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A FINE BALANCE

by Rohinton Mistry ‧ RELEASE DATE: April 25, 1996

From the Toronto-based Mistry (Such a Long Journey, 1991), a splendid tale of contemporary India that, in chronicling the sufferings of outcasts and innocents trying to survive in the ``State of Internal Emergency'' of the 1970s, grapples with the great question of how to live in the face of death and despair. Though Mistry is too fine a writer to indulge in polemics, this second novel is also a quietly passionate indictment of a corrupt and ineluctably cruel society. India under Indira Gandhi has become a country ruled by thugs who maim and kill for money and power. The four protagonists (all victims of the times) are: Dina, 40-ish, poor and widowed after only three years of marriage; Maneck, the son of an old school friend of Dina's; and two tailors, Ishvar and his nephew Om, members of the Untouchable caste. For a few months, this unlikely quartet share a tranquil happiness in a nameless city—a city of squalid streets teeming with beggars, where politicians, in the name of progress, abuse the poor and the powerless. Dina, whose dreams of attending college ended when her father died, is now trying to support herself with seamstress work; Maneck, a tenderhearted boy, has been sent to college because the family business is failing; and the two tailors find work with Dina. Though the four survive encounters with various thugs and are saved from disaster by a quirky character known as the Beggarmaster, the times are not propitious for happiness. On a visit back home, Om and Ishvar are forcibly sterilized; Maneck, devastated by the murder of an activist classmate, goes abroad. But Dina and the tailors, who have learned ``to maintain a fine balance between hope and despair,'' keep going. A sweeping story, in a thoroughly Indian setting, that combines Dickens's vivid sympathy for the poor with Solzhenitsyn's controlled outrage, celebrating both the resilience of the human spirit and the searing heartbreak of failed dreams.

Pub Date: April 25, 1996

ISBN: 0-679-44608-7

Page Count: 640

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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A LITTLE LIFE

by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015

The phrase “tour de force” could have been invented for this audacious novel.

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara ( The People in the Trees , 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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by Hanya Yanagihara

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FIREFLY LANE

by Kristin Hannah ‧ RELEASE DATE: Feb. 1, 2008

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest ( Magic Hour , 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today -like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Kirkus Reviews Issue: Nov. 1, 2007

GENERAL FICTION | FAMILY LIFE & FRIENDSHIP

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book reviews a fine balance

The Literary Edit

The Literary Edit

A Fine Balance Book Review

A Fine Balance Book Review

I’ve been recommended A Fine Balance by Rohinton Mistry many-a-time over the past few years. Firstly by a friend Laura who I interned with at the beginning of my time in London, then by one of my best friend’s Sarah, who was taught English by Mistry’s wife when living in Tortonto; and lastly by my friend Jack – with whom I attempted to start a workplace book club while working for a creative agency in East London. I’m not sure why it took me so long to get around to reading it; I’ve had a copy for almost two years now, and having backpacked around India as a wanderlusting teen with big hopes for a bright future, it’s always been a country I’ve loved reading about.

It was only recently – after filling out one of those online quizzes that promises to inform you how well-read you are that I decided to finally read it. While I’d read 81 of the 100 books listed on the quiz, instead of seeing my result as that of a longstanding reader, I was aghast at the fact that there were 19 books I hadn’t read; A Fine Balance being one of them.

I started it one bright and breezy morning in Bondi – remembering my A-Level English teacher’s advice when it came to all things literary; when beginning a book, one must always read for at least an hour.

The type of tome that enthrals you from the very start, A Fine Balance by Rohinton Mistry is a beautifully written novel, with a legion of fans all over the globe; indeed it was only after I began reading it and posting about it on my Instagram that I learnt just how many people had been moved by Mistry’s poignant tale of Urban India.

The story follows four main characters – widowed Dina Dalal, tailors Ishvar Darji and his nephew Omprakash Darji, and young student Maneck Kohlah who form an unlikely bond when circumstances see them living together in a small flat in an unidentified Indian city. Set against the backdrop of India’s two-year emergency the tale is an intricate one, that weaves political unrest and prejudice as the novels progresses.

Breathtakingly beautiful, heartbreaking and masterfully written, Rohinton Mistry’s A Fine Balance is about as perfect as a novel can possibly get. The sort of story that will stay with you long after you’ve turned the final page, it’s little wonder that so many readers love this tale quite as fiercely as they do.

Buy A Fine Balance from Amazon  or  Amazon AU .

A Fine Balance Summary

Set in mid-1970s India, A Fine Balance is a subtle and compelling narrative about four unlikely characters who come together in circumstances no one could have foreseen soon after the government declares a ‘State of Internal Emergency’. It is a breathtaking achievement: panoramic yet humane, intensely political yet rich with local delight; and, above all, compulsively readable.

Rohinton Mistry Author Bio

Rohinton Mistry was born in 1952 and grew up in Bombay, India, where he also attended university. In 1975 he emigrated to Canada, where he began a course in English and Philosophy at the University of Toronto. He is the author of three novels and one collection of short stories. His debut novel, Such a Long Journey, won the Commonwealth Writers Prize for Best Book and the Governor General’s Award, and was shortlisted for the Booker Prize. It was made into an acclaimed feature film in 1998. His second novel, A Fine Balance, won many prestigious awards, including the Commonwealth Writers Prize for Best Book, the Los Angeles Times Book Prize for Fiction and the Giller Prize, as well as being shortlisted for the Booker Prize, the International IMPAC Dublin Literary Award and the Irish Times International Fiction Prize. His collection of short stories, Tales from Firozsha Baag, was published in 1987.In 2002 Faber published Mistry’s third novel, Family Matters, which was longlisted for the 2002 Man Booker Prize.

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If you loved A Fine Balance, you might also enjoy: Family Matters, Such a Long Journey and Swimming Lessons and Other Stories from Firozsha Baag.

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A Fine Balance

by Rohinton Mistry

A Fine Balance by Rohinton Mistry

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"Astonishing. . . . A rich and varied spectacle, full of wisdom and laughter and the touches of the unexpectedly familiar through which literature illuminates life." - The Wall Street Journal .

With a compassionate realism and narrative sweep that recall the work of Charles Dickens, this magnificent novel captures all the cruelty and corruption, dignity and heroism, of India. The time is 1975. The place is an unnamed city by the sea. The government has just declared a State of Emergency, in whose upheavals four strangers--a spirited widow, a young student uprooted from his idyllic hill station, and two tailors who have fled the caste violence of their native village--will be thrust together, forced to share one cramped apartment and an uncertain future. As the characters move from distrust to friendship and from friendship to love, A Fine Balance creates an enduring panorama of the human spirit in an inhuman state.

