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• How to write a literary analysis essay | A step-by-step guide

How to Write a Literary Analysis Essay | A Step-by-Step Guide

Published on January 30, 2020 by Jack Caulfield . Revised on August 14, 2023.

Literary analysis means closely studying a text, interpreting its meanings, and exploring why the author made certain choices. It can be applied to novels, short stories, plays, poems, or any other form of literary writing.

A literary analysis essay is not a rhetorical analysis , nor is it just a summary of the plot or a book review. Instead, it is a type of argumentative essay where you need to analyze elements such as the language, perspective, and structure of the text, and explain how the author uses literary devices to create effects and convey ideas.

Before beginning a literary analysis essay, it’s essential to carefully read the text and c ome up with a thesis statement to keep your essay focused. As you write, follow the standard structure of an academic essay :

• An introduction that tells the reader what your essay will focus on.
• A main body, divided into paragraphs , that builds an argument using evidence from the text.
• A conclusion that clearly states the main point that you have shown with your analysis.

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Table of contents

Step 1: reading the text and identifying literary devices, step 2: coming up with a thesis, step 3: writing a title and introduction, step 4: writing the body of the essay, step 5: writing a conclusion, other interesting articles.

The first step is to carefully read the text(s) and take initial notes. As you read, pay attention to the things that are most intriguing, surprising, or even confusing in the writing—these are things you can dig into in your analysis.

Your goal in literary analysis is not simply to explain the events described in the text, but to analyze the writing itself and discuss how the text works on a deeper level. Primarily, you’re looking out for literary devices —textual elements that writers use to convey meaning and create effects. If you’re comparing and contrasting multiple texts, you can also look for connections between different texts.

To get started with your analysis, there are several key areas that you can focus on. As you analyze each aspect of the text, try to think about how they all relate to each other. You can use highlights or notes to keep track of important passages and quotes.

Language choices

Consider what style of language the author uses. Are the sentences short and simple or more complex and poetic?

What word choices stand out as interesting or unusual? Are words used figuratively to mean something other than their literal definition? Figurative language includes things like metaphor (e.g. “her eyes were oceans”) and simile (e.g. “her eyes were like oceans”).

Also keep an eye out for imagery in the text—recurring images that create a certain atmosphere or symbolize something important. Remember that language is used in literary texts to say more than it means on the surface.

Narrative voice

Ask yourself:

• Who is telling the story?
• How are they telling it?

Is it a first-person narrator (“I”) who is personally involved in the story, or a third-person narrator who tells us about the characters from a distance?

Consider the narrator’s perspective . Is the narrator omniscient (where they know everything about all the characters and events), or do they only have partial knowledge? Are they an unreliable narrator who we are not supposed to take at face value? Authors often hint that their narrator might be giving us a distorted or dishonest version of events.

The tone of the text is also worth considering. Is the story intended to be comic, tragic, or something else? Are usually serious topics treated as funny, or vice versa ? Is the story realistic or fantastical (or somewhere in between)?

Consider how the text is structured, and how the structure relates to the story being told.

• Novels are often divided into chapters and parts.
• Poems are divided into lines, stanzas, and sometime cantos.
• Plays are divided into scenes and acts.

Think about why the author chose to divide the different parts of the text in the way they did.

There are also less formal structural elements to take into account. Does the story unfold in chronological order, or does it jump back and forth in time? Does it begin in medias res —in the middle of the action? Does the plot advance towards a clearly defined climax?

With poetry, consider how the rhyme and meter shape your understanding of the text and your impression of the tone. Try reading the poem aloud to get a sense of this.

In a play, you might consider how relationships between characters are built up through different scenes, and how the setting relates to the action. Watch out for  dramatic irony , where the audience knows some detail that the characters don’t, creating a double meaning in their words, thoughts, or actions.

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Your thesis in a literary analysis essay is the point you want to make about the text. It’s the core argument that gives your essay direction and prevents it from just being a collection of random observations about a text.

If you’re given a prompt for your essay, your thesis must answer or relate to the prompt. For example:

Essay question example

Is Franz Kafka’s “Before the Law” a religious parable?

Your thesis statement should be an answer to this question—not a simple yes or no, but a statement of why this is or isn’t the case:

Thesis statement example

Franz Kafka’s “Before the Law” is not a religious parable, but a story about bureaucratic alienation.

Sometimes you’ll be given freedom to choose your own topic; in this case, you’ll have to come up with an original thesis. Consider what stood out to you in the text; ask yourself questions about the elements that interested you, and consider how you might answer them.

Your thesis should be something arguable—that is, something that you think is true about the text, but which is not a simple matter of fact. It must be complex enough to develop through evidence and arguments across the course of your essay.

Say you’re analyzing the novel Frankenstein . You could start by asking yourself:

Your initial answer might be a surface-level description:

The character Frankenstein is portrayed negatively in Mary Shelley’s Frankenstein .

However, this statement is too simple to be an interesting thesis. After reading the text and analyzing its narrative voice and structure, you can develop the answer into a more nuanced and arguable thesis statement:

Mary Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as.

Remember that you can revise your thesis statement throughout the writing process , so it doesn’t need to be perfectly formulated at this stage. The aim is to keep you focused as you analyze the text.

Finding textual evidence

To support your thesis statement, your essay will build an argument using textual evidence —specific parts of the text that demonstrate your point. This evidence is quoted and analyzed throughout your essay to explain your argument to the reader.

It can be useful to comb through the text in search of relevant quotations before you start writing. You might not end up using everything you find, and you may have to return to the text for more evidence as you write, but collecting textual evidence from the beginning will help you to structure your arguments and assess whether they’re convincing.

To start your literary analysis paper, you’ll need two things: a good title, and an introduction.

Your title should clearly indicate what your analysis will focus on. It usually contains the name of the author and text(s) you’re analyzing. Keep it as concise and engaging as possible.

A common approach to the title is to use a relevant quote from the text, followed by a colon and then the rest of your title.

If you struggle to come up with a good title at first, don’t worry—this will be easier once you’ve begun writing the essay and have a better sense of your arguments.

“Fearful symmetry” : The violence of creation in William Blake’s “The Tyger”

The introduction

The essay introduction provides a quick overview of where your argument is going. It should include your thesis statement and a summary of the essay’s structure.

A typical structure for an introduction is to begin with a general statement about the text and author, using this to lead into your thesis statement. You might refer to a commonly held idea about the text and show how your thesis will contradict it, or zoom in on a particular device you intend to focus on.

Then you can end with a brief indication of what’s coming up in the main body of the essay. This is called signposting. It will be more elaborate in longer essays, but in a short five-paragraph essay structure, it shouldn’t be more than one sentence.

Mary Shelley’s Frankenstein is often read as a crude cautionary tale about the dangers of scientific advancement unrestrained by ethical considerations. In this reading, protagonist Victor Frankenstein is a stable representation of the callous ambition of modern science throughout the novel. This essay, however, argues that far from providing a stable image of the character, Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as. This essay begins by exploring the positive portrayal of Frankenstein in the first volume, then moves on to the creature’s perception of him, and finally discusses the third volume’s narrative shift toward viewing Frankenstein as the creature views him.

Some students prefer to write the introduction later in the process, and it’s not a bad idea. After all, you’ll have a clearer idea of the overall shape of your arguments once you’ve begun writing them!

If you do write the introduction first, you should still return to it later to make sure it lines up with what you ended up writing, and edit as necessary.

The body of your essay is everything between the introduction and conclusion. It contains your arguments and the textual evidence that supports them.

Paragraph structure

A typical structure for a high school literary analysis essay consists of five paragraphs : the three paragraphs of the body, plus the introduction and conclusion.

Each paragraph in the main body should focus on one topic. In the five-paragraph model, try to divide your argument into three main areas of analysis, all linked to your thesis. Don’t try to include everything you can think of to say about the text—only analysis that drives your argument.

In longer essays, the same principle applies on a broader scale. For example, you might have two or three sections in your main body, each with multiple paragraphs. Within these sections, you still want to begin new paragraphs at logical moments—a turn in the argument or the introduction of a new idea.

Robert’s first encounter with Gil-Martin suggests something of his sinister power. Robert feels “a sort of invisible power that drew me towards him.” He identifies the moment of their meeting as “the beginning of a series of adventures which has puzzled myself, and will puzzle the world when I am no more in it” (p. 89). Gil-Martin’s “invisible power” seems to be at work even at this distance from the moment described; before continuing the story, Robert feels compelled to anticipate at length what readers will make of his narrative after his approaching death. With this interjection, Hogg emphasizes the fatal influence Gil-Martin exercises from his first appearance.

Topic sentences

To keep your points focused, it’s important to use a topic sentence at the beginning of each paragraph.

A good topic sentence allows a reader to see at a glance what the paragraph is about. It can introduce a new line of argument and connect or contrast it with the previous paragraph. Transition words like “however” or “moreover” are useful for creating smooth transitions:

… The story’s focus, therefore, is not upon the divine revelation that may be waiting beyond the door, but upon the mundane process of aging undergone by the man as he waits.

Nevertheless, the “radiance” that appears to stream from the door is typically treated as religious symbolism.

This topic sentence signals that the paragraph will address the question of religious symbolism, while the linking word “nevertheless” points out a contrast with the previous paragraph’s conclusion.

Using textual evidence

A key part of literary analysis is backing up your arguments with relevant evidence from the text. This involves introducing quotes from the text and explaining their significance to your point.

It’s important to contextualize quotes and explain why you’re using them; they should be properly introduced and analyzed, not treated as self-explanatory:

It isn’t always necessary to use a quote. Quoting is useful when you’re discussing the author’s language, but sometimes you’ll have to refer to plot points or structural elements that can’t be captured in a short quote.

In these cases, it’s more appropriate to paraphrase or summarize parts of the text—that is, to describe the relevant part in your own words:

The conclusion of your analysis shouldn’t introduce any new quotations or arguments. Instead, it’s about wrapping up the essay. Here, you summarize your key points and try to emphasize their significance to the reader.

A good way to approach this is to briefly summarize your key arguments, and then stress the conclusion they’ve led you to, highlighting the new perspective your thesis provides on the text as a whole:

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

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By tracing the depiction of Frankenstein through the novel’s three volumes, I have demonstrated how the narrative structure shifts our perception of the character. While the Frankenstein of the first volume is depicted as having innocent intentions, the second and third volumes—first in the creature’s accusatory voice, and then in his own voice—increasingly undermine him, causing him to appear alternately ridiculous and vindictive. Far from the one-dimensional villain he is often taken to be, the character of Frankenstein is compelling because of the dynamic narrative frame in which he is placed. In this frame, Frankenstein’s narrative self-presentation responds to the images of him we see from others’ perspectives. This conclusion sheds new light on the novel, foregrounding Shelley’s unique layering of narrative perspectives and its importance for the depiction of character.

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What Is Literary Criticism? Definition, Types, and Examples

Anyone can have an opinion about a book (loved it, hated it, page-turner, total drag), but the ability to substantiate and evaluate that opinion is the work of literary criticism. Literary criticism is the interpretation, analysis, and judgment of a piece of literature. Not only is literary criticism an important form of cultural production, but learning how to read and write literary criticism can broaden your worldview and deepen your connection to writing and literature.

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What is literary criticism?

Literary criticism is the interpretation, analysis, and judgment of a text. The purpose of literary criticism is to help a reader better engage with or challenge that writing. Good criticism deepens our understanding of literature and contributes to literature’s development over time. It’s also a great place to pick up some writing techniques of your own.

Despite its name, literary criticism is not just about being critical. It takes a lot of effort to write a book , and the job of the critic is not to (necessarily) tear that work down. The word criticism refers to an ability to analyze, form an opinion, and substantiate it with evidence—in other words, to think critically .

A typical structure for literary criticism begins with a summary of the text, examines its arguments, and ends with an evaluation. Many major news publications run literary criticism in their weekend editions. Critics writing for these publications are writing for a general audience, which makes their work an approachable introduction to literary criticism.

Literary criticism vs. literary theory

Literary criticism and literary theory are closely related fields, but they deal with literature on different scales. While literary criticism seeks to analyze specific works of literature, literary theory is concerned with literature on a philosophical level. Criticism asks questions like “What did the author intend to do with this book?” while theory asks questions like “What is the goal of literature?”

Another way to think about this difference is that literary criticism deals with a specific book (or set of books), while literary theory deals with broader concepts about books. Notably, the two fields often overlap. Literary theory is used to support literary criticism, and literary criticism can influence literary theory.

What are the different types of literary criticism?

Historical-biographical criticism.

Historical-biographical criticism, sometimes referred to as traditional criticism , draws on an author’s biography to better understand and analyze a text. All matters of biography, including geography, race, class, gender, historical moment, and so on, can provide relevant information to the critic engaging in this kind of criticism.

Moral-philosophical criticism

Moral-philosophical criticism operates under the assumption that literature performs a certain ethical or moral role in society. With this in mind, moral-philosophical criticism analyzes texts based on their ethical merits and is typically written within the framework of a prevailing school of thought.

New criticism

New criticism engages solely with what the author has put on a page. It disregards outside context and emotional response and instead places an emphasis on form, structure, and the words themselves .

Reader-response criticism

Reader-response criticism is exactly what it sounds like: criticism based on the reader’s response to the text. This approach asserts that a reader’s initial reaction is valuable information for evaluation. While this approach is the most subjective, the critic is still required to substantiate their reaction using the text itself.

Criticism can also be anchored in broader fields of study, such as feminism, Marxism, and postcolonialism. Some common forms of literary criticism rooted in theory are:

Feminist criticism: understands a text through the lens of feminism and gender roles.

Sociological criticism: considers the political and social viewpoint of the author or characters within the text.

Psychoanalytical criticism: uses the psychological state of characters to interpret and analyze a text’s meaning.

Queer theory: analyzes a text through the angle of gender and sexuality.

Critical race theory: understands a text through the intersectional dimensions of race and culture.

Critical disability theory: understands a text through the lens of disability and analyzes societal structures that uphold ableism.

3 literary criticism examples

Last train to memphis: the rise of elvis presley , reviewed by margo jefferson, the new york times.

In 1995, Margo Jefferson won a Pulitzer Prize for her work as a New York Times book critic. Among her winning articles is a review of the Elvis Presley biography Last Train to Memphis, by Peter Guralnick. Jefferson’s review is a tightly framed look at Elvis’s life and the author’s attempt to eradicate him from “the dreary bondage of myth and from the oppressive aftershock of cultural significance.”

Jefferson does not believe the author’s aim is achievable due to the deep entrenchment of Elvis in popular myth and the singer’s cultural significance. She offers this hypothesis up front and then substantiates her claim by summarizing the book and adding her own cultural context.

For instance, writing about Elvis’s brand of rock and roll, Jefferson notes:

“The elements weren’t new, and they had been put together before. (Think of Louis Armstrong and Bing Crosby; even the Mills Brothers and Ukulele Ike Edwards.) The proportions were new, though: the tempos were all-out fast and the tone was flat-out insolent. To some, rock-and-roll was as threatening as Communism and desegregation.”

As it turns out, Jefferson isn’t much of an Elvis fan, but by closely reading the biography, she is able to recognize and appreciate his place in culture. She concludes:

“Is he a great singer? To these ears, no. Is he a great performer? Yes and yes again.”

A reader of this review gains a deeper understanding of the main character (Elvis), an analysis of the author’s intentions, a critical contextualization of Elvis’s music, and Jefferson’s own judgment.

Afterlives , reviewed by Julian Lucas, The New Yorker

Julian Lucas’s review of Afterlives , by Abdulrazak Gurnah, is a great example of long-form historical-biographical criticism . Lucas uses Gurnah’s newest book to write a comprehensive profile of him: his life experiences, his previous novels, and his literary style. This background research allows Lucas to ultimately analyze Afterlives more deeply and situate it within the author’s entire portfolio.

An example of the biographical context that Lucas includes is:

“He was born, in 1948, in Stone Town, Zanzibar’s nineteenth-century capital, where his father traded in fish.”

An example of the historical context that Lucas includes:

“Zanzibar is a small island that is also a major crossroads for Africa, Asia, and Europe. It is one of the historic centers of Swahili civilization, a loose network of coastal societies stretching from Somalia to Mozambique, whose language serves as East Africa’s lingua franca.”

In this piece of literary criticism, Lucas not only introduces and evaluates the novel, but also familiarizes the reader with the author’s biography, the story’s geography, and the history of both.

“3 New Books in Translation Blend Liberation With Darkness,” by Lily Meyer, NPR

In this piece of criticism, NPR critic Lily Meyer introduces the reader to three new books in a relatively small amount of space. She begins by stringing all three books along a connective thread: They are all works in translation that “blend liberation with darkness,” as the headline suggests. This allows her to use a hypothesis about the books’ themes (i.e., liberation and darkness) as an anchor. Having a strong throughline allows a critic to cover more ground without losing the reader in the process.

Her review is divided into three sections, one for each book. In each section Meyer offers a close analysis of characters, plot , and tone . She also evaluates the books’ strengths and weaknesses and explains how each of those contributes to a reader’s experience.

Literary criticism FAQs

Literary criticism is the interpretation, analysis, and judgment of a work of literature. Good literary criticism leaves its reader with a deeper understanding of the text, while great literary criticism gives its reader a deeper understanding of the world.

What is its purpose?

The purpose of literary criticism is to deeply engage with a work of literature in order to interpret its meaning, broaden its reader’s understanding, and mark the work’s position in cultural history.

What are the different kinds of literary criticism?

There are many different kinds of literary criticism, but four major kinds of literary criticism are:

• Historical-biographical criticism, which includes an author’s sociohistorical context.
• Moral-philosophical criticism, which evaluates a book’s moral messages.
• New criticism, which focuses on the formal uses of language.
• Reader-response criticism, which emphasizes a reader’s own reaction to the text.

Other types of literary criticism are framed by broad fields of research, such as feminist criticism, sociological criticism, and psychoanalytical criticism.

