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Free Guy Parent Guide

The story starts slow but gets better, smarter, and funnier as it goes on - enough to make it sophomoric instead of infantile..

In Theaters: Ryan Reynolds stars as Guy, a background character in an open world video game. He develops a sense of self and is motivated to take action when he learns that the video game is about to go offline.

Release date August 13, 2021

Run Time: 115 minutes

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The guide to our grades, parent movie review by keith hawkes.

Guy (Ryan Reynolds) lives a life of unvarying predictability. Every morning, he wakes up, says good morning to his goldfish, grabs a coffee, and heads to work at the bank, where he is robbed at gunpoint repeatedly until his shift ends. Then he goes home, gets some sleep, and does it all again. Until, that is, he is dazzled by Millie (Jodie Comer). Guy realizes that his chances are slim - she’s one of the “sunglasses people” – the kind of people who run around with tanks, shoot up the streets, rob the bank where he works. But when he gets his hands on some of those sunglasses, Guy sees his world in a whole new light. He lives in a city of quests, objectives, loot, and characters – a video game. And he’s just another non-player character, going about his business as the real players tear up the town. With Millie’s help, though, they might just be able to change something…

I like video games, as I’m sure most of you do. I also tend to hate movies about video games. They have an awful habit of latching on to the loosest visual cliches and then making pop culture references for two hours instead of having a plot – I’m looking at you, Ready Player One . Or Ralph Breaks the Internet , which is less a film and more two hours of uninterrupted product placement for Disney’s intellectual property. Agonizing.

Although Reynolds has dialed down the profanity and sexual innuendo, Free Guy is still pretty well placed at a PG-13. There’s a fair bit of scatological cussing floating around like debris in a public pool, and some remarkably crude sexual references which were more than enough to catch me off guard, and which make this a less suitable choice for younger viewers.

Although the story starts slow, it gets better, smarter, and funnier as it goes on – enough to make it sophomoric instead of infantile. Maybe you’ll enjoy the cameos from video game streamers, maybe you’ll laugh at the goofy slapstick, or maybe you’ll just have fun watching Ryan Reynolds try not to swear. But there is more to enjoy here than I would have anticipated, and I’m sure you can find something to like too.

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Keith hawkes, watch the trailer for free guy.

Free Guy Rating & Content Info

Why is Free Guy rated PG-13? Free Guy is rated PG-13 by the MPAA for strong fantasy violence throughout, language and crude/suggestive references

Violence: Video game characters are repeatedly shot, punched, blown up, set on fire, stabbed, and thrown huge distances. These incidents are entirely non-fatal. Sexual Content: There are several crude and (to varying degrees) explicit sexual references, including mention of masturbation, strippers, and virginity. There is a crude comment relating to male sexual arousal. Profanity: There is one use of extreme profanity, 15 uses of scatological cursing, and occasional use of mild profanities and terms of deity. Alcohol / Drug Use: None.

Page last updated February 24, 2022

Free Guy Parents' Guide

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“Free Guy” is like a hyperactive puppy. It really wants to be your friend. It’s easy to like and fun to hang out with. It also has a habit of running around in circles, losing its focus, and shitting on the floor. A family action movie that targets the Fortnite Generation, “Free Guy” also preaches the importance of individuality while not only feeling like a dozen other movies but literally incorporating some of their imagery. An enjoyable cast, including movie-stealing work from Jodie Comer , holds it all together, but one can still see just enough glitches in this matrix to wish it was better.

With a set-up that feels distinctly like that of “The LEGO Movie,” “Free Guy” introduces us to the very likable Guy ( Ryan Reynolds ), an NPC (Non-Player Character) in a wildly successful open world video game called “Free City.” He wears the same outfit every day, orders the same coffee, and goes to work at the same bank, which gets robbed multiple times a day by actual players in this “ Grand Theft Auto ”-esque game. He doesn’t care. Everything is awesome for Guy and his best pal Buddy ( Lil Rel Howery ) until the cheery fella spots a real player who goes by the handle Molotov Girl (Comer) and breaks his pattern, following the captivating woman down the street. As he becomes more interested in Molotov Girl and where she might be going, he gets his hands on a pair of sunglasses that reveal what the actual players see in this world, including missions, medikits, hubs, and other things that will be familiar to modern gamers, even if some of the tech here already looks dated. (Note: It was a brilliant move to incorporate actual gamers and streamers like Ninja, Pokimane, and DanTDM , cameos that will have kids who know those personalities jumping out of their seats.)