Chapter One City By the Sea

Dina Dalal seldom indulged in looking back at her life with regret or bitterness, or questioning why things had turned out the way they had, cheating her of the bright future everyone had predicted for her when she was in school, when her name was still Dina Shroff. And if she did sink into one of these rare moods, she quickly swam out of it. What was the point of repeating the story over and over and over, she asked herself--it always ended the same way; whichever corridor she took, she wound up in the same room. Dina's father had been a doctor, a GP with a modest practice who followed the Hippocratic oath somewhat more passionately than others of his profession. During the early years of Dr. Shroff's career, his devotion to his work was diagnosed, by peers, family members, and senior physicians, as typical of youthful zeal and vigour. "How refreshing, this enthusiasm of the young," they smiled, nodding sagely, confident that time would ...

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Summer readings: A Fine Balance by Rohinton Mistry

Three years ago I packed a rucksack and headed to India. Travelling alone, and with a broken heart, I knew books would be an essential part of my trip.

At Heathrow, scanning the bookshops, I couldn't bring myself to dive into Indian literature just yet – I needed the familiarity of a novel set in my own country to settle my nerves. So I compromised: I bought Maggie O'Farrell's After You'd Gone, and Rohinton Mistry 's A Fine Balance . I read O'Farrell during my first few days in Mumbai, comforted by its Britishness, as I slowly adjusted to this new country.

Two months later when India had seeped under my skin, I picked up Mistry's novel. And in an instant, the pleasure of reading a book set in a country you are in hit me.

Everywhere I turned were people, places and experiences lifted directly from its pages. The skinny teenage boy who sold me a chai and laughed at my freckles was Om, one of the novel's four protaganists. The bookish young man on a bike who stopped to talk to me was Maneck. Even the first sentence described every train journey I had taken:

"The morning express bloated with passengers slowed to a crawl, then lurched forward suddenly, as though to resume full speed. The train's brief deception jolted its riders. The bulge of humans hanging out of the doorway distended perilously, like a soap bubble at its limits." I was enthralled.

The novel is set during the Emergency in the mid-1970s, a period marked by huge political unrest and human rights violations, including detention, torture and forced sterilisation. Indira Gandhi is never named, just referred to as the "prime minister", but she is a sinister presence.

Shortly after starting the novel, I found myself in conversation with a twinkly elderly man, the owner of an antique shop. We talked over tea, and he rummaged in a drawer and brought out an old photograph: himself as a young man standing with a group including a smiling young woman. "Indira Gandhi," he said. "She visited here in 1956." I couldn't equate the attractive woman in the picture with the virtual dictator described in the book.

A great novel can transport you from one country to another. But reading one in its home country does something greater still. Being in India intensified my joy at this vast, heartbreaking and compassionate book, and it in turn deepened my experience of India.

I read many other great books during my trip – memorably Maximum City by Suketu Mehta , and Chasing the Monsoon by Alexander Frater. But A Fine Balance reminded me of the value of family and friendship. Although it is bleak, I found it hopeful, too, and it sent me home considerably lighter than when I arrived.

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A fine balance, by rohinton mistry, recommendations from our site.

“He’s an Indian-born Canadian writer. I left this till last because I don’t think I’ve read a better book when it comes to capturing life in a big, messy place which can be very hard and yet has some redeeming qualities. It’s set in India at the time of Mrs Gandhi’s quasi-dictatorship and state of emergency. The ‘fine balance’ of the title is the fine balance between hope and despair, which is explored by all the individuals in the story. They are all trying to make their fortune in a huge, unruly city which reminded me of Lagos. What’s striking about this book is that it is unsparingly and brutally honest. “ Read more...

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Fine Balance (Mistry)

A Fine Balance Rohinton Mistry, 1995 Random House 624 pp. ISBN-13: 9781400030651 Summary   Winner: L.A. Times Prize in Fiction, Commonwealth Writers Best Book of the Year, and Giller Prize .

At 600 pages, Mistry's stunning second novel looks intimidating, yet this moving tale of four people caught up in India's 1975 state of emergency—when Prime Minister Indira Gandhi suspended the constitution in order to hold on to power following a scandal—is an incredibly detailed, compelling read that sweeps you along from the opening pages and is over far too soon.

Though it takes place in a time of political upheaval and chaos, A Fine Balance is not a political diatribe. Instead, it is a beautiful and compassionate portrait of the resiliency of the human spirit when faced with death, despair, and unconscionable suffering. Set in an unnamed city by the sea, it is the story of four disenfranchised strangers—a widow, a young student, and two tailors—who are forced by their impoverished circumstances to share a cramped apartment. Initially distrustful of one another, Dina, Maneck, Ishvar, and Om gradually build loving, familial bonds and learn together "to maintain a fine balance between hope and despair" in a society suddenly turned inhumanly cruel and corrupt. ( From the publisher .)

Author Bio • Birth—1952 • Where—Bombay, India • Education—B. S., University of Bombay; B.A., University of Toronto, 1983 • Awards—Governor General's Award; Commonwealth Writers Prize (twice); Giller Prize • Currently—lives in Toronto, Canada

Rohinton Mistry was born in Bombay and now lives near Toronto. His first novel, Such a Long Journey , was shortlisted for the Booker Prize and received, among other awards, the Governor General's Award and the Commonwealth Writers Prize for Best Book of the Year. A Fine Balance is his second novel, winner of the Los Angeles Times Book Prize in Fiction, the Giller Prize, and the Commonwealth Writers Prize as well as a Booker Prize finalist. Mistry is also the author of Swimming Lessons: And Other Stories from Firozsha Baag , a collection of short stories.

Four years after publishing  Swimming Lessons in 1987, Mistry released his first novel. Such a Long Journey , which follows a bank clerk’s unwitting descent into corrupt political dealings in 1971 Bombay, was short-listed for the Booker prize and won Canada’s Governor General’s Award. Next came A Fine Balance , Mistry’s sweeping story of four strangers forced into sharing an apartment in 1975 Bombay. Again the Booker short list, and top Canadian honor the Giller Prize.