How To Write A Critical Analysis Essay With Examples

Declan Gessel

May 4, 2024

A Critical Analysis Essay is a form of academic writing that requires students to extract information and critically analyze a specific topic. The task may seem daunting, but with the right approach, it can become an exciting task. 

Critical Analysis Essays help students improve their analytical skills and foster principles of logic. In this article, we are going to discuss how to write an essay and break it down for you. So sit back, relax, and enjoy the ride!

Table Of Content

What is a critical analysis essay, why the subject of your critical analysis essay is important, 5 reading strategies for critical analysis essay, building the body of your analysis, 5 things to avoid when writing your critical analysis essay, write smarter critical analysis essay with jotbot — start writing for free today.

When you write a critical analysis essay, you move beyond recounting the subject's main points and delve into examining it with a discerning eye. The goal? To form your own insights about the subject, based on the evidence you gather. 

This involves dissecting and contemplating the author's arguments , techniques, and themes while also developing your own critical response. While forming your own conclusions may sound intimidating, it's a key aspect of fine-tuning your critical thinking skills and organizing your thoughts into a cohesive, argumentative response. 

Key Skills in the Craft

This process consists of two key elements: understanding the core components of the subject and forming your own critical response, both supported by evidence. The first part involves grasping the subject's main arguments, techniques, and themes. The second part entails taking that knowledge and constructing your analytical and evaluative response. 

Deconstructing the Subject

In other words, roll up your sleeves and get deep into the subject matter. Start by identifying the author's main point, deconstructing their arguments, examining the structure and techniques they use, and exploring the underlying themes and messages. By engaging with the subject on this level, you'll have a thorough understanding of it and be better prepared to develop your own response. 

The Power of Evidence

Remember that evidence is your secret weapon for crafting a convincing analysis. This means going beyond summarizing the content and instead using specific examples from the subject to support your own arguments and interpretations. Evidence isn't just about facts, either; it can also be used to address the effectiveness of the subject, highlighting both its strengths and weaknesses. 

The Art of Evaluation

Lastly, put your evaluation skills to work. Critically assess the subject's effectiveness, pinpointing its strengths and potential shortcomings. From there, you can offer your own interpretation, supported by evidence from the subject itself. This is where you put everything you've learned about the subject to the test, showcasing your analytical skills and proving your point.

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Let’s delve on the importance of understanding the Work you'll be analyzing:

Main Argument

When diving into a work, one must unravel the central point or message the author is conveying. All other analyses stem from this fundamental point. By identifying and comprehending the main argument, one can dissect the various elements that support it, revealing the author's stance or point of view.

Themes are the underlying concepts and messages explored in the subject matter. By venturing into the depths of themes, one can unravel the layers of meaning within the work. Understanding these underlying ideas not only enriches the analysis but also sheds light on the author's intentions and insights.

Structure & Techniques

Understanding how the work is built - be it a chronological story, persuasive arguments, or the use of figurative language - provides insight into the author's craft. Structure and techniques can influence the way the work is perceived, and by dissecting them, one can appreciate the intricacies of the author's style and the impact it has on the audience.

In critical analysis, understanding the context can add an extra layer of depth to the analysis. Considering the historical, social, or cultural context in which the work was created can provide valuable insights into the author's influences, intentions, and the reception of the work. While not always necessary, contextual analysis can elucidate aspects of the work that might otherwise go unnoticed.

To conduct a comprehensive critical analysis , understanding the work you'll be analyzing is the foundation on which all other interpretations rely. By identifying the main argument, themes, structure, techniques, and context, a nuanced and insightful analysis can be crafted. This step sets the stage for a thorough examination of the work, bringing to light the nuances and complexities that make critical analysis a valuable tool in literary and artistic exploration.

1. Close Reading: Go Deeper Than Skimming

Close reading is a focused approach to reading where you don't just skim the text. Instead, you pay close attention to every word, sentence, and detail. By doing this, you can uncover hidden meanings, themes, and literary devices that you might miss if you were reading too quickly. I recommend underlining or annotating key passages, literary devices, or recurring ideas. This helps you remember these important details later on when you're writing your critical analysis essay.

2. Active Note-Taking to Capture Important Points

When reading a text for a critical analysis essay, it's important to take active notes that go beyond summarizing the plot or main points. Instead, try jotting down the author's arguments, interesting details, confusing sections, and potential evidence for your analysis. These notes will give you a solid foundation to build your essay upon and will help you keep track of all the important elements of the text.

3. Identify Recurring Ideas: Look for Patterns

In a critical analysis essay, it's crucial to recognize recurring ideas, themes, motifs, or symbols that might hold deeper meaning. By looking for patterns in the text, you can uncover hidden messages or themes that the author might be trying to convey. Ask yourself why these elements are used repeatedly and how they contribute to the overall message of the text. By identifying these patterns, you can craft a more nuanced analysis of the text.

4. Consider the Author's Purpose

Authorial intent is an essential concept to consider when writing a critical analysis essay. Think about the author's goals: are they trying to inform, persuade, entertain, or something else entirely? Understanding the author's purpose can help you interpret the text more accurately and can give you insight into the author's motivations for writing the text in the first place.

5.  Question and Analyze your Arguments

In a critical analysis essay, it's important to take a critical approach to the text. Question the author's ideas, analyze the effectiveness of their arguments, and consider different interpretations. By approaching the text with a critical eye, you can craft a more thorough and nuanced analysis that goes beyond a surface-level reading of the text.

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Let’s delve on the essentials of building the body of your analysis: 

Topic Sentence Breakdown: The Purpose of a Strong Topic Sentence

A powerful topic sentence in each paragraph of your critical analysis essay serves as a roadmap for your reader. It tells them the focus of the paragraph, introducing the main point you will explore and tying it back to your thesis. For instance, in an essay about the role of symbolism in "The Great Gatsby," a topic sentence might read, "Fitzgerald's use of the green light symbolizes Gatsby's unattainable dreams, highlighting the theme of the American Dream's illusion."

Evidence Integration: The Significance of Evidence from the Subject

To bolster your arguments, you need to use evidence from the subject you are analyzing. For example, in "To Kill a Mockingbird," when explaining Atticus Finch's moral compass, using a quote like, "You never really understand a person until you consider things from his point of view - until you climb into his skin and walk around in it," can back up your analysis. It proves that the character values empathy and understanding.

Textual Evidence: Integrating Quotes, Paraphrases, or Specific Details

When you quote or paraphrase text, ensure it directly relates to your analysis. For example, when discussing Sylvia Plath's use of imagery in "The Bell Jar," quote, "I saw my life branching out before me like the green fig tree in the story." This paints a vivid picture for readers and helps solidify your point about the protagonist's feelings of entrapment.

Visual Evidence: Analyzing Specific Elements in the Artwork

If you are analyzing a painting, you can use visual details like color, lines, or symbolism as evidence. For instance, if exploring Van Gogh's "Starry Night," you could delve into the calming effect of the swirls in the sky or the stark contrast between the bright stars and the dark village below. This visual evidence helps explain the painting's emotional impact on viewers.

Analysis & Explanation: The Importance of Going Beyond Evidence Presentation

When examining evidence, don't stop at merely presenting it. Analyze how it supports your thesis. For instance, when exploring the role of the conch in "Lord of the Flies," after showing how it represents order, explain how its loss signals the boys' descent into savagery. By unpacking the evidence's meaning, you help readers understand why it matters and how it connects to your overall argument.

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1. Avoiding Summary vs. Analysis Pitfalls

When crafting a critical analysis essay, it's crucial not to fall into the trap of merely summarizing the subject without offering your own critical analysis. A summary merely recaps the content, while an analysis breaks down and interprets the subject. If you overlook this vital distinction, your essay will lack the depth and insight that characterize a strong critical analysis. Ensure your critical analysis essay doesn't read like an extended book report.

2. Steering Clear of Weak Thesis Statements

A critical analysis essay lives and dies on the strength of its thesis statement, the central argument that guides your analysis. A weak or vague thesis statement will result in an unfocused essay devoid of direction, leaving readers unclear about your point of view. It's essential to craft a thesis statement that is specific, arguable, and concise, setting the tone for a thoughtful and illuminating analysis.

3. Using Evidence is Key

The use of evidence from the subject matter under analysis is instrumental in substantiating your critical claims. Without evidence to back up your assertions, your analysis will appear unsubstantiated and unconvincing. Be sure to provide detailed examples, quotes, or data from the text under scrutiny to support your analysis. Evidence adds credibility, depth, and weight to your critical analysis essay.

4. The Importance of Clear and Supported Analysis

A successful critical analysis essay goes beyond simply presenting evidence to analyzing its significance and connecting it to your central argument. If your essay lacks clear analysis, readers won't understand the relevance of the evidence you present. Go beyond description to interpret the evidence, explaining its implications and how it supports your thesis. Without this analysis, your essay will lack depth and will not persuade your audience.

5. Addressing Counter Arguments

In a critical analysis essay, it's vital to acknowledge and engage with potential counterarguments. Ignoring opposing viewpoints undermines the credibility of your essay, presenting a one-sided argument that lacks nuance. Addressing counter arguments demonstrates that you understand the complexity of the issue and can anticipate and respond to objections. 

By incorporating counterarguments, you strengthen your analysis and enhance the overall persuasiveness of your critical essay.

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• Writing well

How to write a critique

• Starting well
• How to write an annotated bibliography
• How to write a case study response
• How to write an empirical article
• How to write an essay
• How to write a literature review
• How to write a reflective task
• How to write a report
• Finishing well

Before you start writing, it is important to have a thorough understanding of the work that will be critiqued.

• Study the work under discussion.
• Make notes on key parts of the work.
• Develop an understanding of the main argument or purpose being expressed in the work.
• Consider how the work relates to a broader issue or context.

Example template

There are a variety of ways to structure a critique. You should always check your unit materials or Canvas site for guidance from your lecturer. The following template, which showcases the main features of a critique, is provided as one example.

Introduction

Typically, the introduction is short (less than 10% of the word length) and you should:

• name the work being reviewed as well as the date it was created and the name of the author/creator
• describe the main argument or purpose of the work
• explain the context in which the work was created - this could include the social or political context, the place of the work in a creative or academic tradition, or the relationship between the work and the creator’s life experience
• have a concluding sentence that signposts what your evaluation of the work will be - for instance, it may indicate whether it is a positive, negative, or mixed evaluation.

Briefly summarise the main points and objectively describe how the creator portrays these by using techniques, styles, media, characters or symbols. This summary should not be the focus of the critique and is usually shorter than the critical evaluation.

Critical evaluation

This section should give a systematic and detailed assessment of the different elements of the work, evaluating how well the creator was able to achieve the purpose through these. For example: you would assess the plot structure, characterisation and setting of a novel; an assessment of a painting would look at composition, brush strokes, colour and light; a critique of a research project would look at subject selection, design of the experiment, analysis of data and conclusions.

A critical evaluation does not simply highlight negative impressions. It should deconstruct the work and identify both strengths and weaknesses. It should examine the work and evaluate its success, in light of its purpose.

Examples of key critical questions that could help your assessment include:

• Who is the creator? Is the work presented objectively or subjectively?
• What are the aims of the work? Were the aims achieved?
• What techniques, styles, media were used in the work? Are they effective in portraying the purpose?
• What assumptions underlie the work? Do they affect its validity?
• What types of evidence or persuasion are used? Has evidence been interpreted fairly?
• How is the work structured? Does it favour a particular interpretation or point of view? Is it effective?
• Does the work enhance understanding of key ideas or theories? Does the work engage (or fail to engage) with key concepts or other works in its discipline?

This evaluation is written in formal academic style and logically presented. Group and order your ideas into paragraphs. Start with the broad impressions first and then move into the details of the technical elements. For shorter critiques, you may discuss the strengths of the works, and then the weaknesses. In longer critiques, you may wish to discuss the positive and negative of each key critical question in individual paragraphs.

To support the evaluation, provide evidence from the work itself, such as a quote or example, and you should also cite evidence from related sources. Explain how this evidence supports your evaluation of the work.

This is usually a very brief paragraph, which includes:

• a statement indicating the overall evaluation of the work
• a summary of the key reasons, identified during the critical evaluation, why this evaluation was formed
• in some circumstances, recommendations for improvement on the work may be appropriate.

Reference list

Include all resources cited in your critique. Check with your lecturer/tutor for which referencing style to use.

• Mentioned the name of the work, the date of its creation and the name of the creator?
• Accurately summarised the work being critiqued?
• Mainly focused on the critical evaluation of the work?
• Systematically outlined an evaluation of each element of the work to achieve the overall purpose?
• Used evidence, from the work itself as well as other sources, to back and illustrate my assessment of elements of the work?
• Formed an overall evaluation of the work, based on critical reading?
• Used a well structured introduction, body and conclusion?
• Used correct grammar, spelling and punctuation; clear presentation; and appropriate referencing style?

Further information

• University of New South Wales: Writing a Critical Review
• University of Toronto: The Book Review or Article Critique

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Writing Critiques

Writing a critique involves more than pointing out mistakes. It involves conducting a systematic analysis of a scholarly article or book and then writing a fair and reasonable description of its strengths and weaknesses. Several scholarly journals have published guides for critiquing other people’s work in their academic area. Search for a  “manuscript reviewer guide” in your own discipline to guide your analysis of the content. Use this handout as an orientation to the audience and purpose of different types of critiques and to the linguistic strategies appropriate to all of them.

Types of critique

Article or book review assignment in an academic class.

Text: Article or book that has already been published Audience: Professors Purpose:

• to demonstrate your skills for close reading and analysis
• to show that you understand key concepts in your field
• to learn how to review a manuscript for your future professional work

Published book review

Text: Book that has already been published Audience: Disciplinary colleagues Purpose:

• to describe the book’s contents
• to summarize the book’s strengths and weaknesses
• to provide a reliable recommendation to read (or not read) the book

Manuscript review

Text: Manuscript that has been submitted but has not been published yet Audience: Journal editor and manuscript authors Purpose:

• to provide the editor with an evaluation of the manuscript
• to recommend to the editor that the article be published, revised, or rejected
• to provide the authors with constructive feedback and reasonable suggestions for revision

Language strategies for critiquing

For each type of critique, it’s important to state your praise, criticism, and suggestions politely, but with the appropriate level of strength. The following language structures should help you achieve this challenging task.

Offering Praise and Criticism

A strategy called “hedging” will help you express praise or criticism with varying levels of strength. It will also help you express varying levels of certainty in your own assertions. Grammatical structures used for hedging include:

Modal verbs Using modal verbs (could, can, may, might, etc.) allows you to soften an absolute statement. Compare:

This text is inappropriate for graduate students who are new to the field. This text may be inappropriate for graduate students who are new to the field.

Qualifying adjectives and adverbs Using qualifying adjectives and adverbs (possible, likely, possibly, somewhat, etc.) allows you to introduce a level of probability into your comments. Compare:

Readers will find the theoretical model difficult to understand. Some readers will find the theoretical model difficult to understand. Some readers will probably find the theoretical model somewhat difficult to understand completely.

Note: You can see from the last example that too many qualifiers makes the idea sound undesirably weak.

Tentative verbs Using tentative verbs (seems, indicates, suggests, etc.) also allows you to soften an absolute statement. Compare:

This omission shows that the authors are not aware of the current literature. This omission indicates that the authors are not aware of the current literature. This omission seems to suggest that the authors are not aware of the current literature.

Offering suggestions

Whether you are critiquing a published or unpublished text, you are expected to point out problems and suggest solutions. If you are critiquing an unpublished manuscript, the author can use your suggestions to revise. Your suggestions have the potential to become real actions. If you are critiquing a published text, the author cannot revise, so your suggestions are purely hypothetical. These two situations require slightly different grammar.

Unpublished manuscripts: “would be X if they did Y” Reviewers commonly point out weakness by pointing toward improvement. For instance, if the problem is “unclear methodology,” reviewers may write that “the methodology would be more clear if …” plus a suggestion. If the author can use the suggestions to revise, the grammar is “X would be better if the authors did Y” (would be + simple past suggestion).

The tables would be clearer if the authors highlighted the key results. The discussion would be more persuasive if the authors accounted for the discrepancies in the data.

Published manuscripts: “would have been X if they had done Y” If the authors cannot revise based on your suggestions, use the past unreal conditional form “X would have been better if the authors had done Y” (would have been + past perfect suggestion).

The tables would have been clearer if the authors had highlighted key results. The discussion would have been more persuasive if the authors had accounted for discrepancies in the data.

Note: For more information on conditional structures, see our Conditionals handout .

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Literary Criticism

• Introduction
• Literary Theories
• Steps to Literary Criticism
• Find Resources
• Cite Sources
• thesis examples

Step 1 :: READ

As you read the work, ask yourself questions, such as:

Why did the author write this?

What is the theme or themes?

How is the style relevant to the content?

How are the characters developed?

What do the characters learn?

How are the characters connected to the themes?

What does the format and style suggest about the story?

Step 2 :: THESIS

The thesis is a road map for the paper—it tells the reader what to expect.  A good thesis is specific, limited in scope, and offers a perspective or interpretation on a subject. 

Focus on specific attribute(s) of the text(s).

Make a specific, arguable point (thesis) about these attributes.

Defend this point with reasons and evidence drawn from the text and secondary sources.

As you do research and your paper evolves, don't hesitate to revamp your original thesis statement.

THESIS STATEMENT EXAMPLES

Step 3 :: RESEARCH

Find evidence that supports your thesis. This evidence may include:

Opinions of other critics.​

Discussion of the text's historical and social context.

Discussions in books or articles about your text.

Discussions in books and articles about theories related to your argument.

RESOURCES TO USE  IN YOUR RESEARCH 

Step 4 :: SUPPORT

In addition to support for your thesis in sources you have located in your research, you will use support directly from the text, such as:

Direct quotations

Summaries of scenes

Paraphrases

Reminder: Do not summarize the plot. You are writing an analysis; not a review or summary.