Back in the real world, we learn that Molotov Girl is a programmer named Millie, who used to work with another tech genius named Keys ( Joe Keery ) on the development of a truly ambitious virtual game, one that would replicate the actual world instead of just giving gamers violent missions to perform. She’s in “Free City” trying to find evidence that the game’s egocentric publisher Antwan ( Taika Waititi ) stole her code and deformed it into this bland experience when Guy proves to be the perfect inside man. The Trinity to his Neo, the two form an alliance to basically break “Free City” apart from the inside, starting with Guy’s refusal to raise his rank through violence. Guy chooses only the positive missions in the game, and becomes an internet success in the process as the world tries to figure out who this mysterious gamer might be, without realizing that he’s actually the most remarkable breakthrough in artificial intelligence in history. As Millie and Keys discover what has been created here, they endeavor to save true advancement from brash capitalism.

Director Shawn Levy does an admirable job of keeping “Free Guy” clicking and humming through several entertaining scenes in the first half, including a great montage of Guy’s “good” missions and a funny sequence in which Keys and his programming partner Mouser ( Utkarsh Ambudkar ) go after Guy, but he really starts to lose the pace around the hour mark, circling back to a lot of the same plot points and themes. Rather than developing its own personality, the film struggles to shake the clear influence of other projects like “ The Matrix ,” “ Ready Player One ,” and even “ The Truman Show ” while also dropping in actual gaming and pop culture references with increasing regularity. The film’s best moments embrace the potential of this concept; its worst seem to be mimicking better projects.

Levy also keeps the strongest parts of “Free Guy” moving by drawing out the natural charisma of his cast. Reynolds can do this kind of charming action hero in his sleep, but Comer is a real breakthrough, charismatically holding together both the action-driven scenes as Molotov Girl and the more character-driven ones as Millie. She’s easily the best thing about the film, although it’s nice to see the affable Joe Keery get his best movie role to date too. Sadly, both cede a bit too much screen time to an overplaying Waititi in the second half of the movie, who hits the same unfunny beats over and over again and ends up feeling more cartoonish than the actual NPCs.

Every time that “Free Guy” threatens to become numbingly monotonous, a decision by writers Matt Lieberman and Zak Penn , or one by Comer or Reynolds, brings it back into focus. “Free Guy” is more disposable than it should have been, but it’s a pleasant enough distraction. Gamers often turn to virtual worlds to escape their own. It’s fun to see the journey taken in the other direction.

Available only in theaters on August 13.

Brian Tallerico

Brian Tallerico is the Managing Editor of RogerEbert.com, and also covers television, film, Blu-ray, and video games. He is also a writer for Vulture, The Playlist, The New York Times, and GQ, and the President of the Chicago Film Critics Association.

• Ryan Reynolds as Guy
• Jodie Comer as Molotov Girl
• Lil Rel Howery as Buddy
• Joe Keery as Keys
• Taika Waititi as Antoine
• Utkarsh Ambudkar as Mouser
• Christophe Beck
• Dean Zimmerman

Cinematographer

• George Richmond

Writer (story by)

• Matt Lieberman

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Ryan reynold's stars in comedy not for kids.

This title has:

• Too much violence
• Too much sex
• Too much swearing

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Ryan reynolds is so good, free guy's pretty good, pretty good movie..

• Great role models

Wow. Just wow.

Why should you care about references to stuff if they don’t know about them 🤨🤔, cool, action-packed video-game heist movie has some violence, language, etc, good film, maybe a tad bit kiddish for older viewers., tight screenplay, great effects, not bothered.

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When Guy, a bank teller, learns that he is a non-player character in a bloodthirsty, open-world video game, he goes on to become the hero of the story and takes the responsibility of saving ... Read all When Guy, a bank teller, learns that he is a non-player character in a bloodthirsty, open-world video game, he goes on to become the hero of the story and takes the responsibility of saving the world. When Guy, a bank teller, learns that he is a non-player character in a bloodthirsty, open-world video game, he goes on to become the hero of the story and takes the responsibility of saving the world.

