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A Raisin in the Sun: Gender Roles in Lorraine Hansberry's Play

A Raisin in the Sun: feminism

'Son-you-you understand what I did, don’t you? (WALTER is silent and sullen) I- I just saw my family falling apart today… just falling to pieces in front of my eyes…' (Hansberry 94).

“Drop the Garbo routine. It doesn’t go with you. As for myself, I want a nice- simple- sophisticated girl… not a poet- O.K.?” (Hansberry 96).

“Yes, I want to hang some real pearls ‘round my wife’s neck. Ain’t she supposed to wear no pearls?... I tell you I am a man- and I think my wife should wear some pearls in this world!” (Hansberry 143).

• Hansberry, L. (1958). A raisin in the sun. Vintage Books.
• Maddox, B. (2017). A raisin in the sun and the “failure” of black assimilation. African American Review, 50(3-4), 251-266. https://muse.jhu.edu/article/665380
• Nance, G. A. (2015). The construct of black womanhood in Lorraine Hansberry's A raisin in the sun. Journal of Black Studies, 46(1), 44-60. https://muse.jhu.edu/article/621674
• Nirenberg, J. (2016). “I am not a man”: Race, gender, and performance in Lorraine Hansberry’s A raisin in the sun. Theatre Journal, 68(3), 369-386. https://doi.org/10.1353/tj.2016.0064
• Opoku-Agyemang, K. (2019). Beneatha’s search for identity in A raisin in the sun. Journal of Pan African Studies, 12(8), 27-44.
• Ross, L. (2018). Race, gender, and the American dream in Lorraine Hansberry's A raisin in the sun. Journal of Black Studies, 49(5), 449-468.

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A Raisin in the Sun

Lorraine hansberry.

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A Raisin in the Sun anticipates the massive changes in gender relations – principally, the rise of feminism and the Sexual Revolution – that would transform American life in the 1960s. Hansberry explores controversial issues like abortion (which was illegal in 1959), the value of marriage, and morphing gender roles for women and men. Each of the Youngers takes a different attitude towards shifting gender roles, and the characters’ perspectives shed light on their identities. Beneatha , who Hansberry said was partly based on herself, holds the most modern views, pursuing her dream to become a doctor (a male-dominated profession at the time) and telling a shocked Mama and Ruth that she isn’t concerned about marriage—and that she might not ever get married at all. Beneatha’s brother, Walter Lee , repeatedly criticizes his sister’s ambition to become a doctor, suggesting that she “just get married.” Beneatha’s conviction to her modernized worldview highlights her unique brand of strength, perhaps also serving as an indirect expression of Hansberry’s own opinions.

Mama and Ruth share more traditional views on marriage and their role as women. Both characters work in traditionally female roles as domestic servants, one of the few jobs open to African-American women at the time. Similarly, Walter Lee holds conventional views on gender, and his ability to adequately fulfill his role as a man greatly affects his self-esteem. Walter links his own identity and self-worth to his sense of “manhood,” which ebbs and flows during the play. Walter resents his emasculating work as a white man’s chauffeur and Mama’s standing as “head” of the family, which confines him to the position of a “child” in his home. Mama’s eventual decision to make Walter head of the family “like you supposed to be,” along with Walter’s courageous refusal of Karl Lindner’s offer, prompt Mama and Ruth to note that Walter “finally come into his manhood today.” Thus, Walter’s status as a man parallels both his success as the “man” of the house and his ability to establish himself as an equal in his interactions with Lindner and others.

Gender and Feminism ThemeTracker

Gender and Feminism Quotes in A Raisin in the Sun

Walter: See there, that just goes to show you what women understand about the world. Baby, don’t nothing happen for you in this world ‘less you pay somebody off! Ruth: Walter, leave me alone! Eat your eggs, they gonna be cold. Walter: That’s it. There you are. Man say to his woman: I got me a dream. His woman say: Eat your eggs. Man say: I got to take hold of this here world, baby! And a woman will say: Eat your eggs and go to work. Man say: I got to change my life, I’m choking to death, baby! And his woman say – Your eggs is getting cold!

