoric of the DREAM Act and the discourse of DREAMers affected by the Act’s language. Through a polyvocalic approach combining a rhetorical, genre, and critical discourse analysis, I examine how DREAMers respond to marginalizing textual features of the proposed act, the counter genres DREAMers produce, and the metadiscourse surrounding those genres.

I locate the migrant activist as the foremost expert on immigration policy and as the agent of discursive change. Because the genre-specific voice and style of legislative texts, such as the DREAM Act, construct racial and ethnic identities and reify problematic ideologies, a deep reading of the language used in federal policies can elucidate the manner in which DREAMers respond to how undocumented persons are positioned as potential citizens and students, or how policy shapes activism and in turn how activism shapes policy.

This dissertation informs the way compositionists teach writing to undocumented, multilingual writers, particularly Latina/o student populations whose issues are most reflected in the activism of the DREAMers. I argue for a critical pedagogy based on migrant activist genres and in the Writing Across Communities (WAC2) model that provides ways for undocumented students to advocate for themselves in writing at their institutions and in their communities. Finally, I call for a shift in Writing Program Administration (WPA) with a focus on issues of race and ethnicity in WPA work. While avoiding the assimilationist tendencies of this appropriation, by using these genres and rhetorical moves as the basis for programmatic shifts, pedagogy, and WAC2 initiatives, the migrant activist WPA may create changes in composition programs to best serve migrant undocumented students and to focus the composition classroom centered on the ideals of translingual, transculturalism, and transnational citizenship.

Getting on the Same Page: The Hermeneutics of Peer Feedback in Composition Classrooms

Mellissa huffman, rhetoric and writing.

This dissertation reconceptualizes print-based and virtual peer feedback (peer review, peer editing, and peer response) within composition classrooms as hermeneutic or interpretive acts. Grounding peer feedback within philosophical hermeneutics explains why empirical research and anecdotal evidence illustrate contradictions regarding peer feedback’s benefits to students. Students’ interpretations of what is happening/supposed to happen within peer feedback contexts impacts their performances in these contexts, and these interpretations occur through complex interplays of rhetorical, cultural, linguistic, and contextual interpretive fields. Enacting a hermeneutic pedagogy, which consists of engaging students in a series of scaffolded preparatory and reflective activities, collaborating with students in determining and adapting peer feedback protocol, and tailoring peer feedback protocol and mode to the classroom context, better accounts for the complex frames of reference students use to interpret and participate in peer feedback and allows students greater agency in enacting it. The dissertation culminates with practical guides for adopting and adapting a hermeneutic peer feedback pedagogy in both mainstream and second-language writing courses conducted in face-to-face and virtual classroom settings.

Memory, History, and Forgetting in the Sandra Allen Collection of Papers on Mormonism: A Feminist Rhetorical Historiography of Institutional Intervention in the Equal Rights Amendment

Valerie kinsey, rhetoric and writing, susan romano and chuck paine, chairs.

This dissertation leverages archival theory, public memory theory, feminist historiography, and rhetorical theory to argue that the Church of Jesus Christ of Latter-day Saints reinterpreted the Mormon past to engender identification and foster political action during the Equal Rights Amendment ratification period (1976-1981). Chapter One provides readers with an orientation to the Sandra Allen Collection of Papers on Mormonism and argues that its creator, Sandra Allen, marshaled her understanding of archiving, history writing, and institutional archives to make her history public. Chapter Two: On Memory uses theories of public memory to explain why the Mormon Church built the Nauvoo Monument to Women (MTW). The chapter posits that public monuments are pedagogical: They argue in the epideictic register for what should be by praising a past. By providing an explanation of the historical context in which the MTW was erected, the chapter demonstrates that the Mormon Church sought to assuage feelings of resentment among women. Its statues, physical location, and dedication suggest the MTW is less a representation honoring the past than a means of representing women’s ideally embodied roles. Chapter Three: On History argues that Mormons draw from and build upon their history as means of self-identification. Church leaders foster this identification by calling upon members to contribute to history by producing personal journals, books of remembrance, and genealogies. The process of creating home archives engenders an ongoing practice of self-discipline, wherein members perform Mormon ethe. Chapter Four: On Forgetting examines the discourses that brought about and ultimately suppressed a “Golden Age” of Mormon history. By offering a history of Mormon historiography, the chapter argues that the Church silenced professional historians. At the same time, the family history methodology the Church forwarded conceals structural inequality. The chapter asserts that the Mormon Church silenced counter-memories to prevent them from gaining purchase among stakeholders. After summarizing the major arguments presented, the dissertation’s conclusion offers heuristic derived from the Roman god, Janus, as a tool for imaginative speculation on theorizing resistance to institutional rhetorics.

The Wilderness in Medieval English Literature: Genre, Audience and Society

Lisa myers, medieval studies.

This dissertation focuses on the disjunction between the actual environmental conditions of medieval England and the depiction of the wilderness in the literature of the time period from the Anglo-Saxon conversion to the close of the Middle Ages. Using environmental history to identify the moments of slippage between fact and fiction, this project examines the ideology behind the representations of the wilderness in literature and the relationship of these representations to social practices and cultural norms as well as genre and targeted audience. The first chapter argues that the depiction of early Anglo-Saxon saints and their relationships to the wilderness of England helped to construct a Christian countryside for the newly converted Anglo-Saxons. The next chapter asserts that the epic Beowulf employs wilderness settings in order to address Anglo-Saxon anxiety regarding the pagan past of their ancestors on the Continent. The third chapter examines an eclectic group of English histories written after the Norman Invasion, showing that their use of the landscape of England subverts the Norman master-narrative of political and social superiority. The final chapter of this study examines the earliest Middle English Robin Hood poems, arguing that they represent the voice of the English peasant and manifest a desire to regain control of the natural places of England that had been appropriated by the upper classes of the feudal structure. Overall, this project asserts that the literary images of the natural world in the medieval literature of England are a complicated synthesis of real environmental conditions and the ideology espoused by each particular genre and are, therefore, intimately tied to time and place.

Logan MacClyment, Creative Writing

A collection of fictional short stories and screenwriting, dealing with characters who, besieged by sickness, denial, and uncertainty, try desperately to keep their heads above water. These are stories marked by sadness and loss and great hardship, both internally and externally, but more than anything they are stories of hope.

Fishers of Men

Michael noltemeyer, creative writing.

My novel, Fishers of Men , is a historical fiction account in which 23-year-old Henry Fisher, a present-day medical student, explores the urban legends surrounding the abandoned Waverly Hills Sanatorium in Louisville, Kentucky, which handled one of the largest tuberculosis outbreaks in world history in the 1920s and 30s and is now allegedly among the most haunted places in the world.

Rulers and the Wolf: Archbishop Wulfstan, Anglo-Saxon Kings, and the Problems of His Present

Nicholas schwartz, medieval studies.

Until now, Wulfstan, Archbishop of York’s relationship to and view of Anglo-Saxon kingship has never been comprehensively examined. The lack of attention this topic has received is a glaring omission in Wulfstan scholarship. Wulfstan worked under two kings, Æthelred and Cnut, and he had an interest in Edgar that has long been recognized. In response to Wulfstan’s career under these kings and his interest in Edgar, scholars have been far too ready to assume that the archbishop’s view of kingship was straightforward. It has too long been taken for granted that Wulfstan operated under Cnut in the same manner as his did under Æthelred, as if his political viewpoint never changed, for example. Moreover, Alfred and Edgar—both of whom had been vetted by history—left a considerable number of texts which Wulfstan mined extensively for material applicable to the kingdom’s situation when he was active. His interaction with these earlier kings reveals that early in Wulfstan’s career the archbishop found the position of king to be of the utmost importance to the governance and stability of the kingdom. The reigns of Æthelred and Cnut witnessed Wulfstan’s application of his views on kingship and what the kingdom needed generally in order to improve, both of which changed over the course of his career. Under Æthelred, Wulfstan focused on admonishing and instructing the Anglo-Saxon laity, but after he drafted V Æthelred, Wulfstan’s texts were aimed at the king, himself, and his witan. They stressed both the essentiality of law and order and the importance of the king to society as a whole. His texts from Cnut’s reign, however, reveal that it is not primarily the king that interested Wulfstan during these years, but, rather, the administration of the kingdom in general. In them, the position of king was actually deemphasized.

Exoskeletons

Sarah sheesley, creative writing.

This collection of creative nonfiction includes reflective personal essays in three parts. The first part deals loosely with my efforts to assert, define, and interrogate my sense of identity dealing primarily with childhood/adolescent experiences and reflections on my parents. The second part is dedicated to impressions from various international travel experiences, a fixation on my need for these to have some kind of meaning, my desire to understand why I travel, and my general dissatisfaction with that approach. The third part is more of an examination of where those other two parts leave me—given these contradictions, imperfections, and ongoing questioning, how to do operate at home (Albuquerque)? How do I come to terms with myself and function as a creative person? How do I balance a desire to both engage and retreat from the world? The collection investigates lyric and associative meaning through reflection and self examination.

The Gothic Presence of Poland in Nineteenth-Century American Literature

Jill noel walker gonzalez, american literary studies.

The references to Poland in United States print culture indicate that Poland is a significant presence in the nineteenth-century literary imagination. Though often idealized, Poland emerges as a gothic presence registering anxieties about culture, imperialism, slavery, the Other, economic ruin, and identity. Using Roland Barthes’ theory of cultural code, this dissertation looks to nineteenth-century United States newspapers to consider American readers’ cultural knowledge about Poland. The coded history of revolution beneath each reference to Poland indicates that Polish revolution is the mechanism that reveals American anxieties about instability, imperialism, class inequalities, and violence—all of which put pressure on America’s mythic history of revolution, freedom, and equality as they’re expressed in literature. In Charles Brockden Brown’s “Somnambulism: A Fragment” (1805), the reference to Silesia and allusion to Poland is code for Poland’s 1794 revolution against partitioning powers Austria, Prussia, and Russia. The allusion registers fears of outside threats to the sovereignty of the young, vulnerable United States. As code for the major 1830-31 revolution against partitioning powers, the Polish character in Edgar Allan Poe’s “The Facts in the Case of M. Valdemar” (1845) indicates American anxieties about the nation turning into an imperialistic aggressor similar to the nations that partitioned Poland because of its aggressive actions toward Mexico. For a nation struggling with its own imperialistic tendencies and increasingly quarreling over slavery, references to Poland in Herman Melville’s Moby-Dick—code for the 1846 Polish revolution—reveal further anxieties about imperialism and human servitude. In the mid-nineteenth century, when the U.S. struggled with nativist attitudes toward Catholics and immigrants, Polish characters in E. D. E. N. Southworth’s The Missing Bride (1855) and Louisa May Alcott’s “The Baron’s Gloves” (1868) point to Poland’s final nineteenth-century rebellions and betray anxieties about the threat and/or taint of the Polish Catholic immigrant Other. Finally, in Anthony Walton White Evans’s 1883 biography, Memoir of Thaddeus Kosciuszko, the financially broke and physically broken Thaddeus Kosciuszko, revolutionary hero of both Poland and America, registers concerns about economic ruin and psychological fragmentation that following crashes like that of the Panic of 1873.

Nuclear Family

Ty bannerman, creative writing.

This dissertation explores nuclear history in New Mexico in the context of how it affected the lives of those who were ancillary to the bomb itself and its repercussions. I use my own family as a lens to explore the issues surrounding this universally important and ongoing historical event.

The Early-Modernization of the Classical Muse

Bruce carroll, british and irish literary studies, lorenzo garcia, jr., chair.

The Early-Modernization of the Classical Muse juxtaposes ancient and Renaissance uses of the Muse to retrieve her from the status of mere literary convention. I draw on Hans Blumenberg's ‘reoccupation' (Umbesetzung) thesis, which locates in philosophy concerns originally raised in myth, to argue that the poet's relationship with his Muse, as the perceived source of his art form, was always somehow ontological (ontology: the theory of human being). In the pre-literate, pre-philosophical invocations of archaic figures like Homer and Hesiod, I locate the ‘ontological stirrings' in which the poet identifies his self through his at times troublesome and combative dependence on the Muse. By early modernity, a philosophical era, the classical Muse's appearances figure radical and imminently modern shifts in a still-persistent essentialist ontology. Here poets assert a re-orientation to the human person, a new ontology centered not on humanity's quondam dependence on nature, the deified genetrix overseeing all sublunary production (including poetry), but on an independent human production, so that techne, or art, becomes not only the prime factor in the recognition of human being but also the vehicle for its re-orientation. A chief contribution of this dissertation is its identification of an ontological poetics. Impossible outside of poetic language, this poetics employs inversions of conceit and discontinuous rhetorical structures to raze the vertical scales that placed causes (like nature or the Muse) over their effects (the poet and poetry). Ontological poetics forwards instead a horizontal ontology based on lateral connections among the poet-speaker, his beloved poetic subject, and the poem itself. A critical novelty of this project is that unlike in any of Blumenberg's examples of reoccupation, these analyses must consider the return of a myth within the era of philosophy. Because the appearances of the Muse in early modern poetry embody the basic ontological issues that the era of philosophy originally inherited from her, her early modern situation acts as an acid test for Blumenberg's thesis.

A Model Citizen: Ethos, Conservation, and the Rhetorical Construction of Aldo Leopold

Dan cryer, rhetoric and writing, michelle hall kells, chair.

This dissertation explores the changing, multifaceted ethos of Aldo Leopold (1887-1948), one of the twentieth century’s most versatile environmental communicators. Drawing on scholarship in environmental rhetoric, rhetorical genre theory, citizenship theory and ecofeminism, I argue that throughout his career Leopold offered evolving rhetorical versions of himself as ideals of ecological behavior to be emulated by his readers. The chapters analyze Leopold’s ethos as it was constructed in his early-career writings in the New Mexico Game Protective Association Pine Cone, a wildlife protection broadsheet; in the Report on a Game Survey of the North Central States, his first book; in reports and articles he wrote during the Wisconsin deer irruption debates of the early 1940s; in the essays of A Sand County Almanac, his best known work; and in its current manifestation on the property of the Aldo Leopold Foundation in central Wisconsin. By focusing on these key rhetorical moments in Leopold’s ethos formation, this study reveals the sources from which his ethos arose, including nineteenth and early-twentieth century conservation movements and scientific literature, and the specific environmental crises to which he responded. In revealing, on one hand, the rhetorical strategies that excluded or alienated key stakeholders in the issues on which he wrote, and, on the other, his remarkable ability to connect with a range of audiences in a variety of genres, this study shows that Leopold can serve as both a model and cautionary tale for environmental communication in our own time.

Beyond the Lore: A Research-Based Case for Asynchronous Online Writing Tutoring

Kathryn denton, rhetoric and writing, chuck paine, chair.

Asynchronous online tutoring is a highly contested form of writing tutoring. Critics of asynchronous online tutoring argue that it is ineffective, running contrary to traditional notions of what writing tutoring should look like and how it should be practiced. Supporters of asynchronous online tutoring advocate for its inclusion in the tutoring canon, suggesting that it should be one of many formats available to students. Noticeably absent from this ongoing debate is a grounding in research, as there are few current contributions to this field of research, with the exception of works, most notably, Beth Hewett’s The Online Writing Conference. This project responds to the current climate surrounding asynchronous online tutoring interactions, offering a research-based exploration of asynchronous online writing tutoring. This work represents a move away from the question “Is asynchronous online tutoring effective?” and towards “What are some of the ways tutors and students are engaging in effective asynchronous tutoring interactions?” “What support can we provide to promote effective asynchronous tutoring interactions?” and “How can we present asynchronous online tutoring to students in such a way that they can decide whether it works for them?” Chapter one offers the historical context of the debate on asynchronous online tutoring and offers an overview of the works that have been published to date. Chapter two lays out the qualitative research design created to explore the phenomenon of asynchronous online writing tutoring. Chapter three explores the research findings, arguing that the findings counter critiques of asynchronous online tutoring as ineffective and disengaging on the part of tutor and student alike. Chapter four concludes by looking to future possibilities for how we can further enhance our understanding of asynchronous online writing tutoring through research, how we can begin to understand best practices for asynchronous online tutors, and how we can support tutor development through training. Finally, drawing on the concept of directed self-placement, I advocate for a model of self-evaluation that empowers students to choose the tutoring format that works best for that individual student, given that student’s needs.

Persons Unknown

Benjamin dolan, creative writing.

In this memoir, I attempted to understand and rectify my own religious upbringing, my teenage addiction to pornography, and the love of literature I discovered in college with my conversion to Orthodox Christianity in my early twenties.

Animal People

Sabrina golmassian, creative writing, david dunaway, chair.

Billions of animals are killed every year based on this ethical premise: Animals are lower than humans on some abstract moral scale, and they can therefore be considered property. However, a growing percentage of compassionate and educated animal lovers and advocates reject that premise. Its now possible to live comfortably and happily without subjecting animals to fear, pain, and stress for non-essential products. Whether it be food, clothing, scientific experiment, or entertainment, alternatives now exist to take their place. A broad range of investigative journalism and scholarship have exposed the detrimental effects of the use of animals for industry. An increasingly large number of compassionate, attentive people are beginning to understand that animals, too, deserve to their life as they choose, and many of us are determined to spread the word. Animal People tells the stories of individuals who are engaging in advocacy in new ways and building a better future for animals and humans alike. Though their fields of interest and expertise may be very different — they have backgrounds in science, social media, animal husbandry, and philosophy— their stories illuminate the progress we're making in thinking about animals and interacting with them in a more positive, less-exploitative manner.'

Back 2 Life

Donna gutierrez, creative writing.

Back 2 Life is a collection of novellas featuring a woman named Vennie Rodriguez and her two adult daughters, Socs and Sara. The woman owns a struggling beauty shop in Albuquerque's South Valley, and one day, she uncovers the body of a toddler buried in the playground across the street from her business. This event ripples through each woman leaving each to reconcile old goals and hopes for smaller, quieter existences.

Case Not Closed: Whiteness and the Rhetorical Genres of Freedom Summer

Lindsey ives, rhetoric and writing.

This dissertation examines the role of whiteness and its relationship to identification in rhetorical representations of the 1964 Mississippi Freedom Summer Project. Texts examined at length include recruitment materials, media coverage, pamphlets, and letters produced during the project, as well as retrospective representations of Freedom Summer in popular films and literature. Drawing upon Walter Beale’s pragmatic theory of rhetoric and Krista Ratcliffe’s concept of rhetorical listening, it analyzes five perspectives on the hundreds of volunteers, most of whom were white college students, who traveled to black communities across Mississippi that summer in order to register voters, teach in Freedom Schools, work in community centers, and engage in other special projects. Analyzing the perspectives of white volunteers, black activists, white southerners, national media, and history, this dissertation reveals that the volunteers are variously constructed as admiring outsiders, neo-abolitionists, pseudo-scientists, community members, critical pedagogues, cherished children of the privileged classes, communist invaders, soldiers, missionaries, inconsequential extras, and catalysts for critical reflection. It concludes by suggesting ways in which contemporary teachers of rhetoric and composition might use selected Freedom Summer texts in the classroom in order to generate conversations about topics such as community engagement, interracial advocacy, and college students’ writerly agency.

Jiggs and Other Stories

Vondell jones, creative writing.

Jiggs and Other Stories represent a diverse sampling of my work as a UNM graduate student and a writer of fiction. The works presented here are a pastiche of genres that include magical realism, tragedy, absurdist fiction, and fantasy and adventure. Beyond those significant categories, however, these stories are the product of my imagination. The power of fiction itself—Id like to believe—depends upon the capacities of the mind. When knowledge, experience, restless imagination and bold creativity are combined—good fiction supersedes the boundaries of literary categorization. My intention, in part, is to have these stories serve as an homage to many of my preferred authors such as Zora Neale Hurston, Alice Walker, Toni Morrison, Cormac McCarthy, Carson McCullers, John O'Hara and other American writers as well as a panoply of African, British, Irish, French, German and Russian novelists, short story writers and playwrights. The collection is prefaced by an introduction intended to give a full sense of what kind of enrichment these stories hope to achieve. Each story is summarized and examined to present an overview of the theory and the craft that defines it.

Katherine Minkin, Creative Writing

The Hat is a story about a young woman, Allison, an art teacher in Albuquerque, who goes to Chicago around the winter holidays for the funeral of her stepfather Vince, who has died suddenly of a stroke. Adding to the tension is the approach of Christmas, supposedly a happy time, and the vivid memories of a stalker boyfriend who disappeared about a year ago. Allison's past includes troubled family relationships, an ex-husband, and earlier affairs of an often destructive nature. She struggles with memories of her troubled relationship with her stepfather Vince, as well as dealing with her family's denial about it, along with a current, unknown stalker, and a new, promising relationship.

Out of Time: Temporal Colonization and the Writing of Mexican American Subjectivity

Erin murrah-mandril, american literary studies.

This dissertation studies the ways that Mexican Americans experienced time as a colonizing force in the US Southwest between 1848 and 1940. I argue that Mexican American writing of this period exposes oppressive iterations of time within US modernity and often points toward possibilities of decolonizing time. The project focuses on political and economic constructions of US progress, which denied Mexican Americans presence within US temporal imaginings. My analysis moves from material to ideological temporal constructions as I analyze forms of time concerning wage labor, railroad operations, investment capitalism, judicial processes, congressional proceedings, Manifest Destiny, commodity fetishism, intellectual production, historical narrative, and sociological discourse. I historically situate Mexican American experiences of US time through María Amparo Ruiz de Burton’s depiction of capitalist forms of time in The Squatter and the Don and Miguel Antonio Otero’s dependence on the rhetoric of progress in his three-volume autobiography. They expose the way US forms of time like Manifest Destiny, free market capitalism and judicial proceedings depend upon the production of underdevelopment and inequity while championing the virtues of progress and development. The first two chapters also position the Treaty of Guadalupe Hidalgo as a source of colonized time because it initiated a system of retroactive law and placed former Mexican citizens in a liminal “mean time” of delayed political enfranchisement in order to dispossess Mexican Americans of their land and social standing. I go on to argue that Mexican American literature moves differentially across multiple forms of time to critique temporal domination by drawing on the scholarship of Chela Sandoval and Mikhail Bakhtin in my analysis of Jovita González and Margaret Eimer’s Caballero. Throughout the dissertation, I explore the ways that literary recovery of Mexican American texts both participates in and rejects dominant forms of linear progressive time. The final chapter engages this issue through a close analysis of Adina De Zavala’s History and Legends of the Alamo as a model for decolonizing time through practices of recovery and archivization that engage Derridian specters through intertextual dialogue with the past.

Remapping the U.S. "Southwest": Early Mexican American Literature and the Production of Transnational Counterspaces, 1885-1958

Diana noreen rivera, american literary studies.

This dissertation brings to light a legacy of Mexican American spatial resilience that troubles Anglo-centric constructions of the Southwest, its history, and cultural formation as a byproduct of westward expansionism. This project argues that early Mexican American writers offer an alternative paradigm of transnationalism for understanding the literature, culture, and geography of the U.S. Southwest as it has been imagined in Anglo American cultural production about the region. For early Mexican American writers, the Southwest was not a quaint literary region but a space of historic transnational zones of contact, commerce, and cultural geography where they maintained degrees of agency. I examine the writings of María Amparo Ruiz de Burton, Fray Angélico Chávez, Federico Ronstadt, and Américo Paredes for their "transnational counterspaces." I use this term, which draws from spatial theories by Henri Lefebvre and Edward Soja, to describe their vocalizations of the Southwest produced in the face of their respective Anglo counterparts such as Willa Cather and other members of the Santa Fe and Taos writers colonies, Walter Noble Burns, J. Frank Dobie, and Walter Prescott Webb. I take an interdisciplinary approach dialoging with Chicano/a, borderlands, and American literary studies within a historical framework to chart how early Mexican American writings reclaim the region by mapping transnational heritages belonging to Mexican American and Chicano/a communities.

The Great Green Wall

Catherine pelletier, creative writing.

The Great Green Wall is a novel that explores story-telling, memory, identity, and family connections. The novel centers around a young woman named Greta and her relationship with her younger, troubled brother. Gretas younger brother, Evan, has (perhaps) murdered a local homeless man and Greta has covered it up. The siblings are locked in deceit because of this event in their early childhood. Years later, Greta is involved with a married man and Evan once again intrudes, his mental health deteriorating. Although this intrusion threatens the life that Greta is building, it offers Greta a chance to take another look at her past, to discover what really happened, and to change the course of her future.

Selections from Shadows of Clouds on the Mountain

Michael smith, creative writing.

The following essays are all chapters from a larger work, Shadows of Clouds on the Mountains , a sort of life-spanning nonfiction Ulysses , a literary mixtape in which every chapter takes a different form, and every chapter's form is dictated by its content. These essays, or chapters, will appear, basically as is, in my book, Shadows of Clouds on the Mountains . These are stories of family, memory, suicide, mental illness, the sibling bond, marriage, children, divorce, and adulthood. These are stories of a life devoted to art and exploration.

Mommy Maladies

Nicole vigil, creative writing.

An ambivalent mother takes a retrospective look at the costs and consequences of choosing to be a mother.

The Black Acres

Bonnie arning, creative writing.

A creative exploration into relationships: relationships with the self, with others, and with the world.

Skinning the Deer: A Love Story

Heather campbell, creative writing.

