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Essay On Rabindranath Tagore | Essay On My Favourite Poet Rabindranath Tagore in English for Students and Children

February 12, 2024 by Veerendra

Essay on Rabindranath Tagore: The National Anthem that we sing with such pride as written by Rabindranath Tagore, who was one of the most significant men and nationalists in India. He was a poet as well as a writer and had won the Nobel Prize for his piece known as “Gitanjali.” His writings are still studied by students all over the world. We have compiled some long and short essays for the use of the readers.

You can read more  Essay Writing  about articles, events, people, sports, technology many more.

Long and Short Essays on Rabindranath Tagore in English Language for Kids and Children

Given below is an extended essay of approximately 400-500 words and is for the students of standards 7-10 and a short piece of nearly 100-150 words for the students of standard 1-6.

Essay On Rabindranath Tagore is for the use of students in classes 7,8,9 and 10.

Long Essay on Rabindranath Tagore in English 500 words

Rabindranath Tagore is the Bard of Bengal and is hailed as one of the most prominent Indian Poets. Tagore’s intense contribution to the world of Literature earned him the prestigious Nobel Prize in Literature. His verses and proses are considered unique in their way that the readers can relate with their day to day lives.

Tagore was born in an elite family of Calcutta and was the youngest of the thirteen siblings. He was not the brightest of student during his school life, but there was always a creative spark in him, which made formal learning difficult for him, and he detested the concept of classroom schooling.

He received great classical music lessons from professional musicians, who were sent by his father. Tagore’s family had an educational bent of mind, which made him stand out of the rest.

His phenomenal talent in portraying the real state of Bengal attracted the mass. In his stories, he tried to reflect what he saw and felt instead of writing farfetched stories. He had used his writings as a weapon to break free from the shackles of the traditional society and helped to construct a modern and logical society. His work is liked and appreciated all over the world and has been translated into innumerable languages.

“Manasi” was one of his best works, which perfectly showcased who genius a writer he was. Many of his poems were a satire to the society and was written t. o raise voice against the dominating British rule. His works portray the humble life and miseries simultaneously. His genuineness was shown by the poignancy and poise writings.

Tagore was quite vocal about his views on different political movements. He was more in support of the intellectual upliftment, and his views often conflicted with Mahatma Gandhi and other eminent political leaders. Tagore was not in favor of the Swadeshi Movement, and Globalisation was something that had a significant impact on him even during the 19th century. He was so patriotic that he had returned the Honorary Knighthood award as a protesting act against the Jallianwala Bagh Tragedy.

You can read more Famous Personalities/People’s Essay writings over here.

Tagore was credited to have written the National Anthem of India. He had also written the National Anthem of Bangladesh and Sri Lanka, Aamar Shonar Bangla, and Sri Lanka Matha, respectively. He first wrote the Sri Lanka Matha and then was translated to Sinhala by his student, Ananda Samarakoon.

The dissatisfaction of the traditional education system in England inspired him to start the “Vishwabharati University” in Santiniketan, which was initially a school that offers a friendly environment for the students to study and explore their creativity. The ending of the legend’s life was painful. He was infested by 2 elongated attacks of sickness and was affected by an exhausting disorder.

Read More: Mahatma Gandhi Essay In English 150 Words

Short Essay on Rabindranath Tagore in English 250 words

Students in classes 1, 2, 3, 4, 5 and 6 can use this Essay On Rabindranath Tagore.

Rabindranath Tagore was a great Bengali poet who had upgraded Bengali Literature in commendable ways. He was the youngest son of the leader of Brahmo Samaj, Debendranath Tagore. Rabindranath Tagore wrote the National Anthem of India and two other countries. He had written famous Dramas like Visarjan and Valmiki Pratibha. Rabindranath Tagore’s short stories are the most appreciated ones, out of which The Kabuliwala is very renowned. He received the Nobel Prize for his work “Gitanjali: the song offerings.” He passed away on 8th august 1941 when the world mourned for him.

Read More: Essay On Rabindranath Tagore

10 Lines Essay on Rabindranath Tagore in English 150 words

• Rabindranath Tagore was born in the Tagore family in Mansion of Jorasanko, Calcutta, on 7th May 1861.
• Tagore was an extraordinary writer who was determined to bring concrete changes in society.
• During the freedom struggle, his ideologies did not match with Gandhi and many famous patriots.
• He had first started the ceremony of tying the “yellow thread” to promote the idea of the fraternity during the Partition of Bengal.
• Tagore was a true patriot; he had written poems and songs, which was a powerful weapon to raise voice against the British.
• He was an incredible painter, artist, humanist, nationalist, author, rationalist, writer, philanthropist, and an eminent academician.
• He wrote the National Anthem of India, which is Jana Gana Mana, Bangladesh, which is Aamar Shonar Bangla, and Sri Lanka which is Sri Lanka Matha.
• He won the Nobel Prize in Literature in the year 1913 for his much-celebrated work, “Gitanjali: the Song Offerings.”
• He was deeply disheartened about the traditional education system, which inspired him to build up an institution unlike others, and this is how the world-famous “Viswabharati University” was formed.
• Tagore died on 8th August 1941, leaving behind his dramatic works and ideologies, which are to date studied by students all around the globe.

Frequently Asked Questions Essay On Rabindranath Tagore

Question 1. What was Rabindranath Tagore famous for?

Answer: Rabindranath Tagore was famous for his paintings, short stories, novels, and poems. Tagore was awarded the Nobel Prize in 1913 for Literature.

Question 2. In which year was Rabindranath Tagore born?

Answer: The Bard of Bengal, Rabindranath Tagore, was born on 7th May 1861, Calcutta.

Question 3. What are Rabindranath Tagore’s most famous short stories?

Answer: Some of Tagore’s most celebrated short stories are the Kabuliwala, the postmaster, etc.

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Essay on My Favourite Poet

Students are often asked to write an essay on My Favourite Poet in their schools and colleges. And if you’re also looking for the same, we have created 100-word, 250-word, and 500-word essays on the topic.

Let’s take a look…

100 Words Essay on My Favourite Poet

Introduction.

My favourite poet is Robert Frost, famous for his realistic depictions of rural life.

Frost’s Work

Frost’s poems, like “The Road Not Taken”, inspire me. They reflect life’s complexities, encouraging deep thought.

Why I Admire Him

I admire Frost for his profound wisdom and ability to convey complex ideas simply, making his poetry accessible and enjoyable for all readers.

250 Words Essay on My Favourite Poet

In the realm of literature, poetry stands as a unique medium of expression, offering profound insights into the human condition. My favourite poet, T.S. Eliot, masterfully harnesses this potential, weaving intricate tapestries of thought and emotion.

The Power of Eliot’s Poetry

Resonance with modern life.

Eliot’s poetry resonates with me because of its relevance to modern life. His exploration of the individual’s struggle against the impersonal forces of society speaks to the alienation and anxiety that many of us experience in the contemporary world. His work serves as a mirror, reflecting our own struggles and fears.

In conclusion, T.S. Eliot’s poetry captivates me due to its depth, complexity, and relevance. His work embodies the power of poetry to articulate the human condition in all its complexity. In a world often characterized by superficiality and noise, Eliot’s poetry offers a profound and thoughtful sanctuary.

500 Words Essay on My Favourite Poet

Every individual has their own unique taste when it comes to literature and art. For me, the realm of poetry holds a special place, and within that realm, the works of William Blake shine the brightest. Blake, an English poet, painter, and printmaker, has been a constant source of inspiration and fascination for me. His profound influence on the Romantic age of literature and his ability to weave intricate emotions and thoughts into his verses make him my favourite poet.

Blake’s Unique Artistic Vision

What strikes me most about Blake is his unique artistic vision. His poetry reflects a deep connection with spirituality and human nature. He was not just a poet, but also a philosopher who explored the depths of the human psyche. His works, such as “Songs of Innocence and of Experience”, portray the contrasting states of the human soul, encapsulating the innocence of childhood and the complexities of adulthood.

His Socio-Political Relevance

Blake’s poetry is not only spiritually enlightening but also socially and politically relevant. He was a vocal critic of the oppressive societal norms and the Industrial Revolution’s negative impacts. His poem “London” from “Songs of Experience” is a vivid portrayal of the city’s dismal state during the industrial era, marked by poverty, child labour, and social injustice. This socio-political consciousness in his poetry resonates with me deeply, making his work not only timeless but also universally relevant.

Blake’s Mysticism and Symbolism

His impact on me.

Blake’s poetry has had a profound impact on my understanding of literature and life. His exploration of human nature, his critique of societal norms, and his spiritual insights have shaped my perspectives and inspired me to look beyond the surface. His poems have taught me that literature is not just about beautiful words but also about deep thought, critical analysis, and emotional resonance.

In conclusion, William Blake, with his unique artistic vision, socio-political relevance, and mystic symbolism, stands as my favourite poet. His poetry, rich in thought and emotion, transcends the barriers of time and space, making him a universal poet. His works continue to inspire and enlighten, making him not just a poet of the Romantic era, but a poet for all ages.

Apart from these, you can look at all the essays by clicking here .

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My Favorite Poet Essay & Paragraph

Modern educated and thoughtful people read poetry and enjoy the beauty of art. It is very common that every reader of poetry chooses a poet as his favorite poet. That is why ‘Who is your favorite poet’ is a frequently asked question. Students also face this question in their exams. So, here is a bunch of essays and paragraphs about your favorite poet.

My Favorite Poet Essay

By: Haque , Words: 400; For class 9-10/SSC

Introduction: My favorite poet is Kazi Nazrul Islam. He is the rebel poet of Bengali literature. He is one of the greatest poets of Bangladesh.

Why He is My Favorite Poet: When I go through his poems, I feel joy. His “Agni Bina”, “Bisher Banshi”, “Jugabani”, “Rikter Bedan”, etc. are my favorite readings. His works inspired all to fight against all evils. His works inspired us in our liberation struggle.

Early Life: Kazi Nazrul Islam was born on the 11th Jaistha, 1306 B. S. in the village Churulia of Burdwan in West Bengal. He lost his father at an early age. He got his religious lessons in the village Maktab. He passed the lower primary examination with credit. Even in his boyhood, he could write poems. He joined the village “Letto” party which entertained the villagers with various performances. He composed songs and theatrical booklets for them. For the poverty of his family, he had to take up the job of a primary school teacher.

