what is the best font for research papers

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Academic Appeal: The 11 Best Fonts for Academic Papers

• BY Bogdan Sandu
• 26 February 2024

Imagine settling into the rhythm of crafting your academic magnum opus—the words flow, ideas chime, yet it all hinges on how your prose meets the reader’s eye. You’re well aware that  the best fonts for academic papers  don’t just whisper to the intellect; they shout to the discerning critic in each evaluator. Here unfolds a narrative, not merely of  typography  but your academic saga’s silent ambassador.

In forging this guide, I’ve honed focus on one pivotal, often underestimated player in the academic arena:  font selection .

Navigate through this roadmap and emerge with a treasure trove of  legible typefaces  and format tips that ensure your paper stands hallmark to clarity and professionalism.

Absorb insights—from the revered  Times New Roman  to the understated elegance of  Arial —paired with indispensable  formatting nuggets  that transcend mere compliance with  university guidelines .

Dive deep, and by article’s end, unlock a dossier of sage advice, setting your documents a class apart in the scrutinous world of academic scrutiny. Here’s to  typography  serving not just as a vessel but as your ally in the scholarly discourse.

The Best Fonts for Academic Papers

Traditional choices and their limitations, times new roman : ubiquity and readability vs. overuse.

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5 fonts that add credibility and professionalism to scientific research

by ikumikayama | Apr 29, 2013 | Uncategorized | 14 comments

Choosing the right fonts can affect how your scientific research is received.

Note: This is part 2 of a 2-part blog series about choices in fonts. You can read part 1 here .

You are dressed in your best. You edited the manuscript with a fine-tooth comb…but are your figures and images wearing flip-flops?

Last time we talked about fonts that suck professionalism out of your scientific research . In this article, we’ll talk about fonts that actually add credibility and professionalism to your research. Dress your research in a custom-tailored suit by just using these fonts!

My friend and colleague, Cassio Lynm described how a good figure should be like a billboard found in many highways around the country. Anyone who sees the billboard will understand what they are advertising in a split second. If someone is confused or gets the wrong idea, the image is not very successful.

Similarly, the best professional fonts should be one that’s easy to read with very little “bells and whistles”. When writing prose of informational value such as scientific research, a reader should pay attention to what the text is describing, not how the text looks.  A good professional font should be like air–we don’t really even pay attention to it most of the time.

Some of the fonts I’ll share with you today are considered “boring” and “overused” by some. These fonts are everywhere because they are champions of legibility and simplicity.  Make your work professional and trustworthy by using a time-tested font.

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1. Arial- “All-Around Champion with IBM Roots”

According to fonts.com , Arial is one of the most used typefaces of the last 30 years. Its electronic origins go back to 1982 for IBM laser-xerographic printers by designers Robin Nicholas and Patricia Saunders. When it came out, it was supposed to compete with Helvetica, which was one of the core fonts in Apple Computers in the mid 1980’s.

Arial letters have more round shapes and the edges of letters do not end in a horizontal line. Instead, the edges are at an angle.

Arial is an easy-to-read font in small and large blocks of text. Nature requests that the figure text be in Arial or Helvetica. It’s especially nice for figure labels and legends. When using Arial as figure legends, keep the font size small ~8 points for best results.

2. Helvetica- “All-Around Champion with Apple Roots”

Helvetica is the most heavily-used font. Helvetica was originally designed by a Swiss designer named Max Miedinger in 1957. The font was designed to be an easy-to-read font. The name “Helvetica” comes from “Helvetia” – Latin name for Switzerland. Actually, the font received a facelift in 1983-the newer version is called, you guessed it, Neue Helvetica.

Helvetica even has its own movie . I haven’t seen it yet, but please comment in the section below if you have.

Besides its Hollywood (Indie) status, Helvetica is a font that looks great on both print and on screen.  Nature , Science , and Cell request that their figure labels be in Helvetica. (If you need assistance setting up figures, I’m here to help). It looks great small as in figure labels, and it looks pretty good in large formats as posters. I lost count of how many figures I labeled using Helvetica, since that’s what one of the publishers used for their books.

3. Baskerville- “Tends to have positive influence on readers”

Baskerville’s history goes all the way back to 1757 when John Baskerville designed a typeface that works well in print and easy to read.  Mr. Baskerville preferred his letters simple and refined. He was also a writing master, so he had some ornamental letters like the upper case Q.

There was an  informal study  (not official, but some experiments here and there) that showed using Baskerville font increased trustworthiness of the text compared to other fonts. In the same study, Comic Sans had the most negative influence on the readers.

Baskerville is a serif font, which means that there are “tails” at the edge of the letters. Generally, serif fonts are better suited for print. This font works best when used in long blocks of text. Try to keep this font between 8 and 14pts for best results. This font looks dignified, so use this for your important professional occasions-award ceremonies, recognitions, etc.

4. Caslon- “When in doubt, use Caslon”

Caslon is another font with a long history. William Cason I designed the typeface back in the early 1700’s. This font is considered as the first original typeface from England. This font was very popular in colonial America, and it was used for many historical documents including the US Declaration of Independence.

Caslon is a serif font (with tails), and is best used in blocks of text. Like Baskerville, try to keep this font between 8 and 14 points for best results. Using this in a report or an application would be a good places.

5. Garamond – “Second best font after Helvetica”

This font’s history also goes way back. The font was designed by Claude Garamond (or Jean Jannon), who was commissioned to make a typeface for King Francis I of France (1515-47) to be used in series of books. The modern, electric version was revived in 1989 by Robert Slimbach.

Because there are different sources available for Garamond, there are numbers of different variations of the font. Adobe Garamond is the most popular and widely-available version today.

Garamond is still used extensively by French publishers. They also insist that Garamond be printed in size 9.  Some of the most famous publications in France are in Garamond such as Histoire de l’édition français.  The publishers prefer this font “for its beauty, its richness and its legibility” combined with “an uncluttered graphic style that underscores the rigour of essays and analysis providing a radical critique of contemporary society”.

Garamond is a great font to be used in long proses such as textbooks, dissertations and theses. Keeping it at 9 point is optional. In fact, my master’s thesis was in Garamond.

So that’s the 5 fonts that add credibility and professionalism to your scientific research. Did you find your favorite fonts here? Do you have other favorites? Please share your thoughts in the comment section. Also, please feel free to send this article along to those who might benefit from this short article.

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Now that you know about great scientific fonts, learn more about: PowerPoint Tips for the Scientist

Sources and Further reading:

Arial vs Helvetica – fonts.com

Research on font trustworthiness: Baskerville vs. Comic Sans

Caslon typeface

History of Garamond

Cell Press Figure Guide

Nature -Guide to preparing final artwork

Science Magazine: Preparing your manuscript

14 Comments

I’d rather like to know which font was used to write that article – it’s simple and readable, better than all presented above.

And the font being used for that article is Helvetica, which is one of the fonts mentioned above 😀

Hi Ewa! Great point. The font used is called “Open Sans” by Steve Matteson. For my blog, I made the font color dark grey to make it easier on the eyes, and also made them slightly bigger than average for easier reading. Hope this helps!

Hollo there, i liked the article but none of this fonts looks like the one used in the papers i read, (Journals of the American Chemical Society), do you know which one they use?

Hi There! Thank you for the note! ACS suggests Arial and Helvetica for their journal figures, so that’s what I introduced in this article–for the text, they might very well have their own custom font they use for their publications. I’ll dig into this a little deeper–thank you again!

I’m sorry, but this article is full of misinformation. Part 1 is a reiteration of articles that have been around for years. Absolutely nothing new there, and honestly, is there anyone even considering the typefaces you name there for scientific articles? Is it conceivable that anyone would use Curlz for his essay?

But my real concern goes to the second part. Arial and Helvetica are absolutely not scientific typefaces. The notion that ACS suggests these typefaces doesn’t make them suitable for scientific works. I think you ought to do research as to WHY these typefaces came recommended. Helvetica has history, as it won out of contemporaries like Univers as Helvetica was very heavily marketed. As a side note, Helvetica is actually based on the Akzidenz Grotesk model. Arial was designed to have the same metrics as Helvetica so it could be used on the same printers without having to pay a license fee to use Helvetica. Arial is more legible while Helvetica is more neutral and clear, but neither is particularly great.

So I would say Helvetica and Arial haven’t been chosen because they’re perfect. They’ve been chosen because they’re popular, and Arial is on every Windows computer, so people don’t have to purchase any fonts. I would say neither Arial and Helvetica are known to be particularly good to read. I suspect typefaces like Proxima Nova and Avenir will fair better. To be clear, I don’t think Arial or Helvetica are bad choices for labels and such, but to suggest them as top 5 typefaces, that’s very clearly misinformation.

“When using Arial as figure legends, keep the font size small ~8 points for best results.” For best results? Not entirely. It’s probably a good estimate, but in actuality the pt size should depend on the layout. I would recommend always making a test print to see if the text looks good in print, if that’s what it is intended for. Sometimes 0.2pts more or less could make the difference.

“Helvetica is the most heavily-used font.” I don’t think so. First off, Helvetica is not a font. It’s a typeface. Helvetica Regular would be a font. Helvetica is the most heavily-used typeface in graphic design, and likely the most heavily-used sans typeface. It’s not the most heavily-used typeface. At least, I would be very surprised if it was. I suspect Times New Roman is the most heavily-used.

“The font was designed to be an easy-to-read font.” No, Helvetica was designed to steal the popularity of Akzidenz Grotesk away.

Also, follow this link to see some of the problems of Helvetica at small sizes, and what professionals in the field have to say about it: http://spiekermann.com/en/helvetica-sucks/

“Actually, the font received a facelift in 1983-the newer version is called, you guessed it, Neue Helvetica.” Who would guess that the prefix for the new Helvetica would be German though? Small detail… Anyway, if you like Helvetica but want a more professional typeface (because really, Max Miedinger was not a type designer and as far as I’m concerned that shows), I can recommend Neue Haas Grotesk (a typeface that is true to the original Helvetica, but improved) or Neue Haas Unica (a more fresh looking Helvetica that deviates from the original).

“Helvetica even has its own movie. I haven’t seen it yet, but please comment in the section below if you have.” I have seen it a few times now. It’s quite a pleasure to watch, but there’s a lot of propaganda involved as well. You have the likes of Massimo Vignelli drooling over how great Helvetica is. The man was a pretty great graphic designer (although insisting on always using Helvetica has little to do with graphic design, as one ought to select the perfect typeface for the job, not use one typeface for every job), but he had no insight in type design. On the other hand, you have Erik Spiekermann formulate perfectly what Helvetica stands for. I would say for a type designer the Helvetica documentary is quite pleasant to watch. For the layman I’m afraid the documentary amounts to propaganda. It gives the layman the feeling this is one of the best typefaces out there and it’s simply not, by far.

“Besides its Hollywood (Indie) status, Helvetica is a font that looks great on both print and on screen.” Absolutely not! On Windows computers, websites set in Helvetica tend to look horrendous. The problem is that Helvetica is not well hinted, and so rendering problems occur. Helvetica was obviously not designed for monitors. Neue Helvetica doesn’t have the rendering problem to the same extent I believe, but relatively few people have Neue Helvetica, so it wouldn’t be wise to use that on your website, unless you embed the fonts. For websites I highly recommend using Arial rather than Helvetica.

“Baskerville’s history goes all the way back to 1757 when John Baskerville designed a typeface that works well in print and easy to read.” Easy to read? Not particularly, though it’s not bad either. Baskerville is a transitional typeface, meaning the weight modulation is vertical and the contrast is high. This is the tradition of the Baroque, but it’s not the most pleasant to read. However, Baskerville does look quite academic. For typefaces that are more pleasant to read, I would look at the Garalde style. Garamond and Caslon belong to that classification. They have a diagonal weight modulation, which naturally leads the eyes to the next letters. Typefaces with vertical weight modulation and high contrast tend to feature a fence effect, which disturbs the reading experience. To see this effect well, look at Didone typefaces like Didot and Bodoni.

“This font works best when used in long blocks of text. Try to keep this font between 8 and 14pts for best results.” 14pt seems quite large. Try 9–12pt. This goes for any serif typeface to be used for body text that is intended for print (for the web try 10–14pt, also depending on which device it’s intended for). But again, it will depend on the layout, and always make test prints to make sure it’s pleasant to read.

“Garamond is a great font to be used in long proses such as textbooks, dissertations and theses. Keeping it at 9 point is optional. In fact, my master’s thesis was in Garamond.” I distinctly remember years ago I noticed my Harry Potter book was set in Garamond. Both Garamond and Caslon are still used extensively for books.

However, Garamond may be a bit much for scientific documents. It’s quite classical and it has a low x-height, which these days is not preferable. Caslon is a bit less expressive and has a taller x-height. I would say Caslon is probably better for scientific articles.

One group of typefaces that certainly seems to be missing here is Century. Typefaces like Century Roman and Century Schoolbook. They belong to the Clarendon classification and are reminiscent of typefaces like Baskerville. These typefaces have been popular since the late 19th century and are still used extensively in academic literature. But I suppose you should also make a consideration of whether your article should be about the most comfortable typefaces to read, or the best suitable for scientific work, because they most certainly don’t amount to the same thing, yet you seem to be equating the two in this article.