That is just what is wrong with the colored women in this world . . . Don’t understand about building their men up and making ‘em feel like they somebody. Like they can do something.

Walter: Who the hell told you you had to be a doctor? If you so crazy ‘bout messing ‘round with sick people – then go be a nurse like other women – or just get married and be quiet . . . Beneatha: Well – you finally got it said . . . It took you three years but you finally got it said.

Mama, something is happening between Walter and me. I don’t know what it is – but he needs something – something I can’t give him anymore. He needs this chance, Lena.

Asagai: You wear it well . . . very well . . . mutilated hair and all. Beneatha: My hair – what’s wrong with my hair? Asagai: Were you born with it like that? Beneatha: No . . . of course not.

Well – son, I’m waiting to hear you say something . . . I’m waiting to hear how you be your father’s son. Be the man he was . . . Your wife say she going to destroy your child. And I’m waiting to hear you talk like him and say we a people who give children life, not who destroys them – I’m waiting to see you stand up and look like your daddy and say we done give one baby up to poverty and that we ain’t going to give up nary another one . . .

George: You’re all wacked up with bitterness, man. Walter: And you – ain’t you bitter, man? Ain’t you just about had it yet? Don’t you see no stars gleaming that you can’t reach out and grab? You happy? – You contented son-of-a-bitch – you happy? You got it made? Bitter? Man, I’m a volcano. Bitter? Here I am a giant – surrounded by ants! Ants who can’t even understand what it is the giant is talking about.

Well – well! – All I can say is – if this is my time in life – MY TIME – to say good-bye – to these goddamned cracking walls! – and these marching roaches! – and this cramped little closet which ain’t now or never was no kitchen! . . . then I say it loud and good, HALLELUJAH! AND GOOD-BYE MISERY . . . I DON’T NEVER WANT TO SEE YOUR UGLY FACE AGAIN!

Son – you – you understand what I done, don’t you? I – I just seen my family falling apart today . . . just falling to pieces in front of my eyes . . . We couldn’t of gone on like we was today. We was going backwards ‘stead of forwards – talking ‘bout killing babies and wishing each other was dead . . . When it gets like that in life – you just got to do something different, push on out and do something bigger.

I say I been wrong, son. That I been doing to you what the rest of the world been doing to you. Walter – what you ain’t never understood is that I ain’t got nothing, don’t own nothing, ain’t never really wanted nothing that wasn’t for you. . . . There ain’t nothing worth holding on to, money, dreams, nothing else – if it means – if it means it’s going to destroy my boy. . . . I’m telling you to be the head of this family from now on like you supposed to be.

He finally come into his manhood today, didn’t he? Kind of like a rainbow after the rain . . .

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‘A Raisin in the Sun’ Gender Roles and Discrimination: then and Now

This essay will discuss gender roles and discrimination in “A Raisin in the Sun.” It will compare the portrayal of gender dynamics in the play with contemporary issues, examining how the play’s themes remain relevant in the context of modern discussions on gender equality. At PapersOwl too, you can discover numerous free essay illustrations related to A Raisin In The Sun.

How it works

• 1.1 Evolved Gender Roles and Lingering Inequality
• 2.1 Present-Day Workplace Discrimination
• 2.2 Contemporary Inequalities and Their Impact
• 3.1 Reference

Gender Inequality in A Raisin in the Sun

Despite the fact that boys and girls are encouraged to be whatever they desire at a young age, gender inequality is currently a monumental issue in the workplace. In the past, women were thought to be unfit to perform certain jobs that were deemed to be suited for men. Gender inequality is one prominent conflict out of many continuously seen in the play A Raisin in the Sun by Lorraine Hansberry. The Main characters, the Younger family, are an African American family struck by poverty and discrimination who battle with their struggles in a low-income Chicago neighborhood in the 1950s.

Within their family, they often argue over what women should pursue as a career, which is a main issue in the play. Now, the jobs argued over in A Raisin in the Sun can be obtained by women with less criticism than in the 1950s, but they face discrimination within those jobs.

