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RRR Review: True Cinematic Experience with Exhilarating performances
on Mar 25, 2022
There's a vibe in the air! RRR, SS Rajamouli's long-awaited magnum opus that has sparked widespread excitement from its start, is currently in theatres. The epic period drama released on Friday. The film stars Ram Charan and Jr NTR, two of Tollywood's top actors. RRR is Rajamouli's fourth collaboration with Tarak, following Student No. 1 (2001), Simhadri (2003), and Yamadonga (2007), and his second with Charan, after their 2009 film Magadheera.
The latest film is supported by DVV Danayya under DVV Entertainments and is available in Telugu, Tamil, Kannada, Hindi, and Malayalam. RRR also has guest appearances by Bollywood celebrities Alia Bhatt and Ajay Devgn.
Story: Set during the rule of the British Empire. The paths they have chosen to achieve their goals and their transformation as complete leaders during the process form the full story. One is attempting to bring their tribe's kid abducted by British back into flock, while the other is attempting to fulfil his promise to his dead father and bring freedom to our country.
Analysis: Script and Direction Director SS Rajamouli and writer Vijayendra Prasad have hit a home run with RRR. The picture contains all of the components essential for a period drama, including emotions, visuals, action, romance (to an extent), and, most significantly, heroism. Bringing two Tollywood superstars on board and balancing their roles, dialogues, and performances is a difficult task. The script is simple and crafted in such a way that it captures the essence of the era while allowing the leading guys to shine in their roles. The bromance of the two is the highlight of the entertainer. Rajamouli has knocked it out of the park with his new movie, as his direction is just outstanding. The female characters (Alia Bhatt, Olivia Morris, and Shriya Saran) are not mere sidekicks in this film, as they are in every other Rajamouli film. There are some sluggish moments, particularly in the first half, but the director and writer make up for it by coming back strong each time.
Performances NTR wowed everyone with his intense action sequences. He displayed strong emotions, striking a connection with everyone. With his ferocious screen presence, he enhanced the scenes.
In the role of Ramraju, Ram Charan appeared royal and macho. He played his part with passion, dedication, and commitment. The moments starring NTR and Ram Charan turned out to be the film's highlights. All moviegoers were enthralled by Rajamouli's treatment of their friendship and misunderstanding. The introductions of NTR and Ram Charan, as well as their combo scenes, whether stunts or dancing movements, worked brilliantly on the screen.
Alia Bhatt as Sita (Ram Charan's love interest) fits in well with the story, but a little extra screen time wouldn't have hurt. Ajay Devgn has played his part perfectly, and his persona of a fierce freedom fighter is too good to miss.
Technical Department: Rajamouli's father, Vijayendra Prasad, has penned a wonderful storyline for RRR. On the film, the relationship between the characters Komaram Bheem and Alluri Sitarama Raju is delightful to watch. The graphics and cinematography are superb. Senthil Kumar, the cameraman, and Sabu Cyril, the art director, have done a wonderful job of capturing and providing electrifying moments. It's wonderful how they recreated 1920s Delhi and presented it so nicely. The intermission bang and climax action scenes are RRR's plus points, revealing Rajamouli's international standards of making with exciting action episodes. Rajamouli gets the emotions just right. All of the songs are excellent. The audience's hearts were captured by Janani's song. The friendship song Dosti and the dance number Naatu Naatu are great on screen. MM Keeravani’ BGM is appealing and elevating scenes.
Rajamouli's RRR established a new multi-starrer trend in Tollywood. He demonstrated that films with top stars can be made without love plotlines between the heroines. As previously said, RRR began with a simple premise but evolved into an action-packed multi-starrer featuring explosive scenes for both leads. The storyline and direction by Rajamouli are simply outstanding.
Verdict RRR has the right amount of freshness and potency. This emotionally packed picture is intended for individuals who appreciate cinema as a visual medium. The eye-catching visuals, riveting stunts, electrifying energy, pure brilliance of the plot, sterling performances, and, of course, the two eye candies- Ram Charan and Jr NTR- make the period drama a spectacular one, moulded into perfect shape by SS Rajamouli.
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సమీక్ష – ఆర్ఆర్ఆర్.
Article by satya Published by GulteDesk --> Published on: 10:41 am, 25 March 2022
3 Hrs 5 Mins | Action - Patriotic - Drama | 25-03-2022
Cast - Ram Charan, NTR, Alia Bhatt, Ajay Devgn, Shriya, Rahul Ramakrishna, Olivia Morris, Samuthirakani and others
Director - SS Rajamouli
Producer - DVV Danayya
Banner - DVV Entertainments
Music - MM Keeravani
గత మూడేళ్లుగా సెట్ మీద, వార్తల్లో వుంటూ వచ్చిన సినిమా ఆర్ఆర్ఆర్. ఈ సినిమా మీద పేరుకుంటూ వచ్చిన అంచనాలు ఈ రోజు విడుదల టైమ్ లో ప్రపంచ వ్యాప్తంగా థియేటర్లను ఊపేసాయి. బాహుబలి సిరీస్ తరువాత రాజమౌళి సినిమా కావడం, ఎన్టీఆర్, రామ్ చరణ్ లాంటి ఇద్దరు పెద్ద హీరోలు కలిసి నటించడం కీలకమైన ప్రామిసింగ్ పాయింట్లుగా మారాయి. ఇలా వెయ్యి కోట్ల బిజినెస్ జరుపుకున్న ఆర్ఆర్ఆర్ ఎలా వుంది? అంచనాలు అందుకుందా? ఇద్దరు పెద్ద హీరోల ఫ్యాన్స్ ను రంజింప చేసిందా? చూద్దాం.
బాహుబలి లాంటి భయంకరమైన వరల్డ్ వైడ్ బ్లాక్ బస్టర్ ఇచ్చిన తరువాత ఎలాంటి, ఎంత గొప్ప డైరక్టర్ కు అయినా మైండ్ కాస్త బ్లాంక్ అయిపోతుంది. తరువాత ఏం చేయాలా? అన్నది డిసైడ్ చేసుకోవడం అంత సులువు కాదు,. రాజమౌళి కూడా అలాంటి ఊగిసలాటకు, వత్తిడికి గురయినట్లు కనిపించింది ఆర్ఆర్ఆర్ చూస్తుంటే. సరైన కథను అల్లుకోలేక, కేవలం విజువల్స్ నమ్ముకుని, ముందుకు వెళ్లినట్లు అర్థమైపోతోంది. ఇద్దరు హీరోలను ఫిక్స్ చేసుకుని, వాళ్లకి రెండు క్యారెక్టర్లు రాసుకుని, వాళ్లద్దరి ఇమేజ్ కు సరిపోయే నాలుగయిదు యాక్షన్ ఎపిసోడ్ లు రాసుకుని ముందుకు వెళ్లిపోయారు తప్ప, బాహుబలి మాదిరిగా మరిన్ని బలమైన క్యారెక్టర్లు, బలమైన కథ సమకూర్చుకోలేకపోయారు.