For more information about paraphrasing:

OWL Purdue  

Writer's Handbook - University of Wisconsin

Step 5 :: EDIT

The final step is to edit and polish the paper:

Check for spelling and grammar mistakes.

Ask a friend to review it for you. Since you have read it so many times, you may overlook obvious mistakes.

Make sure you follow all formatting guidelines.

Some questions to consider as you review your paper:

Do you get the reader's attention in the introductory paragraph?

Do you vary the sentence structure?

Do your paragraphs transition well?

Do your quotes and research clearly support your thesis?

Does your conclusion tie up all the loose ends?

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Critique vs. Criticism: How to Write a Good Critique, with Examples

by Daniel Rodrigues-Martin

Understanding critique vs. criticism

We all assign merit to the information we experience daily. We “judge” what we hear on the news. We “evaluate” a university lecture. We “like” or “dislike” a movie, a meal, a photo, a story. We’re all critics.

Some writer-readers struggle with this point, especially if they are young to writing and editing. Sitting in a judgment of another writer’s work often feels distasteful, and doing so may conjure negative memories of when we were misunderstood or dismissed by others.

Conversely, we might be willing to share our opinions with other writers while struggling with our competence. We can’t seem to say anything constructive. If we’re critiquing on Scribophile, we may feel that we are wasting one of the author’s coveted “spotlight” critiques.

Having used Scribophile on-and-off since 2009, I’ve seen countless readers qualify their commentary on my own work (“I don’t read your genre,” “I haven’t read your previous chapters,” “I’m not good with grammar,” etc.) and I’ve seen even more cry woe on the forums about how they can’t critique because they’re not experienced enough, not educated enough, or not talented enough. Others decry the very sort of criticism writers’ groups and workshop sites like Scribophile foster, suggesting that the perfunctory nature of such criticism is ultimately more harmful than helpful.

Scribophile as a community thrives on the principle of serious commitment to serious writing, and the foundation of that commitment is reading and responding to others’ work. If you want to explore some elements helpful to improving your critiquing skills, I invite you to get yourself some hot caffeine, strap on your thinking cap, and read on.

How to write a great critique in 3 steps

Listed here are some ideas I’ve found helpful for approaching others’ work; these tips are about your mindset as a critic. These ideas are by no means exhaustive. The best teacher is experience, and I encourage all writers to reflect on the ways in which they approach others’ work as well as how they can best contribute to the growth of others on and off of Scribophile.

1. If you’re genuine, you’ll be constructive

Being constructive means coming to the critique with the ultimate goal of helping the writer improve. It means always criticizing with good intentions for the writer. It does not equate to coddling—being so nice you’ll never say a hard thing—nor does it equate to browbeating—being so hard you’ll never say a nice thing.

Being dishonest or refusing to offer valid criticism where you’re able is a disservice to the writer. Don’t shy away from honesty. Few things are more constructive than hard truths delivered by critics who genuinely want to help and who tailor their criticism with an attitude of genuine interest.

As you interact with works on Scribophile or elsewhere, remember to always approach the task of criticism with a desire to be genuinely helpful. If your criticism is built on this foundation, your commentary will be constructive regardless of your competence and experience.

2. No jerks

As for literary criticism in general: I have long felt that any reviewer who expresses rage and loathing for a novel or a play or a poem is preposterous. He or she is like a person who has put on full armor and attacked a hot fudge sundae or a banana split. —Kurt Vonnegut

Few things will more quickly deflate a writer than unnecessarily harsh criticism. Being honest and being brutal are not the same thing. Critics must learn to express hard truths without coddling and without being jerks.

Even rude people can be good writers with valuable insights into the craft. The problem is that if you express valid insights obnoxiously, the author won’t care. In order for people to listen, they must feel that the person criticizing them has their best interest in mind, and being harsh doesn’t communicate your best interest.

In my earliest days writing, I received some negative criticism from a writer who decided to berate me for penning a bad phrase rather than explaining to me why the phrase didn’t work. Because he was rude, I insulated myself to his criticism. Years later, I reviewed the work and realized his criticism was valid. The problem was not the content of his criticism, but its malicious delivery. Had he come to my work with the desire to be genuinely helpful, I would have listened to what he had to say, and I might even have gained some enlightenment during a formative time in my writing career. The critic did me doubly wrong not only by being obnoxious, but by retarding my growth as a writer.

Unnecessarily harsh criticism is a sign of literary and personal immaturity. Don’t be a jerk.

3. Don’t be too timid

Flattering friends corrupt. —St. Augustine

Every writer likes to be praised, especially by those not obligated to praise them due to marital status or having given birth to them. But depthless praise can be just as damaging as heartless criticism. The reason for this is that it offers no real commentary on the work.

Refusing to offer criticism where it’s needed is one of the greatest disservices you as a critic can do for other writers. Some critics may fret that their criticism might be too discouraging if fully disclosed. Critics must contend with the reality that writing is art, people have opinions about art, and those opinions are not always going to be eruptions of praise. There is no safer environment to honestly and succinctly point out problem areas in a piece of writing than a forum designed for that very purpose.

None of this is to say that you shouldn’t commend a piece of work if it truly is fantastic or that you should not highlight the gems within a work. Again: constructive criticism is honest criticism. If a work is so well-crafted in your eyes that nothing worse than grammatical hiccups are present, tell the writer. They deserve to know they’ve done a fine job. Sometimes people genuinely deserve a “well done.” Don’t skimp on encouragement where it can be authentically offered. Even if a piece is messy, do your best to find a few strong points to highlight. It will express your best interest—especially if you had a lot of hard things to say.

The difference between a critique vs. criticism is whether it’s constructive

Be constructive , meaning, have the best intentions for helping the writer. This may mean telling hard truths. If hard truths must be told, do so respectfully. If praise is deserved, offer it. Highlight the strong points of a piece—even if they are far outweighed by the negative points. Be genuine in your motivations, and genuine action will follow.

Considering authorial intent while critique writing

This section concerns authorial intent and has as its purpose the critic’s growth as an interpreter of that intent. This section is not so much about judging an author’s intent as it’s about being aware of that intent and factoring that awareness into your commentary.

1. Context is king

It is important to appreciate the amount of subjectivity and pre-understanding all readers and listeners bring to the process of interpreting acts of human communication. But unless a speaker or author can retain the right to correct someone’s interpretation by saying ‘but that’s not what I meant’ or ‘that’s not even consistent with what I meant,’ all human communication will quickly break down. —Craig L. Blomberg

While interpreters are always within their rights to read whatever they want however they want to, what they are not at liberty to decide is authorial intent —what the author desired the audience to receive from their work.

As a reader and a critic, you must be careful to understand an author’s work on their own terms while also interpreting those words. There is a substantial difference between, “This is how I’m hearing what you’re saying,” and, “This is what I say your words mean.” Don’t presume to tell an author what their work is supposed to mean, but do tell them how you’re interpreting what they’ve written.

A work-in-progress can suffer from a variety of ailments. Contextual questions are not cut-and-dry like questions of syntax, grammar, or, to a degree, plotting. Questions of context have to do with the interaction of author intent and reader interpretation. They’re murky waters to navigate because you as the reader have to exercise a bit of telepathy; you have to try and get inside the author’s head, ultimately “What is the author trying to convey with this sentence, this piece? Who is this piece for, and will it successfully communicate with that target audience? Is it clear that there is a target audience?”

Some authors are great at genre pieces; they know all the chords to strike, they know what the tone of the piece should be, the kinds of characters who should appear. Other authors can completely muck it up. They’ll write a romance piece that reads like a technical manual or a flowery memoir with a tangle of dead-ending tangents. It’s not always easy and natural for new critics to explain why something does or doesn’t work, but innately, we know. When those moments come up, let the author know.

2. The unintended/unspoken

Asking the question, “Is that really what you meant?” isn’t always bad. All of us have been misunderstood. Sometimes the results are humorous, but other times, we’re grateful for the opportunity to correct misunderstandings.

If in your criticism you find yourself questioning the use of a word or phrase, or even of a character, idea, or plot point, it’s advisable to bring such questions to the writer’s attention. It may just be you, but it may not just be you. Unless the writer has a philosophical axe to grind, they probably mean to communicate clearly, and it should at least be made known that they may have botched it up.

Conversely, there are instances where things left unwritten speak volumes. Perhaps a character “falls off the radar” in mid-scene, and it leaves you scratching your head? It may be appropriate to point out confusing instances of the unwritten for the author’s consideration.

Because my own novel employs many neologisms, critics jumping in mid-story often highlight those neologisms to make sure I’m using them as intended. While it can get tedious to say to myself, “Yes, that is what it means,” I am always thankful for keen eyes. This is the kind of sharp, considerate criticism each of us should aim for and be thankful for if we receive it.

3. Accounting for genre and intended audience

A genre is “A category of artistic composition, as in music or literature, marked by a distinctive style, form, or content.” When reading an author’s work, it’s crucial to take into account its genre and intended audience. If you’re even-handed in your critiquing, you’ll at some point be reading a story in a genre you might not otherwise touch, and while you might wish Twilight had been a one-off rather than a worldwide phenomenon, it’s inappropriate to harshly judge an author’s work simply because you don’t like their sort of story.

Consider the question of author intent and how that intent will resonate with an intended (or unintended!) audience. Sometimes, you must ignore whether or not a story resonates with you personally. Instead, ask yourself if it would resonate with your vampire-novel-loving daughter. Are the story, plot devices, characters, and verbiage appropriate for the intended audience? If yes, why or why not? If no, why or why not? Your personal tastes should not dictate the quality of your criticism. Train yourself to offer valuable insight even on writing you’d never pay money to read.

Remember these principles when reading work outside your sphere of interest. Being constructive doesn’t mean you have to love or even like the work. If something is written well, it’s written well—prejudices aside. If you’re truly unable to be objective, you would do the writer a better service by moving on.

4. Don’t pretend to be a non-writer

A film director watches other films differently than a moviegoer. A chef tastes a meal differently than the average person. As a writer, you necessarily see stories differently than non-writers. That’s not a bad thing.

We can be helpful to other writers by sharing our gut reactions no differently than an unversed beta reader. On the other hand, writers should be able to explain with more clarity than the average person why something does or doesn’t work in a story. A writer’s insight is of a different quality than a non-initiate’s insight. Both are needed for success, because if a writer one day moves on to pitch their work to those in the literary establishment, that work will not be judged by average readers until after it has survived the professional gauntlet.

All readers have the ability to share their gut reactions, but not all readers can slip on their “writer glasses” and offer critique on that level. Good critiques provide both types of insight, so as a fellow writer, bring your full experience to bear in helping others embarking on the same journey.

Understanding intent is part of a good critique

As best as you’re able, judge an author’s work on the basis of their intent—this includes noting instances of the unintended! In consideration of genre, judge the work not on the basis of your interest in the genre, but on the author’s skill at writing a piece that strikes the proper chords within the genre they’ve chosen. It’s not possible for you to read as a reader only, so don’t pretend to be something you’re not.

What makes a good critique?

A good writer may come out of any intellectual discipline at all. Every art and science gives the writer its own special ways of seeing, gives him experience with interesting people, and can provide him with means of making a living… It is not necessary—or perhaps even advisable—that the young writer major in literature. —John Gardner

Contrary to the belief of a lot of new writers, learning to write and critique doesn’t require sixty-four credits of college English or an MFA. Plenty of writers and editors don’t hold English or Creative Writing degrees, and while I in no way wish to discourage those who choose to improve their writing and reviewing by taking the high road of formal education, neither do I wish to discourage the 98% of you reading this who haven’t and won’t be able to front the money and time for such an education.

The ability to forge valid criticism is an applied skill learned through a combination of technical knowledge and experience. We’re fortunate to live in an age where vast quantities of technical information are available at our fingertips. Contemporary writers are able to write informed literature like never before. So, too, are critics able to fact-check writers like never before.

Just as you’re willing to fact-check history or science before you include something in your story, it doesn’t hurt to do that for those you critique. Granted, they should do that themselves, but maybe they’re writing a genre you write, or maybe they’re writing about your field of work or interest? Being educated or experienced in any field will enrich not only your writing, but your critiquing. If you’re a fry cook, your ability to write or critique a scene in a modern commercial kitchen is better than that of someone who hasn’t had that experience. Because you know what it’s like to really work in a kitchen, you can speak to the authenticity of any such scene, and you can speak to the authenticity of the kinds of people who work in commercial kitchens. Your grammar may not be the best, but you still have something valuable to contribute.

Great writers are keen observers of life, and their writing both informs and is by informed by life. Bring the authenticity of your life to your writing and your criticism. You have perspectives, knowledge, and experiences others don’t. As you read and respond to authors, employ the skills and knowledge you already possess. Put your formal and informal education and your life experience to work. This is what it means to “write what you know” and, in our case, “critique what you know.”

Immerse yourself in all sorts of stories to get better at critiquing

One of the cardinal “writing for dummies” rules is that if you want to write well, you need to read a lot. I don’t doubt the validity of this statement, but books are only one medium of storytelling among many. My contention is that by immersing yourself in movies, television, and other storytelling mediums, you can learn about dialogue, plot, characterization, and all the other aspects of “storytelling” that appear no matter what medium you choose.

If you want to understand what makes a story great, seek out great stories. Immerse yourself in them. Though you may not be able to verbalize it, your innate understanding of what makes a narrative work will grow. This will improve both your writing and your critiquing.

Steal critiquing techniques from smart people–yourself included

Consider the critiques that have been most helpful to you. Why did they work? Reread them if you must. Then find a way to adapt the good things from those critiques into your own criticism.

Consider the critiques you’ve shared that have been helpful to others. What stood out to the author? You may even consider asking an author for feedback on your critique. Ask how you could have been more helpful.

Critiquing is a skill you can improve over time just like writing itself. But like writing, it takes practice and discipline. Make it easier on yourself by nurturing what works.

A reading list to improving your critique writing skills

There are many solid books on writing that will not only improve your writing, but your critical reading skills. Rather than provide you a hundred sources, here are a few I’ve been able to get my claws on, have dug into, and can personally vouch for:

Good Prose , by Tracy Kidder & Richard Todd. The writer-editor combo of The Atlantic share their wisdom through a tightly-edited, insightful, and entertaining survey of nonfiction writing that has plenty of benefit for writers of all stripes. The book’s section on “proportion and order” in narrative has revolutionized my own thinking about how stories should be structured.

How to Write Science Fiction and Fantasy , by Orson Scott Card. A good resource if you write these genres, Card provides practical advice on publishing, agents, etc., in addition to familiarizing the reader with dos and don’ts for writing Sci-Fi/Fantasy, including some technical questions. The book’s a bit dated by now—especially the parts about the publishing world—but there are some nuggets of timeless truth within.

On Becoming a Novelist , by John Gardner. Despite the Modernistic tendency of abusing the pronoun “he,” this may be the most formative thing I’ve read about novel writing. It’s slim, readable, practical, and comprehensive.

On Writing , by Stephen King. Something of an autobiography penned by one of the most successful authors of all time, this book is snappy, humorous, entertaining, and more than a little instructive for anyone looking to write and read better. King reminds his fellow writers that “Life isn’t a support system for art; it’s the other way around.”

Story , by Robert McKee. Considered by many to be the “screenwriter’s bible,” Story belongs in the library of every serious writer whether or not they ever aspire to the silver screen. McKee is a master of properly balancing a plot to satisfy an audience, and all writers should glean from his wisdom.

The Modern Library Writer’s Workshop , by Stephen Koch. Koch flexes his student’s muscles by providing copious citations from the masters who have graced the past few centuries of literature. The author fades into the background at points while readers are treated to the musings and experiences of Dostoevsky, Flannery O’Connor, Hemingway, and others.

The Writer’s Journey: Mythic Structure for Writers , by Christopher Vogler. Vogler is one of the most proficient living writers of the entertainment industry. Working primarily from the theses of the late cultural anthropologist, Joseph Campbell, Vogler illustrates the plot devices and character tropes that underlie the world’s oldest stories. Recommended for new writers of the speculative fiction genres and those who wish to write epics.

The value of criticism and critiquing

The arts too can be taught, up to a point; but except for certain matters of technique, one does not learn the arts, one simply catches on. —John Gardner

The value of criticism is twofold: First and most obviously, it helps others. Second, and maybe not as apparent if you’re new to critiquing: It improves your own writing.

As you examine the work of others, you’ll be able to see what works and what doesn’t work. You will begin to notice patterns as you edit your own writing, and you’ll begin to sift out the problem areas. It’s difficult to judge your own work objectively. Doing it for others helps you get a clear head and recognize the ways in which you do the very things you criticize others for doing.

This article hasn’t had as a goal the outlining of a criticism “process.” The reason for this is that I could no more outline a criticism process than I could outline a fiction writing process. There is no single monolithic “right way to do it” that will unequivocally work for everyone. Herein are general guidelines and considerations that I’ve found helpful over the years and that others have appreciated. If you write critiques constructively, taking consideration of what the author is trying to do, and if you do so authentically, drawing on your experiences and knowledge, you’re on the right track for writing great critiques. The details of how exactly you accomplish that will become clearer to you as you engage in criticism. As in any discipline: Seek feedback and keep going.

Appendix I: “Line edits” and “critiques”

“Line edits” and “critiques” are not the same thing. These two types of reader responses address different issues, and in order to ensure that you receive the kind of criticism you’re seeking, you need to know what you’re displaying.

A “line edit” is a thorough, line-by-line examination of a manuscript. A good line edit requires an editor with a keen eye for detail and a working knowledge of contemporary grammar, syntax, and idiomatic English. The purpose of a line edit is to make a manuscript as readable as possible by removing technical errors. Typically, works that receive line edits receive them because they’re in need of them.

A “critique” is an in-depth review, touching on characterization, plot, theme, scene structure, poetry of language, and other related factors. Notice how I didn’t list anything about spelling or proper comma usage? It’s because that’s not critiquing; that’s editing. Typically, works that receive criticism as described here are free or mostly free of errors that distract readers from the story.