Hi Martin! Thank you so much for your in-depth note! I have to look over and digest all your excellent points. Would you be open to expanding your writing and be a guest author or send me a link to your website/blog so the readers can have more information about what types to use for their work?

THE quick brown fox jumps over the lazy dog!!!!!

Leelawadee is a bit underrated. It is easy on the eyes, and simple. It could use a bit of a TimesNewRoman-punch to it, though.

Where can I download Helvetica from? I couldn’t find it anywhere

Seriously? I don’t know what this smug guy does with typography, in which he seems to be well versed, but if he were to take up writing he would need to work on his grammar.

I’m not an expert on fonts, but I’m currently using Helvetica for headlines and other Sans text in my thesis and DejaVu for the main text. Feels pretty scientific to me 🙂

I enjoyed the historical aspect of this article. Thanks! PS. I see you use a sans serif font.

How i download these font types?

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Ten simple rules for typographically appealing scientific texts

Lars ole schwen.

Fraunhofer Institute for Digital Medicine MEVIS, Bremen, Germany

Introduction

Text is ubiquitous in everyday scientific work—when was the last time you spent 5 minutes working without writing, reading, or interacting with any kind of equipment that had text (scales, labels, brand name, etc.) on it? Most forms of communicating ideas and findings in science are based on text, e.g., BSc/MSc/PhD theses, manuscript drafts, grant proposals, reports, or job applications. In addition, text appears in figures, (electronic) slides for presentations, and posters, i.e., in formats focused more strongly on a graphical presentation.

All these documents are usually written to convince the audience of the quality of your ideas or results, ultimately with the goal of a positive evaluation (grading, decision on funding/hiring, etc.). A good visual appearance of the text and graphical elements is key for making a good first impression on the audience. When sustaining this impression by clearly structured and well-written text, professional layout is again important because less-than-optimally typeset texts distract the audience from fully appreciating the high-quality content [ 1 ]. Even though single visual inconsistencies cost the readers only a fraction of a second, these interruptions to the flow of reading add up and subconsciously frustrate the readers, possibly undermining your credibility. Poor visual appearance and language can be spotted at first glance in Fig 1 , and incorrect content (or a confusing structure, not shown in Fig 1 ) take much longer to notice. Properly formatting text is particularly challenging in interdisciplinary fields like Computational Biology, where authors are faced with a variety of text elements, e.g., Greek characters, mathematical formulas, chemical formulas, and source code listings. Similar to inconsistent writing style, inconsistent formatting may indicate plagiarism, e.g., stray dashes resulting from copying and pasting hyphenated text, garbled characters, and fonts/formatting copied from the source.

Poor formatting, incorrect language, or wrong contents?

Scientists frequently need to produce final document layout themselves, either from scratch or based on a template—where some templates are well designed and others are, well, “designed.” If a template is given, fewer decisions need to be made, but some typographical knowledge is still helpful to understand the template and to deal with issues unforeseen therein. Ideally, the actual typesetting is subsequently done by trained professionals, e.g., working with publishers, who know what they are doing [ 2 ]. Submissions should, in this case, follow the publishers’ guidelines and templates, but still be prepared carefully, as “reviewers’ opinion about a manuscript can be skewed by careless formatting” [ 3 ]. Typography is thus one of the tools of the trade for scientists.

This article is meant as a practical guide for typesetting scientific texts, including motivation for the recommendations. While focusing on the intended layout, the rules also provide hints on how these results can be obtained in common text processing/typesetting tools (such as Microsoft Word/LibreOffice Writer, Google Docs, and LaTeX). These rules are meant to complement

• detailed typography textbooks or reference books [ 4 – 7 ] by providing hands-on recommendations for everyday scientific writing;
• software manuals (typically focused on features and how to achieve specific formatting) by explaining which formatting makes sense in which case;
• style manuals [ 8 – 10 ];
• tips for scientific writing [ 11 – 17 ] and collaboration tools [ 18 – 21 ]; and
• specialized recommendations for slides [ 22 , 23 ] and posters [ 24 , 25 ].

The rules primarily apply to English (specifically American English), and many of them also apply to other languages using the Latin alphabet and beyond. However, ligatures and diacritics (Rule 2), punctuation and its spacing (Rule 2), hyphenation (Rule 3), and number formatting (Rule 8) vary between languages.

Rule 1: Fonts—Choose a suitable (type)face for your work

Fonts should be chosen according to the intended function. Documents primarily consisting of text are usually typeset in serif fonts where letters end in horizontal lines (see Fig 2A ) guiding the readers’ eyes through the lines like a “railroad track” [ 26 ]. Moreover, serifs provide distinctive shapes of words ( Fig 2B ). This allows more easily reading text by fixing a few points in each line (saccades, [ 27 ]) rather than continuously reading each individual letter. These properties generally make serif fonts easily readable.

(A) Terminology to describe the “anatomy” of glyphs. (B, C) Samples of serif (B) and sans serif fonts (C), all of them nominally of the same size (but notice the differences in width, x versus ascender/descender height and overall apparent size). (D) Confusing use of fonts for a purpose they were not designed for.

In contrast, posters, slides, and figure annotations containing only little text and incomplete sentences require each word to be clearly legible. In this case, sans serif fonts are more suitable ( Fig 2C ). Nonproportional (typewriter-like) fonts where each glyph has the same width have a technical appearance and are used, e.g., for source code listings. Calligraphic, handwritten, or otherwise creative fonts may lack a serious appearance and should be used with care in scientific content, e.g., if a handwritten/sketched look is intended [ 28 ]. Besides the function, fonts can convey characteristics like elegant, modern, or traditional (see Fig 2D ) [ 29 ].

In 1 document, only as many fonts as necessary should be mixed. Fonts should be combined to complement each other with the intended level of contrast and with matching x height and length of ascenders/descenders. The main font for the text should include all required diacritics (e.g., for proper names), non-Latin characters (e.g., Greek), and symbols (e.g., arrows or for mathematical formulas), cf. Rule 2.

Rule 2: Individual characters and words—Get the details right

Text is composed of single characters including (uppercase and lowercase) letters, numbers, punctuation, characters with diacritics, and symbols. Typographically, however, text is composed of glyphs, representations of characters in a specific shape and design.

Certain combinations of letters appear differently when combined, forming so-called ligatures (e.g., the “fi” in the word fish in Fig 2A ). Ligatures enhance readability by avoiding visual gaps inside words and are examples of 1 glyph representing multiple characters.

Punctuation is used to structure sentences and should use correct glyphs (cf. Fig 3A ).

(A) Typographically correct symbols make a difference between sloppily written and conveniently readable texts. (B) Many language use the Latin alphabet combined with different types of diacritics and additional characters.

Quotation marks exist in 2 forms: straight/dumb (as typed on the keyboard) and typographic form. In English, raised 6/66 and 9/99 forms as shown in Fig 3A are used as opening and closing quotation marks, respectively, depending on whether you follow a style using single or double quotes. Punctuation is placed before or after closing quotation marks depending on whether it is part of the quote, except for periods and commas always placed before the closing quotation mark [ 10 ]. Apostrophes have the raised-9 form of a closing single quotation mark. Prime and double prime symbols are used, e.g., for feet/inches, arcminutes/arcseconds in geographic latitude and longitude (cf. Fig 3B ), and derivatives in mathematics and to indicate positions of carbon on ribose rings in molecular biology. Neither of these symbols should be confused with accents (see below).

Dashes come in 3 flavors. For hyphenation (see also Rule 3) and compound words, a standard dash (-) is used. The slightly longer en dash (–) is used for ranges (e.g., pages 24–33), sometimes as the symbol in bullet lists (see Rule 6), and to indicate naming after separate persons (e.g., the Michaelis–Menten reaction) as opposed to hyphenated names (e.g., 2008 Nobel laureate Françoise Barré-Sinoussi). The minus sign is typically similar to the en dash. The em dash—as shown here—is used as a phrase marker—or for adding afterthoughts. However, besides unspaced em dashes, spaced en dashes are also recommended for these purposes [ 7 ].

Accents and other diacritics (cf. Fig 3B ) may be complicated, in particular outside one’s native language. Still, they are worth getting right—imagine what a picky reviewer will think about your scientific work if you cited them, but did not even manage to spell their name correctly.

Correct symbols that cannot directly be typed can be selected/copied from a character table or entered via their respective Unicode code points. Both these options are tedious. Using defined macros or auto-correction features of the text processing software can be more convenient, but do not always work as intended and should be checked.

Rule 3: Lines and paragraphs—Keep the text flowing

Paragraphs consist of lines of text (see Rule 5 for a discussion of line width). Paragraphs can be typeset left-aligned, centered, right-aligned, or fully justified; cf. Fig 4A . Justifying text requires aligning both the left and right ends of lines, and this is commonly achieved by stretching the spacing between words. Paragraphs in continuous text are usually typeset justified. This is most convenient to read as paragraph breaks can be spotted easily, and there is no random graphical emphasis on words at the beginning or end of lines which are longer than the surrounding lines. Shorter pieces of text can also be typeset left-aligned, e.g., on posters and slides. Centered and right-aligned text is sometimes used for headings, displayed equations, or tables (cf. Rule 7). Such alignment is not suitable for longer texts as it makes finding the next line inconvenient ( Fig 4A ).

(A) Left-aligned text randomly emphasizes words appearing at the end of the line (indicated in orange); right-aligned text makes finding the next line unnecessarily difficult for the readers (indicated in blue); centered text combines both disadvantages; and justified text avoids these issues and has the calmest appearance. (B) Examples where hyphenation or line breaks interrupt the flow of reading (hyphenation examples from p. 115 in [ 30 ]). (C) Indenting the first line of paragraphs (except after headings) clearly indicates where a new paragraph starts, and this may be unclear at the top of a page otherwise.

Line breaks in paragraphs should not interrupt the flow of reading. To prevent undesired line breaks, e.g., between numbers and their unit ( Fig 4B ), non-breaking spaces should be used.

Words may need to be hyphenated to avoid large gaps in lines in justified text. Text should be hyphenated by the respective feature of the text processing/typesetting software. Automatic hyphenation usually works well if language settings are correct, but should be checked for misleading hyphenations ( Fig 4B ). Enforcing hyphenation by manually entering dashes and spaces/line breaks may lead to stray dashes when fur-ther editing the text.

The first line of paragraphs is frequently indented ( Fig 4C ) to clearly indicate that a new paragraph has started (except immediately after headings where indentation would be redundant). In contrast to vertically spacing paragraphs, indenting is also visible after a page break, below a figure, and after lists.

Alignment, indentation, and other formatting of paragraphs should not be applied manually for each paragraph, but via suitably defined paragraph or document styles. Ideally, this is provided by the document template.

Rule 4: Emphasize what is important, and only that

Not all words in a text are equally important, and some need to be distinguished visually. Visual emphasis, however, should not happen by accident (e.g., because a word happens to appear at the end of a line or because a symbol needs to be used from a different font). Instead, emphasis should result from a conscious decision, and a suitable and consistent way of formatting different types of importance should be used. The main purposes of increased visibility of words are.

• structuring (providing “entry points” on the page where one could start reading),
• emphasis (where stressing something only makes sense within the context), and
• markup (e.g., in bibliographies or for syntax highlighting in source code).

Typographically, there are different variants of highlighting ( Fig 5A ), ranging from subtle to highly prominent. The prominence of emphasis can be characterized by the change of “color” [ 7 ] (or “type color” [ 31 ]), i.e., how dark the page appears at some location when viewed out of focus. Larger changes of type color are more prominent highlighting and easier to spot when just glancing at the page/poster/slide. Italic (no change in type color) is usually the formatting of choice for emphasis within context. In contrast, bold (notable change in type color) is useful, e.g., for headings or terms defined in a glossary. Small caps (no change in type color) are sometimes used to distinguish family names from given names or real-world from model entities. Underlining used to be one of the few possibilities of emphasis using a typewriter (see Fig 5B ), but is neither particularly nice nor useful nowadays.

(A) Text in italics, small caps, or a matching alternative font does not change the type color of the page and emphasizes words within the context while reading. Bold text, uppercase letters, and different colors are more prominent and serve as “entry points” to the text. Using a contrasting alternative font, letter spacing, and underlining words forms an even stronger visual contrast, but is challenging to get looking good. (B) In the era of typewriters, authors were much more limited in using emphasis in their texts. (C) Italic, bold, and small caps should be used as properly designed font variants and not be faked by slanting (making the text look unnatural), making lines thicker (leading to, e.g., shrunken eyes and unbalanced spacing), or scaling capitals (making glyphs skinny). (Disclosure of image manipulation: text typed using a mechanical typewriter was digitized and edited for clarity, and color channels of the RGB image were manipulated to imitate red text from a 2-color ink ribbon).

Emphasis in continuous texts should be used sparingly. If 80% of a text is emphasized, actually the remaining 20% of the text are most visible. In contrast, text not meant to be read as a whole may profit from extensively combining different ways of highlighting, e.g., markup in bibliographies or syntax highlighting in source code listings.