The selection of A Fine Balance for Oprah’s Book Club in 2001 changed the nature of Mistry’s career, as it has for many authors. While already respected, he had now earned a recognition with a new readership in the hundreds of thousands—a readership that was by and large unlikely to pick up a sprawling book set in 1970s India. Mistry told the show, “[India] remains my focus and makes it all worthwhile because of the people...their capacity for laughter, their capacity to endure.... Perhaps my main intention in writing this novel was to look at history from the bottom up.”

As a result of the Oprah publicity, a greater weight of expectation may have rested on Mistry’s third novel than it might have otherwise; this is true not only because of the increased pairs of eyes on Mistry’s work, but because he is a writer who is clearly still evolving. His earlier books encountered some criticism for heavyhandedness, particularly where the injection of political and social commentary were concerned.

In 2002’s Family Matters , Mistry moves away from a charged national backdrop and focuses more on family politics, though his keen observance of Indian culture remains a strong element. Charting the effects of one partriarch’s physical decline on his extended family, Family Matters moves forward in Bombay time to the mid-1990s and uses the Vakeel clan as a lens through which the author views (critically) religious fundamentalism.

Mistry’s consistent performance as a novelist, and ever growing awareness of his talents among American readers, promises a long and fruitful career. One Atlantic reviewer, beginning a review of Family Matters , put it this way: “[Mistry] has long been recognized as one of the best Indian writers; he ought to be considered simply one of the best writers, Indian or otherwise, now alive.”

Extras • Mistry has not lived in his native India for many years; but like many expatriate writers, he continues a relationship with his country in his writings and has enriched his readers’ understanding of it. In his first two novels, Such a Long Journey and A Fine Balance , Mistry set his humorous, heartrending, Dickensian view of Bombay under the shadow of tumult under Indira Ghandi’s rule in the 1970s.

• Although he left India in 1975 and does not often go back, Mistry told a British magazine that he feels no hindrance in writing about his home country. "So far I have had no difficulty writing about it, even though I have been away for so long," he said. "All fiction relies on the real world in the sense that we all take in the world through our five senses and we accumulate details, consciously or subconsciously. This accumulation of detail can be drawn on when you write fiction..."

• After emigrating to Toronto in 1975, Mistry got a job as a bank clerk and ascended to the supervisor of customer service after a few years. His dissatisfaction in the job led to his taking classes in English, first at York College, and ultimately pursuing a degree part-time at the University of Toronto.

• Mistry had no ambitions to be a writer until he got to Canada and began taking classes in literature at the University of Toronto. Encouraged by his wife, he set out to win a university literary contest by writing his first short story. He called in sick from work, devoted several days to the story, entered it, and won the contest. ( From Barnes & Noble .)

Book Reviews Those who continue to harp on the decline of the novel...ought to consider Rohinton Mistry. He needs no infusion of magic realism to vivify the real. The real world, through his eyes, is magical. The New York Times

Astonishing.... A rich and varied spectacle, full of wisdom and laughter and the touches of the unexpectedly familiar through which literature illuminates life. Wall Street Journal

Monumental.... Few have caught the real sorrow and inexplicable strength of India, the unaccountable crookedness and sweetness, as well as Mistry. Time

In mid-1970s urban India—a chaos of wretchedness on the streets and slogans in the offices—a chain of circumstances tosses four varied individuals together in one small flat. Stubbornly independent Dina, widowed early, takes in Maneck, the college-aged son of a more prosperous childhood friend and, more reluctantly, Ishvar and Om, uncle and nephew tailors fleeing low-caste origins and astonishing hardships. The reader first learns the characters' separate, compelling histories of brief joys and abiding sorrows, then watches as barriers of class, suspicion, and politeness are gradually dissolved. Even more affecting than Mistry's depictions of squalor and grotesque injustice is his study of friendships emerging unexpectedly, naturally. The novel's coda is cruel and heart-wrenching but deeply honest. This unforgettable book from the author of Such a Long Journey is highly recommended. Library Journal

From the Toronto-based Mistry ( Such a Long Journey , 1991), a splendid tale of contemporary India that, in chronicling the sufferings of outcasts and innocents trying to survive in the "State of Internal Emergency" of the 1970s, grapples with the great question of how to live in the face of death and despair. Though Mistry is too fine a writer to indulge in polemics, this second novel is also a quietly passionate indictment of a corrupt and ineluctably cruel society. India under Indira Gandhi has become a country ruled by thugs who maim and kill for money and power. The four protagonists (all victims of the times) are: Dina, 40-ish, poor and widowed after only three years of marriage; Maneck, the son of an old school friend of Dina's; and two tailors, Ishvar and his nephew Om, members of the Untouchable caste. For a few months, this unlikely quartet share a tranquil happiness in a nameless city—a city of squalid streets teeming with beggars, where politicians, in the name of progress, abuse the poor and the powerless. Dina, whose dreams of attending college ended when her father died, is now trying to support herself with seamstress work; Maneck, a tenderhearted boy, has been sent to college because the family business is failing; and the two tailors find work with Dina. Though the four survive encounters with various thugs and are saved from disaster by a quirky character known as the Beggarmaster, the times are not propitious for happiness. On a visit back home, Om and Ishvar are forcibly sterilized; Maneck, devastated by the murder of an activist classmate, goes abroad. But Dina and the tailors, who have learned "to maintain a fine balance between hope and despair," keep going. A sweeping story, in a thoroughly Indian setting, that combines Dickens's vivid sympathy for the poor with Solzhenitsyn's controlled outrage, celebrating both the resilience of the human spirit and the searing heartbreak of failed dreams. Kirkus Reviews

Discussion Questions   1. Why has Mistry chosen not to name the Prime Minister or the City by the Sea, when they are easily recognizable? Does recognition of these elements make any difference in your attitude toward the story?

2. Is Nusswan presented entirely as a villain, or does he have redeeming features? What are his real feelings toward Dina?

3. How does Dina's position within her family reflect the position of women in her culture and social class? Is the status of Om's sisters the same as Dina's, or different? What sorts of comparisons can you make between the roles and functions of women in India (as represented in this novel) and in America?

4. Post-Independence India has seen much religious and ethnic violence: for instance, the mutual slaughter of Hindus and Muslims after Partition (1947), during which Ishvar and Narayan saved Ashraf and his family, and the hunting down and killing of Sikhs after the Prime Minister's murder, witnessed by Maneck. How does the behavior of the characters in the novel, ordinary Hindus, Parsis, and Muslims, contrast with the hatred that inspired these terrible acts? How much of this hatred seems to be fomented by political leaders? Dukhi observes bitterly "that at least his Muslim friend treated him better than his Hindu brothers" [p. 115]. What does this say about ethnic and religious loyalties, as opposed to personal ones?