This dissertation consists of a novel entitled Skinning the Deer: A Love Story . Alternating between the landscapes of New Mexico and rural Maine, the novel examines the life of tortured lesbian Hannah Huff and the brutal excision of her glorious wings—those magical appendages she grew in secret—the two downy white miracles she believed would be her ticket out of Monkstown, Maine, a desperate landscape of backwoods trailers, dogs, and family members, where her only interactions are either detached or violent. While the novel alternates between Hannah as an adult and Hannah as a child, it is first and foremost a coming-of-age story and a journey into the past to reclaim lost innocence. Inspired by the works of Gabriel Garcia Marquez, Dorothy Allison, and Salman Rushdie, Skinning the Deer weaves together magical realism, trauma narrative, and myth; it is a novel about sexuality, betrayal, and what we sacrifice for redemption.

The Literacies of Literary Texts: Rhetorical Bridges between English Studies Disciplines and First-Year Writers

Genesea carter, british and irish literary studies, rhetoric and writing.

The Literacies of Literary Texts: Rhetorical Bridges Between English Studies Disciplines and First-Year Writers seeks to blend rhetoric, composition, and literary discourses to illustrate how the subfields may engage in interdisciplinary collaboration and conversation. These conversations are important. For English studies to remain relevant in an increasingly business-minded model of higher education, departments must reassess their approaches and methods. As one way to reimagine English studies, I advocate for English studies’ return to rhetoric. In an increasingly complex world, Departments of English can become indispensible by using rhetoric to prepare their students for to rhetorically adapt to diverse discourse communities. Rhetoric and composition faculty can use literary characters as examples of rhetorical awareness and discourse community membership; such literary examples may prove useful if rhetoric and composition faculty hope to create buy in among their literature and creative writing colleagues. In order to show how literary characters can be presented as examples, I read Bleak House, Dracula, and Through the Looking-Glass and What Alice Found There as illustrative texts demonstrating how community membership depends on the rhetorical knowledge of literacy practices. Moving beyond the analytical, I apply my readings of Bleak House, Dracula, and Through the Looking-Glass and What Alice Found There to the first-year composition classroom. The characters of Jo, Dracula, and Alice illustrate the struggle between privileged and subordinate literacies, insider and outsider practices, and this praxis serves two purposes: (1) To help rhetoric and composition faculty see how the literacies of literary texts can be used to communicate rhetorical awareness, and (2) how literary texts can help first-year students understand the relationship between discourse community membership and rhetorical knowledge. This project’s two pronged purpose aims to foster interdisciplinarity between rhetoric and composition, literature, and creative writing faculty as well as envision new ways to best prepare students for the literacies they will encounter as professionals, academics, and citizens.

Laurel Coffey, Creative Writing

The Cull concerns newlyweds who move to rural Tennessee, where the husband has accepted a position as the resident physician for a small town called Sawyer. The long-time physician for the town has retired under duress and mysterious circumstances. The novel is preceded by a critical preface.

Before You Become Improbable

Nicolas depascal, creative writing.

Before You Become Improbable is a poetry collection that tackles issues as various as marriage, parenting, death, art, illness, and the workplace, using a mixture of formal and experimental poetry. The collection eschews sections, instead letting the poems coalesce naturally around seasonal themes. Through attention to sound, image, and tone, the collection attempts to view the everyday and mundane through a more magical and surreal lens.

A Hermeneutic Composition Pedagogy: The Student as Self, Citizen, and Writer in Dewey, Arendt, and Ricoeur

Gregory haley, rhetoric and writing.

This dissertation is primarily concerned with describing a hermeneutic theory of composition pedagogy for the purpose of developing socially engaged, self-reflective, and critically conscious citizens of a democracy. This work examines the intersection of higher education and civic responsibility that has been the foundational motive of academics since the first schools were opened by Isocrates and Plato. The question now, as it has been since the days of Plato, is how to educate new citizens to become informed, engaged critics of their environments for the purpose of maintaining a healthy self governance and preserving the democratic ideals of equality, justice, and freedom. The foundational theorists for this work are John Dewey, Hannah Arendt, and Paul Ricoeur. Their hermeneutic understanding of human learning development and motivation towards action are crucial for understanding how to help students become self-reflective, socially engaged members of a free society. While each of these theorists and their views on educational pedagogies have been studied in depth, there has not been a study that examines the common heuristic of these three philosophers and the implications of a combined theory of hermeneutics for composition pedagogy.

Morning Rituals

Nora hickey, creative writing.

A collection of poetry exploring identity and emotion in imagined and real settings.

Private Matters: The Place of Privacy in English Legal Records, Romances, and Letters, 1300-1500

Christine kozikowski, medieval studies.

As a result of the growth of cities and the rise of a merchant class in later medieval England, the desire for privacy began to emerge alongside an increase in personal consciousness. In my dissertation, I examine the place of privacy in fourteenth- and fifteenth-century England by juxtaposing elements of the private such as access, intimacy, and withdrawal in historical documents such as court records and marriage customs against canonical literature including, but not only, Chaucer’s Troilus and Criseyde , Sir Gawain and the Green Knight , and Malory’s Le Morte Darthur . My study explains the dynamics between privacy and place in urban property, romance beds, marriage, and widowhood by utilizing a theoretical framework developed by modern geographers; expanding on their ideas, I consider how the locative, the material, and the social influenced people’s notions of privacy, and how the literature reflects those ideals. In these narratives, the way that people react to expectations of place, both geographical and social, simultaneously suggests a self-conscious political positioning and a rejection of the dominant ideology that determined proper behavior. In my research, I put court records, romances, and letters in conversation with one another to analyze an unexplored discourse on medieval privacy. My dissertation reshapes our understanding of medieval place, space, and identity and redefines the historical narrative by identifying privacy and individuality as cultural elements of the late Middle Ages.

Narratives of Hostility and Survivance in Multiethnic American Literature, 1850-1903

Jennifer nader, american literary studies, gary scharnhorst, chair.

In Imperial Eyes: Travel Writing and Transculturation, Mary Louise Pratt coined the term "contact zones," which she defined as "social spaces where disparate cultures meet, clash, and grapple with each other, often in highly asymmetrical relations of domination and subordination-like colonialism, slavery, or their aftermaths as they are lived out across the globe today" (4). The United States of America has a dismal history of racially violent encounters between Anglos and indigenous populations, with other settlers, and those who immigrated there. Many of America’s practices, policies, and historical events provide evidence of acts spurred by racism against non-Anglo groups, but evidence of this also exists throughout US media sources. Specifically, from the middle of the nineteenth century to its close, the majority of mass print media written by and controlled by the Anglo American population reveals an excess of discussion and debate regarding non-Anglo races, their places in Anglo society, and how to answer the race “question” of each non-Anglo group. Yet, while violent rhetoric encouraging racially charged mass murder from newspapers and novels dominated the Anglo publishing industry, several non-Anglo American authors used the Anglo publishing industry during the latter half of the nineteenth century to resist the dominant narratives of the time. In effect, these authors challenge what Gerald Vizenor refers to in Manifest Manners: Postindian Warriors of Survivance as the “literature of dominance” (3). This dissertation considers minority author use of the Anglo publishing industry to respond to the lies and misrepresentations of minorities, racially charged events, and violent encounters printed regularly in newspapers, novels, and other forms of US print media, locally and nationally, with the aim of exposing and excoriating racially charged mass murders of minority groups. These authors achieved this goal both through newspaper articles and through the inclusion of newspaper articles in their literary texts in order to debunk the falsehoods perpetuated by the numerous Anglo publishers at the time, but also through the re-telling of events as minority groups saw and experienced them. In turn, I argue each text works to challenge Anglo readers’ apathy and willing acceptance of such misinformation by enacting various forms of survivance in order to repudiate the victimry that popular Anglo novels of the time depicted in order to perpetuate societal norms and expectations. This includes works by Charles Chesnutt, S. Alice Callahan, and John Rollin Ridge. Finally, I look at Chinese American responses to calls for their extermination and forced deportation/exclusion throughout the latter half of the nineteenth century. Chinese Americans went directly to Anglo-dominant yet friendly newspapers to refute the numerous fabrications many American newspapers printed. These include responses from Norman Asing (Sang Yuen), and Hab Wa and Tong A-chick, as they set the precedent for Chinese American response, as well as Kwang Chang Ling, Yan Phou Lee, and Lee Chew, several of whom wrote in response to Dennis Kearney’s extreme anti-Chinese movement in California.

This Side Up, Upside Down

Adam nunez, creative writing.

This Side Up, Upside Down is a collection of one short novella and six short stories dealing with themes of guilt, disconnection, mis-creation, aging, death, grief, and time. The stories mostly follow the life of Theo Cobarde, a Mexican-American man living in the small town of Eagle, Idaho. He is concerned with the experiences of his older family members, who were all migrant farm workers in California in the mid-twentieth century. Having grown up in Idaho, Theo feels disconnected from his family, and most of all, from his father. The guilt of how he treated his aging father eats away at Theo Cobarde, causing strange occurrences in his life.

Diverse College Writers and the Conversation on Error and Standardization Across the Curriculum

Tommy pierce, rhetoric and writing.

Standardization and the treatment of error is a central concern in the increasingly diverse college composition classroom. Writing teachers who wish to prepare students for success in the disciplines, but do not wish to be gatekeepers or guardians of a privileged variety of English, face a dilemma. This dissertation points toward an approach to error and standardization that avoids the prescriptive vs. descriptive dichotomy of whether to treat or not to treat error through. I also advocate bringing a perspective informed by sociolinguistics, second language writing, and discourse studies to the forefront of the WAC conversation on diverse student writers and error. In Chapter One, “Beyond the Tipping Point,” I illustrate the ever-increasing diversity of pre-college and college writing classes, and consider the key characterizations of developmental and second language writers. In Chapter Two, “Theories and Approaches to Diversity and Standardization,” I discuss the current college writing context as part of the historical trend toward the democratization of higher education. This consideration of previous influxes of diverse groups into higher education lays the groundwork for considering current notions about diversity and standardization. Chapter Three, “The Contested Terms of College Writing,” outlines my research methods. I use qualitative research methods within a hermeneutic approach in order to describe attitudes toward diverse student writers and standardization prominent among writing across the curriculum scholars. Chapter Four, “What We Talk about When We Talk About Diverse Student Writers,” provides a description of my analyses. A prominent tendency in the field of Writing Across the Curriculum is to construct diversity through the lens of error. The WAC Journal, as the premiere journal in the field, is indexical of this representation, and so was the logical choice for sampling the conversation. In Chapter Five, “A Reasonable Approach to Error,” I present the range of responses most prominent in the group of texts that were analyzed for this project, and outline my key findings, which suggest that many researchers interested in WAC support an approach to error that balances the need for correctness with the need for innovation. Finally, Chapter Six summarizes my key findings, and points to Sophistic tendencies in the WAC conversation on diverse student writers and error.

The Verging Cities

Natalie scenters-zapico, creative writing.

The Verging Cities is a collection of poems about the sister cities of El Paso, Texas and Ciudad Juárez, Chihuahua México. It is divided into four sections. The first takes place mostly in a domestic sphere exploring the relationship between the speaker and Angel. The second explores the violence of the cities from femicide to drug cartels and the effects this has on the speaker. The third is an extended poem that lyrically examines marriages and immigration through traditional epithalamia. The fourth becomes explicitly about the two cities and explores themes built around the word verge.

“A Moment of Magic”: Coyote, Tricksterism, and the Role of the Shaman in Rudolfo Anaya’s Sonny Baca Novels

Roy turner, american literary studies, kathleen washburn, chair.

In Rudolfo Anaya’s Zia Summer , Rio Grande Fall , Shaman Winter , and Jemez Spring , the protagonist—Sonny Baca—undertakes a murder investigation that ultimately leads him to confront Raven, a mysterious figure whose acts of violence threaten the social fabric of Albuquerque, the American Southwest, and the entire world. In battling Raven, Sonny comes to realize that both he and his foe have the ability to access a spiritual power that takes root in the myths and belief systems of various cultures, including Sonny’s Chicano community, Native American peoples of the region, and ancient civilizations throughout the world, from which Sonny draws power as he becomes a shaman and healer. This dissertation explores how Anaya presents Sonny’s transformation as a model for self-empowerment in the face of colonial and neo-colonial violence. Tracing postcolonial theory, border studies, and contemporary discussions of trickster figures in Native cultures, this study argues that Anaya confronts both the genre expectations of the detective novel and the implicit racism and discrimination that continue to pervade cross-cultural interactions in the Southwest.

Domain of the Marvelous

Anastasia andersen, creative writing.

The Domain of the Marvelous is a three-part collection of poetry. The first part, 'The Encounter of the Umbrella,' contains poems told as if dream stories, happening outside the realm of an identifiable speaker. Strangeness or absurdity with emotional regulation. These poems are rely heavily on imagery and often reflect a surreal playfulness as if resulting from surrealist word games such as Exquisite Corpse. The second section, 'Poetry is a Pipe, the innocent eye,' a more speaker begins to make various appearances. Many experiments with form including abecedarian, flush right margin, pseudo-sonnet, experiments with margins and image including found equation. 'The Game of Truth,' consists of poems that begin to explore larger themes including relationships, and the human experience such as fear, love, death, madness, and sexuality. Truth is questioned, the truth of perception, what is the truth of reality, what is the truth of this emotional experience. The three sections serve as three legs of a somewhat surreal journey. Distance, experiment, examination of truth. The preface explores influences on my writing, including Bugs Bunny cartoons and old Abbott and Costello routines. There is a close examination of four contemporary poets who I consider most influential in my work: by D.A. Powell, Dean Young, Matthea Harvey, Atsuro Riley. The preface finishes with a discussion of my own work as culmination of influences previously mentioned.

A River of Voices: Confluences and Cross-Currents in the Discourse of the Colorado River

Paul formisano, american literary studies, rhetoric and writing, gary harrison, chair.

This dissertation argues that the Colorado River and its watershed face a crisis of representation as privileged nineteenth-century myths portraying the American West as a frontier, garden, and wilderness have limited an understanding of what and whom the river is for. It examines the contribution of “tributary voices” or the lesser known perspectives from the region to reveal new lines of thinking about this river and its surroundings as they engage the traditional views of the river shaped by these myths. The voices examined at length in this study include contemporary nature writer Craig Childs, recent female boating narratives by Patricia McCairen, Laurie Buyer, and Louise Teal, and AEURHYC, a Mexican water-users association from the Colorado Delta region. Through an interdisciplinary “watershed” approach that draws on ecocritical, bioregional, and rhetorical frameworks, this project considers how these tributary voices appropriate, complicate, and often reject the discourses and genres that have traditionally represented the river and watershed. Negotiating these conventional viewpoints, the tributary voices offer new lines of thinking that reveal the river's importance to a broader range of stakeholders. As impending water shortages threaten the region, this dissertation initiates a much needed conversation about the role literary and rhetorical production has in shaping attitudes and behaviors toward the Colorado and its finite resources.

The Visual Exchange: The Intersection of Vision, Gender, and Empire in Nineteenth-Century British Literature

Stacey l. kikendall, british and irish literary studies.

This dissertation examines key moments in fictional and autobiographical texts when gender construction and colonization intersect and create the possibility for reciprocal visual exchange between disparate people. In a visual exchange, the participants actively and meaningfully look at one another, at the same time acknowledging the other’s subjectivity. I argue that these moments hint at the subliminal utopian desire by the author, and perhaps the reader, for a more equal, even democratic, community. I study a range of texts written during the long nineteenth century by male and female authors, including Sydney Owenson’s The Wild Irish Girl (1806), The History of Mary Prince (1831), Charles Dickens’s Martin Chuzzlewit (1844), and Olive Schreiner’s The Story of an African Farm (1883). Despite the rich scholarship in recent years on race and imperialism, gender, and the gaze as they are conceived in the nineteenth century, it is rare to find scholarship that examines the intersections of all three, and none of the texts I study have been the subject of this kind of intersectional analysis.

When We Were Hunted

Casandra lopez, creative writing.

When We Were Hunted is a cycle of short stories centered on the members of a California Indian/Mexican family grieving the loss of Michael, the complicated man they knew as a father and husband. The book spans four years and begins a few weeks after the death of Michael, who had been imprisoned for drug trafficking. The chapters alternates among the perspectives of Michael's daughter, Alma; his son, Eric; and wife, Lisa. While each story is self contained, the individual stories also work to contribute to the overall coherence of the collection. The collection seeks to explore issues of diaspora, migration, place, violence and grief from an Indigenous perspective.

A Falling Sky: A Novel

Richard raab-faber, creative writing.

In the days following the attacks of September 11th, 2001, writers of fiction and non-fiction, poets, and screenwriters struggled with how and when to put to use their craft as a way to, not only express their feelings about the event, but to do their part' to help assuage the grief felt by the nation and the world. The resultant works seemed to point toward a new literary mini-genre—Post-9/11 literature. The critical preface both coins an acronym for this literature—PoNE (for Post-Nine Eleven) and establishes a working definition of the mini-genre as 'a realist-based literature that is primarily marked by a strong use of a 'pre-packaged' central image; that deals with the emotional and psychological toll on the survivors of 9/11—both those who escaped, and the families/loved ones of the same; and finally, that is marked by an inherent tension resulting from waiting for the other shoe to drop.' The preface examines early instances of PoNE literature, including the hastily-created hand-written 'Have You Seen Me?' posters, early short published responses by established writers, journalists and poets, novels, films, and even the government-funded 9/11 Commission Report. From this analysis, a definition of Post-9/11 literature is developed. In the second part of the dissertation, an original novel, titled A Falling Sky , is presented. The novel, an example of Post-9/11 literature uses many of the hallmarks of the mini-genre including that of prepackaged images from the days surrounding the September 11th, 2001 attacks.

Some Truths, Some Lies

Suzanne richardson, creative writing.

A collection of short stories and nonfiction essays.

The Plight of Rudy "Gordo" Sanchez and Other Stories

David rubalcava, creative writing.

The Plight of Rudy 'Gordo' Sanchez and Other Short Stories' is a collection of one novella and nine short stories dealing with a broad range of themes like borders, immigration, race, sex, sexuality, violence, religion, spirituality, food, obsession, fetishes, and death. The stories range from sad and serious to sarcastic and darkly humorous to happy and joy-filled to really quite disturbing. They are meant to be raw, sexual, grotesque, violent, beautiful, sweet, delicious, and painful. The characters are gay men in love, a reality television show judge, a bench, feminine little boys, a sadistic group therapy leader, a man dying of AIDS, Frida Kahlo, a piñata maker, a female prostitute with supernatural powers, and an overweight taco truck chef with a special soul. The Stories are set in diverse places like Ciudad Juárez, El Paso (TX), Gun Hole (a fictional city in the Texas Bible Belt), Denver (CO), St. Louis Park (MN), Minneapolis (MN), San Francisco (CA), Barcelona, Albuquerque (NM), and Trinidad (CO). The stories all speak to the human condition as well as what it is to be human physically, biologically, and genetically. Love is at the core of most of these stories, not just romantic love but familial and also the love of self. Craft wise, the stories use the idea of central image, some play with form and structure, some use magical realism, the point of view varies from story to story, and the novella plays with time, setting, plot, and footnotes. Several pieces are still works in progress, but the idea behind this collection is my sincere attempt to affect my reader, to make my reader feel some specific emotion from the characters and language of each story.

Conducting Women: Gender, Power,and Authority in the Rhetoric of French and English Conduct Literature of the Later Middle Ages

Marisa sikes, medieval studies.

Conduct and courtesy literature have a long history, its vernacular tradition extending back to the fourteenth and fifteenth centuries. We are familiar with modern versions of this literature: Ann Landers’ advice column, women’s magazines, and even modern books that tell us about etiquette. My dissertation examines English and French conduct literature of the fourteenth and fifteenth centuries addressed to women. These texts build rhetorical authority in various ways. At one end of the spectrum of rhetorical authority there are texts that build credibility through charismatic and familial authority; on the other end there are those that build it through abstract means such as the use of allegory and visionary inspiration. I locate these different approaches in relationship to other medieval literary traditions such as the recording of visions, the generation of mental images as a means of mnemonic practice and meditation, the debate on women, and the use of exempla, a prominent rhetorical feature of pastoral medieval sermons. My initial chapters explain my theoretical approach and examine conduct literature written by women for women. Christine de Pizan’s Book of the Three Virtues reveals that medieval pedagogies directed at women are not always concrete and experiential for her text engages in visionary practice, employs allegory, and self-reflective debate. Anne of France’s Lessons for Her Daughter relies on more familiar constructions of authority but is also part of a family tradition of royal instruction directed at children. In my fourth chapter I analyze the English translations of The Book of the Knight of La Tour Landry which were produced between 1422 and 1471 and in 1484. This male-authored text adopts a familiar, familial language of concern, but The Book also reflects the rhetoric of pastoral sermons as well as violent misogyny. My fifth chapter considers the anonymous, short Middle English poems narrated by a “Good Wife” along with a Middle Scots and an Anglo-Norman poem. These texts reveal the strictures on middle class female behavior and rely on concrete, specific details of physical objects and exempla; the Good Wife narrator presents herself as the mother of her audience, engaging the familial and charismatic aspects of rhetorical authority. The Anglo-Norman poem provides evidence that authority does not always reside within the mother figure in didactic literature, however, as the daughter in this poem speaks back to her mother. My final chapter considers how, despite the violence present in the Knight’s work, it and the works of Christine and Anne promote gynosocial relationships as a means of survival in medieval courtly society for women. My study questions modern assumptions about medieval understandings of gender and sexuality concerning medieval pedagogies. My work also historicizes the neuroscience debate over differences between the sexes in which Cordelia Fine’s Delusions of Gender participates by examining the pedagogical approaches directed at medieval women.

Reconstructing My Mother

Jennifer simpson, creative writing.

Set against the backdrop of turning 40, watching her sister battle cancer, and losing her father, Reconstructing My Mother is a memoir chronicling Jennifer's journey to get to know her mother who died from cancer when Jennifer was 13, and her journey to get to know herself.

Close, A Family Memoir

Elizabeth tannen, creative writing.

This manuscript braids together two narratives. One is about my immediate family: my father had three boys—my older brothers—with his first wife, who died, after two years of illness, when my brothers were young. I am his only child with my mother, who was twenty-six when she married my dad and took on the role of parenting the boys. The second narrative traces my fixation, as a young, single woman, on romantic love: I write a blog about relationships, and have long been consumed by a search for connection shaped by the isolation I've felt within my family. The arc of the second narrative ties into the first as the narrator, after years of feeling afraid to write about the family and focusing on relationships instead, finally begins to tell the family's story—to her surprise, engaging them in that process.

Winter Bird

Tanaya winder, creative writing, diane thiel, chair.

Winter Bird is a collection of fifty-one poems that delve into themes of loss, longing, and trauma present in Native American communities. Issues including suicide, alcoholism, and rape cover the historical landscape of these poems which use imagery of birds and motifs of winter, cold, and music to render the topics. Contemporary issues are also brought under the lens of these poems which add personal implications by using love poems written in first-person. Winter Bird follows a three-section format using three poems 'The Surrender to Memory,' 'What John Wayne Couldn't Have Known,' and 'The Significance of a Hanging' as titles for each section. Writing reflects reality, where through the careful choice, picking, and precision of words, we mimic control over form, trying to re-create experience, and, as with any form, something is inherently sacrificed in v that re-creation. As these poems deal with death and impermanence by incorporating art, music, and motifs of birds amongst other techniques, Winter Bird and this three-section format allows the reader to interrogate whom death/loss/trauma targets, question who is tempted by it, and hopefully by the end of it, come out with an understanding of flight\'s urgency. The first section 'The Surrender to Memory' takes the reader on a journey to the past to question what childhood experiences shape the life of an adult; the second section 'What John Wayne Couldn't Have Known' delves into historical trauma to get at Herman's claim, 'understanding of psychological trauma begins with rediscovering history" (1); the third section 'The Significance of a Hanging' culminates with the trauma and reckoning of loss. Each section uses music and art as tropes along with birds and winter as motifs to provide different vantage points into the traumas such that the reader can get closer to the re-creation of experience. Through the combination of image and text, the poems push the emotional tenor of the poems into dramatic space.

Across Lands: Double Consciousness and Negotiating Identities in Early Chinese American Literature, 1847-1910s

Ying xu, british and irish literary studies, gail hurley, chair.

This dissertation analyzes the works of three early Chinese immigrant writers (Yung Wing, Yan Phou Lee, and Wong Chin Foo) and two mixed race writers (Edith Eaton and Winnifred Eaton) in late nineteenth-century and early twentieth-century North America in order to critique the formation of early Chinese American literature. Borrowing W. E. B. Du Bois’s construct of double consciousness and Amy Ling’s theory of between worlds, I argue that the complicated double consciousness exhibited in the works of these early immigrant writers demonstrates their across lands strategies of negotiating identities prior to and during the Exclusion Era (1882-1943). My formulation of what I call “across lands theory” focuses on the self-representations of Chinese and mixed race immigrants in their struggle to acquire a place in the United States as well as other countries while simultaneously coping with anti-Chinese regulatory laws. While they negotiate their identities across geographical terrains (China and the U.S.), they also construct their self-image across other terrains such as psychological, legal, discursive, and aesthetic ones with a range of responses that cannot be limited to just resistance and assimilation. Double consciousness is the dilemma immigrant writers face, and across lands strategies demonstrate their self-fashioning and negotiation of identity during the Exclusion Era. The first chapter of this dissertation analyzes the ways in which double consciousness is utilized by Yung Wing to construct his memoir as the text of a self-made man. I argue that Yung’s memoir revises the nineteenth-century cult of the self-made man to provide a prototypical model of autobiographical writing for the othered, racialized immigrant subject. The second chapter focuses on Yan Phou Lee’s autobiography and periodical writing and investigates Lee’s construction of difference in revising the stereotypical image of the Chinese in the late nineteenth century. I point out that the double consciousness shown in Lee’s works proves that he is, like Yung Wing, another across lands figure who negotiates “between worlds” in often sophisticated, complex, and nuanced ways. The third chapter focuses on complicated across lands strategies in Wong Chin Foo’s construction of Chinese American identity in relation to “the intelligent class of China” vis-à-vis “heathenism.” In this chapter, I argue that Wong’s periodical writing, translation, and political activities contribute to the project of constructing the new identity—Chinese American. My last chapter examines Edith and Winnifred Eaton’s writings in terms of acts of passing against a paradigm of resistance and acculturation. By studying Mrs. Spring Fragrance and a Japanese Nightingale in the Eatons’ works, I argue that their across lands strategy of utilizing and subversively undermining racial constructions of white American culture helps revise the abject Asian female body, including their own mixed race authorial bodies.