బాహుబలి సినిమాలో శివగామి, ఆమె భర్త, కొడుకు రానా, ఇలా ప్రతి క్యారెక్టర్ బలంగా వుంటాయి. ఆ స్థాయి ఆర్ఆర్ఆర్ లోని అజయ్ దేవగన్, ఆలియాభట్ క్యారెకర్లకు కనిపించలేదు. కేవలం రెండు ప్రధాన పాత్రలను ఎలివేట్ చేయడంతోనే రాజమౌళి శ్రమ అంతా సరిపోయింది. అదే విధంగా బాహుబలి హ్యాంగోవర్ అన్నట్లుగా, చిత్ర విచిత్రమైన ఫాంటసీ పోరాట సన్నివేశాలను డిజైన్ చేసి మళ్లీ ఆడియన్స్ ను ఆకట్టుకోవాలనే ప్రయత్నం చేసారు.
ఆర్ఆర్ఆర్ తొలిసగం చాలా నెమ్మదిగా కథలోకి ప్రవేశిస్తుంది. చరణ్, తారక్ ల ఇంట్రడక్షన్ ల దగ్గర కేరంతలు కొట్టిన ఫ్యాన్స్ మళ్లీ సీట్లలోంచి లేచి గెంతడానికి దాదాపు ముప్పావు గంట పడుతుంది. నాటు..నాటు పాట వాళ్లను ఊగిపోయేలా చేస్తుంది. ఆ హుషారు మళ్లీ ప్రీ క్లయిమాక్స్ దగ్గర కనిపిస్తుంది. ఇంటర్వెల్ బ్యాంగ్ దగ్గర అన్ని పులులు, ఇతర జంతువులను ఢిల్లీ నడిబొడ్డుకు తెచ్చి విడిచిపెట్టిన వైనం ఫాంటసీలా జనాలను అలరిస్తుంది. రాజమౌలి సినిమాలకు లాజిక్ లు అడక్కూడదు అని మరోసారి గుర్తు చేస్తుంది.
సినిమా మలిసగం ప్రారంభమైన తరువాత దాదాపు ఎక్కువ భాగం సీరియస్ నోట్ తో, ఎమోషనల్ గా నడుస్తుంది. ఫ్లాష్ బ్యాక్ ఎపిసోడ్ ఏమంత ఆకట్టుకోదు. ఎన్టీఆర్ ను చిత్రహింసలు పెట్టడం, చరణ్ ను జైల్లో పడేయడం , ఇలా లెంగ్తీగా సినిమా నడిచి ప్రీ క్లయిమాక్స్, క్లయిమాక్స్ పోరాట సన్నివేశాల దగ్గర మళ్లీ ఊపందుకుంటుంది. రోలింగ్ టైటిల్స్ లో పాట పెట్టడం అన్నది ప్లస్ అయింది. రెగ్యులర్ ఫార్మాట్ లో హీరోలు, హీరోయిన్లు కలిసి, మాంచి ఊపుతో డ్యాన్స్ చేసి అలరించడంతో, ఫ్యాన్స్ ను, ఆడియన్స్ ను కాస్త రిలీఫ్ గా బయటకు వెళ్లేలా చేసింది.
రాజమౌళి సినిమాలు విజువల్ వండర్ గా వుంటాయి. అందుకు తగినట్లే బ్రిటిష్ కాలం యాంబియన్స్ తీసుకువచ్చారు. సిజి వర్క్ లో భారీ భవనాలు, జనాలు కనిపించేలా చేసారు. కానీ ఎమోషనల్ సీన్లలో డయిలాగ్ పార్ట్ చాలా తక్కువ. బుర్రా సాయి మాధవ్ మార్క్ చమక్కులు కొన్ని చోట్లే కనిపించాయి కానీ మిగిలినదంతా విజవల్ ఎమోషన్ తోనే నడిపించారు. నిజానికి విజువల్ ఎమోషన్లకు ఇంకా బలమైన డైలాగులు పడితే బాగుండేది.
ఆర్ఆర్ఆర్ సినిమాకు కథే వీక్. సినిమా తొలిసగం అంతా బ్రిటిష్ జనాల డైలాగుల ఇంగ్లీష్ లో వుండడం మరో అతి పెద్ద మైనస్. అన్ని చోట్లా లాజిక్ లు గాలికి వదిలేసే రాజమౌళి ఇక్కడ ఎందుకు ఆలోచించలేదో తెలియదు. కానీ ద్వితీయార్థంలో మళ్లీ ఇంగ్లీష్ డైలాగ్ మీద తెలుగు డైలాగ్ ను ఓవర్ లాప్ చేసారు. అది కొంత వరకు మాత్రమే బెటర్ అనిపించింది.
కీరవాణి చేసిన నాటు నాటు, ఎత్తర జెండా పాటలు ఆకట్టుకుంటాయి. రీరికార్డింగ్, సౌండ్ ఎఫెక్ట్ లు బాగున్నాయి. సినిమాటోగ్రఫీ గురించి చెప్పేదేముంది. సినిమా అంతా దాని మీదే ఆధారపడి సాగింది.
రాజమౌళి, చరణ్, ఎన్టీఆర్ ల పేర్లు, ఓ పద్దతి ప్రకారం సినిమాకు తీసుకువచ్చిన బజ్ కలిసి సినిమాను కమర్షియల్ గా ఏ మేరకు సక్సెస్ చేస్తాయో చూడాలి.
ప్లస్ పాయింట్లు
చరణ్..ఎన్టీఆర్ ఇంటర్వెల్ బ్యాంగ్ క్లయిమాక్స్ నాటు..నాటు సాంగ్
మైనస్ పాయింట్లు
స్క్రిప్ట్ లెంగ్తీ నెరేషన్
ఫినిషింగ్ టచ్: విజవల్ ఎమోషన్ ..
Rating: 3.25/5
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“ఆర్ ఆర్ ఆర్” : లైవ్ అప్డేట్స్ ఇన్ తెలుగు వెర్షన్
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Movie Mozart Rajamouli's RRR has been the cynosure of all eyes as it happens to be his first after the sensation he created with Baahubali. Expectations are high as Baahubali elevated the standard of Indian cinema at the international level. Rajamouli turned RRR in a more extravagant manner, turned it into a multi starrer with Young Tiger NTR and Mega Power Star Ram Charan, and roped in Bollywood stars Alia Bhatt, Ajay Devgn for powerful roles along with Irish stars Olivia Morris, Alison Doody, and Ray Stevenson. Versatile Kollywood star Samuthirakhani and beautiful Shriya Sharan complete the RRR cast. The film after getting delayed by the covid pandemic was finally released in a massive manner on March 25, 2022. Let us see what Rajamouli's RRR world got in store for movie lovers.
Story Review
Akthar (NTR) goes in search of a tribal girl in Adilabad taken forcibly by the Britishers. He lands in Delhi but is unable to find safe passage into the British palace. He comes into contact with Ramraj (Ramraj), a police officer who is out to capture a rebel Bheem. To find out whether Akthar and Ramraj are successful in their mission and what is their connection with Jennifer (Olivia Morris), Seetha (Alia Bhatt), Vijay Ramraju (Ajay Devgn), Sarojini (Shriya Sharan), enjoy RRR on the silver screen.