5. After Rustom's death, Dina's primary goal is self-reliance. But as the novel progresses and she makes new friends, she begins to change her ideas. "We'll see how independent you are when the goondas come back and break your head open, " Dina says to Maneck [p. 433]. Does she find in the end thatreal self-reliance is possible, or even desirable? Does she change her definition of self-reliance?

6. Most people seem indifferent or hostile to the Prime Minister and her Emergency policies, but a few characters, like Mrs. Gupta and Nusswan, support her. What does the endorsement of such people indicate about the Prime Minister? Can you compare the Prime Minister and her supporters with other political leaders and parties in today's world?

7. Why does Avinash's chess set become so important to Maneck, who comes to see chess as the game of life? "The rules should always allow someone to win, " says Om, while Maneck replies, "Sometimes, no one wins" [p. 410]. How do the events of the novel resemble the various moves and positions in chess?

8. Dina distances herself from the political ferment of the period: "Government problemsÑgames played by people in power, " she tells Ishvar. "It doesn't affect ordinary people like us" [p. 75]. But in the end it does affect all of them, drastically. Why do some, like Dina and Maneck, refuse to involve themselves in politics while others, like Narayan and Avinash, eagerly do so? Which position is the better or wiser one?

9. When Ishvar and Om are incarcerated in the labor camp, Ishvar asks what crime they have committed. "It's not a question of crime and punishment—it's problem and solution, " says the foreman [p. 338]. If it is true that there is a problem—the vast number of homeless people and beggars on city streetsÑwhat would a proper and humane solution be?

10. People at the bottom of the economic heap frequently blame so-called middlemen: people like Dina, who makes her living through other people's labor, or like Ibrahim the rent collector. Do such middlemen strike you as making money immorally? Who are the real villains?

11. How would you sum up Beggarmaster: Is he ruthless, kind, or a bit of both? Does he redeem himself by his thoughtful acts, the seriousness with which he takes his responsibilities toward his dependents? In a world this cruel, are such simple categories as "good" and "bad" even applicable?

12. When Beggarmaster draws Shankar, Shankar's mother, and himself, he represents himself as a freak just like the other two. What does this vision he has of himself tell us about him?

13. The government's birth control program is enforced with violence and cruelty, with sterilization quotas and forced vasectomies. But is birth control policy in itself a bad thing? Dina tells Om, for example, "Two children only. At the most, three. Haven't you been listening to the family planning people?" [p. 466]. How might family planning be implemented in a humane fashion?

14. After Dina's father dies, her family life is blighted until she marries Rustom. In later years, she chooses to withdraw from her natural family; it is not until her year with the tailors and Maneck that she again comes to know what a family might be. What constitutes a family? What other examples of unconventional "families" do you find in the novel?

15. Why do Ishvar, Om, and Dina survive, in their diminished ways, while Maneck finally gives up? Is it due to something in their pasts, their childhoods, their families, their characters?

16. "People forget how vulnerable they are despite their shirts and shoes and briefcases, " says Beggarmaster, "how this hungry and cruel world could strip them, put them in the same position as my beggars" [p. 493]. Does A Fine Balance show people's vulnerability, or their fortitude?

17. What effect is achieved by the novel's mildly comic ending, with Om and Ishvar clowning around at Dina's door? Is the ending appropriate, or off-balance?

18. The novel gives us a vivid picture of life for members of the untouchable caste in remote villages. Why might such an apparently anachronistic system have survived into the late twentieth century? Does it resemble any other social systems with which you are acquainted? Why do so few of its victims fight the system, as Narayan does? Why do so few leave the village: is it from necessity, social conservatism, respect for tradition? ( Questions issued by publisher .) top of page (summary)

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A Fine Balance

Rohinton Mistry | 4.38 | 124,690 ratings and reviews

book reviews a fine balance

Ranked #2 in Indian , Ranked #6 in Indian Author — see more rankings .

Reviews and Recommendations

We've comprehensively compiled reviews of A Fine Balance from the world's leading experts.

Oprah Winfrey CEO/O Network Recommends this book

Stuart Rutherford A great romp of a novel, set in western India. In a way, it’s a precursor of Slumdog Millionaire, but much darker. (Source)

Jacqueline Novogratz A Dickensian novel that captures the essence of being poor in urban India in ways extraordinary and deeply human. (Source)

book reviews a fine balance

Michael Peel The book is full of these terrible moments and yet at the end of it you feel strangely uplifted. (Source)

Rankings by Category

A Fine Balance is ranked in the following categories:

  • #50 in Asian
  • #21 in Canada
  • #7 in Canadian
  • #28 in Corruption
  • #53 in Long
  • #6 in Oprah
  • #29 in Poverty
  • #50 in World

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EDINBURGH UNIVERSITY'S HISTORY, CLASSICS AND ARCHAEOLOGY MAGAZINE

Review: A Fine Balance by Rohinton Mistry

book reviews a fine balance

Written by Luke Neill

Rohinton Mistry’s 1995 novel A Fine Balance is set in 1970s India and follows four characters who come to interact with each other over a period of around 15 years. There is Dina, the struggling landlady whose husband was run over and killed whilst cycling to buy ice cream for a family gathering; Ishvar and Omprakash, tailors whose families had been brutalised by the destructive legacy of the caste system; and Maneck, a refrigeration and air conditioning student whose best friend is tortured and killed by the government.

Central to the plotline is The Emergency of 1975-1977, in which the Prime Minister was given the power to rule by decree, creating an effective dictatorship in response to threats of ‘internal disturbance’. This Emergency, under the leadership of Indira Gandhi, proved to be one of the most intensely controversial moments of independent India’s history. Forced mass-sterilisation, censorship of the press, mass political arrests, and a ‘national beautification’ program in which thousands of slums were destroyed, created an atmosphere of political and social upheaval which the four characters are forced to navigate (and experience first-hand) throughout the course of the novel.

To try to explain the characters’ individual stories in one short paragraph is an injustice to the unimaginable picture of pain and suffering that Mistry paints. However, the curious beauty of the book is that in a story so saturated with pain, fear, torture, death and castration, there emerges unmistakable moments of joy. Mistry makes it abundantly clear that even the darkest horrors cannot suffocate the fundamental faculty of the human condition – to laugh in the face of adversity. This in itself, however, is by no means part of a neat and contrived narrative in which good trumps evil, and to settle with that would be a disservice to Mistry’s far more nuanced depiction of life and hardship.