Nazrul was a boy of an adventurous spirit. When he was 12 years old, he fled away to Asansol. He worked in a baker’s shop. Later on, he was taken to a village of Mymensingh by a Muslim Sub-inspector of police. He got himself admitted into the Darirampur High School.

Joining Army: The first World War broke out. He gave up his studies, joined the Bengal Regiment, and went to the war. For his bravery in war, he was promoted to Havildar.

Literary Activities: Even in army life, he did not stop his literary composition. After the war, he came back to Calcutta and devoted himself to literary works. His remarkable poem ‘Bidrohi’ was first published in a weekly magazine called ‘Bijli’. His most famous works are ‘Agni Bina’, ‘Bisher Banshi’, ‘Dolanchapa’, ‘Sarbahara’, ‘Bandhanhara’, ‘Rkter Bedan’, etc. He was put to jail for writing ‘Agni Bina’. But he did not stop writing. He composed many verses and prose in the jail. Nazrul was not only a poet but also a great singer. He wrote many patriotic and Islamic songs. As a poet and singer, he has hardly any equal.

Poet of Freedom: Nazrul devoted his mighty pen to the cause of the country. He was a poet of oppressed people.

His Death: In 1942, he was attacked with an incurable disease of the brain. Since then he remained silent. He died on 29th August 1976 in Dhaka. He was buried by the Dhaka University mosque. But he lives in his works.

Essay on My Favorite Poet (Robert Frost), 500 Words

By: Haque | For SSC/GCE A-Level/High School students

Write a short essay on your favorite poet. Explain why he is your favorite poet by referring to his early life and career, Creativity and Genius, Excellence in Poetry and how he portrayed nature and life in his poetry.

Introduction

Poetry is a form of art that uses language to create an emotional response in the reader or listener. My favorite poet is Robert Frost, an American poet who is well known for his use of nature and rural life in his works. In this essay, I will explain the reasons why Robert Frost is my favorite poet.

Early Life and Career

Robert Frost was born on March 26, 1874, in San Francisco, California. He spent his early years in Lawrence, Massachusetts, where he began writing poetry. After high school, he attended Dartmouth College but left after only two months. He then worked a series of odd jobs before moving to England in 1912, where he published his first collection of poems, “A Boy’s Will,” in 1913. This was followed by “North of Boston” in 1914, which included his most famous poem, “The Road Not Taken.”

Use of Nature

Robert Frost is well known for his use of nature in his poetry. He often used rural life and the natural world as a metaphor for the human experience. His poems often depict the beauty and harshness of nature and how it can affect human emotions. For example, in his poem “Birches,” Frost writes about how he used to climb birch trees as a child and how it was a way for him to escape the harsh realities of life.

Creativity and Genius

Robert Frost’s creativity and genius are evident in his poetry. His use of language, symbolism, and imagery is unparalleled. He was able to create vivid images in the minds of his readers with his words. His poems often have multiple layers of meaning, and it is up to the reader to decipher the true meaning. His ability to convey complex emotions and ideas in simple language is what sets him apart from other poets.

Excellence in Poetry

Robert Frost is considered one of the greatest poets in American literature. He won four Pulitzer Prizes for his poetry, and his work has been studied and analyzed by scholars and students for decades. His poetry has been an inspiration for many poets and writers, and his influence can be seen in the works of many contemporary writers.

Robert Frost is my favorite poet because of his use of nature, his creativity and genius, and his excellence in poetry. His poetry has the ability to touch the hearts and minds of his readers and transport them to a world of natural beauty and human experience. His work will continue to inspire and influence poets and writers for generations to come.

My Favorite Poet Paragraph, 100 Words

By: Haque , For class 7-8/JSC, 15-02-’23

Rabindranath Tagore is my favorite poet. He is considered to be the greatest Bengali writer of all time. Tagore is not just a poet, he is a great writer with many talents. He was a playwright, a novelist, a short story writer, a critic, a painter, an essayist, and a philosopher. He started writing in his childhood and continued it till his death. Due to his contribution, Bengali literature has gained worldwide recognition. All his compositions are extraordinary and incomparable, yet I especially like his poems the most. His poetry echoes the deepest emotions of the human mind. I find my own portrait in his poems. That is why Rabindranath is my favorite poet.

Check out: 300+ Essays & Paragraphs in English

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A teacher, writer and blogger, started allparagraph noting students search online for paragraphs on various topics, short and simple essays , edifying stories and other materials of study . In composing these lessons we have tried to use as simple language as possible, keeping young students in mind. If you find any text inappropriate, please let us know so we can make it more useful through necessary corrections and modifications. Thank you!

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47 of Your Favorite Writers on Their Favorite Poems

The best way to celebrate national soyfoods month (wait).

It’s April, which according to Wikipedia , is Financial Literacy Month. It is also Jazz Appreciation Month, Mathematics and Statistics Awareness Month, National Volunteer Month, Arab American Heritage Month, National Grilled Cheese Month, Donate Life Month, National Pecan Month, National Soft Pretzel Month, and National Soyfoods Month. Last but not least, it is National Poetry Month. So if you are hoping to enjoy some poetry with your pecans and soft pretzels this April, but don’t know exactly where to start, we’ve got you covered with recommendations from these 47 writers you (probably) already know.

Ben Lerner:

The narrator [of 10:04 ] is both inspired and embarrassed by [Walt] Whitman’s belief that he could project himself into the future and that his poems could help form a kind of collective subject. Also Whitman sometimes flirts with the boundary between poetry and prose. And he’s a great poet of New York. And “Walt Whitman” is himself a work of fiction—a kind of silly yet messianic figure who is supposed to be able to contain multitudes. I guess my favorite poem is “ Crossing Brooklyn Ferry .”

—from a 2014 interview with McNally Jackson

Danez Smith:

Some poems never really leave you once you hear them. Ariana Brown’s “ Wolfchild ” was one of those poems for me last year. Brown speaks on black and brownness with such complexity and rawness and grace in this piece. Every time I come back to it I’m amazed how through such stunning language she creatives something so magical and clear and needed in our conversations about re­imagining America and America­ness. Hella stunning, hella important, and also just a fantastic poem. I’m voting for this poem in the primaries.

—as told to HuffPost

Laura Lippman:

If we agree that Stephen Sondheim is a poet, then I pick “ Someone in a Tree ,” which encompasses all my favorite subjects — perspective, memory, who gets to tell the story. My more traditional pick would be W. H. Auden’s “ In Memory of W. B. Yeats ,” particularly for the lines about poetry flowing past the places “where executives would never want to tamper. . . . ranches of isolation . . . raw towns.” I covered poverty for The Baltimore Sun for a long time, and there was definitely a raw town vibe to that beat.

—from Lippman’s “ By the Book ” interview

Elizabeth Gilbert:

[Jack Gilbert] wrote what may be my very favorite poem, “ A Brief for the Defense ,” late in his life; there’s maturity in it no youth could ever muster. It feels like something that should be in Ecclesiastes—it’s biblical in its wisdom and scope. The poem takes on his the central trauma of human consciousness, which is: What are we supposed to do with all this suffering? And how are we supposed to live?

The first lines of the poem are:

Sorrow everywhere. Slaughter everywhere. If babies are not starving someplace, they are starving somewhere else. With flies in their nostrils.

So it begins with an admission of how devastating the world is, how unfair and how sad. He goes on to say what he’s seen from a life of watching very carefully: women at the fountain in a famine-stricken town, “laughing together between / the suffering they have known and the awfulness / in their future.” He describes the “terrible streets” of Calcutta, caged prostitutes in Bombay laughing. So there’s this human capacity for joy and endurance, even when things are at their worst. A joy that occurs not despite our suffering, but within it.

When it comes to developing a worldview, we tend to face this false division: Either you are a realist who says the world is terrible, or a naïve optimist who says the world is wonderful and turns a blind eye. Gilbert takes this middle way, and I think it’s a far better way: he says the world is terrible and wonderful, and your obligation is to joy. That’s why the poem is called “A Brief for the Defense”—it’s defending joy. A real, mature, sincere joy—not a cheaply earned, ignorant joy. He’s not talking about building a fortress of pleasure against the assault of the world. He’s talking about the miraculousness of moments of wonder and how it seems to be worth it, after all. And one line from this poem is the most important piece of writing I’ve ever read for myself:

We must risk delight. We can do without pleasure, but not delight. Not enjoyment. We must have the stubbornness to accept our gladness in the ruthless furnace of this world.

This defines exactly what I want to strive to be—a person who holds onto “stubborn gladness,” even when we dwell in darkness. I want to be able to contain both of them within me at the same time, remain able to cultivate joy and wonder even at life’s bleakest.

—from Gilbert’s “By Heart” column in The Atlantic

Julian Barnes:

A. E. Housman’s “ The Laws of God, the Laws of Man ,” otherwise known as “Last Poems XII.” This poem, written circa 1900, is about independence of mind and independence of spirit. It acknowledges, while also undermining, the powers that seek to control the individual. I particularly admire, and am moved by, that final, ironic, defiant sub-clause in the penultimate line: “if keep we can.”

—as told to The New York Times Book Review

Darryl Pinckney:

“ In Paris With You ,” by James Fenton.

—from Pinckney’s “ By the Book ” interview

Emma Donoghue:

One of the poems [my mother] used to recite to me, “ Wild Nights – Wild Nights! ”, became very important to me in my teens. I probably sought it out again once I knew that I was in love with a girl myself at 14—because there I was, in 1980s Ireland, realizing that I was a lesbian and couldn’t tell a soul. It was as if there was nobody around in Irish culture at the time who I could see myself in. So I used Emily Dickinson. On the basis of her poems and letters, it seemed like she had strong passions for women in her life as well as for men. I remember thinking, “Well, I may be a freak in my social context, but I can be like Emily Dickinson. Who needs to be normal?”

I find the poem to be viscerally expressive of romantic and erotic love. What comes across most is this sense of overwhelming yearning. It’s actually quite a demanding overture: she’s saying she wants to “moor in” somebody, a very physical and intimate image.

At the same time, you don’t know who she’s addressing—it’s very unspecific, and not just in terms of gender. It’s hard to determine the relationship between the narrator and the object of affection. Is the speaker someone who has experienced a cozy life with the beloved, and has been sadly parted from that person? Or is the narrator pining for an acquaintance from afar? “Were I with thee”—that could even be a stalker talking. It’s very ambiguous.