Artists, Technicians Review
NTR thrilled all with his intense action sequences. He showed powerful emotions connecting chords with everyone. He elevated the scenes with his fiery screen presence.
Ram Charan looked royal and macho in the role of Ramraju. He performed his role with a lot of dedication, commitment, and intent. The scenes featuring NTR and Ram Charan turned out to be the highlights of the film. The way Rajamouli elevated their friendship, misunderstanding thrilled all movie lovers. NTR and Ram Charan's introductions, their combo scenes be it stunts or dance movements created wonders on the screen.
Alia Bhatt made her presence felt in a graceful manner. She looked beautiful in traditional attire and emoted well in important scenes showcasing her talent. Olivia Morris got a good role and she looked gorgeous and expressed well in all her scenes Ajay Devgn performed well in the action-packed role. Shriya is ok in the role of Ajay Devgn's wife. Rahul Ramakrishna played an important role. Samuthirakhani did his job as the subordinate of Ram Charan.
Rajamouli and his father Vijayendra Prasad came with a story loaded with full of emotions and high on action. Both of them worked relentlessly to do full justice to the stardom of both Ram Charan and NTR. They came with a script to elevate the heroism of Ram Charan and NTR with the action sequences. Rajamouli starts the story narration in a slow and simple manner with the scene related to the tribal girl and then set the tone for the power-packed introduction of both Ram Charan and NTR. The way Rajamouli powered the heroism of Ram Charan and NTR in the introduction is unimaginable.
Rajamouli chose a few sequences to elevate the heroics of Ram Charan and a few scenes to elevate the heroism of NTR in his quest to do the balancing act. More than the story, he gave importance to satisfying the fans of Ram Charan and NTR. Following the slow start, the introduction of NTR and Ram Charan then paves the way for a few romantic scenes between NTR and Olivia Morris helped by Ram Charan. Few twists and turns lead to the intense interval bang ending the high octane rather fast-paced first half. But second-half pace dips with little drags and the flash-back episode featuring Ajay Devgn and Shriya though important fail to increase the intensity. However, the emotional and action scenes featuring Ram Charan and NTR keep the viewers glued to the screens. Alia Bhatt steps in with her emotional performance and the powerful climax increases the madness. Overall Rajamouli came with a different story, screenplay, and direction.
Though he emerged successful, he failed to take the emotions to another level as he did in Baahubali. One gets a feeling that RRR missed the so-called 'X' factor to take the mania to another world. Keeravani's music is fine. The song Naatu Naatu is choreographed in a sensational manner and well shot. Dosti song is filmed in a beautiful manner highlighting the value of friendship. Other songs are situational and Ethara Jenda's song appears after the climax is filmed in a beautiful manner elevating the patriotic feel. The cinematography of Senthil Kumar is top class. He beatified the film showing the pre-Independence British era in a realistic manner and captured the stunt sequences in an attractive way. Sreekar Prasad's editing could have been better as there are few drags in the film. Dialogues are powerful, emotional, and heart-touching. Production values are grand.
NTR, Ram Charan's performances
Cinematography
Stunt Sequences
Choreography
Disadvantages
Missing conflict
Limited romantic angle
Few forced emotions and routine elements
Rating Analysis
Rajamouli with his RRR set a new trend of multi starrer in Tollywood. He showed that one can make films having top stars without any romantic tracks between the heroines. As revealed RRR came with a simple story but turned it into an action-packed multi starrer having intense scenes for both the stars. Rajamouli's screenplay and direction are fine and intact but it missed the Midas touch of Baahubali. Considering all these elements, CJ goes with a 3.0 rating for RRR.
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RRR Review – Rajamouli on Rampage !
RRR movie review
SS Rajamouli’s magnum opus RRR is gearing up for its biggest ever release in over 10,000 screens across the globe in Telugu, Hindi, Tamil, Malayalam and Kannada languages. The film has NTR, Ram Charan, Alia Bhatt, Ajay Devgn, Olivia Morris, Shriya Saran and Samuthirakani in the lead roles.This is SS Rajamouli’s next immediate release after Baahubali: The Conclusion that released five years ago. Here is our review :
Set in the 1920 period, RRR film is a fictional story of two men who, driven by their beliefs for family and the nation, rise and revolt against the oppressive British government. Rama Raju (Charan) is employed with the British police while Akthar alias Bheem (NTR) is in search of a child taken away from his family. Destiny brings these two together in friendship – a powerful bond challenged by their purposes. The rest of the movie unveils the conflict and the path forward in their lives.
RRR is a commercial potboiler with Rajamouli’s signature high performance elements spaced at regular intervals. He sets up simple causes for his protagonists Ram, Bheem and ties their journey together. The first half is very well paced as the audience is treated to the much talked about Ram Charan introduction lathi charge scene, followed by an excellent introduction of NTR in the jungle. Their friendship is well established with the Dosthi song, with typical banter of friends as they continue to progress in their purposes. Soon we arrive at the ‘ Naatu Naatu’ song , another great score. The interval block is elevated in typical Rajamouli style. The NTR led tribal attack fight gives you the goosebumps – has the audience glued to their seats in anticipation. The chemistry between NTR and Charan is an excellent value add to the movie. Ajay Devgn & Alia don’t have much to do in the first half, however we see them for a bit in the second half.
The second half gets off the ground with an OK flashback giving insight into Rama Raju’s past. NTR’s Komaram Bheemudo song is very emotional, such excellence !! Seeta (Alia Bhatt) plays a pivot role in reuniting the two friends. From here movie sets into turbo mode racing towards climax with Bheem rescuing Rama Raju, Raghavam song, Charan’s powerful Alluri Sitarama Raju’s getup. This more than makes up for initial lag with the flashback episodes. The movie ends in a positive note with a highly charged climax.
A simple rescue of a tribal girl is masterfully tied to a fight for freedom and respect on the bonds of a great friendship.
Performances:
NTR and Charan deliver beyond expectations. Their dance in ‘ Naatu’ song is unparalleled. Rajamouli has once proved himself the master director who knows his heroes strengths and how to mold them into a highly emotional saga. Ajay Devgn, Shriya and Alia Bhatt roles are minimal and not author backed. The elements missing here are the strong villain and other supporting characters which is usually a staple in Rajamouli movies. In RRR, the audience will not see anything except Ram and Bheem – there simply is no more room for anyone else.
Music and background score by M.M. Keeravani elevates the scenes as usual. The director’s imagination for VFX work is excellent, majority of the shots output came out good though, few graphic shots could have been better. The production work is world class, sets look good. The miniature artwork in place for the train episode in first half came out well. Stunts by King Solomon are a very good effort. The mob fights came out well. Cinematography by Senthil is a great asset to the film.
Positives :
- Rajamouli signature highly charged elements spaced throughout the film
- NTR and Charan’s spectacular performance
- Emotions, Action Episodes, Art Work, Cinematography etc. technical brilliance is major asset
- Keeravani songs and background score
- Patchy CG work in few scenes
- Slight lag in second half
RRR’s first half is fantastic, second half is a bit routine albeit with a good climax. Rajamouli has unleashed the potential of the both the heroes to maximum extent with regards to performance. All the songs are good and blend well with the context. NTR and Charan coverup the flipsides of the film with their powerful and yet emotional performances. RRR has all ingredients to become yet another Rajamouli mark money spinner at the Box-office.