Evolved Gender Roles and Lingering Inequality

Though gender roles have evolved over time, the belief that women are inferior to men, which the Younger family faced, can still be felt by women in the workplace today. The characters in A Raisin in the Sun are unable to thrive or function healthily due to the gender roles they have placed on themselves. Walter, the father of the family, continuously shows his disdain toward his sister Beneatha’s dream. In Act I, Walter and Beneatha get into a habitual disagreement over Beneatha’s medical school. Walter says, “Who the hell told you you had to be a doctor? If you’re so crazy ‘bout messing ‘round with sick people-then, go be a nurse like other women-or. Just get married and be quiet…”. (Hansberry 38) In this quote, Walter belittles Beneatha and other Women and tries to force Beneatha into how he thinks a traditional woman is supposed to act. Beneatha is negatively affected by Walter’s unsupportive nature because, in a time when being a female doctor was uncommon, support from your family was vital.

A Brother’s Betrayal and Its Impact

Later in the play, Walter shows his disapproval of Beneatha’s ideal career in a more serious way. After Walter reveals to the family he lost all of the money, Mama asks, “You mean…your sister’s school money…you used that too…Walter?…” to which Walter responds, “Yessss! All of it… It’s all gone…” Walter’s irresponsible action of trusting someone with the money Mama gave to him jeopardized Beneatha’s career in the medical field and showed his lack of investment in his daughter. If he truly cared about his sister, he would have put the money into a savings account for her schooling. However, he instead risked all of the money so he would have a chance to start what he thinks is a man’s job, a business. The Younger family cannot thrive when their dream careers are being unsupported or function smoothly because of the fights that result from their disagreements over gender roles. The sexist comments made by Walter to Beneatha, along with the self-centered actions he committed, are reasons the Younger family is unable to thrive or function healthily.

Present-Day Workplace Discrimination

These forced gender roles faced by the Younger family, though evolved, are still an issue today in society. Today, it is not unusual for a woman to be a doctor or the numerous other jobs thought to be unfit for a woman back in the 1950s. Additionally, family members are typically more supportive of each other’s dreams because these jobs are now not thought to be man’s jobs. However, with these new, openly accepted opportunities, women still face discrimination in the workplace. Today on average, a woman earns 80.5 cents for every dollar a man earns, and women’s median annual earnings are $10,086 less than men’s, according to the US Census Bureau. The fact that women are still considered less than men because they are paid less is proven in this statistic.

Contemporary Inequalities and Their Impact

Another example of women being discriminated against is in sports. $37,800 is the pay ceiling per player for the National Women’s soccer team compared to an average of $300,000 plus for men’s Major League Soccer. Alex Morgan, who leads the way for equal pay in soccer, makes $450,000 as the highest-paid American female soccer player. This is in comparison to male players such as Landon Donovan, who earned $2 million. The women on the National team make about 40% of what men make on their National team, despite the fact the Women’s team has won more awards and tournaments. The impact that these statistics have on women today is that they get paid less and feel unfairly treated. Women today feel unjustly treated because even when they perform the same jobs and at times at better levels, on average, they are not paid as much as men. Women can feel insecure or angry that they are paid less, similar to the insecurity and anger felt by the women in A Raisin in the Sun and other women from that time.

The Continuing Relevance of Gender Roles

The fact that women are thought to be lesser shows gender roles are still a problem today. Women being unfairly treated in the workplace shows the forced gender roles faced by the Younger family are still an issue today in society, even though they have evolved. In the play, A Raisin in the Sun, and in today’s society, gender roles are a serious problem. A Character in A Raisin in the Sun named Beneatha faced conflict with gender roles when her father, Walter, verbally discouraged her dream of being a doctor and took action against it. Much like many other women during that time, in the 1950s, Beneatha faced discrimination against reaching for a successful job.