Influence, Agency, and the Women of England: Victorian Ideology and the Works of Sarah Stickney Ellis

Ashley lynn carlson, british and irish literary studies.

This dissertation discusses the works of Sarah Stickney Ellis in the context of Victorian culture and argues that Ellis’s ideas about women, which have frequently been described as “anti-feminist” by twentieth and twenty-first century scholars, were often progressive and even proto-feminist. The first chapter discusses Ellis’s writings on education, where she argues that girls require moral, physical, and intellectual training. This chapter demonstrates that Ellis, though not necessarily radical, is more liberal than she has been given credit for in terms of her educational scheme for women. The second chapter focuses on Ellis’s views on courtships and engagements. Rather than persuading women to become meek and subservient wives, her recommendations for women before marriage clearly demonstrate that women should avoid matches where their own needs will not be met. She warns women away from self-sacrifice and instead emphasizes the importance of finding a man who will be able to fulfill his duties as a husband. Ultimately, she argues that women are better off remaining single than risking an unfortunate marriage. The third chapter focuses on Ellis’s efforts to enlarge a woman’s sphere of influence. Specifically, this chapter investigates the complex layers of rhetoric that Ellis uses to maintain an overtly submissive stance while subversively promoting female empowerment. This strategy, which frames Ellis’s most famous work, The Women of England, imitates the tactics Ellis suggests her readers might use with their husbands and other men. While consistently deprecating both herself and the role of women in general, she paradoxically argues that women are of utmost importance in Victorian society, and even assigns them more power than men. The final chapter examines Ellis’s temperance fiction. This chapter focuses on Family Secrets, a collection of temperance tales Ellis published in 1842. In these stories, Ellis disrupts the ideology of separate spheres by suggesting that this philosophy is a cause of alcoholism. Through stories about drunken men and women, Ellis shows that society’s arbitrary divide between public and private is dangerous. Thus, like her other writings, Ellis’s temperance fiction expands a woman’s sphere into the public arena. Simultaneously, she argues that men must participate in the domestic sphere.

For the Lost

Carrie cutler, creative writing.

The stories of students and children who are the victims of child abuse rarely intersect in published works for a variety of reasons, including a lasting social stigma which constitutes the child and adult as suspect, because of what they survived. Children who have abuse in their backgrounds are frequently thought to be unable to transition to the professional world, through the long years necessary to finish college, and are often thought to be incapable of the feats of self-control and adaptation which are a part of academic success. They are treated and spoken of as permanently ruined adults, condemned to a life which is profoundly impaired. This is a collection of stories of children who died as a result, and the few who've made it into academia and the professional world— what it costs the adult and child to be here. In this collection, my own story and the stories of others are presented not as a cautionary tale, or even a tale of the exceptional person, but as the attempt to demonstrate the unique problems academia and the professional world offers people like me. This is the attempt to offer the victims of child abuse a narrative which demonstrates the challenges and the horrors of these experiences, and offers a pattern which victims can use to get out of the places where they are trapped. This collection is for the lost, with love, from someone who has been there.

The Magical Mystery Donkey Tour

Lucy dupertuis, creative writing.

This creative non-fiction dissertation consists of a travel memoir written while I was enrolled in the Master of Fine Arts in Creative Writing program at the University of New Mexico, Albuquerque. It incorporates many letters I wrote in 1969. This manuscript consists of the first two parts of what I envision as a three-part memoir. The memoir braids present-tense (2009) and past-tense (1969) travel stories. The narrator, a sixty-three year old woman who has taken extended leave from her job in response to her lifelong urge to get 'out of the box,' takes long camping trips in the American Southwest in her pickup truck. While traveling, she reads letters she wrote about her hippie travels through North Africa forty years ago. The letters bring to mind past stories, which she interweaves with her current adventures. She reflects on the similarities and differences between her current and her former traveling self. In Part I, the narrator travels from California to New Mexico while remembering her trip from Rome to Casablanca. In Part II, on another California-New Mexico trip, she recalls traveling through southern Morocco with her young Berber lover and reflects on cultural differences and conflicts. At the end of Part II she injures her ankle and must head home. In the projected Part III, the narrator mulls over her breakup with the Berber lover and subsequent aimless existence with other hippies in Morocco; she is also dealing with her ankle injury, which has stopped her from traveling. She must come to terms with who she was 1969 and with the fact that because of her injury she can no longer use traveling to stay 'out of the box.'

A More Virtuous Empire: The Ideology of Manifest Destiny in American Literature and Film

Randall lee gann, american literary studies, hector torres, chair.

This dissertation examines the historical origins of the ideology of Manifest Destiny and the effects of its transmission into American literature and film. I argue that though eruptions of Manifest Destiny repeat the idea of American exceptionalism, the semi-autonomous nature of the work of art works against the grain of these eruptions to show they are also symptomatic of the inability of the American State to reconcile the desire to be both a virtuous republic and a global empire. I begin with an analysis of the embedded notion of exceptionalism in John Winthrop’s A Model of Christian Charity and follow the trace of that same notion in Thomas Jefferson’s Declaration of Independence in order to establish an historical lineage of America’s exceptionalist narrative. I then argue that the ideas of exceptionalism and the divine mission of the American State become compressed into the concept of Manifest Destiny and, through the discursive acts of John Louis O’Sullivan and the United States Magazine and Democratic Review, American cultural production repeats the discourse of Manifest Destiny. A list of the authors that appeared in the Democratic Review virtually defines American Romanticism and under O’Sullivan’s editorial control the Democratic Review directly allied those authors with his politico-literary vision, which was informed by his belief that America was exceptional. I demonstrate how a novel like Herman Melville’s Moby Dick is a nodal point where an American exceptionalist discourse is transmitted into film vis-à-vis John Huston’s 1956 release of the filmic version of Moby Dick. Through a consideration of Rio Bravo (1959), and Lone Star (1998), my final chapter tracks eruptions of Manifest Destiny in the American Western film in order to show how changing formulations of American Exceptionalism gain traction in their time periods precisely because of the malleability of the exceptionalist narrative.

Domestic Violence and Empire: Legacies of Conquest in Mexican American Writing

Leigh johnson, american literary studies.

This dissertation posits that writers can symbolically represent domestic violence to critique unjust gender relations as well as iniquitous US policy toward Mexican Americans. I use the term domestic violence because it most closely describes the double voiced discourse women engage to critique communities that condone violence against women as well as a country that perpetrates violence against Mexican Americans within its borders. Put broadly, domestic violence refers to threats of sexual, emotional, or psychological abuse within the home. Furthermore, patriarchal control over women’s agency, sexuality, and mobility in turn-of-the-century texts also indicates domestic violence through social and historical conditions. Violence is especially evident throughout this project as women’s rights challenge patriarchal structures and civil rights challenge racist policies. Revealing the perilous gains of women and Mexican Americans, social backlash encourages explosions of domestic violence. For this reason, each chapter explores the historical and social contexts surrounding scenes of domestic violence. Mexican American women remain tenuously between the spaces of home and nation as they experience domestic violence from state and familial institutions. Because these women are not safe within their homes, they have to participate in a broader societal push to define, describe, and defend themselves against domestic violence. Their resistance comes with a price—women, especially women of color, who resist patriarchal violence may be seen as cultural traitors, exposing their men to criticism from dominant society. The first chapter shows how women’s speech both uncovers and masks narratives of domestic violence through allegory using the testimonios taken for the Bancroft project on California history. The second chapter examines how the historical romance genre incorporates scenes of domestic violence against women’s protected space in the home and nation. The third chapter reveals how representations of domestic violence within Mexico reflect colonial anxieties about conquest and domestic policy. American travel writers’ encounters with domestic violence in Mexico reflect the anxieties surrounding American entitlement to Mexico and the bodies of the people living there. The fourth chapter observes limitations on women’s ability to leave violent situations within the home or the nation. This chapter utilizes scenes by Mexican American men, as they write about (and blame women for) domestic violence. The fifth chapter celebrates women writers’ activism through literary motherwork. Though these texts, with the exception of the last chapter, precede the Chicano Movement, they are politically engaged in a struggle to define and defend la raza through their intellectual agendas.

Across Water

Nari kirk, creative writing.

This dissertation is a collection of essays that examines the authors coming-of-age in terms of religion, race, gender, and family. Using a combination of personal experience, reflection on this experience, and outside research, these essays employ creative nonfiction strategies to find meaning and sense in the complex terrain of human existence. The recurring themes all focus on change—the author's growth from a conservative, sheltered girlhood to womanhood, when she begins cultivating her new beliefs. The questions persist of how much the past will influence the present and how much the past can, and should, be let go.

In the Clothes of Others

Jennifer krohn-bourgeois, creative writing.

In the Clothes of Others is a collection of poems that begins with a nontraditional evocation of the muses and is followed by three different sections of poems. The thirteen poems in first section deal with how we use narratives to understand our daily lives and how those narratives often fail. The nine poems in the second section explore unstated implications of fairy tales often from the point of view of characters within the story. The nine poems in the third section focus on myths from the Judeo-Christian, Greek and Norse traditions. These poems explore how the myths affect our view of the world and like the second section focus on the unstated implication of these stories often from the character's point of view.

The Other Vanishing American: Disappearing Farmers in American Literature, 1887-1939.

Carolyn kuchera, american literary studies.

Beginning in the late nineteenth century, literary depictions of farmers borrow from the established trope of the “Vanishing American” Indian to portray farmers as disappearing before the forces of modern civilization. I argue that writing about farmers from this era ought to be approached as a type of extinction discourse: the rhetoric surrounding the decline of a race or culture. Extinction discourse, whether applied to the American Indian or to farmers, fuses mourning over a passing way of life with celebration of civilization’s progress. Farmers are portrayed as primitive figures, as fundamentally incompatible with modern civilization, in all of the fiction included in this study: Joseph Kirkland’s Zury (1887), Hamlin Garland’s “Up the Coolly” (1891) and “The Silent Eaters” (1923), John T. Frederick’s Druida (1923) and John Steinbeck’s The Grapes of Wrath (1939). While the works vary in their valuations of primitivism, alternately favoring the nostalgic or the progressive impulse, the farmer vanishes nonetheless. For the purposes of this study,“vanishing” signifies not so much a sociological fact as a representational act performed in response to a perceived loss.Literary constructions of the vanishing farmer are performative: they help produce the condition (disappearance) that they subsequently describe. The rhetorical origins of industrial agriculture are rooted in this disappearance. The developing reactions to the farmer’s “disappearance” and the varying rhetorical forms of those reactions are the focus of this study, which is contextualized through historical and sociological information. The divergent ideologies of nostalgia displayed in the fiction illustrate particular modern anxieties, while shadows or traces of Indian presence within these texts reveal a buried legacy of removal within Western expansion. This analysis also shows how portrayals of vanishing farmers often preserve the racialist logic of extinction discourse, wherein race contributes to extinction. The conclusion suggests a future direction for the literary analysis of farmers, arguing that they can be most productively approached as ghosts through Jacques Derrida’s theory of the “trace” and Toni Morrison’s notion of the shadow. With its focus on the decline, and sometimes disparagement, of agrarian America, this dissertation counters the dominant critical narrative that associates American virtue and civilization with rural values.

The Random Occurence of Parallel Acts

Linda rickert, creative writing.

The essays held in this collection when viewed as a whole illustrate the destructive repetitive acts of four generations of addiction and how these acts influenced each coming generation. They also demonstrate the inability to see events clearly when in the middle of turmoil. Through the use of reflection and recollection each piece links to the others to form a progressive pattern from which family members seem unable to escape. Whether it is the power of genetics or the sway of nurture or the lack of it, the pattern suggests an inability to break the negative cycle even when the desire to do so reaches its strongest point. There is the suggestion of growth, however, threaded throughout the body of the work. This puts forward that change can be achieved and puts forward the proposal that change must be deliberate as well as earned. A sense of place vibrates throughout this collection. The coal mining area of central Pennsylvania breeds a populace of hardened citizens, people used to harsh conditions, poverty, and rage. These people continue to survive because they know nothing about giving up. Characterization may be one of this works strongest points. In addition, moments of learning, maturity, and difficult decisions reach out to touch others universally. Moments such as a father accepting his daughter's single motherhood in the sixties, of a daughter losing her animosity toward her mother when she realizes that we do what we must to survive, and the decision to stop life-saving treatment for a profoundly mentally challenged son touches lives every day. Methods of coping give the reader support and the courage to cope.

The View From Here

Samantha tentangco, creative writing.

Set against the backdrop of both San Francisco and Los Angeles, The View From Here is a community-based novel that alternates point of view between four characters: Jackie Saunders, an overnight desk clerk searching for a purpose in life; Kayden Liu, Jackies childhood best friend, who must face a violent secret of her past before she can fully build her future; Michelle Johnson, a married businesswoman, who must allow herself to see beyond the life she's created in order to understand the life she wants; and Shannon Eiverson, a photographer with an upcoming show, who wants to 'make it' as an artist. While the novel focuses much of its attention on cheating (both the reasons we cheat ourselves and the reasons we cheat on others), at its heart, The View from Here is a novel about friendship, created homes, and the way the lives we've led keep us from living the lives we desire.

At the Rim of Vision

Melanie unruh, creative writing.

This novel follows the lives of two protagonists, Daphne and Emily Ellis. Though their narratives are separated by 30 years, both young women must face difficult decisions as pregnant teenagers. As Daphne struggles to understand her own situation, she uncovers her deceased Aunt Emilys journals, and embarks on a journey that will unravel dark family secrets that are decades old.

The Path to Personal Salvation: The Hermetic Trope of Self-Mastery in Shakespeare, Bacon, and Milton

Cassandra amundson, british and irish literary studies, barry gaines, chair.

My dissertation examines Renaissance authors’ investment in the Hermetic tradition. This tradition is based on the Hellenistic Egyptian philosophical-theological writings ascribed to Hermes Trismegistus, which emerged in parallel with early Christianity, Neoplatonism, and Gnosticism. The Hermetic tradition gained importance in the Renaissance with Marsilio Ficino’s translations and soon became an alternative avenue for the exploration in the spiritual conception of the “self” as divine, a conception previously closed off by medieval orthodox religious and secular traditions. I argue that principal figures in the Renaissance and Restoration—Shakespeare, Bacon, and Milton—were engaged in constructing this Hermetic mode of thinking to illustrate individuals’ ability and responsibility for “saving” themselves through the gnosis of self-discovery, the gnosis that emphasized living with and in the presence of God. The Hermetic discourse is well documented in the history discipline by such scholars as Lynn Thorndike, Frances Yates, and D. P. Walker. Yet, in the literary discipline, there have not been sufficient discussions for locating the influence of the Hermetism on Renaissance and Restoration literary authors. In this way, I fill the gap in Renaissance scholarship and classroom teaching by showing that these authors used rhetorical maneuvers and symbols to illustrate the Hermetic mode of thinking as a major defining feature in their arguments for a new epistemology.

On Unstable Ground: A Journey in Time, Memory, and Place

Molly beer, creative writing.

On Unstable Ground is the story of the two years I spent trying to understand and navigate El Salvador—both as a place and a history. This is not, however, a memoir, per se. Rather, it is a history told through personal narrative. Each essay-chapter revolves around a particular experience that I had living in that country—a point of contact or clash—that magnified an important aspect of El Salvadors character. Cumulatively, the essays piece together the story of a geographic journey as well as an exploration of history, a second journey that garners an evolving understanding of the events and circumstances that have shaped the nature of that place.

The Paper-Haired God

Chris boat, creative writing.

This dissertation consists of a novella entitled The Paper-Haired God . It is the story of a man named Jason who one day (after dropping his wife Akiko off at the airport to visit friends) decides to crawl into the cabinet underneath his sink. He doesnt quite understand why he crawls under the sink, just that it is something that he needs to do. Before he realizes it, he is starving and too weak to get back out. When he feels as though he is about to disappear forever, he finds himself in a large cavern. After exploring the cavern he relives a memory from his childhood where he almost drowned in the Uji River. Then he is pulled out from under the sink by his wife. After his recovery he begins to realize that the world he left when he went under the bathroom sink and the world he came back to are not the same.

Blood Heist

Daniel darling, creative writing.

A novel of fiction. John Stick, along with his two best friends, Spartacus Rex and Leon Flowers, rob a blood bank with the intent to sell the blood in Mexico. On the way, the ice cream truck that they have converted to transport the blood breaks down, and they become stranded in the desert. Stick notices that one of the bags of blood belongs to his ex-girlfriend, Cryopathria Rex, with whom he is still in love. Stick tries to take the blood back to Albuquerque out of guilt. Rex and Flowers stop him. The three men have en escalating feud, which leads to Flowers and Rex tying Stick to a tree and soaking him with several bags of blood and leaving him to die. Flowers and Rex ride south on a team of ostriches that Flowers has stolen from Crazy Patti LeBeau. Stick is rescued by a woman from Mexico named Alma. Together they pursue Flowers and Rex. On the way they encounter an alpaca farm, an Apache policeman named Chuck, the chupacabras, a vengeful Patti LeBeau, before they finally confront Rex in the Rio Grande gorge on the border of Texas and Mexico. The novel explores themes of masculinity, trauma, betrayal, friendship, and the American-Mexican border. It is constructed with particular attention to character construction and imagery. It fits into the broad category of Post-Western literature.

Dollo & Me (Aftermath with Permutations) and The Relenting

Lisa gill, creative writing.

This dissertation is comprised of two parts. The first is called Dollo & Me (Aftermath with Permutations) and is an unconventional and nonlinear memoir addressing the aftermath of violence and the changes that are required for survival. It specifically looks at my twenties and thirties and tackles the various manifestations of trauma in my life. Two essays frame the manuscript: one as Chapter Zero and one as Chapter Oh. The body of the manuscript is contained in seventeen numerical chapters. The second part of this dissertation manuscript is comprised of a new 'poetic' play titled 'The Relenting.' The play addresses my encounter with a rattlesnake in my living room and enacts a literary and archetypal journey that could not have been undertaken without first doing the work of 'Dollo & Me.'

Anglo-Saxon Poetics in the Linguarum Veterum Septentrionalium Thesaurus Grammatico-Criticus et Archaelogicus of George Hickes: A Translation, Analysis, and Contextualization

Shannon mccabe, medieval studies, timothy c. graham, chair.

In 1705, the last fascicle of the Linguarum Veterum Septentrionalium Thesaurus Grammatico-Criticus et Archaeologicus of George Hickes was published in Oxford. This monumental volume represented a major step forward in Anglo-Saxon studies. This study translates the most monumental chapter of the Thesaurus, Chapter 23. Although this chapter ―On the Poetic Art of the Anglo-Saxons,‖ represents the first sustained attempt to apply a critical and theoretical apparatus to Anglo-Saxon poetry, it is also concerned with attempts to sort out a ―purer‖ language from the various dialects represented in Anglo-Saxon manuscripts. Hickes directly addresses two major Anglo-Saxon forms in Chapter 23, ―pure Saxon,‖ and ―Dano-Saxonic,‖ the lesser of the two languages, because of its ―foreignness,‖ a key term for Hickes, who sought to separate out what he believed to be the true Anglo-Saxon from dialectal languages which he believed to have introduced ―abhorrent‖ elements into Anglo-Saxon poetry. Ultimately, this desire of Hickes to divine the ―purer‖ language with respect to the Anglo-Saxon reflects a more general eighteenth century anxiety about the nationalistic uses of language and the attempt to control and modify the language, beginning with Sir William Temple‘s essay On Ancient and Modern Learning, as well as the response to it by William Wotton in his Reflections Upon Ancient and Modern Learning, culminating in Jonathan Swift‘s ―A Proposal for Correcting, Improving and Ascertaining the English Tongue,‖ and Elizabeth Elstob‘s An Apology for the Study of Northern Antiquities. Especially important was the linking of language to national identity and issues of nation building, as with the establishment of the Académie Française in 1635. This anxiety manifests itself in Swift as an attempt to purge the English language of ―barbaric‖ elements, namely Germanic words and grammatical forms, placing him and his supporters in direct opposition to the antiquarian movement headed by George Hickes and the Oxford Saxonists.

Emily Morelli, Creative Writing

Motherland is a three-part collection of poetry. The first part, Foreign,' contains poems about Portugal and Brazil. The poems reflect historic events and personal observations. In the context of the collection, they serve as historical and emotional background to my Luso-American identity, working with places and events that came before me and experiences that I explore through the medium of poetry. The second section, 'Familiar,' covers the ground of childhood memory, specifically through place and people, and my adult experiences with motherhood and it surrounding events—pre-pregnancy, pregnancy, birth, and parenting a small child. 'Unexpected,' consists of poems that are more playful in nature or that originated in a more imagined realm—poems about literary characters, found punctuation, and dreams, for instance. The three sections coalesce into a collection, progressing from a quest for understanding within a larger context in 'Foreign,' to a search for defining moments or experiences in 'Familiar,' to a sublimation of understanding or definition in 'Unexpected,' where meaning arrives rather than is sought. The preface discusses the process of writing, influences on my writing, and a close examination of poems by Sylvia Plath, Galway Kinnell, and Robert Hass.

Erika Sanchez, Creative Writing

This dissertation consists of a poetry manuscript that primarily explores themes of class, sexuality, gender, race and ethnicity. The collection is divided into three sections. The first addresses the coming of age of the speaker in Chicago. The second primarily takes place abroad and explores romantic relationships. The third begins to delve into themes of systematic exploitation.

Decolonizing Gender: Indigenous Feminism and Native American Literature

Leah sneider, american literary studies.

An Indigenous feminist approach to Native literature reveals the ways in which Native authors attempt to build balanced relationships and conversations across cultures, nations, and histories. I explore ways that Native authors depict gender violence and male characters who, like Native women, negotiate colonization and assert sovereignty. Doing so offers a new way of reading Native literature that seeks to also decolonize our analytical approaches for similar use across academic disciplines and for practical applications within and outside of academia. I define Indigenous Feminism as the responsibility for the nurturance and growth of Native communities through storytelling as a communal process and action reflecting personal sovereign power. I focus on how these authors adapt traditional knowledge of social balance through ideological subversion. I read literary conventions as creating complementary and reciprocal relationships in order to develop critical awareness thus enacting an Indigenous feminist ideology. An author’s rhetorical and literary use of these principles attempts to create a balanced relationship between reader and author that simultaneously decolonizes readers’ minds. Reading constructions of masculinities in connection with complementarity and reciprocity discloses and helps to understand colonial gender violence thus asserting an Indigenous feminist decolonizing process that seeks to remove colonial ideological shackles. Thus, I read Native texts for a balanced distribution of power across relationships, specifically gender-based relationships and systems of power. This exploration of complementary and reciprocal relationships enables us to read literature as critical responses to gender violence and its effects on both Native men and women. These texts and their authors offer a way of seeing gender identity on a continuum based on both individual and communal needs. Furthermore, such an analysis allows for balanced dialogue needed to uncover a new understanding of shared experiences to effect social change. Therefore, a more inclusive Indigenous feminist perspective presents a new way of recognizing literature and storytelling as social activism, or attempting to affect social justice within the imaginations and ideologies of its readers.

Paydazed and a Song for Shenandoah

Richard vargas, creative writing.

My dissertation consists of poetry and two non-fiction essays written during my enrollment in the Creative Writing Master of Fine Arts program at the University of New Mexico. The manuscript begins with an essay detailing the moment in my life when I started to write again, after a writer's block that lasted fifteen years, from 1980-1995. The following sections of poetry deal with issues that I consider to be main themes throughout my entire body of work: race and class. I specifically explore what it is like to be Latino and working-class at a time when the depressed economy has led to a loss of jobs not seen since the Great Depression of the 1930s. I give the reader my thoughts and feelings during these times of fear and racial divide, with the hope of shedding light on the common stake we all share as human beings. I close with an essay about the childhood memories I have growing up with a parent who was an addict, and how I came to realize my bitter feelings of abandonment were not the total summation of the relationship I had with my father.

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Home > College, Department, or Program > CALE > English > Theses

English Masters Thesis Collection

Theses/dissertations from 2023 2023.