TELUGU360 RATING : 3.5/5
Movie Name :RRR Release date: 25 March 2022 (India) 24th March (USA) Director: S. S. Rajamouli Cast : Jr NTR,Ram Charan, Alia Bhatt Music by: M. M. Keeravani Produced by: D. V. V. Danayya Distributed by: Lyca Productions, Pen India Limited
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‘RRR’ Review: Telugu Cinema Superstars N.T. Rama Rao Jr. and Ram Charan Shine in a Splendidly Exciting Epic
Roaring tigers, flaming arrows and revolutionary fervor are on display in director S.S. Rajamouli's audacious action-adventure.
By Joe Leydon
Film Critic
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Straight out of Tollywood: “ RRR ,” a bigger-than-life and bolder-than-mainstream action-adventure epic, is performing mightily in international release as audiences marvel at its spectacle, embrace its emotions, and sway to its music while being repeatedly gobsmacked by its unfettered audacity. Propelled by the Telugu Cinema triumvirate of superstars N.T. Rama Rao Jr. and Ram Charan and director S.S. Rajamouli — whose combined names are one reason for the triple-consonant title — the movie is such an irresistible and intoxicating celebration of cinematic excess that even after 187 minutes (including intermission or, as the title card announces, “InteRRRval”), you are left exhilarated, not exhausted. Which, truth to tell, is hard to say about certain comic-book movies from two major extended universes.
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Mind you, the two protagonists here aren’t supposed to be superheroes. In fact, they are flesh-and-blood humans out of Indian history: Komaram Bheem, a revolutionary leader and guerrilla fighter from the Gond tribe during the British Raj; and Alluri Sitarama Raju, a similarly inclined insurgent who often led his under-equipped followers during raids on police stations to acquire firearms. There is no record of these two men ever meeting in real life. But hey, when have filmmakers ever allowed facts to get in the way of an exciting story? There also isn’t any record of their possessing any abilities more superhuman than cunning and charisma. But Rajamouli doesn’t let that bother him, either.
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In the 1920s world according to “RRR” — which also stands for “Rise, Roar, Revolt,” when the full title finally makes its first appearance on screen — Raju, referenced here as Ram, is a fiercely determined firebrand from Andhra Pradesh who goes undercover as a member of the British army in the hope of arming his compatriots. Early on, he demonstrates his faux loyalty to the Crown — and more or less establishes his superhumanity — by singlehandedly punching, kicking, beating and otherwise manhandling what appear to be thousands of protesters to seize a guy who tossed a rock at a portrait in a police outpost. In most action movies, this sequence would satisfy as a rousingly over-the-top climax. In “RRR,” however, it’s nothing more than a curtain-raiser.
In the Adilabad forest, the working-class-heroic Bheem establishes his own preternatural bona fides while outrunning a wolf in order to lead the beast into a trap. Unfortunately, the wolf is taken out of the equation by a tiger, who proceeds to chase Bheem. Fortunately, Bheem is more than a match for the big cat, even when the trap doesn’t quite work. The tiger roars. Bheem roars back. And if you are fortunate enough to see “RRR” in a theater, as it is meant to be, the next roar you hear will be that of a cheering audience.
The fuse is lit for an explosive meeting of these exceptional men when the British governor Scott Buxton (Ray Stevenson) and his crueler-than-Cruella wife Catherine (Alison Doody) go slumming in a Gond village — accompanied, of course, by a contingent of heavily armed soldiers. Catherine is enchanted by a little girl named Malli (Twinkle Sharma), and claims the child as an amusing plaything to entertain guests in their palatial Delhi home. This doesn’t go over well with the child’s mother — or anyone else in the village, for that matter — but Buxton has enough muscle power to enforce his wife’s whim of iron. He doesn’t have anyone shot only because he doesn’t want to waste expensive bullets on “brown rubbish.”
At this point, you may be tempted to shout rude things at the screen. But don’t fear: Bheem vows to journey to Delhi and, with the aid of simpatico locals, retrieve Malli. It doesn’t take long for word of Bheem’s impending arrival to reach British authorities — and it takes even less time for Ram to volunteer to find and arrest the potential troublemaker. But fate (along with the shamelessly contrived scenario by Rajamouli and co-writers Sai Madhav Burra and K.V. Vijayendra Prasad) tosses both men a curve when each sees a boy trapped in a Delhi river while flaming railroad cars drop into the water around him. Both men rush to a conveniently located bridge — Ram on horseback, Bheem on a motorcycle — and improvise a rescue detailed in another jaw-dropping action set piece.
And all of this happens in the film’s first 40 minutes.
It would be unfair to spill more beans and spoil any fun by providing additional plot details or scene descriptions. (Just wait until you see what Bheem does with a truckload of nonhuman disruptors.) Suffice it to say that Bheem and Ram develop a deep friendship without either knowing the other’s true identity or grand designs, and they greatly enjoy each other’s company until they don’t, and then they do again. There are two splendiferously spirited song-and-dance sequence where the guys delight in their bromance, and they play like fever dreams of Stanley Donen directing an action-movie remake of “Singin’ in the Rain.”
Widely known as Jr NTR, N.T. Rama Rao Jr. is effective and empathy-grabbing as a seemingly ordinary man who achieves the extraordinary while evolving into an iconic hero. (He also gets a few laughs, especially during Bheem’s shy yet stealthy romance of a British beauty sweetly played by Olivia Morris.) Better yet, he has sensational chemistry with the more conventionally dashing Ram Charan. It may be overstating the case to suggest Charan carries himself with the authority and assurance of a deity — that is, when he’s not physically or emotionally anguished — but when Ram “borrows” the bow and arrow from a statue of Lord Rama, it seems less an act of sacrilege than an example of professional courtesy.
Echoes of John Woo abound in “RRR” as themes of loyalty, betrayal, and mutable identity are recurrently sounded, providing a powerful anchor of seriousness and mortal stakes during the most fantastical fights, flights and feats of derring-do. Occasionally your mind may tell you, “This is absurd!” Each time that happens, though, your heart will reply, “So what? Give me more!”
Reviewed at Regal Edwards Greenway Grand Palace, Houston, April 1, 2022. Running time: 187 MIN.
- Production: (India) A Sarigama Cinemas release (U.S.) of a DVV Entertainment production. Producer: D.V.V. Danayya.
- Crew: Director: S. S. Rajamouli. Screenplay: S. S. Rajamouli, Sai Madhav Burra, from a story by K.V. Vijayendra Prasad. Camera: K.K. Senthil Kumar. Editor: A. Sreekar Prasad. Music: M.M. Keeravani.
- With: N.T. Rama Rao Jr., Ram Charan, Ajay Devgn, Alia Bhatt, Shriya Saran, Samuthirakani, Samuthirakani, Olivia Morris, Ray Stevenson, Alison Doody, Twinkle Sharma. (Telugu, English dialogue)
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Rrr (roudram Ranam Rudhiram) (U/A) 25/Mar/2022 Action, History
Critics Review
A wholesome entertainerrr.