Pitfalls of highlighting are shown in Fig 5C . Italic, bold, and small caps of a font should only be used if available as properly designed variants. Automatically created variants (slanting glyphs, using thicker lines, or shrinking uppercase letters) are of lower quality (“Frankensteinian manipulation” [ 32 ]) and best avoided.

To achieve consistent visual emphasis throughout a document, suitable styles or macros should be defined and used. Naming these by purpose rather than appearance makes it easy to consistently change formatting when editing and revising a document (cf. Rule 9).

Rule 5: Pages—Visually distribute your story

Unlike information on web pages, printed material and presentation slides are arranged on separate pages of fixed size. Contents thus need to be distributed with page breaks at useful locations (unless, of course, only a single page or a poster is needed). Besides text, also non-text material (figures, tables, and footnotes) needs to be positioned on pages.

For good readability, lines should not be longer than 75 to 80 characters [ 7 ] or require additional line spacing; otherwise, the readers’ eyes cannot easily jump from 1 line to the next. Reducing the margin width is thus not a good way to squeeze more content into a given number of pages. Also, margins are needed for the readers simply to hold the document without fingers covering part of the content and to take notes. Only little text such as page numbers should be placed in the margin (top outside, bottom outside, or bottom center). Two-column layout allows more readable text per page, but makes placing wide elements like figures or tables more complex. One-sided layout with page numbers at the bottom center is more robust if readers will likely print the document themselves and might not use duplexing or might print 2-on-1 (swapping left and right pages).

If not defined by a template, one easy way [ 33 ] to define page margins (cf. Fig 6A ) is to first determine how wide the text block needs to be to fit about 70 characters on average. The page is then divided into an n × n grid such that using 2 stripes of cells each as the left and right margins leaves the desired text width. One and 2 horizontal stripes are then used as the top and bottom margins, respectively. For 2-sided layout, each page should have only 1 stripe as the inner margin. In both cases, additional space for binding may need to be considered. For 12-point Cambria text on an A4-sized page, this construction results in n = 12 and margins of 35 mm, 25 mm, and 50 mm on the left/right, top, and bottom, respectively. In contrast, using a default setting of 1-inch margins for a letter-sized page containing 10-point Times New Roman text results in about 115 characters per line, too much for convenient reading.

(A) One way to construct page margins for 1-sided and 2-sided layouts, also considering the type of binding used (here: spiral binding with narrower inner margin—glue or sewn binding requires enlarging the inner margin). (B) Figures (or tables) are commonly placed at the top of a page (or on figure-only pages), but not in between the text. (C) Orphans and widows, single lines of text separated from the rest of their paragraph, should be avoided.

Besides the running text, documents contain “floating” objects like figures or tables. These also need to be placed on the pages, typically at the top or bottom or on figure-only pages, ideally close to where they are referenced; see Fig 6B . Placing figures inside the running text would interrupt reading and may cause distracting page breaks. Instead, presenting figures in a separate “thread” outside the continuous text also permits readers to just browse through the figures and quickly find what interests them.

Footnotes, as the name suggests, are placed at the bottom of the page where they are referenced (which, clearly, should be done automatically). Footnotes are useful for relevant information complementing the main text without interrupting its flow (e.g., translations), see below for an example. Sometimes (e.g., to make presentation slides self-contained), footnotes are also used for literature references.

When optimizing page breaks, no single lines should be separated from the rest of a paragraph; see Fig 6C . Such single lines at the bottom and top of a page are denoted as widows (“have no future”) and orphans (“have no past”), respectively [ 33 ]. (The previous sentence is an example where a footnote would make sense: This vivid terminology is also used in other languages, e.g., the German terms for widow and orphan are “Hurenkind” [politically correct translation: offspring of a person working in the world’s oldest profession] and “Schusterjunge” [shoemaker’s apprentice].)

Text processing/typesetting software can places figures and partially prevent orphans and widows automatically, but this may require additional fine-tuning. Tricks for optimizing page breaks include rephrasing the text to make a paragraph on the affected page 1 line longer or shorter; enlarging the page vertically or breaking the page a line earlier; and moving, enlarging, or shrinking figures.

Rule 6: Lists—Present some content in structured form

Not all textual information is best presented as complete sentences in continuous text. In particular, as few text as possible should be used on slides [ 22 , 23 ] and posters [ 24 , 25 ]. Also in longer written texts, some information is best presented in (sub-)structured lists, either unsorted (itemized/bulleted) or sorted (numbered) lists; see Fig 7 . The readability of lists may profit from manually optimizing line breaks, in particular on slides and posters.

(A) Hard-to-recognize list, (B) properly formatted unsorted list, and (C) properly formatted numbered list.

Numbered lists are most useful for step-by-step instructions or if some of the entries are referenced from elsewhere (“item 5c” is more convenient than “the third sub-item of the fifth item”). Other common types of structured lists are glossaries (alphabetically sorted definition of terms where readers should quickly find the term they are looking for) and bibliographies (which additionally require cross-referencing from the main text). Itemized and numbered lists should be formatted consistently, i.e., they should be entered as the appropriate type of list and not by manually entering bullets/numbers and indentation; see Fig 7 .

Particularly in bibliographies, it makes sense to conceptually distinguish content and layout. Here, the same information (author, title, journal, volume, year, etc.) should be printed in 1 consistent style (format, referencing from the text, and sorting). Using suitable reference management integrated with the text processing avoids manually formatting bibliographies.

Rule 7: Figures, plots, and tables—Do not neglect the text outside the continuous text

Typography is relevant not only for the continuous text, but also for text in figures, plots, and tables. Figures convey content in easy-to-grasp graphical form, and plots present data in visual form, whereas tables provide precise numbers. Creating high-quality and well-readable figures [ 28 , 34 – 39 ] can be challenging, but is worth spending effort; well-designed figures with self-contained captions telling the main story are a useful way of reaching hurried readers just browsing through your work [ 15 ] or starting reading by looking at figures [ 40 ]. In particular, a good graphical abstract [ 41 ] or concept figure [ 42 ] can attract readers (even though the impact on citations is unclear [ 43 ]).

Figures may contain different amounts of text that should be consistent with the main text not only in terminology, but also in terms of fonts and symbols. Figures are often created in separate software, so consistency may be challenging. However, the limited capability of software is not a convincing excuse for low-quality figures (cf. Fig 8A versus Fig 8B ), and malicious readers could interpret it as limited capability of the author.

(A) Poor-quality plot: numbers are hard to read, symbols are not displayed properly, and color provides no additional information (except that automatic spell checking marked part of the axis labels as wrong). (B) Same data, better plot quality. (C) Poor-quality table: excessive lines and hard-to-read numbers, even in the right-aligned column due to the footnote symbol and numerals of different width. (D) Same information, better table layout.

Table formatting includes proper column alignment. While text should be left-aligned in columns, numbers in columns can only be compared conveniently if printed right-aligned and written in numerals that are all of the same width (table figures). Tables should not include too many prominent lines to prevent the impression of a “prison cell” (cf. Fig 8C versus Fig 8D ). Instead, tables can be structured optically by moderate spacing, light shading of every other row, or light lines. Whitespace is useful for structuring contents [ 44 , 45 ], elsewhere as well, e.g., in figures and lists (cf. Rule 6).

Rule 8: Mathematical and chemical formulas—Do not let doubt enter the equation

Numbers should not only be correct, but should also be formatted appropriately. Numbers with more than 4 digits are grouped using commas between each group of 3 digits: 31,556,952. For decimal numbers, a period (“point”) is used as the decimal separator: 3.14. Following [ 10 ], ordinal numbers should be written as 1st, 2nd, 3rd, 4th, … without superscript letters. When reporting computer-generated results, notation like 5·10 −9 is easier to read than pasting 5e−9 verbatim (and shows that you know what the “e” stands for).

Formulas provide precise information in a very condensed form. They are difficult to get right in the first place, and incorrect typesetting can alter the meaning: consider, e.g., 2 3 = 8 versus 23, or the isotope 14 C versus 14 carbon atoms. Formulas are a particular example where correct typesetting is indispensable to show you understood what you have written. Shorter and simpler formulas can be included “inline” in the text ( Fig 9A and 9B ). In this case, font, font size, and the base line should match the surrounding text. More complex formulas, those to be cross-referenced by number or formulas too high to fit in the text without modified line spacing, are better written as displayed formulas ( Fig 9C and 9D ). From a grammar and punctuation perspective, also displayed formulas should be considered part of the sentences in the containing text. Depending on the text processing software used, formulas can be entered via math syntax or equation editors or (e.g., in case of complex chemical formulas) may need to be created in external software and imported as images.

(A versus B) Formulas in the text should use a font matching the text and match the baseline of the text. Mathematical variables should be typeset in italic, unlike text parts of formulas or certain functions. (C versus D) Similarly, displayed formulas should match the surrounding text and are easier to understand if properly aligned. (E) Chemical formulas include subscript and superscript indices around symbols for chemical elements.

In formulas, mathematical variables are commonly typeset in italic. However, mathematical functions like sin (sine), text (including, e.g., abbreviations in indices), units, chemical elements, and certain constants should not appear in italic ( Fig 9B, 9D, and 9E ). To make longer formulas easier to read, proper alignment and grouped brackets of matching size are helpful ( Fig 9D ).

Rule 9: Use templates and styles for automatic and consistent formatting

When writing texts, unfinished layout may distract from content and structure. However, these topics should be addressed and concentrated on first, see Rule 10. Using software like Microsoft Word, LibreOffice Writer, or Google Docs that uses the “what you see is what you get” principle, layout needs to be ignored actively, unless a structure view, disabled page preview, or similar is used. Writing text in markup languages (e.g., Markdown or LaTeX using “what you see is what you mean”) makes the separation of content/structure and format/layout easier, but requires more technological affinity.

Structure in texts should be defined by styles/macros declaring, e.g., a section heading as a “level 1 heading” rather than manually numbering it, formatting it to a specific font size in bold with additional line spacing, making sure it is not followed by a page break, etc.; see Fig 10 . Properly structuring in this way also permits automatically creating a table of contents, cross-referencing to section numbers without keeping them up to date manually, automatically using the same style, or conveniently switching the style if the template is changed. Similarly, figures and tables with captions should be included as such objects so that they can be positioned automatically at the top/bottom or on separate pages, again with the side effect of automatic numbering and cross-referencing.

(A versus B) Marking headings as the appropriate level of headings (instead of manually formatting it bold and larger) ensures consistent layout (Google Docs example). (C) Using automatically numbered headings and proper cross-references (rather than manually entering it) allows keeping them up to date automatically (Microsoft Word example). (D) Using a macro name indicating its purpose (rather than having to remember the formatting for a specific purpose) makes writing easier (LaTeX example).

Rule 10: Iterative writing and typesetting—Do first things first and last things last

Formatting manuscripts is an iterative process, just like writing the contents [ 12 , 16 ]. When drafting contents at an early stage of the writing process, it only makes sense to pay attention to typographic issues that will likely be missed or cause problems/increased efforts later. This includes proper structuring, cross-referencing, and using template styles/macros. When editing the text later on, effort should be invested in those parts to be kept in the final manuscript. Issues relevant at this stage include, e.g., the contents of proper formulas, tables, and figures. Only when the contents have been finalized, it makes sense to polish the layout by optimizing line or page breaks and figure placement. Prematurely polishing either language or layout of parts of text that are deleted later is wasted effort.

Solitary and collaborative [ 18 , 20 ] writing may use a different format/platform than the one used for formatting and finalizing the submission, e.g., one may collaborate via a Google Doc or via Markdown files in a Git repository followed by finalizing the layout in LibreOffice Writer or LaTeX. Moreover, input from one or different authors needs to be unified also on a technical level, regardless of the technical platform used. Enough time should be planned for the work needed to turn finalized content into a formatted document ready for submission.

Acknowledgments

The author would like to thank the organizers of CdE-SommerAkademie 2017 and the participants of the “Getting Things Finished” workshop for providing an inspiring environment where he wrote a substantial part of this manuscript. Moreover, the author would like to acknowledge Simon Kempny for fruitful discussions about a draft of this manuscript.

Funding Statement

The author did not receive funding for preparing this manuscript.

Scientific fonts: How to select the right one

Choosing the right font for the right kind of content is imperative, this article will aid your decision when it comes to scientific fonts.

It can be very difficult to choose the ideal font for a project, as any graphics designer could confirm. Deciding the font becomes more important when you anticipate its extensive and frequent usage.

It’s an essential part of typography , which is the art of making your design appear visually cohesive. A font group’s general design usually kicks off the search, but with a little digging, you can find yourself in the creator’s most detailed selection.

There are a number of research studies that have focused on typography to discover some good grounds for selecting a particular font for a particular project category.

It is also best to pick a professional font that is easy to read without many extraneous features.

Scientific research, for example, should be written in such a manner that the reader focuses on the information, not just the format.

Some people find today’s scientific fonts boring and overdone. Because of their legibility and simplicity, these fonts are everywhere. Use a trusted font to make your work appear professional.