• Matt Lieberman
• Ryan Reynolds
• Jodie Comer
• Taika Waititi
• 2.1K User reviews
• 298 Critic reviews
• 62 Metascore
• 5 wins & 29 nominations total

Top cast 99+

• Revenjamin Buttons

• (as Aaron Reed)

• Officer Johnny

• Big City Dreamer
• Bank Manager

• Convenience Store Owner Joe

• Cat Lady Phyllis

• Ice Cream Vendor

• Businessman
• All cast & crew
• Production, box office & more at IMDbPro

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Did you know

• Trivia Alex Trebek 's final appearance in a movie.
• Goofs Keys tells Millie that there is no button for kissing. However, the second time Guy and Millie kiss, it's Millie, not Guy, who performs the action first.

Chris Evans : [watches Guy use the Captain America shield] What the shit?

• Connections Featured in Troldspejlet & Co.: Nytårsshow med Cilius og Bruun (2019)
• Soundtracks Legendz Written by Adrianne Gonzalez and Devvon Terrell (as Devvon McLeod) Performed by Adrianne Gonzalez (as AG) featuring Devvon Terrell Courtesy of ABKCO Music & Records, Inc.

User reviews 2.1K

• Aug 13, 2021
• How long is Free Guy? Powered by Alexa
• What does NPC stand for?
• Can the characters in Millie's and Keys' original build respawn if killed?
• August 13, 2021 (United States)
• United States
• Disney+ Hotstar
• Official Disney+ Hotstar Indonesia
• Free Guy. Tomando el control
• Worcester, Massachusetts, USA
• 20th Century Studios
• Berlanti Productions
• 21 Laps Entertainment
• See more company credits at IMDbPro
• $120,000,000 (estimated)
• $121,626,598
• $28,365,416
• Aug 15, 2021
• $331,526,598

Technical specs

• Runtime 1 hour 55 minutes
• Dolby Atmos
• Dolby Digital
• Dolby Surround 7.1
• IMAX 6-Track

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Free Guy review: Ryan Reynolds is an AI on the loose in sweet screwball comedy

Director Shawn Levy's latest is both deeply silly and surprisingly endearing, even as its explosions and insult-comic banter tweak the outer limits of PG-13.

Ryan Reynolds has played several kinds of superhero on screen in the past decade, to varying degrees of success (oh, the dim light of Green Lantern ), though his most enduring contribution to the genre may not be a character at all, but a whole archetype: Call it Meta Man, droll rodeo clown of the multiverse — the merry quipster who never met a Zamboni joke he wouldn't make or a fourth wall he couldn't break.

In Free Guy (in theaters Aug. 13), he is not strictly super, though he is in fact a guy called Guy: resident of a gleaming metropolis called Free City, where he pops up out of bed every morning like an ecstatic meerkat to the disco squiggle of Mariah Carey's "Fantasy," puts on a fresh blue dress shirt, and heads off to work at the local bank. "Don't have a good day, have a great day," he instructs every customer, beaming. And yet he and his best friend, bank security guard Buddy ( Get Out 's great Lil Rel Howery ), are remarkably unsurprised by the rotating cast of second-tier Batman villains who rob the place with alarming regularity; they just shrug, drop to the floor, and chat cheerfully about their after-work plans until the smoke clears.

Guy doesn't seem to mind this casually homicidal Groundhog Day loop, but he longs for a lady in his life. So when his dream girl ( Killing Eve 's Jodie Comer ) strides by him on the street one day, oblivious, he dares to reach beyond the comfort zone of his morning Mariah and blue button-downs (it's still the same color, it's just a cotton henley now). That's when he discovers, Truman Show –style, that he is not a man at all but an NPC — a non-player character in a video game conceived in part by his new crush.

Inside his world, she's Molotov Girl, a cool assassin in leather pants with a crisp British accent; outside of it, she's Millie, an American coder whose idealistic original creation with her former partner, Keys ( Stranger Things ' Joe Keery ), has been co-opted for a bloody and enormously successful first-person shooter driven by a swaggering tech lord named Antwan ( Taika Waititi, having a ball). If Guy can learn how to navigate the loopholes of what an NPC can do, he and Molotov/Millie might figure out a way to prove that Antwan stole her and Keys' work, and maybe get Guy his first kiss too.