No one is perfect, and one of the best tools at our disposal on Scribophile is the inline critique option. Having never read nor submitted a flawless piece of writing for review, I can tell you that no one should be ashamed to receive a line edit. There are many sharp eyes and sharp minds browsing Scribophile, and even the best writer’s eyes glaze over after so many hours of staring at a white screen.

That said, part of what is absolutely necessary to receive genuine criticism as described above is a readable text. An unreadable text has never, in my experience, provided foundation for a fantastic piece of writing. Messy prose screams “messy story.” If you want criticism of story, your text must be as clean as possible.

If you’re willing to admit that your mastery of the technicalities of writing is not the sharpest, by all means, employ the knowledge and expertise of those on this site who do; it’s a wonderful resource. Readers can’t truly resonate with your story until you weave a piece of art that makes them forget they’re experiencing a piece of art. When you’re able to achieve this, you’ve removed the hurdles preventing your reader from authentically engaging with the story you’ve created. It’s at this stage in your writing that you can consistently receive deep criticism.

This is, of course, not to say that imperfect prose can’t be critiqued. Part of writing great critiques is learning to spot the gems in the story and encouraging the writer to press onward in spite of any shortcomings. If you’re honest and genuine, this won’t be a problem.

If all else fails, list at the top of your submitted piece the sort of critique you’re seeking by highlighting specific questions. “I’d love to know how you reacted when X happened,” for example. This will encourage readers to engage with the sorts of questions you’re asking.

Appendix II: The Benefits and Limits of Critique Groups

If you understand how to best leverage critique groups, they will be helpful and formative to your growth. As written above, critiquing others helps you grow; but there is more. The benefits of critique groups are threefold.

First, broad exposure. Want to know what people outside of your social circle will think of your work? A critique group will expose your work to people of different backgrounds. You can learn how a teen writer with big dreams or a Native American ex-botanist writing a memoir in retirement reacts to your story. This is the type of demographic insight you’d pay good money for when it comes time to sell your book. Even in small chunks, it’s valuable to know how different people experience your work.

Second, many eyes forge sharper prose. If three different people all trip over the same thing in your text, the problem is most likely not those three people, but your text. Especially if your text is hot off the press, you can catch errors early, and writers tend to be sharper with these sorts of things than the general population. Go look up the cost of a professional manuscript editor in your area, and you’ll be glad for many eyes combing over your writing.

Third, and most importantly: networking. The goal of sites like Scribophile and in-person critique groups should be to develop a network of people who will read the entirety of your work. Don’t get angry at forks for not being spoons—a reader jumping in mid-story will never give you the same level of commentary as someone who’s been reading since chapter one. If you’re ready for that level of reading, you need others to agree to read the book from start to finish. Use critique groups and sites like Scribophile to build relationships. Be attentive to others and share good critiques with them. As your relationships deepen, you’ll eventually find yourself with a list of contacts to trade with. But this requires you to be the kind of person people want reading their work. Behave professionally, and over time, you’ll find yourself surrounded by likeminded individuals who will give you the kind of meaty, informed commentary you need. The rule of thumb with critique groups and workshop websites is: You get out what you put in to them.

Appendix III: Still confused?

If you have questions I have failed to address in this article, I encourage you to contact me privately here on Scribophile or to reach out on social media. I’m happy to help.

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How to Write a Critique Paper: Format, Tips, & Critique Essay Examples

A critique paper is an academic writing genre that summarizes and gives a critical evaluation of a concept or work. Or, to put it simply, it is no more than a summary and a critical analysis of a specific issue. This type of writing aims to evaluate the impact of the given work or concept in its field.

Want to learn more? Continue reading this article written by Custom-writing experts! It contains:

• best tips on how to critique an article or a literary work,
• a critique paper example with introduction, body, and conclusion.

💁 What Is a Critique Paper?

• 👣 Critical Writing Steps

👀 Critical Essay Types

📝 critique paper format, 📑 critique paper outline, 🔗 references.

A critique is a particular academic writing genre that requires you to carefully study, summarize, and critically analyze a study or a concept. In other words, it is nothing more than a critical analysis. That is all you are doing when writing a critical essay: trying to understand the work and present an evaluation. Critical essays can be either positive or negative, as the work deserves.

👣 How to Write a Critique Essay: Main Steps

Starting critique essays is the most challenging part. You are supposed to substantiate your opinion with quotes and paraphrases, avoiding retelling the entire text. A critical analysis aims to find out whether an article or another piece of writing is compelling. First, you need to formulate the author’s thesis: what was the literary work supposed to convey? Then, explore the text on how this main idea was elaborated. Finally, draft your critique according to the structure given below.

Step 1: Critical Reading

1.1. Attentively read the literary work. While reading, make notes and underline the essentials.

• Try to come into the author’s world and think why they wrote such a piece.
• Point out which literary devices are successful. Some research in literary theory may be required.
• Find out what you dislike about the text, i.e., controversies, gaps, inconsistency, or incompleteness.

1.2. Find or formulate the author’s thesis. 

• What is the principal argument? In an article, it can be found in the first paragraph.
• In a literary work, formulate one of the principal themes, as the thesis is not explicit.
• If you write a critique of painting, find out what feelings, emotions, or ideas, the artist attempted to project.

1.3. Make a summary or synopsis of the analyzed text. 

• One paragraph will suffice. You can use it in your critique essay, if necessary.
• The point is to explore the gist.

Step 2: Analyzing the Text

After the reading phase, ask yourself the following questions :

• What was your emotional response to the text? Which techniques, images, or ideas made you feel so?
• Find out the author’s background. Which experiences made them raise such a thesis? What other significant works have they written that demonstrate the general direction of thought of this person?
• Are the concepts used correctly in the text? Are the references reliable, and do they sufficiently substantiate the author’s opinion?

Step 3: Drafting the Essay

Finally, it is time to draft your essay. First of all, you’ll need to write a brief overview of the text you’re analyzing. Then, formulate a thesis statement – one sentence that will contain your opinion of the work under scrutiny. After that, make a one-paragraph summary of the text.

You can use this simple template for the draft version of your analysis. Another thing that can help you at this step is a summary creator to make the creative process more efficient.

Critique Paper Template

• Start with an introductory phrase about the domain of the work in question.
• Tell which work you are going to analyze, its author, and year of publication.
• Specify the principal argument of the work under study.
• In the third sentence, clearly state your thesis.
• Here you can insert the summary you wrote before.
• This is the only place where you can use it. No summary can be written in the main body!
• Use one paragraph for every separate analyzed aspect of the text (style, organization, fairness/bias, etc.).
• Each paragraph should confirm your thesis (e.g., whether the text is effective or ineffective).
• Each paragraph shall start with a topic sentence, followed by evidence, and concluded with a statement referring to the thesis.
• Provide a final judgment on the effectiveness of the piece of writing.
• Summarize your main points and restate the thesis, indicating that everything you said above confirms it.

You can evaluate the chosen work or concept in several ways. Pick the one you feel more comfortable with from the following:

• Descriptive critical essays examine texts or other works. Their primary focus is usually on certain features of a work, and it is common to compare and contrast the subject of your analysis to a classic example of the genre to which it belongs.
• Evaluative critical essays provide an estimate of the value of the work. Was it as good as you expected based on the recommendations, or do you feel your time would have been better spent on something else?
• Interpretive essays provide your readers with answers that relate to the meaning of the work in question. To do this, you must select a method of determining the meaning, read/watch/observe your analysis subject using this method, and put forth an argument.

There are also different types of critiques. The University of North Carolina-Chapel Hill, in the article “ Writing critiques ,” discusses them as well as the appropriate critique language.

Critique Paper Topics

• Critique of the article Is Google Making Us Stupid? by Nicholas Carr .
• Interpret the symbolism of Edgar Alan Poe’s The Black Cat .
• Examine the topicality of the article Impact of Racial/Ethnic Differences on Child Mental Health Care .
• Critical essay on Alice Walker’s short story Everyday Use .
• Discuss the value of the essay The Hanging by George Orwell.
• A critique on the article Stocks Versus Bonds: Explaining the Equity Risk Premium .
• Explore the themes Tennessee Williams reveals in The Glass Menagerie.
• Analyze the relevance of the article Leadership Characteristics and Digital Transformation .
• Critical evaluation of Jonathan Harvey’s play Beautiful Thing .
• Analyze and critique Derek Raymond’s story He Died with His Eyes Open .
• Discuss the techniques author uses to present the problem of choice in The Plague .
• Examine and evaluate the research article Using Evidence-Based Practice to Prevent Ventilator-Associated Pneumonia .
• Explore the scientific value of the article Our Future: A Lancet Commission on Adolescent Health and Wellbeing .
• Describe the ideas E. Hemingway put into his A Clean, Well-Lighted Place .
• Analyze the literary qualities of Always Running La Vida Loca: Gang Days in L. A .
• Critical writing on The Incarnation of Power by Wright Mills.
• Explain the strengths and shortcomings of Tim Kreider’s article The Busy Trap .
• Critical response to Woolf’s novel Mrs. Dalloway .
• Examine the main idea of Richard Godbeer’s book Escaping Salem .
• The strong and weak points of the article The Confusion of Tongues by William G. Bellshaw .
• Critical review of Gulliver’s Travels .
• Analyze the stylistic devices Anthony Lewis uses in Gideon’s Trumpet.
• Examine the techniques Elie Wiesel uses to show relationship transformation in the book Night .
• Critique of the play Fences by August Wilson.
• The role of exposition in Achebe’s novel Things Fall Apart.
• The main themes John Maxwell discusses in his book Disgrace .
• Critical evaluation of Ray Bradbury’s Fahrenheit 451 .
• The ideas and concept of the book The Vegetarian Imperative .
• Different points of view on one historical figure in the book Two Lives of Charlemagne .

Since the APA critique paper format is one of the most common, let’s discuss it in more detail. Check out the information below to learn more:

The APA Manual recommends using the following fonts:

• 11-point Calibri,
• 11-point Arial,
• 10-point Lucida Sans Unicode,
• 12-point Times New Roman,
• 11-point Georgia,
• 10-point Computer Modern.

Add 1-inch margins on all sides.

📌 Page numbers

Page numbers should appear at the top right-hand corner, starting with the title page.

📌 Line spacing

The entire document, including the title page and reference list, should be double-spaced.

📌 Title page

The title page should include the following information:

• page number 1 in the top right-hand corner of the page header,
• paper title,
• the student’s name,
• the name of the department and the college or university,
• course number and name,
• the instructor’s name,
• due date (the date format used in your country).

📌 Critique paper title

The title of your critique paper should be no more than 12 words. In addition, it should be centered and typed in bold using title case.

📌 In-text citations

For the in-text citation, provide the author’s last name and publication year in brackets. If you are using direct citation, add the page number after the year.

📌 References

The last page of your paper should include a list of all sources cited in your essay. Here’s a general format of book and journal article citations you should use:

Book: Last name, First initial. Middle initial. (Year). Book title: Subtitle . Publisher.

Journal article: Last name, First initial. Middle initial. (Year). Title of the article. Journal Title, volume (issue number), start page–end page.

The main parts of good critical response essays are:

• Introduction. The introduction is the most essential part of the critical response. It should be concise and include the author and title of the work being analyzed, its main idea, and a strong thesis statement.
• Summary. This should be brief and to the point. Only the author’s/creator’s main ideas and arguments should be included.
• Analysis/interpretation. Discuss what the author’s/creator’s primary goal was and determine whether this goal was reached successfully. Use the evidence you have gathered to argue whether or not the author/creator achieved was adequately convincing (remember there should be no personal bias in this discussion).
• Evaluation/response. At this point, your readers are ready to learn your objective response to the work. It should be professional yet entertaining to read. Do not hesitate to use strong language. You can say that the work you analyzed was weak and poorly-structured if that is the case, but keep in mind that you have to have evidence to back up your claim.
• Conclusion. The last paragraph of your work should restate the thesis statement, summarize the key points, and create a sense of closure for the readers.

Critique Paper Introduction

The introduction is setting the stage for your analysis. Here are some tips to follow when working on it:

• Provide the reader with a brief synopsis of the main points of the work you are critiquing .
• State your general opinion of the work , using it as your thesis statement. The ideal situation is that you identify and use a controversial thesis.
• Remember that you will uncover a lot of necessary information about the work you are critiquing. You mustn’t make use of all of it, providing the reader with information that is unnecessary in your critique. If you are writing about Shakespeare, you don’t have to waste your or your reader’s time going through all of his works.

Critique Paper Body

The body of the critique contains the supporting paragraphs. This is where you will provide the facts that prove your main idea and support your thesis. Follow the tips below when writing the body of your critique.

• Every paragraph must focus on a precise concept from the paper under your scrutiny , and your job is to include arguments to support or disprove that concept. Concrete evidence is required.
• A critical essay is written in the third-person and ensures the reader is presented with an objective analysis.
• Discuss whether the author was able to achieve their goals and adequately get their point across.
• It is important not to confuse facts and opinions . An opinion is a personal thought and requires confirmation, whereas a fact is supported by reliable data and requires no further proof. Do not back up one idea with another one.
• Remember that your purpose is to provide the reader with an understanding of a particular piece of literature or other work from your perspective. Be as specific as possible.

Critique Paper Conclusion

Finally, you will need to write a conclusion for your critique. The conclusion reasserts your overall general opinion of the ideas presented in the text and ensures there is no doubt in the reader’s mind about what you believe and why. Follow these tips when writing your conclusion:

• Summarize the analysis you provided in the body of the critique.
• Summarize the primary reasons why you made your analysis .
• Where appropriate, provide recommendations on how the work you critiqued can be improved.

For more details on how to write a critique, check out the great critique analysis template provided by Thompson Rivers University.

If you want more information on essay writing in general, look at the Secrets of Essay Writing .

Example of Critique Paper with Introduction, Body, and Conclusion

Check out this critical response example to “The Last Inch” by James Aldridge to show how everything works in practice:

Introduction 

In his story “The Last Inch,” James Aldridge addresses the issue of the relationship between parents and children. The author captured the young boy’s coming into maturity coinciding with a challenging trial. He also demonstrated how the twelve-year-old boy obtained his father’s character traits. Aldridge’s prose is both brutal and poetic, expressing his characters’ genuine emotions and the sad truths of their situations.

Body: Summary 

The story is about Ben Ensley, an unemployed professional pilot, who decides to capture underwater shots for money. He travels to Shark Bay with his son, Davy. Ben is severely injured after being attacked by a shark while photographing. His last hope of survival is to fly back to the little African hamlet from where they took off.

Body: Analysis 

The story effectively uses the themes of survival and fatherhood and has an intriguing and captivating plot. In addition, Ben’s metamorphosis from a failing pilot to a determined survivor is effectively presented. His bond with his son, Davy, adds depth and emotional importance to the story. At the same time, the background information about Ben’s past and his life before the shark attack could be more effectively integrated into the main story rather than being presented as separate blocks of text.

Body: Evaluation 

I find “The Last Inch” by James Aldridge a very engaging and emotional story since it highlights the idea of a father’s unconditional love and determination in the face of adversity. I was also impressed by the vivid descriptions and strong character development of the father and son.

Conclusion 

“The Last Inch” by James Aldridge is an engaging and emotional narrative that will appeal to readers of all ages. It is a story of strength, dedication, and the unbreakable link between father and son. Though some backstory could be integrated more smoothly, “The Last Inch” impresses with its emotional punch. It leaves the readers touched by the raw power of fatherly love and human will.

📚 Critique Essay Examples

With all of the information and tips provided above, your way will become clearer when you have a solid example of a critique essay.

Below is a critical response to The Yellow Wallpaper by Charlotte Perkins Gilman.

When speaking of feminist literature that is prominent and manages to touch on incredibly controversial issues, The Yellow Wallpaper is the first book that comes to mind. Written from a first-person perspective, magnifying the effect of the narrative, the short story by Charlotte Perkins Gilman introduces the reader to the problem of the physical and mental health of the women of the 19th century. However, the message that is intended to concern feminist ideas is rather subtle. Written in the form of several diary entries, the novel offers a mysterious plot, and at the same time, shockingly realistic details.

What really stands out about the novel is the fact that the reader is never really sure how much of the story takes place in reality and how much of it happens in the psychotic mind of the protagonist. In addition, the novel contains a plethora of description that contributes to the strain and enhances the correlation between the atmosphere and the protagonist’s fears: “The color is repellent, almost revolting; a smoldering unclean yellow, strangely faded by the slow-turning sunlight” (Gilman).

Despite Gilman’s obvious intent to make the novel a feminist story with a dash of thriller thrown in, the result is instead a thriller with a dash of feminism, as Allen (2009) explains. However, there is no doubt that the novel is a renowned classic. Offering a perfect portrayal of the 19th-century stereotypes, it is a treasure that is certainly worth the read.

If you need another critique essay example, take a look at our sample on “ The Importance of Being Earnest ” by Oscar Wilde.

And here are some more critique paper examples for you check out:

• A Good Man Is Hard to Find: Critique Paper
• Critique on “The Yellow Wallpaper” by Charlotte Perkins Gilman
• “When the Five Rights Go Wrong” Article Critique
• Homer’s Iliad and Odyssey — Comparison & Critique   
• Benefits and Disadvantages of Prone Positioning in Severe Acute Respiratory Distress: Article Critique
• Reducing Stress in Student Nurses: Article Critique
• Management of Change and Professional Safety – Article Critique
• “Views of Young People Towards Physical Activity”: Article Critique

Seeing an example of a critique is so helpful. You can find many other examples of a critique paper at the University of Minnesota and John Hopkins University. Plus, you can check out this video for a great explanation of how to write a critique.

• Critical Analysis
• Writing an Article Critique
• The Critique Essay
• Critique Essay
• Writing a Critique
• Writing A Book Critique
• Media Critique
• Tips for an Effective Creative Writing Critique
• How to Write an Article Critique
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How to write a critical analysis

Unlike the name implies a critical analysis does not necessarily mean that you are only exploring what is wrong with a piece of work. Instead, the purpose of this type of essay is to interact with and understand a text. Here’s what you need to know to create a well-written critical analysis essay.