What makes it all work is the slight edge of hysteria edge we sense in the speaker. One minute you’re thinking oh, she’s a wonderful, romantic heroine; the next minute you’re wondering whether she’s a stalker. The slightly unhinged feel to her adds to the reader’s thrill. She appears to be offering images of safety and comfort and home, but there’s this crazy edge.

—from Donoghue’s “By Heart” essay in the Atlantic

Ta-Nehisi Coates:

For me, at this point in my life, [my favorite poem] has to be Robert Hayden’s “ Middle Passage .” It is the poem I return to over and over — both for what it says about my country, and how it says it. Hayden wrote an origin myth for America and placed it right where it belonged — in enslavement. The narrators of this myth are the enslavers themselves. The irony of our history drips from every one of their lines. “Lost three this morning,” a ship’s captain observes. “Leaped with crazy laughter / to the waiting sharks, sang as they went under.”

In poetry, Robert Morgan [deserves a greater readership]. His long poem “ Mockingbird ” is my favorite poem by a living American.

—from a 2015 interview with Glen Glazer at the NYPL

Geoff Dyer:

“ The Prelude ,” by Wordsworth, or “ Paradise Lost ,” by Milton. “The Prelude” is part of my bloodstream practically, or maybe I mean metaphorically. Obviously parts of “Paradise Lost” are a total bore, but it’s worth the slog. After reading the scene where Adam and Eve eat the apple (“Carnal desire inflaming, he on Eve / Began to cast lascivious Eyes, she him / As wantonly repaid. . . .”), it’s hard not to concur with Terence McKenna’s claim that the expulsion was the original drug bust. The end is the most beautiful thing in all of literature; as Adam and Eve leave Eden they are us. Oh, and to bring things up-to-date, I love practically every funny, crazy and profound line in “ It Is Daylight ,” by Arda Collins.

—from Dyer’s “ By the Book ” interview

Joan Didion:

“ Carrion Comfort ,” by Gerard Manley Hopkins.

—according to Guernica

Jesse Ball:

There’s a misunderstanding about what nonsensical things are—the idea that they’re just funny, and that’s the beginning and the end of it. Nonsense is not “not sense”—it operates at the edge of sense. It teems with sense—at the same time, it resists any kind of universal understanding.

I believe Carroll first wrote “ Jabberwocky ” as a stanza of Anglo-Saxon poetry. (Nonsense tends to play off and puncture some known landscape.) Here, he’s playing off the language of all these wonderful things from The Canterbury Tales to The Pearl to one of my personal favorites, Sir Gawain and the Green Knight . As well as older texts like the Exeter Book riddles. He’s tapping into those wonderfully alliterative verses, that rich history of sound, within the Old English and Middle English traditions. What comes out is this:

‘Twas brillig, and the slithy toves Did gyre and gimble in the wabe: All mimsy were the borogoves, And the mome raths outgrabe.

It’s not in favor of some other sensical thing that could be said. In fact, it’s very precise. You couldn’t supply another object that would do a better job of what it’s doing in its place. The poem preserves a truth Carroll feels within himself of the sounds of those Anglo-Saxon words, their color and direction.

At the same time the poem provides this very specific insight about the sound and of Anglo-Saxon poetry, it also evades clear interpretation. Many times, when someone writes something, they hope for some precision of communication—they want to provide some precise statement that exists in one mind, and make it exist in your mind. But I think Carroll’s understanding of communication was more interesting than that. He understands that the text that you create is an object that collides with the mind with the reader—and that some third thing, which is completely unknowable, is made. He was completely content with that, and that contentment allows him to make this object “Jabberwocky” as interesting and beautiful and lovely as an object as it can be. The poem’s construction allows you to be sent somewhere along the vector of “Jabberwocky,” though no one but you can say just where.

—from Ball’s “By Heart” column in the Atlantic

Franny Choi:

If the best poems contain a transformative element, Ross Gay’s “ Small Needful Fact ” is actual magic. To me, this poem is proof of the necessity of the thought experiment as a tool for survival. And it is one of the humblest and most beautiful poems in the realm of poems addressing police violence that I have ever read. It does, I think, exactly what poems are meant to do.

Anthony Doerr:

The poem I’ve returned to most often over the past decade or so is a 39-page diamond mine called “ The Glass Essay ,” by Anne Carson. Every stanza of this masterpiece sends bolts of pleasure and recognition ricocheting through me. It’s about the speaker visiting her mother on a moor; it’s also about heartbreak, various connotations of “glass,” the Brontë family and “prisons, / vaults, cages, bars, curbs, bits, bolts, fetters, / locked windows, narrow frames, aching walls.” Who knows, maybe it’s not even a poem—maybe it’s a novel, a short story, an essay in verse? Whatever we call it, it feels to me like a thousand floodlights switching on.

Kate Atkinson:

[On Edward Thomas’s “ Adlestrop “] This is my favorite poem and the one that moves me more than any other. In June 1914 the poet Edward Thomas was traveling from Worcester to Oxford when the train he was on made an unscheduled stop—”The steam hissed. Someone cleared his throat.” Afterwards, Thomas immortalized this fleeting moment.

There are many things to love—the artlessness of the opening line, “Yes, I remember Adlestrop,” as though we had just joined a conversation that had being going on for a while. The strangely effective use of the word “unwontedly.” The sense of languid heat conjured up by the “high cloudlets” and the “meadowsweet, and haycocks dry.” At the beginning of the poem language is pared down to simplicity—”No one left and no one came / On the bare platform.” Adlestrop itself is “only the name.” But then we begin to see a progression, an expansion into something more numinous until we reach the swell of those sublime final lines as the lone blackbird begins to sing and “round him, mistier, / Farther and farther, all the birds / Of Oxfordshire and Gloucestershire.” This is when the tears come, for the transiency of all things and for the transcendent beauty of these lines.

The moment is made more poignant with hindsight, of course, for this is a lost Eden, on the cusp of Armageddon. Thomas must have sensed that too, I think. He joined the Artists Rifles and was killed at Arras in 1917 without ever seeing his poems published.

—as originally appeared on Literary Hub

Erica Jong:

“ Renascence ,” by Edna St. Vincent Millay.

—chosen and performed for Robert Pinsky’s Favorite Poem Project

Alice McDermott:

“ Dirge Without Music ,” by Edna St. Vincent Millay.

Elena Ferrante:

Amelia Rosselli (1930-96) is one of the Italian poets of the last century who pushed herself most forcefully, most painfully and most imprudently beyond the limits destiny had set for her. Among her many “superb sheets of disobedience,” I recommend Sleep (1953-66, but published in Italy in 1992), a collection of poems written in English in the grip of Italian. I especially love “Well, so, patience to our souls.” I like that word, “patience,” which, in the 10 lines that follow—in a jiffy run, as we are “left alone with our sister / navel” — is struck by aggressive verbs like run, snap, tear and ravish, and by “flaming strands of opaque red lava” while “the wind cries oof! / and goes off.”

Benjamin Percy: 

“ At the Lowe’s Home Improvement Center ,” by Brian Turner.

—according to  The Minnesota Daily ; hear Percy read the poem  here

Michael Cunningham:

“ St. Kevin and the Blackbird ,” by Seamus Heaney.

francine j. harris:

Every semester I gather things. And there are things that I come back to, and usually the poems I keep coming back to are because I can teach them for so many different reasons. Mary Ruefle’s “ White Buttons ” [for example]: I keep teaching this poem, because there are so many reasons to teach this poem. I can teach it to talk about how images reinforce themselves over a period of time because it’s a little bit longer, so these images just develop out of thin air– almost literally- there are these text pages, these book pages, like petals, and you don’t know how it happened, right? There’s a way that the images build, and I can teach it for that. I can teach it for the associative moves she makes, like that weird move she makes where she suddenly says:

(I am sorry I did not

go to your funeral

but like you said

on the phone

an insect cannot crawl

I can teach it as a second person address, that interrupts the speaker. I can teach it for so many different reasons. One of the poems I’ve been teaching on and off for years is Yusef Komunyakaa “ You And I Are Disappearing ” for almost all of the same reasons. There are so many reasons to teach that poem: listing, cataloguing, subtext, how you can read a poem have two entirely different experiences with the poems based on your experience with the subject matter, imagery. I’m always grabbing poems for imagery. . . The funny thing is, I feel like, and maybe this is an essentialist statement, I’ll say poems today that stay with me, stay with me for the same reasons– because there’s a lot going on in them. Every time I come back to them I’m thinking of something else, something else that makes it work.

—as told to Four Way Review

Gillian Flynn:

Gwendolyn Brooks nestled into my heart when I was about 12, and she’s never been replaced. So, this is my heartbeat anthem: “ A Song in the Front Yard .” It hit me with so much impact as a quiet, shy, relentlessly pleasing junior-schooler who yearned to be so much more than that. “I’ve stayed in the front yard all my life./ I want a peek at the back./ Where it’s rough and untended and hungry weed grows./ A girl gets sick of a rose.” Whenever I’m feeing unnerved or anxious or timid, I think of that: “A girl gets sick of a rose.” Yes, exactly.

Colm Tóibín:

It seems strange now that the poem by [Elizabeth Bishop] that I liked best then [at 19] and learned by heart was “ Cirque d’Hiver, ” a poem about a “mechanical toy,” a poem with elaborate rhyme schemes and a tone close to a nursery rhyme.

Across the floor flits the mechanical toy, fit for a king of several centuries back. A little circus horse with real white hair. His eyes are glossy black. He bears a little dancer on his back.

The poem seems so determined to be jolly and inconsequential, almost jokey, that it is hard to find the undertow in it, which arises oddly from the sheer amount of time and energy spent observing this scene in such great and good-humored detail to the exclusion of all else. Somehow, I felt a sense that, in concentrating on this and this only for a long time, the poem hinted that the rest of the world could be kept away and made to seem not to matter.

—from Tóibín’s On Elizabeth Bishop

Cynthia Ozick:

“ Dover Beach ,” by Matthew Arnold. And running neck-and-neck, Shelley’s “ Ozymandias ” and Auden’s “ September 1, 1939 .” All are cutting-edge images of the 21st century so far.

—from Ozick’s “ By the Book ” interview

Sloane Crosley:

“ Tulips ,” by Sylvia Plath.

—as told to Double or Nothing

Stephen King:

My favorite poem is “ Falling ,” by James Dickey. Published in 1967, its delirious language, coupled with a clear narrative, make it a precursor to Dickey’s novel Deliverance , published three years later. The poem is audacious, sensuous and completely beautiful. It’s also as neat a parable of the human condition as has ever been written.