Those stakes are treated with approximately equal weight by director Shawn Levy ( Night at the Museum , The Internship ), which sets it apart from the C-plot status of most romances in chaotic popcorn fodder like this. So does the movie's overall tone — both deeply silly and surprisingly sweet, even as its explosions and insult-comic banter tweak the outer limits of PG-13. Waititi gleefully leans in to Antwan's toxic tech-bro moguldom, a peacocking bully in Yeezys who berates his employees and barely understands the rules of his own game. And the celebrity cameos come fast and loose: Channing Tatum, at least one MCU hero, even the late beloved Alex Trebek.

Elaborate wig work aside, Comer slips as easily into two wildly different personas as she did so regularly ( and memorably ) on Eve . And Reynolds is still very much on brand in his familiar screen mode as the antic joker who serves up one-liners like they're being pinged from a ball machine. But the prancing anarchist of Deadpool has been supplanted here by a much kinder, gentler soul; as word of the rogue NPC spreads, gamers across the world begin to rally for Blue Shirt Guy not just because he's a novelty — they don't entirely understand that he's actual proprietary AI — but because he's nice .

Though Free Guy is one of many projects completed well before the pandemic, its release now feels fortuitously in line with the Ted Lasso mood of the moment, and the general pivot from sneering antiheroes to more atypical ones — like a Guy so at ease in his masculinity that his sincere love of '90s R&B songbirds and bubblegum ice cream can peacefully coexist with his action-man imperative to save the world and get the girl (who regularly, refreshingly, saves herself). In a genre where winky self-awareness has become standard-issue, Free might have come off as manic and hollow; instead, it has fun having a heart. Grade: B

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We’ve come a long way since Disney released “Tron” 39 years ago — so far, in fact, that some people actually buy into the theory that what we think of as existence could be just a giant computer simulation, as Elon Musk described at Code Conference in 2016: “Forty years ago we had ‘Pong,’ like two rectangles and a dot. That was what games were. Now 40 years later, we have photorealistic 3D simulations with millions of people playing simultaneously, and it’s getting better every year,” Musk mused. Therefore, “if you assume any rate of improvement at all, the games will become indistinguishable from reality.”

In “ Free Guy ” — an inventive, much-better-than-you’d-expect 2020 summer tentpole that’s finally being released post-pandemic — Ryan Reynolds plays a video game character who doesn’t realize that his world isn’t real. Guy is what’s known as an NPC, or “non-playable character.” In a realm of ones and zeros, he’s a zero: just another of the generic background sims who serve as collateral damage for carnage hounds in a game called “Free City,” a “Grand Theft Auto”-style free-for-all where players are encouraged to wreak havoc, joyriding and blasting their way through a virtual metropolis.

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Wearing a look of almost Capraesque simplicity on his mug most times, Reynolds’ upbeat, blue-shirt-and-khakis bank teller has just enough programming to hit the deck during a stickup, or to utter a stock phrase before being struck by a car in the street. And like Neo in “The Matrix,” he doesn’t know what he doesn’t know. “Free Guy” focuses on the moment all that changes — the red-pill rift when his consciousness blows open, after the minimal AI that governs his behavior evolves enough to give Guy something resembling free will (and a pretty raunchy sense of humor, considering how oblivious he is to most things).

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Whether through a lack of originality or a desire to minimize the exposition in a movie whose elevated concept could’ve gotten unnecessarily complicated, the opening minutes of “Free Guy” borrow heavily from both “Deadpool” and “The Lego Movie,” as Reynolds wryly narrates the rules of his world: In “Free City,” the “sunglass people” are the heroes (represented here by a self-deprecating Channing Tatum), while everyone else are NPCs, blithely going about their “lives” in an endless, uninteresting loop (a “Groundhog Day” conceit that lifts still more DNA from other films, including last spring’s game-based action comedy “Boss Level”).

OK, so “Free Guy” isn’t the most original movie of all time, but what matters here is how co-writers Matt Lieberman (“The Addams Family”) and Zak Penn (“Ready Player One”) make it fresh. Simple, by asking: What would happen if Guy, an NPC, fell in love with one of the players he sees inside the game? It’s like “Who Framed Roger Rabbit” in reverse, where the hubba-hubba fantasy girl isn’t an imaginary toon but the avatar for Millie ( Jodie Comer ), aka Molotovgirl, the Pygmalion-like coder who conceived him. So long as audiences like Guy (and he’s played by Ryan Reynolds, so what’s not to like?), it’s easy to root for an impossible romance between the pixelated Romeo and his flesh-and-blood ideal.