The heroes have a rocking chemistry throughout and their work in all their combination scenes are stunning, especially in the finale. (more)
Source: Ashwin Ram, MovieCrow
Rajamouli delivers a power-packed entertainer
The climax leaves more to be desired. The good thing however is that the film manages to surprise you. Rajamouli also manages to use certain tropes set up in the initial portions of the film in the latter portions cleverly. (more)
Source: Neeshita Nyayapati, Times Of India
Rajamouli scores big, Jr NTR, Ram Charan deliver career-best performances
Director SS Rajamouli's RRR is an epic war drama featuring Ram Charan and Jr NTR in lead roles. Mounted on a huge canvas, RRR is a terrific film with brilliant performances and amazing set-pieces, (more)
Source: Janani K, India Today
A grand commercial film, led by an in form Ram Charan and Jr NTR!
RRR is a great addition to Rajamouli's filmography and it is delightful to see a director stand his ground and a make a film without any compromises despite having two star heroes up front. He also doesn't fail to satisfy the fans of both, taking a masterclass once more, on how to direct a mass commercial film with such astounding quality in all departments. (more)
Source: Behindwoods Review Board, Behindwoods.com
Intense and action packed drama
RRR is an action packed period drama that has career best performances by Ram Charan and NTR. They will stun you with their screen presence and bromance which is the biggest highlight of the film. Adding to this, the patriotic drama that is showcased makes RRR quite intense. (more)
Source: Editorial Board, 123telugu.com
A film that's meant for the big screen RRR is a teRRRific entertainer
RRR is a solid entertainer that doesn�t make you restless, despite a marathon run time. The screenplay is wonderfully constructed, the twists and turns are attention grabbing and the nail-biting episodes as well as superbly executed action pieces keep you mesmerised till the final credits roll. The best part is, you don�t know the plot [Rajamouli hasn�t revealed much either, pre-release], so what unfolds on screen catches you by complete surprise. (more)
Source: Taran Adharsh, Bollywood Hungama
Riveting revenge drama
NTR and Ram Charan show great camaraderie and complemented each other well. Balancing two star heroes is a truly challenging job but Rajamouli needs to be appreciated for his flawless writing. (more)
Source: Review Board, Deccan Chronicle
Only Style, No Substance
Ram Charan�s Ramaraju role has many layers. He is shown as a man burning with fire and inner turmoil. Ram Charan�s role steals the show. In the entire second half, Ram Charan gets elevated. The getup of Alluri Sita Ramaraju in the final fight is a treat to his fans. Charan�s role is better written and he gets scenes that bring him under the spotlight. (more)
Source: Venkat Arikatla, greatandhra.com
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RRR Review: ఆర్ఆర్ఆర్ మూవీ ఎలా ఉందంటే..
Published Fri, Mar 25 2022 11:14 AM | Last Updated on Fri, Mar 25 2022 6:47 PM
టైటిల్ : రౌద్రం రణం రుధిరం(ఆర్ఆర్ఆర్) నటీనటులు : ఎన్టీఆర్, రామ్చరణ్,అజయ్ దేవ్గణ్, ఆలియా భట్, శ్రియా శరణ్, ఒలివియో మోరీస్, రే స్టీవెన్ సన్, అలిసన్ డూడీ, రాజీవ్ కనకాల, రాహుల్ రామకృష్ణ తదితరులు నిర్మాణ సంస్థలు : డీవీవీ ఎంటర్టైన్మెంట్స్, పెన్ స్టూడియోస్ నిర్మాత: డీవీవీ దానయ్య దర్శకత్వం : ఎస్.ఎస్. రాజమౌళి కథ: విజయేంద్ర ప్రసాద్ సంగీతం : ఎం.ఎం. కీరవాణి సినిమాటోగ్రఫీ : సెంథిల్ కుమార్ ఎడిటర్ : అక్కినేని శ్రీకర్ ప్రసాద్ విడుదల తేది : మార్చి 25,2022
యావత్ సినీ అభిమానుల్లో ఆసక్తి రేకెత్తించిన చిత్రం రౌద్రం.. రణం.. రుధిరం.. (ఆర్ఆర్ఆర్). బాహుబలి లాంటి బిగ్గెస్ట్ బ్లాక్ బస్టర్ తర్వాత రాజమౌళి దర్శకత్వం వహించిన చిత్రం కావడం, ఎన్టీఆర్, రామ్ చరణ్ మల్టీస్టారర్ గా తెరకెక్కడంతో ఆర్ఆర్ఆర్పై ప్రేక్షకుల్లో భారీ అంచనాలు నెలకొన్నాయి. కరోనా కారణంగా పలుమార్లు వాయిదా పడిన ఈ చిత్రం ఎట్టకేలకు ఈ శుక్రవారం(మార్చి 25) ప్రేక్షకుల ముందుకు వచ్చింది. ఇప్పటికే విడుదలైన పోస్టర్లు, టీజర్లు, పాటలు సినిమాపై పాజిటీవ్ బజ్ను క్రియేట్ చేశాయి. దానికి తోడు ప్రమోషన్స్ కూడా గ్రాండ్గా నిర్వహించడంతో ‘ఆర్ఆర్ఆర్’పై భారీ హైప్ క్రియేట్ అయింది. భారీ అంచనాల మధ్య ప్రేక్షకుల ముందుకు వచ్చిన ‘ఆర్ఆర్ఆర్’ని ప్రేక్షకులు ఏ మేరకు ఆదరించారో రివ్యూలో చూద్దాం.
RRR కథేంటంటే.. ఆర్ఆర్ఆర్ కథంతా 1920 ప్రాంతంలో జరుగుతుంది. అప్పటి బ్రిటీష్ ప్రభుత్వంలో విశాఖపట్నానికి చెందిన రామరాజు(రామ్ చరణ్) పోలీసు అధికారిగా పని చేస్తుంటాడు. పదోన్నతి కోసం పై అధికారుల ఆదేశాలనుగుణంగా పని చేస్తుంటాడు. మరదలు సీత(ఆలియా భట్), గ్రామస్తులకు ఇచ్చిన మాట నెరవేరాలంటే.. ఆయన పదోన్నతి పొందాల్సిందే. అందుకే దాని కోసం స్వాతంత్య్ర పోరాట యోధులపై కూడా దాడి చేస్తాడు. మరోవైపు గవర్నర్ స్కాట్(రే స్టీవెన్ సన్) ఓ సారి ఫ్యామిలీతో కలిసి ఆదిలాబాద్ పర్యటనకు వచ్చినప్పుడు.. అక్కడ గోండు జాతికి చెందిన బాలిక మల్లిని తమతో పాటు ఢిల్లీకి తీసుకెళ్తాడు. తమ బిడ్డని తీసుకెళ్లొద్దని అడ్డుకున్న కుటుంబ సభ్యులపై దాడి చేయిస్తాడు. ఇది అన్యాయం అని భావించిన గోండు జాతి బిడ్డ భీమ్ (ఎన్టీఆర్).. ఎలాగైన మల్లిని తిరిగి తీసుకురావాలని భావిస్తాడు. తన స్నేహితులతో కలిసి ఢిల్లీకి వెళ్తాడు. పకడ్బందీ బందోబస్తు ఉన్న బ్రిటీష్ కోటలోకి భీమ్ ఎలా వెళ్లగలిగాడు? అక్కడే పోలీసు అధికారిగా ఉన్న రామరాజు, ఎన్టీఆర్ ఎలా స్నేహితులు అయ్యారు? ప్రాణ స్నేహితులుగా ఉన్న వీరిద్దరు ఒకరిపై ఒకరు ఎందుకు దాడి చేసుకున్నారు? అసలు రామరాజు తన మరదలు, గ్రామస్తులకు ఇచ్చిన మాట ఏంటి? అతని నేపథ్యం ఏంటి? శక్తిమంతులైన ఈ ఇద్దరు కలిసి బ్రిటీష్ ప్రభుత్వాన్ని ఎలా గడగడలాడించారు?అనేదే మిగతా కథ.