Junot Díaz:

“ Kingdom Animalia ,” by Aracelis Girmay. Girmay is one of my favorite poets. She blows across the islands of my soul like storm season. I remember rereading these lines shortly after I lost my sister:

Oh, body, be held now by whom you love. Whole years will be spent, underneath these impossible stars, when dirt’s the only animal who will sleep with you & touch you with its mouth.

And I was never the same.

Richard Bausch: 

“ For the Last Wolverine, ” by James Dickey.

Aimee Bender:

I first heard “ The Final Soliloquy of the Interior Paramour ” [by Wallace Stevens] at a funeral. A large funeral, and a very sad one. A poet read it to the people gathered, and I found it moving, and helpful, but in a kind of inexplicable way. It’s something of an oblique poem. It concerns mystery, and its language is itself mysterious. Yet there was something in it that I sensed, even listening for the first time, about a community coming together to support this family and pay tribute to this life. . . Right away, I knew I’d want to look that poem up and spend more time with it. One line—“We say God and the imagination are one”—stuck with me especially. There’s something beautifully enigmatic about that line: It contains what feels so expansive and mysterious about the imagination to me. I love the way it treats the imagination with an almost-religious reverence.

Language is the ticket to plot and character, after all, because both are built out of language. If you write a page a day for 30 days, and you pick the parts where the language is working, plot and character will start to emerge organically. For me, plot and character emerge directly from the word—as opposed to having a light-bulb about a character or event. I just don’t work like that. Though I know some writers do, I can’t. I’ll think, oh I have an insight about the character, and when I’ll sit down to write, it feels extremely imposed and last for two minutes. I find I can write for two lines and then I have nothing else to say. For me, the only way to find something comes through the sentence level, and sticking with the sentences that give a subtle feeling that there’s something more to say. This means I’ve hit on something unconscious enough to write about—something with enough unknown in there to be brought out. On some level I can sense that, and it keeps me going.

That’s why I love Stevens’s poem, too—it sits between these great mysteries that he’s articulated without dispelling them completely. Some of those mysteries clarify, but they’re not all going to clarify. I think a good poem will always stay a little mysterious. The best writing does. The words that click into place, wrap around something mysterious. They create a shape around which something lives—and they give hints about what that thing is, but do not reveal it fully. That’s the thing I want to do in my own writing: present words that act as a vessel for something more mysterious. I know it’s working when I feel like there’s something hovering beneath it the verbal, that mysterious emotional place that Stevens wrote about.

—from Bender’s “By Heart” column in the Atlantic

J. K. Rowling:

Walt Whitman’s “ Of the terrible doubt of appearances .”

—according to The New Yorker

Donna Tartt:

Though some poems I loved when I was young have lost their sting over the years, Rimbaud’s “ The Drunken Boat ” still exhilarates me as much as it ever did; it’s a mysterious poem, difficult to translate, but every time I read it I’m astonished all over again by its glaciers and whirlwinds, its swamps and deliriums, its bursts of phosphorescence and its final, heartsick dream of Europe: a paper boat floating in a sidewalk puddle.

Maurice Sendak:

John Keats’s “ Welcome Joy, and Welcome Sorrow .” (Sendak also kept a death mask of Keats next to his bed.)

—according to The Comics Journal

Helen Macdonald:

[I admire] Milton and Shakespeare, Donne, Wordsworth, Coleridge—“ Frost at Midnight ” is my favorite poem—Auden, Frank O’Hara, Barbara Guest, John Ashbery, Peter Riley, J. H. Prynne, and R. F. Langley, who is perhaps my favorite modern poet. The Cambridge School movement influenced me a lot as a student. It taught me to be playful with language and never, ever to be afraid of difficulty.

—from Macdonald’s “ By the Book ” interview

Kaveh Akbar:

My favorite poem to teach is, I think, Russell Edson’s “ The Neighborhood Dog .” Something about it vibrates at the exact frequency of my brain. It’s just the perfect poem. It does everything I love in poems, and though I’ve taught it dozens of times to dozens of different groups of poets, I still don’t really have any idea how to talk about why it works in any sort of critically useful way. It’s actual magic.

Also, it’s important to note that the version of “The Neighborhood Dog” originally published in AGNI is a full 15% better than the weaker version Edson eventually published in the book, and in The Tunnel .

—from a 2017 interview with The Rumpus

Joyce Carol Oates:

Christopher Smart’s “ Jubilate Agno .”

Jeanette Winterson:

No one who loves poetry can have a favorite poem. There are too many, and life changes, and poems occupy us just as we occupy them. So I am going to cheat and say that for performance poetry it’s Kate Tempest’s “ Brand New Ancients .” Catch it on YouTube. She is language, passion and politics, and if that isn’t life, what is? Poetry and politics are not separate spheres. Life is connected. So I am reading Adrienne Rich right now. Try anything from The Will to Change . Engagement, activism, beauty, longing and a way to talk about those things. Poetry turbocharges language.

Jamaica Kincaid:

William Wordsworth’s “ I Wandered Lonely as a Cloud .”

E. E. Cummings:

William Wordsworth’s “ Intimations of Immortality .”

—according to Susan Cheever’s E. E. Cummings: A Life

David Mitchell:

Before I was published, when I was about 29 years old—I’m 45 now—I was looking through the poetry section in a bookshop. I found this very slim volume of poems by a man I’d never heard of before, James Wright, called This Branch Will Not Break . I flicked through it, and found a poem that is still one of the most beautiful things I’ve ever read. [“ Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota ”] I bought it, and for much of my life I’ve had a copy of the poem just above my desk, or wherever I’ve worked. Whatever else is going on in the day, my eyes can go and find this textual hammock.

For me, the poem’s chief value is as a reminder to stay inside the moment. It asks us not to let our minds rerun things that have already happened, not to trouble our head fruitlessly about things that haven’t happened yet. Inhabit the now, the poem urges— just see the beauty around you that you don’t normally see.

—from Mitchell’s “By Heart” essay in the Atlantic

Grace Paley:

“ 1919 ,” by W. B. Yeats.

Bill Bryson:

I am not a good reader of poetry, but recently I happened upon “ In Flanders Fields ,” the celebrated poem of the First World War. I had never read it all the way through and was astounded by how powerful and moving a few simple lines could be. I had always assumed that the author was British, but in fact he was a Canadian doctor named John McCrae, who wrote it just after the Second Battle of Ypres. McCrae died a short while later himself without ever seeing home again, which clearly adds to the poignancy of it.

—from Bryson’s “ By the Book ” interview

Quan Barry:

I’ve always loved the work of W.S. Merwin. As I became a more serious student of poetry, I read his body of work much more closely. It was amazing to see how he evolved from rather formal beginnings to the poet we think of today, whose unpunctuated work relies pretty heavily on the reader to pull meaning out of the text. I once saw Merwin read when I was an undergrad, and I still remember how he ended the evening with this long poem called “ Lives of the Artists ,” which is an amazing poem about the life of a Native American youth. In general, I love the collection by Merwin that contains this poem, a collection titled Travels —there’s a poem in it called “A Distance” that I adore, adore, adore. I can’t necessarily tell you what’s happening in that poem, but it ends with three questions: “what/ are you holding above your head child/ where are you taking it what does it know.”

—as told to Writer’s Bone

Louise Erdrich:

I covered the vinyl walls around my soaking bathtub with poems written in permanent marker—James Harrison’s “ Counting Birds ” is my favorite. His work is bold, consolatory; like Harrison, I wonder if there is a bird waiting for me in the onrushing clouds.

—from Erdrich’s “ By the Book ” interview

Francine Prose:

Elizabeth Bishop’s “ In the Waiting Room .”

Elizabeth Alexander:

We did a sound check [for Obama’s first inaugural] on the mother of all microphones, which carried laser-sharp sound for miles and miles without an echo. “O.K., now, read your poem,” the technician said. “I can’t do that!” I exclaimed, and then, out of nowhere, “It’s bad luck!” “O.K., O.K.,” the man said. “Say something else.” So I recited my favorite poem by my favorite poet, the bard of Chicago’s South Side, Miss Gwendolyn Brooks. I was certain she would have been the one to have written and read a poem for Obama if she had been living.

I recited “ kitchenette building ,” the first poem in her first collection, A Street in Bronzeville , from 1945. It is about how people who feel themselves at the mercy of inequitable circumstance experience hope. “We are things of dry hours and the involuntary plan,” the poem opens, then builds into a meditation on how people fight to make space for their dreams despite privation and difficult circumstance. “Could a dream send up through onion fumes / its white and violet[?]” she asks. It is one answer to Langston Hughes’s concept of the dream deferred, expressed in his poem “ Harlem ,” in which he wonders what happens when opportunity is unmet too long and injustice prevails:

Does it stink like rotten meat? Or crust and sugar over— like a syrupy sweet?

Maybe it just sags, like a heavy load.

Or does it explode?

These poets are some of America’s pithiest great philosophers. As I spoke Brooks’s lines, I saw people among the many milling tourists and inaugural-goers on the Mall stop and listen to her arresting words, cast in the shape of a poem.

—from Alexander’s essay in The New Yorker

Jacqueline Woodson:

“ You Don’t Miss Your Water ,” by Cornelius Eady, is a poem I return to when I’m stuck as a writer. The depth of emotion in this very short poem speaks not only to Eady’s amazing voice as a writer but to everything so many of us know about the complicated relationship between adult child and dying parent. Even when this poem is very far away from what I’m writing, it serves to remind me how much emotion matters in story.

Robert Pinsky:

“ Incantation ,” by Czeslaw Milosz.

—chosen and performed for his own Favorite Poem Project

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Essay on “My Favourite Poet” for Kids and Students, English Essay, Paragraph, Speech for Class 8, 9, 10, 12, College and Competitive Exams.