A winter of animal suffering: sacrificial logic, the discourse of animality, and sensory rhetoric in Richard Adam's Watership down , Miina De Lara

Dreamin in Sahuptin: considering David Sohappy , Mikelle Gaines

The acceptance of womanhood: gender performance and self-actualization in L.M. Montgomery's Anne of Green Gables, Anne of Avonlea, and Anne of the island , Lauren M. Hinshaw

Queer historicism as literary theory: an exploration of three texts , Theodore D. Kenning

Performative history: parody and rock 'n' roll in David Bowie's The rise and fall of Ziggy Stardust and the Spiders from Mars , William R. McPhee

Extranormal sorcery in Toni Morrison's Song of Solomon , HarleyQuinn Wahl

Theses/Dissertations from 2022 2022

Realism as weaponry: challenging Victorian ideals of femininity in Mary Elizabeth Braddon's Lady Audley's secret and Wilkie Collins' Armadale , Taylor Aalgaard

Navigating the labyrinth of House of leaves through a postmodern archetypal literary theory , Samuel K. Hval

The value hierarchies of J.R.R. Tolkien and his legacy: a reimagining of fantasy fiction and the propagation of colonial racism , Alexander Richburg

Theses/Dissertations from 2021 2021

"Trying hard to keep her from feeling outdoors": race, ability, and eugenics in early Morrison , Grace Caraway

Teaching fantasy fiction in K-12 classrooms: purpose, texts, and unit plans , Rachel Lynne Carroll

(Missed) connections: how the textual communication environment caused by Covid-19 impacted English Composition instructors' ability to communicate and connect with colleagues and students , Alyssa G. Cummings

Animistic poetics: William Carlos Williams' Paterson and Animistic ecology , Kurtis Ebeling

"It's odd, isn't it?": irony, breakdown, and self-healing in Doris Lessing's The golden notebook , Rachel M. Goodner

"To find healing in my wounds": the transformation of memory and trauma into art in J.R.R. Tolkien's The lord of the rings , Graysen S. Russell

Creating usable and accessible courses through usability testing in higher education: a Canvas usability assessment for diverse students , Carrie Schreiner

Theses/Dissertations from 2020 2020

Teaching in hagwons in South Korea: a novice English teacher’s autoethnography , Brittany Courser

Facing the horror of uncertainty: using female slashers as a model for thinking about and practicing English Literature and Composition , Rose Hall

Theses/Dissertations from 2019 2019

Mapping the Intertextual Parataxis “Cover Her Face”: Feminist Geography and the Reclaiming of Masterless Women , Cheryl L. Beedle

“A dark archway of rusticated stone”: depictions of moral obligation in Greene’s The Human Factor and Waugh’s Brideshead Revisited , Thomas J. Carter

“Racism doesn’t exist anymore, so why are we talking about this?”: An action research proposal of culturally responsive teaching for critical literacy in democratic education , Natalie Marie Giles

"Could I annoy you for a drink?" : Social management and alcoholism in Fitzgerald's The Great Gatsby and Tender is the night , Lucy Anderson Granroth

Stylistic imitation as an English-teaching technique : pre-service teachers’ responses to training and practice , Min Yi Liang

Considerations for selecting an edition of Daisy Miller , Katie J. Peterson

Sororal bonds actualized: sisterhood in Charlotte Bronte's Shirley and Louisa May Alcott's Work , Lorin Richard

Higher-order thinking in synchronous online discussion , Kathy L. Rowley

Telling stories and contextualizing lived experiences in the Cuban heritage language and culture: an autoethnography about transculturation , Tatiana Senechal

“This is the oppressor’s language, yet I need it to talk to you”: a critical examination of translanguaging in Russian speakers at the university level , Nora Vralsted

Theses/Dissertations from 2018 2018

Multimodal Approaches to Literacy and Teaching English as a Foreign Language at the University Level , Ghader Alahmadi

Educating Saudi Women through Communicative Language Teaching: A Bi-literacy Narrative and An Autoethnography of a Saudi English Teacher , Eiman Alamri

The value of journaling on multimodal materials: a literacy narrative and autoethnography of an experienced Saudi high school English teacher , Ibrahim Alamri

Strategic Contemplation as One Saudi Mother’s Way Of Reflecting on Her Children’s Learning Only English in the United States: An Autoethnography and Multiple Case Study of Multilingual Writers at the College Level , Razan Alansari

“If you wanted me to speak your language then you should have stayed in your country”: a critical ethnography of linguistic identity and resiliency in the life of an Afghan refugee , Logan M. Amstadter

Comparing literate and oral cultures with a view to improving understanding of students from oral traditions: an autoethnographic approach , Carol Lee Anderson

Practical recommendations for composition instructors based on a review of the literature surrounding ESL and identity , Patrick Cornwall

One size does not fit all: exploring online-language-learning challenges and benefits for advanced English Language Learners , Renee Kenney

Understanding the potential effects of trauma on refugees’ language learning processes , Charis E. Ketcham

Let's enjoy teaching life: an autoethnography of a novice ESL teacher's two years of teaching English in a private girls' secondary school in Japan , Danielle Nozaka

Developing an ESP curriculum on tourism and agribusiness for a rural school in Nicaragua: a retrospective diary , Stan Pichinevskiy

User experiences of Spanish-speaking Latinos: usabiltiy of the Frontier Behavioral Institute website , Raquel Ramos

A Literacy Narrative of a Female Saudi English Teacher and A Qualitative Case Study: 12 Multilingual Writers Identify Challenges and Benefits of Daily Writing in a College Composition Class , Ghassoon Rezzig

Proposed: Technical Communicators Collaborating with Educators to Develop a Better EFL Curriculum for Ecuadorian Universities , Daniel Jack Williamson

Capital games: the Bourdieuxian movements of Heathcliff and Nelly Dean in Neo-Victorian revisitations of Wuthering Heights , Ryan S. Wise

Theses/Dissertations from 2017 2017

BELL HOOKS’ “ENACTMENT OF NON-DOMINATION” IN THE “PRACTICE OF SPEAKING IN A LOVING AND CARING MANNER”: AN AUTOETHNOGRAPHY OF A SAUDI “WIDOW’S SON” , Braik Aldoshan

WHEN SPIRITUALITY AND PEDAGOGY COLLIDE: ACKNOWLEDGING RELIGIOUS BELIEFS AND VALUES IN THE ESL CLASSROOM , Carli T. Cumpston

HERITAGE LANGUAGE MAINTENANCE: A MEXICAN AMERICAN MOTHER’S SUCCESS WITH RAISING BILINGUAL CHILDREN , Maria E. Estrada-Loehne

TEACHING THE BIOGRAPHY OF PEARL S. BUCK: DEVELOPING COLLABORATIVE READING STRATEGIES FOR MULTILINGUAL WRITERS , Nichole S. La Torre

An Autoethnography of a Novice ESL Teacher: Plato’s Cave and English Language Teaching in Japan , Kevin Lemberger

INQUIRY-BASED PHILOSOPHICAL DIALOGUE FOR ESL COLLEGE COMPOSITION AND FOR CRITICAL THINKING SKILLS , Aiko Nagabuchi

A TRIPLE CASE STUDY OF TWO SAUDI AND ONE ITALIAN LANGUAGE LEARNERS' SELF-PERCEPTIONS OF TARGET LANGUAGE (TL) SPEAKING PROFICIENCY , Jena M. Robinson

Theses/Dissertations from 2016 2016

"I am from Epifania and Tomas": an autoethnography and bi-literacy narrative of a Mexican American orchard workers' daughter , Brenda Lorena Aguilar

Technology use in young English language learners: a survey of Saudi parents studying in the United States , Hamza Aljunaidalsayed

Bilingualism of Arab children in the U.S.: a survey of parents and teachers , Omnia Alofii

"If you're not talkin' mess, then you should be ok": collegiate student-athletes' strategies and practices on social networking sites , Marc C. Anderson

College-level ELLs in two English composition courses: the transition from ESL to the mainstream , Andrew J. Copley

Increasing multimedia literacy in composition for multilingual writers: a case study of art analysis , Sony Nicole De Paula

Reviewing critical pedagogy's criticisms and providing a pragmatic heuristic , Dominick S. Giguere

Be loved from the other side: Amy Denver's influence in Toni Morrison's Beloved , Aubra D. Godwin

Multilingual writers' unintentional plagiarism: action research in college composition , Jacqueline D. Gullon

Games for vocabulary enrichment: teaching multilingual writers at the college level , Jennifer Hawkins

Exploring methodologies in feminist rhetoric and education: using Kirsch and Royster's terms of engagement in the college classroom , Elizabeth M. Matresse

The warrior kings and their giants: a comparative study of Beowulf and King David , Fred McFarland

Critical reflection and the savior role in service learning , Bradley W. Plummer

Identifying as author: exploring the pedagogical basis for assisting diverse students to discover their identities through creatively defined literacy narratives , Amber D. Pullen

Saltine box full of dreams: one Mexican immigrant woman's journey to academic success , Adriana C. Sanchez

Theses/Dissertations from 2015 2015

An integrative approach to English composition, ESL, English for specific/special purposes (ESP), and technical communication , Brandy R. Bippes

Teaching the biography of Laura Ingalls Wilder: fostering a media literacy approach for multilingual writers , Kelly G. Hansen

Implementing a modified intercultural competency curriculum in an integrated English 101 classroom , Kathryn C. Hedberg

"Don't wake me, my desk is far too comfortable": an autoethnography of a novice ESL teacher's first year of teaching in Japan , Delaney Holland

ESL ABE, VESL, and bell hooks' Democratic education: a case study of four experienced ESL instructors , Michael E. Johnson

Hunter S. Thompson and gonzo journalism as literature , Michael P. Kiernan

Theses/Dissertations from 2014 2014

Beyond Fascism: W.B. Yeats’s A Vision and the Complexities of His Authoritarian Politics , Justin Abel

Using Media to Teach Grammar in Context and UNESCO Values: A Case Study of Two English Teachers and Students from Saudi Arabia , Sultan Albalawi

A Double Case Study of Latino College Presidents: What Younger Generations Can Learn From Them , Sara Aymerich Leiva

ENTROPY, EVOLUTION, AND INFORMATION THEORY: SOCIAL ANXIETIES IN THE TIME MACHINE AND THE CRYING OF LOT 49 , Sara Jo Barrett

WRITTEN CORRECTIVE FEEDBACK IN THE L2 WRITING CLASSROOM , Daniel Ducken

Clothing in An American tragedy: a "True picture of life" , Rachel L. Flynn

Academic Reading and Writing at the College Level: Action Research in a Classroom of a homogeneous Group of Male Students from Saudi Arabia , Margaret Mount

TRANSFORMATIVE PEDAGOGY FOR SOCIAL JUSTICE EDUCATION: TEACHING TECHNICAL COMMUNICATION STUDENTS TO BRIDGE WITH ANZALDÚAN THEORIES OF SOCIAL CHANGE , Carlos Munoz

Reflections on Teaching and Host Mothering Chinese Secondary Students: A Novice ESL Teacher’s Diary Study and Autoethnography , Diane Thames

Theses/Dissertations from 2013 2013

Peer editing in composition for multilingual writers at the college level , Benjamin J. Bertrand

Educating Ana: a retrospective diary study of pre-literate refugee students , Renee Black

Coming home: storytelling, place, and identity in N. Scott Momaday's House made of down and Leslie Marmon Silko's Ceremony , Azalyn Croft

The loathly lady from archaic to modern tales , Kirsten M. Dresker

Social pressure to speak English and the effect of English language learning for ESL composition students in higher education , Trevor Duston

The ABC's of font: effects of changing default fonts , Amanda P. Erickson

"The worry that you are yourself": Darl's unforgivable neurodiversity in As I lay dying , Neal Hallgarth

The Ogbanje in Little Bee by Chris Cleave , Courtney A. Harler

Othello as an enigma to himself: a Jungian approach to character analysis , Eric Iliff

Once upon a time: fairytales past and present , Jordan L. Keithley

Poetry in translation to teach ESL composition at the college level , Peter M. Lacey

Using media to teach a biography of Lincoln and Douglass: a case study of teaching ESL listening & viewing in college composition , Pui Hong Leung

The rhetoric of hyperreal hybrids: taming the multiracial woman in advertising , Karhonkwison Logan

"Rosa alchemica," "The tables of the law," and "Adoration of the magi," edited and with an introduction , Brady J. Peneton

Developing a pedagogy of pluralistic linguistic expression in the first year composition classroom , April Dawn Ridgeway

Learning how to learn: teaching preliterate and nonliterate learners of English , Jennifer L. Semb

Non-cognitive factors in second language acquisition and language variety: a single case study of a Saudi male English for academic purposes student in the United States , Nicholas Stephens

Teaching English in the Philippines: a diary study of a novice ESL teacher , Jeffrey Lee Svoboda

ARABIC RHETORIC: MAIN IDEA, DEVELOPMENT, PARALLELISM, AND WORD REPETITION , Melissa Van De Wege

Reality and imagination: the authorial decisions of May Welland Archer and Emma Woodhouse , Melinda R. Vetter

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English Language & Literature

Dissertations & theses databases.

• Networked Digital Library of Theses and Dissertations (NDLTD) This link opens in a new window The Networked Digital Library of Theses and Dissertations (NDLTD) is an international organization dedicated to promoting the adoption, creation, use, dissemination and preservation of electronic analogues to the traditional paper-based theses and dissertations. This website contains information about the initiative, how to set up Electronic Thesis and Dissertation (ETD) programmes, how to create and locate ETDs, and current research in digital libraries related to NDLTD and ETDs.
• Open Access Theses and Dissertations This link opens in a new window OATD.org aims to be the best possible resource for finding open access graduate theses and dissertations published around the world. Metadata (information about the theses) comes from over 1000 colleges, universities, and research institutions. OATD currently indexes 2,311,795 theses and dissertations.
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• Last Updated: Jun 17, 2024 8:49 AM
• URL: https://guides.library.ucdavis.edu/english-language-literature

Department of English

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Graduate Thesis Examples

The subjects of MA theses have included studies of individual poets or dramatists, novelists or autobiographers, as well as explorations of literary movements, themes or periods. View our more recent titles below.

Our Recent Titles:

• “The Bottom and the Orchard: Where Space and Place are Created, Controlled, and Maintained in  Sula  and  Recitatif ” (2024 Anyabwile)
• “The Great (Genre) Escape” (2024 Perrin)
• “Modality and Sociality in Elizabeth Gaskell’s  Cranford ” (2024 Perry)
• “‘Don’t Question the Experts’: Autistic Autobiographies, Expert Paratexts, and Epistemic Injustice” (2024 Thompson)
• “Preracial Panem: Understanding Racial Identity in Suzanne Collins’s  The Hunger Games  Trilogy and Prequel  The Ballad of Songbirds and Snakes ” (2024 Wooten)
• “Parts of the Story: An Illustrated Short Story Collection” (2023 Beal)
• “‘What lady wouldn’t wish to join causes with women who stood up for other women?’: Heroines’ Rivalries and Friendships in Popular Romance Novels” (2023 Bradford)
• “Breaking Away: Some Essays on Influence” (2023 Ferrer)
• “Posting to Engage: A Study of the Effects of Recovery-Oriented Rhetoric on Community Building for Individuals with Eating Disorders and Associated Symptoms on Instagram” (2023 Horton)
• “Being Born: A Memoir of Self-Making in Four Parts” (2023 Langford)
• “‘Widen the Lens and See’: Poetry, Photography, and the Act of Witness in Muriel Rukeyser’s ‘The Book of the Dead’” (2023 Marlow)
• “Engaging Secondary Students Through Secondary Worlds: An Approach to Teaching Tolkien at the High School Level” (2022 Casey)
• “The Religious and the Secular Mythology in  Idylls of the King ” (2022 Kirkendall)
• “‘…A Hideous Monster’: Social Repression and Rebellion in Gregory Corso’s ‘The American Way’” (2022 LeBey)
• “Individualism, Materialism, and Sacrifice in Oscar Wilde’s ‘The Nightingale and the Rose’ and Hans Christian Andersen’s ‘The Nightingale’” (2022 Nalbandian)
• “Burying the Carnival” (2022 Overdurf)
• “Attending to Time in Narratives of Enslavement: Temporal Alterities and Lived Experiences of Time in Toni Morrison’s  Beloved ” (2021 Bischoff)
• “‘Beasts who walk alone’: Narrating Queer Abjection in Djuna Barnes’s  Nightwood  and Jordy Rosenberg’s  Confessions of the Fox ” (2021 McGuirk)
• “Reach Out and Touch Faith: Haptic Reciprocity in Milton’s  Paradise Lost ” (2021 Ricks)
• “Gender Matters: Amante’s Gender Construction in Elizabeth Gaskell’s ‘The Grey Woman’” (2021 Willis)
• “Braddon’s Body of Bigamy: A Corpus Stylistics Analysis” (2021 Waxman)
• “‘Memory is all that Matters;’ Queer Latinx Temporality and the Memory-Making Process” (2020 Caicedo)
• “Old Wives’ Tales: Mothers & Daughters, Wives & Witches (Stories)” (2020 Champagne)
• “‘Numbed and Mortified’: Labor, Empathy, and Acquired Disability in  King Lear  and  Titus Andronicus : (2020 Harrington)
• “‘More Forms and Stranger’: Queer Feminism and the Aesthetic of Sapphic Camp (2020 Kennedy)
• “A Discourse and Statistical Approach to Intersections of Gender and Race in Melville’s  Typee ” (2020 Post)
• “Prophetic Un-speaking: The Language of Inheritance and Original Sin in  Paradise Lost  and S alve Deus Rex Judaeorum ” (2019 Darrow)
• “‘The Frame of her Eternal Dream’: From  Thel  to Dreamscapes of Influence” (2019 Gallo)
• “‘The Murmure and the Cherles Rebellying’: Poetic and Economic Interpretations of the Great Revolt of 1381” (2019 Noell)
• “Dialogic Convergences of Spatiality, Racial Identity, and the American Cultural Imagination” (2019 Humphrey)
• “Troubling Vice: Stigma and Subjectivity in Shakespeare’s Ambitious Villains” (2019 Simonson)
• “Beyond Mourning: Afro-Pessimism in Contemporary African American Fiction” (2018 Huggins)
• “‘Harmonized by the earth’: Land, Landscape, and Place in Emily Brontë’s  Wuthering Heights ” (2018 Bevin)
• “(Re)membering the Subject: Nomadic Becoming in Contemporary Chicano/a Literature” (2018 Voelkner)
• “Werewolves: The Outsider on the Inside in Icelandic and French Medieval Literature” (2018 Modugno)
• “Towards Self-Defined Expressions of Black Anger in Claudia Rankine’s  Citizen  and Percival Everett’s  Erasure ” (2018 Razak)
• “Echoes Inhabit the Garden: The Music of Poetry and Place in T.S. Eliot” (2018 Goldsmith)
• “‘Is this what motherhood is?’: Ambivalent Representations of Motherhood in Black Women’s Novels, 1953-2011” (2018 Gotfredson)
• “Movements of Hunters and Pilgrims: Forms of Motion and Thought in  Moby-Dick ,  The Confidence Man , and  Clarel ” (2018 Marcy)
• “Speaking of the Body: The Maternal Body, Race, and Language in the Plays of Cherrie Moraga, Suzan-Lori Parks, and Tony Kushner” (2018 King)
• “Passing as Jewish: The Material Consequences of Race and the Property of Whiteness in Late Twentieth-Century Passing Novels” (2017 Mullis)
• “Eliot through Tolkien: Estrangement, Verse Drama, and the Christian Path in the Modern Era” (2017 Reynolds)
• “Aesthetics, Politics, and the Urban Space in Postcolonial British Literature” (2017 Rahmat)
• “Models of Claim, Resistance, and Activism in the Novels of Mary Wollstonecraft, Mary Hays, and Frances Burney” (2017 Smith)
• “English Literature’s Father of Authorial Androgyny: The Innovative Perspective of Chaucer and the Wife of Bath” (2017 Ingold)
•  “’Verbal Hygiene’ on the Radio: An Exploration into Perceptions of Female Voices on Public Radio and How They Reflect Language and Gender Ideologies within American Culture” (2017 Barrett)
• “Divided Bodies: Nation Formation and the Literary Marketplace in Salman Rushdie’s  Shame  and Bapsi Sidhwa’s  Cracking India”  (2016 Mellon)
• “Metaformal Trends in Contemporary American Poetry” (2016 Muller)
• “Power Through Privilege: Surveying Perspectives on the Humanities in Higher Education in the Contemporary American Campus Novel” (2016 Klein)
• “‘I always cure you when I come’: The Caregiver Figure in the Novels of Jane Austen” (2016 McKenzie)
• “English Imperial Selfhood and Semiperipheral Witchcraft in  The Faerie Queene, Daemonologie,  and  The Tempest”  (2016 Davis)
• “With Slabs, Bones, and Poles: De/Constructing Narratives of Hurricane Katrina in Jesmyn Ward’s  Salvage the Bones , Natasha Trethewey’s  Beyond Katrina , and Selah Saterstrom’s  Slab”  (2016 Lang)
• “The Ghost of That Ineluctable Past”: Trauma and Memory in John Banville’s Frames Trilogy” (2016 Berry)
• “Breaking Through Walls and Pages: Female Reading and Education in the 18th Century British Novel” (2015 Majewski)
• “The Economics of Gender Relations in London City Comedy” (2015 Weisse)
• “Objects, People, and Landscapes of Terror: Considering the Sublime through the Gothic Mode in Late 19th Century Novels” (2015 Porter)
• “Placing the Body: A Study of Postcolonialism and Environment in the Works of Jamaica Kincaid” (2015 Hutcherson)
• “Wandering Bodies: The Disruption of Identities in Jamaica Kincaid’s  Lucy  and Edwidge Danticat’s  The Farming of Bones ” (2015 Martin)
• “Mythogenesis as a Reconfiguration of Space in an ‘Alternate World’: The Legacy of Origin and Diaspora in Experimental Writing” (2015 Pittenger)
• “Cunning Authors and Bad Readers: Gendered Authorship in ‘Love in Excess’” (2015 Bruening)
• “‘The Thing Became Real’: New Materialisms and Race in the Fiction of Nella Larsen” (2015 Parkinson)
• “‘Projections of the Not-Me’: Redemptive Possibilities of the Gothic within Wuthering Heights and Beloved” (2015 Glasser)
• “Distortions, Collections, and Mobility: South Asian Poets and the Space for Female Subjectivity” (2015 Wilkey)
• “From Text to Tech: Theorizing Changing Experimental Narrative Structures” (2015 Ortega)
• “A Moral Being in an Aesthetic World: Being in the Early Novels of Kurt Vonnegut” (2015 Hubbard)

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Dissertations.