In fact, by the end of the book, one begins to question the title. The overwhelming impression is that there seems to be no ‘Fine Balance’ whatsoever, and it would be understandable to conclude that all the joy and desire of the characters in the novel, all their intermittent yet powerful glimmers of hope, are quashed with a disturbing, catastrophic finality in its closing pages. It is certainly a sobering narrative. Without giving anything away, a future reader should not expect a happy ending. However, as The Atlantic puts it:

What makes the final pages of A Fine Balance heart-breaking is not that we see the protagonists’ lives so hideously diminished but that in spite of it all they are still laughing.

This sums up what seems the most important aspect of the book. It becomes clear that Mistry’s ‘Fine Balance’ is not the balancing of justice and injustice, of good and evil, or of love and hatred. It does not attempt to portray life as an equitable state in which these opposites weigh against each other into a precarious but enduring ‘Balance’. We learn instead that this balance is a state of mind, of measuring positivity and optimism against despair. If joy can manifest itself in the most abhorrent of circumstances, then personal suffering can always be balanced against acceptance – and eventually defiance – of one’s own condition.

I would recommend anyone to read A Fine Balance , whether to learn something about the period, to share in the fascinating stories of the characters, or to understand a culture and time in which the scales are tipped in the wrong direction. Image:  Cover image of  A Fine Balance

Bibliography:

Allen, Brooke. “Loss and Endurance: Rohinton Mistry’s tragic and triumphant vision”. Accessed 02/02/19: https://www.theatlantic.com/magazine/archive/2002/09/loss-and-endurance/302557/

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Review: A Fine Balance

A Fine Balance

A Fine Balance , Rohinton Mistry. New York: Vintage Books, 1995.

Summary: Centered around the flat of Dina Dalal, inhabited by two tailors and a student with a larger circle on the periphery, the novel charts the “fine balances” the people of India sought to maintain through the Emergency Rule of Indira Gandhi–balances of both physical and spiritual.

For a twenty-one month period from 1975 to 1977 Prime Minister Indira Gandhi ruled under a decree of a “state of emergency” in which constitutional processes were suspended during which mass arrests, forced sterilizations, and slum clearances forced residents into work camps or onto the streets, where they could be arrested as well. Corruption was rampant and “justice” was bought and sold.

Most of the narrative of  A Fine Balance occurs during this period, with “retrospective” narratives of the lives of each of the principle characters and the circumstances that brought them together. The characters are Dina Dalal, a widow after losing, in a bicycle accident, the man she married for love, opposing her brother Nusswan’s efforts to match her up with more prosperous men. She struggles to support herself by sewing in order to hold onto the rent-controlled flat that represented the three years of love she and her husband enjoyed. Maneck Kohlah is the son of a couple living in the hill country who made their living operating a general store, slowly losing its edge to the tide of modernity invading their village. Maneck comes to the city for training in heating and air conditioning, tires of living in a filthy hostel and becomes a lodger with Dina through a friend of Maneck’s family. Ishvar and Omprakash Darji come from a caste of tanners, change occupation and learn tailoring and when custom work dwindles, come to the city even as Dina is setting up a shop to supply a clothing export business.

Already, one senses the “fine balance” between destitution and survival with which most of the characters struggle. Dina struggles to keep her flat against the attempts of her landlord to evict her to secure higher rents. Her steps to take lodgers and run a business put her at greater risk. Given the dearth of housing the tailors are forced to take a hut in one of the slums. Eventually it is bulldozed and they sleep in a shop doorway, paying off the watchman, until they are rounded up by police for a work camp (it is during the time at the work camp when the “fine balance” phrase is used for the Monkey Man, who eventually creates an act balancing two children on a pole, which his audiences found repulsive). Along with them is a beggar, Shankar, without hands or legs, who they help, and who in turn helps them until they can get free of the camp, with the aid of Shankar’s Beggar Master, to whom they are beholden but who also becomes their protector, and eventually Dina’s as well.

Maneck strives for a different “fine balance”, an interior one between parental relationships and expectations, his own aspirations, and the injustices and tragedies that he witnesses in the lives of his friends. In some sense, all of the characters live on the knife edge of hope and despair, but the question of for whom this is hardest–for those who endure the most physically or those who experience the most in their souls, is one of the questions this book raises.

Publisher’s blurbs describe this book as Dickensian in its narrative sweep and compassionate realism. Like Dickens, Mistry introduces us to a group of characters for whom we come to care and whose lives are caught up in the social forces of their time. One sees the tragic human consequences when “necessity” demands the suspension of the rule of law for the rule of power. And the book reminds us of the “fine balance” within which all of our lives are lived.

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A Fine Balance

Rohinton Mistry

  • Why has Mistry chosen not to name the Prime Minister or the City by the Sea, when they are easily identifiable? Does this affect your attitude toward the story? 
  • Is Nusswan presented entirely as a villain, or does he have redeeming features? What are his real feelings toward Dina? 
  • How does Dina's position within her family reflect the position of women in her culture and social class? What sorts of comparisons can you make between the roles and functions of women in India (as represented in this novel) and in America? 
  • Post-Independence India has seen much religious and ethnic violence. How much of this hatred seems to be fomented by political leaders? Dukhi observes bitterly "that at least his Muslim friend treated him better than his Hindu brothers" [p. 115]. What does this say about ethnic and religious loyalties, as opposed to personal ones? 
  • Most people seem indifferent or hostile to the Prime Minister and her Emergency policies, but a few characters, like Mrs. Gupta and Nusswan, support her. What does the endorsement of such people indicate about the Prime Minister? Can you compare the Prime Minister and her supporters with other political leaders and parties in today's world? 
  • When Ishvar and Om are incarcerated in the labor camp, Ishvar asks what crime they have committed. "It's not a question of crime and punishment—it's problem and solution," says the foreman [p. 338]. If it is true that there is a problem—the vast number of homeless people and beggars on city streets—what would a proper and humane solution be? 
  • Why does Avinash's chess set become so important to Maneck, who comes to see chess as the game of life? "The rules should always allow someone to win," says Om, while Maneck replies, "Sometimes, no one wins" [p. 410]. How do the events of the novel resemble the various moves and positions in chess? 
  • Why do some, like Dina and Maneck, refuse to involve themselves in politics while others, like Narayan and Avinash, eagerly do so? Which position is the better or wiser one? 
  • After Rustom's death, Dina's primary goal is self-reliance. But as the novel progresses, she begins to change her ideas. "We'll see how independent you are when the goondas come back and break your head open," Dina says to Maneck [p. 433]. Does she find in the end that real self-reliance is possible, or even desirable? Does she change her definition of self-reliance?   