My Favourite Poet

The literature of any language is adorned by its poetry because poetry can convey the meanings beyond word using a few words. My favorite poet is William Wordsworth, a pioneer of romantic poetry in English literature. He had the courage and conviction to break away from the set rules and regulations of classical poetry and form his own poems independently. He wrote in the language of ‘humble and rustic people’. And the poetic subjects in his poems are simple and impressive. He experienced the profundity of innocence and simplicity of children and declared ‘child is the father of man’. Nature appealed to him as a mystic and majestic presence that always casts an impact on the human mind. His poetry draws us back in the soothing lap of nature from this world of teens and travails. In his love for nature, he calls nature the ‘the nurse, the guide, the guardian of my heart/and the soul of all my moral being.’ He has this firm faith that close contact with nature can make us more human, kind, and generous to our fellow beings. His poetry is sensitive, impressive, and educative too. Among his famous poems, “The Solitary Reaper, Lines on Tintern Abbey, on Westminster Bridge and Daffodils’-I like ‘The Daffodils’, the best. In it, describing the beautiful daffodil flowers, he conveys how nature can be a perpetual source of joy and solace to the human heart. I always derive some inspiration and calm from his poetry.

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Hindi Essay, English Essay, Punjabi Essay, Biography, General Knowledge, Ielts Essay, Social Issues Essay, Letter Writing in Hindi, English and Punjabi, Moral Stories in Hindi, English and Punjabi.

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Essay on Allama Iqbal with Quotations | My Hero in History

Essay on my hero in history – allama iqbal essay in english with quotations for 2nd year for the exams of matric, f.a, b.a and other classes.

Here is an Essay on Allama Iqbal in English with Quotations for FSC students. However, outstanding students of 10 Class, 2nd Year and graduation also can learn it by heart. Students can prepare it for the annual exams. This essay comes in exams with different names like My Hero in History, Essay on Allama Iqbal and My favourite poet. There are some more English Essays available here .

Short Essay on Allama Iqbal for 10th Class, 2nd Year and Graduation with Quotations

The Hero is “a person who is admired for having done something very brave or having achieved something great. (Cambridge Advanced Learners)

The hero is seen as a man of exceptional qualities and matchless genius. He has the potential and courage to change the fate of his nation. He is the man of strong will power, steadfastness and outstanding nerve. His inspiring personality benefits the nation in multiple ways.

“A Hero is a man who does what he can.” (Romaine Rolland)

In human history, there are countless people who served humanity with their outstanding tasks. When we talk about great personalities, various names such as Muhammad Ali Jinnah, Allama Muhammad Iqbal, Martin Luther King, Mother Theresa and much more come to mind. These people had done a lot of things for the people. who needed them. They showed their tremendous courage in banishing the various ills of society and benefitted their nations to a great deal.

“True heroism consists in being superior to the ills of life, in whatever shape they may challenge us to combat.” (Napoleon)

Among all these great men, my favourite personality is Allama Muhammad Iqbal . He is our national poet. A great poet only needs a simple verse to leave a long-lasting impression in the reader’s mind that’s why the poets attract me the most. They are said to be the disciples of God. They feel and express themselves in an unusual way. I, being fond of poetry, besides reading Urdu poets like Faiz, Firaq, Iqbal, Hafeez, Josh, Ghalib and many others, have also read Keats, Shelley, Blake, Yeats, Browning, Wordsworth and few other English poets. But Iqbal is my favourite personality> he is not only a poet, he is the leader and champion. He is a genius possessing matchless qualities in his personality.

The creator of the Idea of Pakistan, the poet of the East and champion of Islamic Philosophy was born in Sialkot on November 9th, 1877. He inherited mysticism from his father Sheikh Noor Muhammad and received his early education in his native town. After passing the intermediate examination from Murrey College, he joined Government College Lahore. He got his M.A in Philosophy with distinction and went over to England. There he did his PhD. After his return to the homeland, he settled down as a practising lawyer. But he never felt cager for this profession. He had a higher calling in view. He aimed at the regeneration of the Muslims through poetry. He believed that nothing but Islamic Principles present the real code of life, As he says:

“I lead no party, I follow no leader. I have given the best part of my life to the careful study of Islam, its law and polity, its culture, its history and its literature.”

He persuaded the Muslims of India to realize their worth and urged them to learn the lesson of “self-esteem”. He convinced the Muslims to break the chains of slavery and come out as an independent nation. He wrote various letters to Quid-e-Azam requesting him to do something for the Muslim Nation. It was he who gave an idea of Pakistan.

In 1930, he made a historic speech in which he pointed out that the Muslims are quite different in their beliefs, customs and religion from other nations. He proposed a plan of peace and happiness for Indian residents.

In his poetry, there are many references from the Holy Quran. Some critics even are of the view that Iqbal’s poetry is the true explanation of the Holy Quran. His poetry suggests that Islam is a universal religion which has the ideal guidance not only for the Muslims but also for the whole world. He urged the Muslims to rekindle the flame of faith in their heart.

“To have no faith is worse than slavery.”

There is no doubt his poetry has universality and would continue benefitting the whole world. He has provided the fantastic code of ethics in his poetry. How beautifully he delivers the idea of self-respect, ego and attainments in life.

The ultimate aim of the go is not to see something, but to be something.

If the Muslims begin to study, understand and follow his advice, they will surpass the nation and get an elevated place in this world. He is surely a hero in a true sense. He is my favourite personality. May the Muslims of this era get inspiration from his poetry and regain their lost glory.

After preparing this essay on Allama Iqbal you should go for An Essay on Ideal Teacher .

• More In English Essays

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March 28, 2018 at 6:14 am

A very good Essay on My Favourite Personality Allama Iqbal.

June 2, 2019 at 3:19 am

quotations that we can write in EXAM **** dah****

October 30, 2020 at 5:50 am

That was a fantastic essay….

AZKA SOHAIL

December 4, 2020 at 11:54 am

This is the essay I wanted. it is awesome,

December 4, 2020 at 8:45 am

Thank you azka. Keep visiting Ilmi Hub and do share on social media.

February 24, 2021 at 5:19 pm

Thnk u sooooooooo very much ilmi hub fr providing such an amazing essay …😍keep up the good work and May Allah bless u ..

Hassan Tanweer

December 17, 2021 at 5:24 am

It is very helpful and easy essay for an outstanding student……Thanks alot for writing such a beautiful essay on Allama Iqbal with quotations..

May you succeed in your goals.

December 17, 2021 at 3:07 pm

AAMEEN AND SAME TO YOU.

Asma Ramzan

September 25, 2022 at 1:31 pm

Great essay and its conclusion is awesome 👍 keep up your good work

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Writingskills

Paragraph on ‘My Favourite Poet’

My favourite poet.

   Poetry is the song of our life. Various English poets have penned their inner feelings of life through their poetry. I love English poetry, and William Wordsworth is my favourite poet. His poetry has a mysterious and soothing effect. He gave a blow to the artificial tastes. Wordsworth was born in 1870 at a little village named Cockermouth.

Wordsworth inherited a deep love for the countryside and Nature from his ancestor. He developed intimacy and sympathy with the moods of Nature in childhood. He spent a greater part of his daily life in the company of Nature. He enjoyed the beautiful spots, the flowing of rivers and the majesty of mountains. He became a real lover and worshipper of Nature as he sees in man. He creates a spiritual relationship between Nature and Man. To him, nothing in Nature is trivial. He believed Nature never betrays the heart that loves her. Nature is not merely sensuous; it is a physical as well as spiritual entity. To Wordsworth Nature is intelligent, meaningful and profound. It gives knowledge to man and it also teaches moral truth. The poet identifies God and Nature as one.

Also Read :   Paragraph on My Favourite Author

Wordsworth is also a poet of man. Along with Nature, he is also interested in the rustic life. His poetry represents the qualities of strength, endurance, simplicity, courage and hope of common people.

Wordsworth’s love for Nature is nowhere  found among any other poets or writers and so instead of calling his name, we call him as the Nature’s poet or the Poet priest of Nature.

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Poetry Explained

How to Write a Poetry Essay (Complete Guide)

Unlock success in poetry essays with our comprehensive guide. Uncover the process to help aid understanding of how best to create a poetry essay.

While many of us read poetry for pleasure, it is undeniable that many poetry readers do so in the knowledge that they will be assessed on the text they are reading, either in an exam, for homework, or for a piece of coursework. This is clearly a daunting task for many, and lots of students don’t even know where to begin. We’re here to help! This guide will take you through all the necessary steps so that you can plan and write great poetry essays every time. If you’re still getting to grips with the different techniques, terms, or some other aspect of poetry, then check out our other available resources at the bottom of this page.

This Guide was Created by Joe Samantaria

Degree in English and Related Literature, and a Masters in Irish Literature

Upon completion of his degrees, Joe is an English tutor and counts W.B. Yeats , Emily Brontë , and Federico Garcia Lorca among his favorite poets. He has helped tutor hundreds of students with poetry and aims to do the same for readers and Poetry + users on Poem Analysis.

How to Write a Poetry Essay

• 1 Before You Start…
• 2 Introductions
• 3 Main Paragraphs
• 4 Conclusions
• 6 Other Resources

Before You Start…

Before we begin, we must address the fact that all poetry essays are different from one another on account of different academic levels, whether or not the essay pertains to one poem or multiple, and the intended length of the essay. That is before we even contend with the countless variations and distinctions between individual poems. Thus, it is impossible to produce a single, one-size-fits-all template for writing great essays on poetry because the criteria for such an essay are not universal. This guide is, therefore, designed to help you go about writing a simple essay on a single poem, which comes to roughly 1000-1200 words in length. We have designed it this way to mirror the requirements of as many students around the world as possible. It is our intention to write another guide on how to write a comparative poetry essay at a later date. Finally, we would like to stress the fact that this guide is exactly that: a guide. It is not a set of restrictive rules but rather a means of helping you get to grips with writing poetry essays. Think of it more like a recipe that, once practiced a few times, can be modified and adapted as you see fit.

The first and most obvious starting point is the poem itself and there are some important things to do at this stage before you even begin contemplating writing your essay. Naturally, these things will depend on the nature of the essay you are required to write.

• Is the poem one you are familiar with?
• Do you know anything about the context of the poem or the poet?
• How much time do you have to complete the essay?
• Do you have access to books or the internet?

These questions matter because they will determine the type, length, and scope of the essay you write. Naturally, an essay written under timed conditions about an unfamiliar poem will look very different from one written about a poem known to you. Likewise, teachers and examiners will expect different things from these essays and will mark them accordingly.

As this article pertains to writing a poverty essay, we’re going to assume you have a grasp of the basics of understanding the poems themselves. There is a plethora of materials available that can help you analyze poetry if you need to, and thousands of analyzed poems are available right here. For the sake of clarity, we advise you to use these tools to help you get to grips with the poem you intend to write about before you ever sit down to actually produce an essay. As we have said, the amount of time spent pondering the poem will depend on the context of the essay. If you are writing a coursework-style question over many weeks, then you should spend hours analyzing the poem and reading extensively about its context. If, however, you are writing an essay in an exam on a poem you have never seen before, you should perhaps take 10-15% of the allotted time analyzing the poem before you start writing.