What is a critical analysis?

A critical analysis examines and evaluates someone else’s work, such as a book, an essay, or an article. It requires two steps: a careful reading of the work and thoughtful analysis of the information presented in the work.

Although this may sound complicated, all you are doing in a critical essay is closely reading an author’s work and providing your opinion on how well the author accomplished their purpose.

Critical analyses are most frequently done in academic settings (such as a class assignment). Writing a critical analysis demonstrates that you are able to read a text and think deeply about it. However, critical thinking skills are vital outside of an educational context as well. You just don’t always have to demonstrate them in essay form.

How to outline and write a critical analysis essay

Writing a critical analysis essay involves two main chunks of work: reading the text you are going to write about and writing an analysis of that text. Both are equally important when writing a critical analysis essay.

Step one: Reading critically

The first step in writing a critical analysis is to carefully study the source you plan to analyze.

If you are writing for a class assignment, your professor may have already given you the topic to analyze in an article, short story, book, or other work. If so, you can focus your note-taking on that topic while reading.

Other times, you may have to develop your own topic to analyze within a piece of work. In this case, you should focus on a few key areas as you read:

• What is the author’s intended purpose for the work?
• What techniques and language does the author use to achieve this purpose?
• How does the author support the thesis?
• Who is the author writing for?
• Is the author effective at achieving the intended purpose?

Once you have carefully examined the source material, then you are ready to begin planning your critical analysis essay.

Step two: Writing the critical analysis essay

Taking time to organize your ideas before you begin writing can shorten the amount of time that you spend working on your critical analysis essay. As an added bonus, the quality of your essay will likely be higher if you have a plan before writing.

Here’s a rough outline of what should be in your essay. Of course, if your instructor gives you a sample essay or outline, refer to the sample first.

• Background Information

Critical Analysis

Here is some additional information on what needs to go into each section:

Background information

In the first paragraph of your essay, include background information on the material that you are critiquing. Include context that helps the reader understand the piece you are analyzing. Be sure to include the title of the piece, the author’s name, and information about when and where it was published.

“Success is counted sweetest” is a poem by Emily Dickinson published in 1864. Dickinson was not widely known as a poet during her lifetime, and this poem is one of the first published while she was alive.

After you have provided background information, state your thesis. The thesis should be your reaction to the work. It also lets your reader know what to expect from the rest of your essay. The points you make in the critical analysis should support the thesis.

Dickinson’s use of metaphor in the poem is unexpected but works well to convey the paradoxical theme that success is most valued by those who never experience success.

The next section should include a summary of the work that you are analyzing. Do not assume that the reader is familiar with the source material. Your summary should show that you understood the text, but it should not include the arguments that you will discuss later in the essay.

Dickinson introduces the theme of success in the first line of the poem. She begins by comparing success to nectar. Then, she uses the extended metaphor of a battle in order to demonstrate that the winner has less understanding of success than the loser.

The next paragraphs will contain your critical analysis. Use as many paragraphs as necessary to support your thesis.

Discuss the areas that you took notes on as you were reading. While a critical analysis should include your opinion, it needs to have evidence from the source material in order to be credible to readers. Be sure to use textual evidence to support your claims, and remember to explain your reasoning.

Dickinson’s comparison of success to nectar seems strange at first. However the first line “success is counted sweetest” brings to mind that this nectar could be bees searching for nectar to make honey. In this first stanza, Dickinson seems to imply that success requires work because bees are usually considered to be hard-working and industrious.

In the next two stanzas, Dickinson expands on the meaning of success. This time she uses the image of a victorious army and a dying man on the vanquished side. Now the idea of success is more than something you value because you have worked hard for it. Dickinson states that the dying man values success even more than the victors because he has given everything and still has not achieved success.

This last section is where you remind the readers of your thesis and make closing remarks to wrap up your essay. Avoid summarizing the main points of your critical analysis unless your essay is so long that readers might have forgotten parts of it.

In “Success is counted sweetest” Dickinson cleverly upends the reader’s usual thoughts about success through her unexpected use of metaphors. The poem may be short, but Dickinson conveys a serious theme in just a few carefully chosen words.

What type of language should be used in a critical analysis essay?

Because critical analysis papers are written in an academic setting, you should use formal language, which means:

• No contractions
• Avoid first-person pronouns (I, we, me)

Do not include phrases such as “in my opinion” or “I think”. In a critical analysis, the reader already assumes that the claims are your opinions.

Your instructor may have specific guidelines for the writing style to use. If the instructor assigns a style guide for the class, be sure to use the guidelines in the style manual in your writing.

Additional t ips for writing a critical analysis essay

To conclude this article, here are some additional tips for writing a critical analysis essay:

• Give yourself plenty of time to read the source material. If you have time, read through the text once to get the gist and a second time to take notes.
• Outlining your essay can help you save time. You don’t have to stick exactly to the outline though. You can change it as needed once you start writing.
• Spend the bulk of your writing time working on your thesis and critical analysis. The introduction and conclusion are important, but these sections cannot make up for a weak thesis or critical analysis.
• Give yourself time between your first draft and your second draft. A day or two away from your essay can make it easier to see what you need to improve.

Frequently Asked Questions about critical analyses

In the introduction of a critical analysis essay, you should give background information on the source that you are analyzing. Be sure to include the author’s name and the title of the work. Your thesis normally goes in the introduction as well.

A critical analysis has four main parts.

• Introduction

The focus of a critical analysis should be on the work being analyzed rather than on you. This means that you should avoid using first person unless your instructor tells you to do otherwise. Most formal academic writing is written in third person.

How many paragraphs your critical analysis should have depends on the assignment and will most likely be determined by your instructor. However, in general, your critical analysis paper should have three to six paragraphs, unless otherwise stated.

Your critical analysis ends with your conclusion. You should restate the thesis and make closing remarks, but avoid summarizing the main points of your critical analysis unless your essay is so long that readers might have forgotten parts of it.

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How to Write a Critical Essay

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• An Introduction to Punctuation

Olivia Valdes was the Associate Editorial Director for ThoughtCo. She worked with Dotdash Meredith from 2017 to 2021.

• B.A., American Studies, Yale University

A critical essay is a form of academic writing that analyzes, interprets, and/or evaluates a text. In a critical essay, an author makes a claim about how particular ideas or themes are conveyed in a text, then supports that claim with evidence from primary and/or secondary sources.

In casual conversation, we often associate the word "critical" with a negative perspective. However, in the context of a critical essay, the word "critical" simply means discerning and analytical. Critical essays analyze and evaluate the meaning and significance of a text, rather than making a judgment about its content or quality.

What Makes an Essay "Critical"? 

Imagine you've just watched the movie "Willy Wonka and the Chocolate Factory." If you were chatting with friends in the movie theater lobby, you might say something like, "Charlie was so lucky to find a Golden Ticket. That ticket changed his life." A friend might reply, "Yeah, but Willy Wonka shouldn't have let those raucous kids into his chocolate factory in the first place. They caused a big mess."

These comments make for an enjoyable conversation, but they do not belong in a critical essay. Why? Because they respond to (and pass judgment on) the raw content of the movie, rather than analyzing its themes or how the director conveyed those themes.

On the other hand, a critical essay about "Willy Wonka and the Chocolate Factory" might take the following topic as its thesis: "In 'Willy Wonka and the Chocolate Factory,' director Mel Stuart intertwines money and morality through his depiction of children: the angelic appearance of Charlie Bucket, a good-hearted boy of modest means, is sharply contrasted against the physically grotesque portrayal of the wealthy, and thus immoral, children."

This thesis includes a claim about the themes of the film, what the director seems to be saying about those themes, and what techniques the director employs in order to communicate his message. In addition, this thesis is both supportable  and  disputable using evidence from the film itself, which means it's a strong central argument for a critical essay .

Characteristics of a Critical Essay

Critical essays are written across many academic disciplines and can have wide-ranging textual subjects: films, novels, poetry, video games, visual art, and more. However, despite their diverse subject matter, all critical essays share the following characteristics.

• Central claim . All critical essays contain a central claim about the text. This argument is typically expressed at the beginning of the essay in a thesis statement , then supported with evidence in each body paragraph. Some critical essays bolster their argument even further by including potential counterarguments, then using evidence to dispute them.
• Evidence . The central claim of a critical essay must be supported by evidence. In many critical essays, most of the evidence comes in the form of textual support: particular details from the text (dialogue, descriptions, word choice, structure, imagery, et cetera) that bolster the argument. Critical essays may also include evidence from secondary sources, often scholarly works that support or strengthen the main argument.
• Conclusion . After making a claim and supporting it with evidence, critical essays offer a succinct conclusion. The conclusion summarizes the trajectory of the essay's argument and emphasizes the essays' most important insights.

Tips for Writing a Critical Essay

Writing a critical essay requires rigorous analysis and a meticulous argument-building process. If you're struggling with a critical essay assignment, these tips will help you get started.

• Practice active reading strategies . These strategies for staying focused and retaining information will help you identify specific details in the text that will serve as evidence for your main argument. Active reading is an essential skill, especially if you're writing a critical essay for a literature class.
• Read example essays . If you're unfamiliar with critical essays as a form, writing one is going to be extremely challenging. Before you dive into the writing process, read a variety of published critical essays, paying careful attention to their structure and writing style. (As always, remember that paraphrasing an author's ideas without proper attribution is a form of plagiarism .)
• Resist the urge to summarize . Critical essays should consist of your own analysis and interpretation of a text, not a summary of the text in general. If you find yourself writing lengthy plot or character descriptions, pause and consider whether these summaries are in the service of your main argument or whether they are simply taking up space.
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How to Write a Critical Essay

Last Updated: April 8, 2023 Fact Checked

This article was co-authored by Megan Morgan, PhD . Megan Morgan is a Graduate Program Academic Advisor in the School of Public & International Affairs at the University of Georgia. She earned her PhD in English from the University of Georgia in 2015. There are 10 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 1,164,666 times.

The goal of a critical essay is to analyze a book, film, article, painting, or event and support your argument with relevant details. When writing a paper like this, you will have to come up with an interpretation of your own and then use facts or evidence from the work or other sources to prove that your interpretation is acceptable. A critical essay on a book, for example, might focus on the tone and how that influences the meaning of the book overall and would use quotations from the book to support the thesis. This type of paper requires careful planning and writing, but is often a creative way to engage with a subject that you are interested in and can be very rewarding!

Preparing to Write a Critical Essay

• Get to know the text inside and out by reading and rereading it. If you have been asked to write about a visual text like a film or piece of art, watch the film multiple times or view the painting from various angles and distances.

• What is the text about?
• What are the main ideas?
• What is puzzling about the text?
• What is the purpose of this text?
• Does the text accomplish its purpose? If not, why not? Is so, how so? [3] X Research source Don't: summarize the plot — you should already be familiar with it. Do: jot down thoughts that may guide your paper: Does he mean __? Does this connect to __?

• Your solution to the problem should help you to develop a focus for your essay, but keep in mind that you do not need to have a solid argument about your text at this point. As you continue to think about the text, you will move closer to a focus and a thesis for your critical analysis essay. Don't: read the author's mind: Mary Shelley intended Frankenstein's monster to be more likable because... Do: phrase it as your own interpretation: Frankenstein's monster is more sympathetic than his creator, leading the reader to question who the true monster really is.

Conducting Research

• Books, articles from scholarly journals, magazine articles, newspaper articles, and trustworthy websites are some sources that you might consider using.
• Use your library’s databases rather than a general internet search. University libraries subscribe to many databases. These databases provide you with free access to articles and other resources that you cannot usually gain access to by using a search engine.

• The author and his or her credentials. Choose sources that include an author’s name and that provide credentials for that author. The credentials should indicate something about why this person is qualified to speak as an authority on the subject. For example, an article about a medical condition will be more trustworthy if the author is a medical doctor. If you find a source where no author is listed or the author does not have any credentials, then this source may not be trustworthy. [5] X Research source
• Citations. Think about whether or not this author has adequately researched the topic. Check the author’s bibliography or works cited page. If the author has provided few or no sources, then this source may not be trustworthy. [6] X Research source
• Bias. Think about whether or not this author has presented an objective, well-reasoned account of the topic. How often does the tone indicate a strong preference for one side of the argument? How often does the argument dismiss or disregard the opposition’s concerns or valid arguments? If these are regular occurrences in the source, then it may not be a good choice. [7] X Research source (Note, however, that literary criticism often presents a very strong preference for one reading; this is not usually considered "bias" because the field of literary study is inherently subjective.) Don't: dismiss an author for favoring one point of view. Do: engage critically with their argument and make use of well-supported claims.
• Publication date. Think about whether or not this source presents the most up to date information on the subject. Noting the publication date is especially important for scientific subjects, since new technologies and techniques have made some earlier findings irrelevant. [8] X Research source
• Information provided in the source. If you are still questioning the trustworthiness of this source, cross check some of the information provided against a trustworthy source. If the information that this author presents contradicts one of your trustworthy sources, then it might not be a good source to use in your paper. [9] X Research source

• Clearly indicate when you have quoted a source word for word by putting it into quotation marks and including information about the source such as the author’s name, article or book title, and page number. Don't: highlight a phrase just because it sounds significant or meaningful. Do: highlight phrases that support or undermine your arguments.

Writing Your Essay

• Make sure your thesis provides enough detail. In other words, avoid simply saying that something is "good" or "effective" and say what specifically makes it "good" or "effective." [12] X Trustworthy Source University of North Carolina Writing Center UNC's on-campus and online instructional service that provides assistance to students, faculty, and others during the writing process Go to source
• Place your thesis statement at the end of your first paragraph unless your instructor tells you to place it elsewhere. The end of the first paragraph is the traditional place to provide your thesis in an academic essay.
• For example, here is a multi-sentence thesis statement about the effectiveness and purpose of the movie Mad Max: Fury Road : "Many action films follow the same traditional pattern: a male action hero (usually white and attractive) follows his gut and barks orders at others, who must follow him or die. Mad Max: Fury Road is effective because it turns this pattern on its head. Instead of following the expected progression, the movie offers an action movie with multiple heroes, many of whom are women, thereby effectively challenging patriarchal standards in the Hollywood summer blockbuster." Don't: include obvious facts ( Mad Max was directed by George Miller ) or subjective opinions ( Mad Max is the greatest movie of 2015 ). [13] X Trustworthy Source University of North Carolina Writing Center UNC's on-campus and online instructional service that provides assistance to students, faculty, and others during the writing process Go to source Do: present an argument that you can back up with evidence.

• You may want to use a formal outline structure that uses Roman numerals, Arabic numerals, and letters. Or, you may want to use an informal "mind-map" type of outline, which allows you to gather your ideas before you have a complete idea of how they progress.

• Other good techniques to open an essay include using a specific, evocative detail that links to your larger idea, asking a question that your essay will answer, or providing a compelling statistic.

• If you are writing about a book, provide the name of the work, the author, and a brief summary of the plot.
• If you are writing about a film, provide a brief synopsis.
• If you are writing about a painting or other still image, provide a brief description for your readers.
• Keep in mind that your background information in the first paragraph should lead up to your thesis statement. Explain everything the reader needs to know to understand what your topic is about, then narrow it down until you reach the topic itself.

• Provide a claim at the beginning of the paragraph.
• Support your claim with at least one example from your primary source(s).
• Support your claim with at least one example from your secondary sources.

• Summarize and review your main ideas about the text.
• Explain how the topic affects the reader.
• Explain how your narrow topic applies to a broader theme or observation.
• Call the reader to action or further exploration on the topic.
• Present new questions that your essay introduced. Don't: repeat the same points you made earlier in the essay. Do: refer back to earlier points and connect them into a single argument.

Revising Your Essay

• It is important to begin writing a paper far enough ahead of time to allow yourself a few days or even a week to revise before it is due. If you do not allow yourself this extra time, you will be more prone to making simple mistakes and your grade may suffer as a result. [16] X Research source

• What is your main point? How might you clarify your main point?
• Who is your audience? Have you considered their needs and expectations?
• What is your purpose? Have you accomplished your purpose with this paper?
• How effective is your evidence? How might your strengthen your evidence?
• Does every part of your paper relate back to your thesis? How might you enhance these connections?
• Is anything confusing about your language or organization? How might your clarify your language or organization?
• Have you made any errors with grammar, punctuation, or spelling? How can you correct these errors?
• What might someone who disagrees with you say about your paper? How can you address these opposing arguments in your paper? [17] X Research source

• If you are submitting your paper online or through email, check with your teacher or professor to find out what format s/he prefers. If you have used any textual formatting in your paper, you may wish to save it as a PDF file to preserve your formatting.

Sample Essays

Community Q&A

• Ask a friend, family member or other acquaintance to proofread and make constructive comments on your paper. Professional writers go through several drafts of their work and you should expect to do the same. Thanks Helpful 9 Not Helpful 0
• It is often easier to write a rough introduction and proceed with the rest of the paper before returning to revise the introduction. If you're feeling lost on how to introduce your paper, write a placeholder introduction. Thanks Helpful 8 Not Helpful 1
• Write in your own voice. It is better to correctly use the words you know than to misuse the words you do not know in an attempt to sound scholarly. Thanks Helpful 6 Not Helpful 1

• Make sure to cite all of your research including quotations, statistics and theoretical concepts as accurately as possible. When in doubt, err on the side of citing more rather than less, since failing to cite your research can result in a charge of plagiarism. Thanks Helpful 6 Not Helpful 2
• Papers written at the last minute suffer from logic gaps and poor grammar. Remember that your teacher has read hundreds, if not thousands of student papers, and as such, can tell when you've written a paper at the last minute. Thanks Helpful 6 Not Helpful 2

You Might Also Like

• ↑ https://uwc.ucla.edu/wp-content/uploads/2016/01/UWC_handouts_readingessayprompts.pdf
• ↑ http://www.sussex.ac.uk/s3/?id=122
• ↑ http://www2.southeastern.edu/Academics/Faculty/elejeune/critique.htm
• ↑ https://guides.lib.uw.edu/research/faq/reliable
• ↑ https://owl.english.purdue.edu/owl/resource/553/03/
• ↑ https://owl.english.purdue.edu/owl/resource/673/1/
• ↑ http://writingcenter.unc.edu/handouts/thesis-statements/
• ↑ https://www.irsc.edu/students/academicsupportcenter/researchpaper/researchpaper.aspx?id=4294967433
• ↑ https://owl.english.purdue.edu/engagement/2/2/58/
• ↑ https://owl.english.purdue.edu/owl/resource/561/05/

About This Article

To write a critical essay, develop a thesis that expresses your essay's main focus and states an arguable claim. Next, write an introduction that gives a basic overview of your paper and introduces your thesis. Then, create paragraphs that discuss your specific ideas, focusing on one main idea per paragraph. Be sure to start each paragraph with a claim and use examples from primary and secondary sources to support that claim. Finally, create a conclusion that summarizes your main points. For tips on outlining and revising your paper, read on! Did this summary help you? Yes No

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How To Write a Critical Analysis Essay?