book reviews a fine balance

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A Fine Balance by Rohinton Mistry

  • Publication Date: December 11, 2012
  • Genres: Fiction , Literary Fiction
  • Paperback: 624 pages
  • Publisher: Vintage
  • ISBN-10: 0679776451
  • ISBN-13: 9780679776451
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A Fine Balance Hardcover – December 18, 2001

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  • Print length 624 pages
  • Language English
  • Publisher Knopf
  • Publication date December 18, 2001
  • Dimensions 6.53 x 1.43 x 9.52 inches
  • ISBN-10 0375414819
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As the characters move from distrust to friendship and from friendship to love, A Fine Balance creates an enduring panorama of the human spirit in an inhuman state.

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  • Publisher ‏ : ‎ Knopf; 4th edition (December 18, 2001)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 624 pages
  • ISBN-10 ‏ : ‎ 0375414819
  • ISBN-13 ‏ : ‎ 978-0375414817
  • Item Weight ‏ : ‎ 2.01 pounds
  • Dimensions ‏ : ‎ 6.53 x 1.43 x 9.52 inches
  • #66,879 in Literary Fiction (Books)

About the authors

Rohinton mistry.

Rohinton Mistry was born in 1952 and grew up in Bombay, India, where he also attended university. In 1975 he emigrated to Canada, where he began a course in English and Philosophy at the University of Toronto.He is the author of three novels and one collection of short stories. His debut novel, Such a Long Journey (1991), won the Commonwealth Writers Prize for Best Book and the Governor General's Award, and was shortlisted for the Booker Prize. It was made into an acclaimed feature film in 1998. His second novel, A Fine Balance (1995), won many prestigious awards, including the Commonwealth Writers Prize for Best Book, the Los Angeles Times Book Prize for Fiction and the Giller Prize, as well as being shortlisted for the Booker Prize, the International IMPAC Dublin Literary Award and the Irish Times International Fiction Prize. His collection of short stories, Tales from Firozsha Baag, was published in 1987.In 2002 Faber published Mistry's third novel, Family Matters, which was longlisted for the 2002 Man Booker Prize.

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By A. G. Mojtabai

  • June 23, 1996

A FINE BALANCE By Rohinton Mistry. 603 pp. New York: Alfred A. Knopf. $26.

Those who continue to harp on the inevitable decline of the novel ought to hold off for a while. The unique task of the genre, after all, is truthfulness to human experience in all its variety, and thanks to the great migrations of population in our time, human variety is to be found in replenished abundance all around us. The displacements, comminglings and clashings of peoples and cultures have released new energies, strange pollens; indeed, the harvest has barely begun.

Consider Rohinton Mistry, a Parsi, born in Bombay in 1952, who has lived in Canada since 1975. His first book was a widely praised collection of stories, "Swimming Lessons and Other Stories From Firozsha Baag." It was followed by the novel "Such a Long Journey," which received the Commonwealth Writers Prize for best book of 1991. His third book, "A Fine Balance," defies easy categorization. Calling it a domestic novel would not be altogether amiss, provided one added: a domestic novel that refuses to remain within walls.

Set in 1975 in an unidentified Indian city, it opens quietly and builds slowly, starting with a simple, centripetal narrative premise. Mrs. Dina Dalal, a financially pressed Parsi widow in her early 40's, is determined to keep her independence, resisting the options of remarriage or a return to the bullying charity of her brother's household. To make ends meet, Dina takes in a paying boarder, Maneck Kohlah, the son of a Parsi school chum, and hires two Hindu tailors, Ishvar and Omprakash Darji, to sew dresses for an export company. At first she sets the tailors to work under sweatshop conditions. The author charts the transformation of an empty apartment into a home full to bursting, and the binding of mismatched strangers into a communion as close as family.

Each of the four main characters is a refugee from one thing or another. Dina seeks to escape from the suffocating strictures imposed upon respectable, single, aging women. Maneck, the paying boarder, has been sent down from the hill country to attend college. His beloved mountain village in its majestic natural setting has been scarred by road construction and electrification projects, its forests depopulated. Seeking an education in step with the times, Maneck is studying for a diploma in refrigeration and air conditioning, for entry into "an industry that would grow with the nation's prosperity."

The tailors, Ishvar and Om, have been fleeing all their lives; they are refugees from caste and communal violence and, finally, from the institutional violence of Indira Gandhi's emergency rule. Om, just 17, is the son of Ishvar's murdered brother, and Ishvar, in his 40's, who has never married, has dedicated his life to being father-protector to his nephew. Their histories are joined in unending misfortune. Living from hand to mouth (even their sewing machines are rented), entirely at the mercy of the social upheavals of the hour, they are subject to periodic sweeps of the city to provide crowds for political rallies and conscripted manual labor for civic beautification schemes. Each time they are beaten down, they have to pick themselves up and start over. This happens again and again.

Under these circumstances, Dina's apartment becomes a haven for the tailors. The four strangers start sharing their stories, then meals, then living space, until, over the divides of caste, class and religion, the ties of human kinship prevail. In this one shabby little apartment, at least, the human family becomes more than a phrase, a metaphor, a piety. The author takes his own sweet time here, as well he should. I balked at the slowness at first, but just when I'd started to mutter "This really is much too sweet!" and "What are the odds of such harmony coming to be under such conditions?" and "I only wish. . . ." the downslope began, a veritable avalanche of catastrophe ensued, and I keenly regretted my reluctance to bask in the brief patch of sunshine Mr. Mistry had provided.

What follows is a double misfortune of catastrophic event and narrative stance, because from here on it feels as if some invisible but essential substance -- like air or love -- that has hitherto flowed unstintingly from author to character has been siphoned off, leaving the dry machinations of plot design in its stead. This withdrawal is especially disconcerting where Dina and Ishvar are concerned.