The Question

Once you have spent enough time analyzing the poem and identifying its key features and themes, you can turn your attention to the question. It is highly unlikely that you will simply be asked to “analyze this poem.” That would be too simple on the one hand and far too broad on the other.

More likely, you will be asked to analyze a particular aspect of the poem, usually pertaining to its message, themes, or meaning. There are numerous ways examiners can express these questions, so we have outlined some common types of questions below.

• Explore the poet’s presentation of…
• How does the poet present…
• Explore the ways the writer portrays their thoughts about…

These are all similar ways of achieving the same result. In each case, the examiner requires that you analyze the devices used by the poet and attempt to tie the effect those devices have to the poet’s broader intentions or meaning.

Some students prefer reading the question before they read the poem, so they can better focus their analytical eye on devices and features that directly relate to the question they are being asked. This approach has its merits, especially for poems that you have not previously seen. However, be wary of focusing too much on a single element of a poem, particularly if it is one you may be asked to write about again in a later exam. It is no good knowing only how a poem links to the theme of revenge if you will later be asked to explore its presentation of time.

Essay plans can help focus students’ attention when they’re under pressure and give them a degree of confidence while they’re writing. In basic terms, a plan needs the following elements:

• An overarching answer to the question (this will form the basis of your introduction)
• A series of specific, identifiable poetic devices ( metaphors , caesura , juxtaposition , etc) you have found in the poem
• Ideas about how these devices link to the poem’s messages or themes.
• Some pieces of relevant context (depending on whether you need it for your type of question)

In terms of layout, we do not want to be too prescriptive. Some students prefer to bullet-point their ideas, and others like to separate them by paragraph. If you use the latter approach, you should aim for:

• 1 Introduction
• 4-5 Main paragraphs
• 1 Conclusion

Finally, the length and detail of your plan should be dictated by the nature of the essay you are doing. If you are under exam conditions, you should not spend too much time writing a plan, as you will need that time for the essay itself. Conversely, if you are not under time pressure, you should take your time to really build out your plan and fill in the details.

Introductions

If you have followed all the steps to this point, you should be ready to start writing your essay. All good essays begin with an introduction, so that is where we shall start.

When it comes to introductions, the clue is in the name: this is the place for you to introduce your ideas and answer the question in broad terms. This means that you don’t need to go into too much detail, as you’ll be doing that in the main body of the essay. That means you don’t need quotes, and you’re unlikely to need to quote anything from the poem yet. One thing to remember is that you should mention both the poet’s name and the poem’s title in your introduction. This might seem unnecessary, but it is a good habit to get into, especially if you are writing an essay in which other questions/poems are available to choose from.

As we mentioned earlier, you are unlikely to get a question that simply asks you to analyze a poem in its entirety, with no specific angle. More likely, you’ll be asked to write an essay about a particular thematic element of the poem. Your introduction should reflect this. However, many students fall into the trap of simply regurgitating the question without offering anything more. For example, a question might ask you to explore a poet’s presentation of love, memory, loss, or conflict . You should avoid the temptation to simply hand these terms back in your introduction without expanding upon them. You will get a chance to see this in action below.

Let’s say we were given the following question:

Explore Patrick Kavanagh’s presentation of loss and memory in Memory of My Father

Taking on board the earlier advice, you should hopefully produce an introduction similar to the one written below.

Patrick Kavanagh presents loss as an inescapable fact of existence and subverts the readers’ expectations of memory by implying that memories can cause immense pain, even if they feature loved ones. This essay will argue that Memory of My Father depicts loss to be cyclical and thus emphasizes the difficulties that inevitably occur in the early stages of grief.

As you can see, the introduction is fairly condensed and does not attempt to analyze any specific poetic elements. There will be plenty of time for that as the essay progresses. Similarly, the introduction does not simply repeat the words ‘loss’ and ‘memory’ from the question but expands upon them and offers a glimpse of the kind of interpretation that will follow without providing too much unnecessary detail at this early stage.

Main Paragraphs

Now, we come to the main body of the essay, the quality of which will ultimately determine the strength of our essay. This section should comprise of 4-5 paragraphs, and each of these should analyze an aspect of the poem and then link the effect that aspect creates to the poem’s themes or message. They can also draw upon context when relevant if that is a required component of your particular essay.

There are a few things to consider when writing analytical paragraphs and many different templates for doing so, some of which are listed below.

• PEE (Point-Evidence-Explain)
• PEA (Point-Evidence-Analysis)
• PETAL (Point-Evidence-Technique-Analysis-Link)
• IQA (Identify-Quote-Analyze)
• PEEL (Point-Evidence-Explain-Link)

Some of these may be familiar to you, and they all have their merits. As you can see, there are all effective variations of the same thing. Some might use different terms or change the order, but it is possible to write great paragraphs using all of them.

One of the most important aspects of writing these kind of paragraphs is selecting the features you will be identifying and analyzing. A full list of poetic features with explanations can be found here. If you have done your plan correctly, you should have already identified a series of poetic devices and begun to think about how they link to the poem’s themes.

It is important to remember that, when analyzing poetry, everything is fair game! You can analyze the language, structure, shape, and punctuation of the poem. Try not to rely too heavily on any single type of paragraph. For instance, if you have written three paragraphs about linguistic features ( similes , hyperbole , alliteration , etc), then try to write your next one about a structural device ( rhyme scheme , enjambment , meter , etc).

Regardless of what structure you are using, you should remember that multiple interpretations are not only acceptable but actively encouraged. Techniques can create effects that link to the poem’s message or themes in both complementary and entirely contrasting ways. All these possibilities should find their way into your essay. You are not writing a legal argument that must be utterly watertight – you are interpreting a subjective piece of art.

It is important to provide evidence for your points in the form of either a direct quotation or, when appropriate, a reference to specific lines or stanzas . For instance, if you are analyzing a strict rhyme scheme, you do not need to quote every rhyming word. Instead, you can simply name the rhyme scheme as, for example, AABB , and then specify whether or not this rhyme scheme is applied consistently throughout the poem or not. When you are quoting a section from the poem, you should endeavor to embed your quotation within your line so that your paragraph flows and can be read without cause for confusion.

When it comes to context, remember to check whether or not your essay question requires it before you begin writing. If you do need to use it, you must remember that it is used to elevate your analysis of the poem, not replace it. Think of context like condiments or spices. When used appropriately, they can enhance the experience of eating a meal, but you would have every right to complain if a restaurant served you a bowl of ketchup in lieu of an actual meal. Moreover, you should remember to only use the contextual information that helps your interpretation rather than simply writing down facts to prove you have memorized them. Examiners will not be impressed that you know the date a particular poet was born or died unless that information relates to the poem itself.

For the sake of ease, let’s return to our earlier question:

Have a look at the example paragraph below, taking note of the ways in which it interprets the linguistic technique in several different ways.

Kavanagh uses a metaphor when describing how the narrator ’s father had “fallen in love with death” in order to capture the narrator’s conflicted attitudes towards his loss. By conflating the ordinarily juxtaposed states of love and death, Kavanagh implies the narrator’s loss has shattered his previously held understanding of the world and left him confused. Similarly, the metaphor could suggest the narrator feels a degree of jealousy, possibly even self-loathing, because their father embraced death willingly rather than remaining with the living. Ultimately, the metaphor’s innate impossibility speaks to the narrator’s desire to rationalize their loss because the reality, that his father simply died, is too painful for him to bear.

As you can see, the paragraph clearly engages with a poetic device and uses an appropriately embedded quotation. The subsequent interpretations are then varied enough to avoid repeating each other, but all clearly link to the theme of loss that was mentioned in the question. Obviously, this is only one analytical paragraph, but a completed essay should contain 4-5. This would allow the writer to analyze enough different devices and link them to both themes mentioned in the question.

Conclusions

By this stage, you should have written the bulk of your essay in the form of your introduction and 4-5 main analytical paragraphs. If you have done those things properly, then the conclusion should largely take care of itself.

The world’s simplest essay plan sounds something like this:

• Tell them what you’re going to tell them
• Tell them what you’ve told them

This is, naturally, an oversimplification, but it is worth bearing in mind. The conclusion to an essay is not the place to introduce your final, groundbreaking interpretation. Nor is it the place to reveal a hitherto unknown piece of contextual information that shatters any prior critical consensus with regard to the poem you are writing about. If you do either of these things, the examiner will be asking themselves one simple question: why didn’t they write this earlier?

In its most simple form, a conclusion is there, to sum up the points you have made and nothing more.

As with the previous sections, there is a little more to a great conclusion than merely stating the things you have already made. The trick to a great conclusion is to bind those points together to emphasize the essay’s overarching thread or central argument. This is a subtle skill, but mastering it will really help you to finish your essays with a flourish by making your points feel like they are more than the sum of their parts.

Finally, let’s remind ourselves of the hypothetical essay question we’ve been using:

Remember that, just like your introduction, your conclusion should be brief and direct and must not attempt to do more than it needs to.

In conclusion, Kavanagh’s poem utilizes numerous techniques to capture the ways in which loss is both inescapable and a source of enormous pain. Moreover, the poet subverts positive memories by showcasing how they can cause loved ones more pain than comfort in the early stages of grief. Ultimately, the poem demonstrates how malleable memory can be in the face of immense loss due to the way the latter shapes and informs the former.

As you can see, this conclusion is confident and authoritative but does not need to provide evidence to justify this tone because that evidence has already been provided earlier in the essay. You should pay close attention to the manner in which the conclusion links different points together under one banner in order to provide a sense of assuredness.

You should refer to the poet by either using their full name or, more commonly, their surname. After your first usage, you may refer to them as ‘the poet.’ Never refer to the poet using just their first name.

This is a good question, and the answer entirely depends on the level of study as well as the nature of the examination. If you are writing a timed essay for a school exam, you are unlikely to need any form of referencing. If, however, you are writing an essay as part of coursework or at a higher education institution, you may need to refer to the specific guidelines of that institution.