In terms of font selection, there are more considerations than seem to be apparent at first glance. For instance, some fonts have a reputation for being legitimate, while others don’t.

We have a handful of scientific findings to share throughout this article in the hopes that they will aid your decision-making when it comes to scientific fonts.

If you have ever found the choice of fonts intimidating, the purpose of this article is to offer guidance and information to help you make a decision.

What is the importance of Fonts?

When a typeface is carefully chosen, it is able to deliver the desired effect to the reader, and give the words the sense of life they deserve, all the while reflecting the field it represents.

The font represents the words on a page visually instead of an image, allowing the words to convey their intended meanings as they are read. A font that is too large or small may not convey the seriousness of some issues or messages.

What is the most recent time that you wrote a text or sent an email and the words were read incorrectly? We can communicate more effectively using our vocal tonality, simple hand gestures and expressions, we can convey our message more effectively than simple words on a paper.

On fancy documents such as invitations, using a script font can be spectacular, but on children’s books it can look off, and in the event of too much text it may not be readable.

As you can see, choosing the right font for the right kind of content is very important. However, using the right font is only part of the equation. Misleading fonts result in incorrect information.

7 fonts that strengthen scientific research’s credibility and professional appearance

In recent years, fonts.com has reported that Arial is among the most used typefaces. With its distinctly contemporary design, Arial is more in sync with the last decade of the twentieth century than many of its predecessors.

There is no horizontal line at the bottom of the edges of Arial letters. They are angled instead. It helps give the face a more organic appearance by cutting the terminals on a diagonal.

The Arial family of typefaces is incredibly robust. Suitable for setting text for reports, articles, publications, and for use in display media, newspapers, and promotional materials.

Whether you’re writing small or large chunks of text, Arial makes reading easy. Figures should be formatted in Arial or Helvetica as per Nature’s instructions.

Labels and legends in particular benefit from this typeface. As a rule of thumb, keep font sizes small *8 points when using Arial for figure legends.

2. Baskerville

Designed by John Baskerville in 1757, Baskerville is a typeface that can be read easily and looks good in print.  The letters were straightforward and elegant according to Baskerville.

Here and there, Baskerville font was found to increase reliability of text in comparison to other fonts. The readers’ behavior on the same study was most negatively influenced by Comic Sans.

The Baskerville family of fonts are known as the first transitional roman. These fonts distinguish between thin and thick strokes. The large size of Baskerville looks good because of this feature.

Based on its serif style, Baskerville has “tails” on the edges of its letters. This font is best suited for printing. For long text blocks, it is most suitable.

For best results, try to keep the font size between 8 and 14 points. Then your text will look more professional.

3. Helvetica

The most commonly used font is Helvetica. Max Miedinger, a Swiss designer, initially created Helvetica in 1957.

Designed to be simple to read, the font immediately gained popularity. It is named after the Latin term for Switzerland, Helvetia. Neue Helvetica is the name of the newer version of the font, which was introduced in 1983.

Even a movie has been made about Helvetica. Helvetica is not only a Hollywood (Indie) font, it looks fantastic on screen and print. 

Science, Nature, and Cell ask for the figure captions to be in Helvetica.  Even though it looks good when printed in small formats, it looks even better when printed in large formats.

It’s hard for authors to keep track of how many figures they’ve labelled with Helvetica now, since that’s what publishers use.

In spite of Georgia’s role in providing clarity at low resolutions on the screen, it is imbued with a typographic aesthetic that strikes a chord with readers.

This friendly face is evident even at small sizes. A stunning, smooth italic accompanies Georgia’s design; the artwork minimizes the complexity of making a screen-friendly italic.

As opposed to many contemporary typefaces, it has authentic italics, including the slender lowercase letters a and g.

The bold weight is also carefully tailored, with a heavier weight than the regular; this is particularly useful at small screen sizes where the two weights must be distinguished(phone screens).

5. Garamond

The history of this font also dates back a long way. French King Francis I of France (1515-1547) commissioned Claude Garamond to design a typeface for use in a series of books.

It was revived by Robert Slimbach in 1989 as an electric typeface. Garamond comes in many different variations because there are different sources available. The most commonly used version is Adobe Garamond.

French publishers continue to use Garamond extensively. Size 9 is also a must for Garamond in France.  The history of France’s publishing industry is published in Garamond, as is Histoire de l’édition française . 

This font was chosen due to its elegance, opulence, and legibility as well as a simple layout highlighting the detailed writing and offer an enlightened insight on the contemporary aspect of the content.

In long documents such as thesis papers, dissertations, and academic books, Garamond is a reliable font to use. Garamond is the font that many master’s thesis writers use.

Among the long-established fonts is Caslon. The typeface was designed in the early 1700s by William Caslon. English typefaces began with this one. It was a common font used in colonial America, and even the US Declaration of Independence was written with this font.

Because there is no enforceable trademark on the name “Caslon”, there are many typefaces called “Caslon”, some of which are exact copies of the originals, while others are not.

It is best used in blocks of text since it is a serif font (with tails). If you want best results, keep the font size between 8 and 14 points, as you would with Baskerville. The best place to make use of this would be in an application or a report.

7. Times New Roman

First published by The Times of London newspaper in 1932, this typeface was designed for the publication.

In the years since, it has evolved into one of the most popular typefaces in the world. Victor Lardent at The Times created the original designs under the direction of Stanley Morison.

Monotype’s Type Drawing Office then further refined it in an extensive step-by-step process. Many of its characteristics were taken from Morison’s experiments with Perpetua and Plantin, but it was adapted so that it was highly readable and also very efficient.

There are vast uses for it in books and journals, in reports, in presentations, and in advertising.

Is there anything else you need to think about when selecting the right font?

When choosing a font, there are a number of things to keep in mind besides these categories. For example, does it have all the features you are looking for?

You may be able to get away with just using the letters of the alphabet for the first piece, but what if you have to write a quick article for the public?

Are there symbols such as a currency symbol or exclamation point in the text? Especially when you are submitting a funding proposal. (Read our guide to everything you need to know about Research Proposals .)

Every once in a while, we find ourselves trying to add a price but the symbol we need isn’t there.

As well as the font size, there are other considerations, such as does it come in many sizes and styles or are only light, regular and bold available?

If you don’t have a lot of specifics, that’s alright, but you should take into account a broader perspective and what you intend to accomplish.

When it comes to communicating your message, different font sizes can be really helpful. Despite the fact that it’s good to have different typefaces, there is a rule that suggests only using a maximum of three typefaces in one contribution.

If you use any more than that, you risk-taking away the emphasis of what is being said. Complementary fonts are important, but they shouldn’t be too similar as this could result in a cluttered look that could be confusing.

Lastly, when picking a font, we should consider the print aspects to ensure it will be easy to read. These factors include colour, size, and style. The most decorative script fonts may look good, but they aren’t always a good option.

Hence, make sure to put into consideration every possible aspect of the information that may be published around the world through various mediums.

How to use Scientific fonts?

A reader’s primary objective should be to understand the facts about your project clearly. An easy-to-read document will help you achieve that goal.

The editors of newspapers, as well as publishers of journals, have developed many guidelines to make text more readable. These guidelines are now available for scientific purposes.

• Keep the main body text font size at least 16 points . Any smaller would make the text difficult to read.
• A project title should have a minimum height of 2 inches.
• It is recommended that headlines have at least one inch tall letters .
• If you want to stay with the norm, use Arial , Times New Roman , or another typeface similar to these.
• If you intend to draw attention to anything, use italics or boldface .
• Place your text below your picture ; that makes it easier to read.
• Please refrain from using ALL CAPS ; they can be difficult to perceive.
• You should not use reverse typeface (light text on dark background).
• If you type in a script font, avoid using artistic fonts , since they are harder to follow.
• You can choose between Serif or Sans Serif depending on the medium or the audience you will be addressing to.
• Your poster or paper should not contain more than two or three contrasting fonts .
• For body copy and headings, Time New Roman and Arial combine nicely.

Please note that every journal or publication house has different guidelines based on how they handle submissions, so make sure you check them.

It is also important to consider the medium on which the text will appear when choosing a font. Posters will need to have better fonts that appear decent when printed.

Selecting the wrong font can negatively affect future decision-making. It is important to remember that the typeface that you select to present your research or information will have a major impact on its effectiveness.

Make sure you make the right choice because it will leave a meaningful impression on the reader. (You can learn how to create an outstanding presentation that will leave the audience impressed, here )

Fonts for scientific illustrations and infographics

Infographics, or informational graphics, are a growing trend in data presentation. This style of presentation allows you to convey your message quickly and easily.

In order to make complex topics understandable, illustrations are extremely useful. A good font is essential no matter what.(See our guide to scientific illustrations )

Your choice of font is as important as the research itself when it comes to presenting it. (In most cases.) Generally, book, journal, and newspaper fonts are serif fonts, which are characterized by small lines at the end of each stroke.

The vast majority of online content uses sans serif fonts. Serif fonts make it easier for readers to follow lines of text, which is certainly useful when designing illustrations or use the infographic maker.

The best typeface for graphic design is sans serif. Arial, Calibri, Helvetica, Verdana, and open sans, which are readily available, improve content legibility significantly.

If you understand how certain font choices affect the composition of your content, deciding on a family of fonts and a typography scheme becomes much more straightforward.

As you become more familiar with the values, tone, and vision of the work, you will begin to can identify what works. It is possible to convey your ideas in a non-verbal and yet powerful way, using fonts.

Now that we have reached our final section, you should also know where to find all the fonts in one place.

You can find all the best science fonts for graphic design at one place

We at mind the graph understand the importance of typography and how it plays an integral part in representation of scientific ideas. Mind the graph, the most user-friendly tool.

Scientists and academicians from over 100 top academic, educational, and industrial institutions trust Mind the Graph. This is why everything is up-to-date and scientifically sound.

You will find all the A to Z fonts you need for all things scientific here. Besides that, we also suggest fonts that are appropriate for your content type. You can choose from the list we have.

Furthermore, we have many templates to assist in the creation of posters and graphics. Additionally, they can be customized according to your needs. However, guess what is even better than that? We offer a FREE trial, so you can decide what plan fits you best. 

When you join, you join us in our mission to increase easy access to the best science tool for as many people as possible. Our blog section has a variety of information about everything from making Science posters to a list of the best science podcasts of 2022, definitely worth checking out.

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About Fabricio Pamplona

Fabricio Pamplona is the founder of Mind the Graph - a tool used by over 400K users in 60 countries. He has a Ph.D. and solid scientific background in Psychopharmacology and experience as a Guest Researcher at the Max Planck Institute of Psychiatry (Germany) and Researcher in D'Or Institute for Research and Education (IDOR, Brazil). Fabricio holds over 2500 citations in Google Scholar. He has 10 years of experience in small innovative businesses, with relevant experience in product design and innovation management. Connect with him on LinkedIn - Fabricio Pamplona .

Content tags

Best Font For Academic Papers – You Should Know

There is no definitive answer to this question, as different fonts can be more or less effective depending on the specific context in which they are used.

However, some fonts are generally considered more readable and professional-looking than others, making them more suitable for academic papers. Some of the most commonly used fonts for academic papers include Times New Roman , Arial, and Calibri.

Table of Contents

What Is The Best Font To Use For Academic Papers?

There are a few things to consider when choosing a font for an academic paper. First, the font should be easy to read. This is important because you want your readers to be able to focus on the content of your paper, not struggle to read the words. Second, the font should be professional looking.

This means it should be clean and simple, without fancy embellishments. Third, the font should be a standard size. This is important because you want your paper to be easy to print and bind, if necessary.

A good font to use for academic papers is Times, New Roman. It is easy to read, professional-looking, and standard size. Another font that you may want to consider is Arial. It is also professional and easy to read, but it is slightly smaller than Times New Roman.

If you are unsure which font to use, ask your professor or the person grading your paper. They may have a preference or be able to guide you on which font would be best for your particular paper.

What Are The Benefits Of Using A Particular Font For Academic Papers?

Regarding academic papers, the benefits of using a particular font are clear. First and foremost, using a specific font helps ensure your paper is easily readable. After all, if your paper is difficult to read, it’s likely that your professor will have a hard time understanding it as well.

In addition, using a specific font can also help to make your paper look more professional. This is especially important if you’re submitting your paper to a journal for publication. While there’s no definitive answer, we recommend using a serif font like Times New Roman. This type of font is easy to read and has a classic look that will give your paper a sense of sophistication.

Are There Any Specific Fonts That Are Better Suited For Academic Papers?

The answer to this question is a resounding yes! There are entire books dedicated to which fonts are best for academic papers. While there are many opinions on the matter, the consensus is that serif fonts are better suited for academic papers than sans serif fonts. The reason for this is that serif fonts are easier to read, and they also convey a sense of sophistication and authority.

What Are Some Of The Best Serif Fonts For Academic Papers?