Since decency is often drab, dogged and undramatic (or at least not obviously dramatic), Dina and Ishvar are people of a kind rarely found in fiction today. And here they are, moving, breathing, fully dimensional figures -- placed at the very center of the novel. All the more disappointing, then, to find myself losing touch with them, except for a few external landmarks passed during the final eight-year stretch of the narrative, which encompasses only a few chapters. I for one wanted news of their interior journeys as well.

At book's end, I returned to ponder the title, "A Fine Balance," because my sense of imbalance -- of despair over hope, of sustained moral injury beyond reach of remedy -- was keen. Perhaps this residual imbalance is due in part to a conflict between Mr. Mistry's political and literary aims. Certainly the indictment of Mrs. Gandhi's regime served up in these pages could not be more trenchantly clear.

There seemed also to be an imbalance in the construction of the novel itself, a disproportion of background to foreground. Mr. Mistry intensely loves the marginal, and his street people -- proofreaders, renting agents, peddlers of potency nostrums, beggars and beggarmasters -- are often so vibrantly ensouled, so diverting, that they threaten to upstage everyone else. A woman drying her laundered sari, her only garment, one half at a time, for example, is captured in a brief imperishable glimpse: "One end was wound wet round her waist and over her shrunken breasts, as far as it would go. The drying half was stretched along the railway fence, flowing from her body like a prayer in the evening sun."

And here is a legless beggar, extolling the creativity of his beggarmaster -- the man who stage-manages a theater of misfortune, casting the players, scripting them, designing costumes and wounds:

"If all beggars have the same injury, public gets used to it and feels no pity. Public likes to see variety. . . . Blind beggars are everywhere. But blind, with eyeballs missing, face showing empty sockets, plus nose chopped off -- now anyone will give money for that. Diseases are also useful. A big growth on the neck or face, oozing yellow pus. That works well."

Even animals, performing animals with walk-on parts, are capable of stealing the show. A "communicating cow" is mentioned in passing:

"The cow, caparisoned in colorful brocaded fabrics, a string of tiny silver bells round her neck, was led into the ring of spectators by a man with a drum. Though the fellow's shirt and turban were bright-hued, he seemed quite drab compared to the richly bedizened cow. The two walked the circle: once, twice, thrice -- however long it took him to recite the cow's curriculum vitae, with special emphasis on prophecies and forecasts accurately completed to date. His voice was deafeningly raucous, his eyes bloodshot, his gestures manic, and all this frenzy was calculated as a masterly counterpoint to the cow's calm demeanor. . . . When the drum ceased, the man shouted the paying customer's question into the cow's ear, loud enough for the entire ring of humans to hear. And she answered with a nod or shake of her intricately made-up head, tinkling the tiny silver bells round her neck."

American readers hearing the name of yet another important English-language novelist from Bombay probably want to know how he compares with Salman Rushdie, so I'll give it a try: Less hyper, to start with the obvious, less given to flashy virtuoso display, more open to genuine wonder and sorrow at the ways people manage to endure. When both authors are at their very best, Mr. Mistry brings to mind Bruegel, Mr. Rushdie Hieronymus Bosch. As you can see from the communicating cow passage quoted above, Rohinton Mistry needs no infusions of magical realism to vivify the real. The real world, through his eyes, is quite magical enough.

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A Fine Balance: The epic modern classic Paperback – 19 October 2006

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  • Print length 624 pages
  • Language English
  • Publisher Faber & Faber
  • Publication date 19 October 2006
  • Dimensions 12.6 x 3.7 x 19.8 cm
  • ISBN-10 057123058X
  • ISBN-13 978-0571230587
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  • Publisher ‏ : ‎ Faber & Faber; Main edition (19 October 2006)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 624 pages
  • ISBN-10 ‏ : ‎ 057123058X
  • ISBN-13 ‏ : ‎ 978-0571230587
  • Item Weight ‏ : ‎ 1 kg 50 g
  • Dimensions ‏ : ‎ 12.6 x 3.7 x 19.8 cm
  • Country of Origin ‏ : ‎ United Kingdom
  • #3,763 in Indian Writing (Books)
  • #16,758 in Contemporary Fiction (Books)

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Sudha bhuchar.

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Rohinton Mistry

Rohinton Mistry was born in 1952 and grew up in Bombay, India, where he also attended university. In 1975 he emigrated to Canada, where he began a course in English and Philosophy at the University of Toronto.He is the author of three novels and one collection of short stories. His debut novel, Such a Long Journey (1991), won the Commonwealth Writers Prize for Best Book and the Governor General's Award, and was shortlisted for the Booker Prize. It was made into an acclaimed feature film in 1998. His second novel, A Fine Balance (1995), won many prestigious awards, including the Commonwealth Writers Prize for Best Book, the Los Angeles Times Book Prize for Fiction and the Giller Prize, as well as being shortlisted for the Booker Prize, the International IMPAC Dublin Literary Award and the Irish Times International Fiction Prize. His collection of short stories, Tales from Firozsha Baag, was published in 1987.In 2002 Faber published Mistry's third novel, Family Matters, which was longlisted for the 2002 Man Booker Prize.

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  1. A Fine Balance by Rohinton Mistry

    A Fine Balance is a Dickensian novel of India in the 1970s, following four characters who struggle to survive amid poverty, violence, and injustice. Read the reviews and join the discussion on Goodreads.

  2. A FINE BALANCE

    A FINE BALANCE. From the Toronto-based Mistry (Such a Long Journey, 1991), a splendid tale of contemporary India that, in chronicling the sufferings of outcasts and innocents trying to survive in the ``State of Internal Emergency'' of the 1970s, grapples with the great question of how to live in the face of death and despair.

  3. A Fine Balance Book Review

    A Fine Balance Summary. Set in mid-1970s India, A Fine Balance is a subtle and compelling narrative about four unlikely characters who come together in circumstances no one could have foreseen soon after the government declares a 'State of Internal Emergency'. It is a breathtaking achievement: panoramic yet humane, intensely political yet ...

  4. A Fine Balance by Rohinton Mistry: Summary and reviews

    A Fine Balance is finally neither poignant nor pointed enough to fulfill Mistry's ambitions or the reader's expectations. Kirkus Reviews A sweeping story, in a thoroughly Indian setting, that combines Dickens's vivid sympathy for the poor with Solzhenitsyn's controlled outrage, celebrating both the resilience of the human spirit and the searing ...

  5. Summer readings: A Fine Balance by Rohinton Mistry

    I read many other great books during my trip - memorably Maximum City by Suketu Mehta, and Chasing the Monsoon by Alexander Frater. But A Fine Balance reminded me of the value of family and ...