Marcus Alaimo: “The Romantic-Utilitarian Debate” directed by David Bromwich, Leslie Brisman, Stefanie Markovits

Andie Berry: “This Has Not Happened: African American Performances At The Edge Of The Century” directed by Daphne A. Brooks, Tavia Nyong’o, Marc Robinson

Daniel de la Rocha: “Frustrated Journeys: Social Immobility and the Aesthetics of Disappointment in Nineteenth-Century Fiction” directed by Ruth Bernard Yeazell, Marta Figlerowicz, Stefanie Markovits

Seamus Dwyer: “Scripts and Literature in the Manuscripts of England and France, 1370-1425” directed by Jessica Brantley, Ardis Butterfield, Emily Thornbury

Emily Glider: “Geopolitical Players: Diplomacy, Trade, and English Itinerant Theater in Early Modern Europe” directed by David Kastan, Lawrence Manley, Ayesha Ramachandran

Tobi Haslett: “All This Sociology and Economics Jazz: Blackness, Writing, and Totality after Civil Rights” directed by Jacqueline Goldsby, Michael Warner, Michael Denning

Adam C. Keller: “Character in Conflict: Soldiers and the Formation of Eighteenth-Century Literary Character” directed by David Bromwich, Jill Campbell, Anastasia Eccles

Elizabeth R. Mundell-Perkins: “Matter of the Mind: Narrative’s Knowledge and the Novel of Impressionability, 1897-present” directed by Ruth Bernard Yeazell, Marta Figlerowicz, Juno Richards

Colton Valentine: “Between Languages: Queer Multilingualism in the British Belle Époque” directed by Marta Figlerowicz, Stefanie Markovits, Katie Trumpener, Ruth Bernard Yeazell

Elizabeth Colette Wiet: “Maximalism: An Art of the Minor” directed by Marc Robinson, Joseph Roach

Helen Hyoun Jung Yang: “Healed by Water: American Hydropathy and the Search for Meaning in Nature” directed by Caleb Smith, John Durham Peters, Wai Chee Dimock

December 2023

Shu-han Luo: “Didactic Poetry as Formal Experiment in Early Medieval England” directed by Emily Thornbury, Ardis Butterfield, Lucas Bender

Cera Smith: “Blackened Biology: Physiology of the Self and Society in African American Literature and Sculpture” directed by Jacqueline Goldsby, Tavia Nyong’o, Aimee Meredith Cox

Michael Abraham: “The Avant-Garde of Feeling: Queer Love and Modernism” directed by Langdon Hammer, Marta Figlerowicz, Ben Glaser

Peter Conroy: “Unreconciled: American Power and the End of History, 1945 to the Present” directed by Joe Cleary, Joseph North, Paul North

Trina Hyun: “Media Theologies, 1615-1668” directed by John Durham Peters, Catherine Nicholson, Marta Figlerowicz, John Rogers (University of Toronto)

Margaret McGowan: “A Natural History of the Novel: Species, Sense, Atmosphere” directed by Jonathan Kramnick, Katie Trumpener, Marta Figlerowicz

Benjamin Pokross: “Writing History in the Nineteenth-Century Great Lakes” directed by Caleb Smith, Greta LaFleur, Michael Warner

Sophia Richardson: “Reading the Surface in Early Modern English Literature” directed by Catherine Nicholson, Lawrence Manley, John Rogers(University of Toronto)

Melissa Shao Hsuan Tu: “Sonic Virtuality: First-Person Voices in Late Medieval English Lyric” directed by Ardis Butterfield, Jessica Brantley, John Durham Peters

Sarah Weston: “The Cypher and the Abyss: Outline Against Infinity” directed by Paul Fry, Tim Barringer, John Durham Peters

December 2022

Anna Hill: “Sublime Accumulations: Narrating the Global Climate, 1969-2001” directed by Joe Cleary, Marta Figlerowicz, Ursula Heise (UCLA)

Christopher McGowan: “Inherited Worlds: The British Modernist Novel and the Sabotage and Salvage of Genre” directed by Joe Cleary, Michael Denning, Katie Trumpener

Samuel Huber: “Every Day About the World: Feminist Internationalism in the Second Wave” directed by  Jacqueline Goldsby, Margaret Homans, Jill Richards

Shayne McGregor: “An Intellectual History of Black Literary Discourse 1910-1956” directed by Joseph North, Robert Stepto

Brandon Menke: “Slow Tyrannies: Queer Lyricism, Visual Regionalism, and the Transfigured World” directed by Langdon Hammer, Wai Chee Dimock, Marta Figlerowicz

Arthur Wang: “Minor Theories of Everything: On Popular Science and Contemporary Fiction” directed by Amy Hungerford, John Durham Peters, Sunny Xiang

December 2021

Sarah Robbins: “Re(-)Markable Texts: Making Meaning of Revision in Nineteenth-Century African American Literature” directed by Caleb Smith, Jacqueline Goldsby, Anthony Reed

David de León: “Epic Black: Poetics in Protest in the Time of Black Lives Matter” directed by  Langdon Hammer, Daphne Brooks, Marta Figlerowicz

Clio Doyle: “Rough Beginnings: Imagining the Origins of Agriculture in Late Medieval and Early Modern Britain” directed by Lawrence Manley, David Kastan, Catherine Nicholson

Clay Greene: “The Preexistence of the Soul in the Early English Enlightenment: 1640-1740” directed by John Rogers, Jonathan Kramnick, Lawrence Manley

December 2020

Wing Chun Julia Chan: “Veritable Utopia: Revolutionary Russia and the Modernism of the British Left” directed by Katie Trumpener, Jill Richards, Katerina Clark

James Eric Ensley: “Troubled Signs: Thomas Hoccleve’s Objects of Absence” directed by Jessica Brantley, Alastair Minnis, Ardis Butterfield

Paul Franz: “Because so it is made new”: D. H. Lawrence’s charismatic modernism directed by David Bromwich, Ben Glaser, and Langdon Hammer

Chelsie Malyszek: Just Words: Diction and Misdirection in Modern Poetry directed by Lanny Hammer, David Bromwich, and Ben Glaser

Justin Park: “The Children of Revenge: Managing Emotion in Early English Literature” directed by Roberta Frank, Alastair Minnis, David Kastan

Peter Raccuglia: “Lives of Grass: Prairie Literature and US Settler Capitalism” directed by Michael Warner, Jonathan Kramnick, Michael Denning

Ashley James: “ ‘Moist, Fleshy, Pulsating Surfaces’: Seeing and Reading Black Life after Experientiality” directed by Professors Jacqueline Goldsby, Elizabeth Alexander, and Anthony Reed

Brittany Levingston: “In the Day of Salvation: Christ and Salvation in Early Twentieth-Century African American Literature” directed by Professors Jacqueline Goldsby, Robert Stepto, and Anthony Reed

Lukas Moe: “Radical Afterlives: U.S. Poetry, 1935-1968” directed by Professors Langdon Hammer, Jacqueline Goldsby, and Michael Denning

Carlos Nugent: “Imagined Environments: Mediating Race and Nature in the U.S.-Mexico Borderlands” directed by Professors Wai Chee Dimock, Amy Hungerford, and Michael Warner

Anna Shechtman: “The Media Concept: A Genealogy” directed by Professors Amy Hungerford, John Durham Peters, and Michael Warner

December 2019

Bofang Li: “Old Media/New Media: Intimate Networked Publics and the Commodity Text Since 1700” directed by Professors Wai Chee Dimock, R. John Williams, and Francesco Casetti

Scarlet Luk: “Gender Unbound: The Novel Narrator Beyond the Binary” directed by Professors Margaret Homans, Jill Campbell, and Jill Richards

Phoenix Alexander: “Voices with Vision: Writing Black, Feminist Futures in Twentieth-Century African America” directed by Professors Jacqueline Goldsby, Daphne Brooks, Anthony Reed, and Wai Chee Dimock

Andrew S. Brown: “Artificial Persons: Fictions of Representation in Early Modern Drama” directed by Professors David Kastan, John Rogers, and Joseph Roach

Margaret Deli: “Authorizing Taste: Connoisseurship and Transatlantic Modernity, 1880-1959” directed by Professors Ruth Yeazell, Joseph Cleary, and R. John Williams

Ann Killian: “Expanding Lyric Networks: The Transformation of a Genre in Late Medieval England” directed by Professors Ardis Butterfield, Jessica Brantley, and Alastair Minnis

Alexandra Reider: “The Multilingual English Manuscript Page, c. 950-1300” directed by Professors Roberta Frank, Ardis Butterfield, and Alastair Minnis

December 2018

Seo Hee Im: “After Totality: Late Modernism and the Globalization of the Novel” directed by Professors Joseph Cleary, Katie Trumpener, and Marta Figlerowicz

Angus Ledingham: “Styles of Abstraction: Objectivity and Moral Thought in Nineteenth-Century British Literature” directed by Professors David Bromwich, Jill Campbell, and Stefanie Markovits

Jason Bell: “Archiving Displacement in America” directed by Professors Caleb Smith, Wai Chee Dimock, and Jacqueline Goldsby

Joshua Stanley: “If but Once We Have Been Strong: Collective Agency and Poetic Technique in England during the Period of Early Capitalism” directed by Professors Paul Fry, David Bromwich, and Anthony Reed

December 2017

Carla Baricz: “Early Modern Two-Part and Sequel Drama, 1490-1590” directed by Professors David Quint, Lawrence Manley, and David Kastan

Edward King: “The World-Historical Novel: Writing the Periphery” directed by Professors Joseph Cleary, R. John Williams, and Michael Denning

Palmer Rampell: “The Genres of the Person in Post-World War II America” directed by Professors Amy Hungerford, Michael Warner, and R. John Williams

Anya Adair: “Composing the Law: Literature and Legislation in Early Medieval England” directed by Professors Roberta Frank, Ardis Butterfield, and Alastair Minnis

Robert Bradley Holden: “Milton between the Reformation and Enlightenment: Religion in an Age of Revolution” directed by Professors David Quint, Bruce Gordon, and John Rogers

Andrew Kau: “Astraea’s Adversary: The Rivalry Between Law and Literature in Elizabethan England” directed by Professors Lawrence Manley, David Quint, and David Kastan

Natalie Prizel: “The Good Look: Victorian Visual Ethics and the Problem of Physical Difference” direcgted by Professors Janice Carlisle and Tim Barringer

Rebecca Rush: “The Fetters of Rhyme: Freedom and Limitation in Early Modern Verse” direcgted by Professors David Quint, David Kastan, and John Rogers

Prashant Sharma: “Conversions to the Baroque: Catholic Modernism from James Joyce to Graham Greene” directed by Professors Paul Fry, Joseph Cleary, and Marta Figlerowicz

Joseph Stadolnik: “Subtle Arts: Practical Science and Middle English Literature” directed by Professors Ardis Butterfield and Alastair Minnis

Steven Kirk Warner: “Versions of Narcissus: The Aesthetics and Erotics of the Male Form in English Renaissance Poetry” directed by Professors John Rogers and Catherine Nicholson

December 2016

Kimberly Quiogue Andrews: “The Academic Avant-Garde: Poetry and the University since 1970” directed by Professors Langdon Hammer, Paul Fry, and Wai Chee Dimock

Alexis Chema: “Fancy’s Mirror: Romantic Poetry and the Art of Persuasion” directed by Professors David Bromwich and Paul Fry

Daniel Jump: “Metadiscursive Struggle and the Eighteenth-Century British Social Imaginary: From the End of Licensing to the Revolution Controversy” directed by Professors Michael Warner, Jill Campbell, and Paul Fry

Jordan Brower: “A Literary History of the Studio System, 1911-1950” directed by Wai Chee Dimock, JD Connor, and Joe Cleary

Ryan Carr: “Expressivism in America” directed by Michael Warner, Caleb Smith, and Paul Fry

Megan Eckerle: “Speculation and Time in Late Medieval Visionary Discourse” directed by Jessica Brantley and Alastair Minnis

Gabriele Hayden: “Routes and Roots of the New World Baroque: U.S. Modernist Poets Translate from Spanish” directed by Landon Hammer and Wai Chee Dimock

Matthew Hunter: “The Pursuit of Style in Shakespeare’s Drama” directed by David Kastan, Lawrence Manley, and Brian Walsh

Leslie Jamison: “The Recovered: Addiction and Sincerity in 20th Century American Literature” directed by Wai Chee Dimock, Amy Hungerford, and Caleb Smith

Jessica Matuozzi: “Double Agency: A Multimedia History of the War on Drugs” directed by Jacqueline Goldsby, Amy Hungerford, and Anthony Reed

Aaron Pratt: “The Status of Printed Playbooks in Early Modern England” directed by David Kastan, Lawrence Manley, and Keith Wrightson

Madeleine Saraceni: “The Idea of Writing for Women in Late Medieval Literature” directed by Jessica Brantley, Ardis Butterfield, and Alastair Minnis

J. Antonio Templanza: “Know to Know No More: The Composition of Knowledge in Milton’s Epic Poetry” directed by John Rogers and Paul Fry

Andrew Willson: “Idle Works: Unproductiveness, Literature Labor, and the Victorian Novel” directed by Janice Carlisle, Stefanie Markovits, and Ruth Yeazell

December 2015

Melina Moe: “Public Intimacies: Literary and Sexual Reproduction in the Eighteenth Century” directed by Katie Trumpener, Wendy Lee, Jonathan Kramnick, and Jill Campbell

Merve Emre: “Paraliterary Institutions” directed by Wai Chee Dimock and Amy Hungerford

Samuel Fallon: “Personal Effects: Personal and Literary Culture in Elizabethan England” directed by David Kastan, Catherine Nicholson, and Lawrence Manley

Edgar Garcia: “Deep Land: Hemispheric Modernisms and Indigenous Media” directed by Wai Chee Dimock, Langdon Hammer, and Anthony Reed

Jean Elyse Graham: “The Book Unbound: Print Logic between Old Books and New Media” directed by David Kastan, Catherine Nicholson, and R. John Williams

December 2014

Len Gutkin: “Dandiacal Forms” directed by Amy Hungerford, Sam See, and Katie Trumpener

Justin Sider: “Parting Words: Address and Exemplarity in Victorian Poetry” directed by Linda Peterson, Leslie Brisman, and Stefanie Markovits

William Weber: “Shakespearean Metamorphoses” directed by David Kastan

Thomas Koenigs: “Fictionality in the United States, 1789-1861” directed by Michael Warner, Jill Campbell, and Caleb Smith

Andrew Kraebel: “English Traditions of Biblical Criticism and Translation in the Later Middle Ages” directed by Alastair Minnis, Jessica Brantley, and Ian Cornelius

Tessie Prakas: “The Office of the Poet: Ministry and Verse Practice in the Seventeenth Century” directed by John Rogers, David Kastan, and Catherine Nicholson

Nienke Christine Venderbosch: “‘Tha Com of More under Misthleothum Grendel Gongan’: The Scholarly and Popular Reception of Beowulf ’s Grendel from 1805 to the Present Day” directed by Roberta Frank and Paul Fry

Eric Weiskott: “The Durable Alliterative Tradition” directed by Roberta Frank, Alastair Minnis, Ian Cornelius

December 2013

Anthony Domestico: “Theologies of Crisis in British Literature of the Interwar Period” directed by Amy Hungerford and Pericles Lewis

Glyn Salton-Cox: “Cobbett and the Comintern:  Transnational Provincialism and Revolutionary Desire from the Popular Front to the New Left” directed by Katie Trumpener, Katerina Clark, and Joe Cleary

Samuel Alexander: “Demographic Modernism: Character and Quantification in Twentieth Century Fiction” directed by Professors Pericles Lewis and Barry McCrea

Andrew Karas: “Versions of Modern Poetry” directed by Professors Paul Fry and Langdon Hammer

James Ross Macdonald: “Popular Religious Belief and Literature in Early Modern England” directed by Professors David Kastan and John Rogers

December 2012

Michael Komorowski: “The Arts of Interest: Private Property and the English Literary Imagination in the Age of Milton” directed by Professors David Quint and John Rogers

Fiona Robinson: “Raising the Dead: Writing Lives and Writing Wars in Britain, 1914-1941” directed by Professors Katie Trumpener, Margaret Homans, and Sam See

Nathalie Wolfram: “Novel Play: Gothic Performance and the Making of Eighteenth Century Fiction” directed by Professors Joseph Roach and Katie Trumpener

Michaela Bronstein: “Imperishable Consciousness: The Rescue of Meaning in the Modernist Novel” directed by Professors Ruth Yeazell and Pericles Lewis

David Currell: “Epic Satire: Structures of Heroic Mockery in Early Modern English Literature” directed by Professor David Quint

Andrew Heisel: “Reading in Darkness: Sacred Text and Aesthetics in the Long Eighteenth Century” directed by Professors Jill Campbell and Elliott Visconsi

Hilary Menges: “Authorship before Copyright: The Monumental Book, 1649-1743” directed by Professors Jill Campbell and John Rogers

Nathan Suhr-Sytsma: “Poetry and the Making of the Anglophone Literary World, 1950-1975” directed by Professors Wai Chee Dimock and Langdon Hammer

December 2011

Patrick Gray: “The Passionate Stoic: Subjectivity in Shakespeare’s Rome” directed by Professors Lawrence Manley and David Quint

Christopher Grobe: “Performing Confession: American Poetry, Performance, and New Media 1959” directed by Professors Amy Hungerford and Joseph Roach

Sebastian LeCourt: “Culture and Secularity: Religion in the Victorian Anthropological Imagination” directed by Professors Linda Peterson and Katie Trumpener

Laura Saetveit Miles: “Mary’s Book: The Annunciation in Middle England” directed by Jessica Brantley and Alastair Minnis

Stephen Tedeschi: “Urbanization in English Romantic Poetry” directed by Professors Paul Fry and Christopher R. Miller

Julia Fawcett: “Over-Expressing the Self: Celebrity, Shandeism, and Autobiographical Performance, 1696-1801” directed by Professors Jill Campbell and Joseph Roach

Daniel Gustafson: “Stuart Restorations: History, Memory, Performance” directed by Professor Joseph Roach and Elliott Visconsi

Sarah Mahurin: “American Exodus: Migration and Oscillation in the Modern American Novel” directed by Professors Wai Chee Dimock and Robert Stepto

Erica Levy McAlpine: “Lyric Elsewhere: Strategies of Poetic Remove” directed by Professors David Bromwich and Langdon Hammer

Sarah Novacich: “Ark and Archive: Narrative Enclosures in Medieval and Early Modern Texts” directed by Professors Roberta Frank and Alastair Minnis

Jesse Schotter: “The Hieroglyphic Imagination: Language and Visuality in Modern Fiction and Film” directed by Professors Peter Brooks and Pericles Lewis

Matthew Vernon: “Strangers in a Familiar Land: The Medieval and African-American Literary Tradition” directed by Professor Alastair Minnis

Chia-Je Weng: “Natural Religion and Its Discontents: Critiques and Revisions in Blake and Coleridge” directed by Professors Leslie Brisman and Paul Fry

Nicole Wright: “‘A contractile power’: Boundaries of Character and the Culpable Self in the British Novel, 1750-1830” directed by Professors Jill Campbell and Katie Trumpener

December 2010

Molly Farrell: “Counting Bodies: Imagining Population in the New World” directed by Professor Wai Chee Dimock

John Muse: “Short Attention Span Theaters: Modernist Shorts Since 1880” directed by Professors Joseph Roach and Marc Robinson

Denis Ferhatović: “An Early English Poetics of the Artifact” directed by Professor Roberta Frank

Colin Gillis: “Forming the Normal: Sexology and the Modern British Novel, 1890-1939” directed by Professors Laura Frost and Pericles Lewis

Katherine Harrison: “Tales Twice Told: Sound Technology and American Fiction after 1940” directed by Professor Amy Hungerford

Jean Otsuki: “British Modernism in the Country” directed by Professors Paul Fry and Margaret Homans

Erin Peterson: “On Intrusion and Interruption: An Exploration of an Early Modern Literary Mode” directed by Professor John Rogers

Patrick Redding: “A Distinctive Equality: The Democratic Imagination in Modern American Poetry” directed by Professors David Bromwich and Langdon Hammer

Emily Setina: “Modernism’s Darkrooms: Photography and Literary Process” directed by Professors Langdon Hammer and Pericles Lewis

Jordan Zweck: “Letters from Heaven in the British Isles, 800-1500” directed by Professor Roberta Frank

December 2009

Elizabeth Twitchell Antrim: “Relief Work: Aid to Africa in the American Novel Since 1960” directed by Professor Wai Chee Dimock

Emily Coit: “The Trial of Abundance: Consumption and Morality in the Anglo-American Novel, 1871-1907” directed by Professors Catherine Labio and Ruth Bernard Yeazell

Andrew Goldstone: “Modernist Fictions of Aesthetic Autonomy” directed by Professors Langdon Hammer and Amy Hungerford

Matthew Mutter: “Poetry Against Religion, Poetry As Religion: Secularism and its Discontents in Literary Modernism” directed by Professors David Bromwich and Pericles Lewis

Anna Chen: “Kinship Lessons: The Cultural Uses of Childhood in Late Medieval England” directed by Professors Jessica Brantley and Lee Patterson

Anne DeWitt: “The Uses of Scientific Thinking and the Realist Novel” directed by Professor Linda Peterson

Irina Dumitrescu: “The Instructional Moment in Anglo-Saxon Literature” directed by Professor Roberta Frank

Susannah Hollister: “Poetries of Geography in Postwar America” directed by Professors Paul Fry and Langdon Hammer

James Horowitz: “Rebellious Hearts and Loyal Passions: Imagining Civic Consciousness in Ovidian Writing on Women, 1680-1819” directed by Professors Jill Campbell and Elliott Visconsi

Ben LaBreche: “The Rule of Friendship: Literary Culture and Early Modern Liberty” directed by Professors David Quint and John Rogers

December 2008

Sarah Van der Laan: “What Virtue and Wisdom Can Do: Homer’s Odyssey in the Renaissance Imagination” directed by Professor David Quint

Annmarie Drury: “Literary Translators and Victorian Poetry” directed by Professor Linda Peterson

Jeffrey Glover: “People of the Word: Puritans, Algonquians, and the Politics of Print in Early New England” directed by Professors Elizabeth Dillon and Wai Chee Dimock

Dana Goldblatt: “From Contract to Social Contract: Fortescue’s Governance and Malory’s Morte ” directed by Professors David Quint and Alastair Minnis

Kamran Javadizadeh: “Bedlam and Parnassus: Madness and Poetry in Postwar America” directed by Professor Langdon Hammer

Ayesha Ramachandran: “Worldmaking in Early Modern Europe: Global Imaginations from Montaigne to Milton” directed by Professors Annabel Patterson and David Quint

Jennifer Sisk: “Forms of Speculation: Religious Genres and Religious Inquiry in Late Medieval England” directed by Professor Lee Patterson

Ariel Watson: “The Anxious Triangle: Modern Metatheatres of the Playwright, Performer, and Spectator” directed by Professor Joseph Roach

Jesse Zuba: “The Shape of Life: First Books and the Twentieth-Century Poetic Career” directed by Professors Langdon Hammer and Amy Hungerford

December 2007

Rebecca Boggs: “The Gem-Like Flame: the Aesthetics of Intensity in Hopkins, Crane, and H.D.” directed by Professor Langdon Hammer

Maria Fackler: “A Portrait of the Artist Manqué : Form and Failure in the British Novel Since 1945” directed by Professors Pericles Lewis and Ruth Bernard Yeazell

Melissa Ganz: “Fictions of Contract: Women, Consent, and the English Novel, 1722-1814” directed by Professor Jill Campbell

Siobhan Phillips: “The Poetics of Everyday Time in Frost, Stevens, Bishop, and Merrill” directed by Professors David Bromwich and Langdon Hammer

Morgan Swan: “The Literary Construction of a Capital City: Late-Medieval London and the Difficulty of Self-Definition” directed by Professor Lee Patterson

Andrea Walkden: “Lives, Letters and History: Walton to Defoe” directed by Professors David Quint and John Rogers

Rebecca Berne: “Regionalism, Modernism and the American Short Story Cycle” directed by Professors Wai Chee Dimock and Vera Kutzinski

Leslie Eckel: “Transatlantic Professionalism: Nineteenth-Century American Writers at Work in the World” directed by Professors Wai Chee Dimock and Jennifer Baker

December 2006

Gregory Byala: “Samuel Beckett and the Problem of Beginning” directed by Professors Paul Fry and Pericles Lewis

Eric Lindstrom: “Romantic Fiat” directed by Professors David Bromwich and Paul H. Fry

Megan Quigley: “Modernist Fiction and the Re-instatement of the Vague” directed by Professors David Bromwich and Pericles Lewis

Randi Saloman: “Where Truth is Important: The Modern Novel and the Essayistic Mode” directed by Professors David Bromwich and Laura Frost

Michael Wenthe: “Arthurian Outsiders: Heterogeneity and the Cultural Politics of Medieval Arthurian Literature” directed by Professor Lee Patterson

Christopher Bond: “Exemplary Heroism and Christian Redemption in the Epic Poetry of Spenser and Milton” directed by Professors David Quint and John Rogers

Lara Cohen: “Counterfeit Presentments: Fraud and the Production of Nineteenth-Century American Literature” directed by Professors Elizabeth Dillon and Wai Chee Dimock

Nicholas Salvato: “Uncloseting Drama: Modernism’s Queer Theaters” directed by Professors Joseph Roach and Michael Trask

Anthony Welch: “Songs of Dido: Epic Poetry and Opera in Seventeenth-Century England” directed by Professor David Quint

December 2005

Brooke Conti: “Anxious Acts: Religion and Autobiography in Early Modern England” directed by Professor Annabel Patterson

Brett Foster: “The Metropolis of Popery: Writing of Rome in the English Renaissance” directed by Professors Lawrence Manley and David Quint

Curtis Perrin: “Langland’s Comic Vision” directed by Professor Traugott Lawler

*English Language & Literature

• Finding Articles
• Biographies & Memoirs
• Dissertations & Theses
• Primary Sources
• Citation Resources
• Tools for Access
• Orientation for MFA, MA, & PhD Students

Find Dissertations & Theses

Use the following sources to find doctoral dissertations and master's theses.  Copies of dissertations and theses from other universities can be requested via Interlibrary Loan: borrowing . For more resources for finding theses and dissertations, see the Research Guide Dissertations .

• Dissertations & Theses Global This link opens in a new window Full text (PDF) of most US dissertations from 1997 on, many earlier works and some from outside the US plus some master's theses. Also lists all dissertations and theses from 1861 on from US universities and some works from Europe and Asia from 1637 on. Abstracts included after July, 1980.
• Virgo Virgo provides discovery of all theses and dissertations originating at the University of Virginia as well as many others. Newer theses and dissertations are accessible online. From the advanced search screen, you can limit your search to Thesis/Dissertation under the Format heading.
• Networked Digital Library of Theses & Dissertations Contains more than one million records of electronic theses and dissertations.
• American Doctoral Dissertations This freely accessible database includes nearly 100,000 dissertations from 1933 through 1955, which represents the only comprehensive record of dissertations accepted by U.S. universities during that period.