Again, this will depend on the type of essay you are being asked to write. If you are writing a longer essay or writing at a higher educational level, it can be useful to refer to other poems in the writer’s repertoire to help make comments on an aspect of the poem you are primarily writing about. However, for the kind of essay outlined in this article, you should focus solely on the poem you have been asked to write about.

This is one of the most common concerns students have about writing essays . Ultimately, the quality of an essay is more likely to be determined by the quality of paragraphs than the quantity anyway, so you should focus on making your paragraphs as good as they can be. Beyond this, it is important to remember that the time required to write a paragraph is not fixed. The more you write, the faster they will become. You should trust the process, focus on making each paragraph as good as it can be, and you’ll be amazed at how the timing issue takes care of itself.

Other Resources

We hope you have found this article useful and would love for you to comment or reach out to us if you have any queries about what we’ve written. We’d love to hear your feedback!

In the meantime, we’ve collated a list of resources you might find helpful when setting out to tackle a poetry essay, which you can find below.

• Do poems have to rhyme?
• 10 important elements of poetry
• How to analyze a poem with SMILE
• How to approach unseen poetry
• 18 Different Types of Themes in Poetry

Home » Poetry Explained » How to Write a Poetry Essay (Complete Guide)

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I have folded my sorrows.

I have folded my sorrows into the mantle of summer night, Assigning each brief storm its allotted space in time, Quietly pursuing catastrophic histories buried in my eyes. And yes, the world is not some unplayed Cosmic Game, And the sun is still ninety-three million miles from me, And in the imaginary forest, the shingled hippo becomes the gray unicorn. No, my traffic is not with addled keepers of yesterday’s disasters, Seekers of manifest disembowelment on shafts of yesterday’s pains. Blues come dressed like introspective echoes of a journey. And yes, I have searched the rooms of the moon on cold summer nights. And yes, I have refought those unfinished encounters.       Still, they remain unfinished. And yes, I have at times wished myself something different.

The tragedies are sung nightly at the funerals of the poet; The revisited soul is wrapped in the aura of familiarity. 

“I Have Folded My Sorrows,” by Robert Kaufman, from SOLITUDES CROWDED WITH LONELINESS, copyright © 1965 by Bob Kaufman. Used by permission of New Directions Publishing Corp. 

"The world is a beautiful place"

From A Coney Island of the Mind , copyright ©1955 by Lawrence Ferlinghetti. Reprinted by permission of New Directions Publishing Corp.

From Poems of Nazim Hikmet , translated by Randy Blasing and Mutlu Konuk, published by Persea Books. Copyright © 1994 by Randy Blasing and Mutlu Konuk. Used with the permission of Persea Books. All rights reserved.

Remembering Our First Parties

remembering the boys— much older, only unsettling in hindsight

back then, they gave us beers and we took them, uncertain in the summer

of sage and honey. we hid in the bathroom so we could talk

for a while, swimming in the empty bathtub and watching each other’s reflections in the mirror.

the boys waited outside in the yard, and we let them

wait while we were fifteen and silver-tongued, all shoulder- blades and hummingbird and safe for now

Copyright © 2023 by Erin Rose Coffin. Originally published in Poem-a-Day on January 20, 2023, by the Academy of American Poets.

Instead of Depression

try calling it hibernation. Imagine the darkness is a cave in which you will be nurtured by doing absolutely nothing. Hibernating animals don’t even dream. It’s okay if you can’t imagine Spring. Sleep through the alarm of the world. Name your hopelessness a quiet hollow, a place you go to heal, a den you dug, Sweetheart, instead of a grave.

From You Better Be Lightning (Button Poetry, 2021) by Andrea Gibson. Copyright © 2021 Andrea Gibson. Reprinted by permission of the author.

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What’s Your Favorite Poem?

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JULIAN BARNES: A.E. Housman’s “The Laws of God, the Laws of Man,” otherwise known as “Last Poems XII.” This poem, written circa 1900, is about independence of mind and independence of spirit. It acknowledges, while also undermining, the powers that seek to control the individual. I particularly admire, and am moved by, that final, ironic, defiant sub-clause in the penultimate line: “if keep we can.” — Julian Barnes’s new novel, “The Noise of Time,” will be published in 2016.

GRAYDON CARTER: “High Flight,” by John Gillespie Magee Jr., was a poem taught to Canadian schoolchildren in the 1950s and ’60s. I suspect it was on the curriculum because even a decade after World War II, the war was still very much a part of our culture. Another reason it made the cut, possibly, is that although Magee was American, he had enlisted early and served with the Royal Canadian Air Force. Most of the young pilots — many of them teenagers like Magee — were the first people in their families ever to see the earth from higher than a few stories. In just a few exquisite lines written in the late summer of 1941, Magee celebrates the joy of being unfettered from the bonds of Earth. He died four days after Pearl Harbor during a training mission in Britain. The poem still makes my eyes water. — Graydon Carter is the editor in chief of Vanity Fair.

TA-NEHISI COATES: For me, at this point in my life, it has to be Robert Hayden’s “Middle Passage.” It is the poem I return to over and over — both for what it says about my country, and how it says it. Hayden wrote an origin myth for America and placed it right where it belonged — in enslavement. The narrators of this myth are the enslavers themselves. The irony of our history drips from every one of their lines. “Lost three this morning,” a ship’s captain observes. “Leaped with crazy laughter / to the waiting sharks, sang as they went under.” — Ta-Nehisi Coates is a national correspondent at The Atlantic. His second book, “Between the World and Me,” won the 2015 National Book Award for nonfiction.

KATIE COURIC: My favorite poem growing up was one my mom often recited to me: “In Flanders fields the poppies blow / Between the crosses, row on row.” My mom thought the poem , by John McCrae, was beautiful and melancholy. It was written during World War I, and I think she must have had to memorize it in school. It’s timeless and seems to echo the sadness and loss that is part and parcel of all wars. Lest you think my mom was a depressive, the other poem she often recited to me was “The Swing,” by Robert Louis Stevenson: “How do you like to go up in a swing, / Up in the air so blue? / Oh, I do think it the pleasantest thing / Ever a child can do!” My mom was fun-loving and funny, but very sentimental as well. I think these two poems will always remind me of her, and she’s the reason I love poetry. — Katie Couric is a broadcast journalist and author. She is currently the Yahoo! global news anchor.

ALAN CUMMING: Yeats’s poem “Aedh Wishes for the Cloths of Heaven” is just eight lines long:

Had I the heavens’ embroidered cloths, Enwrought with golden and silver light, The blue and the dim and the dark cloths Of night and light and the half light, I would spread the cloths under your feet: But I, being poor, have only my dreams; I have spread my dreams under your feet; Tread softly because you tread on my dreams.

The first time I heard this poem I knew it would be forever in my life. If you’re ever having trouble trying to explain to someone how much you love them, this is the poem to reach for. I read it to my husband at our wedding. But making a gesture like that also has a cost: The heart is completely open and vulnerable, and so the poem ends a little needily, and I can relate to that too. — Alan Cumming is a Tony and Olivier Award-winning actor and the author of a memoir, “Not My Father’s Son.”

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Composition on My Favorite Poet: Kazi Nazrul Islam

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My Favorite Poet

The man i admire most, kazi nazrul islam is my favorite poet.

Introduction: Kazi Nazrul Islam , our national poet, is my favourite poet. He is one of the most outstanding poets of the indo-Pakistan-sub continent. He is the poet of my heart. I am fully one with him when he says,

“I belong to all nations, all times.”

Birth of Kazi Nazrul Islam: Nazrul was born in 1899 in the village of Churulia in West Bengal. He lost his father early in his life and had to struggle hard against poverty. He had to earn his livelihood since he was a little boy. For this, he was known as ‘Dukhu Mia’ to the people.

Early life: Nazrul got his boyhood education in his village Maktab. He was restless from his boyhood. His restless spirit drew him to move from one place to another. His restless spirit drew him to move from one place to another. He could not confine himself to the routine-bound day-to-day work in the class. From his early life, he had an indomitable spirit to foam bout the world and see, know and explore what was unseen, unknown and unexplored.

Literary passion: Nazrul Islam showed a deep passion for literary works from his early life. He joined the letup parties and composed theatrical pieces for them. He composed Bengali verses full of Arabic and Persian words. He sent several poems and prose compositions even from the military camps.

Rebel poet: Nazrul Islam was a rebel voice of Bengal. Then into-Pak sub-continent was ruled by the British colonial government. They ruled with an iron hand. They tortured and oppressed people barbarously. Nazrul stood up against these tortures and oppression. He declared in a thundering voice,

“tell whether you would quite of this land or you would be dealt with severely.”

They threw him into the jail, but they could not dominate his undaunted spirit. He called upon his fellow prisoners to rise up and revolt,

“Kick and break of the prison lock. Set fire on all the prison cells, Set fire and root out everything.”

He was a great friend of the poor and the down-trodden. He roused the sleeping Bangalees with his mighty flute to fight out the white rulers.

Spirit of adventure: Nazrul was a boy of the adventurous sprite. When he was only twelve years old, he fled away to Asansol. There he worked in a bakery-shop for Taka five a month. Then a sub-inspector of police took him to Mymensingh. Later on, he got admitted into a high school. Then the first-world-war broke out. He felt a great attraction for the war. As he thought, did he do? He gave up his studies and joined the war. He showed great bravery in the war and won the position of a Habilder.

A great patriot: Nazrul Islam was one of the greatest patriots of the world. He strained his time, money and energy for the cause of freedom. He wielded his mighty pen against the atrocities of the ruling class. He had to undergo untold pangs and sufferings for his love for the country. Most of his poems are full of patriotic feelings.

Literary works: Nazrul Islam wrote an overwhelming number of poems and prose pieces. The number of his songs exceeded even that of Rabindranath Tagore. Bidrohi, Badan hare, Sarbohara, Chakrobak, Catun Chand, Fanimansha, Rickter Bedan, Sesh Shaogat etc… Are his most outstanding works. All his works are full of spirits and rebellions. He was put in the jail for writing a fiery anti-government. A poem called ‘Agni-Bina.’ But he cared little for all that. No oppression or pangs could ever dominate his indomitable spirit. He went on composing verses and prose pieces one after another even when he was confined in the jail.