(చదవండి: ఆర్ఆర్ఆర్ కోసం జక్కన్న తీసుకున్న రెమ్యునరేషన్ ఎంతంటే. .)
ఎలా ఉందంటే..? రాజమౌళి ఏ సినిమా చేసినా ప్రేక్షకులు సంతృప్తి పడే వరకు తీయడం అలవాటు. అందువల్లే బాహుబలి కోసం ఐదేళ్లు పట్టింది. అయితే ఆర్ఆర్ఆర్ విషయంలోనూ అదే జరిగింది. దాదాపు నాలుగేళ్ల పాటు ఈ సినిమా కోసం శ్రమించాడు రాజమౌళి. ఆయన కష్టమంతా తెరపై స్పష్టంగా కనిపిస్తోంది. ఓ చిన్న పాయింట్ని కథగా ఎంచుకొని,దానికి భావోద్వేగాలు రంగరించి, కథనాన్ని నడిపించిన తీరు బాగుంది. గిరిజన బాలికను బ్రిటీష్ సైన్యం ఎత్తుకెళ్లే ఓ ఎమోషనల్ సీన్తో కథ మొదలవుతుంది. నీరు, నిప్పు అంటూ ఎన్టీఆర్, రామ్ చరణ్ల పాత్రలను పరిచయం చేశారు. అందుకు తగ్గట్టే బలమైన సన్నివేశాలతో ఫస్టాఫ్ సాగుతుంది. ఇద్దరు హీరోలు కలిసే సీన్ని కూడా అద్భుతంగా చిత్రీకరించారు. ఇక ఇంటర్వెల్ సన్నివేశం అయితే.. సినిమాకే హైలెట్. బ్రిటీష్ కోటలోకి ఎన్టీఆర్ వెళ్లే సన్నివేశం గూస్బమ్స్ తెప్పిస్తాయి. ఫైట్ సీన్తో చాలా ఎమోషనల్గా ఫస్టాఫ్ ముగుస్తుంది.
ఇక సెకండాఫ్లో అజయ్దేవ్గణ్, శ్రియల ఎంట్రీ.. కథను మరో లెవల్కు తీసుకెళ్తుంది. భీమ్ని అరెస్ట్ చేసి శిక్షించే సన్నివేశం అయితే కంటతడి పెట్టిస్తుంది. ‘కొమరం భీముడో.. కొమరం భీముడో’అనే పాట హృదయాలను హత్తుకుంటుంది. ఆ తర్వాత కథ కొంత స్లోగా సాగుతుంది. ఇక భీమ్, రామ్ కలిసిన తర్వాత వచ్చే ఫైట్ సీన్స్ మరో లెవల్. అయితే జైల్లో ఉన్న రామ్ని తీసుకురావడానికి భీమ్ వెళ్లే సీన్, అతన్ని ఎక్కడ ఉన్నాడో కనుక్కునేందుకు శబ్దం చేయడం లాంటివి కాస్త సినిమాటిక్గా అనిపిస్తుంది. ఇక క్లైమాక్స్ ‘నక్కల వేట ఎంత సేపు.. కుంభ స్థలాన్ని బద్దలు కొడదాం పదా’ అంటూ ఇద్దరు కలిసి బ్రీటీష్ కోటపై దాడి చేసిన తీరు అందరిని మెప్పిస్తుంది.
ఎవరెలా చేశారంటే.. ‘యుద్దాన్ని వెతుక్కుంటూ ఆయుధాలు వాటంతట అవే వస్తాయ్’.. ఆర్ఆర్ఆర్ చిత్రంలో హీరోల పాత్రల గురించి అజయ్ దేవ్గణ్ చెప్పే డైలాగ్ ఇది. ఈ డైలాగ్ ఆర్ఆర్ఆర్లోని నటీ, నటులందరికి సరిపోతుంది. ప్రతి ఒక్కరు ఒక ఆయుధంగా పని చేశారు. భీమ్గా ఎన్టీఆర్, రామరాజుగా రామ్ చరణ్.. తమతమ పాత్రల్లో ఒదిగిపోయారు. ప్రతి సీన్లోనూ నువ్వా నేనా అన్నట్లుగా పోటాపోటిగా నటించారు. వీరిద్దరి మధ్య వచ్చే పోరాట ఘట్టాలు అయితే సినిమాకే హైలైట్ అని చెప్పొచ్చు.
నాటు నాటు పాటకు ఈ ఇద్దరు హీరోలు వేసిన స్టెప్పులు అయితే థియేటర్స్లో ఈలలు వేయిస్తాయి. ఈ సినిమా కోసం తారక్, చెర్రి పడ్డ కష్టమంతా తెరపై కనిపిస్తోంది. ఇక సీత పాత్రలో ఆలియా భట్, జెన్నీఫర్ అనే బ్రిటీష్ యువతిగా ఒలివియా తమ తమ పాత్రల్లో ఒదిగిపోయారు. వెంకట రామరాజు అలియాస్ బాబాగా అజయ్ దేవ్గణ్, అతని భార్య సరోజిగా శ్రియ.. ఉన్నంతలో పర్వాలేదనిపించారు. వీరి పాత్రల నిడివి తక్కువే అయినా.. సినిమాకు అవి కీలకంగా ఉంటాయి. విలన్ స్కాట్ పాత్రలో రే స్టీవెన్ సన్, అతని భార్యగా అలిసన్ డూడీ తనదైన నటనతో మెప్పించారు. రామరాజు బాబాయ్గా సముధ్రఖని, భీమ్ స్నేహితుడు లచ్చుగా రాహుల్ రామకృష్ణ తమ పాత్రలకు న్యాయం చేశారు.