The most popular choices include Times New Roman, Georgia, and Cambria. However, it’s important to note that the best font for an academic paper will vary depending on the subject matter. For example, a paper on a scientific topic might benefit from a sans-serif font like Arial. In contrast, a paper on a literary topic might do better with a more traditional serif font like Times New Roman.

ultimately, the best way to figure out which font is best for an academic paper is to experiment with different fonts and see which looks and feels best. However, a serif font is a safe bet if you’re looking for a starting point.

What Are Some General Tips For Choosing A Font For Academic Papers?

When choosing a font for academic papers, remember a few general tips. First, make sure the font is easily readable. This is especially important for long papers or those with dense text. Second, stick to a standard font like Times New Roman or Arial.

These are easy to read and will help your paper look more professional. Finally, ensure the font size is large enough to be easily readable. This is especially important for papers that will be printed out.

Now that you know a few general tips for choosing a font for academic papers, let’s look at a real-life example. Suppose you’re writing a paper on the history of the United States. You might want to use a font like Times New Roman or Arial for this paper.

These fonts are easy to read and make your paper look more professional. You’ll also want to ensure the font size is large enough to be easily readable. This is especially important for papers that will be printed out. Hopefully, you are clear now on the best font for academic papers. If you still have any questions, feel free to comment below.

Selecting the best font for academic papers involves more than choosing the one that looks nice. It requires careful consideration of readability, legibility, and accessibility. While serif fonts like Times New Roman are popular and traditional, sans-serif fonts like Arial and Calibri are becoming more widely accepted in academia. Ultimately, the font choice will depend on the specific requirements of the academic institution or publisher.

Choosing a font for academic papers is an important decision that contributes to the overall quality of your work. By understanding the impact of font selection on your academic papers, you can ensure that your work presentation standouts most effectively and professionally possible.

Which Font Has Been Used In The Majority Of Printed Books Throughout Recorded History?

The font used in most printed books throughout recorded history is serif fonts, such as Times New Roman, Garamond, and Baskerville.

Which Font Is Most Commonly Found On Billboards And Signs?

The font that is most commonly found on billboards and signs is sans-serif fonts, such as Helvetica, Arial, and Futura.

What Font Is Favored In Textbooks?

The font that is favored in textbooks is usually serif fonts, such as Times New Roman or Garamond, as they are easier to read for extended periods of time.

What Color Should You Use In Your Title Tags?

You should use a color that contrasts well with the background color of your website and is easy to read. Common colors include black, dark gray, and dark blue.

What Font Size Should You Use?

The font size you should use for your title tags depends on the design of your website and the font you choose. A good rule of thumb is to use a font size between 18 and 24 pixels for desktop devices and between 16 and 20 pixels for mobile devices.

David Egee, the visionary Founder of FontSaga, is renowned for his font expertise and mentorship in online communities. With over 12 years of formal font review experience and study of 400+ fonts, David blends reviews with educational content and scripting skills. Armed with a Bachelor’s Degree in Graphic Design and a Master’s in Typography and Type Design from California State University, David’s journey from freelance lettering artist to font Specialist and then the FontSaga’s inception reflects his commitment to typography excellence.

In the context of font reviews, David specializes in creative typography for logo design and lettering. He aims to provide a diverse range of content and resources to cater to a broad audience. His passion for typography shines through in every aspect of FontSaga, inspiring creativity and fostering a deeper appreciation for the art of lettering and calligraphy.

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Dr. Mark Womack

What Font Should I Use?

The Modern Language Association (MLA) provides explicit, specific recommendations for the margins and spacing of academic papers. (See: Document Format .) But their advice on font selection is less precise: “Always choose an easily readable typeface (e.g. Times New Roman) in which the regular style contrasts clearly with the italic, and set it to a standard size (e.g. 12 point)” ( MLA Handbook , 7th ed., §4.2).

So which fonts are “easily readable” and have “clearly” contrasting italics? And what exactly is a “standard” size?

For academic papers, an “easily readable typeface” means a serif font, and a “standard” type size is between 10 and 12 point.

Use A Serif Font

Serifs are the tiny strokes at the end of a letter’s main strokes. Serif fonts have these extra strokes; sans serif fonts do not. ( Sans is French for “without.”) Serif fonts also vary the thickness of the letter strokes more than sans serifs, which have more uniform lines.

Books, newspapers, and magazines typically set their main text in a serif font because they make paragraphs and long stretches of text easier to read. Sans serifs (Arial, Calibri, Helvetica, Gill Sans, Verdana, and so on) work well for single lines of text, like headings or titles, but they rarely make a good choice for body text.

Moreover, most sans serifs don’t have a true italic style. Their “italics” are really just “obliques,” where the letters slant slightly to the right but keep the same shape and spacing. Most serifs, on the other hand, do have a true italic style, with distinctive letter forms and more compact spacing.

Since they’re more readable for long passages and have sharper contrast in their italics, you should always use a serif font for the text of an academic paper.

Use A Readable Type Size

The standard unit for measuring type size is the point . A point is 1 / 72 of an inch, roughly one pixel on a computer screen. The point size of a font tells you the size of the “em square” in which your computer displays each letter of the typeface. How tall or wide any given letter is depends on how the type designer drew it within the em square, thus a font’s height and width can vary greatly depending on the design of the typeface. That’s why if you set two fonts at the same point size, one usually looks bigger than the other.

Compare the following paragraphs, both set at 12 point but in different fonts:

For body text in academic papers, type sizes below 10 point are usually too small to read easily, while type sizes above 12 point tend to look oversized and bulky. So keep the text of your paper between 10 and 12 point .

Some teachers may require you to set your whole text at 12 point. Yet virtually every book, magazine, or newspaper ever printed for visually unimpaired grown-ups sets its body type smaller than 12 point. Newspapers use even smaller type sizes. The New York Times , for example, sets its body text in a perfectly legible 8.7 point font. So with proper spacing and margins, type sizes of 11 or 10 point can be quite comfortable to read.

Font Recommendations

I usually ask my students to use Century Schoolbook or Palatino for their papers. If your teacher requires you to submit your papers in a particular font, do so. (Unless they require you to use Arial , in which case drop the class.)

One thing to consider when choosing a font is how you submit your essay. When you submit a hard copy or a PDF, your reader will see the text in whatever typeface you use. Most electronic submission formats, on the other hand, can only use the fonts available on the reader’s computer. So if you submit the paper electronically, be sure to use a font your instructor has.

What follows is a list of some widely available, highly legible serif fonts well-suited for academic papers. I’ve divided them into four categories: Microsoft Word Fonts, Mac OS Fonts, Google Fonts, and Universal Fonts.

Microsoft Word Fonts

Microsoft Word comes with lots of fonts of varying quality. If your teacher asks you to submit your paper in Word format, you can safely assume they have Word and all the fonts that go with it.

Morris Fuller Benton designed Century Schoolbook in 1923 for elementary-school textbooks, so it’s a highly readable font. It’s one of the best fonts available with Microsoft Word. Because it’s so legible, U. S. Supreme Court Rule 33.1.b madates that all legal documents submitted to the Court be set in Century Schoolbook or a similar Century-style font.

Hermann Zapf designed Palatino in 1948 for titles and headings, but its elegant proportions make it a good font for body text. Named for Renaissance calligrapher Giambattista Palatino, this font has the beauty, harmony, and grace of fine handwriting. Palatino Linotype is the name of the font included with Microsoft Word; Mac OS includes a version of the same typeface called simply Palatino.

Microsoft Word includes several other fonts that can work well for academic essays: Bell MT , Californian FB , Calisto MT , Cambria , Garamond , and Goudy Old Style .

Mac OS Fonts

Apple has a well-deserved reputation for design excellence which extends to its font library. But you can’t count on any of these Mac OS fonts being on a computer that runs Windows.

Finding his inspiration in the typography of Pierre Simon Fournier, Matthew Carter designed Charter in 1987 to look good even on crappy mid-80s fax machines and printers. Its ability to hold up even in low resolution makes Charter work superbly well on screen. Bitstream released Charter under an open license, so you can add it to your font arsenal for free. You can download Charter here .

In 1991 Apple commissioned Jonathan Hoefler to design a font that could show off the Mac’s ability to handle complex typography. The result was Hoefler Text , included with every Mac since then. The bold weight of Hoefler Text on the Mac is excessively heavy, but otherwise it’s a remarkable font: compact without being cramped, formal without being stuffy, and distinctive without being obtrusive. If you have a Mac, start using it.

Other Mac OS fonts you might consider are Baskerville and Palatino .

Google Fonts

When you submit a paper using Google Docs, you can access Google’s vast library of free fonts knowing that anyone who opens it in Google Docs will have those same fonts. Unfortunately, most of those free fonts are worth exactly what you paid for them, so choose wisely.

IBM Plex is a super-family of typefaces designed by Mike Abbink and the Bold Monday type foundry for — you guessed it — IBM. Plex serif is a solid, legible font that borrows features from Janson and Bodoni in its design. Plex is, not surprisingly, a thoroughly corporate font that aims for and achieves a bland neutrality suitable for most research papers.

John Baskerville originally designed this typeface in the 1850s, employing new techniques to make sharper contrasts between thin and thick strokes in the letter forms. The crisp, elegant design has inspired dozens of subsequent versions. Libre Baskerville is based on the American Type Founder’s 1941 version, modified to make it better for on-screen reading.

Unfortunately. Google Fonts has few really good serif fonts. Some others you might consider are Crimson Pro and Spectral .

Universal Fonts

Anyone you send your document to will have these fonts because they’re built in to both Windows and Mac OS.

Matthew Carter designed Georgia in 1993 for maximum legibility on computer screens. Georgia looks very nice on web sites, but in print it can look a bit clunky, especially when set at 12 point. Like Times New Roman, it’s on every computer and is quite easy to read. The name “Georgia” comes from a tabloid headline: “Alien Heads Found in Georgia.”

Times New Roman is, for better or worse, the standard font for academic manuscripts. Many teachers require it because it’s a solid, legible, and universally available font. Stanley Morison designed it in 1931 for The Times newspaper of London, so it’s a very efficient font and legible even at very small sizes. Times New Roman is always a safe choice. But unless your instructor requires it, you should probably use something a bit less overworked.

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Best Research Paper Font and Size: Best Styles for an Essay

The Best Word Font in Research Paper

As you edit and polish your research paper, you should know the suitable font when formatting. Many students struggle to locate suitable fonts that are appropriate for academia. Thankfully, most of the writing styles such as APA or MLA end this frustration by indicating the right fonts to use in your work.

Many instructors indicate the type of fonts students should use in their assignments. That is because some fonts are large hence prompting one to use more pages than indicated in the instructions section.

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Best Font for Research Paper

The choice of fonts can affect your academic writing work. The right font should make your work remain credible and professional. Dressing your work with the right fonts is procuring a suitable image.

Ideally, the best font for a research paper is the Times New Roman as it is clear and most requested by university and college faculties. Other common ones are the Arial and Calibri fonts, which are preferred because of their large size compared with New Times Roman.

Some fonts can be attractive but hard to read because they have several curls and curves.

When handling research work, use the correct font which has enough allowance between letters to avoid overcrowding.

The professional fonts should be easy to read. The good news for you is that Times New Roman is a popular choice for academic documents.

It is the safest option because most examiners are comfortable with it. Notably, New Times Roman has sound APA support.

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Best Font Size for Research Paper

The best font size for a research paper is point 12. This size is the most common ones, especially for New Times Roman, Arial or Calibri fonts. Basically, the size of the fonts should make your work to be readable without straining the audience. We measure size using ‘points’.

Most academic research papers use MLA, APA, and Harvard references and formats.

The point is a percentage of the screen that the font is occupying. For academic papers, the recommended size is 12 points. It is the most comfortable size for the audience without looking oversized or bulky.

 The font size plays a critical role in making your research work impressive and appealing.

The writer should use the official font size when submitting the project.

This size is key when you want to determine the number of pages that your project should carry.

We use font 12 to calculate and know the number of pages the entire work will have to avoid going beyond or under the given guideline.

If you use a different font size, you may exceed or hit below the word count leading to disqualification or any other penalty as the lecturer may decide.

Commonly Used Fonts for Academic Work

Different writing styles recommend certain fonts for students to use while tackling academic work. Some of them are as follows:

Times New Roman

Times New Roman has an authoritative look and feel. It became into practice in 1932 to enhance the legibility and economy of space. This Times New Roman has a narrow printing point that is easily readable.

Arial has been the most used font for the past thirty years. One of the characteristics of Arial fonts is that they have rounded faces. Furthermore, the edges of the letters do not manifest in the horizontal line. Instead, these edges are at an angle.

Besides, this font is easy to read whether used in both large and small blocks. It is a perfect format that one can use in academic work.

Calibri is a humanist font with variable strokes and designs. It is a pretty-looking font suitable for large displays such as presentations.

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Factors Determining the Font and Size for Academic Writing

1. teachers instructions.

When you receive your essay assignment, peruse through and find the preferred font type and size. Some professors are comfortable with particular fonts.

The professor will indicate the preferred font for your work. You can begin by writing and polishing your work with your font and size and later format it according to instructions.

Most academic papers target certain pages of the assignments.

For example, when the instructions demand that you use Times New Roman, you should stick to that for you to produce the right number of pages as guided by the instructions.