Recent UVA English Dissertations & M.A. Theses

Dissertations and theses offer the latest research from graduate students, identifying trends in the field. As research tools, they are invaluable for their extensive bibliographies. The following are examples of recent dissertations and MA theses written by UVA English graduate students that can be found through Virgo and are available online through the LibraETD repository:

• "Corporate Voice": Poetic Personation and Political Theology in Early Modern England, Dissertation, 2022, Evan Cheney
• "What Is Past, or Passing, or to Come": Transnational Modernism, Self-Transcendence, and the Rise of Ultranationalism (1884-1945), Dissertation, 2024, Kathryn Webb-Destefano
• After Haiti: Race, Empire, and Global Decadent Literary Resistance, 1804-1948, Dissertation, 2024, Cherrie Kwok
• All Y'All: Queering Southernness in Recent US Fiction, Dissertation, 2022, Heidi Siegrist
• The Architecture of Solitude: Constructions of Isolation in Victorian Literature, Dissertation, 2024, Monica David
• Attitude Problems: Late Capitalist Desire and the Psychopolitics of Queer American Fiction, Dissertation, 2024, John Modica
• Beyond Subversion: Raising Doubt Through Ancient Scripture in Contemporary Novels, Dissertation, 2022, Nathan Frank
• Black Boyhood and the Queer Practices of Impossibility in African American Literary and Cultural Productions, Dissertation, 2022, Dionte Harris
• Cholera's Clock: Race, Illness, and Time in the Nineteenth-Century American Literary Imagination, Dissertation, 2023, Bridget Reilly
• Cognitive-Affective Formalism: T.S. Eliot and the Embodiment of Early Modern Verse, Dissertation, 2024, Justin Stec
• Crossing Lines: Topoi of Kynde in Medieval Romance, Dissertation, 2024, Courtney Watts
• The Economics of the Novel in Britain, 1750-1836, Dissertation, 2023, Michael VanHoose
• Forms of Time and Times of Race: Narrative in the Jim Crow Era, Dissertation, 2023, Josephine Adams
• Ghostly Encounters: Transnational Gothic and the Twenty-First Century Global Novel, Dissertation, 2022, Dipsikha Thakur
• Intimate Editing: Toward a Relational Philological Poetics, Dissertation, 2022, Anne Marie Thompson
• Its Radiant Arms: The Novelized Lyric in the Nineteenth-Century British Novel, Dissertation, 2023, Lydia Brown
• Lyric Crossings: Decoloniality in Contemporary Latinx Poetry, Dissertation, 2023, Rebecca Foote
• Neoliberal Melancholia and the Narration of Chineseness in the Twenty-First Century, Dissertation, 2024, Tracey Wang
• Outlaws, Collectors, Songsters, and Bards: Modern Lyric and the Voices of Ballad History, Dissertation, 2024, Samuel Walker
• Playing for Profit: Staging Self-interest in Early Modern England, Dissertation, 2024, Lucie Alden
• A Poetics that is Not One: Origins, Forms, and Communities of Twentieth and Twenty-First Century TransPoetics, Dissertation, 2023, Austyn James
• Postcritical Relations, Dissertation, 2023, Jessica Swoboda
• Provincial Matters: Poetry and the Work of Space in the Global Twentieth Century, Dissertation, 2023, Wei Liu
• Radical Media, Radical Culture: Technology and Social Change in 20th and 21st Century America, Dissertation, 2022, Grace Alvino
• Refracting the Past in Post-Reformation Romance, Dissertation, 2022, Valerie Voight
• Refugee Poetics: Southeast Asian American Poets, Literary Institutions, and Structures of Postmemory, Dissertation, 2023, Joseph Wei
• Renovated Spirits: Character and the Modern Dramatic Monologue, Dissertation, 2024, Matthew Martello
• The Sacrament and the Stage: Eucharistic Representations in English Theater, Dissertation, 2022, Daniel Zimmerman
• Threshold Domesticity in the English Gothic Novel, Dissertation, 2024, Natalie Thompson
• Who Robbed the Woods: American Deforestation and Indigenous Literary Resistance, 1825-1930, Dissertation, 2023, Lloyd Sy
• "Bridge the Gap" With Community: Approaches for Community Building for First-Year Writing Across Two- and Four-Year Colleges, M.A. Thesis, 2024, Olivia Barrett
• "Handmade by You": The Poetics and Politics of Long-Distance Correspondence in Agha Shahid Ali, M.A. Thesis, 2023,Yichu Wang
• "Love Beyond Anything I Will Ever Make of It": Lyric Poetry as an Approach to Writing About Climate Crisis, M.A. Thesis, 2024, Krysten Kuhn
• "Worthiest to Be Obeyed": Right Learning and Pedagogy in Paradise Lost, M.A. Thesis, 2024, Alexander Slansky
• Accessibility for Whom? Teaching Graphic Novels to Represent the Embodied Experiences of Neurodiverse AFAB Intersectional Identities, M.A. Thesis, 2023, Kaylin Preslar
• Acting with Disruptive Compassion at Empathetic Intersections in Octavia Butler's Parable of the Talents, M.A. Thesis, 2023, Rebecca Barry
• Behind the Boar-Helm: Examining Men and Performed Masculinity in Pre-Conquest England, M.A. Thesis, 2024, Anna Weese-Grubb
• Breaking Chains, Building Narratives: U.S. Prison Education and Critical Narrative Pedagogy, M.A. Thesis, 2023, Jacob Francis
• The Call Is Coming From Inside the House: Surveillance and Haunted Houses in Contemporary Literature, M.A. Thesis, 2023, Pamela Avery Erskine
• Can the Subaltern Speak Through Postcolonial Historical Fiction?: A Study of Amitav Ghosh's Ibis Trilogy, M.A. Thesis, 2023, Gauri Jhangiani
• The Contemporary (African) American Sonnet, M.A. Thesis, 2023, Lucy Catlett
• Cosmopolitan Futures, Modernist Afterlives: Critical Aesthetics in Teju Cole's Open City and Kazuo Ishiguro's the Unconsoled, M.A. Thesis, 2023, Eugenie Jiwon Shin
• Demonic Women and Machiavellian Men in Shakespeares's Early History Plays, M.A. Thesis, 2024, Yiding Yu
• Distant Aesthetics: Amazon's Impacts on the Aesthetic of the Novel, M.A. Thesis, 2023, Thomas Williams
• The Early Social History of Kenneth Grahame's the Wind in the Willows, M.A. Thesis, 2023, Kathryn Higinbotham
• The Empathy Habit: Vernon Lee's Psychological Aesthetics, M.A. Thesis, 2023, Quenby Hersh
• Fatal Affections: Charlotte Temple, the Coquette, and the Mourning Reader, M.A. Thesis, 2024, Mackenzie Daly
• Filtered Through Fiction: The Evolution of Perspective in Hemingway's in Our Time, M.A. Thesis, 2023, Grant Nuttall
• Herbert Marcuse: A Critical Theorist With a Reparative Mindset, M.A. Thesis, 2024, Tanner Eckstein
• Moral Implications of Madness: Female Sexuality and Violence in Sir Walter Scott's the Bride of Lammermoor and Thomas Hardy's Tess of the d'Urbervilles, M.A. Thesis, 2023, Hana Liebman
• Otherwise Than Schooling: Three Critiques of Secularism, State Power, and US Public Education, 1960-2000, M.A. Thesis, 2023, Chandler Jennings
• Playing to Learn: Integrating Story-Based Games Into Secondary English Curriculum, M.A. Thesis, 2024, Caroline Ford
• A Queer Claim to the World: Stanley Cavell, Tangerine, and Acknowledgment, M.A. Thesis, 2023, Henry Tschurr
• Queering the Process: A Pedagogical Case Analysis of Queer Interruptions in the First-Year Writing Classroom, M.A. Thesis, 2024, Kayla Reese Arbini
• Slow Reading, Slow Eating: A Postcritical Approach to First-Year Writing Pedagogy, M.A. Thesis, 2023, Rianna Turner
• Sympathy and Revulsion in Shelley's "Prometheus Unbound", M.A. Thesis, 2023, Sara Di Muzio
• Teaching Ambiguity in Shakespeare, M.A. Thesis, 2024, Jared Willden
• Teaching Loving: On Embracing Affect in the First-Year Writing Classroom, M.A. Thesis, 2024, Allison Gish
• Teaching the Controversy:Using Challenged and Banned Books in the High School English Curriculum, M.A. Thesis, 2023, Caroline Greenblatt
• Trauma-Informed Teaching in Low Income Schools, M.A. Thesis, 2024, "Rynx" Claire Gordon Schulz
• A Turn Toward Empathy: A Pedagogy for Developing Emotional Literacy with Multicultural Coming-of-Age Novels, M.A. Thesis, 2023, Amanda Boivin
• Yeats, Violence, and Aesthetic Distance, M.A. Thesis, 2024, Eric Miller
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Home > FACULTIES > English > ENGLISH-ETD

English Theses and Dissertations

This collection contains theses and dissertations from the Department of English, collected from the Scholarship@Western Electronic Thesis and Dissertation Repository

Theses/Dissertations from 2024 2024

Listening to "Silence": Alternative Modes of Communication in Korean and Korean American Women's Literature , Judy Joo-Ae Bae

The Ecology of American Noir , Katrina Younes

Theses/Dissertations from 2023 2023

Poetics in Transit: Indigenous, Diasporic, and Settler Women’s Contemporary Writing in Canada , Christine Campana

Bodies of Silence and Space: Victimhood, Complicity, and Resistance in Margaret Atwood's The Handmaid's Tale , Sana H. Mufti

Capacious Feminism: Intimacy and Otherness in Mina Loy's Poetry , Elise Ottavino

Romantic Citation and the Receding Future , Andrew Sargent

Theses/Dissertations from 2022 2022

Love-Worlds: Performance of Love as Decolonial Worldmaking in India and in Indigenous Theatre on Northern Turtle Island , Sheetala Bhat

Diaspora and Abjection of a Nowhere in Particular: Theorizing the Hyphen in Iranian-Canadian Narratives , Mahdiyeh Ezzatikarami

Nostalgic Metafiction: The Adventure Fiction of Stevenson, Kipling, and Conrad , Hanji Lee

Men under Microscopes: “Medical Gaze” and Homeostasis in Victorian Realist Literature , Nida Rashid

The Time Helix: Nonlinear Narrative Structures and the Paradox of Delayed Simultaneity , Jaclyn A. Reed

Representing Women and the 1947 Partition in Hindi Cinema and Television (1948-Present) , Nidhi Shrivastava

Buried Feelings, Standing Stones: Secularity, Animism, and Late-Victorian Pagan Revivalism , Jeff Swim

Speaking Chastity: Female Speech, Silence, and the Strategic Performance of Chaste Identity in Early Modern Drama and Women's Writing , Lisa Templin

Theses/Dissertations from 2021 2021

Unsettling Sympathy: Indigenous and Settler Conversations from the Great Lakes Region, 1820-1860 , Erin Akerman

Unmade and Unmanned Men: Reading Traumatized Masculinity in Late Nineteenth-Century British Adventure Fiction through the Lens of the Indian “Mutiny” of 1857 , Madison A. Bettle

Artificial Frontiers, Simulated Indigeneity: Western Big-Budget Open World Games and the Settler Colonial Imaginary , Adam Bowes

Bible Translations And Literary Responses: Re-reading Missionary Interventions In Africa Through Local Perspectives , Chinelo Ezenwa

Capital Distress: Productive Citizenship and Mental Health in Adolescent Literature , Jeremy TL Johnston

Refusing Interpretation: Waste Ecologies in Victorian Fiction and Prose , Nahmi Lee

Resonances: An Examination of Republication Through Four Case Studies , F S. Nakhaie

“The seal set on our nationhood”: Canadian Literary Responses to the South African War (1899-1902) , Alicia C. Robinet

Theses/Dissertations from 2020 2020

Exquisite Corpses: Markedness, Gender, and Death in Video Games , Meghan Blythe Adams

Critiquing Psychiatry, Narrating Trauma: Madness in Twentieth-Century North American Literature and Film , Sarah Blanchette

Duration and Depravity: Religious and Secular Temporality in Puritanism and the American Gothic , Taylor Kraayenbrink

Sacred Mnemonics in Late Medieval England: ars memoria in the Hagiography of Osbern Bokenham , Erica C. Leighton

Malory, Chivalric Medievalism, and New Imperialist Masculinity , Andrew LiVecchi

Land, Water, and Stars: Relationality in Anishinaabe and Diasporic Literature , Maral Moradipour

Atmosphere and Religious Experience in American Transcendentalism , Thomas Sorensen

Material Witness: Occult Affects in the Mystery Fiction of the Fin de Siècle , Thomas Matthew Stuart

Theses/Dissertations from 2019 2019

Semantic Shift in Old English and Old Saxon Identity Terms , David A. Carlton

Financial Frictions: Money and Materiality in American Literary Naturalism, 1890-1925 , Patricia Luedecke

Criminal Masculinities and the Newgate Novel , Taylor R. Richardson

Everywhere, Animals Appear: Species, Race, and the State in Literature from the Raj to Global India , Jason Sandhar

Antichrist in the Shadows: Biblical Allusion in Richard III and Macbeth , Curtis J. Simpson

Georgic Political Economy: Emergent Forms of Order and Liberal Statecraft in Eighteenth-Century British Poetry , Jonathan Stillman

Theses/Dissertations from 2018 2018

Agnotologies of Modernism: Knowing the Unknown in Lewis, Woolf, Pound, and Joyce , Jeremy Colangelo

Species Panic: Interspecies Erotics in Post-1900 American Literature , David Huebert

Unread: The (Un)published Texts of Romanticism , Marc D. Mazur

Narrative Immunities: The Logic of Infection and Defense in American Speculative Fiction , Riley R. McDonald

Buddhism in Progress: Ecstasy, Eternity, and Zen Sickness in the English Romantics , Logan M. Rohde

Theses/Dissertations from 2017 2017

Romantic Metasubjectivity: Rethinking the Romantic Subject Through Schelling and Jung , Gord Barentsen

The Hermetic Enigma of a Protean Poet: Gnosis and the Puritanical Error in Shakespeare's Venus and Adonis , Luke Jennings

Literary Language Revitalization: nêhiyawêwin, Indigenous Poetics, and Indigenous Languages in Canada , Emily L. Kring

The Unknown Soldier in the 21st Century: War Commemoration in Contemporary Canadian Cultural Production , Andrew Edward Lubowitz

Islam's Low Mutterings at High Tide: Enslaved African Muslims in American Literature , Zeinab McHeimech

Appearing Live: Spectatorship, Affect, and Liveness in Contemporary British Performance , Meghan O'Hara

Spaces of Collapse: Psychological Deterioration, Subjectivity, and Spatiality in American Narratives , Andrew Papaspyrou

No Delicate Flower: Victorian Floral Symbolism’s Mediation of Social Issues in Selected Works of Elizabeth Barrett Browning, Alfred Tennyson, John Ruskin, and Isabella Bird Bishop , Christine Penhale

Waiting for God: John Milton’s Millenarianism Reconsidered , Rainerio George Ramos

Terrorism, Islamization, and Human Rights: How Post 9/11 Pakistani English Literature Speaks to the World , Shazia Sadaf

Crossing the Line: Censorship, Borders, and the Queer Poetics of Disclosure in English-Canadian Writing, 1967-2000 , Kevin T. Shaw

Imagining the Unimagined Metropolis: Privilege, Liminality, and Peripheral Communities in the Contemporary Urban Situation , Colton R. Sherman

Theses/Dissertations from 2016 2016

Rhetorical Ductus in Chaucerian Ekphrasis , Emily Laura Pez

"The Sense of An Ending": The Destabilizing Effect of Performance Closure in Shakespeare's Plays , Megan Lynn Selinger

Of the Last Verses in the Book: Old Age, Caregiving, and Early Modern Literature , Emily M. Sugerman

Theses/Dissertations from 2015 2015

Reading the Canadian Battlefield at Quebec, Queenston, Batoche, and Vimy , Rebecca Campbell

Turning to Food: Religious Contact and Conversion in Early Modern Drama , Fatima F. Ebrahim

Reading Boredom in Tennyson, Dante Gabriel Rossetti, William Morris, and Christina Rossetti , Rebekah Ann Lamb

Creating Difference: The Legal Production of Race in American Slavery , Shaun N. Ramdin

About Telling: Ghosts and Hauntings in Contemporary Drama and Poetry , Leif Erik Schenstead-Harris

The Aesthetics of Romantic Hellenism , Derek Shank

Theses/Dissertations from 2014 2014

The Luminous Detail: The Evolution of Ezra Pound's Linguistic and Aesthetic Theories from 1910-1915 , John J. Allaster

"Rank Corpuscles": Soil and Identity in Eighteenth-Century Representations , Nina Patricia Budabin McQuown

The Romantic Posthuman and Posthumanities , Elizabeth Effinger

Transnational Conversations: The New Yorker and Canadian Short Story Writers , Nadine Fladd

The Book Beautiful: Aestheticism, Materiality, and Queer Books , Frederick D. King

Graphic Drama: Reading Shakespeare in the Comics Medium , Russell H. McConnell

Diffuse Connections: Making Sense of Smell in Canadian Diasporic Women's Writing , Stephanie Oliver

“Companions of the Flame”: Concealment and Revelation in H.D.’s Trilogy , Cam Riddell

Dirty Modernism: Ecological Objects in American Poetry , Michael D. Sloane

EECOLOGY: (pata)physical taoism in e. e. cummings’s poetry , Nathan B. TeBokkel

Fatal Attraction: The Fetishized Image of the Fatal Woman as Gothic Double , Margaret Anne Young

Theses/Dissertations from 2013 2013

Storied Truths: Contemporary Canadian and Indigenous Childhood Trauma Narratives , Michelle Coupal

Feeling With Imagination: Sympathy and Postwar American Poetry , Timothy A. DeJong

After Dark: Reading Canadian Literature in a Light-Polluted Age , David S. Hickey

Dark Sympathy: Desiring the Other in Godwin, Coleridge, and Shelley , Jeffrey T. King

Strata, Soma, Psyche: Narrative and the Imagination in the Nineteenth-Century Science of Lyell, Darwin, and Freud , Pascale M. Manning

Uncommon Ecology: Reading the Romantic Oikos , Shalon Noble

"Radiant Imperfection": The Interconnected Writing Lives of Robert Bringhurst, Dennis Lee, Tim Lilburn, Don McKay, and Jan Zwicky , Kostantina Northrup

Preposterous America: The Language of Inversion in Thoreau, Melville, and Hawthorne , Rasmus R. Simonsen

Metaphor and Metanoia: Linguistic Transfer and Cognitive Transformation in British and Irish Modernism , Andrew C. Wenaus

Theses/Dissertations from 2012 2012

Hazardous Experiments: The Elusive Prefaces of William Godwin, Mary Hays, William Wordsworth and Percy Bysshe Shelley , Jeffrey W. Miles

Architectures of the Veil: The Representation of the Veil and Zenanas in Pakistani Feminists' Texts , Amber Fatima Riaz

Miscegenation in the Marvelous: Race and Hybridity in the Fantasy Novels of Neil Gaiman and China Miéville , Nikolai Rodrigues

Broken Passages and Broken Promises: Reconstructing the Komagata Maru and Air India Cases , Alia Rehana Somani

Theses/Dissertations from 2011 2011

Residues of the Cold War: Emergent Waste Consciousness in Postwar American Culture and Fiction , Thomas J. Barnes

Biological Inheritance and the Social Order in Late-Victorian Fiction and Science , Sherrin Berezowsky

Life Among the Machines: James Joyce's Ulysses and Early Twentieth-Century Technology , Patrick Casey

Social Money: Literary Engagements with Economics in Early Modern English Drama , Myungjin Choi

States of Insurgency: Dismemberment and Citizenship in the American 1848 , David J. Drysdale

Re-forging the smith: an interdisciplinary study of smithing motifs in Völuspá and Völundarkviða , Leif Einarson

Touching Bodies/Bodies Touching: The Ethics of Touch in Victorian Literature (1860-1900) , Ann M.C. Gagne

Feeling Better: The Therapeutic Drug in Modernism , Philip Glennie

Corporeal Returns: Theatrical Embodiment and Spectator Response in Early Modern Drama , Caroline R. Lamb

Seeking the Self in Pigment and Pixels: Postmodernism, Art, and the Subject , Selma Purac

Total Men!: Literature, Nationalism, and Mascuilinity in Early Canada , Aaron J. Schneider

Alternative Be/longing: Modernity and Material Culture in Bengali Cinema, 1947-1975 , Suvadip Sinha

Theses/Dissertations from 2010 2010

Graphomania: Composing Subjects in Late-Victorian Gothic Fiction and Technology , Gregory D. Brophy

The Burdens of Body's Beauty: Pre-Raphaelite Representations of the Body in William Morris's the Defence of Guenevere and Other Poems (1858) and Algernon Swinburne's Poems , Thomas A. Steffler

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Recent submissions, queer ecofeminism: from binary feminist environmental endeavours to postgender pursuits , ‘trying to draw a map of a child’s mind’: a study of the influence of childhood experience on the literary works of j. m. barrie through a freudian lens , a literary and cultural analysis of the mistreatment of women portrayed in the works of female irish writers and critical social events in ireland 1984-2022 , constitutionally codified, the myth of the maternal in the national imaginary , revolution, rebellion and vampires: colonial hybridity in irish gothic literature and historical documents , good grief: changing attitudes to childhood grief in children's literature , sarah atkinson (1823-1893) in the irish quarterly review, duffy’s hibernian magazine, duffy’s hibernian sixpenny magazine, the month and the irish monthly: a study of nineteenth-century irish women writers and their literary and publishing networks (1857-1893) , the irish question: an investigation into irish language self-efficacy beliefs in adults , ‘jaysus, keep talking like that and you’ll fit right in’- an investigation of oral irish english in contemporary irish fiction , a journey through learner language: tracking development using pos tag sequences in large-scale learner data , a corpus-based comparative pragmatic analysis of irish english and canadian english , céad mίle fáilte: a corpus-based study of the development of a community of practice within the irish hotel management training sector , a literary theoretical exploration of silenced african women from psychoanalytic and feminist perspectives , teacher talk at three stages of english language teacher career development: a corpus-aided study , breaking through the looking-glass: (re)imagining alice through visual representation , ‘with great power comes great responsibility’: the impact of the parent-child relationship on the development of the heroic identity within comic book and graphic novel culture , 'take him to the cleaners and make him do your homework': a corpus-based analysis of lexical structure used by english language learners , a postcolonial and disability studies analysis of a selection of popular contemporary novels about disability , the untold story of the monster: a psychoanalytic analysis of the monster through the anamorphic lens , the genesis of the hunter figure: a study of the dialectic between the biographical and the aesthetic in the early writings of hunter s. thompson .

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"All May Na Man Have in Talle": The Parabiblical Imaginary in Medieval English Literature 

Cognitive boundaries: perception and ethics in nineteenth-century britain , colony writing: creative community in the age of revolt , cosmopolitan romance: the adventure of archaeology, the politics of genre, and the origins of the future in walter scott's crusader novels , the entangled cities: earthly communities and the heavenly jerusalem in late medieval england , the fate of epic in twentieth-century american poetry , getting lost: forms of animation in the eighteenth- and nineteenth-century british novel , hap: uncertainty and the english novel , the imaginary encyclopedia: the novel and the reference work in the age of reason , lyric as comedy , milton and music , the miniature and victorian literature , “my life is only one life”: turning to other people in american lyric poetry after new criticism , narrative and its non-events: counterfactual plotting in the victorian novel , poetry, desire, and devotional performance from shakespeare to milton, 1609-1667 , practical georgics: managing the land in medieval britain , the practice of form: arts of life in victorian literature , the premodern literary: matter and form in english poetry 1400-1547 , protestant institutionalism: religion, literature, and society after the state church , representations of counsel in selected works of sir philip sidney .

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Linguistics and English Language Masters thesis collection

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Home > Dissertations and Theses > English (MA) Theses

English (MA) Theses

Below is a selection of dissertations from the English program in Wilkinson College of Arts, Humanities, and Social Sciences that have been voluntarily included in Chapman University Digital Commons. Additional dissertations from years prior to 2019 are available through the Leatherby Libraries' print collection or in Proquest's Dissertations and Theses database.