Today, though women can now reach those dreams without as much discrimination, they still face discrimination in the workplace by being paid less. These facts matter because men and women should be treated equally in the workplace, society, and everyday life. There should not be a reason women should be limited to the occupations and things they want to accomplish in their lives. And when they do reach their dream occupations, they should not be paid less than men who are performing the same job. In today’s society, we should all be treated equally and not be discriminated against by our gender or any other factor. Sadly, discrimination because of gender and countless other factors is still a major problem today, as it was in the 1950s. This is why at the beginning of the play, it is recorded that the play is set “sometime between World War II and the present.” (Hansberry 22). Discrimination can be faced at any time or place. This is why Lorraine Hansberry’s play A Raisin in the Sun is still relevant today and has a big impact on today’s society.

• Hansberry, Lorraine. A Raisin in the Sun. Random House, 1997, p. 22-38 pp.

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Gender Roles in A Raisin in the Sun

Gender roles are vital aspects of Lorraine Hansberry’s A Raisin in the Sun with its illustration of gender stereotypes. Hansberry’s three-act play reflects women’s lives struggling to make a living and identity in a male-dominated society. The play debuted in 1959, reflecting a period when most women were not economically and socially empowered to be autonomous and express themselves freely. The societal norms restricted women to traditional roles in the kitchen and household while men were expected to provide financial support. Similarly, Hansberry utilizes the play to challenge conventional social norms that restrict women’s role in society with a more progressive view. Hansberry effectively explores both traditional gender roles and the modern view of gender roles in the drama.

Traditional Gender Roles

The author represents traditional gender roles through the conventional view of social norms. Hansberry illustrates a society that expected women, especially married women, to be submissive to their men and take care of the house chores. According to Wiener (2011), Mama and Ruth represent a traditional view of marriage and a woman’s role at home. They both work as domestic workers, a traditional role awarded to women in the early 1960s as the only form of economic empowerment. Ruth and Mama are contented with staying at home and caring for the household chores. Although Mama is the matriarch of the family because of the absence of Big Walter, traditionally, she is restricted in making crucial decisions based on her gender (Wiener, 2011). She believes Walter Lee, the man in the house, should step up to his responsibility of leading the family. Mama states, “I am telling you to be the head of this family from now on like you are supposed to be” (Hansberry, 1959). Mama’s expectation that Walter should be responsible, like his father, is based on a traditional view of gender roles emphasizing men’s strength. Ruth equally believes that it is her husband’s responsibility to make the right financial decision as the man of the house. She tells Mama, “He needs this chance, Lena” (Hansberry, 1959). Ruth is convinced that Walter will use the investment check well if given a chance.

Modern View of Gender Roles

On the contrary, Hansberry utilizes Beneatha’s character to represent modern views of gender roles that challenge the conventional stereotypic perception. Beneatha is determined to pursue her dream of becoming a doctor, a male-dominated noble profession. Her view of women’s liberation is in the form of education and economic empowerment, which is strongly challenged by the conventional societal view of females (Gandouz, 2018). Walter criticizes her ambition to become a doctor because of his orthodox outlook on women. He asks, “Who the hell told you you had to be a doctor?” (Hansberry, 1959). Walter suggests Beneatha should “just get married and be quiet,” implying that marriage is more important than her ambition (Hansberry, 1959). However, Beneatha represents a progressive view and thus focuses on pursuing her dreams despite society’s challenges (Gandouz, 2018). She reveals to Ruth and Mama that she is not bothered about getting married and might as well never get married at all. Through Beneatha’s character, the author anticipates a change in women’s movement and empowerment by rejecting societal norms and expectations.

Generally, Hansberry’s A Raisin in the Sun effectively explores traditional gender roles and the modern view of such roles that has equally challenged conventional outlooks. The play tremendously highlights how such societal expectations based on gender affected women’s empowerment and expression as their male counterparts became more dominant and oppressive. Hansberry uses her position as a female writer to advocate and anticipate a shift in the outlook of women’s rights, liberty, and empowerment in American society.