Teachers know that when you use a particular font and size for your research, you will produce the correct quantity after researching.

2. Your Eye Ability

One will feel comfortable when using certain fonts than others. Reading and writing while you are straining your eyes to see your work can be disastrous. The cool thing is you can settle for the fonts that can make your eye enjoy beholding your work.

Several fonts exist to use for your work without straining your eyes. However, you should ensure that you settle for the right font when formatting your final documents.

For example, some fonts have curls or curves that make affect the readability of your work. Such can make your professor respond unkindly.

If the professor did not offer guidance to you, then you can use the correct font according to the writing styles recommendations.

3. Teacher’s Font Preference and Eye Abilities

A teacher may instruct that you use certain fonts when submitting your project work. More importantly, even if it is not your favorite font to use, you should stick to the instructions and complete your work as guided.  

We have varying eye abilities. Some are comfortable and safe to use a particular font like Arial because they do not strain the eyes while using it. Some fonts are not friendly to some people when working, making your entire writing experience to be hostile.

If you can work well with 12 point font size, well and good. In case the lecturer wants point size 10, use a comfortable font during your writing and editing process then change it to the recommended size before submitting.

4. Type of the Academic work, Essays vs Graphics

The type of academic work dictates the type of font to use for effective delivery. If you are writing an essay, you should use the recommended fonts and sizes as per the writing styles. These styles are MLA, APA, and so on.

You should not use any font which is not official to any writing style. If unsure, it is sensible to consult your instructor and remain on the correct track.

On the other hand, you should also use the correct font when you are working with graphics in your academic projects.

Just like essays, the graphics also have official fonts that students should use when designing and captioning them. Sticking to the rules makes your work hold a professional appeal.

Graphics are the perfect ways of presenting information to make readers create the right perceptions at a glance. Luckily, you should caption them with the recommended fonts and sizes for better delivery.

5. Personal Preference

What appeals to one writer differs from what makes a different writer excited and comfortable. What does that mean? Different writers have varying impressions about what fonts and sizes work for them.

If the instructions for your projects are open to allow you to use multiple fonts from the given list, you should settle for your favorite from the list.

That implies that the instructor may be marking papers that will come with varying font types according to the writer’s preference from the given list of options.

6. Readability

There is no secret in this. Some fonts are more readable than others.

For example, when you are using Times New Roman as your favorite font, it will consume less space but score high on legibility.

Remember, a readable document is an attractive document. Do not compromise on this. Use the right font that is legible and easy to read.

Based on the recommended fonts for particular styles, choose the one that looks more attractive.

Check out our tips on how to name a research paper for more guidance on how to prepare your paper before submitting it. This may improve the clarity of your file and promote grading.

When not handling complex essays and academic writing tasks, Josh is busy advising students on how to pass assignments. In spare time, he loves playing football or walking with his dog around the park.

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13.1 Formatting a Research Paper

Learning objectives.

• Identify the major components of a research paper written using American Psychological Association (APA) style.
• Apply general APA style and formatting conventions in a research paper.

In this chapter, you will learn how to use APA style , the documentation and formatting style followed by the American Psychological Association, as well as MLA style , from the Modern Language Association. There are a few major formatting styles used in academic texts, including AMA, Chicago, and Turabian:

• AMA (American Medical Association) for medicine, health, and biological sciences
• APA (American Psychological Association) for education, psychology, and the social sciences
• Chicago—a common style used in everyday publications like magazines, newspapers, and books
• MLA (Modern Language Association) for English, literature, arts, and humanities
• Turabian—another common style designed for its universal application across all subjects and disciplines

While all the formatting and citation styles have their own use and applications, in this chapter we focus our attention on the two styles you are most likely to use in your academic studies: APA and MLA.

If you find that the rules of proper source documentation are difficult to keep straight, you are not alone. Writing a good research paper is, in and of itself, a major intellectual challenge. Having to follow detailed citation and formatting guidelines as well may seem like just one more task to add to an already-too-long list of requirements.

Following these guidelines, however, serves several important purposes. First, it signals to your readers that your paper should be taken seriously as a student’s contribution to a given academic or professional field; it is the literary equivalent of wearing a tailored suit to a job interview. Second, it shows that you respect other people’s work enough to give them proper credit for it. Finally, it helps your reader find additional materials if he or she wishes to learn more about your topic.

Furthermore, producing a letter-perfect APA-style paper need not be burdensome. Yes, it requires careful attention to detail. However, you can simplify the process if you keep these broad guidelines in mind:

• Work ahead whenever you can. Chapter 11 “Writing from Research: What Will I Learn?” includes tips for keeping track of your sources early in the research process, which will save time later on.
• Get it right the first time. Apply APA guidelines as you write, so you will not have much to correct during the editing stage. Again, putting in a little extra time early on can save time later.
• Use the resources available to you. In addition to the guidelines provided in this chapter, you may wish to consult the APA website at http://www.apa.org or the Purdue University Online Writing lab at http://owl.english.purdue.edu , which regularly updates its online style guidelines.

General Formatting Guidelines

This chapter provides detailed guidelines for using the citation and formatting conventions developed by the American Psychological Association, or APA. Writers in disciplines as diverse as astrophysics, biology, psychology, and education follow APA style. The major components of a paper written in APA style are listed in the following box.

These are the major components of an APA-style paper:

Body, which includes the following:

• Headings and, if necessary, subheadings to organize the content
• In-text citations of research sources
• References page

All these components must be saved in one document, not as separate documents.

The title page of your paper includes the following information:

• Title of the paper
• Author’s name
• Name of the institution with which the author is affiliated
• Header at the top of the page with the paper title (in capital letters) and the page number (If the title is lengthy, you may use a shortened form of it in the header.)

List the first three elements in the order given in the previous list, centered about one third of the way down from the top of the page. Use the headers and footers tool of your word-processing program to add the header, with the title text at the left and the page number in the upper-right corner. Your title page should look like the following example.

The next page of your paper provides an abstract , or brief summary of your findings. An abstract does not need to be provided in every paper, but an abstract should be used in papers that include a hypothesis. A good abstract is concise—about one hundred fifty to two hundred fifty words—and is written in an objective, impersonal style. Your writing voice will not be as apparent here as in the body of your paper. When writing the abstract, take a just-the-facts approach, and summarize your research question and your findings in a few sentences.

In Chapter 12 “Writing a Research Paper” , you read a paper written by a student named Jorge, who researched the effectiveness of low-carbohydrate diets. Read Jorge’s abstract. Note how it sums up the major ideas in his paper without going into excessive detail.

Write an abstract summarizing your paper. Briefly introduce the topic, state your findings, and sum up what conclusions you can draw from your research. Use the word count feature of your word-processing program to make sure your abstract does not exceed one hundred fifty words.

Depending on your field of study, you may sometimes write research papers that present extensive primary research, such as your own experiment or survey. In your abstract, summarize your research question and your findings, and briefly indicate how your study relates to prior research in the field.

Margins, Pagination, and Headings

APA style requirements also address specific formatting concerns, such as margins, pagination, and heading styles, within the body of the paper. Review the following APA guidelines.

Use these general guidelines to format the paper:

• Set the top, bottom, and side margins of your paper at 1 inch.
• Use double-spaced text throughout your paper.
• Use a standard font, such as Times New Roman or Arial, in a legible size (10- to 12-point).
• Use continuous pagination throughout the paper, including the title page and the references section. Page numbers appear flush right within your header.
• Section headings and subsection headings within the body of your paper use different types of formatting depending on the level of information you are presenting. Additional details from Jorge’s paper are provided.

Begin formatting the final draft of your paper according to APA guidelines. You may work with an existing document or set up a new document if you choose. Include the following:

• Your title page
• The abstract you created in Note 13.8 “Exercise 1”
• Correct headers and page numbers for your title page and abstract

APA style uses section headings to organize information, making it easy for the reader to follow the writer’s train of thought and to know immediately what major topics are covered. Depending on the length and complexity of the paper, its major sections may also be divided into subsections, sub-subsections, and so on. These smaller sections, in turn, use different heading styles to indicate different levels of information. In essence, you are using headings to create a hierarchy of information.

The following heading styles used in APA formatting are listed in order of greatest to least importance:

• Section headings use centered, boldface type. Headings use title case, with important words in the heading capitalized.
• Subsection headings use left-aligned, boldface type. Headings use title case.
• The third level uses left-aligned, indented, boldface type. Headings use a capital letter only for the first word, and they end in a period.
• The fourth level follows the same style used for the previous level, but the headings are boldfaced and italicized.
• The fifth level follows the same style used for the previous level, but the headings are italicized and not boldfaced.

Visually, the hierarchy of information is organized as indicated in Table 13.1 “Section Headings” .

Table 13.1 Section Headings

A college research paper may not use all the heading levels shown in Table 13.1 “Section Headings” , but you are likely to encounter them in academic journal articles that use APA style. For a brief paper, you may find that level 1 headings suffice. Longer or more complex papers may need level 2 headings or other lower-level headings to organize information clearly. Use your outline to craft your major section headings and determine whether any subtopics are substantial enough to require additional levels of headings.

Working with the document you developed in Note 13.11 “Exercise 2” , begin setting up the heading structure of the final draft of your research paper according to APA guidelines. Include your title and at least two to three major section headings, and follow the formatting guidelines provided above. If your major sections should be broken into subsections, add those headings as well. Use your outline to help you.

Because Jorge used only level 1 headings, his Exercise 3 would look like the following:

Citation Guidelines

In-text citations.

Throughout the body of your paper, include a citation whenever you quote or paraphrase material from your research sources. As you learned in Chapter 11 “Writing from Research: What Will I Learn?” , the purpose of citations is twofold: to give credit to others for their ideas and to allow your reader to follow up and learn more about the topic if desired. Your in-text citations provide basic information about your source; each source you cite will have a longer entry in the references section that provides more detailed information.

In-text citations must provide the name of the author or authors and the year the source was published. (When a given source does not list an individual author, you may provide the source title or the name of the organization that published the material instead.) When directly quoting a source, it is also required that you include the page number where the quote appears in your citation.

This information may be included within the sentence or in a parenthetical reference at the end of the sentence, as in these examples.

Epstein (2010) points out that “junk food cannot be considered addictive in the same way that we think of psychoactive drugs as addictive” (p. 137).

Here, the writer names the source author when introducing the quote and provides the publication date in parentheses after the author’s name. The page number appears in parentheses after the closing quotation marks and before the period that ends the sentence.

Addiction researchers caution that “junk food cannot be considered addictive in the same way that we think of psychoactive drugs as addictive” (Epstein, 2010, p. 137).

Here, the writer provides a parenthetical citation at the end of the sentence that includes the author’s name, the year of publication, and the page number separated by commas. Again, the parenthetical citation is placed after the closing quotation marks and before the period at the end of the sentence.

As noted in the book Junk Food, Junk Science (Epstein, 2010, p. 137), “junk food cannot be considered addictive in the same way that we think of psychoactive drugs as addictive.”

Here, the writer chose to mention the source title in the sentence (an optional piece of information to include) and followed the title with a parenthetical citation. Note that the parenthetical citation is placed before the comma that signals the end of the introductory phrase.

David Epstein’s book Junk Food, Junk Science (2010) pointed out that “junk food cannot be considered addictive in the same way that we think of psychoactive drugs as addictive” (p. 137).

Another variation is to introduce the author and the source title in your sentence and include the publication date and page number in parentheses within the sentence or at the end of the sentence. As long as you have included the essential information, you can choose the option that works best for that particular sentence and source.

Citing a book with a single author is usually a straightforward task. Of course, your research may require that you cite many other types of sources, such as books or articles with more than one author or sources with no individual author listed. You may also need to cite sources available in both print and online and nonprint sources, such as websites and personal interviews. Chapter 13 “APA and MLA Documentation and Formatting” , Section 13.2 “Citing and Referencing Techniques” and Section 13.3 “Creating a References Section” provide extensive guidelines for citing a variety of source types.

Writing at Work

APA is just one of several different styles with its own guidelines for documentation, formatting, and language usage. Depending on your field of interest, you may be exposed to additional styles, such as the following:

• MLA style. Determined by the Modern Languages Association and used for papers in literature, languages, and other disciplines in the humanities.
• Chicago style. Outlined in the Chicago Manual of Style and sometimes used for papers in the humanities and the sciences; many professional organizations use this style for publications as well.
• Associated Press (AP) style. Used by professional journalists.

References List

The brief citations included in the body of your paper correspond to the more detailed citations provided at the end of the paper in the references section. In-text citations provide basic information—the author’s name, the publication date, and the page number if necessary—while the references section provides more extensive bibliographical information. Again, this information allows your reader to follow up on the sources you cited and do additional reading about the topic if desired.