ఇక సాంకేతిక విషయాలకొస్తే.. ఈ సినిమాకు మరో ప్రధాన బలం ఎమ్ ఎమ్ కీరవాణి సంగీతం. పాటలతో పాటు నేపథ్య సంగీతం అదిరిపోయింది. తనదైన బీజీఎంతో కొన్ని సీన్స్కి ప్రాణం పోశాడు. సెంథిల్ కుమార్ సినిమాటోగ్రఫి చాలా బాగుంది. రాజమౌళి ఊహించుకున్న ప్రతి సీన్ని తెరపై అద్భుతంగా చూపించాడు. సాల్మన్ పోరాట ఘట్టాలు సినిమా స్థాయిని పెంచాయి. 1920నాటి కథకు జీవకళ ఉట్టిపడేలా సెట్స్ని తీర్చిదిద్దాడు ప్రొడెక్షన్ డిజైనర్ సాబు సిరిల్. సాయి మాధవ్ బుర్రా మాటలు.. తూటాల్లా ఉన్నాయి. అక్కినేని శ్రీకర్ ప్రసాద్ ఎడిటింగ్ బాగుంది. డీవీవీ ఎంటర్టైన్మెంట్స్ నిర్మాణ విలువలు సినిమా స్థాయికి తగినట్లుగా ఉన్నాయి.
- అంజి శెట్టె, సాక్షి వెబ్డెస్క్
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The Telugu language Indian action epic “RRR” (short for “Rise Roar Revolt”) has returned to US theaters for an exceptional one-night-only engagement on June 1st following its initial theatrical release. Some hindsight has made it easy to guess why writer/director S.S. Rajamouli has only now broken through to Western audiences with “RRR” despite his consistent box office success. Rajamouli’s latest is an anti-colonial fable and buddy drama about the imaginary combo of two real-life freedom fighters, Komaram Bheem (N.T. Rama Rao Jr.) and Alluri Sitarama Raju ( Ram Charan ). “RRR” is also a fine showcase for Rajamouli’s characteristic focus on maximalist action choreography, overwhelming stuntwork and pyrotechnics, and sophisticated computer graphics.
By the time he made “RRR,” Rajamouli had already developed his brand of Nationalistic self-mythologizing with some help from recurring collaborators like regular story writer (and biological father) Vijayendra Prasad and both co-leads, who previously starred in Rajamouli’s “Yamadonga” and “Magadheera,” respectively.
Set in and around Delhi in 1920, “RRR” pointedly lacks historical context so that Rajamouli and his team can transform a straight-forward rescue mission into a rallying cry for reunification and also cathartic violence. Bheem, the avenging “shepherd” of the Adivasian Gond tribe, visits Delhi to track down Malli ( Twinkle Sharma ), an innocent pre-teen who’s kidnapped from her Gondian mother by the cartoonishly evil British Governor Scott ( Ray Stevenson ) and his sadistic wife Cathy ( Alison Doody ).
Raju, a peerless Colonial police officer, befriends Bheem without realizing that they’re at cross purposes: Bheem wants to break into Scott’s fortress-like quarters to rescue Maali while Raju wants to catch the unknown “tribal” that Scott’s lackey Edward ( Edward Sonnenblick ) fears might be lurking about. Raju and Bheem immediately bond after they save an unrelated child from being crushed by a runaway train, as clear a sign as any of Rajamouli’s love for Cecil B. DeMille-style melodrama. (“Ben Hur” is an acknowledged influence for Rajamouli, as are the action/period dramas of fellow DeMille-ian Mel Gibson ).
It’s also fitting that “RRR” is Rajamouli’s big breakthrough since it's inevitably about Bheem as an inspiring symbol of quasi-traditional, boundary-trampling patriotism. Rajamouli has gotten quite good at incorporating potentially alienating elements, like his cheap-seats love of grisly violence and brash sloganeering, into his propulsive, inventive, and visually assured fight scenes and dance numbers.
Rajamouli has also already perfected the way he works with and uses his actors as part of his shock-and-awe style of melodrama. Rama Rao is ideally cast as the naively sweet-natured Bheem, whose messianic qualities are also effectively high-lit in a handful of rousing set pieces, like when a bare-chested Bheem wrestles a tiger into submission. Rama Rao’s performance isn’t the main thing, but it is the emblematic inspiration that, along with a “Passion of the Christ”-worthy scourging, understandably leads an assembly of Indian nationals to attack Scott and his bloodthirsty hambone wife in a later scene.
Likewise, Charan’s steely-eyed performance in “RRR” is limited, but strong enough to be credibly superhuman. Rajamouli knows exactly how to capture his best sides, as in an astounding opening action scene where Raju descends into a rioting mob just to subdue and apprehend one particular dissident. Rao and Charan’s bro-mantic chemistry and syncopated physicality have already made a viral success of the movie’s splashy “Naatu Naatu” musical number, but that scene’s infectiously joyful presentation is supra-human by design.
The spirit of the individual matters more than any single person in Rajamouli’s movies and “RRR” is a perfect expression of that notion. It’s also a decent reflection of Rajamouli’s fame, which Film Companion South ’s Sagar Tetali keenly suggests is “the triumph of directorial ambition over the actor-star—the triumph of a brand of storytelling over the South Indian star image.”
With “RRR,” Rajamouli repeats his preference for one nation under populist ubermenschen. Both Bheem and Raju are extraordinary men because they are, at heart, aspirational expressions of the people’s will. Their lives, their loved ones, and their relationships are all of secondary importance—check out Bollywood star Ajay Devgn ’s explosive cameo!—so it makes sense that the cast’s images and performances are also blown up to James Cameron-sized proportions.
Like Cameron, Rajamouli has earned a reputation for pushing the limits of industrialized pop cinema. In that sense, “RRR” feels simultaneously personal and gargantuan in scope. Film Comment ’s R. Emmet Sweeney is right to caution viewers regarding the towering streak of “Hindu-centric” Nationalism and characterizations at the heart of Rajamouli’s “Pan-Indian address.” Sweeney is also right to hail Rajamouli’s dazzling “technical innovation.” It’s not every day that a new Indian movie—which are typically not advertised to Western viewers beyond indigenous language speakers, and therefore largely ignored by Western outlets—is presented as an event to American theatergoers. Attend or miss out.
Available in theaters tonight, June 1st, and also streaming on Netflix.
Simon Abrams
Simon Abrams is a native New Yorker and freelance film critic whose work has been featured in The New York Times , Vanity Fair , The Village Voice, and elsewhere.
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Film Credits
187 minutes
N.T. Rama Rao Jr. as Komaram Bheem
Ram Charan as Alluri Sitarama Raju
Alia Bhatt as Sita
Ajay Devgn as Venkata Rama Raju
Ray Stevenson as Scott Buxton
Alison Doody as Cassandra Buxton
Olivia Morris as Jennifer 'Jenny' Buxton
Samuthirakani as Venkateshwarulu
Shriya Saran as Sarojini
Chatrapathi Sekhar as Jangu
Makrand Deshpande as Peddanna
- S. S. Rajamouli
Writer (story)
- Vijayendra Prasad
- S.S. Rajamouli
Cinematographer
- K.K. Senthil Kumar
- Sreekar Prasad
- M.M. Keeravaani
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RRR Movie Review : Rajamouli delivers a power-packed entertainer
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RRR - Official Trailer (Telugu)
RRR - Official Trailer (Malayalam)
RRR - Official Trailer (Kannada)
RRR - Official Trailer (Tamil)
RRR - Official Trailer (Hindi)
RRR | Telugu Song - Naatu Naatu (Lyrical)
RRR | Malayalam Song - Karinthol (Lyrical)
RRR | Tamil Song - Naattu Koothu (Lyrical)
RRR | Kannada Song - Halli Naatu (Lyrical)
RRR | Hindi Song - Naacho Naacho (Lyrical)
RRR - Motion Poster
RRR - First Look
RRR - First Glimpse
RRR | Song Promo - Karinthol
RRR | Song Promo - Naattu Koothu
RRR | Song Promo - Halli Naatu
RRR | Hindi Song - Janani
RRR | Hindi Song - Sholay
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Refrain from posting comments that are obscene, defamatory or inflammatory, and do not indulge in personal attacks, name calling or inciting hatred against any community. Help us delete comments that do not follow these guidelines by marking them offensive . Let's work together to keep the conversation civil.