Reason for liking: a man likes or, disliking for a person or a thing varies from person to person according to his taste, aptitude and temperament. To my eyes, Nazrul’s life is a wonderful blending of a lot of towering and fascination virtues. All these have stirred my heart tremendously. Nazrul Islam is my guide, glory and pride. He deserves my respect and admiration for his rebellion voice and extraordinary contributions in the field of Bengali literature. I find the feelings of my heart best expressed in his poems and other writings. He stands out as a formidable and he stands out as a formidable and outspoken revolutionary. He made a clarion call to his countrymen to shatter the chains of slavery. He made a fine blending of words from different languages and cultures. This has made his poems and songs very appealing to the people of all castes, colours and creeds.

He was A poet of youth with a rebel soul in him. His writings are essentially suited for the platform. They are full of jerks and jumps, full of vigour and vitality. He was not only a poet but also a great singer. He is the only poet of Bengal who took part in the war. He showed a striking newness in his verse, voice and ideas. My heart fills with a world of joy, hope and aspirations when I heart fills with a world of joy, hope and aspirations when I read his poems. He was not a blind imitator of Rabindranath Tagore. He rose to the zenith of his reputation by means of his originality. Rabindranath Tagore admitted his extraordinary genius and made him his successor of literature art and culture.

Conclusion: Kazi Nazrul Islam, my favourite poet, is no more in our midst. He was attacked with a protracted disease and suffered for a pretty long time and lost his mental balance. At last, he breathed his last on the 29 th August 1976. He now prays to almighty for the salvation of his departed soul. Let us learn a great lesson from his colourful life,

“Lives of great men all remind us, We can make our life sublime, and depart leaving behind us, Foot-prints on the sands of time.”

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• Composition on Famous Bengali Poet Kazi Nazrul Islam
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• Essay on My Favorite Person: Kazi Nazrul Islam
• Essay on Literature Kazi Nazrul Islam
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Essay On My Favorite Poet

William Wordsworth was a devotee of Nature. He was inspired by Nature to write poetry. He was the pioneer in the English Romantic Movement.

Image Source: collections.wordsworth.org.uk/images/GRMDC_A10_00001a.jpg

He launched the English Romantic Revolution with the help of Samuel Taylor Coleridge by their joint work, The Lyrical Ballads. Wordsworth was the poet laureate of England from 1843 to 1850. Wordsworth was born on April 7, 1770 in the Late district of northern England. He lost his parents at an early age. He completed his education from Hawkshead Grammar School and then from St. John’s College, Cambridge. he married Annette Vallon, a French woman and later, marry Hutchinson, an English lady. He was blessed with six children. Wordsworth composed a great number of poems which deal with Nature, rural people and human nature. He created some of the greatest English poetry of his century. Critics place him next to John Milton and William Shakespeare among all time great poets of English Literature.

There are many well-known names in the world of literature. The poems of William Wordsworth have impressed me the most. his poems soothe the senses. He was a devotee of Nature. he was inspired by Nature to write poetry. Reading Wordsworth is like sitting amidst Nature.

Wordsworth was born on April 7, 1770 in the Lake district of northern England. He was the second of five children of a prosperous estate manager. Both his parents died at an early age and so Wordsworth was sent of by his guardian to a grammar school at Hawkshead. There he received education in classics, literature and mathematics. The beautiful landscape at Hawkshead gave him confidence and pleasure and inspired him. He grew amidst nature, playing and indulging in boyhood pleasures outdoors.

Wordsworth moved on in 1787 to St. John’s College, Cambridge. In 1790, he went on a summer vacation to France. After attaining his degree from Cambridge, he went back to France in 1791. Due to the outbreak of war between England and France, he had to return to England in 1792.

For the first three or four years after his return to England, Wordsworth lived poor life with no work. The aftermath of the war moved Wordsworth with sympathy for the sufferers. At this time, he started writing poetry. He also reunited with his sister Dorothy whom he loved dearly. at this time, Wordsworth became friends with Samuel Taylor Coleridge, a fellow poet. They formed a partnership in writing. It is this partnership that altered the course of English poetry.

While Wordsworth was in France, in 1791 he married Annette Vallon, a French woman, but before their daughter was born, war compelled him to return to England in 1792. He met his daughter and his wife in 1802 when he went to France again for some time. Later, he got married to Mary Hutchinson, a childhood friend. They were blessed with three sons and two daughters by 1810.

The Lyrical Ballads is the joint work of Wordsworth and Coleridge. this collection of poems helped launch the English Romantic Movement. It set forth a new style, a new subjects for poetry. The Lyrical Ballads start with Coleridge’s poem, The Rime of the Ancient Mariner and ends with Wordsworth’s poem, Tintern Abbey . The poems in this collection deal with Nature, portraits of simple rural people and the basis truths of human nature.

The Prelude is among Wordsworth’s finest poems. it reflects ‘the growth of a poet’s mind’. It is an autobiographical poem. It describes they way in which the imagination overpowers the reason and the senses. Wordsworth’s other works include The Excursion , a collection of nine poems; Ecclesiastical Sketches, Home at Grasmere, The Borderers, Salisbury Plain, The White Doe of Rylstone, Thanksgiving Ode, Peter Bell, The Waggoner, The River Duddon, etc. In his later years, Wordsworth revised the edition of his earlier poems.

Some of the immortal poems of Wordsworth that still rule the lips include The Solitary Reaper, Daffodils, Tintern Abbey and many others. Wordsworth wrote in Tintern Abbey that ‘ Nature never did betray the heart that loved her’. He formulated in his poems, a new attitude towards Nature. He introduced nature imagery into his poems. Wordsworth was a worshipper of Nature which is evident in his poems. His poems depict man’s relation with nature. he also dealt with human nature. He further placed poetry at the centre of human experience.

According to Wordsworth, poetry is ‘the first and last of all knowledge – it is as immortal as the heart of man’. Critics place Wordsworth next to John Milton and William Shakespeare among all time great poets of English Literature. His contribution of English Literate is great.

Related Articles:

• Paragraph on William Shakespeare

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Essay on “My Favorite Poet” Complete Essay for Class 10, Class 12 and Graduation and other classes.

My favorite poet, 2 best essay on “my favourite poet”.

Essay No. 01

There are many well-known names in the world of literature. The poems of Williams Words have impressed me the most. His poems soothe the sense. He was a devotee of nature. He was inspired by nature to write poetry. Recording Wordsworth is like sitting amidst nature.

William Wordsworth was the pioneer of the English Romantic Movement. He launched the English Romantic Revolution with the help of Samuel Taylor Coleridge. He was the poet laureate of England from 1843 to 1850. His poems depict man’s relation with nature. He also placed poetry at the center of human experience. Wordsworth created some of the greatest English poets of his centenary.

Wordsworth was born on April 7, 1770, in the Lake District of northern England. He was the second of five children of a prosperous estate manager. Both his parents died at an early age and so Wordsworth Was sent off by his guardian to a grammar school at Hawkshead. There he received education in classics literature and mathematics. There he received education in classics, literature, and mathematics. The beautiful landscape at Hawkshead gave him confidence and pleasure and it inspired him. He grew amidst nature playing and indulging in boyhood pleasure outdoors.

Wordsworth was an interpreter of nature in her many moods. The natural scenery of English lakes could terrify as well as please, which Wordsworth has later testified in his line, ” I grew up fostered alike by beauty and boy fear.” But its generally benign aspect gave the growing boy the confidence he articulated in one of his important poems Tintern Abbey ” that Nature never did betray the heart that loved her.

Wordsworth moved on in 1787 to St. John College, Cambridge. After attaining his degree from Cambridge he went to France he had to return to England in 1792.

For the first three or four years after his return to England Wordsworth had virtually no work. The aftermath of the war moved Wordsworth with sympathy for the sufferers. At this time he started writing poetry. He also reunited with his sister Dorothy whom he loved dearly. Wordsworth also became friends with Samuel Taylor Coleridge a fellow poet. They formed a partnership in writing. It is this partnership that altered the course of English poetry.

The Prelude is among Wordsworth’s finest poems. It reflects the growth of a poet’s mind. It is an autobiographical poem. It describes the way in which the imagination overpowers the reason and the senses. Wordsworth’s other works include The Excursion Ecclesiastical Sketches, Home at Grasmere The Borderers, Salisbury Plain, The River Duddon, etc. In his later years, Wordsworth revised the edition of his earlier poems.

Wordsworth wrote in Tintern Abbey that Nature never did betray the heart that loved her. He formulated in his poems, a new attitude towards nature. He introduced nature imagery into his poems. Wordsworth nature. He introduced nature imagery into his poems. Wordsworth was a worshipper of nature which is evident in his poems.

According to Wordsworth poetry is the first and last of all knowledge it is as immortal as the heart of man. Critics place Wordsworth next to John Milton and William Shakespeare among all-time great poets of English Literature. His contribution to English Literature is immense.

Essay No. 02

My Favourite Poet

William Wordsworth (1770-1850) was a devotee of Nature. He was inspired by nature to write poetry. He was the pioneer in the English Romantic Movement He launched the English Romantic Revolution with the help of Samuel Taylor Coleridge by their joint work, ‘The Lyrical Ballads.’ Wordsworth was the poet laureate of England from 1843 to 1850. Wordsworth was born on April 7, 1770, in the Lake District of northern England.

He lost his parents at an early age. He completed his education at Hawkshead Grammar School and then from St. John’s College, Cambridge. He married Annette Val long a French woman- and-later Mary Hutchinson, an English lady. He was blessed with six children. Wordsworth composed a great number of poems that deal with Nature, rural people, and human nature. He created some of the greatest English poets of his century. Critics placed him next to John Milton and William Shakespeare.

Wordsworth Was, born on April 7, 1770, in the Lake District of northern England. He was the second of five children of a prosperous estate manager. Both his parents died while he was still at an early age. So, Wordsworth was sent off by guardian uncles to a grammar school at Hawkshead. There, he received education in classics, literature, and mathematics. The beautiful landscape at Hawkshead gave him confidence and pleasure and inspired him to write poetry. Wordsworth moved on in 1787 to St. John’s College, Cambridge. In 1790, he write on a summer vacation to France. After getting a degree from Cambridge, he went back to France in 1791. While

Wordsworth was in France in 1791, he married Anette ValIon, a French woman. But before their daughter was born, war compelled him to return to England in 1792. He met his daughter and his wife in 1802 when he went to France again for some time. Later, he got married, to Mary Hutchinson, a childhood friend. They were blessed with three sons and two daughters by 1810.

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very nice essay writing.it help me a lot. it means a lot for me. thanks

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Saturday 17 October 2015

My favorite poet - allama iqbal | english essay pdf read online and download.

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