The specific format of entries in the list of references varies slightly for different source types, but the entries generally include the following information:

• The name(s) of the author(s) or institution that wrote the source
• The year of publication and, where applicable, the exact date of publication
• The full title of the source
• For books, the city of publication
• For articles or essays, the name of the periodical or book in which the article or essay appears
• For magazine and journal articles, the volume number, issue number, and pages where the article appears
• For sources on the web, the URL where the source is located

The references page is double spaced and lists entries in alphabetical order by the author’s last name. If an entry continues for more than one line, the second line and each subsequent line are indented five spaces. Review the following example. ( Chapter 13 “APA and MLA Documentation and Formatting” , Section 13.3 “Creating a References Section” provides extensive guidelines for formatting reference entries for different types of sources.)

In APA style, book and article titles are formatted in sentence case, not title case. Sentence case means that only the first word is capitalized, along with any proper nouns.

12 Best Fonts for Academic Papers in Microsoft Word

Good academic papers deserve good academic fonts. You might not have thought too much about which font you use before, but they play a big part in whether people will take your paper seriously or not. This article will explore the best fonts for academic papers.

Best Fonts for Academic Papers in Microsoft Word

The best fonts for academic papers are Times New Roman, Baskerville Old Face, and Georgia. There are plenty of good options, but you’ll mainly want to stick to serif fonts. They look much neater and more professional while showing that the reader can trust what you say.

Times New Roman

Times New Roman is the most famous font on Microsoft Word. It should come as no surprise that it’s a good pick when writing academic papers. It’s got everything you could possibly need when it comes to professionalism and readability.

Times New Roman is the best font to use in most situations. If you’re looking for a more formal font, you’ll find that Times New Roman ranks very highly on the list, regardless of what else is required.

It’s a fairly small font, which looks more appealing for an academic paper. A common pitfall that most people fall for is they try to use a font that’s too large, which can make their paper look less trustworthy and more informal. Neither of those traits is good for academics.

Baskerville Old Face

Baskerville Old Face is a great font to use in an academic paper. There have been studies in the past about different fonts and how they engage readers. It’s believed that Baskerville is one of the most reliable fonts, and the writer tends to be more “truthful” when using it.

Whether you buy into studies like this or not isn’t important. What is important is that Baskerville Old Face is a fantastic choice for most academic papers. It looks really good (like a more concise Times New Roman), and it’s very popular.

Baskerville is a fairly popular choice for published novels, so you might already be familiar with the font style. If you like the way it looks in some of the novels or publications you’ve read, you’ll find that it converts very well to your academic papers.

Georgia ranks very highly when looking for a formal font that will work well in an academic paper. It’s slightly larger than Times New Roman, but a lot of people say that this helps it to become a more “readable” font.

When writing academic papers, it’s wise not to overwhelm your reader with information. The more condensed the font is, the harder it can be to make sense of what you’re writing. With Georgia, this isn’t an issue.

Georgia might be one of the larger fonts listed here, but it makes for an easy read. Plenty of readers will be happy to read through an entire paper written in Georgia, but they might be a bit against reading one in something smaller.

Garamond is another decent option that can work well for academics. Garamond is the smallest font we have included on the list, which can allow you to get a lot of information into a very small space without overwhelming a reader too much.

While it’s not always ideal for including lots of information, Garamond does it really well. It’s readable and professional, allowing your readers to make sense of even the most concise explanations you might include.

It’s also quite a popular choice for many writers. You’ll find that it ranks quite highly simply because of how popular it’s become among a lot of writers on Word.

Cambria is a solid font choice that a lot of people like to use. It’s another default font (though it’s mainly reserved for sub-headings in most Word formats). It runs true to the font size, making it a fairly decent choice if you’re looking for something compact.

The serif style of this font makes it easy to read. It’s nearly indistinguishable from some of the other more popular serif fonts like Times New Roman and Georgia, which is why it is such a popular choice.

However, since it looks so similar, it can make it difficult for people to recognize the font or to figure out which font you’re using. While this isn’t the end of the world, it certainly won’t help you to create a unique feel for your paper either.

Book Antiqua

Book Antiqua is another suitable serif font. It’s not as popular as some of the others, but it looks really good as far as formal fonts go. People like it because it offers a slightly more authentic feel and looks like it could be used in a published novel or academic study.

It’s a standard-sized font, and it’s quite easy to read. A lot of people enjoy using it because it can offer a lot of character to their writing. You might not think that a font has that much power, but you’d be surprised once you try and use Book Antiqua a bit more.

Bookman Old Style

Bookman Old Style is another good font that can look like something out of a published paper. What makes this one special is its size. It’s quite a large font with a decent amount of width to each letter (without going too overboard with the letter spacing).

This font is quite popular for people looking to make their academic papers stand out. It’s not the same style as most of the other serif fonts, allowing your paper to bring a little bit extra that some other people might miss out on.

We encourage you to try this one in multiple different situations. It can work both formally and informally, depending on what you’re looking to get out of it.

Palatino Linotype

Palatino Linotype is a good font for many occasions. You’ll often find it used in academic papers because of the interesting style that comes with it. It looks like a classical font, which takes inspiration from some of the older styles of writing that came before computers.

If you want your academic paper to come across as a bit more traditional or formal, you’ll love this font.

Palatino Linotype offers a great deal of character without changing too much of the original formula that makes fonts like Times New Roman and Georgia so special.

Lucida Bright

Lucida Bright is a great font that is very large compared to most. It works well in academic papers, but you’ve got to make sure you know when to use it. If your paper is particularly word-heavy, it might not be wise to use a font that makes each word much larger.

For example, if you have a page limit on your paper, it might be wise to use a smaller font. Lucida Bright will definitely carry you far over that page limit before you come close to the words you might need to use to explain something.

Nevertheless, it’s still a very attractive font that looks really good in most academic papers. If you’re looking for something that’s stylish and readable, Lucida Bright is a good option.

Calibri is a sans serif font, and it’s the first of its kind on the list. We have only included serif fonts because they tend to be more readable and professional. However, Calibri can work really well if you’re looking for a slightly more approachable feel with your font.

Calibri is like the Times New Roman of the sans serif fonts. It is very popular, and most Microsoft Word versions come with it preloaded as the default font for most written pieces.

That’s what makes it such a valuable choice. You can use it in almost any situation (informal and formal) to a great degree.

Arial is another popular sans serif font that you will be able to use in your academic writing. You don’t always have to use the more formal serif fonts, and Arial is a great example of what can be achieved when you’re a little less formal with your presentation.

Arial is much larger than Calibri when the same font size is used. This makes it a lot more visually appealing, though you have to make sure you don’t overdo it with the number of pages it uses.

Before Calibri replaced it, Arial was also the default sans serif font on Microsoft Word. This has allowed it to be a fairly popular choice for many users, and it remains one of the most popular ones today.

Century Gothic

Century Gothic is the final font we want to cover. It’s a sans serif font that can work really well if you’re looking for a slightly larger font. It’s larger than Arial, making it an easy-to-read font that a lot of people like to utilize.

The only issue you might come across is that the size of it can make it seem much more informal. You should be careful with how you use this font, as it could take away from the professionalism or reliability of your academic paper.

You may also like: 12 Best Fonts for Notes in Microsoft Word 12 Best Victorian Fonts in Microsoft Word 12 Best Chalkboard Fonts for Microsoft Word

Martin holds a Master’s degree in Finance and International Business. He has six years of experience in professional communication with clients, executives, and colleagues. Furthermore, he has teaching experience from Aarhus University. Martin has been featured as an expert in communication and teaching on Forbes and Shopify. Read more about Martin here .

• 12 Best Serif Fonts in Microsoft Word
• 12 Smallest Fonts In Microsoft Word
• 12 Best Victorian Fonts in Microsoft Word
• 5 Best LaTeX Fonts in Microsoft Word

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What Is The Best Font For A Dissertation?

Published by Alvin Nicolas at April 9th, 2024 , Revised On April 9, 2024

For many students, embarking on a dissertation is a daunting task. Beyond the research, writing, and analysis , a seemingly insignificant detail can cause unexpected stress: font selection. While it might seem like a minor concern, the right font can significantly impact the readability, professionalism, and overall look of your dissertation and can highly influence the decision of the readers. 

This blog will help you in choosing the right font for your dissertation. Let’s explore!

Why Does Font Choice Matter?

While the content of your dissertation is paramount, the presentation also plays a crucial role. The chosen font can influence how easily your reader absorbs the information. A poorly chosen font can lead to eye strain, reduced comprehension, and even a negative first impression.

Here are some specific reasons why font choice matters:

• Readability: The primary function of your dissertation is to communicate your research effectively. A clear and readable font is essential for ensuring your reader can easily grasp the information presented.
• Professionalism: Certain fonts convey a sense of seriousness and formality, aligning with the academic tone of your dissertation.
• Consistency: Maintaining a consistent font throughout your dissertation creates a sense of unity and professionalism.

Key Factors To Consider When Choosing A Font

Before discussing the specific font recommendations, let’s explore some key factors to consider when making your decision:

University Guidelines

Many universities have specific guidelines regarding font choices for dissertations. Always refer to your university’s style guide or handbook to ensure you adhere to any established requirements.

Readability

Opt for fonts with clear letterforms, adequate spacing, and sufficient contrast between the font and background colour. Avoid decorative or script fonts that can be challenging to read.

Serif Vs Sans-Serif

Serif fonts, characterised by small lines extending from the ends of characters (e.g., Times New Roman), are generally considered more readable for extended reading, making them ideal for the body text of your dissertation. Sans-serif fonts lacking these serifs (e.g., Arial) can be suitable for headings or short text snippets.

Font Size & Line Spacing

Maintain a comfortable reading experience with an appropriate font size (typically 10-12 points) and line spacing (usually 1.15 or 1.5 lines).

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Popular Font Choices For Dissertations

Now, let’s explore some popular font options that meet the criteria for dissertation writing:

Times New Roman

The classic academic font, Times New Roman, remains a widely accepted and safe choice for dissertations due to its readability and formal appearance.

Similar to Times New Roman, Georgia offers good readability with a slightly wider design, making it suitable for screen-based reading.

This elegant serif font adds a touch of sophistication while maintaining excellent readability.

A modern serif font, Cambria provides a clean and professional look often favoured for on-screen reading.

While not ideal for the body text due to its lack of serifs, Arial can be a good choice for headings and subheadings due to its clarity and clean lines.

Additional Tips for Font Selection

Here are some additional tips to ensure your font choice shines:

• Consistency is key: Maintain the same font throughout your dissertation, including body text, headings, subheadings, and captions.
• Avoid excessive font variations: Stick to one or two fonts, with variations reserved for specific purposes (e.g., different fonts for headings).
• Consider the overall design: Ensure your chosen font complements the overall visual style of your dissertation, including layout and graphics.

Frequently Asked Questions

What font should i use for my dissertation uk.

Use a clear and readable font like Times New Roman, Arial, or Calibri for a UK dissertation. Most universities recommend a serif font like Times New Roman, size 12, for the main text, with clear distinctions for headings and subheadings. Always follow your institution’s guidelines for formatting and font selection.

What font should a dissertation be in?

Use a legible serif font such as Times New Roman, Arial, or Calibri for a dissertation. Typically, the font size should be 12 points for the main text, with variations for headings and subheadings as specified by your institution’s guidelines. Consistency and readability are key for academic documents.

What size font should my dissertation be?

Your dissertation’s main text should generally be in a 12-point font size for readability and consistency. Headings and subheadings may vary, typically larger than the main text, to emphasise hierarchy and organisation. Always adhere to your institution’s specific formatting requirements for font sizes and styles to ensure compliance.

What font shall I use for my undergraduate dissertation?

For an undergraduate dissertation, using a clear and legible font like Times New Roman, Arial, or Calibri is advisable. Aim for a font size of 12 points for the main text to ensure readability. Follow any specific formatting guidelines your university or department provides for consistency and professional presentation.

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Font To Choose for Your Research Paper: Best Font for Essays

We’ve all, at some time in our lives, pondered the question of how to create an essay that gets good grades. You may find millions of instructions that will walk you through the process of writing an excellent essay by doing a simple search on Google or pay for research paper . However, a lot of individuals neglect to think about typefaces. In addition to learning how to acquire material and present it in an organized manner, students should also be taught how to style their written assignments, such as essays. When it concerns font for essay , typefaces are also a very important factor.

You will require to choose a typeface that is easy on the eyes. The issue is that there are literally thousands upon thousands of typefaces from which to choose. And after you’ve decided which one is the greatest, you’ll need to choose the appropriate size. Is it preferable to have a font size of 12 for the body paragraph and 14 for the titles? Let’s see what the best fonts for essays are out there check DoMyEssay  .

What About the Font Size?

When it comes to standard font size for essays, it’s usually 12 or 14. But 12 is usually recommended font size for college papers. New Times Roman, Arial, and Calibri are most often seen in this size. The typefaces you choose should be large enough so that your work can be read without putting undue strain on the eyes of the reader. Points are the standard unit of measurement for distances. MLA, American Psychological Association, and Harvard are the most used citation styles and conventions for scientific research publications. The value indicates the proportion of the display that the typeface uses.

Generally, 12 points are considered the minimum acceptable size for academic writing. Size-wise, it’s ideal for the target demographic without seeming too big or cumbersome. The text size you choose for your research paper is crucial in letting it seem professional and attractive. When completing the assignment, the author should utilize the prescribed font size. In figuring out how many webs pages your work needs, this aspect ratio is crucial. To ensure that we don’t go over or under the page count for the whole project, we’ve been using a font size of 12 to do the calculations.