13 April, 2020

8 minutes read

Author:  Tomas White

All works of art are subject to criticism. That criticism comes in the form of this essay type. Every time you read or watch a review or a discussion on a piece, you are exposing yourself to a critical analysis. Handmadewriting team has prepared this guide for You to learn how to write a critical analysis essay. Let's rock!

What is a Critical Analysis Essay?

A critical analysis essay puts you, the writer, in the position of judging creative work. Generally, these essays cover what you believe the work did well and what it did wrong while adding some personal insight. You will use examples from the piece to support your claims.

Having problems with your critical analysis? Our  essay writer help provides services 24\7!

How to Start A Critical Analysis Essay

Before you start the writing portion of your essay, you’ll need to spend some time with the creative work and get a good idea of the messages it attempts to portray.

Identify the Author’s Thesis

What is the main message behind the creative piece? Identify what the author is trying to argue. Which side of the argument do they fall on? Do they offer solutions to the argument or simply present to show awareness? This isn’t always clear in the work, and some outside research may be needed to fully understand the message.

Outline the Main Ideas

Go through the piece and note down any overarching messages. How does the creator appeal to your emotions? Is it done effectively, or could it have been done better? In most creative works, all of the main ideas come together to form the thesis statement.

A good way of searching for these is to work backwards from the previously established thesis. View the piece with the thesis in mind, and jot down each and every point that contributes to it.

Evaluate the Author’s Points

Summarize these points and state how well they support the thesis. Are they the strongest possible arguments for the thesis? What examples does the creator present against the thesis? Are they fair and objective, or do they lean heavily to one side? Like a good critical analysis, a good creative piece evaluates all sides of the presented argument and supports each side with evidence.

Check this guide in case you need to learn more about a rhetorical analysis .

Organizing your research into an outline is the best way to prepare for the writing. A proper outline will allow your writing to flow and give you a structure to adhere to.

How to write a Critical Analysis Essay Outline:

Introduction.

When starting a critical analysis essay, you need to state the name of the creative work, the creator, and any relevant publication/distribution details. Then, outline what parts of the work you’re going to discuss. This is when you should introduce the creator’s thesis and how they supported that thesis.

Once that’s done, end the introduction with your thesis statement . Your thesis should consist of your original thoughts and reactions to the creation and its message. Come up with a main idea about the work and use different examples from it to support your statement.

This is your opinion and it should not be the same as the creator’s thesis. A good thesis example would state what the creator’s argument is, and then what it does well/badly and how it accomplishes that.

Here, you’re going to go more in-depth on the main ideas you outlined in your introduction. Break down what the piece is about. Talk about the characters, the themes, how the creator utilizes these to show their vision and argue their points.

Pretend the reader hasn’t been exposed to the piece of creative work. Don’t hold back, show them what the piece is so they can understand where you are coming from.

The part you’ve waited for. The analysis is broken into multiple body paragraphs, much like other types of essays. Break down your ideas that you stated in your thesis, giving each their own paragraph. Do your best to state both positive and negative parts of the creative work. If you really feel strongly one way or the other, highlight the opposite feeling early on before getting into your opinions. If you hate the film, discuss what it did well at the beginning of your analysis, then get into what it did wrong.

When breaking down your ideas, be sure to discuss the three different types of appeals:

• Ethos: How the creator shows their credibility in their art. Why should they be trusted, or how did they fail to establish credibility?
• Pathos: All art is based on emotion. How did the creators work to appeal to your emotions specifically? Did you agree with how the creator wanted you to feel, or did they miss the mark completely?
• Logos: How does the creator use logic to get you on their side?

At the end of your analysis paragraphs, your paper should clearly state your thoughts and opinions on the creation, have those thoughts supported with examples from the piece, and address whether or not the creator achieved their goal.

Restate your thesis. Say it in a different, but similar, way to reaffirm it. Summarize the main point of each body paragraph, strengthening your thesis even more. Finally, your conclusion should show what the reader shall take away from the creation:

• You shouldn’t watch this movie because it’s offensive to all genders.
• You should read this book because it is an incredibly informative retelling of the Watergate scandal

While working on the planning and pre-planning stages of your essay, be sure to keep these tips in mind for a stronger end product:

Critical Analysis Essay Writing Tips from HandmadeWriting 

• Provoke your reader to rethink their opinions on the piece. Strive to make your opinion so sound that they have no choice but to consider it.
• Be fair. If you’re just whining or mindlessly praising the piece, no one is going to take your analysis seriously. Provide a quality argument with strong examples. Create a strong foundation for your opinion.
• Have fun. You’re speaking your mind on a creation. Really get into why you feel the way you do. If you’re having fun, it will show, and the reader will too. Check out our  paper writing guide  to learn how to write other essay types.

And finally, check your essay upon completion and make sure it follows these guidelines. If it does, you’re set:

Do’s and Don’ts From Our Writing Team

• Take the time to find strong examples both for and against your argument.
• Ensure the reader has a clear vision on what the piece is about before you get into the analysis.
• Be honest. Share your emotions with the reader. It will build a stronger argument, and an apt reader will see right through you being fake.
• Research the piece. Reading up on it will give you some insight you may not have considered, leading to a stronger argument.
• Lean too far one way without discussing the other.
• Write “My thoughts” or “My opinion is”. Just state your opinions.
• Use first or second pronouns. Say “the audience” or “the reader”.
• Spend too much time on the summary. Your analysis should be the biggest part of your paper.

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What Is a Critical Analysis Essay: Definition

Have you ever had to read a book or watch a movie for school and then write an essay about it? Well, a critical analysis essay is a type of essay where you do just that! So, when wondering what is a critical analysis essay, know that it's a fancy way of saying that you're going to take a closer look at something and analyze it.

So, let's say you're assigned to read a novel for your literature class. A critical analysis essay would require you to examine the characters, plot, themes, and writing style of the book. You would need to evaluate its strengths and weaknesses and provide your own thoughts and opinions on the text.

Similarly, if you're tasked with writing a critical analysis essay on a scientific article, you would need to analyze the methodology, results, and conclusions presented in the article and evaluate its significance and potential impact on the field.

The key to a successful critical analysis essay is to approach the subject matter with an open mind and a willingness to engage with it on a deeper level. By doing so, you can gain a greater appreciation and understanding of the subject matter and develop your own informed opinions and perspectives. Considering this, we bet you want to learn how to write critical analysis essay easily and efficiently, so keep on reading to find out more!

Meanwhile, if you'd rather have your own sample critical analysis essay crafted by professionals from our custom writings , contact us to buy essays online .

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Critical Analysis Essay Topics by Category

If you're looking for an interesting and thought-provoking topic for your critical analysis essay, you've come to the right place! Critical analysis essays can cover many subjects and topics, with endless possibilities. To help you get started, we've compiled a list of critical analysis essay topics by category. We've got you covered whether you're interested in literature, science, social issues, or something else. So, grab a notebook and pen, and get ready to dive deep into your chosen topic. In the following sections, we will provide you with various good critical analysis paper topics to choose from, each with its unique angle and approach.

Critical Analysis Essay Topics on Mass Media

From television and radio to social media and advertising, mass media is everywhere, shaping our perceptions of the world around us. As a result, it's no surprise that critical analysis essays on mass media are a popular choice for students and scholars alike. To help you get started, here are ten critical essay example topics on mass media:

• The Influence of Viral Memes on Pop Culture: An In-Depth Analysis.
• The Portrayal of Mental Health in Television: Examining Stigmatization and Advocacy.
• The Power of Satirical News Shows: Analyzing the Impact of Political Commentary.
• Mass Media and Consumer Behavior: Investigating Advertising and Persuasion Techniques.
• The Ethics of Deepfake Technology: Implications for Trust and Authenticity in Media.
• Media Framing and Public Perception: A Critical Analysis of News Coverage.
• The Role of Social Media in Shaping Political Discourse and Activism.
• Fake News in the Digital Age: Identifying Disinformation and Its Effects.
• The Representation of Gender and Diversity in Hollywood Films: A Critical Examination.
• Media Ownership and Its Impact on Journalism and News Reporting: A Comprehensive Study.

Critical Analysis Essay Topics on Sports

Sports are a ubiquitous aspect of our culture, and they have the power to unite and inspire people from all walks of life. Whether you're an athlete, a fan, or just someone who appreciates the beauty of competition, there's no denying the significance of sports in our society. If you're looking for an engaging and thought-provoking topic for your critical analysis essay, sports offer a wealth of possibilities:

• The Role of Sports in Diplomacy: Examining International Relations Through Athletic Events.
• Sports and Identity: How Athletic Success Shapes National and Cultural Pride.
• The Business of Sports: Analyzing the Economics and Commercialization of Athletics.
• Athlete Activism: Exploring the Impact of Athletes' Social and Political Engagement.
• Sports Fandom and Online Communities: The Impact of Social Media on Fan Engagement.
• The Representation of Athletes in the Media: Gender, Race, and Stereotypes.
• The Psychology of Sports: Exploring Mental Toughness, Motivation, and Peak Performance.
• The Evolution of Sports Equipment and Technology: From Innovation to Regulation.
• The Legacy of Sports Legends: Analyzing Their Impact Beyond Athletic Achievement.
• Sports and Social Change: How Athletic Movements Shape Societal Attitudes and Policies.

Critical Analysis Essay Topics on Literature and Arts

Literature and arts can inspire, challenge, and transform our perceptions of the world around us. From classic novels to contemporary art, the realm of literature and arts offers many possibilities for critical analysis essays. Here are ten original critic essay example topics on literature and arts:

• The Use of Symbolism in Contemporary Poetry: Analyzing Hidden Meanings and Significance.
• The Intersection of Art and Identity: How Self-Expression Shapes Artists' Works.
• The Role of Nonlinear Narrative in Postmodern Novels: Techniques and Interpretation.
• The Influence of Jazz on African American Literature: A Comparative Study.
• The Complexity of Visual Storytelling: Graphic Novels and Their Narrative Power.
• The Art of Literary Translation: Challenges, Impact, and Interpretation.
• The Evolution of Music Videos: From Promotional Tools to a Unique Art Form.
• The Literary Techniques of Magical Realism: Exploring Reality and Fantasy.
• The Impact of Visual Arts in Advertising: Analyzing the Connection Between Art and Commerce.
• Art in Times of Crisis: How Artists Respond to Societal and Political Challenges.

Critical Analysis Essay Topics on Culture

Culture is a dynamic and multifaceted aspect of our society, encompassing everything from language and religion to art and music. As a result, there are countless possibilities for critical analysis essays on culture. Whether you're interested in exploring the complexities of globalization or delving into the nuances of cultural identity, there's a wealth of topics to choose from:

• The Influence of K-Pop on Global Youth Culture: A Comparative Study.
• Cultural Significance of Street Art in Urban Spaces: Beyond Vandalism.
• The Role of Mythology in Shaping Indigenous Cultures and Belief Systems.
• Nollywood: Analyzing the Cultural Impact of Nigerian Cinema on the African Diaspora.
• The Language of Hip-Hop Lyrics: A Semiotic Analysis of Cultural Expression.
• Digital Nomads and Cultural Adaptation: Examining the Subculture of Remote Work.
• The Cultural Significance of Tattooing Among Indigenous Tribes in Oceania.
• The Art of Culinary Fusion: Analyzing Cross-Cultural Food Trends and Innovation.
• The Impact of Cultural Festivals on Local Identity and Economy.
• The Influence of Internet Memes on Language and Cultural Evolution.

How to Write a Critical Analysis: Easy Steps

When wondering how to write a critical analysis essay, remember that it can be a challenging but rewarding process. Crafting a critical analysis example requires a careful and thoughtful examination of a text or artwork to assess its strengths and weaknesses and broader implications. The key to success is to approach the task in a systematic and organized manner, breaking it down into two distinct steps: critical reading and critical writing. Here are some tips for each step of the process to help you write a critical essay.

Step 1: Critical Reading

Here are some tips for critical reading that can help you with your critical analysis paper:

• Read actively : Don't just read the text passively, but actively engage with it by highlighting or underlining important points, taking notes, and asking questions.
• Identify the author's main argument: Figure out what the author is trying to say and what evidence they use to support their argument.
• Evaluate the evidence: Determine whether the evidence is reliable, relevant, and sufficient to support the author's argument.
• Analyze the author's tone and style: Consider the author's tone and style and how it affects the reader's interpretation of the text.
• Identify assumptions: Identify any underlying assumptions the author makes and consider whether they are valid or questionable.
• Consider alternative perspectives: Consider alternative perspectives or interpretations of the text and consider how they might affect the author's argument.
• Assess the author's credibility : Evaluate the author's credibility by considering their expertise, biases, and motivations.
• Consider the context: Consider the historical, social, cultural, and political context in which the text was written and how it affects its meaning.
• Pay attention to language: Pay attention to the author's language, including metaphors, symbolism, and other literary devices.
• Synthesize your analysis: Use your analysis of the text to develop a well-supported argument in your critical analysis essay.

Step 2: Critical Analysis Writing

Here are some tips for critical analysis writing, with examples:

• Start with a strong thesis statement: A strong critical analysis thesis is the foundation of any critical analysis essay. It should clearly state your argument or interpretation of the text. You can also consult us on how to write a thesis statement . Meanwhile, here is a clear example:
• Weak thesis statement: 'The author of this article is wrong.'
• Strong thesis statement: 'In this article, the author's argument fails to consider the socio-economic factors that contributed to the issue, rendering their analysis incomplete.'
• Use evidence to support your argument: Use evidence from the text to support your thesis statement, and make sure to explain how the evidence supports your argument. For example:
• Weak argument: 'The author of this article is biased.'
• Strong argument: 'The author's use of emotional language and selective evidence suggests a bias towards one particular viewpoint, as they fail to consider counterarguments and present a balanced analysis.'
• Analyze the evidence : Analyze the evidence you use by considering its relevance, reliability, and sufficiency. For example:
• Weak analysis: 'The author mentions statistics in their argument.'
• Strong analysis: 'The author uses statistics to support their argument, but it is important to note that these statistics are outdated and do not take into account recent developments in the field.'
• Use quotes and paraphrases effectively: Use quotes and paraphrases to support your argument and properly cite your sources. For example:
• Weak use of quotes: 'The author said, 'This is important.'
• Strong use of quotes: 'As the author points out, 'This issue is of utmost importance in shaping our understanding of the problem' (p. 25).'
• Use clear and concise language: Use clear and concise language to make your argument easy to understand, and avoid jargon or overly complicated language. For example:
• Weak language: 'The author's rhetorical devices obfuscate the issue.'
• Strong language: 'The author's use of rhetorical devices such as metaphor and hyperbole obscures the key issues at play.'
• Address counterarguments: Address potential counterarguments to your argument and explain why your interpretation is more convincing. For example:
• Weak argument: 'The author is wrong because they did not consider X.'
• Strong argument: 'While the author's analysis is thorough, it overlooks the role of X in shaping the issue. However, by considering this factor, a more nuanced understanding of the problem emerges.'
• Consider the audience: Consider your audience during your writing process. Your language and tone should be appropriate for your audience and should reflect the level of knowledge they have about the topic. For example:
• Weak language: 'As any knowledgeable reader can see, the author's argument is flawed.'
• Strong language: 'Through a critical analysis of the author's argument, it becomes clear that there are gaps in their analysis that require further consideration.'

Master the art of critical analysis with EssayPro . Our team is ready to guide you in dissecting texts, theories, or artworks with depth and sophistication. Let us help you deliver a critical analysis essay that showcases your analytical prowess.

Creating a Detailed Critical Analysis Essay Outline

Creating a detailed outline is essential when writing a critical analysis essay. It helps you organize your thoughts and arguments, ensuring your essay flows logically and coherently. Here is a detailed critical analysis outline from our dissertation writers :

I. Introduction

A. Background information about the text and its author

B. Brief summary of the text

C. Thesis statement that clearly states your argument

II. Analysis of the Text

A. Overview of the text's main themes and ideas

B. Examination of the author's writing style and techniques

C. Analysis of the text's structure and organization

III. Evaluation of the Text

A. Evaluation of the author's argument and evidence

B. Analysis of the author's use of language and rhetorical strategies

C. Assessment of the text's effectiveness and relevance to the topic

IV. Discussion of the Context

A. Exploration of the historical, cultural, and social context of the text

B. Examination of the text's influence on its audience and society

C. Analysis of the text's significance and relevance to the present day

V. Counter Arguments and Responses

A. Identification of potential counterarguments to your argument

B. Refutation of counterarguments and defense of your position

C. Acknowledgement of the limitations and weaknesses of your argument

VI. Conclusion

A. Recap of your argument and main points

B. Evaluation of the text's significance and relevance

C. Final thoughts and recommendations for further research or analysis.

This outline can be adjusted to fit the specific requirements of your essay. Still, it should give you a solid foundation for creating a detailed and well-organized critical analysis essay.