Inventively brought to life by “Night at the Museum” helmer Shawn Levy (who designs Free City to look like a cross between a studio backlot and one of those pliable cityscapes seen in “Inception”), the movie’s overstuffed plot divides its time between the game Guy inhabits and Millie’s “real world,” where she and former programming partner Walter “Keys” McKeys (Joe Keery) have parted ways. Keys now works for Soonami, the big-time gaming company that acquired their idealistic early project and, if Millie is correct, buried their code somewhere inside “Free City” instead of developing it as agreed (which, I’m pretty sure, is something software companies are free to do as they please after purchasing someone else’s work, but no matter).

Like Jeff Bridges’ character in “Tron,” Millie sneaks into the game trying to prove that the developer “swiped our AI engine for his shooter.” Needless to say, all those intrigues are considerably less interesting than Guy’s quandary inside the game, although Levy balances things out somewhat by casting Taika Waititi as Antwan, the massively uncouth Soonami owner who comes across as a hilarious combination of all of Silicon Valley’s worst character traits: disgustingly rich, immature, abrasive and inclined to treat everyone who works for him as expendable peons.

Waititi makes his entrance late in the film but nearly hijacks it when he does, inventing a uniquely larger-than-life greed- and attention-monger bent on forcing the millions of “Free City” players worldwide (glimpses of whom we see in hovels and internet cafés) to upgrade to his forthcoming sequel. Apparently, “Free City 2” isn’t backward compatible and will effectively wipe out the revolutionary AI miracle of Guy’s rapidly self-improving personality — just like pretty much every video game sequel ever, by my understanding.

This would be a good point to admit that my own investment in video games dried up almost 30 years ago, when the Sega Genesis came along and rendered my 8-bit Sega Master System obsolete a month or two after I’d poured my life savings into the console. I pretty much stopped playing video games (or anything more complicated than “Candy Crush”) at that point, whereas my brother now spends more of his waking hours gaming than doing anything else. “Free Guy” wasn’t made for me so much as it was for those who invest actual dollars in in-game currency, buying skins and who-knows-what to enhance their avatars.

“Free Guy” assumes a certain level of video game literacy, as in vaguely “Matrix”-like action sequences where Keys and Soonami colleague Mouser (Utkarsh Ambudkar) enter the game as virtual cops and take out offending players (is that a thing?), or when Antwan reboots the game in order to wipe Guy’s brain (aren’t there easier ways to bug-fix?). When all that fails, Antwan takes a fire ax to the server room, which strikes me as one of those Hollywood conceits — like the virus in Sandra Bullock thriller “The Net” melting the screens of every computer it infects — that the filmmakers have embellished to make a thoroughly uncinematic geek concept more exciting.

But let’s be honest: “Free Guy” is a lot of fun, despite the fact that Levy and the screenwriters seem to be changing the rules as they go. Reynolds might be a little too charismatic to be believable as a personality-devoid NPC (the way that Jim Carrey always seemed too chirpily self-aware as the ostensibly naive star of “The Truman Show”), but it’s a thrill to watch the character come into his own, as “Blue Shirt Guy” (as the fans following his exploits in the game call him) levels up in a hurry.

Less experienced, Comer and Keery are young TV actors (from “Killing Eve” and “Stranger Things”) still trying to pin down their respective big-screen appeal, and they come off more generic than the virtual dude their characters invented here. I’m skeptical that the world really wants the “fishbowl game” they developed, or that people would rather watch an autonomous video game than play one themselves. But “Free Guy” is all but guaranteed to make audiences think differently about NPCs. The medium is still in its infancy, and 40 years from now (if Musk is right), when those virtual characters are sophisticated enough to be indistinguishable from people, it could be fun to go back and see how much “Free Guy” got right.

Reviewed at El Capitan Theater, Los Angeles, Aug. 2, 2021. (In Locarno Film Festival.) MPAA Rating: PG-13. Running time: 115 MIN.