  6. A Fine Balance

    A Fine Balance is a great romp of a novel, set in western India. In a way, it's a precursor of Slumdog Millionaire, but much darker, and without the all-singing all-dancing ending. I've included it in my pick of five books because of the Dickensian richness with which Rohinton Mistry deals with the lives of poor people.

  7. Fine Balance (Mistry)

    A Fine Balance. Rohinton Mistry, 1995. Random House. 624 pp. ISBN-13: 9781400030651. Summary. Winner: L.A. Times Prize in Fiction, Commonwealth Writers Best Book of the Year, and Giller Prize. At 600 pages, Mistry's stunning second novel looks intimidating, yet this moving tale of four people caught up in India's 1975 state of emergency—when ...

  8. Book Reviews: A Fine Balance, by Rohinton Mistry (Updated for 2021)

    A Fine Balance Rohinton Mistry | 4.38 | 124,690 ratings and reviews Recommended by Oprah Winfrey, Stuart Rutherford, Jacqueline Novogratz, and 4 others.

  9. A Fine Balance

    A Fine Balance is the second novel by Rohinton Mistry, published by McClelland and Stewart in 1995. Set in "an unidentified city" in India, initially in 1975 and later in 1984 during the turmoil of The Emergency, the book focuses on four characters from varied backgrounds - Dina Dalal, Ishvar Darji, his nephew Omprakash Darji, and the young student Maneck Kohlah - who come together and ...

  10. A Fine Balance

    Written by Rohinton Mistry. At a time of political turmoil, the lives of four strangers collide. Rohinton Mistry's epic masterpiece is set in India in the 1970s. 'You have to maintain a fine balance between hope and despair.'. In an unnamed city by the sea in mid-1970s India, a State of Internal Emergency has been declared.

  11. A Fine Balance

    A Fine Balance. by Rohinton Mistry. The time is 1975; the place is India, in an unnamed city by the sea. The corrupt and brutal government has just declared a State of Emergency, and the country is on the edge of chaos. In these precarious circumstances, four characters form an unlikely alliance: two tailors, uncle and nephew, who have come to ...

  12. Review: A Fine Balance by Rohinton Mistry

    A Look at the Life of John Stuart Mill. Written by Luke Neill Rohinton Mistry's 1995 novel A Fine Balance is set in 1970s India and follows four characters who come to interact with each other over a period of around 15 years. There is Dina, the struggling landlady whose husband was run over and killed whilst cycling to buy ice cream for a….

  13. Amazon.com: Customer reviews: A Fine Balance

    Honore De Balzac's quote from Le Pere Goriot opens the book A FINE BALANCE by Rohinton Mistry. And what a tragedy! This piece of fiction-that-is-true-to-life takes place during the State of Emergency, Indira Ghandi's attempt during the mid 70's and 80's in bringing about great change to a country that was ravaged by poverty and corruption.

  14. Review: A Fine Balance

    A Fine Balance, Rohinton Mistry. New York: Vintage Books, 1995. Summary: Centered around the flat of Dina Dalal, inhabited by two tailors and a student with a larger circle on the periphery, the novel charts the "fine balances" the people of India sought to maintain through the Emergency Rule of Indira Gandhi--balances of both physical…

  15. A Fine Balance: Mistry, Rohinton: 9781400030651: Amazon.com: Books

    A Fine Balance. Paperback - January 1, 1997. by Rohinton Mistry (Author) 4.3 9,900 ratings. See all formats and editions. With a compassionate realism and narrative sweep that recall the work of Charles Dickens, this magnificent novel captures all the cruelty and corruption, dignity and heroism, of India. The time is 1975.

  16. A Fine Balance

    About A Fine Balance. With a compassionate realism and narrative sweep that recall the work of Charles Dickens, this magnificent novel captures all the cruelty and corruption, dignity and heroism, of India. The time is 1975. The place is an unnamed city by the sea.

  17. Book review: A Fine Balance by Rohinton Mistry

    After tearing through books in the first half of January, I decided it was a good time for a big book and Rohinton Mistry's epic A Fine Balance certainly fit that bill.. A Fine Balance is epic in scope, but the bulk of it takes place in one single year: mid-1975 to 1976. In an unnamed Indian city on the coast, four people are thrown together, their lives increasingly integrated as political ...

  18. A Fine Balance

    A Fine Balance. By Rohinton Mistry. Announced November 30, 2001. About the Book. With a compassionate realism and narrative sweep that recalls masters from Balzac to Dickens, this novel captures all the cruelty and corruption, dignity and heroism of India. Set in 1975 at a time when the government has declared a state of internal emergency, the ...

  19. A Fine Balance by Rohinton Mistry

    A Fine Balance. by Rohinton Mistry. Publication Date: December 11, 2012. Genres: Fiction, Literary Fiction. Paperback: 624 pages. Publisher: Vintage. ISBN-10: 0679776451. ISBN-13: 9780679776451. A site dedicated to book lovers providing a forum to discover and share commentary about the books and authors they enjoy.

  20. A Fine Balance: Mistry, Rohinton: 9780375414817: Amazon.com: Books

    A Fine Balance. Hardcover - December 18, 2001. by Rohinton Mistry (Author) 4.3 9,906 ratings. See all formats and editions. With a compassionate realism and narrative sweep that recall the work of Charles Dickens, this magnificent novel captures all the cruelty and corruption, dignity and heroism, of India. The time is 1975.

  21. An Accidental Family

    A FINE BALANCE By Rohinton Mistry. 603 pp. New York: Alfred A. Knopf. $26. ... Each week, top authors and critics join the Book Review's podcast to talk about the latest news in the literary ...

  22. Book Review: A Fine Balance by Rohinton Mistry

    Book Review: A Fine Balance by Rohinton Mistry | The Book Satchel. Set in the Emergency period in India, A Fine Balance by Rohinton Mistry tells the story of four strangers, from different backgrounds. This is a story of hardships and poverty amidst political turmoil.

  23. Buy A Fine Balance: The epic modern classic Book Online at Low Prices

    Amazon.in - Buy A Fine Balance: The epic modern classic book online at best prices in India on Amazon.in. Read A Fine Balance: ... (Books) Customer Reviews: 4.3 4.3 out of 5 stars 9,248 ratings. About the authors. Follow authors to get new release updates, plus improved recommendations.