Rohit Kumar 65 days ago
♥️♥️❤️
vsudharshanreddy 248 days ago
Excellent movie
Basha Elaganuru 269 days ago
Rishitborra 513 days ago.
Felt above average but not up to the mark and I still think why Rajamouli took few years to Direct a normal film... Rajamouli's previous projects are even good than these...
sesank 576 days ago
Super movie
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RRR Telugu Movie Review, N. T. Rama Rao Jr, Ram Charan, Ajay Devgn, Alia Bhatt, Olivia Morris, Samuthirakani, Shriya Saran, Alison Doody, Ray Stevenson, Rajeev ...
RRR Telugu Movie Review, N. T. Rama Rao Jr, Ram Charan, Ajay Devgn, Alia Bhatt, Olivia Morris, Samuthirakani, Shriya Saran, Alison Doody, Ray Stevenson, Rajeev ...
Demonte Colony 2 Telugu Movie Review, Latest Reviews and Ratings, Demonte Colony 2 Movie Ratings, Demonte Colony 2 Movie Review, Ratings, Arulnithi, Priya Bhavani Shankar, Ajay R Gnanamuthu ... 123telugu.com Rating : 3/5 . Starring : Arulnithi, Priya Bhavanishankar, Antti Jaaskelainen, Tsering Dorjee, Arunpandian, Muthukumar, Meenakshi ...
RRR రివ్యూ. చందమామ కథల్లాంటి మామూలు ఫిక్షన్నే ఒక రేంజ్లో చూపించి ఆడియెన్స్కి కొత్త అనుభూతిని పంచుతారు రాజమౌళి. మరి ఇద్దరు ...
There's a vibe in the air! RRR, SS Rajamouli's long-awaited magnum opus that has sparked widespread excitement from its start, is currently in theatres. The epic period drama released on Friday. The film stars Ram Charan and Jr NTR, two of Tollywood's top actors. RRR is Rajamouli's fourth collaboration with Tarak, following Student No. 1 (2001), Simhadri (2003), and Yamadonga (2007), and his ...
3.25 /5. 3 Hrs 5 Mins | Action - Patriotic - Drama | 25-03-2022. Cast - Ram Charan, NTR, Alia Bhatt, Ajay Devgn, Shriya, Rahul Ramakrishna, Olivia Morris, Samuthirakani and others. Director - SS Rajamouli. Producer - DVV Danayya. Banner - DVV Entertainments. Music - MM Keeravani. గత మూడేళ్లుగా సెట్ మీద ...
RRR Movie Live Updates, RRR Movie Live Updates, RRR telugu movie review, RRR telugu premiers talk,RRRMovie Live Updates
Finally, the long wait has come to an end. It's time to witness the 5 years of hard work of Rajamouli, Jr NTR, Ram Charan and the entire team of RRR. After several postponements, the movie hits theatres today and we are here to give you exclusive updates from the early show. Keep watching this space.
Punchline: RRR - A Mass Feast From R (Ramarao) - R (Ram Charan) - R. What's Behind. Movie Mozart Rajamouli's RRR has been the cynosure of all eyes as it happens to be his first after the sensation he created with Baahubali. Expectations are high as Baahubali elevated the standard of Indian cinema at the international level.
RRR has all ingredients to become yet another Rajamouli mark money spinner at the Box-office. TELUGU360 RATING : 3.5/5. Movie Name :RRR. Release date: 25 March 2022 (India) 24th March (USA) Director: S. S. Rajamouli. Cast : Jr NTR,Ram Charan, Alia Bhatt. Music by: M. M. Keeravani.
Propelled by the Telugu Cinema triumvirate of superstars N.T. Rama Rao Jr. and Ram Charan and director S.S. Rajamouli — whose combined names are one reason for the triple-consonant title — the ...
Rrr (roudram Ranam Rudhiram) is a 2022 telugu action history film directed by S S Rajamouli starring Ram Charan Teja, Jr. Ntr, Alia Bhatt , Ajay Devgn, Olivia Morris, Samuthirakani in lead roles. The movie is produced by and musical score by M M Keeravani.
RRR Movie Review And Rating In Telugu - Sakshi. హోం » సినిమా. RRR Review: ఆర్ఆర్ఆర్ మూవీ ఎలా ఉందంటే.. Mar 25, 2022, 11:14 IST. టైటిల్ : రౌద్రం రణం రుధిరం (ఆర్ఆర్ఆర్) నటీనటులు ...
Rao Ramesh shines in his role, and Ankith Koyya adds to the humour. However, the movie stumbles in parts due to issues with the screenplay, and some scenes could have been better executed. If you enjoy light-hearted comedies, this family-friendly film is worth a watch. 123telugu.com Rating: 2.75/5. Reviewed by 123telugu Team. Click Here For ...
In that sense, "RRR" feels simultaneously personal and gargantuan in scope. Film Comment 's R. Emmet Sweeney is right to caution viewers regarding the towering streak of "Hindu-centric" Nationalism and characterizations at the heart of Rajamouli's "Pan-Indian address.". Sweeney is also right to hail Rajamouli's dazzling ...
"Vivek Athreya became a father to a baby boy during the making of this movie. His son is named after Lord Shiva, and you will all witness Vivek Athreya's 'Shiva Thandavam' when the film releases in cinemas. Talking about the film's music composer, Jakes Bejoy, Nani said that Jakes has elevated several scenes with his riveting score.
Neeshita Nyayapati, TNN, Updated: Mar 26, 2022, 11.03 AM IST Critic's Rating: 3.5/5. RRR Story: Ramaraju and Bheem become close friends when they cross paths in Delhi. What happens when they come ...
Posts Tagged 'RRR Review and Rating'. Review : "RRR" - Intense and action packed drama. Telugu cinema news, Movie reviews, OTT News, OTT Release dates, Latest Movie reviews in Telugu, telugu movie reviews, Box office collections.
Here is the Review of RRR #Ramcharan #NTR #Rajamouli #RRR #123telugu https://www.123telugu.com/reviews/rrr-telugu-movie-review.html
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The movie opened to superb reviews from critics, and word-of-mouth is also extremely good. Vaazhai went from strength to strength with each passing show, and it is already said to have recovered its budget and entered into profit zone with three-day collections.