• Production: A 20th Century Studios release and presentation of a Berlanti Prods., 21 Laps, Maximum Effort, Lit Entertain Group production. Producers: Ryan Reynolds, Shawn Levy, Sarah Schechter, Greg Berlanti, Adam Kolbrenner. Executive producers: Mary McLaglen, Josh McLaglen, George Dewey, Dan Levine, Michael Riley McGrath.
• Crew: Director: Shawn Levy. Screenplay: Matt Lieberman, Zak Penn; story: Matt Lieberman. Camera: George Richmond. Editor: Dean Zimmerman. Music: Christophe Beck.
• With: Ryan Reynolds, Jodie Comer, Joe Keery, Lil Rel Howery, Utkarsh Ambudkar, Taika Waititi.

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Free Guy Reviews

While it’s faux-philosophy about being kind NPC characters is both weird and unfunny, the rousing nature of the film’s good spirit often masks faults in it’s logic

Full Review | Original Score: 4/5 | Jul 4, 2024

Ryan Reynolds again proves he has a real knack for being able to combine huge action scenes and fast-paced humor into one strong production. It is his work in this look inside the video game world that is the real winner.

Full Review | Original Score: 3/4 | Aug 10, 2023

Everything I wanted! It’s not just charming & hilarious it’s actually A smart & poignant satire on the video game industry! Ryan’s Best non comic book role since the proposal! Plus Jodie Comer STEALS THE SHOW! This is The Truman Show for this generation!

Full Review | Jul 26, 2023

In addition to the impressive visuals, hilarious comedy bits, and thrilling action sequences, Shawn Levy, Matt Lieberman, and Zak Penn offer a brilliant narrative that deeply explores human nature and what the viewers perceive as "real".

Full Review | Original Score: A | Jul 25, 2023

Yes, it may feel a bit like a marketing ploy and a deliberate crowd-pleaser in parts, but at least it is a damn entertaining one.

Full Review | Original Score: 3/5 | Jul 25, 2023

Further, the concept of idea theft and intellectual property is given a satisfyingly thorough exploration.

Full Review | Original Score: 3/4 | Nov 23, 2022

Free Guy is a creative burst of fresh air.

Full Review | Original Score: 4/5 | Oct 9, 2022

Free Guy is one of the most creative and crowd-pleasing summer spectacles in recent memory, full of clever comedy and subversive action setpieces that will leave every viewer satisfied.

Full Review | Original Score: 4/5 | Sep 1, 2022

While it has an undeniably bright and cheery exterior, underneath is little more than a fairly standard and borderline exhausting blockbuster.

Full Review | Original Score: 2.5/5 | Aug 17, 2022

Free Guy is a total blast from start to finish. With creative world-building, it manages to create one of the best video game movies yet.

Full Review | Original Score: 7/10 | May 18, 2022

Packed with wit, humor, action and plenty of heart, Free Guy might just be the best video game movie to ever come out of Hollywood.

Full Review | Original Score: 3.5/5 | Mar 28, 2022

FREE GUY is a refreshingly funny and heartfelt romantic comedy in the guise of a wacky and surprisingly clever video game action movie.

Full Review | Original Score: 8/10 | Mar 15, 2022

a sporadically exhilarating studio movie that wants nothing more than to make you smile, and thats no bad thing.

Full Review | Original Score: 3/5 | Mar 3, 2022

"Now streaming on Disney+, it's perhaps the most enjoyable video-game-inspired movie yet."

Full Review | Original Score: 7/10 | Feb 26, 2022

Not a bad comedic role for Reynolds, who was once again a laugh a minute, and Taika Waititi was refreshing, but a bit corny in its formulaic wrap-up.

Full Review | Original Score: 8.2/10 | Feb 25, 2022

The film neither is incredibly fun or deep with the result from the film's overly long 115-minute runtime instead simply being mediocre.

Full Review | Original Score: C | Feb 15, 2022

Free Guy cant shake the fact that its a blockbuster film littered with the exact lack of originality that its protagonists criticize.

Full Review | Original Score: 2.5/5 | Feb 12, 2022

Ultimately, while Free Guy has an amazing concept, it's trapped within a massively underwhelming execution.

Full Review | Original Score: 3/5 | Dec 14, 2021

What is important is that Ryan Reynolds is playing his typical character, who kicks ass and makes you laugh.

Full Review | Original Score: 3/5 | Nov 28, 2021

Free Guy is admittedly derivative, but it also has a huge heart, a lot of soul and a sneakily sly, ingenious, and subversive plot which belies its' day-glow, confectionary, high-gloss finish.

Full Review | Original Score: 4.5/5 | Oct 24, 2021