Useful Techniques Used in Literary Criticism

There are several techniques used in literary criticism to analyze and evaluate a work of literature. Here are some of the most common techniques:

• Close reading: This technique involves carefully analyzing a text to identify its literary devices, themes, and meanings.
• Historical and cultural context: This technique involves examining the historical and cultural context of a work of literature to understand the social, political, and cultural influences that shaped it.
• Structural analysis: This technique involves analyzing the structure of a text, including its plot, characters, and narrative techniques, to identify patterns and themes.
• Formalism: This technique focuses on the literary elements of a text, such as its language, imagery, and symbolism, to analyze its meaning and significance.
• Psychological analysis: This technique examines the psychological and emotional aspects of a text, including the motivations and desires of its characters, to understand the deeper meanings and themes.
• Feminist and gender analysis: This technique focuses on the representation of gender and sexuality in a text, including how gender roles and stereotypes are reinforced or challenged.
• Marxist and social analysis: This technique examines the social and economic structures portrayed in a text, including issues of class, power, and inequality.

By using these and other techniques, literary critics can offer insightful and nuanced analyses of works of literature, helping readers to understand and appreciate the complexity and richness of the texts.

Sample Critical Analysis Essay

Now that you know how to write a critical analysis, take a look at the critical analysis essay sample provided by our research paper writers and better understand this kind of paper!

Final Words

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What Type Of Language Should Be Used In A Critical Analysis Essay?

How to write a critical analysis essay, what is a critical analysis essay.

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Essay Papers Writing Online

How to craft an effective critique essay – a step-by-step guide to capturing readers’ attention, providing insightful analysis, and offering constructive feedback.

Evaluating someone else’s writing can be a challenging task, but with the right tools and approach, you can become a skillful critic in no time. Whether you’re analyzing a piece of literature, an article, or a research paper, a critique essay allows you to delve into the elements that make up a strong written work.

By honing your critical thinking skills, you’ll be able to identify the strengths and weaknesses of a piece and provide insightful feedback. Through this process, you’ll not only improve your own writing abilities but also enhance your understanding and appreciation of the written word.

In this comprehensive article, we will equip you with the essential techniques and strategies needed to write an effective critique essay. From analyzing the structure and organization of a piece to evaluating the author’s arguments and evidence, you’ll learn how to assess a work’s strengths and weaknesses with precision and clarity.

What is a Critique Essay and Why is it Important?

A critique essay is a type of academic writing that involves analyzing and evaluating a piece of work, such as a book, film, artwork, or research paper. Unlike a simple summary or review, a critique essay goes beyond providing a surface-level examination of the work and delves into an in-depth analysis of its strengths, weaknesses, and overall value.

But why is writing a critique essay important? Well, there are several reasons. Firstly, it allows you to develop critical thinking skills by carefully examining and assessing the merits of a work. This type of analysis helps you become more discerning and thoughtful in your judgments, which is a valuable skill in many aspects of life.

In addition, writing a critique essay encourages you to become an active participant in the intellectual discourse surrounding a particular topic or field. By engaging with a work and providing your own analysis, you are contributing to the ongoing conversation and expanding the collective understanding of the subject matter.

Furthermore, a critique essay can serve as a useful tool for the creator of the work being critiqued. Constructive criticism can provide valuable insights and suggestions for improvement, helping the creator gain a fresh perspective and refine their skills.

Ultimately, the importance of writing a critique essay lies in its ability to foster critical thinking, contribute to intellectual discourse, and provide constructive feedback. Whether you are a student honing your analytical skills or a professional offering insights in your field, learning how to effectively critique a work is a valuable and essential skill.

Choosing a Topic for Your Critique Essay

When it comes to writing a critique essay, the first and most important step is choosing a topic that is both interesting and suitable for critique. The topic you choose will determine the direction and focus of your essay, as well as the arguments and evidence you will present. It is crucial to select a topic that you are passionate about and have a strong opinion on, as this will make the writing process more enjoyable and engaging.

When considering potential topics for your critique essay, it can be helpful to brainstorm a list of subjects that you have recently encountered in your studies, personal life, or current events. This can include books, movies, artworks, scientific studies, political speeches, or social issues. Reflect on your experiences and think about which topics have sparked your interest or elicited an emotional response.

Once you have a list of potential topics, narrow it down to one that you feel confident in critiquing. Consider the availability of resources and research materials related to the topic, as well as the relevance and significance of the subject matter. It is important to choose a topic that is not too broad or too narrow, but one that allows for a thorough analysis and evaluation.

Furthermore, when selecting a topic for your critique essay, consider the potential audience and the purpose of your writing. Are you writing for a specific academic or professional audience, or for a general readership? Is your goal to persuade, inform, or entertain? Understanding your audience and purpose will help you choose a topic that is relevant, engaging, and appropriate for your intended readers.

In conclusion, the process of choosing a topic for your critique essay requires careful consideration and reflection. By selecting a topic that you are passionate about, narrowing down your options, and considering the audience and purpose of your writing, you can ensure that your critique essay is engaging, informative, and well-structured.

Effective Methods for Analyzing and Evaluating the Work

When it comes to critiquing a piece of work, it is important to employ effective methods for analyzing and evaluating the work. These methods allow you to objectively assess the strengths and weaknesses of the work while providing constructive feedback.

One method for analyzing the work is to carefully examine the overall structure and organization. This involves evaluating the flow of ideas and the logical progression of the work. Pay attention to how well the work introduces and supports its main argument or thesis statement. Look for any inconsistencies or gaps in the logic and assess the effectiveness of the transitions between ideas.

Additionally, it is important to assess the use of evidence and examples in the work. Look for both quantitative and qualitative evidence that supports the main argument. Evaluate the credibility and relevance of the sources cited and determine if they strengthen the overall argument. Consider the quality of the examples provided and how well they illustrate the key points of the work.

Another critical aspect to evaluate in the work is the clarity and effectiveness of the writing style. Assess the use of language, considering factors such as clarity, conciseness, and precision. Look for any instances of wordiness or ambiguity and consider how well the writer communicates their ideas. Pay attention to the use of tone and voice and evaluate if they are appropriate for the intended audience.

Furthermore, it is essential to consider the originality and creativity of the work. Analyze whether the ideas presented are innovative and unique, or if they rely heavily on existing research and ideas. Evaluate the extent to which the writer brings a fresh perspective or contributes new insights to the topic. Consider the level of critical thinking and depth of analysis demonstrated in the work.

Finally, it is crucial to provide constructive feedback when evaluating the work. Identify specific strengths and weaknesses and provide evidence to support your analysis. Offer suggestions for improvement and recommend areas where the writer can further develop their ideas or arguments. Remember to maintain a balance between positive and negative feedback to help the writer grow and improve their work.

• Analyze the overall structure and organization of the work
• Assess the use of evidence and examples
• Evaluate the clarity and effectiveness of the writing style
• Analyze the originality and creativity of the ideas presented
• Provide constructive feedback and suggestions for improvement

By utilizing these effective methods for analyzing and evaluating the work, you will be able to provide a comprehensive critique that offers valuable insights and helps the writer enhance their work.

Tips for Writing a Strong and Persuasive Critique Essay

When crafting a critique essay, it is essential to adopt a strong and persuasive writing style to effectively convey your thoughts and opinions. By employing certain techniques and considerations, you can enhance the impact of your critique and make it more persuasive. This section will provide valuable tips to help you write a compelling critique essay.

First and foremost, clarity and conciseness are key. Make sure your critique is written in a clear and straightforward manner, avoiding any unnecessary jargon or complex language. This will ensure that your ideas are easily understood by your readers, allowing them to fully grasp your perspective.

Additionally, providing evidence and examples is crucial to strengthen your critique. Back up your opinions with credible sources, such as research studies, statistical data, or expert opinions. This will make your arguments more persuasive and lend credibility to your critique.

It is also important to offer a balanced perspective in your critique. While expressing your own views, be sure to acknowledge and address counterarguments or differing opinions. This will demonstrate your ability to consider multiple perspectives and make your critique more comprehensive and well-rounded.

Using persuasive language and rhetorical devices can significantly enhance the impact of your critique. Employ techniques such as persuasive appeals (ethos, logos, pathos), rhetorical questions, metaphors, and analogies to captivate your readers and engage them on an emotional and intellectual level.

Structuring your critique in a logical and organized manner is another essential aspect. Break down your critique into distinct sections, such as introduction, body paragraphs discussing various aspects of the subject, and a conclusion summarizing your main points and reinforcing your overall perspective. This will make your critique more coherent and reader-friendly.

Consider your target audience when writing your critique. Tailor your language, tone, and style to resonate with your intended readers. Adapt your arguments and examples to align with their interests, values, and beliefs. This will make your critique more relatable and persuasive to your specific audience.

Lastly, support your arguments with credible sources. Incorporating research findings, expert opinions, or firsthand experiences will strengthen the validity of your critique and provide additional weight to your arguments. This will make your critique more persuasive and enhance its overall impact.

By following these tips, you can ensure that your critique essay is not only strong but also persuasive. By employing clear and concise language, providing evidence and examples, offering a balanced perspective, using persuasive language and rhetorical devices, structuring effectively, considering your target audience, and supporting your arguments with credible sources, you can craft a compelling critique essay that effectively conveys your thoughts and opinions.

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Organizing Your Analysis

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There is no one perfect way to organize a rhetorical analysis essay. In fact, writers should always be a bit leery of plug-in formulas that offer a perfect essay format. Remember, organization itself is not the enemy, only organization without considering the specific demands of your particular writing task. That said, here are some general tips for plotting out the overall form of your essay.

Introduction

Like any rhetorical analysis essay, an essay analyzing a visual document should quickly set the stage for what you’re doing. Try to cover the following concerns in the initial paragraphs:

• Make sure to let the reader know you’re performing a rhetorical analysis. Otherwise, they may expect you to take positions or make an evaluative argument that may not be coming.
• Clearly state what the document under consideration is and possibly give some pertinent background information about its history or development. The intro can be a good place for a quick, narrative summary of the document. The key word here is “quick, for you may be dealing with something large (for example, an entire episode of a cartoon like the Simpsons). Save more in-depth descriptions for your body paragraph analysis.
• If you’re dealing with a smaller document (like a photograph or an advertisement), and copyright allows, the introduction or first page is a good place to integrate it into your page.
• Give a basic run down of the rhetorical situation surrounding the document: the author, the audience, the purpose, the context, etc.

Thesis Statements and Focus

Many authors struggle with thesis statements or controlling ideas in regards to rhetorical analysis essays. There may be a temptation to think that merely announcing the text as a rhetorical analysis is purpose enough. However, especially depending on your essay’s length, your reader may need a more direct and clear statement of your intentions. Below are a few examples.

1. Clearly narrow the focus of what your essay will cover. Ask yourself if one or two design aspects of the document is interesting and complex enough to warrant a full analytical treatment.

The website for Amazon.com provides an excellent example of alignment and proximity to assist its visitors in navigating a potentially large and confusing amount of information.

2. Since visual documents often seek to move people towards a certain action (buying a product, attending an event, expressing a sentiment), an essay may analyze the rhetorical techniques used to accomplish this purpose. The thesis statement should reflect this goal.

The call-out flyer for the Purdue Rowing Team uses a mixture of dynamic imagery and tantalizing promises to create interest in potential, new members.

3. Rhetorical analysis can also easily lead to making original arguments. Performing the analysis may lead you to an argument; or vice versa, you may start with an argument and search for proof that supports it.

A close analysis of the female body images in the July 2007 issue of Cosmopolitan magazine reveals contradictions between the articles’ calls for self-esteem and the advertisements’ unrealistic, beauty demands.

These are merely suggestions. The best measure for what your focus and thesis statement should be the document itself and the demands of your writing situation. Remember that the main thrust of your thesis statement should be on how the document creates meaning and accomplishes its purposes. The OWl has additional information on writing thesis statements.

Analysis Order (Body Paragraphs)

Depending on the genre and size of the document under analysis, there are a number of logical ways to organize your body paragraphs. Below are a few possible options. Which ever you choose, the goal of your body paragraphs is to present parts of the document, give an extended analysis of how that part functions, and suggest how the part ties into a larger point (your thesis statement or goal).

Chronological

This is the most straight-forward approach, but it can also be effective if done for a reason (as opposed to not being able to think of another way). For example, if you are analyzing a photo essay on the web or in a booklet, a chronological treatment allows you to present your insights in the same order that a viewer of the document experiences those images. It is likely that the images have been put in that order and juxtaposed for a reason, so this line of analysis can be easily integrated into the essay.

Be careful using chronological ordering when dealing with a document that contains a narrative (i.e. a television show or music video). Focusing on the chronological could easily lead you to plot summary which is not the point of a rhetorical analysis.

A spatial ordering covers the parts of a document in the order the eye is likely to scan them. This is different than chronological order, for that is dictated by pages or screens where spatial order concerns order amongst a single page or plane. There are no unwavering guidelines for this, but you can use the following general guidelines.

• Left to right and top to down is still the normal reading and scanning pattern for English-speaking countries.
• The eye will naturally look for centers. This may be the technical center of the page or the center of the largest item on the page.
• Lines are often used to provide directions and paths for the eye to follow.
• Research has shown that on web pages, the eye tends to linger in the top left quadrant before moving left to right. Only after spending a considerable amount of time on the top, visible portion of the page will they then scroll down.

Persuasive Appeals

The classic, rhetorical appeals are logos, pathos, and ethos. These concepts roughly correspond to the logic, emotion, and character of the document’s attempt to persuade. You can find more information on these concepts elsewhere on the OWL. Once you understand these devices, you could potentially order your essay by analyzing the document’s use of logos, ethos, and pathos in different sections.

The conclusion of a rhetorical analysis essay may not operate too differently from the conclusion of any other kind of essay. Still, many writers struggle with what a conclusion should or should not do. You can find tips elsewhere on the OWL on writing conclusions. In short, however, you should restate your main ideas and explain why they are important; restate your thesis; and outline further research or work you believe should be completed to further your efforts.

Writing a prose practical criticism essay

Cite this chapter.

• John Peck 2 &
• Martin Coyle 2  

Part of the book series: Palgrave Study Guides ((MASTSK))

142 Accesses

Before turning directly to essay-writing, we want to reiterate some points that we made in Chapter 6, points about mistakes to avoid and tips to adopt in essay writing:

Avoid story telling. There is no point in merely repeating what the passage says in your own words. You are meant to be analysing the passage: showing what it is about, how it brings its subject to life, and what it all amounts to.

Don’t stray froID the point. Practical criticism in not an excuse or opportunity for writing about your own life. Stick to the extract, stick to the words on the page.

Don’t talk about content and style separately. Far too often candidates say what the passage is about at great length and then comment separately on its formal qualities. Through the entire course of your essay you should be talking about the artistic choices the writer has made, and how these choices help create the meaning and significance of the passage.

Recreate the reading process. The ideal answer recreates the reading process. You read the passage, form an initial impression of what it is about, but then, as you look more closely and reflect on what you have read, your sense of what the passage is about becomes more subtle.

Rernernber that you are writing an essay. Far too many examination candidates present their observations in a piecemeal fashion. You must ensurethat you are building a case. Get hold of the passage as a whole in an introductory paragraph, and then write four substantial paragraphs

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10 Practical Ways to Improve Your Essay Writing Skills

What makes a great essay stand out from an average one? It's all about finding the right mix between what you say and how you say it. Even the best ideas can fall flat if they're not written well. At the same time, good writing can't make up for weak content.

A really good essay needs to do many things at once. It should teach the reader something new and keep them interested. It should also be fun to read. On top of that, it needs to have perfect grammar, sentence structure, and punctuation. If you're having trouble getting the grades you want and don't know why, this article will show you ten ways to improve your essay writing skills. We'll also touch on a tool that can make writing essays easier and more enjoyable.

1. Read Often

To get better at writing essays, it's important to read lots of different types of writing. Try reading different kinds of books and articles to learn new words and ideas. Pay special attention to published essays and academic journals. These can show you how good writers make their points and keep their ideas flowing smoothly.

For example, if you're writing about climate change, don't just read science papers. Read opinion pieces, stories about environmental movements from the past, and even stories that talk about nature and how people affect it. This will help you improve your essays by giving you a bigger picture of the topic.

2. Understand Your Essay Topic

Before you start writing, take time to really understand what your essay is supposed to be about. Read the instructions carefully and gather information. Don't rush this part. Instead, take your time to build a strong base for your arguments. Look at different viewpoints to make sure your main idea is correct and well-thought-out. This step is very important if you want to improve your essay and do high-quality work.

3. Create a Solid Essay Structure

Even the best writers start with an outline. Making a plan is really important for organizing your thoughts and making sure your essay makes sense from start to finish. As you research more, your topic might change in ways you didn't expect. A flexible outline can help you manage these new ideas and fit them into your essay in a way that makes sense.

You could try using the basic five-paragraph essay structure to start:

• Introduction (with your main idea)
• First main point
• Second main point
• Third main point

But don't feel like you have to stick to this exactly. As you improve your essay writing skills, you can try different structures that fit your topic and argument better.

4. Polish Your Writing Fundamentals

Knowing how to correctly use grammar, sentence structure, and punctuation is important for writing a good essay. A few small mistakes might not hurt your grade too much, but lots of mistakes can make your reader think less of your work.

Tools like the Aithor essay writer can improve your essays, but learning these rules yourself will help you use these tools better and improve your essay writing skills in the long run.

5. Write a Compelling Introduction

The introduction sets the mood for your whole essay and is your chance to get the reader interested. A good intro should start with something that grabs attention, like an interesting fact or question that leads into your main idea.

For example, instead of starting with a boring sentence like "This essay will talk about what caused the French Revolution", you could start with something more interesting: "What if a loaf of bread costs as much as you make in a week? For many French people in 1789, this was real life, and it helped start a revolution." This way of starting can really improve your essay's impact from the beginning.