• Gandouz, O. (2018). African-American girls are better taught to reach stars: Subverting gender and racial stereotypes in Lorraine Hansberry’s “A Raisin in the Sun”.  Brolly ,  1 (2).
• Hansberry, L. (1959).  A Raisin in the Sun  (1st ed.). Vintage Books.
• Wiener, G. (Ed.). (2011).  Gender in Lorraine Hansberry’s A Raisin in the Sun . Greenhaven Publishing LLC.
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A Raisin in the Sun by Lorraine Hansberry: Play Analysis Essay

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Introduction

Characters of the story, the final freedom.

Lorraine Hansberry’s story is heavily steeped in racism. It does well to portray the social features of strong segregation and racial discrimination that prevailed during the 1950s in the United States, a time when the story’s younger family lived in Chicago’s South Side ghetto, as well as the struggles of the African-Americans to resist against the unfair treatment being meted out to them. Racial discrimination leads to the city being carved into two distinct parts – the first housing whites only, and the other housing blacks. Not only did blacks occupy a marginalized sector of society, but even within that margin, black women had to combat racial and gender prejudice. A majority of blacks did not accept the idea of assimilating into the dominant white culture because by doing so they would fit into white perceptions about their behavior and actions and thereby would be demeaning themselves. Blacks were searching for separate self-identities based on a celebration of their culture and heritage. They wanted to be treated as equally (like whites) contributing members of society, in pursuit of the American Dream (in those days it was to be a happy family that owned a house and a car).

Claudia McNeil is commendable as Lena’s (‘Mama”) Younger. She constantly dreams about her family and herself being considered equal to whites in society. She does not allow racism to come in the way of her dream of creating a new life and future for her family that involves moving into a dominantly white neighborhood.

Sidney Poitier’s phenomenal role as Walter Younger captures the central meaning of an African American’s intense desire for the American Dream. The power of his dream is to be financially well-off, educate his son Travis (Stephen Perry), and provide for his future. His endless preoccupation with finding quick riches and dominating his household makes him engage in arguments with his mother, wife, and sister; he turns wayward by resorting to constantly drinking.

Diana Sands as Beneatha (“Bennie”) attends college and is better educated than anyone else in the family. However, she is hampered by her dependence on the insurance amount to pay for her education: an effective stereotype of a black woman in those days who was racially discriminated by white society as well as by her own culture as not being worthy of higher education and its related status in life.

Ruby Dee as Ruth Younger portrays a pragmatic pessimist continually battling poverty and household problems. She dreams about getting away from their present slovenly locality, moving into a respectable house, and attaining a status equal to whites in society.

Joseph Asagai (Ivan Dixon) is a forceful Nigerian character who takes fierce pride in his African heritage. George Murchison (Louis Gossett Jr.) believes the only way to overcome racist deficiencies, riches, and admiration of others is by assimilating into white society. John Fiedler as Karl Lindner portrays the typical “white Aryan”, arrogantly secure in the power of his race and its belief that blacks are not fit to live in the same neighborhood as them. An opposition successfully portrayed in the story is white/black opposition representing Karl Lindner and other white racist Americans against the Younger family representing African Americans seeking a just and fair foothold in society.

The play “A Raisin in the Sun” officially opened in 1959, much before the black liberation movement revolutionized the lifestyle of African Americans in the United States. The movement, famously highlighted by Martin Luther’s speech “I Have a Dream” on August 28, 1963, signaled the start of a successful struggle that was responsible for elevating the status of African Americans in the United States in a series of gradual developments ultimately culminating into total freedom and total recognition as equal contributors to American society as their white counterparts. Although Lorraine Hansberry did not live to see the final freedom achieved by African Americans (she died an untimely death in 1965 at the age of thirty-four), she would surely have greatly gladdened to witness the “I Have a Dream” speech and realize that racial discrimination against African Americans would soon be an unhappy memory of the past.

Cocola, Jim & Douthat, Ross. “SparkNote on ‘A Raisin in the Sun’”. 2007. Web.

Petrie, Daniel. “A Raisin in the Sun” (video). 1961. Web.

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Challenging Patriarchy in "A Raisin in the Sun": Feminist Perspective

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