Theses from 2024 2024

Interior Chinatown: Chinatown as a Performative Space , Audrey Fong

"Old Cod": The Power of Storytelling in Conor McPherson's The Weir , Sarah Johnson

The Beginning of the End: The Cultivation of Transchronological Perceptuality in Arcadia and “Story of Your Life” , Sawyer Kelly

“No One to Show Us the Way:” Assessing the Contemporary Relevance of the Gay Male Bildungsroman , Matthew Lemas

Posthumanism in Literature: Redefining Selfhood, Temporality, and Reality/ies through Fiction , Eileen Kelley Pierce

Catastrophic Progress: A Queer Materialist Analysis of the 2023 Trans/Bud Light Controversy , Brianna Radke

Banned Books and Educational Censorship: The Necessity of Keeping Queer Books in Schools , Rebecca Rhodes

The New Westward Expansion: Settler Colonialism and Gentrification in Paula Fox’s Desperate Characters and Kali Fajardo-Anstine’s Sabrina and Corina , Miranda Roberts

Navigating Identity Through Education in Literature and in the Classroom , Sofia Sakzlyan

Nobody Inside: Toni Morrison's "Recitatif": An Analysis on Whole/Incomplete Bodies, "The Maggie Thing"and Sick and Dancing Mothers , Emily Velasquez

Theses from 2023 2023

“Everything and Nothing”: Exhibiting Irishness at the Chicago World Fair of 1893 , Jessica Bocinski

Beyond Allegory: Postcolonial Debates in Science Fiction , Su Chen

Lovecraftian Queerness: Weird and Queer Temporalities in Lovecraft Country and Detransition, Baby , Eurydice Dye

The Dictator Novel in YA Latinx Fantasy , Catherine Gallegos

Humanization of the Refugee as the Modern Subject in Mohsin Hamid’s Exit West , Ani Gazazyan

“Henrietta and Harriet:” Considering the Marginalized Best Friend in Burney’s Cecilia and Austen’s Emma , Elena Goodenberger

Rising Costs of Universities and the Impact on Teaching Effectiveness and Student Outcomes , Patrick Hanna

Failure Facing Pedagogy in First-Year Rhetoric and Composition Classrooms , Karuna Minh Hin

Steps Toward Healing from the Possessive Other: The Vital Role of Fantastical Literature in Trauma Theory , Rebekah Izard

Mirroring Financial Speculation and Late Capitalism Through Speculative Fiction: Worker Gullibility and Guilt as Re-imagination of Human Value , Ian Koh

Oceans of Literature - The Little Mermaid , Makena Metz

What Makes a Woman "Pious and Good": The Function of Several Grimm Brothers' Cautionary Fairy Tales , Hannah Montante

From the Master’s Maternity to Redemptive Nurturing: Liberating Motherhood in Toni Morrison’s Beloved and N.K. Jemisin’s Broken Earth Trilogy , Isabelle Stillman

“Beauty and the Beast” and the Representation of the Female: How Fairy Tales Reinforce and Influence Our Current Understanding of Gender Roles , Elizabeth N. Tran

The Significance of Maintaining Character Integrity in Literary Retellings , Sara Turner

Mrs. Dalloway as a Window for Understanding Life , Kristen Venegas

The Domestic Worker in Latinx Fiction: The Discursive Formation of Latinidad , Constance von Igel de Mello

Dorian Gray: The Myth , Peggy Sue Wood

Theses from 2022 2022

Potential For a Pedagogical Level-Up: Teaching First-Year Composition Through Rhetoric of Gaming , Cayman Beeman

Personhood and Objecthood: Examining the Speaker’s Interiority and Double Consciousness in Citizen: An American Lyric , Winnie Chak

Innately American, Black America’s Inheritance: A Rhetorical Analysis of Black Death & Identity , Montéz Jennings

Examining Wonder Woman through a Feminist Voice: How Patty Jenkins’ 2017 Adaptation Upheaved her Creation, Representation, and 80 Year Legacy , Tatiana Madrid

“Strumpet,” “Huswife,” “Whore”: Centering Othello ’s Bianca , Phoebe Merten

Lack of Affirmative Consent: Trauma in Jhumpa Lahiri’s “Interpreter of Maladies” , Ansalee Morrison

Traumas and Recovery in Takaya Natsuki's Fruits Basket , Vesper North

Poverty, Social Isolation, Uselessness, and Loneliness: The Fears and Anxieties of 19th-Century British Governesses , Lydia Pejovic

Speaking Up For Generic Asians in Charles Yu’s Interior Chinatown , Orel Shilon

The Brain Scan as Ideograph , Paige Welsh

Changing the Definition of the Orient Through Hollywood , Amanda Yaghmai

Theses from 2021 2021

The Dystopian Impulse and Media Consumption: Redefining Utopia Via the Narrative Economics of the New Media Age , Turki Alghamdi

Collaborative Storytelling: Composition Pedagogy and Communal Benefits of Narrative Innovation , Aysel Atamdede

Feminist Rhetorics: Theory and Practice of Strategic Silence , Paolena Comouche

Surveillance: The Digital Dark Side , Brittyn Davis

Fanfiction As: Searching for Significance in the Academic Realm , Megan Friess

Realism & Language: How Luis Alberto Urrea Uses Bilingualism to Elevate His Works of Realism , Ashley Gomez

"A Mind of Metal and Wheels": Agrarian Ruralism in Joss Whedon's Firefly and J.R.R Tolkien's The Lord of The Rings , Christopher Hines

“Why Are We Still Reading About Rosa Parks?”: Essential Questions for Continuation Schools , Samantha Mbodwam

Decolonizing the Body , Daniel Miess

Black Panther Shatters Social Binaries to Explore Postcolonial Themes: How Ancestry, Identity, Revenge, and the Third Space Impact the Ability to Navigate Change and Create New Forms of Cultural Hybridity , Deborah Paquin

Anti-Racist Pedagogy: A Practical Means of Building Bonds Between Marginalized Students and Instructors in the Composition Classroom , Santa-Victoria Pérez

Fear Then and Now: The Vampire as a Reflection of Society , Mackenzie Phelps

Monstrous and Beautiful: Jungian Archetypes in Wilde’s Salomé , Nayana Rajnish

Journeying to a Third Space of Sovereignty: Explorations of Land, Cultural Hybridity, and Sovereignty in Ceremony and There There , Jillian Eve Sanchez

Through the Female Perspective: An Analysis of Male Characters in Jane Austen’s Northanger Abbey , Natalia Sanchez

The Tiered Workshop: The Effects of Using a Paced Workshop in a Composition Classroom , Madison Shockley

Aztlán Potentialities: Queer Male Chicanx Affect and Temporalities , Ethan Trejo

Partying Like It's 1925: A Comparison and Contrast of Fitzgerald's The Great Gatsby and Azuela's The Underdogs , Sarah N. Valadez

Theses from 2020 2020

Stephen Dedalus and the Mind as Hypertext in Ulysses , Ariel Banayan

Lessons from Hybridity: A Look into the Coupling of Image and Text in Karen Tei Yamashita’s Letters to Memory , Claudia Rankine’s Citizen: An American Lyric , and Ilya Kaminsky’s Deaf Republic , Elizabeth Chen

Dawn of the Undead Classroom: Pop-Culture in the First-Year Composition Classroom , Sierra A. Ellison

Moving Beyond Grades: A Shift in Assessing First-Year Composition , Matthew Goldman

Murmurs of Revolution: Mythical Subversion in Dostoevsky , Connor Guetersloh

The Fallen Woman: An Exploration of the Voiceless Women in Victorian England through Three Plays of Oscar Wilde , Marco Randazzo

The Ubume Challenge: A Digital Environmental Humanities Project , Sam Risak

Student Disposition Towards Discussing Race in the Classroom , Natalie Salagean

Trauma Begetting Trauma: Fukú, Masks, and Implicit Forgiveness in the Works of Junot Díaz , Jacob VanWormer

‘Amore Captus:’ Turning Bedtricks in the Arthurian Canon , Candice Yacono

Theses from 2019 2019

The Contradictory Faces of “Sisterhood”: A Case-Study on Charlotte Brontë’s Jane Eyre and Its Theatrical Adaptation by James Willing and Leonard Rae, Gloria Naylor’s The Women of Brewster Place, and Liane Moriarty’s Big Little Lies and Its Miniseries Adaptation on HBO , Lama Alsulaiman

Terrence McNally’s Universalizing Model: The Role of Disability in Andre’s Mother; Lips Together, Teeth Apart ; and Love! Valour! Compassion! , Alexa Burnstine

A Way to Persist: Storytelling and Its Effect on Trauma in Gábor Schein’s The Book of Mordechai and Lazarus , Duncan Capriotti

Language: A Bridge or Barrier to Social Groups , Adina Corke

Haole Like Me: Identity Construction and Politics in Hawaii , Savanah Janssen

Black Women’s Bodies as the Site of Malignity: Interrogating (Mis)representations of Black Women in 16th and 17th Century British Literature , Tonika Reed

The Efficacy of Varying Small Group Workshops in the Composition Classroom , Daniel Strasberger

Does Money Indeed Buy Happiness? “The Forms of Capital” in Fitzgerald’s Gatsby and Watts’ No One is Coming to Save Us , Allie Harrison Vernon

Theses from 2018 2018

Player-Response: On the Nature of Interactive Narratives as Literature , Lee Feldman

Theses from 2017 2017

The Rhetoric of Disability: an Analysis of the Language of University Disability Service Centers , Katie Ratermann

Theses from 2016 2016

The Ritualization of Violence in The Magic Toyshop , Victor Chalfant

Concrete Reality: The Posthuman Landscapes of J.G. Ballard , Mark Hausmann

Readers in Pursuit of Popular Justice: Unraveling Conflicting Frameworks in Lolita , Innesa Ranchpar

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English Literature (M.A. with thesis)

Graduate programs.

• English Language Teaching (M.A. with thesis)
• English Language Teaching (Ph.D.)
• English Literature (Ph.D.)

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Program description.

The M.A. program in English Literature is designed to provide students with a thorough and critical knowledge of English literature from the Middle Ages to the present. Our courses focus on both canonical and non-canonical texts of English Literature, locating them within relevant historical, cultural, philosophical and psychological contexts. Our program aims to enable students to read and intrepret texts from different theoretical vantage points; to make students acquainted with the characteristics of various genres of literature; to enable students to outline the major lines of critical argument around literary and cultural texts and write insightful papers on different literary topics.

The graduates of our M.A program in English Literature can work as instructors of English in prep-schools of various universities and in private language schools. They can also work as cultural researchers and consultants in public and international relations departments of national and international companies and institutions. Some of our graduates work as academics in Humanities and Social Sciences Departments of various universities.

Possible Fields of Study

Medieval, Early Modern, Modern and Postmodern English Literature, Postcolonial Literature, Ancient and Modern Literary Theory

Required Course Load

7 Courses (1 Must Course + 6 Electives) + 3 NC Must Courses

Must Course

Electives (6 Courses to Choose from the List Below)

NC Must Courses (All 3)

Note: Students are required to select a thesis supervisor by the end of their FIRST semester in the program.

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Addyman, Mary (2016) 'All bundled together in endless confusion’ : museums, collecting and material practices in late Victorian culture. PhD thesis, University of Warwick.

Adjei, Cassie (2015) Duality, genre and the "Modern Mulatto" : bresponse and representation in contemporary British fiction. PhD thesis, University of Warwick.

Alhathlool, Khalid (2013) "Attachment to the soil and aspiration toward departure" : tradition, modernity, cosmopolitanism, globalisation & identity in Amin Maalouf. PhD thesis, University of Warwick.

Angelov, Dimitar (2008) Language, selfhood and otherness in the works of D. H. Lawrence. PhD thesis, University of Warwick.

Akel, Regina (2007) The journals of Maria Graham (1785-1842). PhD thesis, University of Warwick.

Ashby, Kevin John (1998) Disciplines of the king : Arthurianism, historiography, poetics and surveillance in Tennyson's Idylls of the king (1859). PhD thesis, University of Warwick.

Attridge, Steve (1993) The soldier in late Victorian society : images and ambiguities. PhD thesis, University of Warwick.

Andermahr, Sonya (1993) Difference, identification and desire : contemporary lesbian genre fiction. PhD thesis, University of Warwick.

Armitt, Lucie (1992) Pushing back the limits: the fantastic as transgression in contemporary women's fiction. PhD thesis, University of Warwick.

Al-Issa, Ahmad (1989) Polyphony and the anxiety of influence in the fiction of Henry James. PhD thesis, University of Warwick.

Aston, Elaine (1987) Outside the doll's house : a study in images of women in English and French theatre, 1848-1914. PhD thesis, University of Warwick.

Audette, Florestine (1979) Religious elements in Marlowe's 'Tamburlaine'. PhD thesis, University of Warwick.

Bondré, Natasha (2020) Reading ‘Emperor Oil’ in the expanded Caribbean : petroleum, ecology and Caribbean literature in the twentieth century. PhD thesis, University of Warwick.

Bailey, Thomasin Mary (2020) Authority and influence in Lady Mary Wroth’s Pamphilia to Amphilanthus. PhD thesis, University of Warwick.

Bibizadeh, Roxanne Ellen (2019) Freedom and unfreedom in the literature of the Iranian and Arab diaspora. PhD thesis, University of Warwick.

Borg Cardona, Karen (2018) The failed quest in contemporary world literature. PhD thesis, University of Warwick.

Breidenbach, Birgit (2017) Stimmung and modernity: the aesthetic philosophy of mood in Dostoevsky, Beckett and Bernhard. PhD thesis, University of Warwick.

Bhattacharya, Sourit (2017) The crisis of modernity : realism and the postcolonial Indian novel. PhD thesis, University of Warwick.

Brljak, Vladmir (2015) Allegory and modernity in English literature c. 1575-1675. PhD thesis, University of Warwick.

Bumrungsalee, Intira (2013) Translating culture in films : subtitling in Thailand. PhD thesis, University of Warwick.

Bahrawi, Nazry (2013) Sacred impulses, sacrilegious worlds : postsecular intimations in Graham Greene and Naguib Mahfouz. PhD thesis, University of Warwick.

Barnard, Donald Edwin (2012) A critical edition of Derek Walcott's Omeros. PhD thesis, University of Warwick.

Brown, La Tasha Amelia (2011) The diasporic black Caribbean experience : nostalgia, memory and identity. PhD thesis, University of Warwick.

Bugeja, Norbert (2010) Rethinking the liminal : threshold conciousness in four Mashriqi memoirs. PhD thesis, University of Warwick.

Beer, Lewis (2010) Fortune and desire in Guillaume de Machaut. PhD thesis, University of Warwick.

Byatt, Jim (2009) Taboo and transgression : reconfiguring the monstrous in contemporary British fiction. PhD thesis, University of Warwick.

Brigley, Zoë (2007) Exile and ecology: the poetic practice of Gwyneth Lewis, Pascale Petit and Deryn Rees-Jones. PhD thesis, University of Warwick.

Biswell, Andrew (2002) Conflict and confluence: Anthony Burgess as novelist and journalist. PhD thesis, University of Warwick.

Brock, Claire (2002) The feminization of fame from Rousseau to de Staël. PhD thesis, University of Warwick.

Breen, Peter Thomas (1993) Place and displacement in the works of Brian Friel and Seamus Heaney. PhD thesis, University of Warwick.

Bakshi, Parminder Kaur (1992) Distant desire : the theme of friendship in E.M. Forster's fiction. PhD thesis, University of Warwick.

Becket, Fiona (1992) Metaphor and "metaphysic" : the sense of language in D.H. Lawrence. PhD thesis, University of Warwick.

Barker, Jill (1992) Characterizations of otherness in the sixteenth century moral plays and their morality actecedents. PhD thesis, University of Warwick.

Bendjeddou, Mohamed Yazid (1985) Two literary responses to American society in the early modern era : a comparison of selected novels by Theodore Dreiser and Upton Sinclair in relation to their portrayal of the immigrant, the city, the business tycoon, women, and the problem of labour, 1900-1929. PhD thesis, University of Warwick.

Belsey, Catherine (1973) Patterns of conflict in the English morality plays. PhD thesis, University of Warwick.

Buckley, Brian R. (1972) Lawrence's novels : themes and precedents. PhD thesis, University of Warwick.

Castle, Nora (2022) Food futures : food, foodways, and environmental crisis in contemporary science fiction. PhD thesis, University of Warwick.

Cao, Siyu (2020) Performing post-Britishness : a quest for independence in the contemporary literature of England. PhD thesis, University of Warwick.

Champion, Giulia (2020) The empire bites back : literary cannibalism in the extractiono(s)cene. PhD thesis, University of Warwick.

Campion, Louise G. E. (2019) Christ in the kitchen, Christ in the chamber: the language and imagery of domestic space in late medieval religious literature. PhD thesis, University of Warwick.

Cohut, Maria-Silvia (2018) Before and beyond the glass: women and their mirrors in the literature and art of nineteenth-century Britain. PhD thesis, University of Warwick.

Choksey, Lara (2017) 'Life itself' in Doris Lessing's space fiction : evolution, epigenetics and culture. PhD thesis, University of Warwick.

Charlwood, Catherine (2017) Models of memory : cognition and cultural memory in the poetry of Thomas Hardy and Robert Frost. PhD thesis, University of Warwick.

Chen, Chi-Fang (2016) A study of political humour in British literature in the 1790s. PhD thesis, University of Warwick.

Collins, Nicholas J. (2015) Forming the nation : early modern England and modern Ireland. PhD thesis, University of Warwick.

Christie, James, (Researcher in English) (2013) Fredric Jameson and the art of Modernism. PhD thesis, University of Warwick.

Cowaloosur, Vedita (2013) "The home and the world" : representations of English and bhashas in contemporary Indian culture. PhD thesis, University of Warwick.

Cornford, Thomas (2012) The English theatre studios of Michael Chekhov and Michel Saint-Denis, 1935-1965. PhD thesis, University of Warwick.

Carta, Giorgia (2012) The other half of the story : the interaction between indigenous and translated literature for children in Italy. PhD thesis, University of Warwick.

Cirstea, Arina-Nicoleta (2010) Urban imaginaries : mapping space and self in the writing of Doris Lessing, Michèle Roberts and Sara Maitland. PhD thesis, University of Warwick.

Carlin, Gerald (1994) Art and authority : a comparative study of the modernist aesthetics of Ezra Pound. PhD thesis, University of Warwick.

Concepción, Díez-Medrano (1993) Women's condition in D.H. Lawrence's shorter fiction : a study of representative narrative processes in selected texts. PhD thesis, University of Warwick.

Campbell, Irene (1992) Frank Swinnerton : the life and works of a bookman. PhD thesis, University of Warwick.

Coe, Jonathan (1986) Satire and sympathy : some consequences of intrusive narration in Tom Jones and other comic novels. PhD thesis, University of Warwick.

Curtis, Francis Brett (1979) Shelley and the idea of epic : a study, with particular reference to three pre-1818 narratives. PhD thesis, University of Warwick.

Clews, David (1972) The Dickens - Thackeray debate. PhD thesis, University of Warwick.

Daroy, Alys (2022) Biophilic Shakespeare : towards an ecology of form. PhD thesis, University of Warwick.

Dakkak, Nadeen (2020) “An immense cargo of wanderers seeking their own destruction” : migration to the Arab Gulf states in Arabic fiction. PhD thesis, University of Warwick.

Dashwood, Rita J. (2018) Women in residence: Forms of belonging in Jane Austen. PhD thesis, University of Warwick.

Daniel, Robert W. (2018) The manuscript poetry of Thomas St Nicholas and the writing of ‘scripturalism’ in seventeenth-century England. PhD thesis, University of Warwick.

Dean, Dominic (2016) The child and authority in contemporary literature and critical culture. PhD thesis, University of Warwick.

Davis, Christopher P. (Researcher in literature) (2016) Reading, writing and understanding the postcolonial. PhD thesis, University of Warwick.

Degirmencioglu, Nesrin (2013) Uneven cities : the dialectic of urban modernity and literary form in Dos Passos, Tanpınar, Auster and Pamuk. PhD thesis, University of Warwick.

DiMeo, Michelle Marie (2009) Katherine Jones, Lady Ranelagh (1615-91): science and medicine in a seventeenth-century Englishwoman’s writing. PhD thesis, University of Warwick.

Deckard, Sharae Grace (2007) Exploited Edens: paradise discourse in colonial and postcolonial literature. PhD thesis, University of Warwick.

Dauncey, Sarah (2003) The uses of silence : a twentieth-century preoccupation in the light of fictional examples, 1900-1950. PhD thesis, University of Warwick.

Dent, Shirley (2000) Iniquitous symmetries: aestheticism and secularism in the reception of William Blake's works in books and periodicals during the 1860s, 1870s, and 1880s. PhD thesis, University of Warwick.

Dixon, John Spencer (1991) Representations of the East in English and French travel writing 1798-1882 : with particular reference to Egypt. PhD thesis, University of Warwick.

Dusinberre, Juliet (1969) Attitudes to women in Jacobean drama. PhD thesis, University of Warwick.

Emmett, Christine (2020) Inequality, moralism and legitimacy in South African literature : re-reading apartheid from Millin to Wicomb. PhD thesis, University of Warwick.

El-Masry, Heba Fawzy (2017) A comparative study of Arthur John Arberry’s and Desmond O’Grady’s translations of the seven Mu‘allaqāt. PhD thesis, University of Warwick.

Eardley, Alice (2008) An edition of Lady Hester Pulter's Book of 'Emblemes'. PhD thesis, University of Warwick.

Erdogan, Armagan (2002) Encountering the foreign : the educative effect of the foreign in George Eliot's novels of English life. PhD thesis, University of Warwick.

Efstratiou, Dimitris (2001) Disintegration of essence and subjectivity : the poetry of Charles Baudelaire and T. S. Eliot. PhD thesis, University of Warwick.

Earnshaw, Brian (1982) Translations from the German and their reception in Britain, 1760-1800. PhD thesis, University of Warwick.

Farnsworth, Fiona Emily (2020) Contemporary literary foodways between Sub-Saharan Africa and the USA. PhD thesis, University of Warwick.

Fletcher, Andrew (2019) Shakespeare and the fiction of theatre. PhD thesis, University of Warwick.

Fakhrkonandeh, Alireza (2015) Howard Barker's drama of aporias : from a phenomenology of the body to an ontology of the flesh. PhD thesis, University of Warwick.

Fowler, Benjamin Brynmor (2015) (Re)directing the text : politics & perception in the work Katie Mitchell & Thomas Ostermeier. PhD thesis, University of Warwick.

Frank, Lucy Elizabeth (2003) Sarah Piatt and the politics of mourning. PhD thesis, University of Warwick.

Fernández de Pinedo, Eva (2002) From the Virgin of Guadalupe to El Santo : new motifs and directions in contemporary Chicano/a writing. PhD thesis, University of Warwick.

Frith, Gill (1988) The intimacy which is knowledge : female friendship in the novels of women writers. PhD thesis, University of Warwick.

Funk, Gisela (1988) The sealed room : Lou Andreas-Salomé and Anaïs Nin : a study in the genesis of fiction. PhD thesis, University of Warwick.

Flower, Celeste (1985) A study of aspects of the 'Romances amorosos' of Luis de Góngora. PhD thesis, University of Warwick.

Fairclough, Peter (1976) Humour in the novel 1800-1850 : the moral vision and the autonomous imagination. PhD thesis, University of Warwick.

Gyawali, Amulya (2023) The invention of nature: state-building and environment-making in the extended Himalaya. PhD thesis, University of Warwick.

Gill, Jagvinder (2010) Re-oriented Britain : how British Asian travellers and settlers have utilised and reversed Orientalist discourse 1770-2010. PhD thesis, University of Warwick.

Gott, Henry Michael (2010) Ascetic modernism in Eliot and Flaubert. PhD thesis, University of Warwick.

Goodman, Gemma (2010) Cornwall : an alternative construction of place. PhD thesis, University of Warwick.

Gunne, Sorcha (2010) ‘A mirror with two sides’ : liminal narratives and spaces of gender violence and communitas in South African writing, 1960–present. PhD thesis, University of Warwick.

Graham, James (James John George) (2006) Writing the land : representations of 'the land' and nationalism in Anglophone literature from South Africa and Zimbabwe 1969-2002. PhD thesis, University of Warwick.

Ganobcsik-Williams, Gruffudd Aled (2001) The sweat of the brain: representations of intellectual labour in the writings of Edmund Burke, William Cobbett, William Hazlitt and Thomas Carlyle. PhD thesis, University of Warwick.

Gallagher, Ron (1986) Science fiction and language : language and the imagination in post-war science fiction. PhD thesis, University of Warwick.

Greenslade, William (1982) The concept of degeneration, 1880-1910, with particular reference to the work of Thomas Hardy, George Gissing and H. G. Wells. PhD thesis, University of Warwick.

Garnett, George Rhys (1977) The search for the self in the fiction of Malcolm Lowry. PhD thesis, University of Warwick.

Green, Robert (1977) The novels of Ford Madox Ford. PhD thesis, University of Warwick.

Heath, Thomas (2022) Actor training in the flow state : towards a rhetoric for play in contemporary actor training. PhD thesis, University of Warwick.

Hugo, Esthie Esmaré (2022) Gothic ecologies : world-literature and commodity frontiers from the plantation to the present. PhD thesis, University of Warwick.

Hillion, Marianne (2021) Between the epic and the ordinary : locating the politics of contemporary Indian urban writing in English (Delhi, Mumbai, Kolkata). PhD thesis, University of Warwick.

Hatfull, Ronan (2018) ‘The other RSC’: the history and legacy of the Reduced Shakespeare Company. PhD thesis, University of Warwick.

Hudson, Julie Patricia (2017) The environment on stage: scenery or shapeshifter? PhD thesis, University of Warwick.

Huang, Bo-Yuan (2014) China on the periphery : transitions of Chinese "Orientalism" from Oliver Goldsmith to Thomas De Quincey. PhD thesis, University of Warwick.

Hassen, Rim (2012) English translations of the Quran by women : different or derived? PhD thesis, University of Warwick.

Hentea, Marius (2010) Social reality and narrative form in the fiction of Henry Green. PhD thesis, University of Warwick.

Hartwig, David W. (2010) The place of Shakespeare : performing King Lear and The tempest in an endangered world. PhD thesis, University of Warwick.

Holroyd, Sophia Jane (2002) Embroidered rhetoric: the social, religious and political functions of elite women's needlework, c.1560-1630. PhD thesis, University of Warwick.

Hampton-Reeves, Stuart (1997) Henry VI in performance : history, culture and Shakespeare reproduced. PhD thesis, University of Warwick.

Hapgood, Lynne (1990) "Circe among cities" : images of London and the languages of social concern, 1880-1900. PhD thesis, University of Warwick.

Higgins, Ian (1989) The sentiments of a Church-of-England man : a study of Swift's politics. PhD thesis, University of Warwick.

Head, Dominic (1989) The modernist short story : theory and practice in five authors. PhD thesis, University of Warwick.

Hadfield, Duncan John (1982) Real and imaginary golf-courses : systems of order in Malcolm Lowry's Under the volcano. PhD thesis, University of Warwick.

Hancock, Ann (1981) The life of Henry Yorke and the writing of Henry Green. PhD thesis, University of Warwick.

Hunter, Shelagh (1981) Transformations of pastoral : studies in the idyllic fiction of Mary Russell Mitford, Elizabeth Gaskell, George Eliot and Thomas Hardy. PhD thesis, University of Warwick.

Hermans, Theo (1977) Aspects of the structure of Modernist poetry, 1908-1918 : a structural and comparative study of the poetic writing of Guillaume Apollinaire, Hans Arp, Hugo Ball, Georg Heym, T.E. Hulme, Max Jacob, Ezra Pound, Pierre Reverdy, and Georg Trakl. PhD thesis, University of Warwick.

Intepe, Demet (2020) Environmental justice and writers as activists in multi-ethnic U.S. literatures, film, and theater. PhD thesis, University of Warwick.