Wensley Modern Serif Font Family

This one is a standard essay font that people use nowadays. Wensley is a contemporary serif font design that is widely used by undergraduates in a variety of educational institutions. This is the ideal look to go for if you wish to give off an air of sophistication and competence to your teachers, which is exactly what you should strive for. This typeface supports a variety of non-English letters, making it suitable for use in any language.

Serif Or Sans Serif, That’s Always A Dilemma

Serif and Sans Serif are always in sort of a rivalry within academic fonts. When deciding whether to choose one of them for your study, the level of formality of the document and the environment in which it will be presented are the two most important factors to consider. The informality of sans serif typefaces makes them a good choice for casual presentations, while the beauty of serif fonts makes them a good choice for more official scholarly articles. It is often advised to choose a sans serif since it is more readable and less tiresome to write on a pc screen. If we are thinking about the place it will be released, we should take this into consideration.

The majority of analyses and publications, regardless of the publication venue in which they appear, benefit from having either serif or sans serif font for college essay included in the same document. The headlines or restricted quotations in a piece of writing will often benefit link from using one style, whereas the main section of the text may benefit from using the other.

Our further font research leads us to Calibri. The popularity of this typeface is comparable to that of the font Times New Roman. In addition to that, Calibri is a Sans typeface. There are a number of advantages to using this font, including the fact that it is not unusual, that it is simple to read, that it is user-friendly for cell devices, and many more. It is one of the safest options for some of the best research paper writing services too. However, this does not always imply that every aspect of this typeface has solely positive qualities. The fact that it is easy to forget about and not particularly thrilling is another one of its many drawbacks. On the other hand, it is commonly used by electronic firms who are responsible for the creation of websites.

Times New Roman

If you ask any best essay writer service which font is the most appropriate to choose, he or she will pick Times New Roman. The Times of London, a magazine published in the United Kingdom, is where this typeface got its name. A new font was commissioned to be designed by the Times in 1929 by typographer Stanley Morison. He was in charge of leading the project, while Victor Lardent, an advertisement designer for the Times, was the one who designed the letterings under his supervision.

Even when it was brand new, Times New Roman was met with opposition. The fact that the new typeface was featured in a daily paper contributed to its meteoric rise to fame among manufacturers of the era. Times New Roman has consistently been one of the very first typefaces offered for each new writing device, despite the fact that composing technologies have changed significantly in the intervening decades.  As a consequence of this, its scope has grown even more.

Creating an essay for high school or university requires the student to pay attention to numerous details. Among the most crucial aspects of an excellent college essay are its subject, structure, substance, trustworthiness of resources, the writer’s voice, simplicity of ideas, and continuity of views. There is, nevertheless, a factor that many university learners grossly undervalue. Making sure you choose a legible typeface is just as important as providing a well-thought-out argument throughout your academic paper.

• Mar 9, 2021

Which Fonts to Use on Your Scientific Poster

Choosing the right font (A.K.A. typeface) for your scientific poster is all about two things: readability and style.

But with thousands of fonts to choose from, it can be overwhelming.

So where do you start? You’ve come to the right place.

Here is what you need to know to choose a clear and stylish font for your scientific poster.

Serif or sans serif?

A serif font is one with those little bits on the end of the characters, the little moustaches. And, like a moustache, those little bits are just for style - they might be cool, but they’re not necessary.

What’s more, a serif font tends to give off a sophisticated, yet dated, vibe. As you want to your poster to reflect the innovative and contemporary research you’re conducting, it’s a good idea to stay away from serif fonts.

You need a font that is without serif, that’s sans serif. We recommend downloading your next favourite Sans Serifs fonts at Creative Fabrica . 👈

How many fonts?

Like so much of good design: less is more.

One or two fonts is all you need. If you have more fonts than this, your poster will look like a ransom note received in the mail.

As you know, it’s a good idea to make the headers clearly visible so help the viewer navigate the poster.

You can do this by making the headings bold or ALL CAPS. If you like the look of all caps, I strongly recommend against using any long headings. Long chucks of all caps is very difficult to read. So keep your headings short.

Decorative fonts

Look, I get it. You found the Disney font and you want to use it on your poster. A decorative font may be tempting, but it’s just not helpful - they’re very rarely easier to read than the standard sans serif fonts available. Take a look below to see what I mean.

Comic Sans?

Comic Sans is a sans serif font, it’s also fun - can we use it on our scientific posters?

Every time a scientist uses Comic Sans a graphic designer dies

BUT there is one exception. That is if your poster IS a comic!

If that’s the case, go for it! In this context Comic Sans is perfect and it would almost be a crime not to use it. Here’s a comic-style graphical abstract that is a perfect partner for the much maligned Comic Sans.

Bigger is better. At Animate Your Science, we believe posters are best served as a visual representation of your abstract. It’s about starting a conversation and that’s it - the rest is up to you.

So a poster with few elements, that can be seen from across the room, is perfect.

For this we recommend the following font sizes as a minimum for your text (based on an A0 size):

Headers : 40

Body text : 36

Your body text should be easily readable from 1 metre away.

To check that you have the right sizes, I suggest zooming in on your poster to 100 %. Then, take a step back to a metre or so. If you can clearly read the body text, then at a minimum, your text is big enough. You can use the same technique to test the sizes of your headers and title too.

Some suitable fonts

You have plenty of fonts to choose from. You’re not even limited to those default fonts installed on your computer. Check out Font Squirrel , Dafont , and 1001freefonts where you can download some new fonts for free.

For some ideas, check out these fonts:

That’s plenty of info dedicated to fonts for your scientific poster, so thanks for hanging in there with me.

But, we’ve only just scratched the surface on what makes a great scientific poster.

To properly cover this topic, we’ve developed a whole online course: How to Design an Award-Winning Scientific Poster. You can learn at your own pace and arm yourself with the tools, templates, skills and knowledge to create your own award-winning scientific posters. We’ve had excellent feedback on the 33 video lessons, 3 hours of learning and 8 templates & downloads included - so we’re confident that you’ll love it too.

Take-Away Points

One or two fonts

Sans serif is your friend

Make it large enough to be easily readable

Dr Tullio Rossi

Dr Flynn Slattery

#scicomm #poster #science

Related Posts

How to select the best images for your scientific poster

How to write engaging headings to make your scientific poster pop!

How to effectively incorporate citations into your scientific poster

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Formatting Research Paper Headings and Subheadings

Different style guides have different rules regarding the formatting of headings and subheadings in a paper, but what information you should actually put into your subheadings is a different question and often up to personal taste. Here we quickly summarize general guidelines, different approaches, and what not to do when choosing headings for a research paper.

Does it matter how I name my sections and subsections?

The main sections of a research paper have general headers and are often journal-specific, but some (e.g., the methods and discussion section) can really benefit from subsections with clear and informative headers. The things to keep in mind are thus the general style your paper is supposed to follow (e.g., APA, MLA), the specific guidelines the journal you want to submit to lists in their author instructions , and your personal style (e.g., how much information you want the reader to get from just reading your subsection headers). 

Table of Contents:

• Style Guides: Rules on Headings and Subheadings
• What Sections and Subsections Do You Need? 
• How Should You Name Your Sections and Subsections?
• Avoid These Common Mistakes

Style Guides: Research Paper Heading and Subheading Format

Headers identify the content within the different sections of your paper and should be as descriptive and concise as possible. That is why the main sections of research articles always have the same or very similar headers ( Introduction, Methods, Results, Discussion ), with no or only small differences between journals. However, you also need to divide the content of some of these sections (e.g., the method section) into smaller subsections (e.g., Participants, Experimental Design, and Statistical Analysis ), and make sure you follow specific journal formatting styles when doing so. 

If the journal you submit to follows APA style , for example, you are allowed to use up to five levels of headings, depending on the length of your paper, the complexity of your work, and your personal preference. To clearly indicate how each subsection fits into the rest of the text, every header level has a different format – but note that headers are usually not numbered because the different formatting already reflects the text hierarchy.

APA style headings example structure

Level 1 Centered, Bold, Title Case

Text begins as a new paragraph.

Level 2 Left-aligned, Bold, Title Case

Level 3 Left-aligned, Bold Italic, Title Case

Level 4     Indented, Bold, Title Case, Period . Text begins on the same                    

                                 line and continues as a regular paragraph.

Level 5     Indented, Bold Italic, Title Case, Period. Text begins on the                           

                                 same line and continues as a regular paragraph.

If you only need one section header (e.g. Methods ) and one level of subsection headers (e.g., Participants, Experimental Design, and Statistical Analysis ), use Level 1 and Level 2 headers. If you need three levels of headings, use Levels 1, 2, and 3 (and so on). Do not skip levels or combine them in a different way. 

If you write a paper in Chicago style or MLA style , then you don’t need to follow such exact rules for headings and subheadings. Your structure just has to be consistent with the general formatting guidelines of both styles (12-pts Times New Roman font, double-spaced text, 0.5-inch indentation for every new paragraph) and consistent throughout your paper. Make sure the different formatting levels indicate a hierarchy (e.g., boldface for level 1 and italics for level 2, or a larger font size for level 1 and smaller font size for level 2). The main specifics regarding Chicago and MLA headings and subheadings are that they should be written in title case (major words capitalized, most minor words lowercase) and not end in a period. Both styles allow you, however, to number your sections and subsections, for example with an Arabic number and a period, followed by a space and then the section name. 

MLA paper headings example structure

1. Introduction

2. Material and Methods

2.1 Subject Recruitment

2.2 Experimental Procedure

2.3 Statistical Analysis

3.1 Experiment 1

3.2 Experiment 2

4. Discussion

5. Conclusion

What research paper headings do you need?

Your paper obviously needs to contain the main sections ( Introduction, Methods, Results, Discussion, and maybe Conclusion ) and you need to make sure that you name them according to the target journal style (have a look at the author guidelines if you are unsure what the journal style is). The differences between journals are subtle, but some want you to combine the results and discussion sections, for example, while others don’t want you to have a separate conclusion section. You also need to check whether the target journal has specific rules on subsections (or no subsections) within these main sections. The introduction section should usually not be subdivided (but some journals do not mind), while the method section, for example, always needs to have clear subsections.

How to Name Your Sections and Subsections

The method section subheadings should be short and descriptive, but how you subdivide this section depends on the structure you choose to present your work – which can be chronological (e.g., Experiment 1, Experiment 2 ) or follow your main topics (e.g., Visual Experiment, Behavioral Experiment, Questionnaire ). Have a look at this article on how to write the methods for a research paper if you need input on what the best structure for your work is. The method subheadings should only be keywords that tell the reader what information is following, not summaries or conclusions. That means that “ Subject Recruitment ” is a good methods section subheading, but “ Subjects Were Screened Using Questionnaires ” is not.  

The subheadings for the result section should then follow the general structure of your method section, but here you can choose what information you want to put in every subheading. Some authors keep it simple and just subdivide their result section into experiments or measures like the method section, but others use the headings to summarize their findings so that the reader is prepared for the details that follow. You could, for example, simply name your subsections “ Anxiety Levels ” and “ Social Behavior ,” if those are the measures you studied and explained in the method section. 

Or, you could provide the reader with a glimpse into the results of the analyses you are going to describe, and instead name these subsections “ Anxiety-Like Behaviors in Mutant Mice ” and “ Normal Social Behaviors in Mutant Mice .” While keeping headings short and simple is always a good idea, such mini-summaries can make your result section much clearer and easier to follow. Just make sure that the target journal you want to submit to does not have a rule against that. 

Common Heading and Subheading Mistakes 

Subheadings are not sentences.

If your heading reads like a full sentence, then you can most probably omit the verb or generally rephrase to shorten it. That also means a heading should not contain punctuation except maybe colons or question marks – definitely don’t put a period at the end, except when you have reached heading level 4 in the APA formatting style (see above) and the rules say so.  

Be consistent

Always check your numbering, for example for spaces and periods before and after numbers (e.g., 3.2. vs 3.2 ), because readability depends on such features. But also make sure that your headings are consistent in structure and content: Switching between short keyword headings (e.g., “ Experiment 2 ”) and summary headings (e.g., “ Mice Do not Recognize People ”) is confusing and never a good idea. Ideally, subheadings within a section all have a similar structure. If your first subsection is called “ Mice Do not Recognize People ,” then “ People Do not Recognize Mice” is a better subheader for the next subsection than “Do People Recognize Mice? ”, because consistency is more important in a research paper than creativity. 

Don’t overdo it

Not every paragraph or every argument needs a subheading. Only use subheadings within a bigger section if you have more than one point to make per heading level, and if subdividing the section really makes the structure clearer overall.

Before submitting your journal manuscript to academic publishers, be sure to get English editing services , including manuscript editing or paper editing from a trusted source. And receive instant proofreading with Wordvice AI, our AI online text editor , which provides unlimited editing while drafting your research work.

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Shrouded in secrecy: how science is harmed by the bullying and harassment rumour mill

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