6. Use Active Voice in Your Writing

Most of the time, using active voice makes your writing easier to read and more interesting. It keeps readers engaged and makes your points clearer. Look at these two sentences:

Passive: "The experiment was conducted by the scientist." 

Active: "The scientist conducted the experiment."

The active voice clearly shows who is doing the action, making your writing stronger and easier to understand. But sometimes, passive voice is okay, like in science writing or when we don't know or don't need to say who did the action. As you improve your essays, you'll learn when to use each type of voice to make your writing better.

7. Don't Repeat Things

It's important not to use the same words or ideas over and over in your essay. Try to use different words and sentence types to keep your reader interested and make your writing sound nice.

Instead of always saying "In conclusion" or "Furthermore", try using words like "Moreover", "Additionally", or "Given these facts". Using different words not only makes your essay flow better but also shows you know how to use language well, helping you improve your essay writing skills.

8. Seek Constructive Criticism

One of the best ways to improve your essay is by asking others what they think. Your teacher's comments are very important, but getting feedback before you turn in your final essay is also good. Classmates, tutors, or people at the writing center can give you new ideas about your work.

When you get feedback, try not to feel bad about criticism. Instead, think of it as a chance to make your writing better. Ask specific questions about things you're not sure about, like whether your argument is strong or if your explanations are clear.

9. Use Your Sources Correctly

When you mention information from other places, make sure you're using the right format that your teacher asked for (like APA, MLA, or Chicago). Using sources correctly not only avoids copying others' work without permission but also makes your arguments stronger by showing you've read reliable information. Paying attention to these details is a key part of how to improve your essays.

10. Edit and Refine Your Work

The best way to improve essays is by carefully checking and fixing them. Try to finish your first draft well before it's due so you can let it sit for a while. When you come back to it with fresh eyes, you'll often see ways to make it better that you didn't notice before.

Try reading your essay out loud during this process. This can help you find awkward phrases or parts that repeat too much that you might not notice when reading silently. Tools like the Aithor essay writer can also help you make your essay better.

Key Takeaways to Improve Essays

Improving your essay writing skills takes time and practice. By using these tips, you'll be on your way to writing better, more convincing, and more interesting essays. Remember, the goal isn't to be perfect, but to keep getting better.

If you want more help on how to improve your essay, think about using tools like the Aithor essay writer . It can give you guidance and suggestions as you work on your essays, helping you improve your essay writing skills over time.

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1. Keep it real. It’s normal to want to make a good impression on the school of your choice, but it’s also important to show who you really are. So just be yourself! Compelling stories might not be perfectly linear or have a happy ending, and that’s OK. It’s best to be authentic instead of telling schools what you think they want to hear.

2. Be reflective . Think about how you’ve changed during high school. How have you grown and improved? What makes you feel ready for college, and how do you hope to contribute to the campus community and society at large?

3. Look to the future. Consider your reasons for attending college. What do you hope to gain from your education? What about college excites you the most, and what would you like to do after you graduate? Answering these questions will not only give colleges insight into the kind of student you’ll be, but it will also give you the personal insight you’ll need to choose the school that’s right for you.

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Title Page Setup

A title page is required for all APA Style papers. There are both student and professional versions of the title page. Students should use the student version of the title page unless their instructor or institution has requested they use the professional version. APA provides a student title page guide (PDF, 199KB) to assist students in creating their title pages.

Student title page

The student title page includes the paper title, author names (the byline), author affiliation, course number and name for which the paper is being submitted, instructor name, assignment due date, and page number, as shown in this example.

Title page setup is covered in the seventh edition APA Style manuals in the Publication Manual Section 2.3 and the Concise Guide Section 1.6

Related handouts

• Student Title Page Guide (PDF, 263KB)
• Student Paper Setup Guide (PDF, 3MB)

Student papers do not include a running head unless requested by the instructor or institution.

Follow the guidelines described next to format each element of the student title page.

Professional title page

The professional title page includes the paper title, author names (the byline), author affiliation(s), author note, running head, and page number, as shown in the following example.

Follow the guidelines described next to format each element of the professional title page.

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XY Athletes in Women’s Olympic Boxing: The Paris 2024 Controversy Explained

The historical, political, and medical context of the Imane Khelif and Lin Yu-ting cases.

With the return of the Olympics, it’s time for another predictable global uproar about XY athletes competing in the female category. This is now a century-old problem in elite sport that we’ve somehow not yet managed to solve in a uniform way. The Paris 2024 iteration of this debate is arguably the most explosive ever due to a confluence of at least three factors:

• This time around, the athletes are boxers not runners, which means they’re going to be punching their competitors. Physical safety and gender norms, not just competitive fairness, are front-and-centre in people’s minds. 
• After the debates about Lia Thomas and Caster Semenya (which I discussed  in an essay for  Quillette  in 2019), the public knows a lot more—though still not enough—about the two categories of XY athletes who might be included in female competition: transwomen like Thomas and people like Semenya with disorders or differences of sex development (DSD). DSD are also sometimes called intersex conditions or sex variations by those who prefer non-medical terms.
• The domestic culture wars around sex and gender have since heated up significantly to become a global battle, with LGBTQI-rights organisations and their allies in the international human-rights community arguing that sex isn’t real or doesn’t matter—either at all or as much as gender identity. Authoritarian regimes led by the Kremlin, meanwhile, describe gender diversity as a harbinger of the end of Western civilisation.

Social media has amplified all of this to the point that the story of the moment, about a boxer from Algeria and another from Taiwan, is top of the news worldwide. Provocative visuals—ubiquitous in boxing—elicit highly emotional responses from some, while others sell their misleading or uninformed political wares (“There’s no evidence these fighters are not cis women!”).

In what follows, I offer a primer on the underlying facts so that readers can follow the story as it unfolds and understand its historical, medical, and political context.

Who are the boxers at the heart of the current storm?

Imane Khelif is a 25-year-old welterweight from Algeria. Lin Yu-ting is a 28-year-old featherweight from Taiwan. Both have medalled at previous world championships in the female category, and both are participating in their second Olympic Games having already competed in Tokyo.

Why is their eligibility for the female category in question?

The International Boxing Association (IBA)  issued a statement  on 31 July explaining that a “recognized” test had established that Khelif and Lin do not meet the eligibility standards for female competition. The IBA says this was not a testosterone test, which means it’s referring to a genetic test. 

Here’s the relevant detail:

On 24 March 2023, IBA disqualified athletes Lin Yu-ting and Imane Khelif from the IBA Women’s World Boxing Championships New Delhi 2023. This disqualification was a result of their failure to meet the eligibility criteria for participating in the women’s competition, as set and laid out in the IBA Regulations. This decision, made after a meticulous review, was extremely important and necessary to uphold the level of fairness and utmost integrity of the competition. Point to note, the athletes did not undergo a testosterone examination but were subject to a separate and recognized test, whereby the specifics remain confidential. This test conclusively indicated that both athletes did not meet the required necessary eligibility criteria and were found to have competitive advantages over other female competitors. The decision made by IBA on 24 March 2023 was subsequently ratified by the IBA Board of Directors on 25 March 2023. The official record of this decision can be accessed on the IBA website here . The disqualification was based on two tests conducted on both athletes as follows: • Test performed during the IBA Women’s World Boxing Championships in Istanbul 2022. • Test performed during the IBA Women’s World Boxing Championships in New Delhi 2023. For clarification Lin Yu-ting did not appeal the IBA’s decision to the Court of Arbitration for Sport (CAS), thus rendering the decision legally binding. Imane Khelif initially appealed the decision to CAS but withdrew the appeal during the process, also making the IBA decision legally binding.

Officials from the IBA have separately added that both fighters have XY chromosomes and high testosterone (“high T”) levels.

“High T” is one of the ways that testosterone levels outside of the female range tend to be described when one is speaking about an athlete in the female category. As you can see from Figure 1, immediately below, male and female T levels diverge at about the age of thirteen. Both Figure 1 and Figure 2 below make clear there’s no overlap in male and female T levels after early adolescence. Doping and being male are two ways that an adult athlete might have “high T.” 

It’s important to note that the IBA’s statements about Khelif and Lin are doubted by the IOC and others because the IBA has a reputation for being less than reliable, and because the IOC says it hasn’t seen the results of the tests that were the basis for the IBA’s decision to declare them ineligible. Alan Abrahamson reports , however, that the IBA sent them Khelif’s results back in June 2023.

Are Khelif and Lin transgender?

Like Caster Semenya, there’s no indication that either Khelif or Lin identifies as transgender. This makes sense given that they were apparently assigned female at birth—meaning that this is what was written on their birth certificates—and because being transgender is generally a matter of self-identification.

It is understandable that people are confused, however, because the word transgender is also sometimes used to mean a male who identifies as female. Khelif and Lin both identify as female based on their identity documents and their sex of rearing.

In any event, in sport at least, it seems their cases are being treated by everyone concerned as DSD cases.

What are DSD and why does elite sport care about them?

There are many different disorders or differences of sex development (DSD).

Depending on which you’re talking about, they can affect only males, only females, or both. As shown in Figure 2, immediately below, the only DSD of concern to sport affect genetic males who are also androgen sensitive—either fully, e.g. in the case of athletes with 5 alpha reductase deficiency (5-ARD), or substantially, e.g. in the case of athletes with partial androgen insensitivity (PAIS).

This makes policy sense. The point of the female category is to ensure that females only compete against each other and not against those with male biological advantage, and androgens are the primary driver of sex differences in athletic performance. As rough and insensitive as sex testing has been historically, the basic goal has remained constant.

Athletes with 5-ARD and PAIS have an XY chromosomal complement; they have testes; their testes produce testosterone well outside of the normal female range; their androgen receptors read and process their “high T”; and as a result, their bodies masculinise through childhood and puberty in the ways that matter for sport. Thereafter, their circulating T levels continue to have their usual performance-enhancing effects.

In other words—as shown in Figure 3 below, which compares athletes with 5-ARD to transwomen and sex-typical males and females—their variations from the male norm (such as underdeveloped external genitalia) are irrelevant to athletic performance. When they enter female competition, they carry male advantage.

Do Khelif and Lin have DSD that should make them ineligible for the female category?

As I write, there are currently three running versions of the answer to this question.

The first is the one from the—reputedly unreliable IBA—that Khelif and Lin do have DSD that should make them ineligible. That is, the IBA or its representatives have said they’re genetic males with male advantage. The latter generally means their T is bioavailable—they’re not androgen insensitive—and they’ve otherwise masculinised in the ways that matter in the arena. 

The second is the one that’s trending on social media and in some press commentary saying—without evidence—that Khelif and Lin are entirely female, XX chromosomes, ovaries, and all. Some concede the point that the athletes’ phenotypes are masculine, but they say that lots of women—a status they tend to read broadly to include transwomen—have masculine phenotypes and so this is just a matter of accepting that premise.

The third seems to be the IOC’s present position if we carefully parse its highly coded pronouncements—that Khelif and Lin may well have XY DSD with male advantage, but because they were identified at birth as female and continue to identify as such,  they’re women .

The IOC has spent a lot of time over the last few days lamenting the attacks on Khelif and Lin. We should all be lamenting them—they’re truly awful. Still, this volatile situation is almost entirely of the IOC’s own making. It’s sending impossibly mixed messages that were to be expected given its complicated relationship to sex and gender in sport.

CORRECTION In today’s IOC – Paris 2024 press briefing, IOC President Bach said: “But I repeat, here, this is not a DSD case, this is about a woman taking part in a women’s competition, and I think I have explained this many times.” What was intended was: “But I repeat, here,… — IOC MEDIA (@iocmedia) August 3, 2024

• In June, the IOC issued a language guide that disallows the use of sex-based language to describe athletes at the Games and that requires the treatment of gender diverse XY athletes who identify as women to be unequivocal: they are women.
• This language guide follows from the positions the IOC took in 2021 that gender diverse XY athletes should not be considered to have male advantage in the arena simply because they’re male, and that male T levels shouldn’t be disqualifying—despite their scientifically well-understood role as the primary driver of the performance gap between the best males and the best females. 

The idea was to make the controversy about XY athletes like Caster Semenya and Lia Thomas in the female category disappear by disappearing the relevant biology and the language we use to talk about it.

The IOC wasn’t going to get away with this, of course, once the IBA called it out on its inclusion of Khelif and Lin in the female category. But it had tied its own hands in advance, and because of this—in my opinion—much of what has come out of its spokesperson’s mouth is a combination of “inside baseball” and sleights of hand.

Still, an excellent piece on 2 August by Alex Oller of Inside the Games tells us that knowledgeable reporters who are going with one of the two XY DSD versions of the answer to the question likely aren’t wrong. I recommend you read Oller’s reporting in full (and Inside the Games in general), but in sum:

Formally, the IOC is going with the gender that’s listed in Khelif and Lin’s passports, which undoubtedly say that their legal gender is female. You can think of this as the IOC’s current sex test—it’s using legal gender as a proxy for sex and/or eligibility for the female category.

The IOC has also said it has not seen anything to indicate that what’s in Khelif and Lin’s passports isn’t consistent with their sex. The IBA’s statements say otherwise, of course, but the IOC says it can’t trust the IBA’s statements on this because of the “arbitrary” procedure that yielded them.

At the same time, on the substance, the IOC has acknowledged that after Khelif’s first win on Thursday, it scrubbed from its own website the notation that at least Khelif—if not also Lin—has high T. To explain this, it said in part that T levels don’t matter, that lots of females also have high T. This is intentionally misleading. 

Female athletes with high T—including those with polycystic ovaries—have T levels towards the top of the female range, not outside of the female range or inside the male range. Their sex is not in doubt. As I explained above, “high T” in an athlete who seeks to compete in the female category is code in international sports for either doping with exogenous androgens or being biologically male with bioavailable endogenous androgens. There’s no indication that either Khelif or Lin is doping.

As an aside, the reason many federations and the IOC itself for years used T as a proxy for sex is that it’s an excellent one: neither ovaries nor adrenal glands produce T in the male range, only testes do. If you’re looking for biological sex rather than legal gender, it’s certainly more accurate than a passport.

The IOC has also said that it has given up sex testing because there’s no way to get it right practically and in a nondiscriminatory fashion and because scientifically there’s consensus Khelif and Lin are women.

It is impossible to reconcile the IOC’s statements here, even if you’re an insider. Either they had experts look at the files on the athletes or they didn’t. If they didn’t, there can’t be scientific consensus about anything.

By contrast, the rest is internally consistent. For political reasons in general, not with respect to Khelif and Lin in particular, the IOC doesn’t want to test athletes for sex because, in its view, it’s “impractical”—meaning expensive in the multiple ways it cares about—and “discriminatory” against XY athletes who identify as women.

Why were Khelif and Lin able to compete for years before being barred last year?

Khelif and Lin have been competing internationally in the sport of boxing for several years. They were only barred from global competition in 2023.

Prior to 2022, the International Boxing Association didn’t evaluate biological sex or male advantage with a chromosome or testosterone test. Instead, as the IOC is doing now, it relied on the athletes’ passports as a proxy for sex and/or eligibility for the female category. If an athlete was entered into international competition by their domestic federation in the female category and their identity document said they were female, the IBA accepted that as proof of their eligibility.

According to the IOC, the IBA “suddenly” and “arbitrarily” changed its approach in 2023. The IBA says it started conducting at least some biological tests after the Tokyo Games—at its world championships in 2022—but that it only began excluding ineligible athletes beginning in 2023.

Why is the IOC not the IBA in charge of whether Khelif and Lin compete in Paris?

The Olympic Charter normally leaves it to the international federations to set the eligibility standard for their sports. But as a result of governance failures and corruption scandals, the IOC hasn’t recognised the IBA’s authority to regulate the sport at the Olympic Games since 2019. Instead, competition in Tokyo and Paris has been run by an  ad hoc  group appointed by the IOC for this purpose. This group rejected the IBA’s biologically-based determination of Khelif and Lin’s sex in favour of the old passport test, which the IOC describes as “the rule in place in 2016.” As noted above, this happens to be consistent with the IOC’s own policy preferences.

How do Olympic Movement politics play into their story?

Olympic Movement politics are a huge factor in this story in at least two ways, both of which I’ve mentioned already.

The first of these is the IOC’s fight with the IBA. The IBA happens to be aligned with the Kremlin, which is separately hostile to the IOC for its stances on doping and the war in Ukraine.

The second is the IOC’s policy choice to align itself with trans-rights advocates and against advocates for a sex-based female category. Here, the IOC is not just at odds with the IBA but also with some of the Olympic Movement’s most important federations like World Athletics and World Aquatics. Unlike the IOC, these federations are determined to prioritise fairness and the preservation of the female category for female athletes.

Where do we go from here?

The Khelif and Lin cases demonstrate that everyone loses out when the eligibility rules are not firmly set in a way that’s consistent with the goals of the competition category. The firestorm this issue regularly and predictably causes, and the consequent damage to the organisations and athletes involved, should catalyse change. Continuing to push the matter away—as the IBA and other federations, including most prominently FIFA, have done over the years—only means that further ugly controversies will arise in the future.

I will close by reiterating the three basic points that I and other experts in girls’ and women’s sport have been making for a long time.

First, the female category in elite sport has no  raison d’être  apart from the biological sex differences that lead to sex differences in performance and the gap between the top male and female athletes. The suggestion that we could choose to rationalise the category differently—for instance, on the basis of self-declared gender identity—or that we could make increasingly numerous exceptions in the interests of inclusion (as the IOC seems to have done to allow Khelif and Lin to compete in Paris) has no legs outside of certain progressive enclaves.

Second, any eligibility standard—like the IOC’s framework—that denies or disregards sex-linked biology is necessarily category-defeating.

Finally, federations that are committed to the female category and to one-for-one equality for their female athletes must step up and do two things. They must craft evidence-based rules and then stick to them consistently. And they must seriously embrace other opportunities to welcome gender diversity within their sports.

This article has been updated to include a reference and link to Alan Abrahamson’s report.

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