Ivanova, Rossitza Pentcheva (2006) Cross-cultural and tribal-centred politics in American Indian studies: assessing a current split in American Indian literary scholarship and re-interpreting Leslie Marmon Silko's Ceremony and Louise Erdrich's Tracks. PhD thesis, University of Warwick.

Inan, Dilek (2000) The city and landscapes beyond Harold Pinter's rooms. PhD thesis, University of Warwick.

Imoru, Nike M. (1994) A theatre of black women : constructions of black female subjectivity in the dramatic texts of African-American women playwrights in the 1920s and 1970s. PhD thesis, University of Warwick.

Ibrahim, Hasnah binti Haji (1992) Oh Babel! : the problems of translating Malay verse into English. PhD thesis, University of Warwick.

Iliopoulos, Spyridon (1985) 'Out of a medium's mouth' : Yeats's art in relation to mediumship, spiritualism and psychical research. PhD thesis, University of Warwick.

Janssen, Catharina Gertruda Maria (2021) ‘Future scholars, future poets’ : the contemporary reception of Sir William Jones’s translations of oriental literature, 1770-1835. PhD thesis, University of Warwick.

Jackson, Joseph Horgan (2011) Devolving black British theory : race and contemporary Scottish literature. PhD thesis, University of Warwick.

Jones, Jonathan D. (2003) Orphans : childhood alienation and the idea of the self in Rousseau, Wordsworth and Mary Shelley. PhD thesis, University of Warwick.

Jones, David Francis (1987) Swift's use of the literature of travel in the composition of "Gulliver's travels". PhD thesis, University of Warwick.

Khattak, Aiman (2022) The bio-political empire sovereignty, race and war in Afghan, Iraqi and Pakistani literatures. PhD thesis, University of Warwick.

Kaur, Gurpreet (2017) Beyond the binary : postcolonial ecofeminism in Indian women's writing in English. PhD thesis, University of Warwick.

Khan, Gohar Karim (2013) Narrating Pakistan transnationally : identity, politics and terrorism in Anglophone Pakistani literature after "9/11". PhD thesis, University of Warwick.

Kim, Paul Chi Hun (2013) The notion of nature in Coleridge and Wordsworth from the perspective of ecotheology. PhD thesis, University of Warwick.

Kritsis, Konstantinos (2013) Exploring theatre translation : the translator of the stage in the case of a Stanislavskian actor. PhD thesis, University of Warwick.

Kirwan, Peter (2011) Shakespeare and the idea of apocrypha : negotiating the boundaries of the dramatic canon. PhD thesis, University of Warwick.

Kenward, Claire (2011) 'Memory wrapped round a corpse' : a cultural history of English Hecubas. PhD thesis, University of Warwick.

Kurata, Kenichi (2010) Vicissitudes of desire in George Eliot’s fiction. PhD thesis, University of Warwick.

Kahn, Kristian Thomas (2009) The boy figure and male same-sex desire in Britain from Walter Pater to E.M. Forster. PhD thesis, University of Warwick.

Kaisary, Philip James (2008) The literary impact of the Haitian Revolution. PhD thesis, University of Warwick.

Kamali, Leila Francesca (2007) Spectres of the shore : the memory of Africa in contemporary African-American and Black British fiction. PhD thesis, University of Warwick.

Kim, Rina (2007) Beyond mourning and melancholia : women and Ireland as Beckett's lost others. PhD thesis, University of Warwick.

Kawanami, Ayako (2006) The art of dissembling in three Elizabethan writers: John Lyly, Robert Greene, and Shakespeare. PhD thesis, University of Warwick.

Komporaly, Jozefina (2001) Configurations of mothering in post-war British women's playwriting. PhD thesis, University of Warwick.

Key, Jonathan Benjamin (1999) Paranoia and irony in the Anglophone dectective narrative and the novels of Umberto Eco. PhD thesis, University of Warwick.

Kavanagh, Kevin Sean (1997) Raymond Williams and the limits of cultural materialism. PhD thesis, University of Warwick.

Kastelein, Barbara (1994) Popular/post-feminism and popular literature. PhD thesis, University of Warwick.

Khan, Nosheen (1986) Women's poetry of the First World War. PhD thesis, University of Warwick.

Kirk, Peter Nigel (1983) The voice of authority : Evelyn Waugh's fiction. PhD thesis, University of Warwick.

Kerr, Douglas (1978) A comparison of some French and English literary responses to the 1914-1918 War. PhD thesis, University of Warwick.

Liu, Li (2023) ‘What do texts want?’: the want and liminality of working-class females in mid-victorian bourgeois paternalistic literature. PhD thesis, University of Warwick.

Love, Angus (2020) Alain Badiou’s twisted contemporaneity : inaesthetics and the contemporary. PhD thesis, University of Warwick.

Laug, Katja (2019) Mementoes of the broken body: Cormac McCarthy’s aesthetic politics. PhD thesis, University of Warwick.

Littau, Karin (2018) Sub-versions of reading. PhD thesis, University of Warwick.

Loh, Waiyee (2016) Empire of culture : contemporary British and Japanese imaginings of Victorian Britain. PhD thesis, University of Warwick.

Leonard, Alice (2014) Error in Shakespeare : Shakespeare in error. PhD thesis, University of Warwick.

Lewis, Jennifer (2014) Variations around a theme : the place of Eatonville in the work of Zora Neale Hurston. PhD thesis, University of Warwick.

Liao, Chia-hui (2011) A critical study of the reception and translation of the poetry of Wang Wei in English. PhD thesis, University of Warwick.

Ludlow, Elizabeth (2008) 'We can but spell a surface history': the biblical typology of Christina Rossetti. PhD thesis, University of Warwick.

Lawlor, Clark (1993) The classical and the grotesque in the work of Alexander Pope and Jonathan Swift. PhD thesis, University of Warwick.

Lawley, Paul Anthony, Ph.D. (1978) The paradox of self-annihilating expression : representations of ontological instability in the drama of Samuel Beckett. PhD thesis, University of Warwick.

Mukim, Mantra (2022) Lyric failure : Samuel Beckett and poetic form. PhD thesis, University of Warwick.

Mak, Wing Haang (2018) Kinaesthetic bodies in contemporary literature. PhD thesis, University of Warwick.

Martín-Castaño, Mónica (2017) Translating Disney songs from The Little Mermaid (1989) to Tarzan (1999) : an analysis of translation strategies used to dub and subtitle songs into Spanish. PhD thesis, University of Warwick.

Murgia, Claudio (2016) [Beyond] posthuman violence : epic rewritings of ethics in the contemporary novel. PhD thesis, University of Warwick.

McGowan, Jack (2016) Slam the book: the role of performance in contemporary UK poetics. PhD thesis, University of Warwick.

Maughan, Christopher J. (2015) Activism Ltd : environmental activism and contemporary literature. PhD thesis, University of Warwick.

Morrissey, Joseph J. (2013) Gentry women and work and leisure 1770-1820. PhD thesis, University of Warwick.

Mearns, Gabrielle (2012) Appropriate fields of action : nineteenth-century representations of the female philanthropist and the parochial sphere. PhD thesis, University of Warwick.

Marques dos Santos, Ana Teresa Brisio (2012) Translation, radio and drama during the Estado Novo. PhD thesis, University of Warwick.

Mathieson, Charlotte Eleanor (2010) Bodies in transit : mobility, embodiment and space in the mid-nineteenth century novel. PhD thesis, University of Warwick.

McIntosh, Malachi (2010) "Home" : emigration, identity and modern Caribbean literature. PhD thesis, University of Warwick.

Murray, Chris M. (2009) The tragic Coleridge : the philosophy of sacrifice in the life and works. PhD thesis, University of Warwick.

Muzica, Evghenii (2006) 'A place where three roads meet': Sophocles's Oedipus and Shakespeare's Hamlet after Freud. PhD thesis, University of Warwick.

MacCartey, Kelli (2004) "different sentiments & different connections supports them" : sensibility, community, and diversity in British women's Romantic-period poetry. PhD thesis, University of Warwick.

McKenzie, Sarah (2003) Death, inheritance and the family : a study of literary responses to inheritance in seventeenth-century England. PhD thesis, University of Warwick.

McKenzie, Mary Virginia (2003) Gertrude Stein's 'Melanctha' : a feminist and deconstructive approach. PhD thesis, University of Warwick.

Muto, Hiroshi (2001) The 'disembodied voice' in fin-de-siècle British literature : its genealogy and significances. PhD thesis, University of Warwick.

Mason, Emma (2000) Religious intellectuals : the poetic gravity of Emily Brontë and Christina Rossetti. PhD thesis, University of Warwick.

Mounsey, Chris (1992) William Blake's The Four Zoas : a reassessment of its implied metaphysics. PhD thesis, University of Warwick.

Matthews, Julia (1991) Characterization and structure in the development of Tudor comedy. PhD thesis, University of Warwick.

Middleton, Tim (1991) The operation of discourse as a motive for critical practice : a Bakhtinian perspective. PhD thesis, University of Warwick.

Minow-Pinkney, Makiko (1985) Feminine writing and the problem of the self : an examination of Virginia Woolf's novels in the light of recent critical and psychoanalytic theories. PhD thesis, University of Warwick.

Munns, Jessica (1980) A critical study of Thomas Otway's plays. PhD thesis, University of Warwick.

Nichols, K. Madolyn (2014) The women who leave : Irish women writing on emigration. PhD thesis, University of Warwick.

Nardi, Valeria (2012) Translation in advertising : marketing cars in Italy and the UK since the 1980s. PhD thesis, University of Warwick.

Neculai, Catalina (2008) ‘Some fanatical New York promoting’: literary economies of urban regime transformation in New York City, 1970s-1980s. PhD thesis, University of Warwick.

Niebrzydowski, Sue (1998) Verry matrymony : representations of the Virgin Mary and her mother, Saint Anne, as wives in medieval England, 1200-1540. PhD thesis, University of Warwick.

Nicholson, John Andrew Lamont (1983) Poetry and action in Byron's development. PhD thesis, University of Warwick.

Oloff, Kerstin Dagmar (2007) Modernity and the novel in the expanded Caribbean : Wilson Harris, Patrick Chamoiseau and Carlos Fuentes. PhD thesis, University of Warwick.

O'Brien, George (1979) Life on the land : the interrelationship between identity and community in the Irish fiction of Maria Edgeworth, William Carleton and Charles Lever. PhD thesis, University of Warwick.

O'Toole, Bridget (1974) The poet and the city : the city as a theme in English poetry of the nineteenth century. PhD thesis, University of Warwick.

Pitt Scott, Harry (2022) Energy futures : finance and petroculture. PhD thesis, University of Warwick.

Phillips, Leah Beth (2016) Myth (un)making : the adolescent female body in mythopoeic YA fantasy. PhD thesis, University of Warwick.

Poltrack, Emma (2015) The history and working practices of the Propeller Theatre Company (1997-2011). PhD thesis, University of Warwick.

Putz, Adam (2010) Shakespeares wake : appropriation and cultural politics in Dublin, 1867-1922. PhD thesis, University of Warwick.

Piasecki, Bohdan A. (2010) Anthologies of contemporary Polish poetry in English translation : paratexts, narratives, and the manipulation of national literatures. PhD thesis, University of Warwick.

Parkes, Simon John (2009) Home from the wars: the Romantic revenant-veteran of the 1790s. PhD thesis, University of Warwick.

Poyner, Jane (2003) The fictions of J. M. Coetzee: master of his craft? PhD thesis, University of Warwick.

Poulson, Sally (2000) Reversed perspectives : a re-examination of the later novels of William Wilkie Collins. PhD thesis, University of Warwick.

Pearl, Monica B. (1999) Alien tears : mourning, melancholia, and identity in AIDS literature. PhD thesis, University of Warwick.

Potts, Tracey (1997) Can the Imperialist read? Race and feminist literary theory. PhD thesis, University of Warwick.

Petrone Fresco, Gabriella (1991) Shakespeare's reception in 18th century Italy : the case of Hamlet. PhD thesis, University of Warwick.

Qiao, Qingquan (2018) China in Britain in the interwar period : Bertrand Russell, W.H.Auden, Christopher Isherwood and Shih-I Hsiung. PhD thesis, University of Warwick.

Quinn, Patrick J. (1988) Robert Graves and Siegfried Sassoon : from early poetry to autobiography. PhD thesis, University of Warwick.

Rivers, Anna (2023) Reality, relationality, spectrality : the mystic poetry of Emily Brontë, Christina Rossetti and Mathilde Blind. PhD thesis, University of Warwick.

Rudd, Lindy Jane Settle (2023) Lessons from Shakespeare : examining early modern pedagogy as ‘pattern, precedent and lively warrant’ for the modern national curriculum. PhD thesis, University of Warwick.

Richards, Julian (2022) “This Man Is Great” : Glen Byam Shaw directs Shakespeare at Stratford-upon-Avon, 1951-1959. PhD thesis, University of Warwick.

Rybczak, Emil (2020) A bibliographical enquiry into Thomas Johnson's A Collection of the Best English Plays. PhD thesis, University of Warwick.

Rao, Divya Ramakrishna (2019) New alphabet in sight: representation and the reframing of Dalit identity. PhD thesis, University of Warwick.

Rumbold, Matthew (2017) Epic relation : the sacred, history and late modernist aesthetics in Hart Crane, David Jones and Derek Walcott. PhD thesis, University of Warwick.

Robertson, Lisa C. (2016) New and novel homes : women writing London's housing, 1880-1918. PhD thesis, University of Warwick.

Rzepa, Joanna M. (2014) Literary and theological modernisms : Rainer Maria Rilke, T. S. Eliot, and Józef Wittlin. PhD thesis, University of Warwick.

Rudland, Sophie (2013) Faith, feeling and gender in the writing of Hartley, Wollstonecraft and Blake. PhD thesis, University of Warwick.

Reddick, Yvonne J. (2012) The genius of the stream : Ted Hughes and fluvial influence. PhD thesis, University of Warwick.

Ray, Sumana (2011) The rise of the 'liminal Briton' : literary and artistic productions of black and Asian women in the Midlands. PhD thesis, University of Warwick.

Rahwan, Yamen Rahmoun (2010) Constellations of allegory : Gabriel García Márquez, Angela Carter and J.M. Coetzee. PhD thesis, University of Warwick.

Reuter, Anne-Marie (2009) Fictions of authority : enchanters, teachers and mentors in selected fiction of Iris Murdoch and A.S. Byatt. PhD thesis, University of Warwick.

Roynon, Tessa Kate (2006) Transforming America : Toni Morrison and classical tradition. PhD thesis, University of Warwick.

Regan, Lisa (2005) 'Men who are men and women who are women': fascism, psychology and feminist resistance in the work of Winifred Holtby. PhD thesis, University of Warwick.

Rogers, Natasha (2004) The representation of trauma in narrative : a study of six late twentieth century novels. PhD thesis, University of Warwick.

Robson, Lynn Alison (2003) 'No nine days wonder': embedded Protestant narratives in early modern prose murder pamphlets 1573-1700. PhD thesis, University of Warwick.

Ray, Nicholas (2002) Tragedy and otherness: Sophocles, Shakespeare, psychoanalysis. PhD thesis, University of Warwick.

Reeves, Kate (2000) Laughter and madness in post-war American fiction. PhD thesis, University of Warwick.

Robson, Julia Caroline (2000) The dialectic of self and other in Montaigne, Proust and Woolf. PhD thesis, University of Warwick.

Ruben, Mel (1998) Grace under pressure : re-reading Giselle. PhD thesis, University of Warwick.

Robbins, Catherine Ruth (1996) Decadence and sexual politics in three fin-de-siècle writers : Oscar Wilde, Arthur Symons and Vernon Lee. PhD thesis, University of Warwick.

Rao, Eleonora (1991) Strategies for identity : the fiction of Margaret Atwood. PhD thesis, University of Warwick.

Sangangamsakun, Thirayut (2021) Trans-Victorian : rewriting Victorian fiction in Thailand. PhD thesis, University of Warwick.

Shin, Jung Ju (2020) (Re)turn of the abject: representation of Asian (American) masculinity in the West. PhD thesis, University of Warwick.

Shorland, Sophie (2019) ‘Blazing stars’: early modern celebrity culture, 1580-1626. PhD thesis, University of Warwick.

Schauss, Martin (2018) Like a Thing Forsaken: Beckett, Sebald and the Politics of Materiality. PhD thesis, University of Warwick.

Scherer, Madeleine (2018) A global schema: the Graeco-Roman underworld in Ireland and the Caribbean. PhD thesis, University of Warwick.

Stock, Robert P. (2018) Do you hear what I hear? : inferring voice in celebrity translation in the theatre. PhD thesis, University of Warwick.

Stones, Andrew (2018) Lines of flight: Gilles Deleuze and the becoming of world literature. PhD thesis, University of Warwick.

Starr, Robert (2017) 'Nailed to the rolls of honour, crucified' : Irish literary responses to the Great War. PhD thesis, University of Warwick.

Shafer, Joseph R. (2017) Resistances in bodily form: post-1945 American Poetry and D.H. Lawrence. PhD thesis, University of Warwick.

Smith, Katherine Jo (2016) Ovidian female-voiced complaint poetry in early modern England. PhD thesis, University of Warwick.

Santos, Emanuelle Rodrigues dos (2016) Late postcoloniality : state, violence and wealth in the literatures of early 21st century Portuguese-speaking Africa. PhD thesis, University of Warwick.

Selleri, Andrea (2013) The author as a critical category, 1850-1900. PhD thesis, University of Warwick.

Sheeha, Iman (2013) Staging the servant : an examination of the roles of household servants in early modern domestic tragedy. PhD thesis, University of Warwick.

Skomorokhova, Svetlana (2012) "Arising from the depths" (Kupala) : a study of Belarusian literature in English translation. PhD thesis, University of Warwick.

Smith, Christian, (Researcher in English) (2012) Shakespeare's influence on Marx, Freud and the Frankfurt school critical theorists. PhD thesis, University of Warwick.

Scarth, Katherine Ada (2012) Near London and Brighton : suburbs in fiction, 1780s-1820s. PhD thesis, University of Warwick.

Scott, Francesca M. (2011) The fuzzy theory and women writers in the late eighteenth century. PhD thesis, University of Warwick.

Smith, Victoria Ellen (2011) If walls had mouths : representations of the Anglo-Fante household and the domestic slave in nineteenth-century Cape Coast (Ghana). PhD thesis, University of Warwick.

Senior, Emily (2010) Communicating disease : the Caribbean and the medical imagination, 1764–1834. PhD thesis, University of Warwick.

Sheils, Barry (2010) Playing at being : style, ethics, and W.B. Yeats. PhD thesis, University of Warwick.

Spratley, Peter F. (2008) Wordsworth's sonnet corpus. PhD thesis, University of Warwick.

Scott, Charlotte (2005) Shakespeare and the idea of the book. PhD thesis, University of Warwick.

Sim, Wai-chew (2002) Globalisation and dislocation in the novels of Kazuo Ishiguro. PhD thesis, University of Warwick.

Sedgwick, James Martin (2001) Emily Dickinson's grotesque: ambivalent interactions with uncertainty. PhD thesis, University of Warwick.

Swain, Stella (1992) The uses of madness in nineteenth- and twentieth-century fiction : the relation between narrative strategy and disturbed states of consciousness. PhD thesis, University of Warwick.

Shuttleworth, Antony (1991) The poetics of impurity : Louis MacNeice, writing and the thirties. PhD thesis, University of Warwick.

Salgado, Kshanike Minoli (1991) Towards a definition of Indian literary feminism : an analysis of the novels of Kamala Markandaya, Nayantara Sahgal and Anita Desai. PhD thesis, University of Warwick.

Surma, Anne (1991) Disputing authorities : the longer fiction of Rebecca West. PhD thesis, University of Warwick.

Shaaban, Bouthaina (1981) Shelley's influence on the Chartist poets, with particular emphasis on Ernest Charles Jones and Thomas Cooper. PhD thesis, University of Warwick.

Tan Xing Long, Ian (2020) Poetry as appropriative proximity : Wallace Stevens, Martin Heidegger and the language of being. PhD thesis, University of Warwick.

Ttoouli, George (2017) Twentieth century North American serial poetic form & ecological thinking. PhD thesis, University of Warwick.

Thomas, Sita Chandra (2017) ‘In search of a new national story’: Issues of cultural diversity in the casting and performance of Shakespeare in Britain 2012–2016. PhD thesis, University of Warwick.

Taylor-Brown, Emilie (2016) Miasmas, mosquitoes, and microscopes: parasitology and the British literary imagination, 1885-1935. PhD thesis, University of Warwick.

Tsang, Michael Yat Him (2015) At interregnum : Hong Kong and its English writing. PhD thesis, University of Warwick.

Taylor, Juliette (2003) Foreign music: linguistic estrangement and its textual effects in Joyce, Beckett, Nabokov and Rushdie. PhD thesis, University of Warwick.

Terry, Jennifer Ann (2003) "Shuttles in the rocking loom of history": dislocation in Toni Morrison's fiction. PhD thesis, University of Warwick.

Turner, Rachael Lucy (2000) Myth, biography and the female role in the plays of Pam Gems. PhD thesis, University of Warwick.

Townsend, Joanna Kate (1999) Speaking the body, representing the self : hysterical rhetoric on stage. PhD thesis, University of Warwick.

Taylor, Jenny Bourne (1987) Wilkie Collins and nineteenth-century psychology : cultural significance and fictional form. PhD thesis, University of Warwick.

Turton, Glyn (1984) Turgenev and the context of English literature, 1850-1900. PhD thesis, University of Warwick.

Udomlamun, Nanthanoot (2013) Materiality and memory in contemporary diasporic and postcolonial fiction. PhD thesis, University of Warwick.

Verlander, Freya (2020) (Skin)aesthetics: a study of skin(s) in spectatorship. PhD thesis, University of Warwick.

Vince, Máté (2013) From 'aequivocatio' to the 'Jesuitical equivocation' : changing concepts of ambiguity in early modern England. PhD thesis, University of Warwick.

Voyiatzaki, Evi (2000) The body in the text : James Joyce's Ulysses and the modern Greek novel. PhD thesis, University of Warwick.

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Wolfgang, William Floyd (2020) Grassroots Shakespeare: amateur and community-based Shakespeare performance in the United States of America. PhD thesis, University of Warwick.

Wills, James (2020) Fictions of justice : literary lawyers in the American South, 1946-1966. PhD thesis, University of Warwick.

Wu, Aurelia D. (2019) The cultural legacy of Oscar Wilde in modern China and beyond (1909–2019). PhD thesis, University of Warwick.

Watt, Gary (2018) Performance rhetoric in Shakespeare and law. PhD thesis, University of Warwick.

Weaver, Camilla (2017) Reading seeing: visuality in the contemporary novel. PhD thesis, University of Warwick.

Whitehouse, Paul C. (2016) Violence and frontier in twentieth century Native American literature. PhD thesis, University of Warwick.

Wood, Laura Clare (2015) Works of taste and fancy : the woman and the child reader in nineteenth century literature. PhD thesis, University of Warwick.

Williams, Alun Rhys (2014) Architects of impurity : a study of the political imagination in contemporary fantastic fiction. PhD thesis, University of Warwick.

Wako, Miho (2012) Figured in lively paint : Eastern decorative art, English aestheticism, and consumer culture 1862-1900. PhD thesis, University of Warwick.

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White, Troy Nelson (2010) The Gothic threshold of Sabine Baring-Gould : a study of the Gothic fiction of a Victorian squarson. PhD thesis, University of Warwick.

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Wells, Sherah Kristen (2009) 'Another world,/its walls are thin': psychosis and Catholicism in the texts of Antonia White and Emily Holmes Coleman. PhD thesis, University of Warwick.

Wallbank, Adrian J. (2008) Political, religious, and philosophical mentoring of the Romantic period : the dialogue genre. PhD thesis, University of Warwick.

Wood, Madeleine Alice (2008) Victorian familial enigmas: inheritance and influence. PhD thesis, University of Warwick.

Westall, Claire Louise (2007) What should we know of cricket who only England know? : cricket and its heroes in English and Caribbean literature. PhD thesis, University of Warwick.

Wong, Hiu Wing (2006) "Talk-stories" in the fictions of Maxine Hong Kingston and Amy Tan. PhD thesis, University of Warwick.

Weller, Saranne Esther Elizabeth (2001) 'Written with a Mrs Stowe's feeling' : Uncle Tom's cabin and the paradigms of Southern authorship in the anti-Tom tradition, 1852-1902. PhD thesis, University of Warwick.

Wang, Nian En (1992) The xing : a comparative approach to Chinese theories of the literary symbolic. PhD thesis, University of Warwick.

Webster, Duncan (1984) Representing the economy and the economies of representation : readings in the fiction and criticism of Henry James. PhD thesis, University of Warwick.

Wheale, John William (1983) Redemption in the work of Francis Stuart. PhD thesis, University of Warwick.

Yoon, Jaewon (2022) Post-millennial American and British finance-crisis fiction. PhD thesis, University of Warwick.

Yiannitsaros, Christopher (2016) Deadly domesticity : Agatha Christie's 'middlebrow' Gothic, 1930-1970. PhD thesis, University of Warwick.

Yoon, Sun Kyoung (2011) (Re)-constructing Homer : English translations of the Iliad and Odyssey between 1850 and 1950. PhD thesis, University of Warwick.

Yun, Hunam (2010) Appropriations of Irish drama by modern Korean nationalist theatre : a focus on the influence of Sean O’Casey in a colonial context. PhD thesis, University of Warwick.